New Books in Critical Theory

What is the history of equal rights in Hollywood? In A Piece of the Action: Race and Labor in Post–Civil Rights Hollywood (Columbia UP, 2019), Eithne Quinn, a senior lecturer in American Studies at the University of Manchester, explores the transitional years following the civil rights movement of the 1960s, in order to chart the struggle by Black film makers for rights, recognition and representation. The book combines analysis of on-screen representations, with research on both the production and political economy of Hollywood films. Attentive to questions of gender and race, alongside a critical perspective on Hollywood’s myths of equality and diversity, the book will be essential reading across arts, humanities, and social sciences, as well as for anyone interested in understanding why inequality persists in Hollywood today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Since its founding, the United States has been at peace for only eleven years. Across nearly two-and-a-half centuries, that’s a lot of war. In his new book, The United States of War: A Global History of America’s Endless Conflicts, from Columbus to the Islamic State (University of California Press, 2020), David Vine tries to figure out why this has been the case. His book is a powerful, broad-sweeping, and, at times, shattering account of the forever wars that the United States continues to fight to this day. Vine, an anthropologist at American University in Washington, DC, argues that war infrastructure can be a dangerous thing, even if its designers cite defensive purposes. The United States’ 800 military bases abroad today, and its hundreds of military forts that dotted the western frontier in the nineteenth century, have made war more likely by making it easier to think about. But if we build bases, Vine writes, “wars will come.” As ending endless wars have become part of mainstream political discourse, Vine’s book should help jolt these conversations into action. Dexter Fergie is a doctoral student in US and global history at Northwestern University. His research examines the history of ideas, infrastructure, and international organizations. He can be reached by email at [email protected] or on Twitter @DexterFergie. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The Fascination with Death in Contemporary French Thought: A Longing for the Abyss (Palgrave MacMillan, 2020) analyses a cultural phenomenon that goes to the very roots of Western civilization: the centrality of death in our sense of human existence. It does so through a close reading of seminal works by the most creative authors of modern French thought, such as Maurice Blanchot, Jacques Lacan, and Jacques Derrida. These works encode an entire ethics of postmodernism. Betty Rojtman offers the reader a prism through which to see anew the key issues of the twentieth century: tragedy, finitude, nothingness—but also contestation, liberty, and sovereignty. Little by little we understand that this fascination with death may be just the other side of humankind’s great protest, its thirst for the infinite and its desire to be. Finally, Rojtman tries to offer another view on these fundamental questions by shifting to a parallel cultural reference: Kabbalah. Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at [email protected] or tweet @embracingwisdom. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

“The key element shaping inequality is no longer the employment relationship but rather whether one is able to buy assets that appreciate at a faster rate than both inflation and wages”. So argue Lisa Adkins, Martijn Konings and Melinda Cooper in The Asset Economy (Polity Press, 2020), extending the argument in Thomas Piketty’s 2014 best-seller Capital in the Twenty-First Century. Inheritance, they claim, is no longer a 19th-century-style transmission of property titles after death but a “strategically timed transfer of funds that need to be leveraged and put to work in the speculative logic of the asset economy”. In the Anglo-Saxon economies at least, households are no longer just a unit of subsistence or consumption but a dynamic Minskyan balance-sheet manager. Lisa Adkins is Head of the School of Social and Political Sciences and Martijn Konings is Professor of Political Economy and Social Theory at the University of Sydney. Tim Gwynn Jones is an economic and political-risk analyst at Medley Global Advisors. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The image of the US as leading a good war to establish liberal democracy and move towards racial equality dominate the discourses of the Cold War. In her work, A Violent Peace: Race, U.S. Militarism, and Cultures of Democratization in Cold War Asia and the Pacific (Stanford University Press, 2020), Christine Hong attempts to debunk the idea of good war and warfare-welfare state that allowed women and racial minorities to participate in national politics by showing how the US government was able to launch total war that blurred the boundaries of home and abroad through the “principle of indistinction.” The supposed blurring of colorline through military desegregation and multilateral, multi-racial alliances hid fortification of the US empire as necropolitical war target broadened through indistinction of civilian, women, and children as possible enemies. The US counterinsurgency eroded democratizing, decolonizing movements abroad based on color lines, and rhetorical racial equality at home was accompanied by increased policing of “high-crime” areas where minorities resided. Hong theorizes a range of struggles such as Black freedom, Asian liberation, and decolonization as “homologous responses to unchecked US war and police power at home and abroad… [The] alignment, participation, and complicity with the US military… blurred the color line, giving a redemptive liberal veneer to US war politics in Asia and the Pacific” (8-9). Through rich analyses of literary texts of Ralph Ellison, Carlos Bulosan, and James Baldwin, Hong examines how POC authors contested the promise of liberal democracy while military-industrial complex and colonial violence sought to erase decolonizing struggles. Hong further draws attention to commercialization of hibakusha’s bodies as well as photographs of Miné Okubo to critique the construction of peace as American property. Hong’s groundbreaking work spans Asian American studies, critical Asian studies, and critical empire studies, challenging us to question the modernity that had been presented to us through seeming homogeneity of American liberal democratic ideals. Christine Hong is Associate Professor of Literature at University of California, Santa Cruz. Her research interests include transnational Asian American, Korean diaspora, U.S. war and empire, and comparative ethnic studies. She is also a board member of the Critical Ethnic Studies Association, an executive board member of the Korea Policy Institute, a coordinating committee member of the National Campaign to End the Korean War, and a member of the Working Group on Peace and Demilitarization in Asia and the Pacific. She is currently organizing a teaching initiative to end the Korean War. Da In Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include reproductive justice movement, care labor and migration, affect theory, citizenship, and critical empire studies. She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Capitalisms: Towards a Global History (Oxford University Press, 2020), edited by Kaveh Yazdani and Dilip M. Menon, aims to decenter work on the history of capitalism by looking at the longue durée from the tenth century; at regions as diverse as Song China, South and South East Asia, Latin America and the Ottoman and Safavid Empires; and exploring the plurality of developments over this extended time and space. The authors argue against conventional accounts that locate the origins of capitalism solely within Europe and within the conjuncture of the industrial revolution. The essays emphasize historical conjunctures, flows of commodities, circulation of knowledge and personnel, the role of mercantile capital and small producers and stress throughout the necessity to think beyond present day national boundaries. The volume contends with clichés of Western exceptionalism to make a set of historical arguments about non-Western and interconnected economic developments across the globe, prior to the era of colonialism. It argues fundamentally that the multiple histories of capitalism can be better understood from a truly global perspective. Dr Kaveh Yazdani is Lecturer (akademischer Rat) in economic history, University of Bielefeld. He teaches economic history at the University of Bielefeld, Germany. His scholarly interests include the 'Great Divergence' debate and the history of South and West Asia between the 17th and 20th centuries. He is the author of India, Modernity and the Great Divergence: Mysore and Gujarat (2017). Professor Dilip M. Menon is Mellon Chair of Indian Studies, Director of the Centre for Indian Studies in Africa, University of Witwatersrand, South Africa. He is the author of Caste, Nationalism and Communism in South India: Malabar, 1900-1948 (1994). Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King’s College London. She tweets at @TimeTravelAllie. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What is an art school? In Art Schools and Place: Geographies of Emerging Artists and Art Scenes (Rowman and Littlefield, 2020), Dr Silvie Jacobi, a researcher and head of education at London School of Mosaic, thinks through the status of art schools and arts education in the contemporary world. The book draws on ethnographic research in Manchester and Leipzig, comparting and contrasting two nations, two educational systems, and two cities, to show the different approaches to training and supporting contemporary culture. The book also compares artforms, considering both traditional practices, alongside the emergence of digital and media arts. Bridging geography, sociology, and the history of art, the book is essential reading for scholars of cultural and creative industries, as well as anyone interested in the continuing value and importance of the arts in education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In a world where black(ened) flesh, particularly feminine flesh, is considered the ontological zero of humanness, what interventions and complications are available from art and speculative fiction of the African diaspora? On this episode of the New Books Network, Dr. Lee Pierce (s/t) interviews Dr. Zakkiyah Imam Jackson about the imaginative interventions of African cultural production into the racial logics of the so-called “Enlightenment,” past and present. Rewriting the pernicious, enduring relationship between blackness and animality in the history of Western science and philosophy, Becoming Human: Matter and Meaning in an Antiblack World (NYU Press, 2020) breaks open the rancorous debate between black critical theory and posthumanism. Through the cultural terrain of literature by Toni Morrison, Nalo (NOW-LO) Hopkinson, Audre Lorde, and Octavia Butler, the art of Wangechi Mutu and Ezrom Legae (La-Hi), and the oratory of Frederick Douglass, Dr. Jackson both critiques and displaces the racial logic that has dominated scientific thought since the Enlightenment. Becoming Human demonstrates that the history of racialized gender and maternity, specifically antiblackness, is indispensable to future thought on matter, materiality, animality, and posthumanism. Jackson argues that African diasporic cultural production alters the meaning of being human and engages in imaginative practices of world-building against a history of the bestialization and thingification of blackness—the process of imagining the black person as an empty vessel, a non-being, an ontological zero—and the violent imposition of colonial myths of racial hierarchy. She creatively responds to the animalization of blackness by generating alternative frameworks of thought and relationality that not only disrupt the racialization of the human/animal distinction found in Western science and philosophy but also challenge the epistemic and material terms under which the specter of animal life acquires its authority. What emerges is a radically unruly sense of a being, knowing, feeling existence: one that necessarily ruptures the foundations of "the human." Becoming Human is forthcoming as an audio book version in early January 2021. Keep an eye out if you prefer to listen to your new books! We hope you enjoyed listening as much as we enjoyed chatting about this fascinating book. Connect with your host, Lee Pierce, on Twitter, Instagram, and Facebook for interview previews, the best book selfies, and new episode alerts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What are the identity conflicts that define contemporary society? In Brexitland: Identity, Diversity and the Reshaping of British Politics (Cambridge UP, 2020) Maria Sobolewska and Robert Ford, professors of politics at the University of Manchester, explore the long term, structural changes in British society that underpinned the 2016 referendum on EU membership, the 2017 and 2019 general elections, as well as contemporary political debates and future questions such as voting on Scottish independence. At the heart of the book is the identification of new identity groups- both liberal and conservative- that have been shaped by changes in education and diversity, as well as by politicians’ and political parties’ behaviours. Offering historical analysis of immigration and public opinion, as well as a rich and detailed engagement with contemporary social attitudes, the book is essential reading both in the UK and in other nations seeing the rise of similar forms of social change and attitudinal conflicts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What are the possibilities and what are the inequalities of the digital world? In The Digital Lives of Black Women in Britain (Palgrave, 2020), Francesca Sobande, a lecturer in Digital Media Studies at Cardiff University explores the experiences of Black women as producers and as consumers of digital media. The book offers a rich combination of archival and interview material, along with a theoretical framework crossing boundaries of digital, media, and communication studies, along with feminist and critical race theory. It also thinks through the role of platforms such as Twitter and YouTube, demonstrating how Black women are using digital spaces as alternatives forms of media, whilst still facing discrimination and abuse. At a time when inequalities across media industries are under scrutiny, alongside organisational and institutional responses to Black Lives Matter, the book is essential reading for anyone keen to understand the struggles of Black women in the digital world, alongside the possibilities for resistance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What is Badiou’s theory of emancipation? For whom is this emancipation possible? Does emancipation entail an indifference to difference? In Universal Emancipation: Race Beyond Badiou (University of Minnesota Press, 2020) (Minnesota University Press, 2020), Elisabeth Paquette pursues these questions through a sustained conversation with decolonial theory, particularly the work of Sylvia Wynter. Through consideration of Négritude and the Haitian Revolution, Paquette argues for a theory of emancipation that need not subtract particularities, as Badiou theorizes, but rather build a pluri-conceptual framework, as Wynter theorizes, for emancipation based on solidarity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Theory of the Gimmick: Aesthetic Judgment and Capitalist Form (Harvard University Press, 2020), Sianne Ngai continues her theoretical work of demystifying the vernacular aesthetic categories encountered in late capitalist daily life. In this witty and penetrating book-length treatment of the affective experience of the “gimmick,” Ngai draws upon formalist literary criticism, post-Kantian aesthetic philosophy, and Marxist political economy in order to illuminate the historical production of this attractive yet unsettling cultural form. From The Magic Mountain to It Follows, smiley faces to subprime mortgages, Ngai’s image of the surprisingly ubiquitous gimmick emerges from a careful evaluation of the capitalist subject’s fundamental discomfort surrounding the coupling of value to labor-time. Michael Eby is a writer and researcher on contemporary art and digital culture. He lives in New York and tweets @michaeleby2020. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

One of the central threads in the public discourse on Black womanhood is the idea of the “Jezebel.” This trope deems Black women and girls as dishonorable and sexually deviant and the stereotype is circulated from the big screen to the pulpit. Tamura Lomax, Associate Professor at Michigan State University, outlines a historical genealogy of the discursive “Jezebel” and reveals its contemporary legacy in Jezebel Unhinged: Loosing the Black Female Body in Religion and Culture (Duke University Press, 2018). Lomax brings together theoretical strands from medieval thinkers, Biblical narratives, Enlightenment theories of race, and American cultural productions to demonstrate how gender hierarchy and patriarchy have been constructed in Black communities. These systems can be reinforced through the relationship between Hip Hop culture and the Black church or be challenged by Womanist interpreters. In our conversation we discuss girlhood in the the Black Church, racial theories, the Biblical Jezebel, Womanist criticism, formations of respectability, female sexuality and femininity, Bishop T. D. Jakes, and the work of Tyler Perry. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The German philosopher Martin Heidegger’s influence over the last several decades of philosophy is undeniable, but his place in the canon has been called into question in recent years in the wake of the publication of his private journals kept throughout his life, including during his involvement with the Nazi Party. This has led to a renewal of an intense series of debates about the relationship between Heidegger’s thought and his politics, and the broader implications this relationship may have for philosophy more broadly. Diving into some of these discussions is Adam Knowles with his recent book ​Heidegger’s Fascist Affinities: A Politics of Silence (Stanford UP, 2019). Combining both philosophical and cultural analysis, the book argues that Heidegger’s philosophy of language and his interest in Greek philosophy left him open to some of the reactionary currents that were active in his own time, and that his intellectual orientations left him with an easy path into Nazism. But beyond studying Heidegger in isolation, this book wants to use Heidegger as a gateway to understand some of the deeper problems that may plague philosophy today, for given how far his influence reaches, the size of the shadow demands we try to be vigilant about potential blind spots. Adam Knowles completed his PhD at the New School for Social Research, and is an assistant teaching professor of philosophy at Drexel University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

It would be hard to overstate the importance of culture. It teaches us, heals us, rips us apart and puts us back together in new and surprising ways. Given its fundamental importance to the human experience, it would make sense that looking at the sort of people who produce it for us, thinking about who they are, what their experiences are, and what that may say about the cultural products they then make. There is no product without a producer, and cultural products are no different, so understanding cultural products means thinking more critically about who produces them. This is the goal of the recently published ​Culture is Bad for You: Inequality in the Cultural and Creative Industries (Manchester University Press, 2020). Written by Orian Brook, Mark Taylor and, my guest today, Dave O’Brien, the book combines quantitative data analysis with personal interviews to weave together the complicated picture of who the people behind some of our most cherished experiences are. Dave O’Brien is Chancellor’s Fellow in Cultural and Creative Industries, based in the School of History of Art at Edinburgh University. He is also the author of ​Cultural Policy: Management, Value and Modernity in the Creative Industries​ (Routledge). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Between the years 1964 and 1974, Ethiopian post-secondary students studying at home, in Europe, and in North America produced a number of journals where they explored the relationship between social theory and social change within the project of building a socialist Ethiopia. Ethiopia in Theory: Revolution and Knowledge Production, 1964-2016 (Brill, 2019 and Haymarket Books, 2020 paperback) examines the literature of this student movement, together with the movement’s afterlife in Ethiopian politics and society in order to ask: what does it mean to write today about the appropriation and indigenization of Marxist and mainstream social science ideas in an Ethiopian and African context; and, importantly, what does the archive of revolutionary thought in Africa teach us about the practice of critical theory more generally. Elleni Centime Zeleke is Assistant Professor of African Studies in the Department of Middle Eastern, South Asian and African Studies at Columbia University in New York. Elleni was born in Ethiopia, and raised in Toronto, Guyana, and Barbados. Trained at the Graduate Program in Social and Political Thought at York University (Toronto), her research interests include vernacular politics in the Horn of Africa, Critical Theory, the Frankfurt School, and the problem of constituting Africa as an object of study. Listen to Mahmoud Ahmed’s Tizita. And read the review roundtable on Zeleke’s Ethiopia in Theory, with contributions by Alden Young, Samar al-Bulushi, Adom Getachew, and Wendell Marsh. Madina Thiam is a PhD candidate in history at UCLA. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Kristin J. Jacobson In her new book, <a href="https://bookshop.org/a/12343/9780820356990" target="_blank" rel="noopener noreferrer"><em>The American Adrenaline Narrative</em></a> (University of Georgia Press), Kristin Jacobson considers the nature of perilous outdoor adventure tales, their gendered biases, and how they simultaneously promote and hinder ecological sustainability. To explore these themes, Jacobson defines and compares adrenaline narratives by a range of American authors published after the first Earth Day in 1970, a time frame selected as a watershed moment for the contemporary American environmental movement. The forty-plus years since that day also mark the rise in the popularity and marketing of many things as "extreme," including sports, jobs, travel, beverages, gum, makeovers, laundry detergent, and even the environmental movement itself. Jacobson maps the American eco-imagination via adrenaline narratives, surveying a range of popular and lesser-known primary texts by American authors, including best-sellers such as Jon Krakauer's <em>Into Thin Air</em> and Aron Ralston's <em>Between a Rock and a Hard Place</em>. She also covers lesser-known novels as well as stories found in all types of media ranging from magazines, feature-length and short films, television shows, amateur videos, social media posts, advertising, and blogs. Jacobson argues for recognizing adrenaline narratives as a distinctive genre because, unlike traditional nature, travel, and sports writing, adrenaline narratives sustain heightened risk or the element of the "extreme" within a natural setting. Additionally, these narratives provide important insight into the American environmental imagination's connection to masculinity and adventure––knowledge that helps us grasp the current climate crisis and see how narrative understanding provides a needed intervention. <a href="https://blogs.stockton.edu/kristinjjacobson/" target="_blank" rel="noopener noreferrer">Kristin Jacobson</a> is a professor of American literature, American Studies, and Women’s, Gender and Sexuality Studies at Stockton University in New Jersey. She completed her Ph.D. at Penn State, her M.A. at the University of Colorado-Boulder, and her B.A. at Carthage College in Kenosha, WI. <hr /> <em><a href="https://ulaval.academia.edu/CarrieLynnEvans" target="_blank" rel="noopener noreferrer">Carrie Lynn Evans</a> is a PhD student at Université Laval in Quebec City.</em> <iframe frameborder="0" height="200" scrolling="no" src="https://playlist.megaphone.fm?e=LIT6642972270" width="100%"></iframe> Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Dr. Sophie Richter-Devroe’s book, Women’s Political Activism in Palestine: Peacebuilding, Resistance, and Survival (University of Illinois Press, 2018) offers an analysis of the forms assumed by women’s political resistance in Occupied Palestine and interrogates how an understanding of such activism might be expanded if one attends to the ‘everyday’. During the last twenty years, Palestinian women have practiced creative and, often, informal everyday forms of political activism. Building upon long-term ethnographic fieldwork, including several in-depth interviews and extended participant-observation, Dr. Richter-Devroe reflects on their struggles to bring about social and political change. In doing so, she presents a two-pronged critique of liberal notions of ‘the political’ as well as of mainstream conflict resolution methods–specifically the failed woman-to-woman peacebuilding projects so lauded around the world–which collapse in a context such as Palestine, characterized by ever-intensifying Israeli occupation and settler-colonial policies. Thus Dr. Richter-Devroe suggests that women confront Israeli settler colonialism both directly and indirectly through popular and everyday acts of resistance, drawing particular attention to the intricate dynamics of the everyday, tracing the emergent politics that women articulate and practice in that lived space. That is, through everyday acts with continuously offer women ways to reaffirm and reclaim their ‘right to have rights’, they are able to affect a unique form of political resistance, one that constitutes an important subject of study. In shedding light on contemporary gendered 'politics from below' in the region, then, the book invites a rethinking of the workings, shapes, and boundaries of the political in ways that importantly contribute to and expand studies of gender and politics in the Middle East. Dr. Sophie Richter-Devroe is an associate professor at Hamad bin Khalifa University, Doha in the Middle Eastern Studies Department in the College of Humanities and Social Sciences. This interview is part of an NBN special series on “Mobilities and Methods“. Josephine Chaet is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of authoritarian politics and women’s organizing in Amman, Jordan.’ Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In After the Party: A Manifesto for Queer of Color Life (NYU Press, 2018) Joshua Chambers-Letson invites you to a party featuring Eiko, Nina Simone, Jorge Ignacio Cortiñas, Danh Vō, Felix Gonzalez-Torres, and Tseng Kwong Chi. Through this diverse cast of characters, Chambers-Letson highlights moments of immanent communism: collaborations, romantic relationships, and serendipitous collisions that point towards a liberated future which also exists in our troubled present. Chambers-Letson draws on queer theorists like Jose Esteban Muñoz as well as Third World Marxists like C.L.R. James to articulate “a practice of being together in difference.” These artists and theorists model a form of solidarity that never denies our differences. Writing back against an often heteronormative and Euro-centric Marxism, Chambers-Letson helps us imagine a revolutionary communist party that lasts through the night and into the morning. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Policing the Womb: Invisible Women and the Criminalization of Motherhood (Cambridge University Press, 2020) a brilliant but shocking account of the criminalization of all aspects of reproduction, pregnancy, abortion, birth, and motherhood in the United States. In her extensively researched monograph, Michele Goodwin recounts the horrific contemporary situation, which includes, for example, mothers giving birth shackled in leg irons, in solitary confinement, even in prison toilets, and in some states, women being coerced by the State into sterilization, in exchange for reduced sentences. She contextualises the modern day situation in America’s history of slavery and oppression, and also in relation to its place in the world. Goodwin shows how prosecutors abuse laws, and medical professionals are complicit in a system that disproportionally impacts the poor and women of color. However, Goodwin warns that these women are just the canaries in the coalmine. In the context of both the Black Lives Matter movement, and in the lead up to the 2020 Presidential election, her book could not be more timely; Not only is the United States the deadliest country in the developed world for pregnant women, but the severe lack of protections for reproductive rights and motherhood is compounding racial and indigent disparities. Jane Richards is a doctoral candidate in Human Rights Law at the University of Hong Kong. Her research interests include disability, equality, criminal law and civil disobedience. You can find her on twitter @JaneRichardsHK where she avidly follows the Hong Kong’s protests and its politics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Laura Briggs’s Taking Children: A History of American Terror (University of California Press 2020) is a forceful and captivating book that readers won’t be able to put down, and that listeners from all sort of backgrounds will definitely want to hear more about. Weaving together histories of Black communities (in the US and the Americas more broadly), Native Americans, and multiple Latin Americans countries, Briggs tells us how taking of children has been used as a strategy to terrorize communities that demand social justice and change. This book, timely as no other, asks readers to question the narrative that portrays taking children as something that is done in the benefit of the child, and instead to see it as a strategy that seeks to control and dominate communities that are deem dangerous to the social order. As Prof. Briggs tells us by the end of the interview, in this summer of racial reckoning the BLM movement has asked to eliminate the foster care system for this has been another vehicle for the policing and criminalization of African American communities in the United States. This demand has everything to do with the long history of talking children that is so thoroughly documented in this book. Yet this is not only a “History of American Terror” as the title suggests, it is also a history about how individuals, families, communities and organizations have resisted this terrorizing strategy. Make no mistake: this is not a story with a happy ending, still, it is one that teaches us that in our past lies both the ghostly hauntings that explain why taking children has been a strategy used for terror, but also why therein we can find the seeds to resistance and transformation. Definitely a must for these troubling and convoluted times. Bonus: Prof. Briggs’s son makes a short but hilarious appearance in our conversation. We have decided not to delete this portion of the interview because it demonstrates one of Prof. Briggs main scholarly arguments: the distinction between the private and public is illusory. As with many other topics, the COVID-19 pandemic has only rendered visible the realities that were already there. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

We think that we live in democracies: in fact, we live in mediarchies. Our political regimes are based less on nations or citizens than on audiences shaped by the media. We assume that our social and political destinies are shaped by the will of the people without realizing that ‘the people’ are always produced, both as individuals and as aggregates, by the media: we are all embedded in mediated publics, ‘intra-structured’ by the apparatuses of communication that govern our interactions. In his new book Mediarchy (Polity Press, 2019), Yves Citton maps out the new regime of experience, media and power that he designates by the term “mediarchy.” To understand mediarchy, we need to look both at the effects that the media have on us and also at the new forms of being and experience that they induce in us. We can never entirely escape from the effects of the mediarchies that operate through us but by becoming more aware of their conditioning, we can develop the new forms of political analysis and practice which are essential if we are to rise to the unprecedented challenges of our time. This comprehensive and far-reaching book will be essential reading for students and scholars in media and communications, politics and sociology, and it will be of great interest to anyone concerned about the multiple and complex ways that the media – from newspapers and TV to social media and the internet – shape our social, political and personal lives today. Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Karl Gerth’s new book, Unending Capitalism: How Consumerism Negated China's Communist Revolution (Cambridge University Press, 2020) details how the state created brands, promoted and advertised particular products, set up department stores, and facilitated the promotion of certain luxury consumer products (notably wristwatches, bicycles, and sewing machines)—all in the Mao era. Though not typically considered to be a period of Chinese history driven by consumerism, Gerth’s beautifully researched book shows how, in the early People’s Republic, the Communist Party expanded consumerism and built ‘state capitalism’, and the ferocity of consumer impulses and behaviors that followed. Challenging, provocative, and precisely written, Unending Capitalism is sure to appeal to anyone interested in modern Chinese history and histories of capitalism, as well as any readers looking for a book that uses some really fascinating sources to complicate the dominant narrative of China’s ‘socialist’ history. Sarah Bramao-Ramos is a PhD candidate at Harvard University. She works on Manchu language books and book history and loves anything with a good kesike in it. She can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Climate Crisis and the Global Green New Deal: The Political Economy of Saving the Planet (Verso Books, 2020), Noam Chomsky, the world’s leading public intellectual, and Robert Pollin, the renowned progressive economist, map out the catastrophic consequences of unchecked climate change—and present a realistic blueprint for change: the Green New Deal. Together, Chomsky and Pollin show how the forecasts for a hotter planet strain the imagination: vast stretches of the Earth will become uninhabitable, plagued by extreme weather, drought, rising seas, and crop failure. Arguing against the misplaced fear of economic disaster and unemployment arising from the transition to a green economy, they show how this bogus concern encourages climate denialism. Humanity must stop burning fossil fuels within the next thirty years and do so in a way that improves living standards and opportunities for working people. This is the goal of the Green New Deal and, as the authors make clear, it is entirely feasible. Climate change is an emergency that cannot be ignored. This book shows how it can be overcome both politically and economically. Robert Pollin is Distinguished University Professor of Economics and Co-Director of the Political Economy Research Institute (PERI) at the University of Massachusetts-Amherst. His books include Greening the Global Economy (2015), Back to Full Employment (2012), and A Measure of Fairness: The Economics of Living Wages and Minimum Wages in the United States (2008). Brian Hamilton is a Ph.D. candidate at the University of Wisconsin–Madison where he is researching African American environmental history. A Maine native, he lives in Western Massachusetts and teaches at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How does the music industry work in the modern world? In Selling Out: Culture, Commerce and Popular Music (Bloomsbury, 2020), Bethany Klein, a Professor of Media and Communication at the University of Leeds, explores the relationship between music and money, from the early years of the pop industry to contemporary society’s ‘promotional culture’. The book conceptualises ‘selling out’, and offers a nuanced understanding of how the idea developed and how it might still be important and relevant. Crucially, the book stresses the changing nature of selling out, not only over time but also through thinking critically about key categories such as race and gender. The book is packed with examples from across a range of genres and gives an overview of key theories to help understand the importance of ‘selling out’. The book is essential reading across the humanities and social scientists, as well as for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Roland Barthes and Film: Myth, Eroticism and Poetics (Bloomsbury) is a book by Patrick Ffrench, Professor of French at Kings College. It is a comprehensively researched and finely argued book that traces Barthes engagement with questions of cinema from early research pre-dating the publication of Mythologies to his last work, Camera Lucida, along the way responding in depth to those who have explicitly commented on Barthes musings on film and those who have been inspired by them in their own work. It demonstrates how certain critical and theoretical themes regarding the cinema emerge and develop through the course of Barthes’ career and argues for the singular importance of the famous critic’s writing on film, despite, perhaps even precisely because of the deep ambivalence that he sustained towards that object from beginning to end. For me, Ffrench’s book reads as a celebration of the critical virtue of ambivalence as it is played out in Barthes’ writing, showing how his apparent inability to adopt an unequivocal attitude towards film as an institution and form of expression allowed him to articulate perspectives on the nature and possibilities of cinema that still feel subtle and surprising. Bill Schaffer is a semi-retired lecturer in Film Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Logic, the study of how certain arguments either succeed or fail to support their conclusions, is one of the most important topics in philosophy, its importance illustrated by the common assumption that if one is being logical, they are probably right. However, the importance of logic has led to a certain amount of misuse and abuse over the years, with questionable arguments being given a veneer of reasonableness to cover up some questionable philosophical mechanics. In a way this is nothing new; since the beginning of philosophy there has been an ongoing tension between true philosophers and sophists. The form this sophistry takes is often a reflection of the particular political and cultural questions that are being debated, and so any attempt to make sense of one’s times and build any sort of popular consensus will require diving into the pseudologic and deconstructing it, hopefully with a better argument in its place. This is the project of Ben Burgis in his book ​Give Them an Argument: Logic for the Left (Zero Books, 2019). Both a professor of philosophy and a committed political leftist, Burgis wades through a host of contemporary examples, arguing that the common arguments for capitalism and against socialism often rely on questionable logic that can be debated. On top of this, he argues that the left needs to learn to better integrate logical thinking into its own analysis, and communicate its ideas in ways that not only maintain their rigor, but offer clarity to a wider swathe of people. Ben Burgis is a philosophy instructor at Georgia State University Perimeter College. His writing has appeared in a number of outlets including ​Jacobin​, ​Areo and ​Quillette​. He is a cohost of ​The Dead Pundits Society​ and hosts his own podcast ​Give Them an Argument​. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In World Literature, Non-Synchronism, and the Politics of Time (Palgrave Macmillan) Filippo Menozzi offers to look at literature and literary processes through the prism of non-synchronism. The book details the notion that Menozzi finds accurate and relevant not only for the analysis of current cultural and political developments, but also for the consideration of the past. Non-synchronism is suggested to subvert the boundaries of time and space that are united and organized through chronologies, imposing and supporting canonical structures. Menozzi asserts that a non-synchronism approach to how we read has political repercussions that can shape the way we navigate the network of political and economic systems. To demonstrate how the non-synchronism approach helps re-arrange different times, Menozzi draws attention to fiction from Africa and South Asia and focuses on how the change of the temporal perspective can activate textual layers, providing space for the intersection of the local and the global. Filippo Menozzi (PhD, Kent) is Lecturer in postcolonial and world literature at Liverpool John Moores University, UK. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In her latest book, The Hidden Face of Rights: Toward a Politics of Responsibilities (Yale University Press), Kathryn Sikkink puts forward a framework of rights and responsibilities; moving beyond the language of rights that has come to dominate scholarship and activism, she makes the case that human rights cannot be truly implemented unless we also recognise that there are corresponding obligations to implement those rights. Recognising that talk of responsibility, obligation and duty are often unpopular - because people do not like to be told what they ‘should’ do - Sikkink advocates that we rethink how we conceive of responsibility – it should not be limited to backward-looking blame attribution, but should be expanded to become one of forward-looking responsibility; instead of just asking who is to blame, responsibility should be expanded to ‘what together can we do?’ In making this argument, she focuses on five key areas – climate change, voting, digital privacy, freedom of speech, and sexual assault - to demonstrate how responsibility is engaged. She provides many examples of grass-roots initiatives where people can choose to adopt the rights and responsibilities model for collective action. There are fewer more pertinent concerns for our times. Sikkink’s book will make you rethink your own responsibilities, and as a citizen of the world, ‘what together we can do’. Kathryn Sikkink is the Ryan Family Professor of Human Rights Policy at the Harvard Kennedy School of Government. Jane Richards is a doctoral candidate in Human Rights Law at the University of Hong Kong. Her research interests include disability, equality, criminal law and civil disobedience. You can find her on twitter @JaneRichardsHK where she avidly follows the Hong Kong’s protests and its politics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How are algorithms changing journalism? In Metrics at Work: Journalism and the Contested Meaning of Algorithms (Princeton University Press), Angèle Christin, an assistant professor in the Department of Communication at Stanford University, explores the impact of metrics and analytics on the newsrooms of New York and Paris. Using an ethnography of two organisations, the book demonstrates the complexity, ambivalence, and difference in the use of metrics to make editorial and journalistic judgements. Covering a vast range of issues, from the history of journalism, through methods of managing organisations, to careers and pay, the book gives important insights into the current, and future, practices of our news organisations. As a result, the book is essential reading for social science and humanities scholars, as well as for anyone interested in how we get the news we have today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Capitalism seems to many to be in a sort of constant crisis, leaving many struggling to make ends meet. This desperation was intensified in 2008, and for many never went away in spite of claims of a general economic ‘recovery.’ More recently, the tensions and shortcomings of our current socioeconomic system have been exacerbated by the COVID-crisis, with poorly compensated frontline workers struggling to stay safe in workplaces that have failed to take adequate care of their health and safety. The feeling that we’ve stuck riding along the precipice of disaster for years now is an animating idea for my guest today, Albena Azmanova, here to discuss her recent book Capitalism on Edge: How Fighting Precarity Can Achieve Radical Change Without Utopia or Crisis (Columbia University Press). The book argues that the animating element of contemporary life under capitalism is precarity, and the driving force behind this precarity is the insatiable drive for profits which leaves workers desperately trying to keep up with capital. Synthesizing history, philosophy, economics and policy analysis, the book takes a sharp look at the elements that make up our current situation, and what our possibilities are for change. Albena Azmanova is an associate professor of political and social theory at Kent’s Brussels School of International Studies. She is also the author of The Scandal of Reason: A Critical Theory of Political Judgement. Stephen Dozeman is a freelance writer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Drawing on detailed archival research on the parallel histories of human rights and neoliberalism, in Morals of the Market: Human Rights and the Rise of Neoliberalism (Verso), Jessica Whyte uncovers the place of human rights in neoliberal attempts to develop a moral framework for a market society. In the wake of the Second World War, neoliberals saw demands for new rights to social welfare and self-determination as threats to “civilisation”. Yet, rather than rejecting rights, they developed a distinctive account of human rights as tools to depoliticise civil society, protect private investments and shape liberal subjects. Jessica Whyte is Scientia Associate Professor of Philosophy at the University of New South Wales. She has published widely on human rights, humanitarianism, sovereignty and war. She is author of Catastrophe and Redemption: The Political Thought of Giorgio Agamben, (SUNY 2013) and The Morals of the Market: Human Rights and the Rise of Neoliberalism (Verso, 2019) and an editor of Humanity: An International Journal of Human Rights, Humanitarianism and Development. More of her research is available here: https://unsw.academia.edu/JessicaWhyte Dr Alexandra Ortolja-Baird is a visiting researcher at the British Museum and teaches Digital Humanities at University College London. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How should we understand the role of cultural industries in contemporary society? In Global Cultural Economy (Routledge) Christiaan De Beukelaer, a senior lecturer in cultural policy at the University of Melbourne, and Kim-Marie Spence, a postdoctoral researcher at Solent University, explore and explain the interrelationship between culture and economy across the world. The book covers a range of subjects, from inequality and diversity, through government funding and cultural policy, to development and sustainability, illustrating each subject with examples from a vast range of artforms and nation states, as well as global policy organisations. The book is essential reading for creative industries, arts and humanities, and social science scholars, as well as for anyone interested in a declonising their perspective on global culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Insurgent Aesthetics: Security and the Queer Life of the Forever War (Duke University Press), Ronak K. Kapadia theorizes the world-making power of contemporary art responses to US militarism in the Greater Middle East. He traces how new forms of remote killing, torture, confinement, and surveillance have created a distinctive post-9/11 infrastructure of racialized state violence. Linking these new forms of violence to the history of American imperialism and conquest, Kapadia shows how Arab, Muslim, and South Asian diasporic multimedia artists force a reckoning with the US war on terror's violent destruction and its impacts on immigrant and refugee communities. Drawing on an eclectic range of visual, installation, and performance works, Kapadia reveals queer feminist decolonial critiques of the US security state that visualize subjugated histories of US militarism and make palpable what he terms “the sensorial life of empire.” In this way, these artists forge new aesthetic and social alliances that sustain critical opposition to the global war machine and create alternative ways of knowing and feeling beyond the forever war. Ronak K. Kapadia is an interdisciplinary scholar and cultural theorist of race, security, and empire in the late 20th and early 21st century United States. Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

An incisive new look at the black diaspora, examining the true roots of antiblackness and its destructive effects on all of society. Thanks to movements like Black Lives Matter, Western society's chronic discrimination against black individuals has become front-page news. Yet, there is little awareness of the systemic factors that make such a distinct form of dehumanization possible. In both the United States and Brazil--two leading nations of the black diaspora--a very necessary acknowledgment of black suffering is nonetheless undercut by denial of the pervasive antiblackness that still exists throughout these societies. In The Denial of Antiblackness. Multiracial Redemption and Black Suffering (University of Minnesota Press), João H. Costa Vargas examines how antiblackness affects society as a whole through analyses of recent protests against police killings of black individuals in both the United States and Brazil, as well as the everyday dynamics of incarceration, residential segregation, and poverty. With multisite ethnography ranging from a juvenile prison in Austin, Texas, to grassroots organizing in Los Angeles and Black social movements in Brazil, Vargas finds the common factors that have perpetuated antiblackness, regardless of context. Ultimately, he asks why the denial of antiblackness persists, whom this narrative serves, and what political realities it makes possible. This book is available open access until August 31 here. João H. Costa Vargas is professor of anthropology at the University of California, Riverside. Candela Marini is an Assistant Professor of Cultural Studies and Spanish at MSOE University. You can tweet her and suggest books at @MariniCandela Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Dr. Waleed Mahdi’s book, Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation (Syracuse University Press) offers a comparative analysis of the portrayals of Arab Americans in film and interrogates how such representations have been, and continue to be, disrupted and challenged. By approaching such cinematic representations as a critical site of inquiry from which to analyze the shape of national identity, then, Arab Americans in Film questions the role of cultural productions in perpetuating images of exclusion and inclusion, and the possibility of re-narrating the Arab American experience beyond such imperatives. In examining the cultural production of Arab American identity in film, Arab Americans in Film importantly unsettles ‘the national’ as a theoretical category of analysis to illustrate how the construction of Arab American ‘Otherness’ is not simply a product of U.S. orientalist histories but of constructions of the ‘Self’ and ‘Other’ which exist in both US and Arab state national narratives. In so doing, the book captures the multi-layered articulations of Arab American subjectivity across US and Arab collective memories and filmmaking industries in an effort to explore the heterogeneity of Arab Americans’ consciousness in ways which locate their narratives at the crossroads of the individual and the collective, the local and the national, and the national and the transnational. Through an in-depth discussion of a wide variety of films from three distinct, and yet comparable, cinematic genres – Hollywood cinema, Egyptian cinema, and Arab American cinema – Arab Americans in Film traces the competing narratives of Arab American belonging to enhance the understanding of how Othering is at once constructed and challenged, and what is at stake in those ongoing, parallel processes. Waleed Mahdi is an assistant professor at the University of Oklahoma with joint affiliations in the Department of International and Area Studies and the Department of Modern Languages, Literatures, and Linguistics. This interview is part of an NBN special series on "Mobilities and Methods". Josephine Chaet is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of authoritarian politics and women's organizing in Amman, Jordan.' Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In White Negroes: When Cornrows Were in Vogue ... and Other Thoughts on Cultural Appropriation (Beacon, 2019), Lauren Michele Jackson analyzes Christina Aguilera, high fashion, the conceptual poetry of Kenneth Goldsmith, digital blackface, and the dearly departed video platform Vine. She demonstrates that cultural appropriation (especially of Black culture by white artists) is prevalent and deeply rooted in America’s history of inequality. Beyond that, though, she explores why white artists feel drawn to appropriate Blackness: what does appropriated Blackness give to white artists? Status? Sex appeal? Avant-garde credibility? Funding? And why doesn’t it give those same things to Black artists? White Negroes is a timely and engrossing (and funny) work of cultural criticism from a major new critical voice. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Latinos have long influenced everything from electoral politics to popular culture, yet many people instinctively regard them as recent immigrants rather than a longstanding racial group. In Inventing Latinos: A New Story of American Racism (The New Press, 2020), Laura Gómez, a leading expert on race, law, and society, illuminates the fascinating race-making, unmaking, and re-making of Latino identity that has spanned centuries, leaving a permanent imprint on how race operates in the United States today. Pulling back the lens as the country approaches an unprecedented demographic shift (Latinos will comprise a third of the American population in a matter of decades), Gómez also reveals the nefarious roles the United States has played in Latin America—from military interventions and economic exploitation to political interference—that, taken together, have destabilized national economies to send migrants northward over the course of more than a century. It’s no coincidence that the vast majority of Latinos migrate from the places most impacted by this nation’s dirty deeds, leading Gómez to a bold call for reparations. In this audacious effort to reframe the often-confused and misrepresented discourse over the Latinx generation, Gómez provides essential context for today’s most pressing political and public debates—representation, voice, interpretation, and power—giving all of us a brilliant framework to engage cultural controversies, elections, current events, and more. David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Follow him on Twitter @djgonzoPhD. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The sexual landscape has changed dramatically in the past few decades, with the meaning of gender and sexuality now being parsed within the realms of gender fluidity, nonheteronormative sexuality, BDSM, and polyamory. The sea change in sexual attitudes has also made room for the mainstreaming of internet pornography and the use of virtual reality for sexual pleasure – and the tech gurus have not even scratched the surface when it comes to mining the possibilities of alternative realities. In The New Sexual Landscape and Contemporary Psychoanalysis (Confer Books, 2020), Danielle Knafo and Rocco Lo Bosco survey modern sex culture and suggests ways psychoanalysis can update its theories and practice to meet the novel needs of today’s generations; at the same time, paying special attention to technology, which is augmenting and expanding sexual and gender possibilities. The authors consider how sexuality and bonding in this brave new world are best suited to meet our psychoanalytic needs. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this current moment it has become increasingly clear that US society is deeply entangled in racist policies and logics of white supremacy. While this affects numerous communities, anti-Muslim racism has continued to grow over the years. In With Stones in Our Hands: Reflections on Racism, Muslims and US Empire (University of Minnesota Press, 2018), Sohail Daulatzai, Associate Professor at the University of California, Irvine, and Junaid Rana, Associate Professor at the University of Illinois, Urbana-Champaign, turn their attention to the intersection of racecraft around Muslims and imperial projects of domination by gathering committed scholars and activists to reflect on how we’ve gotten here and how we can move forward. The collection of over 20 essays contend with political dissent and the promise of activism, migration and assimilation, suspicion and surveillance, and the intellectual and cultural archives that provide imaginative strategies for possible futures. In our conversation we discuss the patterns of the Muslim Left and the Muslim International, the racialization of Muslims, Palestine and American Muslim politics, Muslim belonging in the contexts of liberal multiculturalism and settler colonialism, countering extremism programs, the media reinforcement of stereotypes, and the resources Muslims can draw upon for solidarity politics. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In What Does it Mean to be Post-Soviet? Decolonial Art from the Ruins of the Soviet Empire (Duke University Press, 2018), Madina Tlostanova traces how contemporary post-Soviet art mediates this human condition. Observing how the concept of the happy future—which was at the core of the project of Soviet modernity—has lapsed from the post-Soviet imagination, Tlostanova shows how the possible way out of such a sense of futurelessness lies in the engagement with activist art. She interviews artists, art collectives, and writers such as Estonian artist Liina Siib, Uzbek artist Vyacheslav Akhunov, and Azerbaijani writer Afanassy Mamedov who frame the post-Soviet condition through the experience and expression of community, space, temporality, gender, and negotiating the demands of the state and the market. In foregrounding the unfolding aesthesis and activism in the post-Soviet space, Tlostanova emphasizes the important role that decolonial art plays in providing the foundation upon which to build new modes of thought and a decolonial future. Madina Tlostanova is professor of postcolonial feminisms at Linköping University (Sweden). Steven Seegel is professor of history at University of Northern Colorado. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Disordered Violence: How Gender, Race and Heteronormativity Structure Terrorism (Edinburgh University Press, 2020), Caron Gentry looks at how gender, race, and heteronormative expectations of public life shape Western understandings of terrorism as irrational, immoral and illegitimate. Gentry examines the profiles of 8 well-known terrorist actors. Gentry identifies the gendered, racial, and sexualized assumptions in how their stories are told. Additionally, she interrogates how the current counterterrorism focus upon radicalization is another way of constructing terrorists outside of the Western ideal. Finally, the book argues that mainstream Terrorism Studies must contend with the growing misogynist and racialized violence against women. Beth Windisch is a national security practitioner. You can tweet her @bethwindisch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How have we used twentieth- and twenty-first-century sound technologies to carve out sonic space out of the hustle and bustle of contemporary life? In search for an answer, in this episode I speak with Mack Hagood, Blayney Associate Professor of Comparative Media Studies at Miami University, writer, and podcaster about his book, Hush: Media and Sonic Self-Control (Duke University Press, 2011). In Hush, Hagood examines a variety of twentieth- and twenty-first-century technologies of sonic self-control that includes nature recordings, clinical audiometric tools, and “sound conditioners” through to top-selling white noise apps and the noise-canceling headphones offered under the commercially succesfull Bose and Beats brands. What this assortment of tools and technologies have in common, Hagood argues, is that they are all “orphic media”: kinds of media that carry or generate content that is designed to efface itself as such. Orphic media can be understood as tactics and technologies that offer us respite from postmodern conditions of excess and distraction, even if that promise is not always fulfilled. Hagood draws on a variety of sources, including the results of his own ethnographic work, patent documents, and archival material, to develop a critical account of these media that—ironically—fight sound with yet more sound, one that is both grounded in the technical detail of how specific devices do this work and is sensitive to their various use-contexts, both actual and intended. Mack Hagood produces and hosts the Phantom Power podcast, an aural exploration of the sonic arts and humanities that launched in 2018 with the support of the Miami University Humanities Center and The National Endowment for the Humanities, and can be subscribed to wherever you get your podcasts. Eamonn Bell (@_eamonnbell) is a postdoctoral Research Fellow at Trinity College Dublin in the Department of Music. His current research project examines the story of the compact disc from a viewpoint between musicology and media studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How has social media changed inequality in the cultural industries? In The Politics of Expertise in Cultural Labour: Arts, Work and Inequalities (Rowman and Littlefield, 2020), Karen Patel, AHRC Leadership Fellow based at Birmingham Centre for Media and Cultural Research, Birmingham City University, considers the idea of expertise in cultural labour, examining how it is understood and displayed by cultural workers. The book draws on an extensive and deep engagement with key theories of work, expertise, and culture, as well as offering detailed empirical case studies of the everyday working lives of creative practitioners. Moreover, by analyzing the impact and importance of social media, the book offers an important insight into how inequality functions even where technology seems to offer an end to cultural hierarchy. The book is essential reading across the humanities and social sciences, as well as for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What do medieval knights, suicide bombers and "victimhood culture" have in common? Betraying Dignity: The Toxic Seduction of Social Media, Shaming, and Radicalization (Fairleigh Dickinson University Press) argues that in the second decade of the twenty-first century, individuals, political parties and nations around the world are abandoning the dignity-based culture we established in the aftermath of two world wars, less than a century ago. Disappointed or intimidated, many turn their backs on the humanitarian, universalistic culture that presumes our inherent human dignity and celebrates it as the basis of every individual's equal human rights. Instead, people and nations are returning to a much older, honor-based cultural structure. Because its ancient logic and mentality take new forms (such as social network shaming and certain aspects of "victimhood culture") -- we fail to recognize them, and overlook the pitfalls of the old honor-based structure. Narrating the history of honor-based societies, this book distinguishes their underlying principle from the post-WWII notion of dignity that underlies human rights. It makes the case that in order to revive and strengthen dignity-based culture, the concept of human dignity must be defined narrowly and succinctly, and enhanced with the principle of respect. Continuing its historical and cultural narrative, the book discusses contemporary phenomena such as al-Qaeda terrorists, shaming via social network, FoMO, and some features of the emerging "victimhood culture". The book pays homage to Erich Fromm's classic Escape from Freedom. Orit Kamir is founder and academic head of the Center for Human Dignity in Israel, and has taught law and culture studies at universities in Israel, the United States, and Europe. Dr. Yakir Englander is the National Director of Leadership programs at the Israeli-American Council. He also teaches at the AJR. He is a Fulbright scholar and was a visiting professor of Religion at Northwestern University, the Shalom Hartman Institute and Harvard Divinity School. His books are Sexuality and the Body in New Religious Zionist Discourse (English/Hebrew and The Male Body in Jewish Lithuanian Ultra-Orthodoxy (Hebrew). He can be reached at: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How are algorithms shaping our experience of the internet? In Making it Personal: Algorithmic Personalization, Identity, and Everyday Life (Oxford University Press), Tanya Kant, a lecturer in Media And Cultural Studies at the University of Sussex interrogates the rise of algorithmic personalization, in the context of an internet dominated by platform providers and corporate interests. Using detailed empirical case studies, along with a rich and deep theoretical framework, the book shows the negative impact of algorithmic personalization, the nuances and ambivalences in user behaviours, and their modes of resistance. As we increasingly live our lives online, the book is essential reading across the humanities and social sciences, as well as for anyone interested in understanding how algorithms regulate our lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

From the films of Larry Clark to the feminist comedy of Amy Schumer to the fall of Louis C. K., comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated: Mediating the Politics of Pleasure and Violence (Duke University Press, 2020) move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital—empowering for some but oppressive for others. Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga. Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics. Maggie Hennefeld is Assistant Professor of Cultural Studies and Comparative Literature at the University of Minnesota, Twin Cities. Her Twitter handle is @magshenny. Nicholas Sammond is Associate Professor of Cinema Studies at the University of Toronto. Joel Tscherne is an adjunct history general studies professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

A few short years ago, Michael Rectenwald was a Marxist professor at NYU, pursuing his career and contemplating becoming a Trotskyist, when the political climate on campus - victimology, cancel-culture, no-platforming, and political correctness run-amok - began to bother him. He responded by creating a Twitter handle, @AntiPCNYUProf (now @TheAntiPCProf), and began bashing campus excesses with humor and biting satire. Predictably, he was soon discovered and pushed out of his job. Rectenwald struck back by publishing Springtime for Snowflakes, a memoir of his experiences in academia, which included criticism and analyses of the leftism now dominating campus culture. He followed that book with Google Archipelago, which delves into the seeming enigma of why big business embraces far-left politics - hint: self-interest is involved - and the rapid growth of consumer/citizen surveillance. The foundation for a robust leftist totalitarianism is being carefully laid. With this new volume, Rectenwald returns with his characteristic sharp wit and incisive analysis and continues to fine tune his critique of modern leftism. In Beyond Woke (The New English Review Press), he brings his unique perspective as an ex-Marxist and civil libertarian to bear on leftist culture, with its abandonment of traditional morality and emphasis on collective social identities - which are ironically increasingly atomized, as overwhelming centrifugal forces break up any previously stable social cohesion. The revolution is here and it's winning. Find out why, and how to combat it. Michael Rectenwald is a recently retired Professor of Liberal Studies at New York University, where he taught cultural and social history as well as academic writing since 2008. Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought & Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Delighting in Khurram Hussain’s consistently sparkling prose is reason enough to read his new book Islam as Critique: Sayyid Ahmad Khan and the Challenge of Modernity (Bloomsbury Academic, 2019). But there is much more to this splendid book, framed around the profoundly consequential conceptual and political question of can Muslims serve not as friends or foes but as critics of Western modernity. Hussain addresses this question through a close and energetic reading of key selections from the scholarly oeuvre of the hugely influential yet often misunderstood modern South Asian Muslim scholar Sayyid Ahmad Khan (d. 1898). By putting Khan in contrapuntal conversation with a range of Western philosophers including Reinhold Niebuhr (d.1971), Hannah Arendt (d.1975), and Alasdair MacIntyre (1929-), Hussain explores ways in which Sayyid Ahmad Khan’s thought on profound questions of moral obligations, knowledge, Jihad, and time disrupts a politics of “either/or” whereby Muslim actors are invariably pulverized by the sledgehammer of modern Western commensurability to emerge as either friends or enemies. This provocative and thoughtful book will animate the interest of a range of scholars in Islamic Studies, South Asian Studies, Politics, Philosophy, and Postcolonial thought; it will also work as a great text to teach in courses on these and other topics. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available here. He can be reached at [email protected]. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How can we understand the legacy of colonialism within contemporary society? In Bordering Britain Law, Race and Empire (Manchester University Press, 2020), Nadine El-Enany, a senior lecturer in law at Birkbeck School of Law and Co-Director of the Centre for Research on Race and Law, historicises immigration law and ideas of citizenship in Britain, connecting the project of building a nation after the end of empire to whiteness, colonial violence, and racism. The book analyses legislation and case law, along with the social and historical context of immigration in Britain, to demonstrate the continued, systemic, violence at the heart of the British state. The book is essential reading across law, history, and the social sciences, as well as for anyone interested in understanding contemporary society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory