Emmanuel - The broken diary (Podcast Novel)

Antonia is back on stage with a new interpreter: Abigail (AI).How will she be experiencing the end of her relationship with Emmanuel (which she herself provoked)?Apparently with a lot of difficulty.Emmanuel, now seventeen, has set out "by other paths", but still cultivates the relationship with her in some indirect way.Here we see him asking for her help with a difficult Greek test.The interpreters are Abigail and George (AI).In the episode you can listen to two splendid pieces by Franz Schubert: "Serenade" and the Trio op. 100 - Andante con moto (made famous by Stanley Kubrick in the wonderful candlelight scene from "Barry Lyndon").

Torna in scena Antonia. Come starà vivendo la fine del suo rapporto con Emmanuel (da lei stessa provocata)?A quanto pare con molta difficoltà.Emmanuel, ormai diciassettenne, si è incamminato "per altre vie", ma coltiva ancora in qualche modo indiretto il rapporto con lei. Qui lo vediamo chiedere il suo aiuto per una difficile interrogazione di greco.Gli interpreti sono Elisa Gandolfi e Paolo Malgioglio.Nell'episodio si possono ascoltare due splendidi brani di Franz Schubert: "Serenade" e il Trio op. 100 - Andante con moto (reso celebre da Stanley Kubrick nella famosa scena a lume di candela di "Barry Lyndon")....Ode to jealousy.Antonia is back on stage. How will she be experiencing the end of her relationship with Emmanuel (which she herself provoked)?Apparently with a lot of difficulty.Emmanuel, now seventeen, has set out "by other paths", but still cultivates the relationship with her in some indirect way. Here we see him asking for her help with a difficult Greek test.The interpreters are Elisa Gandolfi and Paolo Malgioglio.In the episode you can listen to two splendid pieces by Franz Schubert: "Serenade" and the Trio op. 100 - Andante con moto (made famous by Stanley Kubrick in the famous candlelight scene from "Barry Lyndon").

We publish here a suite of the second 9 episodes of the First Season, so that you can listen to them comfortably one after the other.All interpreters are AI.The episodes are:10. Some good guys11. Timing12. Alternative Therapies13. The Wind Inside14. Countdown15. Double fault16. Omnipotence17. No Take Off18. Blackout.

Dopo la prima parte, pubblichiamo anche la seconda parte della Prima Stagione (episodi 10-18), in modo da poter ascoltare comodamente le puntate una di seguito all'altra.Gli episodi sono:10. Certi bravi ragazzi11. Tempisti12. Terapie alternative13. Il vento dentro14. Countdown15. Doppio fallo16. Onnipotenza17. Nessun decollo18. Blackout.

After so much suffering, Emmanuel wants to have some fun.He is currently engaged (so to speak) in a very relaxed relationship with Elettra, the leader of Tantras (a theater company in Turin).One evening he witnesses an Ionesco-like dialogue between the members of the group and reports it to us verbatim.What emerges is the surreal picture of a group of sympathetic bewildered people, with whom the protagonist spends his time carefree to forget his malaise, waiting to understand if his relationship with Antonio (with whom, unlike with Elettra, he is serious ) will be able to take off.All the characters are AI.At the beginning and at the end of the episode you can listen to an Italian "cult" song from the seventies, "Ho visto anche degli zingari felici (I also saw happy gypsies)" by Claudio Lolli, in the original version and in the excellent cover by Luca Carboni and Riccardo Sinigallia.

We publish here a suite of the first 9 episodes of the First Season, so that you can listen to them comfortably one after the other. All interpreters are AI. The episodes are: 1. Prologue - A letter 2. The riddle of the spinner 3. Something grey 4. Active, Passive and Transitive Middle 5. One day you'll understand 6. About Mr. B, 7. It takes two to tango 8. Frédéric Valentino 9. On the other side.

Pubblichiamo qui una suite dei primi 9 episodi della Prima Stagione, in modo da poterli ascoltare comodamente uno di seguito all'altro. Gli episodi sono: 1. Prologo - Una lettera 2. L'enigma della filatrice 3. Qualcosa di grigio 4. Attivo, passivo e medio d'interesse 5. Un giorno capirai 6. A proposito di Mr. B, 7. It takes two to tango 8. Frédéric Valentino 9. Dall'altra parte.

Dopo tanto soffrire per amore, Emmanuel ha voglia di divertirsi.Attualmente è impegnato (si fa per dire) in un rapporto molto disinvolto con Elettra, la leader dei Tantra (una compagnia teatrale torinese).Una sera assiste ad un dialogo alla Ionesco fra i membri del gruppo e ce lo riporta alla lettera.Ne emerge il quadro surreale di un gruppo di stravolti, con cui il protagonista passa spensieratamente il suo tempo per dimenticare il suo malessere, in attesa di capire se il suo rapporto con Antonio (con cui, a differenza che con Elettra, fa sul serio) potrà decollare.Tutti i personaggi maschili sono interpretati da Paolo Malgioglio, quelli femminili da Elisa Gandolfi.All'inzio e alla fine dell'episodio si può ascoltare un brano "cult" degli anni Settanta, "Ho visto anche degli zingari felici" di Claudio Lolli, in versione originale e nell'ottima cover di Luca Carboni e Riccardo Sinigallia....This time Emmanuel wants to have fun.Engaged (so to speak) in a very nonchalant relationship with Elettra, the leader of the Tantras (a theater company in Turin), he witnesses an Ionesco-like dialogue between the members of the group and reports it to us verbatim. What emerges is the surreal picture of a group of upset people, with whom the protagonist carelessly spends his time forgetting his malaise, waiting to see if his relationship with his friend Antonio will be able to take off.All the male characters are played by Paolo Malgioglio, the female ones by Elisa Gandolfi.At the beginning and at the end of the episode you can listen to a "cult" song from the seventies, "Ho visto anche degli zingari felici (I also saw happy gypsies)" by Claudio Lolli, in the original version and in the excellent cover by Luca Carboni and Riccardo Sinigallia.

Guided by his personal Virgil, his friend Antonio, Emmanuel unknowingly begins his descent into the Underworld through the night clubs of alternative Turin. Here he comes into contact with a theater group, the Tantras, and embarks on a very casual relationship with their leader Elettra; meanwhile, in the Hell of the "Divina Commedia" pub, he sees for the first time Michelle, a woman destined to have a great weight in his life. But his attention is directed above all to Antonio, with whom he hopes to be able to start a serious relationship. All performers are AI.The following live tracks can be heard in the episode:Joni Mitchell's "California"; Laurie Anderson's "Born, Never Asked"; "Moon in June" by Soft Machine.

Un episodio tutto torinese, che susciterà qualche ricordo in chi ha avuto l'occasione di frequentare i Murazzi negli anni '90. Emmanuel e Antonio si muovono attraverso il Doctor Sax, il Macondo, la Divina Commedia, mitici locali cittadini, alcuni dei quali purtroppo non esistono più, mentre dalla scuola di danza del Teatro Nuovo di Torino emerge l'astro nascente di Michelle Kershbaumer.Guidato dal suo Virgilio personale, l'amico Antonio, Emmanuel inizia inconsapevolmente la sua discesa agli Inferi attraverso questi locali notturni.Qui entra in contatto con un gruppo teatrale, i Tantra, ed intraprende un rapporto molto superficiale e disinvolto con la loro leader Elettra, rendendosi confusamente conto che sta sbandando e finendo una strada senza via d'uscita; intanto vede per la prima volta Michelle, che lo colpisce profondamente.Ma per il momento la sua attenzione è rivolta soprattutto ad Antonio, con cui spera di riuscire ad avviare un rapporto serio.La voce narrante (Emmanuel) è quella di Paolo Malgioglio.Nell'episodio si possono ascoltare le seguenti tracce live:"California" di Joni Mitchell; "Born, never asked" di Laurie Anderson; "Moon in June" dei Soft Machine....An entirely Turinese episode, which will arouse some memories in those who had the opportunity to visit the Murazzi in the 90s. Emmanuel and Antonio move through the Doctor Sax, the Macondo, the Divine Comedy, legendary venues that unfortunately no longer exist, while the rising star of Michelle Kerschbaumer emerges from the dance school of the Teatro Nuovo in Turin.Guided by his personal Virgil, his friend Antonio, Emmanuel unknowingly begins his descent into Hell through these nightclubs.Here he comes into contact with a theatrical group, the Tantras, and embarks on a very superficial and casual relationship with their leader Elettra, confusedly realizing that she is skidding and ending up a road with no way out; meanwhile he sees Michelle for the first time, which affects him deeply.But for the moment his attention is directed above all to Antonio, with whom he hopes to be able to start a serious relationship.The narrator (Emmanuel) is Paolo Malgioglio.The following live tracks can be heard in the episode:Joni Mitchell's "California"; Laurie Anderson's "Born, Never Asked"; "Moon in June" by Soft Machine.

Well, we didn't expect a homosexual crush from Emmanuel. Yet it is so.Forced by Antonia to interrupt their relationship and to go "other ways" (see Episode n. 1.18 "Blackout"), the boy, in the throes of profound bewilderment, finds a point of reference in Antonio, the woman's namesake, a his schoolmate a couple of years older than him, politically engaged and a lover of music like him. In this common passion they will find common ground.All interpreters are AI.Excerpts from the following tracks can be heard in the episode:"Hasta siempre commander Che Guevara" by Inti Illimani;Robert Wyatt's "Las Vegas Tango";"Venus de Milo" by Television;Tim Buckley's "Pleasant Street";Lou Reed's "Heroin";Captain Beefheart's "Electricity";"Gimme Shelter" by the Rolling Stones.

The second part of the story begins here.Emmanuel, released from the relationship with Antonia, is literally projected into another universe, where he finds it hard to orient himself and risks committing many serious missteps.In retrospect, while writing the diary, he wonders how he got into Michelle's trap.All interpreters are AI.

Diciamo la verità: una sbandata in senso omosessuale non ce la aspettavamo da Emmanuel. E invece...Costretto da Antonia ad interrompere la loro relazione e ad andare "per altre vie" (vedi Episodio n. 1.18 "Blackout"), il ragazzo, in preda ad un profondo smarrimento, trova un punto di riferimento in Antonio, omonimo della donna, un suo compagno di scuola più grande di lui di un paio d'anni, politicamente impegnato ed amante come lui della musica. In questa passione comune troveranno un terreno d'intesa.La voce è quella di Paolo Malgioglio.Nell'episodio si possono ascoltare brani tratti dalle seguenti tracce:"Hasta siempre comandante Che Guevara" degli Inti Illimani;"Las Vegas Tango" di Robert Wyatt;"Venus de Milo" dei Television;"Pleasant Street" di Tim Buckley;"Heroin" di Lou Reed;"Electricity" di Captain Beefheart;"Gimme Shelter" dei Rolling Stones.

Inizia qui la seconda parte della storia.Emmanuel, uscito dal rapporto con Antonia, si trova letteralmente proiettato in un altro universo, dove stenta ad orientarsi e rischia di commettere molti e gravi passi falsi.A posteriori, mentre scrive il diario, si domanda come abbia fatto a finire nella trappola di Michelle.La voce narrante è quella di Paolo Malgioglio.

We are in 1994, a crucial year for Italian politics: on May 10 of that year Silvio Berlusconi launches his first government, in a context of imminent economic crisis of which small Italian entrepreneurs, such as the Kellermans, are deeply concerned. Here we witness a dialogue between Michele, Emmanuel's elder brother, and some of his friends, typical exponents of the middle-upper bourgeoisie of Turin: the judgments they express on behalf of the "Knight" oscillate between doubts and hopes.The narrative voice is the image of Emmanuel reflected in the mirror. All the performers are AI.Covers and excerpts of the following tracks can be heard in the episode:"What The World Needs Now" and "I'll Never Fall In Love Again" by Burt Bacharach.

Direct Download Link:One day you'll understandHave you ever heard two AIs talk about Platonic philosophy? Here's your chance to put them to the test: both interpreters of this episode, in fact, are AI.Through the eyes of Antonia we witness the first moment of real crisis of Emmanuel, coinciding with the death of Kurt Cobain.Emmanuel seeks solace in Platonic philosophy and talks to Antonia about music and cartoons.In the episode you can hear live songs and covers of the following tracks:"Come As You Are" and "Something In The Way" by Nirvana;"Farfallina" by Luca Carboni (cover by Red Sprecacenere");"La sedia di lillà" by Alberto Fortis.

This is Emmanuel and Antonia's last meeting at the river, before the story takes an unexpected and somewhat dramatic turn; the story of Emmanuel's dog, Tegame (Saucepan), serves as a sinister premonition.The narrative voice is that of Bella, Emmanuel is performed by George (both AI).

La prima stagione della storia di Emmanuel si è ufficialmente conclusa con il capitolo 17 ("Nessun decollo"), ma esiste un'appendice che vi proponiamo come "bonus track". Nella drammatica notte del 5 novembre 1994, che precede di poche ore la terribile alluvione del Piemonte, Emmanuel, in preda a una profonda depressione dopo la morte del suo cane Tegame, spera di avere ritrovato un rapporto sereno con Antonia rinunciando al sesso, ma ha l'amara sorpresa di scoprire che per lei le cose stanno ben diversamente: la donna non sembra intenzionata a coltivare il loro rapporto.Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi.Nel corso dell'episodio si possono ascoltare una versione strumentale di "Music to Watch Boys" di Lana Del Rey e "Dog Meat Stew" di Conil, che ringraziamo di cuore per l'autorizzazione. :-)

The first season of Emmanuel's story has officially ended with chapter 17 ("No take off"), but here's an appendix that we offer as a "bonus track".On the dramatic night of 5 November 1994, which preceded the terrible flood in Piedmont by a few hours, Emmanuel, in the throes of a deep depression after the death of his dog Saucepan, hopes to have found a peaceful relationship with Antonia by giving up sex, but has the bitter surprise to discover that things are not like this for her.The interpreters are George and Susan, both AI.Throughout the episode you can listen to an instrumental version of "Music to Watch Boys" by Lana Del Rey and to "Dog Meat Stew" by Conil, which we thank very much for permission. :-)

This episode concludes the first part of Emmanuel's diary and the first season of the podcast. His story with Antonia ended in the worst way; the boy tries to distract himself with other girls, but discovers with great surprise the banality of sex with strangers. He enters a period of confusion and depression, which ends with a tragic event for him. After this story, the "old" Emmanuel of moped racing and trips to the river with his dog will no longer exist. If Emmanuel is to survive, he will have to find a new identity.All performers are AI.Excerpts from the following tracks can be heard in the episode:"All I Wanna Do" by Sheryl Crow;"All that she wants" by Ace of Base;"Anyway" by Genesis.

La storia di Emmanuel con Antonia si è conclusa nel peggiore dei modi; il ragazzo non è riuscito a perdonarle il suo tradimento e l'ha costretta a rompere il loro rapporto.Ora tenta di distrarsi con altre ragazze, ma scopre con grande sorpresa la banalità del sesso con estranei. Entra in un periodo di confusione e depressione, che si conclude con un evento per lui tragico.Dopo questa vicenda, il "vecchio" Emmanuel delle corse in motorino e delle gite al fiume con il suo cane non esisterà più. Se Emmanuel vorrà farcela a sopravvivere, dovrà trovare una nuova identità.Gli interpreti sono Paolo Malgioglio ed Elisa Gandolfi.Nell'episodio si possono ascoltare brani o cover delle seguenti tracce:"All I Wanna Do" di Sheryl Crow;"All that she wants" degli Ace of Base;"Anyway" dei Genesis....This episode concludes the first part of Emmanuel's diary and the first season of the podcast (there will still be an 18th episode as a "bonus track").His story with Antonia ended in the worst way; the boy tries to distract himself with other girls, but discovers with great surprise the banality of sex with strangers. He enters a period of confusion and depression, which ends with a tragic event for him.After this story, the "old" Emmanuel of moped racing and trips to the river with his dog will no longer exist.If Emmanuel is to survive, he will have to find a new identity. The interpreters are Paolo Malgioglio and Elisa Gandolfi.Excerpts from the following tracks can be heard in the episode:"All I Wanna Do" by Sheryl Crow;"All that she wants" by Ace of Base;"Anyway" by Genesis.

Antonia has been raped by Frédéric (see episode no. 10) and doesn't know how to tell her boyfriend Michele, who in turn doesn't seem to want to understand. The young man recalls his first meeting with Antonia and reflects on the difficulties of his relationship with her; then the two meet at their usual bar, where a dialogue between the deaf takes place. Antonia can't make herself understood by him and is more alone than ever. The performers are George and Susan (both AI).In the episode you can hear excerpts from the following live tracks:"From the Beginning" by Emerson, Lake & Palmer;"Sparring Partner" by Paolo Conte.

Antonia's betrayal (see Episode 15 "Double fault") has irreparably damaged the relationship between her and Emmanuel, but their mutual dependence makes them unable to put an end to their relationship, which takes on morbid connotations.Emmanuel, seized by a fierce thirst for revenge, discovers the demonic side of her, which he did not know he possessed, and experiences all of her power on her, until she blows to pieces.The narrator is George (AI).Jeff Buckley's excellent cover of "Forget her" is performed by Henrique Vale.

Il tradimento di Antonia (vedi Episodio 15 "Doppio fallo") ha irrimediabilmente incrinato il rapporto tra lei e Emmanuel, ma la loro dipendenza reciproca li rende incapaci di mettere fine al loro rapporto, che sta assumendo connotazioni morbose. Emmanuel, preso da una feroce sete di vendetta, scopre il suo lato demoniaco, che non sapeva di possedere, e sperimenta su di lei tutto il suo potere, fino a farla saltare in pezzi.La voce narrante è quella di Emmanuel (Paolo Malgioglio).La cover di "Forget her" di Jeff Buckley è interpretata dal bravissimo Henrique Vale....Antonia's betrayal (see Episode 15 "Double fault") has irreparably damaged the relationship between her and Emmanuel, but their mutual dependence makes them unable to put an end to their relationship, which takes on morbid connotations.Emmanuel, seized by a fierce thirst for revenge, discovers the demonic side of her, which he did not know he possessed, and experiences all of her power on her, until she blows to pieces.The narrative voice is that of Emmanuel (Paolo Malgioglio).Jeff Buckley's cover of "Forget her" is performed by the excellent Henrique Vale.

In loving memory of Jeff Buckley. For the first time we hear the narrative voice of Emmanuel. It is a crucial moment in his life: Antonia, raped by Frédéric (see episode n. 10), not finding the understanding of her boyfriend Michele, turns to him for help.It will be the beginning of their love story.The performers are George and Susan (AI).Excerpts from the following Jeff Buckey live tracks can be heard in the episode:"Grace", "So real" and "Hallelujah".

Have you ever wondered what goes through a potential abuser's head the moment he sets eyes on his victim? How does he reason, what strange mechanisms are triggered in his psyche? What alibi does he create to justify his intention? We have the opportunity to hear it from Frédéric Valentino known as Freddy, a character destined to play a crucial role in the story: a charming Italian-Swiss son of a psychiatrist, he is a lucid deranged fully aware of his own psychic pathologies. The interpreter is Eric (AI).Covers and excerpts of the following tracks can be heard in the episode:"Farfallina" by Luca Carboni (cover by Red Sprecacenere);"She's Lost Control" by Joy Division;"Voices of Angels" by Hildegard von Bingen.

Let's face it: we had already understood that there is something tender between Emmanuel and Antonia. In this scene the boy uncovers his cards with her.The performers are Susan and George, both AI.Covers and excerpts of the following tracks can be heard in the episode:"Lithium" and "Heart-Shaped Box" by Nirvana.

A fairly dramatic episode that changes Emmanuel's life, a real psychodrama in which the characters reveal the pathological implications of their personalities: it marks a traumatic turning point in the relationship between Antonia and Emmanuel and causes an incurable fracture in the boy's hypersensitive psyche. Their story, which began a few months ago, is already on its way to an end: the boy reacts with pain and indignation to her betrayal and decides to end it with her, despite suffering a great deal. Antonia realizes too late that she has made an irreparable mistake.The performers are Susan, George, Eric and Brandon, all AI.The episode features excerpts from Weezer's "Say it ain't so" and an instrumental cover of the same song by Break of Reality. In the finale you can hear Kurt Cobain's voice singing the same song, which of course is impossible, being Weezer's Blue Album released a few months after his death.

Un episodio drammatico, che cambia la vita di Emmanuel, un vero e proprio psicodramma in cui i personaggi rivelano i risvolti patologici della loro personalità: segna una svolta traumatica nei rapporti fra Antonia ed Emmanuel e determina una frattura insanabile nella psiche ipersensibile del ragazzo. La loro storia, iniziata da pochi mesi, è già avviata alla fine: il ragazzo reagisce con dolore e sdegno ad un suo tradimento e decide di chiudere con lei, pur soffrendone moltissimo. Antonia comprende troppo tardi di avere commesso un errore irreparabile.Gli interpreti sono, come sempre, Elisa Gandolfi e Paolo Malgioglio.Nell'episodio si possono ascoltare brani tratti da "Say it ain't so" degli Weezer e una cover strumentale dello stesso brano dei Break of Reality.Nel finale potete sentire la voce di Kurt Cobain cantare lo stesso brano, cosa ovviamente impossibile, essendo il Blue Album dei Weezer uscito pochi mesi dopo la sua morte....A fairly dramatic episode that changes Emmanuel's life, a real psychodrama in which the characters reveal the pathological implications of their personalities: it marks a traumatic turning point in the relationship between Antonia and Emmanuel and causes an incurable fracture in the boy's hypersensitive psyche. Their story, which began a few months ago, is already on its way to an end: the boy reacts with pain and indignation to her betrayal and decides to end it with her, despite suffering a great deal. Antonia realizes too late that she has made an irreparable mistake. The interpreters are, as always, Elisa Gandolfi and Paolo Malgioglio. The episode features excerpts from Weezer's "Say it ain't so" and an instrumental cover of the same song by Break of Reality. In the finale you can hear Kurt Cobain's voice singing the same song, which obviously is impossible, being Weezer's Blue Album released a few months after his death.

Emmanuel has been sent by his parents to Cambridge for a study holiday. Antonia anxiously awaits his return, but when she sees him again she is incredibly surprised.The narrative voice is that of Antonia (AI Susan). The music of the ending is a remake of a famous song from 1994: try to recognize it yourself.

Emmanuel è stato mandato dai suoi a Cambridge per una vacanza di studio. Antonia attende trepidante il suo rientro, ma quando lo rivede rimane incredibilmente sorpresa. La voce narrante è quella di Antonia (Elisa Gandolfi). I brani che si ascoltano nell'episodio sono "Stand by me" di Ben E. King e un bizzarro rifacimento di "Buddy Holly" degli Weezer....Emmanuel has been sent by his parents to Cambridge for a study holiday. Antonia anxiously awaits his return, but when she sees him again she is incredibly surprised. The narrative voice is that of Antonia (Elisa Gandolfi). The songs that play in the episode are "Stand by me" by Ben E. King and a bizarre remake of "Buddy Holly" by Weezer.

Direct Download link:Active, passive and transitive middleA back-and-forth dialogue between Emmanuel and Antonia on the banks of the Orco stream near Turin. It is one of the last moments of carefree serenity for the boy, not yet disturbed by the brutality of life. Antonia is deeply fascinated by his naive spontaneity and lets herself be more and more involved in that magical and somewhat unreal atmosphere.The performers are George and Kate, both AI.

The story between Emmanuel and Antonia turns into an overwhelming physical experience, which shocks them both. The boy recalls those unforgettable moments, which coincide with the 1994 soccer World Cup. The performers are George and Susan, both AI.Excerpts from the following tracks can be heard in the episode:"Soma" by the Smashing Pumpkins;"Nothing Else Matters" by Metallica.

La storia tra Emmanuel e Antonia si trasforma in una travolgente esperienza fisica, che li sconvolge entrambi. Il ragazzo è completamente rapito da quell'esperienza e la vive con tutta la sua ingenua passionalità: resta da capire come reagirà Antonia.Emmanuel rievoca quei momenti indimenticabili, che coincidono con i Mondiali di calcio del 1994. La voce narrante è quella di Paolo Malgioglio.Nell'episodio si possono ascoltare brani tratti dalle seguenti tracce:"Soma" degli Smashing Pumpkins;"Nothing Else Matters" dei Metallica....The story between Emmanuel and Antonia turns into an overwhelming physical experience, which shocks them both. The boy is completely captivated by that experience and lives it with all his naive passion: it remains to be understood how Antonia will react.Emmanuel recalls those unforgettable moments, which coincide with the 1994 soccer World Cup.The narrator is Paolo Malgioglio.Excerpts from the following tracks can be heard in the episode:"Soma" by the Smashing Pumpkins;"Nothing Else Matters" by Metallica.

Direct Download Link:Something greyEmmanuel and his dog Tegame (= Saucepan) are at the river with Antonia, who is trying to teach him Greek lessons. The interpeters are two AI: George and Kate.The songs you can listen to during the episode are "Gray" and "Yesterday's song" by DanX2, which we sincerely thank for the permission granted to us.

In loving memory of Jeff Buckley.Per la prima volta ascoltiamo la voce narrante di Emmanuel (Paolo Malgioglio), che finora è stato semplicemente un personaggio visto attraverso gli occhi di Antonia (Elisa Gandolfi). Ora la vicenda comincia ad essere filtrata attraverso il suo punto di vista.E' un momento cruciale della sua vita: Antonia, violentata da Frédéric, non trovando la comprensione del fidanzato Michele, si rivolge a lui per aiuto. Sarà l'inizio della loro storia.Nell'episodio si possono ascoltare brani tratti dalle seguenti tracce live di Jeff Buckey:"Grace", "So real" e "Hallelujah"....12. Alternative therapies.In loving memory of Jeff Buckley.For the first time we hear the narrative voice of Emmanuel (Paolo Malgioglio), who until now has simply been a character seen through the eyes of Antonia (Elisa Gandolfi). Now the story begins to be filtered through his point of view.It is a crucial moment in his life: Antonia (Elisa Gandolfi), raped by Frédéric, not finding the understanding of her boyfriend Michele, turns to him for help. It will be the beginning of their story.Excerpts from the following Jeff Buckey live tracks can be heard in the episode:"Grace", "So real" and "Hallelujah".

Direct Download Link:The riddle of the spinnerAntonia, some years later, recounts her first meeting with sixteen-year-old Emmanuel. From what we can guess, quite a shock for her, accustomed to the sleepy quiet of her university work.All interpreters are AI.In the episode you can hear a cover of "Heart-Shaped Box" by Nirvana.

Antonia è stata violentata da Frédéric e non sa come dirlo a Michele, che a sua volta non sembra voler capire.Il giovane rievoca il suo primo incontro con Antonia e riflette sulle difficoltà del suo rapporto con lei; poi i due s'incontrano al loro solito bar, dove si svolge un dialogo tra sordi.Antonia è più sola che mai .Gli interpreti sono Paolo Malgioglio ed Elisa Gandolfi.Nell'episodio si possono ascoltare brani tratti dalle seguenti tracce live:"From the Beginning" di Emerson, Lake & Palmer;"Sparring Partner" di Paolo Conte....11. TimingAntonia has been raped by Frédéric and doesn't know how to tell Michele, who in turn doesn't seem to want to understand. The young man recalls his first meeting with Antonia and reflects on the difficulties of his relationship with her; then the two meet at their usual bar, where a dialogue between the deaf takes place. Antonia is more alone than ever. The performers are Paolo Malgioglio and Elisa Gandolfi.In the episode you can hear excerpts from the following live tracks:"From the Beginning" by Emerson, Lake & Palmer;"Sparring Partner" by Paolo Conte.

Direct Download Link:Prologue-A letterDedicated to Enea C.After a brief intro that serves as a self-introduction of the protagonist, we hear Emmanuel read the letter he wrote to Antonia in June 1997, by which time he had moved away from her to live in Tuscany with another girl. All the rest of the story will unfold retrospectively. The interpreter is George, AI.

Some men cultivate a great love for luxury objects, aesthetically perfect, ideal status symbols: in the case of Frédéric Valentino it is his black Porsche Carrera (strictly male). Women on the other hand are considered a simple pastime.Frédéric Valentino is one of these subjects: a charming young engineer with some mental problems, in episode no. 8 ("Frédéric Valentino") had exposed his plan to "prove himself" with Antonia, essentially by raping her. Well, now we see him putting his plan into action.For Antonia a period of profound inner crisis begins: she will be forced to discover the dark areas of her personality.All performers are AI.Covers and excerpts of the following tracks can be heard in the episode:"Rape me" and "Drain You" by Nirvana;"Requiem" by Mozart.

Certi uomini coltivano un grande amore per oggetti di lusso, esteticamente perfetti, status-symbol ideali: nel caso di Frédéric Valentino si tratta del suo Porsche Carrera nero (rigorosamente maschio). Le donne invece sono considerate un semplice passatempo.Frédéric Valentino è uno di questi soggetti: affascinante giovane ingegnere con qualche turba psichica, nell'episodio n. 8 ("Frédéric Valentino") aveva esposto il suo progetto di "mettersi alla prova" con Antonia, sostanzialmente stuprandola. Ebbene, ora lo vediamo mettere in atto il suo piano.Per Antonia inizia un periodo di profondissima crisi interiore: sarà costretta a scoprire le zone buie della sua personalità.La voce narrante è quella di Frédéric stesso (Paolo Malgioglio); Antonia è interpretata da Elisa Gandolfi.Nell'episodio si possono ascoltare cover e brani delle seguenti tracce:"Rape me" e "Drain You" dei Nirvana;"Requiem" di Mozart....Some men cultivate a great love for luxury objects, aesthetically perfect, ideal status symbols: in the case of Frédéric Valentino it is his black Porsche Carrera (strictly male). Women on the other hand are considered a simple pastime.Frédéric Valentino is one of these subjects: a charming young engineer with some mental problems, in episode no. 8 ("Frédéric Valentino") had exposed his plan to "prove himself" with Antonia, essentially by raping her. Well, now we see him putting his plan into action.For Antonia a period of profound inner crisis begins: she will be forced to discover the dark areas of her personality.The narrative voice is that of Frédéric himself (Paolo Malgioglio); Antonia is played by Elisa Gandolfi.Covers and excerpts of the following tracks can be heard in the episode:"Rape me" and "Drain You" by Nirvana;"Requiem" by Mozart.

Questo è l'ultimo incontro di Emmanuel e Antonia al fiume, prima che la storia prenda una piega imprevista e alquanto drammatica; la vicenda del cane di Emmanuel, Tegame, funge da sinistra premonizione. La voce narrante è quella di Antonia (Elisa Gandolfi).La colonna sonora è una versione in stile medioevale di "Nothing else matters" dei Metallica....9. On the other sideThis is Emmanuel and Antonia's last meeting at the river, before the story takes an unexpected and somewhat dramatic turn; the story of Emmanuel's dog, Tegame (Saucepan), serves as a sinister premonition.The narrative voice is that of Antonia (Elisa Gandolfi). The soundtrack is a medieval-style version of "Nothing else matters" by Metallica.

Vi siete mai chiesti cosa passi per la testa di un potenziale violentatore nel momento in cui mette gli occhi sulla sua vittima? Come ragiona, quali strani meccanismi scattano nella sua psiche? Quali alibi si crea per giustificare il suo proposito? Abbiamo modo di ascoltarlo da Frédéric Valentino detto Freddy, un personaggio destinato ad avere un ruolo cruciale nella storia: affascinante italo-svizzero figlio di uno psichiatra, è un lucido squilibrato pienamente consapevole delle proprie patologie psichiche.L'interprete è Paolo Malgioglio.Nell'episodio si possono ascoltare cover e brani delle seguenti tracce:"Farfallina di Luca Carboni" (cover di Red Sprecacenere);"She's Lost Control" dei Joy Division;"Voci degli Angeli" di Hildegard von Bingen....Have you ever wondered what goes through a potential abuser's head the moment he sets eyes on his victim? How does he reason, what strange mechanisms are triggered in his psyche? What alibi does he create to justify his intention?We have the opportunity to hear it from Frédéric Valentino known as Freddy, a character destined to play a crucial role in the story: a charming Italian-Swiss son of a psychiatrist, he is a lucid deranged fully aware of his own psychic pathologies.The interpreter is Paolo Malgioglio.Covers and excerpts of the following tracks can be heard in the episode:"Farfallina" by Luca Carboni (cover by Red Sprecacenere);"She's Lost Control" by Joy Division;"Voices of Angels" by Hildegard von Bingen.

Ammettiamolo: avevamo già capito che fra Emmanuel e Antonia c'è del tenero. In questa scena il ragazzo scopre le sue carte con lei. Gli interpreti sono, come sempre, Elisa Gandolfi (voce narrante) e Paolo Malgioglio.Nell'episodio si possono ascoltare cover e brani delle seguenti tracce:"Lithium" e "Heart-Shaped Box" dei Nirvana.....Let's face it: we had already understood that there is something tender between Emmanuel and Antonia.In this scene the boy uncovers his cards with her.The interpreters are, as always, Elisa Gandolfi (narrator) and Paolo Malgioglio.Covers and excerpts of the following tracks can be heard in the episode:"Lithium" and "Heart-Shaped Box" by Nirvana.

Siamo nel 1994, un anno cruciale per la politica italiana: il 10 maggio di quell'anno Silvio Berlusconi vara il suo primo governo, in un contesto di crisi economica imminente di cui i piccoli imprenditori italiani, come i Kellermann, sono fortemente preoccupati. Qui assistiamo ad un dialogo fra Michele, il fratello maggiore di Emmanuel, ed alcuni suoi amici, tipici esponenti della borghesia medio-alta torinese: i giudizi che esprimono sul conto del Cavaliere oscillano tra dubbi e speranze.La voce narrante è l'immagine di Emmanuel riflessa nello specchio (Elisa Gandolfi). Tutti i personaggi maschili sono interpretati da Paolo Malgioglio.Nell'episodio si possono ascoltare cover e brani delle seguenti tracce:"What The World Needs Now" e "I'll Never Fall In Love Again" di Burt Bacharach....We are in 1994, a crucial year for Italian politics: on May 10 of that year Silvio Berlusconi launches his first government, in a context of imminent economic crisis of which small Italian entrepreneurs, such as the Kellermanns, are deeply concerned. Here we witness a dialogue between Michele, Emmanuel's elder brother, and some of his friends, typical exponents of the middle-upper bourgeoisie of Turin: the judgments they express on behalf of the "Knight" oscillate between doubts and hopes.The narrative voice is the image of Emmanuel reflected in the mirror (Elisa Gandolfi). All the male characters are played by Paolo Malgioglio.Covers and excerpts of the following tracks can be heard in the episode:"What The World Needs Now" and "I'll Never Fall In Love Again" by Burt Bacharach.

Link per il download diretto / Direct Download Link:Un giorno capiraiAttraverso gli occhi di Antonia (Elisa Gandolfi) assistiamo al primo momento di vera crisi di Emmanuel (Paolo Malgioglio), coincidente con la morte di Kurt Cobain. Emmanuel cerca conforto nella filosofia platonica e parla con Antonia di musica e di cartoni animati.Nell'episodio si possono ascoltare brani live e cover delle seguenti tracce:"Come As You Are" e "Something In The Way" dei Nirvana;"Farfallina" di Luca Carboni (cover di Red Sprecacenere");"La sedia di lillà" di Alberto Fortis.... 5.One day you will understand Through the eyes of Antonia (Elisa Gandolfi) we witness the first moment of real crisis of Emmanuel (Paolo Malgioglio), coinciding with the death of Kurt Cobain. Emmanuel seeks solace in Platonic philosophy and talks to Antonia about music and cartoons.In the episode you can hear live songs and covers of the following tracks:"Come As You Are" and "Something In The Way" by Nirvana;"Farfallina" by Luca Carboni (cover by Red Sprecacenere");"La sedia di lillà" by Alberto Fortis.

Link per il download diretto / Direct Download Link:Attivo, passivo e medio d'interesseQuesto episodio è un dialogo a botta e risposta tra Emmanuel (Paolo Malgioglio) e Antonia (Elisa Gandolfi) sulle rive del torrente Orco.E' uno degli ultimi momenti di spensierata serenità per il ragazzo, la cui psiche ipersensibile non è ancora turbata dalla brutalità della vita. Antonia, profondamente affascinata dalla sua ingenua spontaneità, si lascia sempre più coinvolgere in quell'atmosfera magica e un po' irreale.Nell'episodio si può ascoltare un brano live tratto da "Rape Me" dei Nirvana....4.Active, passive and transitive middleWe listen to a back-and-forth dialogue between Emmanuel (Paolo Malgioglio) and Antonia (Elisa Gandolfi) on the banks of the Orco torrent. It is one of the last moments of carefree serenity for the boy, whose hypersensitive psyche is not yet troubled by the brutality of life. Antonia, deeply fascinated by his naive spontaneity, becomes increasingly involved in that magical and somewhat unreal atmosphere.In the episode you can hear a live track taken from the song "Rape Me" by Nirvana.

Link per il download diretto / Direct Download Link:Qualcosa di grigioEmmanuel e il suo cane Tegame sono sulle rive del fiume Po con Antonia, che tenta, senza troppo successo, di fargli lezione di greco. La personalità del ragazzo incuriosisce ed affascina la giovane donna, che non si lascia ingannare dal suo abbigliamento casuale e dimesso e vede in lui una bellezza straordinaria....3. Something grayEmmanuel and his dog Tegame (Saucepan) are on the banks of the Po River with Antonia, who tries, without too much success, to give him a Greek lesson. The boy's personality intrigues and fascinates the young woman, who doesn't let herself be deceived by his casual and modest clothing and sees an extraordinary beauty in him.

Link per il download diretto / Direct Download Link:L'enigma della filatriceLa voce narrante è quella di Antonia (Elisa Gandolfi), che racconta il suo primo incontro con Emmanuel sedicenne. Da quel che si intuisce, un discreto shock per lei, abituata alla quiete sonnolenta del suo lavoro universitario.Nell'episodio si può ascoltare una cover di "Heart-Shaped Box" dei Nirvana....The riddle of the spinnerThe narrative voice is that of Antonia (Elisa Gandolfi), who recounts her first meeting with sixteen-year-old Emmanuel. From what we can guess, quite a shock for her, accustomed to the sleepy quiet of her university work.In the episode you can hear a cover of "Heart-Shaped Box" by Nirvana.

Link per il download diretto / Direct Download Link:Prologo-Una letteraDedicato a Enea C.Dopo una breve intro che funge da autopresentazione del protagonista, ascoltiamo dalla viva voce di Emmanuel (Paolo Malgioglio) la lettera che scrive ad Antonia nel giugno del 1997, quando ormai si è allontanato da lei per vivere in Toscana con un'altra ragazza.Tutto il resto della storia si svolgerà retrospettivamente....1. Prologue - A letterAfter a brief intro that serves as a self-introduction of the protagonist, we hear the voice of Emmanuel (Paolo Malgioglio) reading the letter he wrote to Antonia in June 1997, by which time he had moved away from her to live in Tuscany with another girl.All the rest of the story will unfold retrospectively.