Emmanuel - The broken diary (Podcast Novel)

Emmanuel non ha ancora capito che per giocare una partita con Michelle K. bisogna essere particolarmente attrezzati, soprattutto di cinismo e indifferenza, due doti che lui non possiede.In questo episodio è costretto a capirlo e a rendersi conto che il gioco è più grande di lui.Gli interpreti sono Elisa Gandolfi e Paolo Malgioglio.Nel corso dell'episodio è possibile ascoltare i seguenti brani: "Inhuman" dei Sonic Youth; "Old Age" (bootleg) di Kurt Cobain; "Street spirit" dei Radiohead....Emmanuel hasn't yet understood that to play a game with Michelle K. you need to be particularly equipped, especially with cynicism and indifference, two qualities that he doesn't possess.In this episode he is forced to understand this and to realize that the game is bigger than him.The interpreters are Elisa Gandolfi and Paolo Malgioglio.During the episode you can listen to the following songs:"Inhuman" by Sonic Youth;"Old Age" (bootleg) by Kurt Cobain;"Street Spirit" by Radiohead.

After the relationship with Antonio, which lasted only a few weeks, the boy reflects on his umpteenth sentimental failure and finds himself immersed in a chaos from which he doesn't know how to get out. This episode is a sort of confused, at times paranoid stream of consciousness that takes us inside his restless and troubled psyche, which can no longer find a balance point. The narrator is Geroge (AI). The following songs can be heard in the episode: "See me, feel me" from "Tommy" by The Who and "Resurrection" by Eain Moon, whom we thank for the permission. :-)

Finito il rapporto con Antonio, durato solo poche settimane, il ragazzo riflette sul suo ennesimo fallimento sentimentale e si ritrova immerso in un marasma dal quale non sa come uscire. Questo episodio è una sorta di confuso, a tratti paranoico stream of consciousness che ci porta all'interno della sua psiche inquieta e turbata, che non riesce più a trovare un punto di equilibrio. Il narratore è Paolo Malgioglio. Nella puntata si possono ascoltare i seguenti brani: "See me, feel me" da "Tommy" degli Who e "Resurrection" di Eain Moon, che ringraziamo per il permesso. :-)...After the relationship with Antonio, which lasted only a few weeks, the boy reflects on his umpteenth sentimental failure and finds himself immersed in a chaos from which he doesn't know how to get out. This episode is a sort of confused, at times paranoid stream of consciousness that takes us inside his restless and troubled psyche, which can no longer find a balance point. The narrator is Paolo Malgioglio. The following songs can be heard in the episode: "See me, feel me" from "Tommy" by The Who and "Resurrection" by Eain Moon, whom we thank for the permission. :-)

Dedicated to Gianluca Grignani.This chapter is a turning point for Emmanuel's story. He turns 18, an important milestone in anyone's life. His companions and friends are present at his party, but there's also Antonia, with whom the boy has a rather harsh clash at the end of the evening: he tries to hide the truth from her, but in the end, left alone with himself, he is forced to admit that he is bad.The interpreters are George and Bella (AI).During the episode you can listen to covers or live versions of the following songs: "Billie Jean" by Michael Jackson; "Rock the Kasbah" by The Clash; "Stairway to Heaven" by Led Zeppelin; "Falco a metà" by Gianluca Grignani; "Come Undone" by Duran Duran.

Dedicato a Gianluca Grignani.Questo capitolo è un punto di svolta per la storia di Emmanuel.Compie 18 anni, un traguardo importante nella vita di chiunque: alla sua festa sono presenti compagni e amici, ma anche Antonia, con la quale il ragazzo ha uno scontro piuttosto duro alla fine della serata, che culmina in un'imprevista confessione d'amore.Emmanuel, turbato, cerca di nasconderle la verità, ma alla fine, rimasto solo con se stesso, è costretto ad ammettere che sta male. Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi.Nel corso dell'episodio si possono ascoltare cover o live dei seguenti brani: "Billie Jean" di Michael Jackson; "Rock the Kasbah" dei Clash; "Stairway to Heaven" dei Led Zeppelin; "Falco a metà" di Gianluca Grignani; "Come Undone" dei Duran Duran....We will re-propose some key episodes of Emmanuel's story, alternating them somewhat randomly.Let's start with the scene of his eighteenth birthday.------Dedicated to Gianluca Grignani.This chapter is a turning point for Emmanuel's story. Emmanuel turns 18, an important milestone in anyone's life. His companions and friends are present at his party, but there's also Antonia, with whom the boy has a rather harsh clash at the end of the evening, which culminates in an unexpected confession of love.He tries to hide the truth from her, but in the end, left alone with himself, he is forced to admit that he is bad. The interpreters are Paolo Malgioglio and Elisa Gandolfi.During the episode you can listen to covers or live versions of the following songs: "Billie Jean" by Michael Jackson; "Rock the Kasbah" by The Clash; "Stairway to Heaven" by Led Zeppelin; "Falco a metà" by Gianluca Grignani; "Come Undone" by Duran Duran.

There are moments in which virile pride suffers very severe blows: it hasn't happened to Emmanuel yet, but Michelle known as Gerti provides in this sense, ruthless and indifferent as always.The interpreters are George and Frieda (AI).During the episode you can hear a cover of "Michelle" by The Beatles and "Gouge Away" by The Pixies (instrumental and live).

Ci sono momenti in cui l'orgoglio virile subisce colpi durissimi: ad Emmanuel non è ancora successo, ma in tal senso provvede Michelle detta Gerti, spietata e indifferente come sempre. Gli interpreti sono Paolo Malgioglio ed Elisa Gandolfi. Nel corso dell'episodio si possono ascoltare una cover di "Michelle" dei Beatles e "Gouge Away" dei Pixies (versione strumentale e live)....There are moments in which virile pride suffers very severe blows: it hasn't happened to Emmanuel yet, but Michelle known as Gerti provides in this sense, ruthless and indifferent as always. The interpreters are Paolo Malgioglio and Elisa Gandolfi. During the episode you can hear a cover of "Michelle" by The Beatles and "Gouge Away" by The Pixies (instrumental and live).

Michele, seriously worried about his brother Emmanuel's condition, asks him for a face-to-face conversation. The boy reluctantly accepts, but in the end he realizes that his brother's initiative is dictated by a deep affection towards him.An affection, despite everything, reciprocated.The interpreter is George (AI).The songs used throughout the episode are Infinite Stream's "Autumn Waltz", "Winter Waltz" and "Childhood".

Michele, seriamente preoccupato per le condizioni di suo fratello Emmanuel, gli chiede un colloquio a quattr'occhi. Il ragazzo accetta con riluttanza, ma alla fine si rende conto che l'iniziativa di suo fratello è dettata da un profondo affetto nei suoi confronti.Un affetto, nonostante tutto, ricambiato.L'interpete è Paolo Malgioglio.Le musiche utilizzate nel corso dell'episodio sono "Autumn Waltz" e "Childhood" di Infinite Stream....Michele, seriously worried about his brother Emmanuel's condition, asks him for a face-to-face conversation. The boy reluctantly accepts, but in the end he realizes that his brother's initiative is dictated by a deep affection towards him.An affection, despite everything, reciprocated.The interpreter is Paolo Malgioglio.The songs used throughout the episode are Infinite Stream's "Autumn Waltz" and "Childhood".

In this episode Emmanuel discovers, thanks to Michelle known as Gerti, that he has considerable chances of success... as a woman! Maybe not exactly the best for him, but still a point in his favor, with a woman like Michelle.Meanwhile the relationship between him and Michelle takes a murky and intense turn: it would risk turning into a real love relationship... if only Michelle were capable of loving. Emmanuel, unfortunately for him, is.The interpreters are George and Frieda (AI).Covers of the following songs can be heard throughout the episode: Sonic Youth's "Shadow of a doubt" (cover by Black Tape For A Blue Girl), The Beatles' "Michelle" and Elliott Smith's "Between the bars" (cover by Hudson McVay) .

In questo episodio Emmanuel scopre, grazie a Michelle detta Gerti, di avere notevoli chance di successo... come donna! Forse non proprio il massimo per lui, ma comunque un punto a suo favore, con una donna come lei.Intanto il rapporto tra lui e Michelle prende una piega torbida e intensa e rischierebbe di trasformarsi in un vero e proprio rapporto d'amore... se solo Michelle fosse capace di amare. Emmanuel, purtroppo per lui, lo è.Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi.Nel corso dell'episodio si possono ascoltare cover dei seguenti brani: "Shadow of a doubt" dei Sonic Youth (cover di Black Tape For A Blue Girl), "Michelle" dei Beatles e "Between the bars" di Elliott Smith (cover di Hudson McVay)....Like an Angel.The relationship between Emmanuel and Michelle takes a murky and intense turn: it would risk turning into a real love relationship... if only Michelle were capable of loving. Emmanuel, unfortunately for him, is.The interpreters are Paolo Malgioglio and Elisa Gandolfi.Covers of the following songs can be heard throughout the episode: Sonic Youth's "Shadow of a doubt" (cover by Black Tape For A Blue Girl), The Beatles' "Michelle" and Elliott Smith's "Between the bars" (cover by Hudson McVay) .

N.B.:The previous version of "Michelle K. - The Cursed Painting" was blocked for copyright infringement, as it used the original version of a couple of songs.In this edition of the episode there are only alternative versions (copyright free) of the following songs: "Mad World" by Gary Jules, "Masked Ball" by Jocelyn Pook, "When it's Over" by the Wipers, "Girl You'll be a Woman Soon" by Neil Diamond (cover by Bert Voordeckers).Description:Emmanuel allows himself to be completely overwhelmed by the perverse and anomalous relationship with Michelle K., without realizing that he is getting himself into quite serious trouble. He does not seem able to understand, even when faced with the evidence of a "cursed" painting, the negativity of the environment to which the woman belongs.Humiliated by her, he finds a way to take revenge: this deludes him into thinking he can win the game, when in fact he simply won a round.The interpreters are George and Frieda (AI).

