New Books in Critical Theory

I spoke with Prof. Tim Jackson about his latest book: Post Growth, Life after Capitalism, published by Polity Books in 2021. The book starts with a reflection on the event of the past few months. The success in 2019 of the school strikes for climate, the attention that Greta Thunberg received even in Davos, and the arrival of the pandemic that changed our priorities. Even the 2009 crisis challenged the degrowth movement when we experienced the consequences of the recession. I have asked how do we keep the focus on sustainability? This book and his work in general are about the need for a change in our economic paradigms. But we are still tied to old ideas and institutions. Keynes that many progressive politicians and economists frequently refer to, cannot be really claimed to be offering revolutionary ideas for our times. Still, the book mentions an essay by Keynes from 1930 where he appears clearly interested in what should come after the immediate actions (growth) needed to overcome the great depression. We discussed how the shift in economic paradigm can follow different patterns in the rich nations and in the developing ones. Finally, referring to the final chapter, 'Dolphins in Venice', we talked about what could happen at the end of the pandemic to our cultural and consumption preferences. Capitalism is broken. The relentless pursuit of more has delivered climate catastrophe, social inequality and financial instability—and left us ill prepared for life in a global pandemic. Weaving together philosophical reflection, economic insight and social vision, Tim Jackson’s passionate and provocative book dares us to imagine a world beyond capitalism—a place where relationship and meaning take precedence over profits and power. Post Growth is both a manifesto for system change and an invitation to rekindle a deeper conversation about the nature of the human condition. Dr Tim Jackson holds degrees in mathematics (MA, Cambridge), philosophy (MA, Uni Western Ontario) and physics (PhD, St Andrews). He is Director of the Centre for the Understanding of Sustainable Prosperity and Professor of Sustainable Development at the University of Surrey in the UK. Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What is the impact of surveillance capitalism on our right to free speech? The Internet once promised to be a place of extraordinary freedom beyond the control of money or politics, but today corporations and platforms exercise more control over our ability to access information and share knowledge to a greater extent than any state. From the online calls to arms in the thick of the Arab Spring to the contemporary front line of misinformation, Jillian York charts the war over our digital rights. She looks at both how the big corporations have become unaccountable censors, and the devastating impact it has had on those who have been censored. In Silicon Values: The Future of Free Speech Under Surveillance Capitalism (Verso Book, 2021), leading campaigner Jillian York, looks at how our rights have become increasingly undermined by the major corporations desire to harvest our personal data and turn it into profit. She also looks at how governments have used the same technology to monitor citizens and threatened our ability to communicate. As a result our daily lives, and private thoughts, are being policed in an unprecedented manner. Who decides the difference between political debate and hate speech? How does this impact on our identity, our ability to create communities and to protest? Who regulates the censors? In response to this threat to our democracy, York proposes a user-powered movement against the platforms that demands change and a new form of ownership over our own data. Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How should we understand creative work? In Creative Control: The Ambivalence of Work in the Culture Industries (Columbia UP, 2021), Michael Siciliano, an assistant professor of sociology at Queen's University, Canada, explores this question through a comparison of a recording studio and a digital content creation company. The book considers the meaning and practice of ‘creative’ labour, considering its ambivalences, the passions and commitments, as well as the compromises and alienations associated with this area of economy and society. It represents a crucial intervention to the literature on cultural production, as well as offering an important understanding of the impact of digital modes of distribution and production on creative industries. A rich and fascinating comparative ethnography, the book is essential reading across humanities and social sciences, as well as for anyone interested in understanding contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The 19th century German philosopher Friedrich Nietzsche stands among the canon’s most-cited figures, with aphorisms dotting texts on a variety of topics, and his name evokes strong responses from almost anyone who has ever heard of him. His aphoristic and poetic writing style have made it difficult at times to understand what he meant, although the wealth of commentaries pulling him in a variety of different directions points to the fact that he did mean something. On the political right he has been credited as an influence among many reactionary political movements, but even on the left he is cited as an emancipatory figure, suspicious of the powers that be. Aside from these, his writings on art and psychology have remained influential for many. It would seem then that there are numerous Nietzsche’s one can pull from, and due to the loose nature of his writing, one would seem to be warranted in reading Nietzsche a bit more freely. However, that freedom and flexibility misses that there may in fact be a unifying thread to Nietzsche’s thought, and it may in fact be a much darker thread than many of his apologists have realized. This is the main argument of the book we’ll be discussing today, Domenico Losurdo’s Nietzsche, The Aristocratic Rebel: Intellectual Biography and Balance Sheet. Originally published about 20 years ago in Italian, it has recently been delivered to English audiences by Gregor Benton and with an introduction by Harrison Fluss as part of the Historical Materialism book series. Clocking in at just over 1000 pages, it is both a literal and figurative bombshell, delivering a rigorous and systematic account of Nietzsche’s thought. A major part of the books length comes from the fact that Losurdo refuses to treat Nietzsche in isolation, and instead spends a large amount of time recreating Nietzsche’s various contexts, 19th century Germany and Europe more broadly, as a way of making the political orientation of Nietzsche’s thought all the more explicit. Through his investigation, Losurdo reveals a Nietzsche who is committed to fighting against the democratic movements happening all around him and being an advocate for a superior elite at the expense of everyone else, whose main purpose in life is to serve them. Domenico Losurdo was an Italian Marxist historian and philosopher. Harrison Fluss received his PhD in philosophy at Stony Brook University. He is a professor at Manhattan College, NYC and wrote the introduction to the English edition of The Aristocratic Rebel. Daniel Tutt studied at American University and the European Graduate School. He teaches in the philosophy department at George Washington University. He reviewed The Aristocratic Rebel for Historical Materialism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Working Aesthetics: Labour, Art and Capitalism (Bloomsbury Academic, 2019) is the story of art and work under contemporary capitalism. Whilst labour used to be regarded as an unattractive subject for art, the proximity of work to everyday life has subsequently narrowed the gap between work and art. The artist is no longer considered apart from the economic but is heralded as an example of how to work in neoliberal management textbooks. With the narrowing of work and art visible in galleries and art discourse today, Working Aesthetics takes a step back to ask why labour has become a valid subject for contemporary art and explores what this means for aesthetic culture today. Danielle Child speaks with Pierre d'Alancaisez about the rise of the art fabricator embodied by the stories of Lippincott, Inc. and Mike Smith Studio, dematerialised labour of Rimini Protokoll, and the digital afterlives of etoy and the brave new world of NFTs. The opening street scene by Eyre Crowe is here. Dannielle Child is a senior lecturer at Manchester School of Art. Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How do race and sexuality intersect in the American sitcom? In The Generic Closet: Black Gayness and the Black-Cast Sitcom (Indiana University Press, 2021), Alfred L Martin, an assistant professor of communication studies at The University of Iowa, explores the production and reception of Black-cast sitcoms, along with a detailed analysis of the representations of gay men within this genre. At the centre of the book is a theorisation of the generic closet, both as a way to explain the absence of nuanced and complex representations of Black gay men on screen, and to account for the limited, decentred, and peripheral place offered to Black gay men in the Black-cast sitcom. Offering detailed engagement with the history and political economy of television, along with insights into writers’ rooms, production decisions, and audience responses, the book is essential reading across humanities and social sciences, as well as for anyone interested in understanding contemporary culture. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Itay Snir's book Education and Thinking in Continental Philosophy (Springer, 2020) draws on five philosophers from the continental tradition – Theodor Adorno, Hannah Arendt, Gilles Deleuze, Jacques Derrida, and Jacques Rancière – in order to “think about thinking” and offer new and surprising answers to the question: How can we educate students to think creatively and critically? Despite their differences, all of these philosophers challenge the modern understanding of thinking, and offer original, radical perspectives on it. In very different ways, each rejects the modern approach to thinking, as well as the reduction of proper thought to rationality, situating thinking in sociohistorical reality and relating it to political action. Thinking, they argue, is not a natural, automatic activity, and the need to think has become all the more important as political reality seems to exhibit less thinking, or to even celebrate thoughtlessness. Bringing these continental conceptions of thinking to bear on the urgent need to educate young people to think against the current, this book makes a significant contribution to educational theory and political philosophy, one that is particularly relevant in today’s anti-intellectual climate. (The podcast focuses especially on Adorno's thoughts about thinking.) Kai Wortman is a PhD candidate at the Institute of Education, University of Tübingen, interested in philosophy of education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Prathama Banerjee's book Elementary Aspects of the Political: Histories from the Global South (Duke UP, 2020) studies the rise of modern politics in India, between the mid-19th and the mid-20thcenturies, at the cusp of colonial modern, classical Indian, Indo-Persian and regional vernacular ideas. It unpacks the political, following modern common sense, into four elementary aspects – Self, Action, Idea and People – and shows how each element is structured around a conceptual instability, rendering its very elementary status questionable. The political subject is split by the tension between renunciation and realpolitik; action driven by the dialectic between labor and karma, each with its distinctive means-end configuration; the idea torn by its troubled relationships with the economic and the spiritual; and the people forever oscillating between being pure structure, as in the political party, and being pure fiction. Through this account, the book argues that the modern political works by virtue not of any irreducible principle or autonomous logic, a priori identifiable as political, but an unceasing process of differentiation of the political from the non-political – variously imagined at various times as science, religion, society, economics and aesthetics – as also through a simultaneous grounding and delimitation of the political by the specter of the extra-political. The book invites us to go beyond postcolonial and decolonial criticism and engage in the positive and creative task of producing new political theory, inspired by histories and practices from the non-European world. Saronik Bosu (@SaronikB on Twitter) is a doctoral candidate in English at New York University. He is writing his dissertation on South Asian economic writing. He is coordinator of the Medical Humanities Working Group at NYU, and of the Postcolonial Anthropocene Research Network. He also co-hosts the podcast High Theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

This year, more than 40 books will be published in English with 'Neoliberal' or 'Neoliberalism' in the title. For many in the academy, these words have become interchangeable with “capitalist”, “laissez-faire”, “fiscally austere” or pretty much anything short of full socialism. Yet, when it was first coined by self-proclaimed neoliberals on either side of the second world war, the term had a specific meaning that has since been lost in a culture-war of words. By taking us back to neoliberalism’s embryonic debates in 1920s Vienna and a fly-on-the-wall account of the movement’s founding conference in the Swiss Alps in 1947, Ola Innset brings neoliberalism's specific "dual argument" to life. Ola Innset is a postdoctoral researcher at the BI Norwegian Business School in Oslo. He has published three other books in Norwegian - the most recent being The Market Turn, a history of neoliberalism in Norway. Reinventing Liberalism: The Politics, Philosophy and Economics of Early Neoliberalism (1920-1947) (Springer, 2021), which is based on a PhD thesis for which he won the 2019 Joseph Dorfman Dissertation Prize from the History of Economics Society, is his first book in English. *The author's own book recommendations are Family Values: Between Neoliberalism and the New Social Conservatism by Melinda Cooper (Zone Books, 2017) and the Outline trilogy by Rachel Cusk (Faber & Faber, 2018-19). Tim Gwynn Jones is an economic and political-risk analyst at Medley Global Advisors. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Mapping Abundance for a Planetary Future: Kanaka Maoli and Critical Settler Cartographies in Hawai'i (Duke University Press, 2021), Candace Fujikane draws upon Hawaiian stories about the land and water and their impact upon Native Hawai'ian struggles to argue that Native economies of abundance provide a foundation for collective work against climate change. Fujikane contends that the practice of mapping abundance is a radical act in the face of settler capital's fear of an abundance that feeds. Cartographies of capital enable the seizure of abundant lands by enclosing "wastelands" claimed to be underdeveloped. By contrast, Kanaka Maoli (Native Hawaiian) cartographies map the continuities of abundant worlds. Vital to restoration movements is the art of kilo, intergenerational observation of elemental forms encoded in storied histories, chants, and songs. As a participant in these movements, Fujikane maps the ecological lessons of these elemental forms: reptilian deities who protect the waterways, sharks who swim into the mountains, the navigator Māui who fishes up the islands, the deities of snow and mists on Mauna Kea. The laws of these elements are now being violated by toxic waste dumping, leaking military jet fuel tanks, and astronomical-industrial complexes. As Kānaka Maoli and their allies stand as land and water protectors, Fujikane calls for a profound attunement to the elemental forms in order to transform climate events into renewed possibilities for planetary abundance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this episode, I interview Kas Saghafi, associate professor of philosophy at the University of Memphis, about his book The World After the End of the World, published through SUNY Press in 2020. In this book, Kas Saghafi argues that the notion of “the end the world” in Derrida’s late work is not a theological or cosmological matter, but a meditation on mourning and the death of the other. He examines this and several other tightly knit motifs in Derrida’s work: mourning, survival, the phantasm, the event, and most significantly, the term salut, which in French means at once greeting and salvation. An underlying concern of The World after the End of the World is whether a discourse on salut (saving, being saved, and salvation) can be dissociated from discourse on religion. Saghafi compares Derrida’s thought along these lines with similar concerns of Jean-Luc Nancy’s. Combining analysis of these themes with reflections on personal loss, this book maintains that, for Derrida, salutation, greeting, and welcoming is resistant to the economy of salvation. This resistance calls for what Derrida refers to as a “spectro-poetics” devoted to and assigned to the other’s singularity. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Is curiosity political? Does it have a philosophical lineage? In Curiosity and Power: The Politics of Inquiry (University of Minnesota Press, 2021), Perry Zurn shows, consequentially, yes. He further asks: Who can be curious? How? When? To what effect? What happens when we are curious together? Engaged with multiple social movements ranging from the mid-twentieth century to our current time, and thinkers of curiosity from the Ancient world until now, Zurn theorizes the normative and political force of curiosity while providing insight into how it has and can be wielded for transformative collective resistance. Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What is the story of race in American fiction? In Redlining Culture: A Data History of Racial Inequality and Postwar Fiction (Columbia University Press, 2020), Richard Jean So, an assistant professor of English in the Department of English at McGill University, uses computational and quantitative methods, alongside close textual analysis, to demonstrate the institutional whiteness of the US publishing industry. Even as the rise of multiculturalism has been celebrated in American fiction, So shows how publishing houses, reviewers, prize givers, and audiences still focused on a minority of Minority authors, with little evidence of change during the second half of the twentieth century. Moreover, although as the struggle for recognition seemed to be won within universities, the literary world continued to exclude authors of colour. In addition, the book engages with, and draws inspiration from, the work and career of Toni Morrison, offering findings that will engage across both the humanities and social sciences. The book is essential reading for anyone interested in race and literature, along with anyone interested in explaining and understanding why race continues to be essential to understanding contemporary culture. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this episode, I interview Michael Snediker, professor of English at the University of Houston, about his book, Contingent Figure: Chronic Pain and Queer Embodiment, recently published by University of Minnesota Press. At the intersection of queer theory and disability studies, Snediker locates something unexpected: chronic pain. Starting from this paradigm-shifting insight, Snediker elaborates a bracing examination of the phenomenological peculiarity of disability, articulating a complex idiom of figuration as the lived substance of pain’s quotidian. This lexicon helps us differently inhabit both the theoretical and phenomenal dimensions of chronic pain and suffering by illuminating where these modes are least distinguishable. Suffused with fastidious close readings, and girded by a remarkably complex understanding of phenomenal experience, Contingent Figure resides in the overlap between literary theory and lyric experiment. Snediker grounds his exploration of disability and chronic pain in dazzling close readings of Herman Melville, Emily Dickinson, Henry James, and many others. Its juxtaposition of these readings with candid autobiographical accounts makes Contingent Figure an exemplary instance of literary theory as a practice of lyric attention. Thoroughly rigorous and anything but predictable, this stirring inquiry leaves the reader with a rich critical vocabulary indebted to the likes of Maurice Blanchot, Gilles Deleuze, D. O. Winnicott, and Eve Kosofsky Sedgwick. A master class in close reading’s inseparability from the urgency of lived experience, this book is essential for students and scholars of disability studies, queer theory, formalism, aesthetics, and the radical challenge of Emersonian poetics across the long American nineteenth century. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Political Theorist and activist Dana Mill’s latest new book, Rosa Luxemburg (Reaktion Books, 2020), is part of an extensive series of books published by Reaktion Books, Ltd, which focuses both on the ideas or creations and the lives of many leading cultural figures of the modern period. These volumes are not long, but they are thorough, and they help the reader to understand the historical context in which these thinkers, artists, writers, etc. lived, created, and worked. Mill’s contribution to this series centers on the turbulent life of Rosa Luxemburg, who lived, worked, studied, and advocated in Europe in the late 1800s and into the 1900s. Mills provides a biographical guide to Luxemburg as we learn about her young life growing up in Poland and her move to Zurich to pursue a PhD in Economics. Luxemburg becomes involved in politics in the late 1880s and 1890s, and she is also developing her thinking about economics, politics, exploitation, and nationalism during this same period. As Mills makes clear, Luxemburg quite enjoyed the experience of thinking and engaging ideas, taking on the dialectical arguments that were very much the mode and method of learning and teaching, particularly among those focusing on economics and Marxism. Luxemburg transferred this method of learning and teaching to her own work as a teacher, a very talented teacher in the trade union schools. Rosa Luxemburg was imprisoned for long stretches of her life—and, as a result of these experiences, she learned quite a lot about what incarceration does to a person, how this form of constraint impacts the individual psyche. This also contributed to her continued thinking about what freedom and equality actually mean to people, how these concepts are dimensions of justice, and how justice may be achieved in a colonial, imperial world marked by nationalism and material inequality. Mills’ biographical analysis incorporates Luxemburg’s murder, which, as Mills notes, is indeed tragic, but does not make Rosa Luxemburg into a tragic figure. Luxemburg was very much the author of her own life story, but she anticipated her murder, which was committed by right-wing fascists who would ultimately become members of the Nazi Party under Hitler. Dana Mills brings Rosa Luxemburg to life, exploring her revolutionary thinking and writing, all while helping the reader get to know Red Rosa, who always took brisk walks, loved reading Goethe’s Faust, regularly corresponded with V.I. Lenin, and continually worked towards an open and just future. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at [email protected] or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this episode, I interview David Wills, professor of French Studies at Brown University, about his book, Prosthesis, recently republished for its 25th anniversary by University of Minnesota Press. A landmark work in posthuman thought that analyzes and explores the human body as a technology, the book promotes the idea that the human body is open to supplementation by artificial addenda that operate both internally or externally and engage it in an unceasing arbitration with the environment. Questioning the opposition between animate and inanimate along with the logic of the automatic prioritization of living flesh, Prosthesis undertakes these assumptions by studying thematics of artificiality through the writings of Freud, Derrida, William Gibson, Peter Greenaway, and others. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Bearing with Strangers: Arendt, Education and the Politics of Inclusion (Routledge, 2018) looks at inclusion in education in a new way. By introducing the notion of the instrumental fallacy, it shows how this is not only an inherent feature of inclusive education policies, but also omnipresent in modern educational policy. It engages with schooling through an Arendtian framework, namely as a practice with the aim of mediating between generations. It outlines a didactic and pedagogical theory that presents inclusion not as an aim for education, but as a constitutive feature of the activity of schooling. Drawing on the work of Hannah Arendt, the book offers a novel and critical perspective on inclusive education, as well as a contribution to a growing literature re-engaging didactic and pedagogical conceptions of teaching and the role of the teacher. Schooling is understood as a process of opening the world to the young and of opening the world to the renewal that the new generations offer. The activity of schooling offers the possibility of becoming attentive towards what is common while learning to bear with that which is strange and those who are strangers. The book points to valuable metaphors and ideas - referred to in the book as 'pearls' - that speak to the heart of what schooling and teaching concerns, such as exemplarity, judgement, and enlarged thought. Kai Wortman is a PhD candidate at the Institute of Education, University of Tübingen, interested in philosophy of education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Frank Ruda's book Abolishing Freedom. A Plea for a Contemporary Use of Fatalism (University of Nebraska Press 2016) presents a compelling reading of authors diverse as Martin Luther, Descartes, Kant, Hegel, and Freud. They grapple with the limits of human freedom, and obviously so. Because we understand freedom - at least since Aristotle - as a capacity or a capability to choose freely between different options. Expressed with a formulation of Harry Frankfurt: "An action is free only if the agent could have done otherwise." However, Ruda - who is Senior Lecturer in Philosophy at the University of Dundee - shows that this intuitive and classical formulation of freedom of choice is deceptive. It suggests that we can choose the amount of freedom we want to live up to in the same way in which we can choose between tea or coffee. But this is a trivialization of freedom. We do not get up in the morning determined to be more free this week than last week. And one reason for this is that freedom is not at our disposal. As such it touches upon questions of fate and predestination. Philosophers from Luther to Hegel and from Descartes to Freud know this. They conceptualize through the concept of freedom a point of negativity, or – metaphorically speaking – a ground zero of human agency and autonomy. This is why topics such as fatalism, predestination, morality or divine providence, to name just a few, guide the argument of the book: to abolish freedom for the sake of freedom. The Interview is conducted by Dominik Finkelde SJ, Professor of Philosophy at the Munich School of Philosophy and Sophie Adloff, student of philosophy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Emile Bojesen's book Forms of Education: Rethinking Educational Experience Against and Outside the Humanist Legacy (Routledge, 2019) analyses the tenets of the humanist legacy in terms of its educational ethos, examining its contradictions and its limits, as well as the extent of its capture of educational thought. It develops a broader conception of educational experience, which challenges and exceeds the limits of the humanist educational legacy. The book defines education, openly and non-restrictively, as the (de)formation of non-stable subjects, arguing that education does not require specific formations, nor the formation of specific forms, only that form does not cease being formed in the experience of the non-stable subject. Exploding and pluralising what amounts to 'education', this book rethinks what might still be called 'educational experience' against and outside the humanist legacy that confines its meaning. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

During the middle decades of the twentieth century, the production of America’s consumer culture was centralized in New York to an extent unparalleled in the history of the United States. Every day tens of thousands of writers, editors, artists, performers, technicians, and secretaries made advertisements, produced media content, and designed the shape and feel of the consumer economy. While this centre of creativity has often been portrayed as a smoothly running machine, within these offices many white-collar workers challenged the managers and executives who directed their labours. Shannan Clark. author of The Making of the American Creative Class: New York's Culture Workers and 20th-Century Consumer Capitalism (Oxford UP, 2020), speaks with Pierre d’Alancaisez about the origins of the creative class, their labour union struggles and successes, the role of the Works Projects Administration, and institutions like the Design Laboratory and Consumer Union which foretell the experiences of today’s culture workers. Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The last several decades have seen tremendous political and cultural strides forward for the LGBTQ+ community with both the legislative and cultural recognition helping many secure a more safe and open lifestyle than possible just a short while ago. However, these advances have raised a number of criticisms and qualifications, and not just from stuffy conservatives either. Many on the radical left have argued that the advances of gay, trans and queer persons is part of a broader attempt by the powers of capital to present an increasingly brutal economic society with a friendlier face, one of diversity and inclusion. This critique has led to a counter-critique of class-reductionism, the treatment of every issue and person from a very basic class-perspective. Diving right into this debate is my guest today, Peter Drucker, here to discuss his book Warped: Gay Normality and Queer Anti-Capitalism (Brill, 2015). Published as part of the Historical Materialism book series, Drucker's book is unapologetically Marxist in its orientation and presents a massive history of sexual orientations and identity throughout much of human history, with particular focus on gender formations under colonialism, industrialization, and the more recent cases of Fordist and Neoliberal capitalism. However, Drucker also sees things that Marxists could learn from contemporary queer theory and practice as they try to navigate a world that was not designed for them, and as they try to build a better one. Rich in information and attentive to historical detail, this book is a fascinating combination of history, queer theory and political science that will be helpful to everyone who hopes to someday see a world where we all belong. Peter Drucker received his PhD in political science at Columbia University. A lifelong activist on the radical left, he has published widely on socialist theory and history, and has also written extensively on LGBTQ+ issues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Poor Queer Studies: Confronting Elitism in the University (Duke UP, 2020), Matt Brim shifts queer studies away from its familiar sites of elite education toward poor and working-class people, places, and pedagogies. Brim shows how queer studies also takes place beyond the halls of flagship institutions: in night school; after a three-hour commute; in overflowing classrooms at no-name colleges; with no research budget; without access to decent food; with kids in tow; in a state of homelessness. Drawing on the everyday experiences of teaching and learning queer studies at the College of Staten Island, Brim outlines the ways the field has been driven by the material and intellectual resources of those institutions that neglect and rarely serve poor and minority students. By exploring poor and working-class queer ideas and laying bare the structural and disciplinary mechanisms of inequality that suppress them, Brim jumpstarts a queer-class knowledge project committed to anti-elitist and anti-racist education. Poor Queer Studies is essential for all of those who care about the state of higher education and building a more equitable academy. Matt Brim is Associate Professor of Queer Studies in the English Department at the College of Staten Island, City University of New York; author of James Baldwin and the Queer Imagination; and coeditor of Imagining Queer Methods. John Marszalek III is author of Coming Out of the Magnolia Closet: Same-Sex Couples in Mississippi (2020, University Press of Mississippi). He is clinical faculty of the Clinical Mental Health Counseling Program at Southern New Hampshire University. Website: Johnmarszalek3.com Twitter: @marsjf3 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What role did culture play in the British Empire? In Imperial Encore: The Cultural Project of the Late British Empire Caroline Ritter, an Assistant Professor of History at Texas State University, explores the importance of culture in maintaining Imperial domination, and then in supporting post-Imperial British influence. Using core case studies of key institutions- the British Council, the BBC, and Oxford University Press- the book shows the ongoing legacy of the Imperial cultural project, even if, on the surface, all three institutions have radically changed since the formal end of the British Empire. Rich in historical detail, as well as contemporary relevance, the book will be essential reading across the humanities and social sciences, as well a for anyone interested in the current, and historical, politics of culture. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Central Europe, limited success in revisiting the role of science in the segregation of Roma reverberates with the yet-unmet call for contextualizing the impact of ideas on everyday racism. This book attempts to interpret such a gap as a case of epistemic injustice. It underscores the historical role of ideas in race-making and provides analytical lenses for exploring cross-border transfers of whiteness in Central Europe. In the case of Roma, the scientific argument in favor of segregation continues to play an outstanding role due to a long-term focus on the limited educability of Roma. In Historicizing Roma in Central Europe: Between Critical Whiteness and Epistemic Injustice (Routledge, 2021), Victoria Shmidt and Bernadette N. Jaworsky trace the long-term interrelation between racializing Roma and the adaptation by Central European scholars of theories legitimizing segregation against those considered non-white, conceived as unable to become educated or "civilized." Along with legitimizing segregation, sterilization and even extermination, theorizing ineducability has laid the groundwork for negating the capacity of Roma as subjects of knowledge. Such negation has hindered practices of identity and quite literally prevented Roma in Central Europe from becoming who they are. This systematic epistemic injustice still echoes in contemporary attempts to historicize Roma in Central Europe. The authors critically investigate contemporary approaches to historicize Roma as reproducing whiteness and inevitably leading to various forms of epistemic injustice. The methodological approach herein conceptualizes critical whiteness as a practice of epistemic justice targeted at providing a sustainable platform for reflecting upon the impact of the past on the contemporary situation of Roma. Victoria Shmidt brings together the issue of historical roots of segregation with the legacy of colonial and socialist policies in Central Eastern European countries. Since 2019 Victoria leads the project "Race science: Undiscovered Power of building the nations" at the University of Graz. Bernadette Nadya Jaworsky is associate professor of sociology at Masaryk University, Brno (Czech Republic), and Faculty Fellow at Yale University’s Center for Cultural Sociology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Robert Beshara’s Freud and Said: Contrapuntal Psychoanalysis as Liberation Praxis (Palgrave, 2021) is a guide through the textual relationship between the work of Sigmund Freud and Edward Said. It is also a valuable handbook in critical psychology that chronicles many works at the intersection of psychoanalysis and decoloniality from around the world. Beshara urges psychoanalytic practitioners to consider the fundamental role of colonial difference in our psychic lives and demonstrates the importance of accounting for unconscious processes in the study of culture and the work of decolonization. Between April 1st and July 1st, 2021, a 20% discount is applicable across all formats of the book upon checkout on the Palgrave website. The discount code is FreudSaid20 Vira Sachenko is a researcher of culture and psychoanalysis with interests in intellectual history, (de)coloniality, and constructions of femininity. She can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Feminist Geography Unbound: Discomfort, Bodies, and Prefigured Futures, edited by Banu Gökarıksel, Michael Hawkins, Christopher Neubert, and Sara Smith (West Virginia University Press, 2021) is a collection of papers by a diverse range of up-and-coming scholars in feminist geography. Addressing topics from Dalit activism to tiny houses to restrictions on transgender bathroom use, the collection challenges the "comfort feminism" promoted by white middle-class feminists and asks us to embrace productive discomfort in scholarship and activism to seek out a better future. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How does a specific American religious identity acquire racial meaning? What happens when we move beyond phenotypes and include clothing, names, and behaviors to the characteristics that inform ethnoracial categorization? Forever Suspect, Racialized Surveillance of Muslim Americans in the War on Terror (Rutgers University Press, 2018) provides a nuanced portrayal of the experiences of South Asian and Arab Muslims in post 9/11 America and the role of racialized state and private citizen surveillance in shaping Muslim lived experiences. Saher Selod, an Associate Professor of Sociology at Simmons University, shares with us her story of growing up in Kansas and Texas and how writing this book helped her reclaim her own racialized experiences as the children of Pakistani immigrants to the US. Saher first began this project as a doctoral student at the University of Texas at Austin. As she returned to the dissertation to craft it into a book, she realized that beyond just race, racism and racialization, surveillance was a key recurring theme for the interview respondents. In today’s conversation, we explore the nuances of gender, race and surveillance, what it means to “Fly while Muslim”, and the harmful consequences of institutional surveillance laws like “Countering Violent Extremism” (CVE) that came about during the Obama Administration. We also touch on limitations of the book, including the exclusion of Black Muslims from this specific project. Saher’s openness with which she shares how her thinking has evolved over the years since this project first began leads us to discuss the ways in which non-Black Muslim immigrants and American born Muslims enact and maintain white supremacist structures. Forever Suspect provides an important and eye opening lens for us to consider how racialized surveillance, in all dimensions and forms, the War on Terror and U.S. Empire building continues to impact Muslim communities in the U.S. Nafeesa Andrabi is a 4th year Sociology PhD student at UNC-Chapel Hill, a Biosocial Fellow at Carolina Population Center and a National Science Foundation Graduate Research Fellow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Red Creative: Culture and Modernity in China (Intellect Books, 2020) is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China. Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China’s contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Robbie Shilliam’s new book for the Polity Press’s “Decolonizing the Curriculum” series explores how the discipline of political science was born of colonialism, and takes us through different ways of reimagining our study of politics. In this conversation, Robbie talks to host Yi Ning Chang not just about reconceptualizing the various subfields, but also about the university, the politics of knowledge production in and beyond the academy, and how decolonizing, for him, is fundamentally about transforming our experience of higher education. Decolonizing Politics: An Introduction (Polity Press, 2021) argues that political science emerged as a response to the challenges of imperial administration and the demands of colonial rule. While not all political scientists were colonial cheerleaders, their thinking was nevertheless framed by colonial assumptions that influence the study of politics to this day. This book offers students a lens through which to decolonize the main themes and issues of political science - from human nature, rights, and citizenship, to development and global justice. Not content with revealing the colonial legacies that still inform the discipline, the book also introduces students to a wide range of intellectual resources from the (post)colonial world that will help them think through the same themes and issues more expansively. Decolonizing Politics is a much-needed critical guide for students of political science. It shifts the study of political science from the centers of power to its margins, where the majority of humanity lives. Ultimately, the book argues that those who occupy the margins are not powerless. Rather, marginal positions might afford a deeper understanding of politics than can be provided by mainstream approaches. Yi Ning Chang is a PhD student in political theory at the Department of Government at Harvard University. She works on the history of contemporary political thought, postcolonial theory and race, and the global histories of anticolonialism and anti-imperialism in Southeast Asia. Yi Ning can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The story is a familiar one. In 1882, the British invaded Egypt to secure payment on the country’s crippling foreign debts and quash the movement for fiscal sovereignty and constitutional rule that had formed under the Egyptian military officer Ahmed ‘Urabi Pasha. The common sense in the critical American academy has long been that the decades of occupation that ensued were a logical extension of Egypt's integration into an increasingly Western dominated global economy: from the 1850s onward, Egypt's economy had exemplified third world dependency, the essence of which was reliance on the export of a primary commodity—cotton. In the name of the free global market, the British ensured that more and more of the country's land would be devoted to supplying cotton to England's industrial mills. In other words, the occupation rested on and reinforced notions of liberal universalism that, in actuality, served as alibis for imperial expansion. Meanwhile, a sellout landed elite acted as complicit in Britain's larger objectives of expanding foreign land ownership. Surely, this story contains important truths. Yet it doesn't explain certain things. For instance, British administrators and political economists weren't particularly interested in the landed elite—at least not as much as they were in the small landholding Egyptian peasant, or fellah. For another, their very hopes for the fellah made Egypt a target for the relocation of foreign financial capital from Europe—a relocation that led to a decade-long financial boom. With few exceptions, historians of modern Egypt have yet to make sense of these confounding variables. That is, until now. In Egypt’s Occupation: Colonial Economism and the Crises of Capitalism (Stanford University Press, 2020), Aaron Jakes tells, for the first time, the story of Egypt’s turn-of-the-century financial boom and the crises that ensued. Along the way, Jakes offers a sweeping reinterpretation of both the historical geography of capitalism in Egypt and the role of political-economic thought in struggles that raged over the occupation by tracing the ramifications of what he dubs “colonial economism”: the animating theory of British imperial rule that held Egyptians to be capable of only acting according to their bare material interests. The result is a work that has been widely regarded as the most important scholarly book about modern Egypt to come out in decades. And as this conversation with the author attests, Egypt’s Occupation is a must-read not only for historians of Egypt, but for anyone invested in understanding the historical imbrication of capitalism with race and empire. Tune in. Aaron Jakes is Assistant Professor of History and Co-Director of Capitalism Studies at The New School, where he teaches courses on the modern Middle East and South Asia, global environmental history, and the history of capitalism. Nancy Ko is a PhD student in History at Columbia University, where she works at the intersection of Jewish and Middle East Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Today I talked to Carol J. Adams about two of her classic texts that have recently been republished. The first book we discuss, first published in 1990, is The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory, a landmark text in the ongoing debates about animal rights. In the two decades since, the book has inspired controversy and heated debate. The Sexual Politics of Meat argues that what, or more precisely who, we eat is determined by the patriarchal politics of our culture, and that the meanings attached to meat eating are often clustered around virility. We live in a world in which men still have considerable power over women, both in public and in private. Carol Adams argues that gender politics is inextricably related to how we view animals, especially animals who are consumed. Further, she argues that vegetarianism and fighting for animal rights fit perfectly alongside working to improve the lives of disenfranchised and suffering people, under the wide umbrella of compassionate activism. The second book we discuss, first published in 2004, is The Pornography of Meat. For 30 years, since the publication of her landmark book The Sexual Politics of Meat, Carol J. Adams and her readers have continued to document and hold to account the degrading interplay of language about women, domesticated animals, and meat in advertising, politics, and media. Serving as sequel and visual companion, The Pornography of Meat charts the continued influence of this language and the fight against it. This new edition includes more than 300 images, most of them new, and brings the book up to date to include expressions of misogyny in online media and advertising, the #MeToo movement, and the impact of Donald Trump and white supremacy on our political language. Never has this book--or Adams's analysis--been more relevant. Carol J. Adams is the author of numerous books, including The Sexual Politics of Meat, Neither Man nor Beast: Feminism and the Defense of Animals, and The Pornography of Meat. She is the co-editor of several pathbreaking anthologies, including most recently Ecofeminism: Feminist Intersections with Other Animals and the Earth (with Lori Gruen). Her work is the subject of two recent anthologies, Defiant Daughters: 21 Women of Art, Activism, Animals, and The Sexual Politics of Meat and The Art of the Animal: 14 Women Artists Explore The Sexual Politics of Meat, in which a new generation of feminists, artists, and activists respond to Adams' groundbreaking work. Mark Molloy is the reviews editor at MAKE: A Literary Magazine. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this episode, I interview Gert-Jan van der Heiden, Professor of Metaphysics and Philosophical Anthropology at Radboud University in Amsterdam, about his book, The Voice of Misery: A Continental Philosophy of Testimony, recently published by SUNY Press. In the book, van der Heiden takes up the question of testimony, which is popular in philosophical discourses today—from analytic epistemological approaches to those that emerge from critical race and feminist theory. While important advances are made in these disciplines, van der Heiden argues that contemporary continental philosophy offers a rich source for another approach to testimony that combines the ontological, epistemological, ethical, and logical elements of testimony in order to more fully understand what occurs in the event of bearing witness. Beginning with six literary experiments, The Voice of Misery approaches the event of testimony and its connection to language at the limits of what can be expressed: in the silent, the unspeakable, the mute. From this grounding, the text then moves into a more traditionally philosophical investigation of the peculiarity and particularity of testimony in a dazzling dialogue with the most well-known figures of recent continental thought: Jacques Derrida, Jean-François Lyotard, Giorgio Agamben, and Martin Heidegger, amongst others. Ultimately, van der Heiden extrapolates from the thinkers and authors with whom he engages an effective and moving overview of the acts of witnessing and bearing witness, allowing us to better understand how these twinned acts structure our realities. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Disorienting Neoliberalism: Global Justice and the Outer Limit of Freedom (Oxford UP, 2020) takes on a number of different dimensions of neoliberalism to help readers consider not only how this ideological framework structures our lives, but also to lead us towards the capacity to reorient our thinking and understanding of the world, and politics. Benjamin McKean explores the way that we can try to see beyond the operational framing that neoliberalism provides in order to prompt readers, and, more specifically, political theorists, to a kind of activism. McKean’s thesis compels us to think about our political and economic situations in a broader, global perspective, as our consumer experiences are, in fact, global in nature and operation. Disorienting Neoliberalism demystifies the bewildering transnational components of the commodities we interact with on a daily basis, unpacking the way that the transnational supply chain for our goods and services obscures the exploitation and violence inherent in the production of these goods. Because of the promise of freedom through the market as a key attraction for neoliberal thinking, McKean also investigates how much freedom individuals actually have if their entire orientation – in politics and economics – is framed by neoliberalism. We are made to feel powerful as consumers in the market since we can make choices and experience a kind of freedom in this context. But this is based on the conception that the market itself is out of our control and is, itself, disorienting. Thus, we need to reconsider what we think about as our real, actual freedom and how this is contextualized by our experiences and environments. McKean’s analysis asks the reader to try to consider how our freedom is constrained within neoliberalism, and what it is that we need to do to reorient our thinking and our actions to move beyond this framework. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at [email protected] or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this episode, I interview R.A. Judy, professor of Critical and Cultural Studies at the University of Pittsburgh, about his book Sentient Flesh: Thinking in Disorder, Poiēsis in Black, which was published by Duke University Press in 2020. In Sentient Flesh R. A. Judy takes up freedman Tom Windham’s 1937 remark “we should have our liberty 'cause . . . us is human flesh" as a point of departure for an extended meditation on questions of the human, epistemology, and the historical ways in which the black being is understood. Drawing on numerous fields, from literary theory and musicology, to political theory and phenomenology, as well as Greek and Arabic philosophy, Judy engages literary texts and performative practices such as music and dance that express knowledge and conceptions of humanity appositional to those grounding modern racialized capitalism. Operating as critiques of Western humanism, these practices and modes of being-in-the-world—which he theorizes as “thinking in disorder,” or “poiēsis in black”—foreground the irreducible concomitance of flesh, thinking, and personhood. As Judy demonstrates, recognizing this concomitance is central to finding a way past the destructive and dominative force of the ontology of racial capitalism that still holds us in thrall. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What makes racist feelings and ideas objectionable? In his book Internal Racism: A Psychoanalytic Approach to Race and Difference (Red Globe, 2011), M. Fakhry Davids, a member of the British Psychoanalytical Society, argues that racism, like the impulse to destroy or act on hatred, is an ineluctable part of us all. Borrowing, but also augmenting the work of his fellow neo-Kleinians (particularly John Steiner and Herbert Rosenfeld) on “psychic retreats” and “defensive organizations”, he names the “internal racist organization” as a normal part of the mind, deeming it a non-pathological component of psychic structure. David’s thinking has a decidedly hopeful tinge. If accepted, it promises to help open up the kinds of conversations clinically and otherwise that can be had about racist feelings. After all, if they are average and expectable, they are human. And what is accepted as human can potentially be talked through and about, which promises to constrain harmful action. What I love about David’s thinking is that in updating a psychoanalytic model of mind that accounts for racism, he wipes political correctness and the super ego off the table. By placing the “internal racist organization” as an equal player inside of us, alongside the Oedipal, the ego and the id, it becomes something that you just can’t wish away. That said, if we accept his argument, we do find ourselves contending with the age old problem of the drives, or the paranoid schizoid, wherein managing ourselves in relation to the lure of destructiveness (of which racist feelings play their part) is a life long project. The hope is that if we can come to accept racist thinking as a response to overwhelming and primitive anxieties, (rather than a moral failing), we can see it as a warning sign that internally we are askew. Following David’s, racism can never be expunged (as seems to be the neoliberal fantasy) from the self. In fact, and truly this is the last word, it follows us to the grave. Tracy D. Morgan: Psychoanalyst, LCSW-R, M.Phil., Editor, New Books in Psychoanalysis. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What is the difference between Jean-Marie Le Pen’s National Front and Donald Trump’s election as U.S. president? Why should we understand Trump as part of a dangerous “fourth wave” of radical right politicians? Dr. Cas Mudde’s new book The Far Right Today (Polity, 2019) argues that politicians like Le Pen represented a 20th-century marginalized populist radical right party but Trump (and others across the globe) represent a fourth wave in which the 21st-century radical right parties are normalized and mainstreamed all over the world such that three of the world’s largest democracies (India, the United States, and Brazil) have or have had radical right leaders. It is this normalization that Mudde identifies as crucial to our understanding of the radical right around the globe – and any possible responses available from liberal democracies. Cas Mudde is the Stanley Wade Shelton UGAF Professor in the School of Public and International Affairs at the University of Georgia and a Professor II in the Center for Research on Extremism (C-REX) at the University of Oslo. Mudde has written numerous scholarly books published in 23 languages (many of which focus on extremism and populism) and regularly publishes in popular outlets such as The Guardian. He hosts Radikaal, a podcast about the radical aspects politics, music, and sports. Susan Liebell is an associate professor of political science at Saint Joseph’s University in Philadelphia. Why Diehard Originalists Aren’t Really Originalists recently appeared in the Washington Post’s Monkey Cage and “Retreat from the Rule of Law: Locke and the Perils of Stand Your Ground” was published in the Journal of Politics (July 2020). Email her comments at [email protected] or tweet to @SusanLiebell. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How did telecommunications shape Victorian London? In Serving a Wired World London's Telecommunications Workers and the Making of an Information Capital Katie Hindmarch-Watson, an Assistant Professor in history at Johns Hopkins University, tells the history of London through the lenses of technology, gender, class, and sexuality. The book offers a rethinking of liberal subjectivity and the city at the end of the nineteenth century, showing how the Victorian obsessions with privacy and respectability intersected with technology to create the urban and social fabric of London. The book also draws on queer history, demonstrating the importance of sex scandals in the Victorian and Edwardian eras for understanding urban, technology, and gender histories. A fascinating read, the book will be an essential text across the humanities and social sciences. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Prison abolition and decarceration are increasingly debated, but it is often without taking into account the largest exodus of people from carceral facilities in the twentieth century: the closure of disability institutions and psychiatric hospitals. Decarcerating Disability (2020, University of Minnesota Press) provides a much-needed corrective, combining a genealogy of deinstitutionalization with critiques of the current prison system. Liat Ben-Moshe (https://www.liatbenmoshe.com/) provides groundbreaking case studies that show how abolition is not an unattainable goal but rather a reality, and how it plays out in different arenas of incarceration—antipsychiatry, the field of intellectual disabilities, and the fight against the prison-industrial complex. Ben-Moshe discusses a range of topics, including why deinstitutionalization is often wrongly blamed for the rise in incarceration; who resists decarceration and deinstitutionalization, and the coalitions opposing such resistance; and how understanding deinstitutionalization as a form of residential integration makes visible intersections with racial desegregation. By connecting deinstitutionalization with prison abolition, Decarcerating Disability also illuminates some of the limitations of disability rights and inclusion discourses, as well as tactics such as litigation, in securing freedom. Decarcerating Disability’s rich analysis of lived experience, history, and culture helps to chart a way out of a failing system of incarceration. C.J. Valasek is a Ph.D. Candidate in Sociology & Science Studies at the University of California San Diego. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Rosa Luxemburg occupies a complex place in our history partly because there are several different Rosa's one can find scattered across the world; the feminist activist, revolutionary Marxist, economist, journalist, essayist literary and critic all have been picked up in coopted by different movements at different times. While this speaks to her versatility as a thinker, writer and person, it also reflects the fragmented way in which her writing has been collected, edited, translated and published. A pamphlet here, an essay there, a book or 2 and several collections of letters but little effort has been made to present her in a thorough, well organized format. Luckily that is changing with the ongoing efforts to publish the entirety of her output in English translation, the vast majority of it being translated now for the first time by Verso. Spearheading this project is Peter Hudis and a team of international scholars who are working to collect and translate her work and publish it in a complete collected edition. As of right now they have published a 500-page collection of letters, two volumes of economic writings and a volume of her political writings (all approximately 600 pages) and the series is currently projected to have somewhere between 15 and 20 volumes when complete, although because so much for work is still being discovered in various archives across Europe it may expand beyond that as well. This episode will be a sort of introduction where we discuss the basics of Luxemburg's life, the key themes of her work, and the editorial efforts going on behind the scenes to make this project a reality, but we're hoping to do more episodes exploring each volume in greater depth as they're made available. Obviously a massive project like this is incredibly time consuming and resource intensive, which is why the people behind it are asking for your help. While some funds have been made available the team is still looking for some extra funding to put towards the translation efforts. The editors are not being paid for the work they do on this; for them it's a labor of love, but the crowdfunding will go to the numerous translators being brought on board. If you are excited and able to help visit the Toledo Translation Fund and contribute to the project. Peter Hudis is a lifelong activist and is a professor of philosophy and humanities at Oakton Community College. In addition to being the general editor of the Complete Works of Rosa Luxemburg, he is the author of Marx's Concept of the Alternative to Capitalism and Frantz Fanon: Philosopher of the Barricades. He also wrote a new preface to the reprint of J.P. Nettl's biography of Rosa Luxemburg, reprinted in a single volume by Verso in 2019. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How can the history of women’s work in film and TV help address inequality today? In Women’s Activism Behind the Screens: Trade Unions and Gender Inequality in the British Film and Television Industries (University of Bristol Press, 2020), Frances Galt, a Teaching Associate in history at Newcastle University, looks at the history of women’s struggles for equality within unions in the screen industry, to show the lessons of how gender equality has progressed and receded since the 1930s. The book draws on a rich blend of archival, oral history, and policy document research, presenting the context for key moments in the fight to support the status of women in the film and television industries. A fascinating history, with crucial lessons for contemporary activism, the book is essential reading across the humanities and social sciences. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Morton Schoolman, Professor in the Rockefeller College of Public Affairs and Policy at the State University of New York at Albany, has published a new book that explores the idea of democratic enlightenment in the United States, and the way that we may want to consider both how to achieve this enlightenment and how we can be guided by our literary and philosophical traditions. Schoolman explains that we need to come to democratic enlightenment through a process of reconciliation, and that this concept of reconciliation is at the heart of the work by Walt Whitman and Theodore Adorno. The centerpieces of A Democratic Enlightenment: The Reconciliation Image, Aesthetic Education, Possible Politics (Duke UP, 2020) are explications of how Whitman and Adorno each, separately, approach this need and capacity for reconciliation, and how they delineate it in their work, and finally, how it is vitally important to democracy. Schoolman’s reading of Whitman notes that this is what Whitman set out to do with his poetry, to teach or guide the capacity to reconcile identity, especially with all those who are different. Whitman’s work and his reflection on this need for reconciliation was written during the period of Reconstruction, and he saw the need and the means to provide a path towards healing America’s differences through the democratic media of his time, poetry. Theodore Adorno is pursuing a parallel concept in his work, examining modern artwork as the fulcrum for reconciliation, explaining that these images, while they may be static in some form, are, in fact, images in motion—all visual works of art are in motion. Thus, both Adorno and Whitman provide Schoolman with an aesthetic space and definition for the place where democratic reconciliation can and does occur. But Schoolman builds on the foundation provided by these two theorists, himself constructing the place where he thinks it is most likely that citizens will experience and engage with this idea of reconciliation, especially around those who have been othered or prevented from inclusion by American politics and culture. Schoolman centers this space in film, in part because films are accessible by so much of the populace, and because they provide the aesthetic images, not only the narrative framework, to confront and engage democratic reconciliation. A Democratic Enlightenment: The Reconciliation Image, Aesthetic Education, Possible Politics is a fascinating and complex exploration of how aesthetic education has an important role in democratic politics, especially in regard to the function of the reconciliation image as a dynamic component of that education. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at [email protected] or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

It’s often said that the time in our lives can often pass without us noticing. Old age can come before we realize it, and it brings with it new elements to our own daily lives that we couldn’t have anticipated before. Observed from a distance and growing old can seem like a universal experience, but observed up close, it becomes clear that the different ways people age are as varied and unique as the people themselves, and these differences can come from within and without. Whether you get to live out your twilight years in a comfortable retirement home in the country, or an understaffed inner-city hospital, these experiences will be profoundly different, and likely had different paths that led to them. Viewed in this way, aging is seen not as some eternal experience that is the same for all people, but as a fundamental part of our politics and economic dynamics, for better and for worse. The COVID-crisis of the last year has brought to light how vulnerable our elderly are, how understaffed our care-facilities are, and how much needs to change to provide lives of safety, comfort and dignity to our elders, but in many ways all this crisis has done is exacerbated certain tensions and antagonisms that were already there, barely concealed by the relentless optimism of neoliberal technocrats. Changing these systems will mean rethinking the aging process, and connecting it with broader questions traditionally raised by the fields of critical theory and radical critiques of political economy. Diving right into this project are my guests today, Carroll Estes and Nicholas DiCarlo, here to discuss their recent publication Aging A-Z: Concepts Toward Emancipatory Gerontology (Routledge 2019). Styled as a sort of dictionary, the book has entries for a number of terms you would expect a book like this to have: Ableism, Home Care and Retirement all make appearances. Readers will be surprised, however, by the number of entries that also make appearances: Climate Change, Colonialism, Epistemology, Leninist Strategy and Praxis all make appearances as well. This book then is incredibly broad in scope, and attempts to force readers to realize the ways in which aging is affected that go beyond one’s immediate concern, bringing a new layer of understanding to the phrase: ‘The personal is political.’ Speaking as someone who has spent the entirety of the COVID-crisis working in elderly care, this book was a joyful revelation to flip through, and should be considered critical reading by anyone impacted by aging. Carroll Estes has a long and distinguished career in both academia and activism. She is professor emerita of Sociology at the University of California, San Francisco. It was there that she founded the Institute for Health and Aging. She has written numerous books and articles on the politics of aging, including the co-authored The Long Term Care Crisis, which was a 1994 Most Important Book (Choice Magazine). She is also the recipient of numerous academic honors, and is the former president of The Gerontological Society of America (GSA), the American Society on Aging (ASA) and the Association for Gerontology in Higher Education (AGHE). Nicholas DiCarlo writes about aging and social policy at the Institute for Health and Aging at the University of California, San Francisco. They have a Masters of Social Work, and a private psychotherapy practice in Oakland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The medium of cinema emerged during the height of Victorian-era European empires, and as a result, settler colonial imperialism has thematically suffused film for well over a century. In Cinematic Settlers: The Settler Colonial World on Film (Routledge, 2020), Drs. Janne Lahti (Academy of Finland Fellow in history, University of Helsinki) and Rebecca Weaver-Hightower (Professor of English, Virginia Tech University) bring together a collection of scholars from a variety of disciplines to examine how film has been used to both justify and, in some cases, push against global systems of settler colonial conquest. The essays in the collection are truly global, stretching from Australia to central Asia to Hawaii, the American West, and beyond, and cover film history from the early twentieth century up to the “final frontier” of early twenty first century science fiction films. Together, Lahti and Weaver-Hightower make a strong case for further settler colonial cultural studies as a means of understanding how entertainment can be a force for resistance or a tool for colonial oppression. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Why do books and publishing matter to the contemporary history of Britain? In Penguin Books and Political Change: Britain's Meritocratic Moment, 1937–1988 (Manchester UP, 2020), Dean Blackburn, aLecturer in Modern British History at the University of Nottingham, explores Britain in the twentieth century through the story of Penguin’s ‘Specials’. The book charts the shifting social, political, and intellectual context for the publication of the books, looking at key texts as well as offering a broader framework for understanding the social changes that the books shaped, and were shaped by. In addition, the book adds a fresh perspective on the idea of meritocracy, engaging with directly with the current moment’s critical interrogation of that term. Packed with rich and detailed case studies of 50 years of Penguin books, the book will be essential reading across arts, humanities, and social sciences, as well as for anyone interested in the history of the UK. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Is intersectionality a critical social theory? What must intersectionality do to be both critical and a social theory? Must social justice be a guiding normative principle? And what does or should social justice mean in intersectional theory? Patricia Hills Collins explores these questions, and many more, in Intersectionality as Critical Social Theory (Duke University Press, 2019). Engaging a wide range of thinkers, activists, and traditions, including Classical American Pragmatism, the Frankfurt School, and Ida B. Well-Barnett, Collins helps us to reconsider how we think of intersectionality’s history in order to shape its future. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Yomaira C. Figueroa-Vásquez pens towards decolonial freedom. Her recently published book, Decolonizing Diasporas: Radical Mappings of Afro-Atlantic Literature (Northwestern University Press, 2020), uses peripheralized (5) novels, visual/sonic works, poetry, essays, and short stories by diasporic and exiled Afro-Atlantic Hispanophone writers and artists towards “render[ing] legible what these texts offer to subjects who resist ongoing forms of colonialism…” (1). By centering the relationality of Equatorial Guinea, Cuba, Puerto Rico, and the Dominican Republic from the foundations of Ethnic Studies and Women of Color Feminist methodologies, Figueroa-Vásquez holds space for the different ways Afro-descendant peoples are racialized across the Atlantic while simultaneously attending to the anti-Blackness seemingly endemic to the modern world. But what does it mean to decolonize? For Figueroa-Vásquez, “In the contexts of the literature outlined in the texts, I pose that the lifeblood of these worlds takes the shape of decolonizing diasporas – radical Afro-diasporic imaginaries that subvert coloniality and usher in new ways of knowing and being, and interrogate and excavate location and dislocation” (25). By linking the diasporic Afro-Atlantic Hispanophone Caribbean and sub-Saharan Africa to the works of Black, Indigenous, and women of color thinkers, the world of decolonial thought emerges through the pages of Decolonizing Diasporas. It is through the literary poetics and artwork made under conditions of destierro – a theory and methodological formulation set out by the author – which become forces that challenge structures of power that give rise to possibilities of subverting colonial mentalities. Decolonizing Diaspora reads like a detailed manual for decolonization specifically designed for Afro-Atlantic Hispanophone diasporic subjects on their journey of reimaging and creating other worlds. Each chapter builds on the next. Recognizing the intimate impacts of dictatorship, occupation, and coloniality of gender opens up sites of resistance (Ch. 1) that require faithful witnessing (Ch. 2). Faithful witnessing is a necessary action in Figueroa-Vásquez’s conception of destierro as a decolonial method (Ch.3) and in turn, reveals the condition for demanding reparations and reparations of the imagination (Ch. 4). With an emphasis on decolonial love and relations across difference, the possibilities of Afro-Atlantic resistance and futurities beyond coloniality come into clear view (Ch.5). Even then, Dr. Figueroa-Vásquez guides us back to the Introduction of the book with her last vignette “Relations Again,” in which she underscores the relationships between Equatorial Guinea and the Latinx Caribbean islands of Cuba, Puerto Rico, and the Dominican Republic. The reader has no choice but to begin again. Jonathan Cortez is a Ph.D. candidate of American Studies at Brown University. They are a historian of 20th-century issues of race, labor, (im)migration, surveillance, space, relational Ethnic Studies, and Latinx Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In today’s episode of Ethnographic Marginalia, Sneha Annavarapu talks with Dr. Caterina Fugazzola, Earl S Johnson Instructor in Sociology at the University of Chicago, about her research on the contemporary tongzhi (LGBT) movement in the People’s Republic of China. Dr. Fugazzola briefly discusses her current book project (under contract with Temple University Press) in which she explains how grassroots groups organizing around sexual identity have achieved significant social change—in terms of visibility, social acceptance, and participation—in virtual absence of public protest, and under conditions of tightening governmental control over civil society groups. But, more pertinently to our special series, our guest tells us about what drew her to the project, and the kinds of dilemmas, issues, and opportunities that marked her fieldwork in the region. For instance, she walks us through what it is like to do ethnographic fieldwork on a cruise ship! We also chat about what it means to do ethnographic observations online and why teaching digital ethnographic methods is a welcome opportunity to rethink our very dated presumptions around physical co-presence in fieldwork being desirable to gather more “authentic” data. In all, tune in for a very candid, witty, and insightful conversation around fieldwork and for a dose of Dr. Fugazzola’s vivacious and contagious energy for the affordances of digital ethnography. Learn more about Ethnographic Marginalia here. Dr. Caterina Fugazzola is is an Earl S. Johnson Instructor in Sociology. Her general interests include social movements, gender and sexuality studies, transnational sociology, and qualitative research methods. Dr. Sneha Annavarapu is a postdoctoral researcher at the University of Chicago. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

As right-wing nationalism and authoritarian populism gain momentum across the world, liberals, and even some conservatives, worry that democratic principles are under threat. In The Spectre of Race: How Discrimination Haunts Western Democracy (Princeton UP, 2018), Michael Hanchard argues that the current rise in xenophobia and racist rhetoric is nothing new and that exclusionary policies have always been central to democratic practices since their beginnings in classical times. Contending that democracy has never been for all people, Hanchard discusses how marginalization is reinforced in modern politics, and why these contradictions need to be fully examined if the dynamics of democracy are to be truly understood. Hanchard identifies continuities of discriminatory citizenship from classical Athens to the present and looks at how democratic institutions have promoted undemocratic ideas and practices. The longest-standing modern democracies —France, Britain, and the United States—profited from slave labor, empire, and colonialism, much like their Athenian predecessor. Hanchard follows these patterns through the Enlightenment and to the states and political thinkers of the late nineteenth and early twentieth centuries, and he examines how early political scientists, including Woodrow Wilson and his contemporaries, devised what Hanchard has characterized as “racial regimes” to maintain the political and economic privileges of dominant groups at the expense of subordinated ones. Exploring how democracies reconcile political inequality and equality, Hanchard debates the thorny question of the conditions under which democracies have created and maintained barriers to political membership. Showing the ways that race, gender, nationality, and other criteria have determined a person’s status in political life, The Spectre ofRace offers important historical context for how democracy generates political difference and inequality. Marshall Poe is the founder and editor of the New Books Network. He can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this episode, I interview Cassandra Falke, professor of English Literature ad UiT, The Arctic University of Norway, about her book The Phenomenology of Love and Reading (Bloomsbury Publishing, 2016). In the text, Falke situates herself within the current revival of the interest in ethics in literary criticism, which coincides with a rise in neuroscientific discoveries about cognition and emotion that similarly have been incorporated into literary studies. Aware of these recent developments, Falke argues that literary study must ground itself philosophically—rather than just scientifically—in order to speak convincingly about literature’s relationship(s) to our ethical lives. To do this, The Phenomenology of Love and Reading recasts French philosopher Jean-Luc Marion’s articulations of a phenomenology of love onto the event of reading. The Phenomenology of Love and Reading accepts Jean-Luc Marion's argument that love matters for who we are more than anything—more than cognition and more than being itself. Falke shows through deft readings of both philosophical and literary texts, as well as ruminations on the experience of reading, how the act of reading can strengthen our capacity to love by giving us practice in love´s habits—attention, empathy, and a willingness to be overwhelmed. Confounding our expectations, literature equips us for the confounding events of love, which, Falke suggests, are not rare and fleeting, but rather constitute the most meaningful and durable part of our everyday life. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Philosophers have long approached the concept of rhythm as a significant tool for understanding the human experience, metaphysics, language, and the arts. In her new study Rhythm: A Theological Category (Oxford University Press, 2018), Lexi Eikelboom argues that theologians have much to gain from rhythm as a conceptual tool. In an interdisciplinary study bringing together prosody, continental philosophy, and Christian theology, Eikelboom maps out a terrain of approaches to rhythm from the synchronic whole or diachronic experience in time. Rhythm, therefore, affords an important lens to understand an oscillation between the harmonious and the interruptions that comprise any human attempts to articulate an encounter with the divine. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory