Emmanuel - The broken diary (Podcast Novel)

Stefano Romano e Erika Piroscia, attori di teatro, reinterpretano per voi questa scena della prima stagione del podcast.Nella vita di Antonia irrompe improvvisamente Frédéric Valentino, affascinante giovane ingegnere con qualche turba psichica.Nell'episodio n. 1.8 ("Frédéric Valentino") il giovane aveva esposto il suo progetto di "mettersi alla prova" con Antonia, sostanzialmente stuprandola. Ora lo vediamo mettere in atto il suo piano.Per Antonia inizia un periodo di profondissima crisi interiore, che coinvolgerà, purtroppo, anche Emmanuel: la donna sarà costretta a scoprire le zone buie della sua personalità.Nell'episodio si possono ascoltare cover e brani delle seguenti tracce:"Smooth criminal" di Michael Jackson; "Du hast" dei Rammstein; "Requiem" di Mozart....Stefano Romano and Erika Piroscia, theater actors, reinterpret for you this scene from the first season of the podcast.Frédéric Valentino suddenly bursts into Antonia's life, a charming young engineer with some mental problems. In episode no. 1.8 ("Frédéric Valentino") the young man had explained his plan to "prove himself" with Antonia, essentially by raping her. Now we see him put his plan into action.A period of profound internal crisis begins for Antonia, which will unfortunately also involve Emmanuel: the woman will be forced to discover the dark areas of her personality.In the episode you can listen to covers and songs of the following tracks: Michael Jackson's "Smooth Criminal"; "Du hast" by Rammstein; Mozart's "Requiem".

Emmanuel si cimenta in una cover molto difficile, "Smooth Criminal" di Michael Jackson in versione medioevale (bardcore), seguita da "Mr. Sandman" di SYML....Emmanuel tries his hand at a very difficult cover, "Smooth Criminal" by Michael Jackson in a medieval version (bardcore), followed by "Mr. Sandman" by SYML.

Per favore, usate il link per il download diretto / Please, use the direct download link:Giochi di specchi Proprio quando Emmanuel pensa che le cose tra lui e Antonia possano prendere la piega desiderata e decide di cambiare radicalmente vita (e look), arriva un fulmine a ciel sereno che lo mette KO: Antonia si ammala seriamente.Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi.La colonna sonora è composta da cover di "Blue Jeans" e "Cola" di Lana Del Rey, "Cu'mme" di Roberto Murolo e Mia Martini e "Superstar" dei Sonic Youth....Just when Emmanuel thinks that things between him and Antonia can take the desired direction and decides to radically change his life (and look), a bolt from the blue comes that knocks him out: Antonia becomes seriously ill.The interpreters are Paolo Malgioglio and Elisa Gandolfi.The soundtrack consists of covers of "Blue Jeans" and "Cola" by Lana Del Rey, "Cu'mme" by Roberto Murolo and Mia Martini and "Superstar" by Sonic Youth.

It is quite emotional to hear from Emmanuel's voice the letter with which the boy bids farewell to Antonia. You'll notice that his pronunciation is rather foreign, which adds to the charm of his words.The music is "Time settles" by Conil, whom we sincerily thank for the permission.

An alternate version of this episode, in which Emmanuel himself sings Elliott Smith's "Between The Bars" and his voice is quite different.The relationship between Emmanuel and Michelle takes a murky and intense turn: it would risk turning into a real love relationship... if only Michelle were capable of loving.Emmanuel, unfortunately for him, is.The interpreters are Willie and Frieda (AI).Covers of the following songs can be heard throughout the episode: Sonic Youth's "Shadow of a doubt" (cover by Black Tape For A Blue Girl), The Beatles' "Michelle" and Elliott Smith's "Between the bars" (cover by Emmanuel) .

N.B.:Sono stati corretti alcuni errori di ritmo e intonazione.Questa volta Emmanuel si cimenta con due cover molto diverse, entrambe impegnative: "Numb" dei Linkin Park nella versione bardcore (stile medioevale) di Jawnae e "Jolene" di Dolly Parton nella versione degli White Stripes.In entrambi i casi la voce di Emmanuel è sostenuta nei cori da quella di Carlos.... N.B.:Some rhythm and intonation errors have been corrected. This time Emmanuel tries his hand at two very different covers, both challenging: "Numb" by Linkin Park in the bardcore (medieval style) version by Jawnae and "Jolene" by Dolly Parton in the White Stripes version.In both cases Emmanuel's voice is supported in the choirs by that of Carlos.

With this episode Emmanuel enters a dimension between the Platonic and the medieval, committing himself with all his strength in an attempt at resurrection from the materiality into which he has fallen, also overwhelming Antonia with him.From now on, his every effort will be aimed at finding a spiritual dimension in which his relationship with the woman can reach a difficult balance capable of withstanding time.The interpreters are George and Michelle (AI).Throughout the episode you can hear a song and a cover (performed by Yvonne Jeucken) of Tim Buckley's "Phantasmagoria in Two" and medieval-style versions of Linkin Park's "Numb".

Una prova di versatilità da parte del nostro Emmanuel, che interpreta una versione "bardcore" (in sile medioevale) di due canzoni completamente opposte: "Du Hast" dei Rammstein e "Hit Me Baby One More Time" di Britney Spears. ... A proof of versatility from our Emmanuel, who plays a "bardcore" version (in medieval style) of two completely opposite songs: "Du Hast" by Rammstein and "Hit Me Baby One More Time" by Britney Spears.

Una doppia cover di Pumped Up Kicks dei Foster The People: la prima in versione medioevale, in inglese arcaico del XIV secolo, in cui Emmanuel duetta con The Miracle Aligner sulla base musicale preparata dal magistrale Cornelius Link; la seconda con la base musicale dell'eccellente Tanner Patrick....A double cover of Pumped Up Kicks by Foster The People: the first in a medieval version, in archaic English from the 14th century, in which Emmanuel duets with The Miracle Aligner on the backing track prepared by the masterful Cornelius Link; the second with the backing track by the excellent Tanner Patrick.

Per favore, usate il link per il download diretto / Please, use the direct download link:Un cavallo biancoCon questo episodio Emmanuel fa il suo ingresso in una dimensione tra il platonico e il medioevale, impegnandosi con tutte le sue forze in un tentativo di risurrezione dalla materialità in cui è precipitato, travolgendo con sé anche Antonia.Di qui in avanti ogni suo sforzo sarà rivolto a trovare una dimensione spirituale nella quale il suo rapporto con la donna possa raggiungere un difficile equilibrio in grado di resistere al tempo.Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi.Nel corso dell'episodio potete ascoltare un brano e una cover (eseguita da Yvonne Jeucken) di "Phantasmagoria in Two" di Tim Buckley e versioni in stile medioevale di "Numb" dei Linkin Park....With this episode Emmanuel enters a dimension between the Platonic and the medieval, committing himself with all his strength in an attempt at resurrection from the materiality into which he has fallen, also overwhelming Antonia with him.From now on, his every effort will be aimed at finding a spiritual dimension in which his relationship with the woman can reach a difficult balance capable of withstanding time.The interpreters are Paolo Malgioglio and Elisa Gandolfi.Throughout the episode you can hear a song and a cover (performed by Yvonne Jeucken) of Tim Buckley's "Phantasmagoria in Two" and medieval-style versions of Linkin Park's "Numb".

Novità:fra un episodio e l'altro del suo diario-romanzo, Emmanuel ci intrattiene con alcune cover interpretate da lui.Ecco le prime due: "Bad Guy" di Billie Eilish + "Get Lucky" dei Daft Punk, entrambe in versione Bardcore (stile medioevale).La parte strumentale e i cori sono del bravissimo Constantine Bard....New:between one episode and another of his diary-novel, Emmanuel entertains us with some covers performed by him.Here are the first two: "Bad Guy" by Billie Eilish + "Get Lucky" by Daft Punk, both in Bardcore version (medieval style).The instrumental part and the backing vocals are by the excellent Constantine Bard.

This episode, of particular length and importance, is proposed in two parts, of which this is the second.Emmanuel has won the game with Antonia, managing to tie her to him in an almost pathological way and creating a serious dependence in her.One day, however, he is forced to realise, with amazement and anguish, that this situation risks completely destroying the woman he loves. From now on he will be forced to make important decisions.The soundtrack includes songs and covers by Syml ("Where is my love" and "Mr. Sandman") and Lana Del Rey ("Heroin").

Per favore, usate il link per il download diretto / Please, use the direct download link:I cancelli dell'Eden - Parte IIQuesto episodio, di particolare lunghezza ed importanza, viene proposto in due parti, di cui questa è la seconda.Emmanuel ha vinto la partita con Antonia, riuscendo a legarla a sé in modo quasi patologico e creando in lei una grave dipendenza.Un giorno però è costretto a rendersi conto, con stupore e angoscia, che questa situazione rischia di distruggere completamente la donna che ama.Di qui in avanti sarà costretto a decisioni importanti.La colonna sonora comprende brani e cover di Syml ("Where is my love" e "Mr. Sandman") e Lana Del Rey ("Heroin")....This episode, of particular length and importance, is proposed in two parts, of which this is the second.Emmanuel has won the game with Antonia, managing to tie her to him in an almost pathological way and creating a serious dependence in her.One day, however, he is forced to realise, with amazement and anguish, that this situation risks completely destroying the woman he loves. From now on he will be forced to make important decisions.The soundtrack includes songs and covers by Syml ("Where is my love" and "Mr. Sandman") and Lana Del Rey ("Heroin").

This episode, of particular length and importance, is proposed in two parts, of which this is the first.A passionate and "red light" Emmanuel recalls his new experience with Antonia, whom he regained in the previous episode ("Special Effects").The boy experiences this reconquest with exhilaration and enthusiasm, but now, at eighteen, he is perfectly able to realize the difficulties of the situation and how much things have changed for both of them.However, determined to continue on his path, Emmanuel does not hesitate to resort to all the means at his disposal to keep Antonia tied to him.The interpreters are George and Michelle (AI).The soundtrack includes songs and covers by Syml ("Where is my love" and "Mr. Sandman") and Nirvana ("Moist Vagina").

Vi proponiamo un'edizione speciale di questo episodio, interpretato in presa diretta da Stefano Romano e Erika Piroscia, attori teatrali che abbiamo già ascoltato alle prese con scene comiche: questa volta si cimentano con un'interpretazione drammatica di una puntata cruciale del romanzo-podcast.La malattia ha dato a Emmanuel il tempo di chiarirsi a se stesso e lo ha reso lucido e determinato: rivuole Antonia a qualsiasi costo.Per ottenere il suo scopo è disposto anche a truccare le carte e a recitare una parte melodrammatica che spiazza completamente Antonia. E' un ricatto in piena regola, e lui lo sa bene; ma Amore, come dice Platone, è figlio di Espediente ed è quindi senza scrupoli: Emmanuel è pronto a tutto pur di far cadere le barriere difensive di Antonia e di riprendersi quel che considera suo da sempre.Nel corso dell'episodio, particolarmente ricco di effetti speciali, come da titolo, si possono ascoltare cover o versioni strumentali della colonna sonora di "Arancia Meccanica" di Stanley Kubrick, "Girl you'll be a woman soon" di Neil Diamond, "Polly" dei Nirvana, "Cola" di Lana Del Rey, un brano di "Scimmia" di Eugenio Finardi e una cover di "I want you" di Bob Dylan....We offer you a special edition of this episode, performed live by Stefano Romano and Erika Piroscia, theater actors who we have already heard in some comic scenes: this time they try their hand at a dramatic interpretation of a crucial episode of the novel-podcast.The illness has given Emmanuel time to clarify himself and has made him lucid and determined: he wants Antonia back at any cost.To achieve his goal, he is even willing to rig the cards and play a melodramatic role that completely displaces Antonia. It's full-blown blackmail, and he knows it well; but Love, as Plato says, is the son of Expedient and is therefore unscrupulous: Emmanuel is ready for anything to bring down Antonia's defensive barriers and take back what he has always considered to be his.During the episode, particularly rich in special effects, as the title suggests, you can listen to covers or instrumental versions of the soundtrack of "A Clockwork Orange" by Stanley Kubrick, "Girl you'll be a woman soon" by Neil Diamond, "Polly" by Nirvana, "Cola" by Lana Del Rey, an excerpt from "Scimmia" by Eugenio Finardi and a cover of "I want you" by Bob Dylan.

An alternate version of this crucial episode.The illness has given Emmanuel time to clarify himself and has made him lucid and determined: he wants Antonia back at any cost.To achieve his goal, he is even willing to rig the cards and play a melodramatic role that completely displaces Antonia. It's full-blown blackmail, and he knows it well; but Love, as Plato says, is the son of Expedient and is therefore unscrupulous: Emmanuel is ready for anything to bring down Antonia's defensive barriers and take back what he has always considered to be his.The interpreters are George and Sara (AI).During the episode, particularly rich in special effects, as the title suggests, you can listen to covers or instrumental versions of the soundtrack of "A Clockwork Orange" by Stanley Kubrick, "Girl you'll be a woman soon" by Neil Diamond, "Polly" by Nirvana, "Cola" by Lana Del Rey, an excerpt from "Scimmia" by Eugenio Finardi and a cover of "I Want You" by Bob Dylan.

Due bambini di 11 e 12 anni (Federico e Giacomo) hanno voluto cimentarsi con la scenetta demenziale "Gottardo", sotto la sapiente regia di Stefano Romano e Erika Piroscia. Ve la proponiamo, pur consci del fatto che la loro interpretazione risente dell'ingenuità della loro età. :-)...Two children aged 11 and 12 (Federico and Giacomo) wanted to try their hand at the zany skit "Gottardo", under the expert direction of Stefano Romano and Erika Piroscia. We propose it to you, although we are aware of the fact that their interpretation is affected by the naivety of their age. :-)

Per favore, usate il link per il download diretto / Please, use the direct download link:I cancelli dell'Eden - Parte IQuesto episodio, di particolare lunghezza e importanza, viene proposto in due parti, di cui questa è la prima.Un Emmanuel appassionato e "a luci rosse" rievoca la sua nuova esperienza con Antonia, da lui riconquistata nell'episodio precedente ("Effetti speciali").Il ragazzo vive questa riconquista con ebbrezza ed entusiasmo, ma ormai, a diciott'anni compiuti, è perfettamente in grado di rendersi conto delle difficoltà della situazione e di quanto le cose siano cambiate per entrambi.Deciso comunque a proseguire per la sua strada, Emmanuel non esita a ricorrere a tutti i mezzi a sua disposizione per tenere legata a sé Antonia.Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi.La colonna sonora comprende brani e cover di Syml ("Where is my love" e "Mr. Sandman") e Nirvana ("Moist Vagina").

Eccoci al secondo esperimento di comicità (involontariamente) demenziale dei Tantra, il gruppo teatrale degli amici di Emmanuel.Gli interpreti sono Stefano Romano e Erika Piroscia.La colonna sonora è costituita da cover Bardcore (in stile medioevale) di "Bad Guy" di Billie Eilish, "Seven Nation Army" degli White Stripes in greco attico e "Raindrops keep falling on my head" di Burt Bacharach.

And poor Carlos?We all understood that he was in love with Emmanuel, but above all he cared about him with all his heart.How will he react to his abandonment, never hearing from him again?Predictably, he suffers like a dog. Luckily for him he has his sister Mayra at his side, good and affectionate, who takes care of him and consoles him.The interpreters are Nova and Onyx (AI).The soundtrack consists of a mix of instrumental versions of "Take me to church" by Hozier and "Despedida" by Eugénio Tavares.In the finale you can hear Emmanuel and Carlos singing "Cripple and the Starfish", a beautiful song by Antony and The Johnsons.

Per favore, usate il link per il download diretto / Please, use the direct download link:Pudim de quejoE il povero Carlos?Abbiamo capito tutti che era innamorato di Emmanuel, ma soprattutto gli voleva un bene dell'anima.Come reagirà al suo abbandono e al fatto di non avere più sue notizie?Prevedibilmente, soffre come un cane. Per sua fortuna ha accanto la sorella Mayra, buona e affezionata, che si prende cura di lui e lo consola.Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi.La colonna sonora è costituita da un mix di versioni strumentali di "Take me to church" di Hozier e "Despedida" di Eugénio Tavares.Nel finale potete sentire Emmanuel e Carlos cantare "Cripple and the Starfish", una bellissima canzone di Antony and The Johnsons....And poor Carlos?We all understood that he was in love with Emmanuel, but above all he cared about him with all his heart.How will he react to his abandonment, never hearing from him again?Predictably, he suffers like a dog. Luckily for him he has his sister Mayra at his side, good and affectionate, who takes care of him and consoles him.The interpreters are Paolo Malgioglio and Elisa Gandolfi.The soundtrack consists of a mix of instrumental versions of "Take me to church" by Hozier and "Despedida" by Eugénio Tavares.In the finale you can hear Emmanuel and Carlos singing "Cripple and the Starfish", a beautiful song by Antony and The Johnsons.

Another crucial episode of the novel-podcast.The illness has given Emmanuel time to clarify himself and has made him lucid and determined: he wants Antonia back at any cost.To achieve his goal, he is even willing to rig the cards and play a melodramatic role that completely displaces Antonia. It's full-blown blackmail, and he knows it well; but Love, as Plato says, is the son of Expedient and is therefore unscrupulous: Emmanuel is ready for anything to bring down Antonia's defensive barriers and take back what he has always considered to be his.The interpreters are George and Sara (AI).During the episode, particularly rich in special effects, as the title suggests, you can listen to covers or instrumental versions of the soundtrack of "A Clockwork Orange" by Stanley Kubrick, "Girl you'll be a woman soon" by Neil Diamond, "Polly" by Nirvana, "It's five o' clock" by Aphrodite's Child, an excerpt from "Scimmia" by Eugenio Finardi and a cover of "I Want You" by Bob Dylan.

Per favore, usate il link per il download diretto / Please, use the direct download link:Effetti specialiUn altro episodio cruciale del romanzo-podcast.La malattia ha dato a Emmanuel il tempo di chiarirsi a se stesso e lo ha reso lucido e determinato: rivuole Antonia a qualsiasi costo.Per ottenere il suo scopo è disposto anche a truccare le carte e a recitare una parte melodrammatica che spiazza completamente Antonia. E' un ricatto in piena regola, e lui lo sa bene; ma Amore, come dice Platone, è figlio di Espediente ed è quindi senza scrupoli: Emmanuel è pronto a tutto pur di far cadere le barriere difensive di Antonia e di riprendersi quel che considera suo da sempre.Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi.Nel corso dell'episodio, particolarmente ricco di effetti speciali, come da titolo, si possono ascoltare cover o versioni strumentali della colonna sonora di "Arancia Meccanica" di Stanley Kubrick, "Girl you'll be a woman soon" di Neil Diamond, "Polly" dei Nirvana, "It's five o' clock" degli Aphrodite's Child, un brano di "Scimmia" di Eugenio Finardi e una cover di "I want you" di Bob Dylan....Another crucial episode of the novel-podcast.The illness has given Emmanuel time to clarify himself and has made him lucid and determined: he wants Antonia back at any cost.To achieve his goal, he is even willing to rig the cards and play a melodramatic role that completely displaces Antonia. It's full-blown blackmail, and he knows it well; but Love, as Plato says, is the son of Expedient and is therefore unscrupulous: Emmanuel is ready for anything to bring down Antonia's defensive barriers and take back what he has always considered to be his.The interpreters are Paolo Malgioglio and Elisa Gandolfi.During the episode, particularly rich in special effects, as the title suggests, you can listen to covers or instrumental versions of the soundtrack of "A Clockwork Orange" by Stanley Kubrick, "Girl you'll be a woman soon" by Neil Diamond, "Polly" by Nirvana, "It's five o' clock" by Aphrodite's Child, an excerpt from "Scimmia" by Eugenio Finardi and a cover of "I want you" by Bob Dylan.

The third part of Emmanuel's story begins: it's the most delicate and crucial one. Fresh from an experience as intense as it was devastating with Michelle K., who introduced him to drugs, the boy finds his health seriously compromised. During the period of his illness and his convalescence, he has the opportunity to seriously reflect on his situation and make important decisions for his future.Meanwhile, his elder brother Michele is increasingly worried about him.The interpreters are Paolo Malgioglio and Elisa Gandolfi.The soundtrack consists of instrumental covers of Lana del Rey's "Heroin".

Per favore, usate il link per il download diretto / Please, use the direct download link: Tabula rasaHa inizio la terza parte della storia di Emmanuel, quella più delicata e cruciale. Reduce da un'esperienza tanto intensa quanto devastante con Michelle K., che lo ha iniziato alla droga, il ragazzo si ritrova con la salute gravemente compromessa. Nel periodo della sua malattia e della sua convalescenza avrà modo di riflettere seriamente sulla sua situazione e di prendere delle importanti decisioni per il suo futuro. Intanto il fratello maggiore Michele è sempre più preoccupato per lui.Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi.La colonna sonora è costituita da cover strumentali di "Heroin" di Lana del Rey....The third part of Emmanuel's story begins: it's the most delicate and crucial one. Fresh from an experience as intense as it was devastating with Michelle K., who introduced him to drugs, the boy finds his health seriously compromised. During the period of his illness and his convalescence, he has the opportunity to seriously reflect on his situation and make important decisions for his future.Meanwhile, his elder brother Michele is increasingly worried about him.The interpreters are Paolo Malgioglio and Elisa Gandolfi.The soundtrack consists of instrumental covers of Lana del Rey's "Heroin".

We publish a suite of the first 7 episodes of the Second Season, so that you can listen to them comfortably one after the other.All interpreters are AI, except those of "That is, precisely at the level".This is the last episode of the second season. If you liked the podcast, please respond to a very short anonymous questionnaire that you can find here: https://forms.gle/i4WeXE6XN3rQp7Jh8For us it is a considerable commitment to proceed with this work, and before starting the third season we would like to have a minimum amount of feedback from the listeners, so as not to be completely in the dark.Thanks to those who reply.The episodes are:1. The rabbit hole2. Going other ways3. Moon in Hell4. That is, precisely at the level5. Ode to jealousy6. Air pockets7. Weeds.

Pubblichiamo una suite dei primi 7 episodi della Seconda Stagione, in modo da poterli ascoltare comodamente uno di seguito all'altro.Se il podcast vi è piaciuto, vi preghiamo di rispondere ad un brevissimo questionario anonimo che trovate qui: https://forms.gle/wJ8Fp4UcRputSEee6Per noi è un notevole impegno procedere in questo lavoro, e prima di iniziare la terza stagione vorremmo avere un minimo di riscontro da parte degli ascoltatori, in modo da non brancolare completamente nel buio. Grazie a chi risponderà.Gli episodi sono:1. La tana del Bianconiglio2. Per altre vie3. Moon in Hell4. Cioè, proprio a livello5. Ode della gelosia6. Vuoti d'aria7. WeedsProponiamo infine una "Bonus track": "Cioè proprio a livello" interpretata da due attori di teatro, Stefano Romano e Erika Piroscia.

Un piccolo presente per tutti voi da parte dei leader dei Tantra, Bastiano ed Elettra (Stefano Romano e Erika Piroscia): per chi non li conoscesse, si tratta del gruppo teatrale con cui era entrato in contatto Emmanuel (vedi episodio 2.4. "Cioè proprio a livello").Una scena da teatro dell'assurdo, sulle note di "La cura" e "Cuccurucucù Paloma" di Franco Battiato.

This is the last episode of the second season. If you liked the podcast, please respond to a very short anonymous questionnaire that you can find here: https://forms.gle/i4WeXE6XN3rQp7Jh8For us it is a considerable commitment to proceed with this work, and before starting the third season we would like to have a minimum amount of feedback from the listeners, so as not to be completely in the dark.Thanks to those who reply.In the meantime, here is the presentation of the episode: Gambling your life upside or tails is always dangerous, however adventurous and fascinating it may appear, and can also jeopardize your physical health. Emmanuel is forced to find out now.The interpreters are George and Jason (AI).During the episode you can hear songs by Michael Land taken from "The Secret of Monkey Island", "Gouge away" by the Pixies and "I am" by Jamie Campbell Bower.

A special edition of this episode performed by two theater actors, Stefano Romano (who plays all the male roles) and Erika Piroscia (who gives voice to all the female ones).Emmanuel is currently engaged (so to speak) in a very casual relationship with Elettra, the leader of Tantras, a theater group whose members are Italian-Americans: one evening he witnesses an Ionesco-style dialogue between the members of the group and reports it to us verbatim.What emerges is the surreal picture of a group of distraught but funny people.During the episode you can listen to "Prisencolinensinainciusol" by Adriano Celentano.

Una variante della scena del compleanno, con i Sickteens impegnati in una cover di un brano "cult" degli anni '80 ("Voices").Emmanuel compie 18 anni, un traguardo importante nella vita di chiunque. Alla sua festa sono presenti compagni e amici, ma anche Antonia, con la quale il ragazzo ha uno scontro piuttosto duro alla fine della serata: cerca di nasconderle la verità, ma alla fine, rimasto solo con se stesso, è costretto ad ammettere che sta male.Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi.Nel corso dell'episodio si possono ascoltare cover o live dei seguenti brani: "Billie Jean" di Michael Jackson; "Rock the Kasbah" dei Clash; "Stairway to Heaven" dei Led Zeppelin; "Falco a metà" di Gianluca Grignani; "Voices" di Russ Ballard (cover dei Sickteens)....A variant of the birthday scene, with live versions of the various musical pieces and with the Sickteens engaged in a cover of a cult song from the 80s ("Voices").Emmanuel turns 18, an important milestone in anyone's life. His companions and friends are present at his party, but there's also Antonia, with whom the boy has a rather harsh clash at the end of the evening: he tries to hide the truth from her, but in the end, left alone with himself, he is forced to admit that he is bad. The interpreters are Paolo Malgioglio and Elisa Gandolfi. During the episode you can listen to covers or live versions of the following songs: "Billie Jean" by Michael Jackson; "Rock the Kasbah" by The Clash; "Stairway to Heaven" by Led Zeppelin; "Falco a metà" by Gianluca Grignani; "Voices" by Russ Ballard (cover by Sickteens).

Emmanuel, like Guybrush Threepwood from Monkey Island, goes through his adventures to find himself, the man he would like to be and isn't: an Alpha Male.At this moment he has one beside him, Carlos, with whom he isn't sure what kind of relationship to establish.The interpreters are George, Jason, Michelle and Jane (AI).During the episode you can listen to the following songs live: "Morna Nha Santana" by Eugénio Tavares; "Come se" by Subsonica; "Discolabirinto" by Subsonica-Morgan; "Music's so shily (?)" by a very young Marco Castoldi (Morgan), fifteen years old at the time; "The Secret of Monkey Island" by Michael Land.

Eccoci arrivati all'ultimo episodio della seconda stagione.Se il podcast vi è piaciuto, vi preghiamo di rispondere ad un brevissimo questionario anonimo che trovate qui: https://forms.gle/wJ8Fp4UcRputSEee6Per noi è un notevole impegno procedere in questo lavoro, e prima di iniziare la terza stagione vorremmo avere un minimo di riscontro da parte degli ascoltatori, in modo da non brancolare completamente nel buio. Grazie a chi risponderà.Intanto ecco la presentazione dell'episodio:Giocarsi la vita a testa o croce è sempre pericoloso, per quanto possa apparire avventuroso e affascinante, e può mettere a repentaglio anche la salute fisica. Emmanuel è costretto a scoprirlo adesso.L'interprete è Paolo Malgioglio.Durante l'episodio si possono ascoltare brani di Michael Land tratti da "The Secret of Monkey Island", "Gouge away" dei Pixies e "I am" di Jamie Campbell Bower....This is the last episode of the second season. If you liked the podcast, please respond to a very short anonymous questionnaire that you can find here: https://forms.gle/i4WeXE6XN3rQp7Jh8For us it is a considerable commitment to proceed with this work, and before starting the third season we would like to have a minimum amount of feedback from the listeners, so as not to be completely in the dark.Thanks to those who reply.In the meantime, here is the presentation of the episode: Gambling your life upside or tails is always dangerous, however adventurous and fascinating it may appear, and can also jeopardize your physical health. Emmanuel is forced to find out now.The interpreter is Paolo Malgioglio.During the episode you can hear songs by Michael Land taken from "The Secret of Monkey Island", "Gouge away" by the Pixies and "I am" by Jamie Campbell Bower.

Una versione alternativa dell'edizione speciale di questo episodio che ha riscosso un buon successo fra gli ascoltatori del podcast: gli interpreti sono due attori di teatro, Stefano Romano (che interpreta tutti i ruoli maschili) e Erika Piroscia (che dà voce a tutti quelli femminili).Dopo tanto soffrire per amore, Emmanuel ha voglia di divertirsi.Attualmente è impegnato (si fa per dire) in un rapporto molto disinvolto con Elettra, la leader dei Tantra (una compagnia teatrale torinese).Una sera assiste ad un dialogo alla Ionesco fra i membri del gruppo e ce lo riporta alla lettera.Ne emerge il quadro surreale di un gruppo di stravolti, con cui il protagonista passa spensieratamente il suo tempo per dimenticare il suo malessere, in attesa di capire se il suo rapporto con Antonio (con cui, a differenza che con Elettra, fa sul serio) potrà decollare.Nel corso dell'episodio si possono ascoltare cover o versioni strumentali di "Giulia" di Gianni Togni: l'ultima è la cover del Solito Dandy a X Factor....An alternative version of the special edition of this episode which was very successful among podcast listeners: the performers are two theater actors, Stefano Romano (who plays all the male roles) and Erika Piroscia (who gives voice to all the female ones).After so much suffering for love, Emmanuel wants to have fun.He is currently engaged (so to speak) in a very casual relationship with Elettra, the leader of Tantra (a Turin theater company).One evening he witnesses an Ionesco-style dialogue between the members of the group and reports it to us verbatim.What emerges is the surreal picture of a group of distraught people, with whom the protagonist carelessly spends his time to forget his discomfort, waiting to understand if his relationship with Antonio (with whom, unlike with Elettra, he is serious) will be able to take off.During the episode you can listen to covers or instrumental versions of "Giulia" by Gianni Togni: the last is the cover of Solito Dandy on X Factor.

Una versione alternativa del precedente episodio.Emmanuel, come il Guybrush Threepwood di Monkey Island, attraversa le sue avventure per trovare se stesso, l'uomo che vorrebbe essere e non è: un Maschio Alfa.In questo momento ne ha uno al suo fianco, Carlos, con cui non sa bene che tipo di rapporto stabilire.Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi.Nel corso dell'episodio si possono ascoltare live dei seguenti brani: "Morna Nha Santana" di Eugénio Tavares; "Come se" dei Subsonica; "Iodio" dei Bluvertigo (Morgan); "Music's so shily (?)" di un giovanissimo Marco Castoldi (Morgan), quindicenne all'epoca; "The Secret of Monkey Island" di Michael Land; "The lion sleeps tonight" dei Tokens....Emmanuel, like Guybrush Threepwood from Monkey Island, goes through his adventures to find himself, the man he would like to be and isn't: an Alpha Male.At this moment he has one beside him, Carlos, with whom he isn't sure what kind of relationship to establish.The interpreters are Paolo Malgioglio and Elisa Gandolfi.During the episode you can listen to the following songs live: "Morna Nha Santana" by Eugénio Tavares; "Come se" by Subsonica; "Iodio" dei Bluvertigo (Morgan); "Music's so shily (?)" by a very young Marco Castoldi (Morgan), fifteen years old at the time; "The Secret of Monkey Island" by Michael Land; "The Lion Sleeps Tonight" by The Tokens.

Emmanuel, come il Guybrush Threepwood di Monkey Island, attraversa le sue avventure per trovare se stesso, l'uomo che vorrebbe essere e non è: un Maschio Alfa.In questo momento ne ha uno al suo fianco, Carlos, con cui non sa bene che tipo di rapporto stabilire.Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi.Nel corso dell'episodio si possono ascoltare live dei seguenti brani: "Morna Nha Santana" di Eugénio Tavares; "Come se" dei Subsonica; "Discolabirinto" di Subsonica-Morgan; "Music's so shily (?)" di un giovanissimo Marco Castoldi (Morgan), quindicenne all'epoca; "The Secret of Monkey Island" di Michael Land....Emmanuel, like Guybrush Threepwood from Monkey Island, goes through his adventures to find himself, the man he would like to be and isn't: an Alpha Male.At this moment he has one beside him, Carlos, with whom he isn't sure what kind of relationship to establish.The interpreters are Paolo Malgioglio and Elisa Gandolfi.During the episode you can listen to the following songs live: "Morna Nha Santana" by Eugénio Tavares; "Come se" by Subsonica; "Discolabirinto" di Subsonica-Morgan; "Music's so shily (?)" by a very young Marco Castoldi (Morgan), fifteen years old at the time; "The Secret of Monkey Island" by Michael Land.

Emmanuel, destabilized by his relationship with Gerti, has found refuge in Carlos and his sister Mayra, but the matter is taking an unpredictable turn...Or perhaps not even too unpredictable, considering the amorous bulimia of our protagonist.The result is that the boy no longer understands who he is and what he wants.The interpreters are George and Jason (AI).During the episode you can listen to covers or live versions of the following songs: "Isolada" by Cesária Évora; "Força Di Cretcheu" by Eugénio Tavares; "Break my Body" by Pixies; in the end Emmanuel duets with Elise Roth in the medieval version of Hozier's "Take me to Church" prepared by the great Beedle The Bardcore.

Un'edizione speciale di questo episodio che ha riscosso un discreto successo fra gli ascoltatori del podcast: gli interpreti sono due attori di teatro, Stefano Romano (che interpreta tutti i ruoli maschili) e Erika Piroscia (che dà voce a tutti quelli femminili).Dopo tanto soffrire per amore, Emmanuel ha voglia di divertirsi.Attualmente è impegnato (si fa per dire) in un rapporto molto disinvolto con Elettra, la leader dei Tantra (una compagnia teatrale torinese).Una sera assiste ad un dialogo alla Ionesco fra i membri del gruppo e ce lo riporta alla lettera.Ne emerge il quadro surreale di un gruppo di stravolti, con cui il protagonista passa spensieratamente il suo tempo per dimenticare il suo malessere, in attesa di capire se il suo rapporto con Antonio (con cui, a differenza che con Elettra, fa sul serio) potrà decollare.Nel corso dell'episodio si possono ascoltare cover e live di "Centro di gravità permanente" e di "Bandiera bianca" di Franco Battiato....A special edition of this episode which has been quite successful among podcast listeners: the performers are two theater actors, Stefano Romano (who plays all the male roles) and Erika Piroscia (who gives voice to all the female ones).After so much suffering for love, Emmanuel wants to have fun.He is currently engaged (so to speak) in a very casual relationship with Elettra, the leader of Tantra (a Turin theater company).One evening he witnesses an Ionesco-style dialogue between the members of the group and reports it to us verbatim.What emerges is the surreal picture of a group of distraught people, with whom the protagonist carelessly spends his time to forget his discomfort, waiting to understand if his relationship with Antonio (with whom, unlike with Elettra, he is serious) will be able to take off.During the episode you can listen to covers and live versions of Franco Battiato's "Centro di Gravità Permanente" and "Bandiera bianca".

La storia di Emmanuel con Antonia si è conclusa nel peggiore dei modi; il ragazzo non è riuscito a perdonarle il suo tradimento e l'ha costretta a rompere il loro rapporto.Ora tenta di distrarsi con altre ragazze, ma scopre con grande sorpresa la banalità del sesso con estranei. Entra in un periodo di confusione e depressione, che si conclude con un evento per lui tragico.Dopo questa vicenda, il "vecchio" Emmanuel delle corse in motorino e delle gite al fiume con il suo cane non esisterà più. Se Emmanuel vorrà farcela a sopravvivere, dovrà trovare una nuova identità.Gli interpreti sono Paolo Malgioglio ed Elisa Gandolfi.Nell'episodio si possono ascoltare brani o cover delle seguenti tracce:"All I Wanna Do" di Sheryl Crow;"All that she wants" degli Ace of Base;"Anyway" dei Genesis live eseguita dagli Astromare....This episode concludes the first part of Emmanuel's diary and the first season of the podcast (there will still be an 18th episode as a "bonus track").His story with Antonia ended in the worst way; the boy tries to distract himself with other girls, but discovers with great surprise the banality of sex with strangers. He enters a period of confusion and depression, which ends with a tragic event for him.After this story, the "old" Emmanuel of moped racing and trips to the river with his dog will no longer exist.If Emmanuel is to survive, he will have to find a new identity. The interpreters are Paolo Malgioglio and Elisa Gandolfi.Excerpts from the following tracks can be heard in the episode:"All I Wanna Do" by Sheryl Crow;"All that she wants" by Ace of Base;"Anyway" by Genesis (live cover by Astromare).

What would you think of a rape scene played with perfect British style? We wanted to do the experiment and the result is at times rather comical, undoubtedly lightening up the heavy situation described.Frédéric, a friend of Michael's, is a charming young engineer with some mental problems who cultivates a great love for luxury objects, aesthetically perfect, ideal status symbols, like his black Porsche Carrera (strictly male). Women on the other hand are a simple pastime for him.For Antonia a period of profound inner crisis begins: she will be forced to discover the dark areas of her personality.The performers are Brian and Bella, two AIs who speak UK English.Covers and excerpts of the following tracks can be heard in the episode:"Rape me" by Nirvana;"Requiem" by Mozart.

N.B.: There were some errors in the file: we have fixed them.An alternate version of this dramatic episode, one of the most important of the novel-diary: the interpreters are Sarah and George (AI) and both speak American English.The narrative voice is Antonia's again.Too late Emmanuel realizes that he is playing a very dangerous game, which could cost him his life.The boy desperately, provocatively tries to ask for Antonia's help and to re-establish a relationship with her, but he realizes with anguish that things have changed a lot for both of them.During the episode you can listen to covers or live versions of the following songs by Lana Del Rey: “Music to Watch Boys To”, "Weat Coast", “Body Electric” (performed in the finale by Emmanuel and Philip).

Emmanuel, destabilizzato dal suo rapporto con Gerti, ha trovato un rifugio in Carlos e in sua sorella Mayra, ma la faccenda sta prendendo una piega imprevedibile...O forse neanche troppo imprevedibile, considerata la bulimia amorosa del nostro protagonista.Il risultato è che il ragazzo non capisce più chi è e cosa vuole.L'interprete è Paolo Malgioglio.Nel corso dell'episodio si possono ascoltare cover o live dei seguenti brani: "Isolada" di Cesária Évora; "Força Di Cretcheu" di Eugénio Tavares; "Break my Body" dei Pixies; nel finale Emmanuel duetta con Elise Roth nella versione medioevale di "Take me to Church" di Hozier preparata dal grande Beedle The Bardcore....Emmanuel, destabilized by his relationship with Gerti, has found refuge in Carlos and his sister Mayra, but the matter is taking an unpredictable turn...Or perhaps not even too unpredictable, considering the amorous bulimia of our protagonist.The result is that the boy no longer understands who he is and what he wants.The interpreter is Paolo Malgioglio.During the episode you can listen to covers or live versions of the following songs: "Isolada" by Cesária Évora; "Força Di Cretcheu" by Eugénio Tavares; "Break my Body" by Pixies; in the end Emmanuel duets with Elise Roth in the medieval version of Hozier's "Take me to Church" prepared by the great Beedle The Bardcore.

Let's tell the truth: we had the impression, during the previous episode ("Russian Roulette"), that Emmanuel's story was about to end tragically. But the boy has many resources and, with a bit of luck, manages to get back up.Just when he thinks he can no longer free himself from his addiction to Michelle, Emmanuel meets an unexpected ally in the person he least expected: Carlos. The man turns out to be capable of understanding and humanity, qualities absent in Gerti, and incredibly manages to restore his good mood. The interpreters are George and Jason (AI). During the episode you can listen to live or covers of the following songs:"Petit Pays" and "Sodade" by Cesária Évora; "My Dimension" by DJ Panda (remix by DJ Hokkaido).

Diciamo la verità: avevamo avuto l'impressione, nel corso dell'episodio precedente ("Roulette russa"), che la storia di Emmanuel stesse per finire tragicamente. Ma il ragazzo ha molte risorse e, con un pizzico di fortuna, riesce a rialzarsi. Proprio quando pensa di non potersi più liberare dalla dipendenza da Michelle, infatti, Emmanuel incontra un insperato alleato nella persona che meno si aspettava: Carlos. L'uomo si rivela capace di comprensione e umanità, doti assenti in Gerti, e riesce incredibilmente a restituirgli il buonumore.L'interprete è Paolo Malgioglio.Nel corso dell'episodio si possono ascoltare live o cover dei seguenti brani: "Petit Pays" e "Sodade" di Cesária Évora; "My Dimension" di DJ Panda (remix di DJ Hokkaido)....Let's tell the truth: we had the impression, during the previous episode ("Russian Roulette"), that Emmanuel's story was about to end tragically. But the boy has many resources and, with a bit of luck, manages to get back up. Just when he thinks he can no longer free himself from his addiction to Michelle, Emmanuel meets an unexpected ally in the person he least expected: Carlos. The man turns out to be capable of understanding and humanity, qualities absent in Gerti, and incredibly manages to restore his good mood.The interpreter is Paolo Malgioglio.During the episode you can listen to live or covers of the following songs: "Petit Pays" and "Sodade" by Cesária Évora; "My Dimension" by DJ Panda (remix by DJ Hokkaido).

Per favore, usate il link per il download diretto / Please, use the direct download link:Roulette russaIn questo drammatico episodio, uno dei più importanti del romanzo-podcast, la voce narrante è di nuovo quella di Antonia. Troppo tardi Emmanuel si rende conto che sta giocando un gioco molto pericoloso, che potrebbe costargli la vita. Il ragazzo tenta disperatamente, provocatoriamente, di chiedere l'aiuto di Antonia e di riallacciare un rapporto con lei, ma si rende conto con angoscia che le cose sono molto cambiate per entrambi. Gli interpreti sono Elisa Gandolfi (voce narrante) e Paolo Malgioglio. Durante l'episodio si possono ascoltare cover o live dei seguenti brani di Lana Del Rey: "Music to Watch Boys To", "West Coast", "Body Electric" (interpretata nel finale da Emmanuel e Philip)....In this dramatic episode, one of the most important of the novel-diary, we hear Antonia's narrative voice again. Too late Emmanuel realizes that he is playing a very dangerous game, which could cost him his life. The boy desperately, provocatively tries to ask for Antonia's help and to re-establish a relationship with her, but he realizes with anguish that things have changed a lot for both of them. The interpreters are Elisa Gandolfi (narrator) and Paolo Malgioglio. During the episode you can listen to covers or live versions of the following songs by Lana Del Rey : “Music to Watch Boys To”, "West Coast", “Body Electric” (performed in the finale by Emmanuel and Philip).

In this dramatic episode, one of the most important of the novel-diary, we hear Antonia's narrative voice again.Too late Emmanuel realizes that he is playing a very dangerous game, which could cost him his life.The boy desperately, provocatively tries to ask for Antonia's help and to re-establish a relationship with her, but he realizes with anguish that things have changed a lot for both of them.The interpreters are Abigail and George (AI).During the episode you can listen to covers or live versions of the following songs by Lana Del Rey: “Music to Watch Boys To”, "Weat Coast", “Body Electric” (performed in the finale by Emmanuel and Philip).

Here Emmanuel really hits rock bottom, from various points of view. Lying, lying and more lying: this seems to have become second nature to him. He is unable to cope with the simple evidence that he has become totally dependent on Michelle and the drugs she supplies him with. He really couldn't go any lower than that. The narrative voice is that of Emmanuel himself (AI George); Michelle is played by Frieda (AI). During the episode you can listen to the following songs: "Winterfell" and "Candyman" by Static Bandz, whom we thank for the kind permission; "Guarda che luna" by Fred Buscaglione; "In My Garden" by Swans.

Preparatevi a qualcosa di forte: qui Emmanuel tocca veramente il fondo, da svariati punti di vista. Mentire, mentire e ancora mentire: questa sembra essere diventata la sua seconda natura. E' incapace di far fronte alla semplice evidenza di essere diventato totalmente dipendente da Michelle e dalla droga che lei gli procura. Più in basso di così, davvero, non potrebbe scendere. La voce narrante è quella di Emmanuel stesso (Paolo Malgioglio); Michelle è interpretata da Elisa Gandolfi. Nel corso dell'episodio si possono ascoltare cover o live dei seguenti brani: "Eri piccola così" e "Guarda che luna" di Fred Buscaglione; "In My Garden" degli Swans....Get ready for something hard: here Emmanuel really hits rock bottom, from various points of view. Lying, lying and more lying: this seems to have become second nature to him. He is unable to cope with the simple evidence that he has become totally dependent on Michelle and the drugs she supplies him with. He really couldn't go any lower than that. The narrative voice is that of Emmanuel himself (Paolo Malgioglio); Michelle is played by Elisa Gandolfi. During the episode you can listen to covers or live versions of the following songs: "Eri piccola così" and "Guarda che luna" by Fred Buscaglione; "In My Garden" by Swans.

Una variante dell'episodio già pubblicato, con un'atmosfera sonora completamente diversa.Emmanuel non ha ancora capito che per giocare una partita con Michelle K. bisogna essere particolarmente dotati, soprattutto di cinismo e indifferenza, due qualità che lui non possiede.In questo episodio è costretto a capirlo e a rendersi conto che il gioco è più grande di lui.Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi.Durante la puntata potete ascoltare i seguenti brani: "Galaxy" e "Forbidden Chamber" degli Static Bandz, che ringraziamo per la concessione; "Inhuman" dei Sonic Youth; "Old Age" (bootleg) di Kurt Cobain.

Emmanuel hasn't yet understood that to play a game with Michelle K. you need to be particularly equipped, especially with cynicism and indifference, two qualities that he doesn't possess.In this episode he is forced to understand this and to realize that the game is bigger than him.The interpreters are George and Frieda (AI).During the episode you can listen to the following songs: "Galaxy" and "Forbidden Chamber" by Static Bandz, whom we thank for the permission; "Inhuman" by Sonic Youth; "Old Age" (bootleg) by Kurt Cobain.