N.B.:Proponiamo una versione alternativa di "Michelle K. - Il quadro maledetto", dato che la precedente è stata bloccata per violazione del copyright, poiché presentava la versione originale di un paio di brani musicali.In questa edizione dell'episodio sono presenti solo versioni alternative (copyright free) dei seguenti brani: "Mad World" di Gary Jules, "Masked Ball" di Jocelyn Pook, "When it's Over" degli Wipers, "Girl You'll be a Woman Soon" di Neil Diamond (cover di Bert Voordeckers).Descrizione:Emmanuel si lascia travolgere completamente dal rapporto perverso e anomalo con Michelle K., senza rendersi conto che si sta cacciando in un guaio piuttosto serio. Non sembra in grado di intuire, neppure scontrandosi con l'evidenza di un quadro "maledetto", la negatività dell'ambiente cui appartiene la donna.Umiliato da lei, riesce però a trovare il modo di vendicarsi: questo lo illude di poter vincere la partita, quando invece ha semplicemente vinto un round.Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi....N.B.: The previous version of "Michelle K. - The Cursed Painting" was blocked for copyright infringement, as it used the original version of a couple of songs.In this edition of the episode there are only alternative versions (copyright free) of the following songs: "Mad World" by Gary Jules, "Masked Ball" by Jocelyn Pook, "When it's Over" by the Wipers, "Girl You'll be a Woman Soon" by Neil Diamond (cover by Bert Voordeckers).Description:Emmanuel allows himself to be completely overwhelmed by the perverse and anomalous relationship with Michelle K., without realizing that he is getting himself into quite serious trouble. He does not seem able to understand, even when faced with the evidence of a "cursed" painting, the negativity of the environment to which the woman belongs.Humiliated by her, he finds a way to take revenge.The interpreters are Paolo Malgioglio and Elisa Gandolfi.

Emmanuel lets himself be completely overwhelmed by the perverse and anomalous relationship with Michelle K., without realizing that he is getting into quite serious trouble. Even colliding with the evidence of a "cursed" picture, he does not seem able to intuit the negativity of the environment to which the woman belongs. The interpreters are George and Frieda (AI).Covers or alternate versions of the following songs can be heard throughout the episode: "Mad World" by Gary Jules, "Masked Ball" by Jocelyn Pook, "When it's Over" by the Wipers, "Girl You'll be a Woman Soon" by Neil Diamond (cover by Bert Voordeckers).

Emmanuel non sembra rendersi conto che si sta cacciando in un guaio piuttosto serio. Non comprende, neppure scontrandosi con l'evidenza di un quadro "maledetto", la negatività dell'ambiente cui appartiene Michelle K.Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi.Nel corso dell'episodio si possono ascoltare cover o versioni alternative dei seguenti brani: "Mad World" di Gary Jules, "Masked Ball" di Jocelyn Pook, "When it's Over" degli Wipers, "Girl You'll be a Woman Soon" di Neil Diamond (cover di Bert Voordeckers)....Emmanuel lets himself be completely overwhelmed by the perverse and anomalous relationship with Michelle K., without realizing that he is getting into quite serious trouble. Even colliding with the evidence of a "cursed" picture, he does not seem able to intuit the negativity of the environment to which the woman belongs.The interpreters are Paolo Malgioglio and Elisa Gandolfi.Covers or alternate versions of the following songs can be heard throughout the episode: "Mad World" by Gary Jules, "Masked Ball" by Jocelyn Pook, "When it's Over" by the Wipers, "Girl You'll be a Woman Soon" by Neil Diamond (cover by Bert Voordeckers).

Dedicated to Thurston Moore.What was Emmanuel hiding in the previous episode?His relationship with Michelle, known as Gerti. A new character, already briefly glimpsed in episode 2.3. "Moon in Hell", where she appeared as a dancer: a woman as fascinating as she is dangerous, who attracts Emmanuel into her network of seduction, drugs and occult interests, typical of esoteric Turin.A period of delirium of the senses with tragic and disturbing implications begins for the boy.The Interpreters are George and Frieda (AI).During the episode you can hear parts of the following songs: "Brother James" and "Junkie's Promise" by Sonic Youth, "Hey" (instrumental version) and "Into the White" by the Pixies, "Sacrifice" by Jocelyn Pook.

Dedicato a Thurston Moore.Cosa stava nascondendo Emmanuel nell'episodio precedente?Il suo rapporto con Michelle, detta Gerti. Un nuovo personaggio, già intravisto di scorcio nell'episodio 2.3. "Moon in Hell", dove appariva come ballerina: una donna tanto affascinante quanto pericolosa, che attira Emmanuel nella sua rete fatta di seduzione, droga e interessi occulti, tipici della Torino esoterica.Inizia per il ragazzo un periodo di delirio dei sensi dai risvolti tragici e inquietanti.Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi.Nel corso dell'episodio si possono ascoltare parti dei seguenti brani: "Brother James" e "Junkie's Promise" dei Sonic Youth, "Hey" (versione strumentale) e "Into the White" dei Pixies, "Sacrifice" di Jocelyn Pook....What was Emmanuel hiding in the previous episode?His relationship with Michelle, known as Gerti.A new character, already briefly glimpsed in episode 2.3. "Moon in Hell", where she appeared as a dancer: a woman as fascinating as she is dangerous, who attracts Emmanuel into her network of seduction, drugs and occult interests, typical of esoteric Turin.A period of delirium of the senses with tragic and disturbing implications begins for the boy.The interpreters are Paolo Malgioglio and Elisa Gandolfi.During the episode you can hear parts of the following songs: "Brother James" and "Junkie's Promise" by Sonic Youth, "Hey" (Instrumental version) and "Into the White" by the Pixies, "Sacrifice" by Jocelyn Pook.

From the voice of the maid Teresa, Antonia (AI Abigail) learns that Emmanuel is with a new girl, who is having a strange, chilling effect on him.Excerpts from Lana Del Rey's "Pretty When You Cry", Thom Yorke's "Suspirium" and Sonic Youth's "Inhuman" can be heard in the episode.

Antonia (Elisa Gandolfi) apprende dalla voce della domestica Teresa che Emmanuel sta con una nuova ragazza, che gli sta facendo un effetto strano e preoccupante.Nell'episodio si possono ascoltare brani tratti da "Pretty When You Cry" di Lana Del Rey, "Suspirium" di Thom Yorke e "Inhuman" dei Sonic Youth....Antonia (Elisa Gandolfi), from the voice of the maid Teresa, learns that Emmanuel is with a new girl, who is having a strange, chilling effect on him.Excerpts from Lana Del Rey's "Pretty When You Cry", Thom Yorke's "Suspirium" and Sonic Youth's "Inhuman" can be heard in the episode.

Emmanuel and Antonia's last meeting at the river, before the story takes an unexpected and somewhat dramatic turn; the story of Emmanuel's dog, Tegame (Saucepan), serves as a sinister premonition. In this circumstance Antonia is forced to realize that the boy's fortitude is far superior to hers: Emmanuel is able to keep the promise made to her earlier (see episode 1.7. "It takes two to tango"). The narrative voice is that of Antonia (AI Bella). A cover of Led Zeppelin's "Stairway to Heaven" can be heard in the background.

L'ultimo incontro di Emmanuel e Antonia al fiume, prima che la storia prenda una piega imprevista e alquanto drammatica; la vicenda del cane di Emmanuel, Tegame, funge da sinistra premonizione.In questa circostanza Antonia è costretta a rendersi conto che la forza d'animo del ragazzo è di gran lunga superiore alla sua: Emmanuel è in grado di mantenere la promessa fattale in precedenza (vedi episodio 1.7. "It takes two to tango").La voce narrante è quella di Antonia (Elisa Gandolfi).In sottofondo si può ascoltare una cover di "Stairway to Heaven" dei Led Zeppelin. ...9. On the other sideEmmanuel and Antonia's last meeting at the river, before the story takes an unexpected and somewhat dramatic turn; the story of Emmanuel's dog, Tegame (Saucepan), serves as a sinister premonition.In this circumstance Antonia is forced to realize that the boy's fortitude is far superior to hers: Emmanuel is able to keep the promise made to her earlier (see episode 1.7. "It takes two to tango").The narrative voice is that of Antonia (Elisa Gandolfi).A cover of Led Zeppelin's "Stairway to Heaven" can be heard in the background.

What's happening to Emmanuel? After the relationship with Antonio, which lasted only a few weeks, the boy reflects on his umpteenth sentimental failure and finds himself immersed in a chaos from which he doesn't know how to get out. This episode is a sort of confused, at times paranoid stream of consciousness that takes us inside his restless and troubled psyche, which can no longer find a balance point. The narrator is Geroge (AI). The following songs can be heard in the episode:"This is the day" by Captain Beefheart, "Moon in June" by Soft Machine, "See me, feel me" from "Tommy" by The Who.

Finito il rapporto con Antonio, durato solo poche settimane, Emmanuel riflette sul suo ennesimo fallimento sentimentale e si ritrova immerso in un marasma dal quale non sa come uscire.Questo episodio è una sorta di confuso, a tratti paranoico stream of consciousness che ci porta all'interno della sua psiche inquieta e turbata, che non riesce più a trovare un punto di equilibrio.Il narratore è Paolo Malgioglio.Nella puntata si possono ascoltare i seguenti brani: "This is the day" di Captain Beefheart, "Moon in June" dei Soft Machine, "See me, feel me" da "Tommy" degli Who....What's happening to Emmanuel?After the relationship with Antonio, which lasted only a few weeks, the boy reflects on his umpteenth sentimental failure and finds himself immersed in a chaos from which he doesn't know how to get out.This episode is a sort of confused, at times paranoid stream of consciousness that takes us inside his restless and troubled psyche, which can no longer find a balance point.The narrator is Paolo Malgioglio.The following songs can be heard in the episode: "This is the day" by Captain Beefheart, "Moon in June" by Soft Machine, "See me, feel me" from "Tommy" by The Who.

In this episode we witness a back-and-forth dialogue between Emmanuel and Antonia (both AI) on the banks of the Orco torrent. It is one of the last moments of carefree serenity for the boy, whose hypersensitive psyche is not yet troubled by the brutality of life. Antonia, deeply fascinated by his naive spontaneity, becomes increasingly involved in that magical and somewhat unreal atmosphere.The song that plays at the beginning and at the end is "Nothing to Fear" by Dexter Britain, whom we thank for the concession.

