Horror Queers

This week on Micro Queers, we're discussing Jackie Perez's Dryer Lint (click the link to view the 10-minute short), in which a man (Donzell Lewis) is obsessed with the disappearance of his socks after a colleague (Bella Silverstein) tells him the story of the sock monster.Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremoteAlso, don't forget to support the boys on Patreon! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Prep your dogg jokes and don't go into the derelict old house because we're checking out Ernest R Dickerson's 2001 blaxploitation / slasher / Italian Gothic horror film Bones. Joining us is Carolyn Mauricette, Development Coordinator & Programmer of the Blood In The Snow film festival, who has a deep affection for both Pam Grier and Snoop Dogg.This episode is, first and foremost, an apology for sleeping on the film, which is a ton of fun. We heap praise on Dickerson's direction, the film's litany of homages and its many visually stunning sequences. Bones has characters we actually care about, doesn't make a big deal about a mixed race relationship and invests a ton of screen time on Snoop & Grier's romance that other films would have cut out.Plus: the agelessness of Grier and Bianca Lawson, undead decapitated heads, the film's questionable marketing, the lack of studio confidence in black horror and, finally, Carolyn's hilarious edible story.Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremote> Carolyn: @vfdpixie I viewfromthedark.ca I Pod: Reely MelanatedBe sure to support the boys on Patreon! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Prep your dream fantasies and your give no fuck attitude because we're checking out Richard Bates Jr's Excision (2012). Joining us to talk about Traci Lords and AnnaLynne McCord's powerhouse performances is Transploitation author and Sick Sad Monsters co-host Wren Crain, who contributes a candid and personal reading about mental illness in the film. CW: Necrophilia, AbortionUp for discussion: why McCord's Pauline is a queer icon, the film's rude and crude comedy (hint: it's tied to abjection!), and age appropriate crushes on Jeremy Sumpter.Plus: comparisons to May and Ginger Snaps, tangents about Gilmore Girls AND Monster-In-Law (?!), another sexually charged locker room scene and *a lot* of feelings about the ending.Reading: Matheney, Emily. The Monstrous-Feminine and the Politics of Trash in the Film Excision. MA ThesisQuestions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremote> Wren: @b_rollbanshee / @Transploitbook / @SickSadMonstersBe sure to support the boys on Patreon! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Here's a sneak peek at our all new full-length Patreon bonus episode on Michael Chaves' The Conjuring: The Devil Made Me Do It. It's......aggressively fine.Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week on Micro Queers, we're discussing Alexander Birrell's The Latent Image (the 20-minute-long short is available on the queer streaming service Dekkoo, and you can sign up for a 3-day free trial to watch it), in which a young writer (Joshua Tonks) retreats to an isolated cabin to work on a mystery thriller, only for a mysterious stranger (Jay Clift) to arrive at his door needing help.Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremoteAlso, don't forget to support the boys on Patreon! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Grab your fur coat and tail because we're heading to the UK for a little Faerie Tale Queertre to discuss Will Gould's 1998 morality tale The Wolves of Kromer, which might be the only film we've covered with a 0% Rotten Tomatoes score!Join us as we discuss the film's very specific aesthetic (think Vacation Bible School videos or PBS original programming) before delving into the film's admittedly on-the-nose allegories (wolves = queers) and try to figure out why Boy George only has a 5-second appearance in the opening scene.Plus, murderous (and possibly queer?) old biddies who are horny for the Lord, a poppers anecdote and the revelation that Joe once worked at a gay bar?!Oh, and why does this queer film's only sex scene have to be a straight one? We lycan't!Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremoteBe sure to support the boys on Patreon! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Here's a sneak peek at our all new full-length Patreon bonus episode on Zack Snyder's latest big budget blockbuster, Army of the Dead (2021). It's dumb fun!Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

For this week's episode, we're headed to Los Angeles to become stars in the fashion industry with Nicolas Winding Refn's The Neon Demon (2016). Tagging along for the cannibalism and necrophilia is Bloody Blunts Cinema Club's DeVaughn Taylor who has a unique appreciation for spooky nonsense and has a pretty killer theory about what Ruby, Sarah and Gigi are really up to. CW: sexual assault, necrophiliaUp for discussion: connections to American Psycho, Abbey Lee and Jena Malone appreciation, why Trace finds the film so uncomfortable and a sprawling discussion regarding accusations about the film's misogyny.References: Chavez, Eliza. Medium. "The Neon Demon and Female Blasphemy, or Why Lesbian Necrophilia Is Sometimes a Good Thing" Hughes, Kayleigh. Vox. "The Neon Demon tries to both fetishize and vilify young girls. It fails." Wilford, Lauren. Gradient. "I'm a feminist, and I love The Neon Demon" Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremote> DeVaughn: @_daddydisco / @bloodybluntsccBe sure to support the boys on Patreon! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Here's a sneak peek at our all new full-length Patreon bonus episode on Simon Barrett's directorial debut, Seance (2021). Spoiler alert: it's boooooring.Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week on Micro Queers, we're discussing Ariel Hansen's Nepenthes (click the link to view the 5-minute-long short), in which Max (Ariel Slack) decides to meet an online dating match only to get herself into a painfully sticky situation.Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremoteAlso, don't forget to support the boys on Patreon! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hello Zep, we want to play a game! So grab your blue filter and reverse bear trap because we're talking James Wan's debut film Saw! Joining us for the discussion are former guests Jenny Nulf (Fatal Frame and The Handmaiden) and Lindsay Traves (Batman: Mask of the Phantasm)!Join us as we discuss the film's "torture porn" moniker and how it served as a reaction to 9/11 (and other things) during the Bush administration. We'll discuss the film's legacy and admire the franchise's adherence to its own continuity (for the most part).We ask important questions like: Did Gordon actually cheat on his wife? Is Jigsaw actually a murderer? Would he be convicted in a court of law? What project management software does he use? And who shit in the toilet?Plus, Jigsaw dioramas, sexy Billy the Puppet costumes, Trace's Cary Elwes impression and that. Fucking. Ending.Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremote> Jenny: @jennyleighx33> Lindsay: @smashtravesAnd don't forget to support the boys on Patreon! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Here's a sneak peek at our all new Patreon episode on Mike Flanagan's shockingly good 2016 prequel Ouija: Origin of Evil! How did Flanagan turn a turd of a first film into a gem of a prequel? Listen and find out!Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Surprise! In celebration of the theatrical release of Spiral this weekend, we've decided to give you a little taste of next week's episode on Saw with a bit of an appetizer before the main course. Joining us to discuss the cultural impact of Saw is Greg Mucci (see previous episode on Friday the 13th Part VII: The New Blood), who shares his experience seeing Saw on opening weekend back in 2004. Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We're sticking with high school outsiders as we revisit Robert Rodriguez's The Faculty (1998). We're joined by Pissi Myles of My Spooky Gay Family podcast to discuss all of the film's many, MANY queer elements, courtesy of screenwriter Kevin Williamson.Aside from the homages to classic sci-fi, we tackle queer coding in Stokely and Casey, question why Zeke is such an asshole and absolutely rip into the terrible finale, which betrays nearly every character.Plus: debating the Rodriguez vs Williamson elements, Joe bemoans how Usher was used by the Tommy Hilfiger tie-in campaign, the return of Trace's Elijah Woods thirst, and debating the ingredients in Scat. Oh, and we get personal about our bullying experiences in the locker room.Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremote> Pissi: @pissimyles / My Spooky Gay Family PodcastBe sure to support the boys on Patreon! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week on Micro Queers, we're discussing Lee Haven Jones' Want It (click the link to view the 10-minute-long short), in which an intruder breaks into a modern and luxurious home, only for the tables to be turned when the owner of the house returns unexpectedly. The intruder then finds himself naked and powerless.Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremoteAlso, don't forget to support the boys on Patreon! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Prep your Lydia from Beetlejuice cosplay and channel your inner Carrie because this week were delving into Marina Sargenti's direct-to-video film Mirror Mirror (1990). CW: the dogs die.Written by sisters Annette and Gina Cascone, the film is almost entirely made by and starring women, including the fabulously named Rainbow Harvest, Karen Black and The Munsters' Yvonne De Carlo (in a very Tangina from Poltergeist-esque role).Up for discussion: being picked last for sports, shitty high school teachers (Tobo!), Karen Black's wigs, sex acts involving reflective surfaces and steam room titties.Plus: Joe teaches Trace the rules of water polo and why we heartily recommend the film despite a so-so 2nd half and audacious, unconventional ending.Reference: Kate Hagen. "31 Days of Feminist Horror Films: MIRROR, MIRROR"Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremoteAnd be sure to support the boys on Patreon! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Protect your wallets from suspicious drifters because we're ending April with a boring, unsexy vampire road trip movie: J.S. Cardone'sThe Forsaken! Joining us for this torturous venture is Hellbent director Paul Etheredge!Join us as we try to determine whether the film is unintentionally homoerotic or just plain bro-y. We'll delve into Simon Rex's '90s porn career, discuss some of our own porn preferences and discuss the heavy vampirism-as-AIDS metaphor the film incorporates.A discussion of The Forsaken can't be had without discussing kinda-sorta lead actress Izabella Miko and how the film mishandles her character. She's nude in her introductory scene, has maybe five lines of dialogue and isn't given a name until the end credits. Yay, feminism!Plus, title card titties, Johnathon Schaech giving a performance, new (terrible) vampire lore, waitresses who are really concerned about the coffee bill and just how many times can these characters run out of gas? Spoiler alert: a lot.Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremote> Paul (Instagram): @dogheaddogAnd don't forget to support the boys on Patreon! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Here's a sneak peek at our all new Patreon episode on Simon McQuoid's new gory adaptation of Mortal Kombat.Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week on Micro Queers, we're discussing Nicholas Verso's The Last Time I Saw Richard (click the link to view the 22-minute-long short), in which proud loner (Toby Wallace) finds himself bonding with his new roommate (Cody Fern) at a mental health clinic for teens. CW: Self-harmReference: The Skeletons in My Closet, Stephen LewisQuestions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremoteAlso, don't forget to support the boys on Patreon! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week on the pod, keep an ear out for the air siren because we're headed to Silent Hill (2006) for its 15th anniversary. Along for the ride are Renee, Travis and John Paul of Pod Mortem, who provide both game expertise and disdain for the presence of Sean Bean's Chris (we love the actor, but why is he here?!)Up for discussion: how director Christophe Gans scored the gig, how writer Roger Avary paid homage to AND overcomplicated the game's plot and grievances about the 2+ hour runtime.Plus: compliments for the production design and monster choreography, issues with the depiction of sexual assault (CW) and questions about founding a child sacrificing cult in a small town.Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremote> Pod Mortem: @thepodmortem> Renee: @bloodandsmoke> Travis: @travismwh> John Paul: @realstreeter84Support the boys on Patreon! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Here's a sneak peek at our all new Patreon episode on Paul W.S. Anderson's latest video game adaptation: Monster Hunter!Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Don't get excited! This isn't a full episode on Wes Craven's Scream 4 (2011). It's simply an acknowledgement that the film, which is very important to us, is celebrating its tenth anniversary.And so, in advance of our full length episode next January, here's a taste of why we love Scream 4.Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremoteWant more bonus content? Support us on Patreon! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The lambs have stopped screaming so we're going all-in on Jonathan Demme's critically-acclaimed and Oscar-winning film The Silence of the Lambs. Joining us is Reyna Cervantes, the co-host of the Horror In Session podcast!In what is an admittedly unorthodox episode for us, we eschew a traditional plot summary in favor of a more analytical episode, looking back at the film's development while tackling the transphobic elements of Buffalo Bill and the impact it has had on the trans community in the 30 years since the film's release.Plus, feminist horror, intent vs. impact, and what would a 4th season of Hannibal look like with Clarice Starling?Reference: 30 years in, The Silence Of The Lambs’ Jame Gumb still deserves better, Harmony Colangelo for The A.V. ClubQuestions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd, YouTube, Facebook, and/or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremote> Reyna: @JfcdoombladeSupport the boys on Patreon and shop our online store for your very own Horror Queers merchandise! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week on Micro Queers, we're discussing Henry Darrow McComas' short Off Track (click the link to view the ~11 minute-long short) about a YouTuber (Travis Bryant) whose fictitious relationship with a costar becomes a dark obsession.Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremoteAlso, don't forget to support the boys on Patreon! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week on the pod, we're headed back to Bly Manor with Jack Clayton's 1961 classic, The Innocents (see also: last year's Patreon episode on The Haunting of Bly Manor). This classic Gothic Horror film is reminiscent of Diabolique, Rebecca and The Haunting and has a strong queer connection thanks to screenwriter Truman Capote, whom we discuss at length, including Trace’s hatred of Holly Golightly.Plus: an influential 15th century picture book, Cinemascope challenges, the genesis of Austin Powers, and evil children. But the real question is whether Miss Giddens is going mad...or are there actually ghosts?Reading: Treddy, Dennis. "Shadows of Shadows: Techniques of Ambiguity in Three Film Adaptations of The Turn of the ScrewQuestions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremoteBe sure to support us on Patreon! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Load up your Hot Topic gift bag, prep your Swedish meatballs and blast some "Living Dead Girl" because we're finally covering Ronny Yu's franchise revival Bride of Chucky! Joining us for the discussion is Kelly Gredner, 1/2 of the Spinsters of Horror!Join us as we all go gaga for Tiffany's trailer (seriously, we want to live in it), praise Jennifer Tilly's perfect performance (and her spectacular outfits) and debate the pronunciation of the French word for "orgasm."Kelly connects the film to her teenage Goth years, Joe discusses his personal connection with the film's queer character David (thanks, Don Mancini!) and Trace has an orgasmic reaction to that waterbed set piece.Plus, a Heart of Damballa-shaped franchise plot hole, Windows 98 nostalgia, Kathy Najimy, and.....a Never Been Kissed reference? Barbie, eat your heart out.Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd, YouTube, Facebook, and/or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremote> Kelly: @KGrednerSupport the boys on Patreon and shop our online store for your very own Horror Queers merchandise! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week on Micro Queers, we're discussing Rose McGowan's short Dawn (click the link to view the 16-minute-long short) about a 1961 girl who plots to escape her middle class suburban life.Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremoteAlso, don't forget to support the boys on Patreon! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We're in the mood for a trashy secret society thriller, which is too bad because Rob Cohen's The Skulls (2000) ain't it. Helping us overcome our amnesia about what exactly happens in this snooze fest is Twitch host extraordinaire Steffi (aka ImmortalGraves). Predictably things get a little silly as we tackle robot thesis projects, Leslie Bibb's career, and rich white people nonsense like rowing and lacrosse.Plus: Commemorative film tattoos, dumbwaiter horror, and ridiculous character names that we can't keep straight (Percy & Grimace?)But for real: why isn't this damn film more homoerotic?!Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd, YouTube, Facebook, and/or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremote> Steffi: @Immortal_Graves / Twitch: ImmortalGravesSupport the boys on Patreon and shop our online store for your very own Horror Queers merchandise! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Here's a sneak peek at our all new Patreon episode on the controversial S04E02 episode of The X-Files, "Home". Does this notorious banned episode live up to its reputation?Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In a special bonus episode, we're joined by Terry Mesnard of Gayly Dreadful and Scarred for Life pod to discuss the entirety of S2 of Apple TV's Servant, the best horror television show that you're not watching.MAJOR SPOILERS ahead as we discuss our fave moments and episodes, worship at Lauren Ambrose's award worthy performance, praise the series' stellar direction and speculate where the show will go in season three.Hungry for more? Check out our Patreon for an exclusive minisode on Servant S1.Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremote> Terry: @gaylydreadfulSupport the boys on Patreon and shop our online store for your very own Horror Queers merchandise! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Take out your enormous contact lenses because we're discussing Henri-Georges Clouzot's seminal 1955 chiller Diabolique! Joining us for the conversation are Jazz & Kat of the Girl, That's Scary! podcast!Join us as we laud this horror film/revenge drama/ghost story/queer-ish love story and praise one of its co-leads (the wonderful Simone Signoret), while we question the acting abilities of "Heart Attack Girl," aka Mrs. Véra Clouzot (in a role given to her by her husband: the film's writer/director).Throughout the episode, we'll compare Christina to Julie James, plan a movie night with Diabolique, Bound, Wild Things and Thelma & Louise and (of course) talk about that incredible twist ending.Plus: neematoads, child-slapping, gaslighting, ghost suits and a 1996 remake with Sharon Stone (spoiler alert: it's pretty good!)!References:Asibong, Andrew. “Nouveau Désordre : Diabolical Queerness in 1950s French Cinema” in Queer 1950s : Rethinking Sexuality in the Postwar Years : Rethinking Sexuality in the Postwar Years (2012)Hayward, Susan. Les Diaboliques (2005)Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremote> Girl, That's Scary!: @GirlThatsScarySupport the boys on Patreon and shop our online store for your very own Horror Queers merchandise! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Here's a sneak peek at our all new Patreon episode on Marcus Nispel's 2003 film The Texas Chainsaw Massacre! Is this one of the best horror remakes ever made? We think so!Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week on Micro Queers, we're discussing Jill "Sixx" Gevargizian's short The Stylist (click the link to view the 14-minute-long short), about a hair dresser who covets the hair of her clients to bloody effect.Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremoteAlso, don't forget to support the boys on Patreon! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Happy Friday the...12th! We're giving you a reason to ki ki ki, ma ma ma anyways with our discussion of all things Jason Voorhees in Friday the 13th Part 7: The New Blood (1988). Joining us is super fan Greg Mucci, who has controversial franchise opinions, as well as helpful sexual dietary advice (you want spunk talk? Well, we're giving it to you!)Join us as we complain about the million characters, the missing gore and the lack of closure between Tina and Dr. Crews. Plus: the indestructible Kane Hodder, justice for Maddy and Eddie, hating Robin and Melissa and why Trace finds the ending so damn unsatisfying.Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremote> Greg: @reelbrewSupport the boys on Patreon and shop our online store for your very own Horror Queers merchandise! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Get your strong hands out because we're discussing our first full-blown parody with Keenen Ivory Wayans' 2001 crude spoof Scary Movie 2! Joining us for the discussion is "The Oprah of Horror" (and Horror Movies and Beyond host) Ivotres Littles!Join us as we look at this wackadoodle time capsule into the types of comedies we were getting in the early aughts, note the differences between parody and satire, and try (TRY) to figure out which jokes work and which works don't. But hey, all humor is subjective, right?Plus: why Scary Movie 2 couldn't be made today, how the film and its humor have aged, its incredibly rushed production timeline and (of course) all the praise for Anna Faris and Regina Hall.Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremote> Ivotres: @HMoviesBeyond | YouTube ChannelSupport the boys on Patreon and shop our online store for your very own Horror Queers merchandise! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Here's a sneak peek at our all new Patreon episode on Mike P. Nelson's reboot/remake/re-whatever of Wrong Turn, which is out on Blu-Ray and VOD. Our verdict: it's worth a watch!Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week on Micro Queers, we're discussing Kyle Reaume's short Ecstasy (click the link to view the 4-minute-long short), about a man who would do anything to be touched by his former lover once more.Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremoteAlso, don't forget to support the boys on Patreon! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week, in honor of trick baby Trace's birthday, we're delving into Matthew Bright's Freeway (1996), a "white trash" exploitation/rape revenge/little red riding hood genre mash-up starring a very foul mouthed Reese Witherspoon and predatory perv Kiefer Sutherland. Content warning: pedophilia, sexual assault, suicide and racism.We discuss the stacked cast, the line between satire, parody and offensive humor, and the film's surprisingly smart class critique. Plus: Trace's favorite lines, Joe's difficulty divorcing the film from recent events and Brooke Shields' earrings! This is basically "genre whiplash, the movie" - it's A LOT and it's amazing.Reference: Roberts, Kimberley. "Pleasures and Problems of the “Angry Girl” in Sugar, Spice and Everything Nice: Cinemas of Girlhood (Edited Collection)Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremoteSupport the boys on Patreon and shop our online store for your very own Horror Queers merchandise! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Here's a sneak peek at our all new Patreon episode on the new "Nicolas Cage fights animatronic creatures" film Willy's Wonderland (2020), which is out on VOD. Our verdict: don't pay the $20 premium rental fee.Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this week's episode, we're digging up queer writer/director Adam Robitel's found footage shocker The Taking of Deborah Logan!After discussing the tropes of the found footage sub-genre, we'll discuss Robitel's ties to the Paranormal Activity franchise, and how this film does and doesn't stand out from its peers.We'll also try to answer the most common questions brought up in discussions of the film: is the conflation of mental illness with possession offensive? Should the film have steered away from using First Nations/Indigenous practices as a plot point? (Why can't it just be a white person murder ritual, Karen?) and should more be made about Sarah's sexuality?Plus: old lady possession vs hot young girl possession (paging Jennifer Carpenter!), snake wrangler sex jokes, concerns about the number of attics in a single house and, of course, lezzing out over Sarah and Sheriff Tweedy. And of course: our thoughts on that money shot scene. Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremoteSupport the boys on Patreon and shop our online store for your very own Horror Queers merchandise! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Here's a sneak peek at our all new Patreon episode on Rose Glass' astounding debut feature Saint Maud (2019), which is now in theaters and available to stream on EPIX!Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week on Micro Queers, we're discussing Matthew Marron's short First Date Fuzzy (click the link to view the 4-minute-long short), about a hook-up ruined by the presence of a large stuffed animal.Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremoteSupport the boys on Patreon and shop our online store for your very own Horror Queers merchandise! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Just in time for Singles Awareness Day, we're losing our hearts to the 1981 Canadian slasher, My Bloody Valentine...or at least Joe is. Trace is more lukewarm on the George Mihalka film, which suffers from an uninspired villain reveal and too many characters.We discuss the size (and deliciousness?) of hearts, why TJ's narrative is important for small town Nova Scotians, the cost of dirtying up a mine and Joe's strange personal connection to one of the film's actors.Plus: love triangles, the film's censorship woes, Scream Factory gore and Scooby Doo antics. Happy Valentine's Day, everybody!Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremoteSupport the boys on Patreon and shop our online store for your very own Horror Queers merchandise! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Our month of 3s has ended, so we're kicking off February with a discussion of Vincenzo Natali's supremely messed up sci-fi horror film (and secret Dark Castle film) Splice, which also acts as an early celebration of Joe's birthday! Joining us for the chat is Prince Jackson, host of our sister podcast Knight Light!Before we get to it, just a heads up if you've never seen the film: we're issuing content warnings for rape, animal death, incest and (depending on how you view Dren) pedophilia and/or bestiality.Obviously, we've got to talk about that ending, but we'll also gush over Canadian national treasure Sarah Polley, debate the film's unlikable mad scientist protagonists and try to gauge audience reactions when this hit theaters 11 years ago.Plus, discussions of bad parenting paired with comparisons to Renny Harlin's Deep Blue Sea and Francis Ford Coppola's Jack!Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremote> Prince: @theheadknight / Pod: Knight Light: A Horror Movie PodcastSupport the boys on Patreon and shop our online store for your very own Horror Queers merchandise! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week on Micro Queers, we're discussing John Clayton's short Schism (click the link to view the 8-minute-long short), an animated personification of the fear of public intimacy.Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremoteSupport the boys on Patreon and shop our online store for your very own Horror Queers merchandise! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Our month of 3s comes to a close with David Fincher's Alien 3 (1992), which may take the prize for most convoluted production history. Here to help us make sense of the Assembly Cut (not the theatrical cut) is returning guest Sade Sellers (see previous episode Orphan), who has issues with the film's treatment of Ripley (Sigourney Weaver) and sexual assault (content warning!)Plus: our secret connections to the number three, the xenomorph as drag queen, the differences between the theatrical and assembly cuts and Charles S. Dutton as a sacrificial lamb. Also: Joe's love of Charles Dance, confusion over "womb stuff" and why Fincher needs to get over his hatred of his directorial debut.References: Anat Zanger. Film Remakes as Ritual and Disguise: From Carmen to Ripley Scott Tafoya. "The Unloved, Part 1: Alien 3". Roger Ebert.com Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremote> Sade: @IAMSadeSellers / Pod: Afro HorrorSupport the boys on Patreon and shop our online store for your very own Horror Queers merchandise! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Here's a sneak peek at our Patreon episode on the first six (of nine) episodes of the new adaptation of Stephen King's The Stand, which is now streaming on CBS All Access!Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We're in our third week of 3s, and what better way to celebrate than with good ol' Norman Bates himself in Anthony Perkins' directorial debut Psycho III? Despite the film's iconic opening line, there has to be a God, right? otherwise we wouldn't have this darkly comedic entry in the Psycho franchise!Join us as we delve deep into the closeted life of Anthony Perkins, look for queerness in his unique directing style (so many colors and fun transitions!), lament the rushed third act and become flabbergasted at one of the most incoherent exposition dumps ever put on film.Plus, suicidal nuns, Jeff Fahey's teeth, bloody ice, strategically placed purple lamps, and the franchise's very own Gale Weathers in Roberta Maxwell's ambitious journalist Tracy Venable. This is a wild one, y'all!Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremoteSupport the boys on Patreon and shop our online store for your very own Horror Queers merchandise! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Here's a sneak peek at our all new Patreon episode on Emerald Fennell's polarizing debut feature Promising Young Woman (2020), which is now in theaters and on VOD!Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week on Micro Queers, we're discussing Monika Estrella Negra's short Flesh (click the link to view the 15-minute-long short), which follows a young, Black queer woman (Esther Matthews Alegria) in the DIY Punk scene in Chicago. Feeling entrapped by her own community, she seeks to destroy what ultimately is destroying her.Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremoteSupport the boys on Patreon and shop our online store for your very own Horror Queers merchandise! Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.