In questo episodio assistiamo a un dialogo a botta e risposta tra Emmanuel (Paolo Malgioglio) e Antonia (Elisa Gandolfi) sulle rive del torrente Orco. E' uno degli ultimi momenti di spensierata serenità per il ragazzo, la cui psiche ipersensibile non è ancora turbata dalla brutalità della vita. Antonia, profondamente affascinata dalla sua ingenua spontaneità, si lascia sempre più coinvolgere in quell'atmosfera magica e un po' irreale.Il brano che si ascolta all'inizio e alla fine è "Nothing to Fear" di Dexter Britain, che ringraziamo per la concessione....4. Active, passive and transitive middleIn this episode we witness a back-and-forth dialogue between Emmanuel (Paolo Malgioglio) and Antonia (Elisa Gandolfi) on the banks of the Orco torrent. It is one of the last moments of carefree serenity for the boy, whose hypersensitive psyche is not yet troubled by the brutality of life. Antonia, deeply fascinated by his naive spontaneity, becomes increasingly involved in that magical and somewhat unreal atmosphere.The song that plays at the beginning and at the end is "Nothing to Fear" by Dexter Britain, whom we thank for the concession.

Finally the story between Emmanuel and Antonio begins, during a school trip to Sicily. It will be destined to last a few weeks, but it will leave a deep mark on both of them.Antonio, deeply fascinated by Emmanuel, doesn't know how to manage such an anomalous relationship, which puts his entire inner world in crisis.Let's listen to the story from the voice of Antonio himself (AI George).The following songs can be heard throughout the episode: "Suspirium" by Thom Yorke, "See me, feel me" from "Tommy" by The Who, "This is the day" by Captain Beefheart.

Finalmente ha inizio la storia tra Emmanuel e Antonio, durante una gita scolastica in Sicilia. Sarà destinata a durare poche settimane, ma lascerà un profondo segno in entrambi.Antonio, profondamente affascinato da Emmanuel, non sa come gestire un rapporto così anomalo, che mette in crisi tutto il suo mondo interiore.Ascoltiamo il racconto dalla voce dello stesso Antonio (Paolo Malgioglio).Nel corso dell'episodio si possono ascoltare i seguenti brani: "Suspirium" di Thom Yorke (versione strumentale), "See me, feel me" tratto da "Tommy" degli Who, "This is the day" di Captain Beefheart....Finally the story between Emmanuel and Antonio begins, during a school trip to Sicily. It will be destined to last a few weeks, but it will leave a deep mark on both of them.Antonio, deeply fascinated by Emmanuel, doesn't know how to manage such an anomalous relationship, which puts his entire inner world in crisis.Let's listen to the story from the voice of Antonio himself (Paolo Malgioglio).The following songs can be heard throughout the episode: "Suspirium" by Thom Yorke (instrumental version), "See me, feel me" from "Tommy" by The Who, "This is the day" by Captain Beefheart.

Antonia is back on stage with a new interpreter: Abigail (AI).How will she be experiencing the end of her relationship with Emmanuel (which she herself provoked)?Apparently with a lot of difficulty.Emmanuel, now seventeen, has set out "by other paths", but still cultivates the relationship with her in some indirect way.Here we see him asking for her help with a difficult Greek test.The interpreters are Abigail and George (AI).In the episode you can listen to two splendid pieces by Franz Schubert: "Serenade" and the Trio op. 100 - Andante con moto (made famous by Stanley Kubrick in the wonderful candlelight scene from "Barry Lyndon").

Torna in scena Antonia. Come starà vivendo la fine del suo rapporto con Emmanuel (da lei stessa provocata)?A quanto pare con molta difficoltà.Emmanuel, ormai diciassettenne, si è incamminato "per altre vie", ma coltiva ancora in qualche modo indiretto il rapporto con lei. Qui lo vediamo chiedere il suo aiuto per una difficile interrogazione di greco.Gli interpreti sono Elisa Gandolfi e Paolo Malgioglio.Nell'episodio si possono ascoltare due splendidi brani di Franz Schubert: "Serenade" e il Trio op. 100 - Andante con moto (reso celebre da Stanley Kubrick nella famosa scena a lume di candela di "Barry Lyndon")....Ode to jealousy.Antonia is back on stage. How will she be experiencing the end of her relationship with Emmanuel (which she herself provoked)?Apparently with a lot of difficulty.Emmanuel, now seventeen, has set out "by other paths", but still cultivates the relationship with her in some indirect way. Here we see him asking for her help with a difficult Greek test.The interpreters are Elisa Gandolfi and Paolo Malgioglio.In the episode you can listen to two splendid pieces by Franz Schubert: "Serenade" and the Trio op. 100 - Andante con moto (made famous by Stanley Kubrick in the famous candlelight scene from "Barry Lyndon").

We publish here a suite of the second 9 episodes of the First Season, so that you can listen to them comfortably one after the other.All interpreters are AI.The episodes are:10. Some good guys11. Timing12. Alternative Therapies13. The Wind Inside14. Countdown15. Double fault16. Omnipotence17. No Take Off18. Blackout.

Dopo la prima parte, pubblichiamo anche la seconda parte della Prima Stagione (episodi 10-18), in modo da poter ascoltare comodamente le puntate una di seguito all'altra.Gli episodi sono:10. Certi bravi ragazzi11. Tempisti12. Terapie alternative13. Il vento dentro14. Countdown15. Doppio fallo16. Onnipotenza17. Nessun decollo18. Blackout.

After so much suffering, Emmanuel wants to have some fun.He is currently engaged (so to speak) in a very relaxed relationship with Elettra, the leader of Tantras (a theater company in Turin).One evening he witnesses an Ionesco-like dialogue between the members of the group and reports it to us verbatim.What emerges is the surreal picture of a group of sympathetic bewildered people, with whom the protagonist spends his time carefree to forget his malaise, waiting to understand if his relationship with Antonio (with whom, unlike with Elettra, he is serious ) will be able to take off.All the characters are AI.At the beginning and at the end of the episode you can listen to an Italian "cult" song from the seventies, "Ho visto anche degli zingari felici (I also saw happy gypsies)" by Claudio Lolli, in the original version and in the excellent cover by Luca Carboni and Riccardo Sinigallia.

We publish here a suite of the first 9 episodes of the First Season, so that you can listen to them comfortably one after the other. All interpreters are AI. The episodes are: 1. Prologue - A letter 2. The riddle of the spinner 3. Something grey 4. Active, Passive and Transitive Middle 5. One day you'll understand 6. About Mr. B, 7. It takes two to tango 8. Frédéric Valentino 9. On the other side.

Pubblichiamo qui una suite dei primi 9 episodi della Prima Stagione, in modo da poterli ascoltare comodamente uno di seguito all'altro. Gli episodi sono: 1. Prologo - Una lettera 2. L'enigma della filatrice 3. Qualcosa di grigio 4. Attivo, passivo e medio d'interesse 5. Un giorno capirai 6. A proposito di Mr. B, 7. It takes two to tango 8. Frédéric Valentino 9. Dall'altra parte.

Dopo tanto soffrire per amore, Emmanuel ha voglia di divertirsi.Attualmente è impegnato (si fa per dire) in un rapporto molto disinvolto con Elettra, la leader dei Tantra (una compagnia teatrale torinese).Una sera assiste ad un dialogo alla Ionesco fra i membri del gruppo e ce lo riporta alla lettera.Ne emerge il quadro surreale di un gruppo di stravolti, con cui il protagonista passa spensieratamente il suo tempo per dimenticare il suo malessere, in attesa di capire se il suo rapporto con Antonio (con cui, a differenza che con Elettra, fa sul serio) potrà decollare.Tutti i personaggi maschili sono interpretati da Paolo Malgioglio, quelli femminili da Elisa Gandolfi.All'inzio e alla fine dell'episodio si può ascoltare un brano "cult" degli anni Settanta, "Ho visto anche degli zingari felici" di Claudio Lolli, in versione originale e nell'ottima cover di Luca Carboni e Riccardo Sinigallia....This time Emmanuel wants to have fun.Engaged (so to speak) in a very nonchalant relationship with Elettra, the leader of the Tantras (a theater company in Turin), he witnesses an Ionesco-like dialogue between the members of the group and reports it to us verbatim. What emerges is the surreal picture of a group of upset people, with whom the protagonist carelessly spends his time forgetting his malaise, waiting to see if his relationship with his friend Antonio will be able to take off.All the male characters are played by Paolo Malgioglio, the female ones by Elisa Gandolfi.At the beginning and at the end of the episode you can listen to a "cult" song from the seventies, "Ho visto anche degli zingari felici (I also saw happy gypsies)" by Claudio Lolli, in the original version and in the excellent cover by Luca Carboni and Riccardo Sinigallia.

Guided by his personal Virgil, his friend Antonio, Emmanuel unknowingly begins his descent into the Underworld through the night clubs of alternative Turin. Here he comes into contact with a theater group, the Tantras, and embarks on a very casual relationship with their leader Elettra; meanwhile, in the Hell of the "Divina Commedia" pub, he sees for the first time Michelle, a woman destined to have a great weight in his life. But his attention is directed above all to Antonio, with whom he hopes to be able to start a serious relationship. All performers are AI.The following live tracks can be heard in the episode:Joni Mitchell's "California"; Laurie Anderson's "Born, Never Asked"; "Moon in June" by Soft Machine.

Un episodio tutto torinese, che susciterà qualche ricordo in chi ha avuto l'occasione di frequentare i Murazzi negli anni '90. Emmanuel e Antonio si muovono attraverso il Doctor Sax, il Macondo, la Divina Commedia, mitici locali cittadini, alcuni dei quali purtroppo non esistono più, mentre dalla scuola di danza del Teatro Nuovo di Torino emerge l'astro nascente di Michelle Kershbaumer.Guidato dal suo Virgilio personale, l'amico Antonio, Emmanuel inizia inconsapevolmente la sua discesa agli Inferi attraverso questi locali notturni.Qui entra in contatto con un gruppo teatrale, i Tantra, ed intraprende un rapporto molto superficiale e disinvolto con la loro leader Elettra, rendendosi confusamente conto che sta sbandando e finendo una strada senza via d'uscita; intanto vede per la prima volta Michelle, che lo colpisce profondamente.Ma per il momento la sua attenzione è rivolta soprattutto ad Antonio, con cui spera di riuscire ad avviare un rapporto serio.La voce narrante (Emmanuel) è quella di Paolo Malgioglio.Nell'episodio si possono ascoltare le seguenti tracce live:"California" di Joni Mitchell; "Born, never asked" di Laurie Anderson; "Moon in June" dei Soft Machine....An entirely Turinese episode, which will arouse some memories in those who had the opportunity to visit the Murazzi in the 90s. Emmanuel and Antonio move through the Doctor Sax, the Macondo, the Divine Comedy, legendary venues that unfortunately no longer exist, while the rising star of Michelle Kerschbaumer emerges from the dance school of the Teatro Nuovo in Turin.Guided by his personal Virgil, his friend Antonio, Emmanuel unknowingly begins his descent into Hell through these nightclubs.Here he comes into contact with a theatrical group, the Tantras, and embarks on a very superficial and casual relationship with their leader Elettra, confusedly realizing that she is skidding and ending up a road with no way out; meanwhile he sees Michelle for the first time, which affects him deeply.But for the moment his attention is directed above all to Antonio, with whom he hopes to be able to start a serious relationship.The narrator (Emmanuel) is Paolo Malgioglio.The following live tracks can be heard in the episode:Joni Mitchell's "California"; Laurie Anderson's "Born, Never Asked"; "Moon in June" by Soft Machine.

Well, we didn't expect a homosexual crush from Emmanuel. Yet it is so.Forced by Antonia to interrupt their relationship and to go "other ways" (see Episode n. 1.18 "Blackout"), the boy, in the throes of profound bewilderment, finds a point of reference in Antonio, the woman's namesake, a his schoolmate a couple of years older than him, politically engaged and a lover of music like him. In this common passion they will find common ground.All interpreters are AI.Excerpts from the following tracks can be heard in the episode:"Hasta siempre commander Che Guevara" by Inti Illimani;Robert Wyatt's "Las Vegas Tango";"Venus de Milo" by Television;Tim Buckley's "Pleasant Street";Lou Reed's "Heroin";Captain Beefheart's "Electricity";"Gimme Shelter" by the Rolling Stones.

The second part of the story begins here.Emmanuel, released from the relationship with Antonia, is literally projected into another universe, where he finds it hard to orient himself and risks committing many serious missteps.In retrospect, while writing the diary, he wonders how he got into Michelle's trap.All interpreters are AI.

Diciamo la verità: una sbandata in senso omosessuale non ce la aspettavamo da Emmanuel. E invece...Costretto da Antonia ad interrompere la loro relazione e ad andare "per altre vie" (vedi Episodio n. 1.18 "Blackout"), il ragazzo, in preda ad un profondo smarrimento, trova un punto di riferimento in Antonio, omonimo della donna, un suo compagno di scuola più grande di lui di un paio d'anni, politicamente impegnato ed amante come lui della musica. In questa passione comune troveranno un terreno d'intesa.La voce è quella di Paolo Malgioglio.Nell'episodio si possono ascoltare brani tratti dalle seguenti tracce:"Hasta siempre comandante Che Guevara" degli Inti Illimani;"Las Vegas Tango" di Robert Wyatt;"Venus de Milo" dei Television;"Pleasant Street" di Tim Buckley;"Heroin" di Lou Reed;"Electricity" di Captain Beefheart;"Gimme Shelter" dei Rolling Stones.

Inizia qui la seconda parte della storia.Emmanuel, uscito dal rapporto con Antonia, si trova letteralmente proiettato in un altro universo, dove stenta ad orientarsi e rischia di commettere molti e gravi passi falsi.A posteriori, mentre scrive il diario, si domanda come abbia fatto a finire nella trappola di Michelle.La voce narrante è quella di Paolo Malgioglio.

We are in 1994, a crucial year for Italian politics: on May 10 of that year Silvio Berlusconi launches his first government, in a context of imminent economic crisis of which small Italian entrepreneurs, such as the Kellermans, are deeply concerned. Here we witness a dialogue between Michele, Emmanuel's elder brother, and some of his friends, typical exponents of the middle-upper bourgeoisie of Turin: the judgments they express on behalf of the "Knight" oscillate between doubts and hopes.The narrative voice is the image of Emmanuel reflected in the mirror. All the performers are AI.Covers and excerpts of the following tracks can be heard in the episode:"What The World Needs Now" and "I'll Never Fall In Love Again" by Burt Bacharach.

Direct Download Link:One day you'll understandHave you ever heard two AIs talk about Platonic philosophy? Here's your chance to put them to the test: both interpreters of this episode, in fact, are AI.Through the eyes of Antonia we witness the first moment of real crisis of Emmanuel, coinciding with the death of Kurt Cobain.Emmanuel seeks solace in Platonic philosophy and talks to Antonia about music and cartoons.In the episode you can hear live songs and covers of the following tracks:"Come As You Are" and "Something In The Way" by Nirvana;"Farfallina" by Luca Carboni (cover by Red Sprecacenere");"La sedia di lillà" by Alberto Fortis.

This is Emmanuel and Antonia's last meeting at the river, before the story takes an unexpected and somewhat dramatic turn; the story of Emmanuel's dog, Tegame (Saucepan), serves as a sinister premonition.The narrative voice is that of Bella, Emmanuel is performed by George (both AI).

La prima stagione della storia di Emmanuel si è ufficialmente conclusa con il capitolo 17 ("Nessun decollo"), ma esiste un'appendice che vi proponiamo come "bonus track". Nella drammatica notte del 5 novembre 1994, che precede di poche ore la terribile alluvione del Piemonte, Emmanuel, in preda a una profonda depressione dopo la morte del suo cane Tegame, spera di avere ritrovato un rapporto sereno con Antonia rinunciando al sesso, ma ha l'amara sorpresa di scoprire che per lei le cose stanno ben diversamente: la donna non sembra intenzionata a coltivare il loro rapporto.Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi.Nel corso dell'episodio si possono ascoltare una versione strumentale di "Music to Watch Boys" di Lana Del Rey e "Dog Meat Stew" di Conil, che ringraziamo di cuore per l'autorizzazione. :-)

The first season of Emmanuel's story has officially ended with chapter 17 ("No take off"), but here's an appendix that we offer as a "bonus track".On the dramatic night of 5 November 1994, which preceded the terrible flood in Piedmont by a few hours, Emmanuel, in the throes of a deep depression after the death of his dog Saucepan, hopes to have found a peaceful relationship with Antonia by giving up sex, but has the bitter surprise to discover that things are not like this for her.The interpreters are George and Susan, both AI.Throughout the episode you can listen to an instrumental version of "Music to Watch Boys" by Lana Del Rey and to "Dog Meat Stew" by Conil, which we thank very much for permission. :-)

This episode concludes the first part of Emmanuel's diary and the first season of the podcast. His story with Antonia ended in the worst way; the boy tries to distract himself with other girls, but discovers with great surprise the banality of sex with strangers. He enters a period of confusion and depression, which ends with a tragic event for him. After this story, the "old" Emmanuel of moped racing and trips to the river with his dog will no longer exist. If Emmanuel is to survive, he will have to find a new identity.All performers are AI.Excerpts from the following tracks can be heard in the episode:"All I Wanna Do" by Sheryl Crow;"All that she wants" by Ace of Base;"Anyway" by Genesis.

La storia di Emmanuel con Antonia si è conclusa nel peggiore dei modi; il ragazzo non è riuscito a perdonarle il suo tradimento e l'ha costretta a rompere il loro rapporto.Ora tenta di distrarsi con altre ragazze, ma scopre con grande sorpresa la banalità del sesso con estranei. Entra in un periodo di confusione e depressione, che si conclude con un evento per lui tragico.Dopo questa vicenda, il "vecchio" Emmanuel delle corse in motorino e delle gite al fiume con il suo cane non esisterà più. Se Emmanuel vorrà farcela a sopravvivere, dovrà trovare una nuova identità.Gli interpreti sono Paolo Malgioglio ed Elisa Gandolfi.Nell'episodio si possono ascoltare brani o cover delle seguenti tracce:"All I Wanna Do" di Sheryl Crow;"All that she wants" degli Ace of Base;"Anyway" dei Genesis....This episode concludes the first part of Emmanuel's diary and the first season of the podcast (there will still be an 18th episode as a "bonus track").His story with Antonia ended in the worst way; the boy tries to distract himself with other girls, but discovers with great surprise the banality of sex with strangers. He enters a period of confusion and depression, which ends with a tragic event for him.After this story, the "old" Emmanuel of moped racing and trips to the river with his dog will no longer exist.If Emmanuel is to survive, he will have to find a new identity. The interpreters are Paolo Malgioglio and Elisa Gandolfi.Excerpts from the following tracks can be heard in the episode:"All I Wanna Do" by Sheryl Crow;"All that she wants" by Ace of Base;"Anyway" by Genesis.

Antonia has been raped by Frédéric (see episode no. 10) and doesn't know how to tell her boyfriend Michele, who in turn doesn't seem to want to understand. The young man recalls his first meeting with Antonia and reflects on the difficulties of his relationship with her; then the two meet at their usual bar, where a dialogue between the deaf takes place. Antonia can't make herself understood by him and is more alone than ever. The performers are George and Susan (both AI).In the episode you can hear excerpts from the following live tracks:"From the Beginning" by Emerson, Lake & Palmer;"Sparring Partner" by Paolo Conte.

Antonia's betrayal (see Episode 15 "Double fault") has irreparably damaged the relationship between her and Emmanuel, but their mutual dependence makes them unable to put an end to their relationship, which takes on morbid connotations.Emmanuel, seized by a fierce thirst for revenge, discovers the demonic side of her, which he did not know he possessed, and experiences all of her power on her, until she blows to pieces.The narrator is George (AI).Jeff Buckley's excellent cover of "Forget her" is performed by Henrique Vale.