Emmanuel - The broken diary (Podcast Novel)

Emmanuel & Phil reinterpretano per voi due cover di canzoni degli anni '60: "Beggin'" dei Four Seasons (1967), nella versione dei Måneskin, e "No Milk Today" degli Herman's Hermits (1966), versione live....Emmanuel & Phil reinterpret for you two covers of songs from the '60s: "Beggin'" by the Four Seasons (1967), in the Måneskin version, and "No Milk Today" by Herman's Hermits (1966), live version.

Per favore, usate il link per il download diretto / Please, use the direct download link:Guarda chi si rivedeDi qui in avanti il racconto procede senza l'ausilio del diario di Emmanuel, che si è concluso con il capitolo precedente.Completamente depresso per il fallimento del suo tentativo con Antonia, travolto in un vortice autodistruttivo, Emmanuel torna a cercare Michelle detta Gerti, la donna che lo aveva portato sull'orlo del baratro.Stranamente, però, la donna rifiuta di aiutarlo a cadere ancora più in basso e rivela un fondo di umanità imprevisto.Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi.La colonna sonora è composta da cover o rivisitazioni dei seguenti brani: "Dionysus" (Jocelyn Pook), "Sweet Child O' Mine" (Guns N' Roses), "Boys Don't Cry" (The Cure), "Where Is My Mind?" (Pixies)....From here on the story proceeds without the help of Emmanuel's diary, which ended with the previous chapter.Completely depressed by the failure of his attempt with Antonia, swept up in a self-destructive vortex, Emmanuel returns to look for Michelle known as Gerti, the woman who had brought him to the brink. Strangely, however, the woman refuses to help him fall even further and reveals an unexpected basis of humanity.The interpreters are Paolo Malgioglio and Elisa Gandolfi.The soundtrack is composed of covers or reinterpretations of the following songs: "Dionysus" (Jocelyn Pook), "Sweet Child O' Mine" (Guns N' Roses), "Boys Don't Cry" (The Cure), "Where Is My Mind?" (Pixies).

This is the last chapter of Emmanuel's diary, after which the protagonist will be seen only in glimpses, through the eyes of the other characters.Emmanuel, shocked by Antonia's refusal and escape, starts driving again to return to Turin; but his journey will be peppered with strange and surreal accidents, almost as if they will prevent him from returning.When finally, exhausted and distraught, he manages to return home, he has a surprise that leaves him completely stunned.The interpreters are George and Judith (AI).The soundtrack includes covers and instrumental versions of "Stan" (Eminem) and "Brother James" (Sonic Youth).

Phil (vocalmente dotatissimo) ed Emmanuel provano ad interpretare due classici: "Angie" dei Rolling Stones e "Perfect day" di Lou Reed. ...Phil (vocally very gifted) and Emmanuel try to interpret two classics: "Angie" by the Rolling Stones and "Perfect day" by Lou Reed.

Per favore, usate il link per il download diretto / Please, use the direct download link:Qualcuno ha cambiato il finaleQuesto è l'ultimo capitolo del diario di Emmanuel, dopodiché il protagonista verrà visto solo di scorcio, attraverso gli occhi degli altri personaggi.Emmanuel, sconvolto dal rifiuto e dalla fuga di Antonia, si rimette alla guida per tornare a Torino; ma il suo viaggio sarà costellato di incidenti di percorso strani e surreali, quasi ad impedirgli il ritorno.Quando finalmente, sfinito e stravolto, riesce a tornare a casa, ha una sorpresa che lo lascia completamente tramortito.Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi.La colonna sonora comprende cover e versioni strumentali di "Stan" (Eminem) e "Brother James" (Sonic Youth)....This is the last chapter of Emmanuel's diary, after which the protagonist will be seen only in glimpses, through the eyes of the other characters.Emmanuel, shocked by Antonia's refusal and escape, starts driving again to return to Turin; but his journey will be peppered with strange and surreal accidents, almost as if they will prevent him from returning.When finally, exhausted and distraught, he manages to return home, he has a surprise that leaves him completely stunned.The interpreters are Paolo Malgioglio and Elisa Gandolfi.The soundtrack includes covers and instrumental versions of "Stan" (Eminem) and "Brother James" (Sonic Youth).

N.B.: abbiamo migliorato la base musicale di "Centro di gravità permanente", rendendola più simile a quella dell'originale.Un piccolo omaggio al grande Franco Battiato da parte di Emmanuel e Phil, che fanno del loro meglio per interpretare la formidabile (e difficilissima) "Per Elisa" e il famoso "Centro di gravità permanente"....NOTE: We have improved the backing track of "Centro di gravità permanente (Permanent Center of Gravity)", making it more similar to the original.A small tribute to the great Franco Battiato from Emmanuel and Phil, who do their best to interpret the formidable (and very difficult) "Per Elisa" and the famous "Centro di gravità permanente".

Emmanuel is alone in Tuscany with Antonia for a three-day holiday.On the last day he attempts a desperate game, takes her to the open-air cathedral of San Galgano and here he puts into action the plan that he had been studying for some time.You will see the result for yourself.The interpreters are George, Michelle and Judith (AI).The soundtrack consists of the following songs: "Around the World" and "Veridis Quo" by Daft Punk (bardcore version), "Passacaglia in C minor" by J.S. Bach, "Lose Yourself" by Eminem (bardcore version).

Per favore, usate il link per il download diretto / Please, use the direct download link:Gli amori dei Templari - Parte IIEmmanuel è solo in Toscana con Antonia per una breve vacanza di tre giorni.L'ultimo giorno prende il coraggio a quattro mani, la porta nella cattedrale a cielo aperto di San Galgano e qui mette in atto il piano che studiava da tempo.Il risultato lo vedrete da soli.Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi.La colonna sonora è composta dai seguenti brani: "Around the World" e "Veridis Quo" dei Daft Punk (versione bardcore), "Passacaglia in Do minore" di J.S. Bach, "Lose Yourself" di Eminem (versione bardcore)....Emmanuel is alone in Tuscany with Antonia for a three-day holiday.On the last day he attempts a desperate game, takes her to the open-air cathedral of San Galgano and here he puts into action the plan that he had been studying for some time.You will see the result for yourself.The interpreters are Paolo Malgioglio and Elisa Gandolfi.The soundtrack consists of the following songs: "Around the World" and "Veridis Quo" by Daft Punk (bardcore version), "Passacaglia in C minor" by J.S. Bach, "Lose Yourself" by Eminem (bardcore version).

We are approaching the end of Emmanuel's diary, which will be interrupted shortly: these are the last chapters written by him, the most important. Emmanuel managed to extract from Antonia the promise to spend three days alone with him. Excited and happy, he takes her with him to Tuscany on a memorable journey that will have unpredictable and fundamental consequences for both of them. The interpreters are George and Michelle (AI).The soundtrack is composed of covers and instrumental songs by Daft Punk ("Veridis Quo" and "Get Lucky") and Lana Del Rey ("High by the Beach" and "Gods and Monsters" in a bardcore version).

Emmanuel ci propone due cover interessanti e abbastanza difficili: "Chandelier" di Sia, con accompagnamento musicale "bardcore" sovrapposto a quello pianistico di Alexander Stewart, e "Gangsta's Paradise" di Coolio, nella bella versione di Kina Grannis. ... Emmanuel offers us two interesting and quite difficult covers: "Chandelier" by Sia, with "bardcore" musical accompaniment superimposed on the piano by Alexander Stewart, and "Gangsta's Paradise" by Coolio, in the beautiful version by Kina Grannis.

Per favore, usate il link per il download diretto / Please, use the direct download link:Gli amori del Templari - Parte ICi avviciniamo alla fine del diario di Emmanuel, che si interromperà fra poco: questi sono gli ultimi capitoli scritti da lui, i più importanti.Emmanuel è riuscito a strappare ad Antonia la promessa di trascorrere tre giorni sola con lui. Emozionato e felice, la porta con sé in Toscana in un memorabile viaggio che avrà delle conseguenze imprevedibili e fondamentali per entrambi.Gli interpreti sono Paolo Malgioglio ed Elisa Gandolfi.La colonna sonora è composta da cover e brani strumentali dei Daft Punk ("Veridis Quo" e "Get Lucky") e di Lana Del Rey ("High by the Beach" e "Gods and Monsters" in versione bardcore)....We are approaching the end of Emmanuel's diary, which will be interrupted shortly: these are the last chapters written by him, the most important.Emmanuel managed to extract from Antonia the promise to spend three days alone with him. Excited and happy, he takes her with him to Tuscany on a memorable journey that will have unpredictable and fundamental consequences for both of them.The interpreters are Paolo Malgioglio and Elisa Gandolfi.The soundtrack is composed of covers and instrumental songs by Daft Punk ("Veridis Quo" and "Get Lucky") and Lana Del Rey ("High by the Beach" and "Gods and Monsters" in a bardcore version).

N.B.: they pointed out to us that there were some errors in the file. We apologize for the inconvenience and reupload the correct file. Antonia wakes up and, to her enormous surprise, finds Emmanuel in the room. A tender and passionate conversation takes place between the two, which Antonia tries to keep hidden from her mother who washes the dishes in the kitchen. Emmanuel introduces her to the cat Gino, who he found in the rain: it's love at first sight.In the end Emmanuel manages to extract a very important promise from Antonia.The interpreters are George, Michelle and Judith.The soundtrack consists of the following songs: "Grief" by Vicenzo Piano (whom we thank for the concession), "Get Lucky" by Daft Punk (cover by Emmanuel).

Probabilmente una delle cose più stupide che avete mai sentito. Erika Piroscia e Stefano Romano, in un momento di follia, ci propongono una ricettina musicale "facile facile".

Emmanuel e i suoi amici sono lieti di presentarvi la loro personalissima versione di "Gods and Monsters" di Lana Del Rey (versione bardcore di Constantine Bard) e "Bad Romance" di Lady Gaga (stile anni '30, con la band di Caro Emerald)....Emmanuel and his friends are pleased to present to you their very personal version of "Gods and Monsters" by Lana Del Rey (bardcore version by Constantine Bard) and "Bad Romance" by Lady Gaga (30s style, with Caro Emerald's band),

Per favore, usate il link per il download diretto / Please, use the direct download link:Un gatto di nome GinoAntonia si risveglia e, con sua enorme sorpresa, si ritrova in camera Emmanuel. Fra i due si svolge un colloquio tenero e appassionato, che Antonia cerca di tenere nascosto alla madre che lava i piatti in cucina. Emmanuel le presenta il gatto Gino, che ha trovato sotto la pioggia: è amore a prima vista. Alla fine Emmanuel riesce a strappare ad Antonia una promessa importantissima.Gli interpreti sono Elisa Gandolfi e Paolo Malgioglio.La colonna sonora è composta dai seguenti brani: "Grief" di Vicenzo Piano (che ringraziamo per la concessione), "Get Lucky" dei Daft Punk (cover di Emmanuel)....Antonia wakes up and, to her enormous surprise, finds Emmanuel in the room. A tender and passionate conversation takes place between the two, which Antonia tries to keep hidden from her mother who washes the dishes in the kitchen. Emmanuel introduces her to the cat Gino, who he found in the rain: it's love at first sight.In the end Emmanuel manages to extract a very important promise from Antonia.The interpreters are Elisa Gandolfi and Paolo Malgioglio.The soundtrack consists of the following songs: "Grief" by Vicenzo Piano (whom we thank for the concession), "Get Lucky" by Daft Punk (cover by Emmanuel).

N.B.: there was an error in the file: we corrected it and uploaded the new file.Emmanuel goes to visit Antonia, who has just returned from an operation, and meets her mother.Meanwhile, along the way, he meets the cat Gino and takes it with him.While waiting for Antonia to wake up, the boy has a chat with Mrs. Silvia and gets to know her.The interpreters are George, Judith and Sara (AI).The soundtrack includes covers of "Umbrella" by Rihanna (sung in the finale by Emmanuel himself) and "La mia storia fra le dita" by Gianluca Grignani.

Queste due cover sono sperimentali: Emmanuel e Willie si cimentano con "Toxic" di Britney Spears in un (alquanto improbabile) latino e in versione "bardica".La traccia strumentale della cover in latino e la traduzione sono di Beatmar von Verseburg; la traccia strumentale della versione medioevale è di Caleb Faith. ... These two covers are experimental: Emmanuel and Willie try their hand at "Toxic" by Britney Spears in a (rather unlikely) Latin and in a "bardic" version.The instrumental track of the cover in Latin and the translation are by Beatmar von Verseburg; the instrumental track of the medieval version is by Caleb Faith.

Emmanuel si cimenta da solo nella cover di due brani splendidi e delicati per voce e chitarra: "Pleasure Principle" di Sufjan Stevens e "Phantasmagoria in Two" di Tim Buckley.

Questa volta Emmanuel ha voglia di divertirsi, e con i suoi amici interpreta "Alejandro" e "Paparazzi" di Lady Gaga....This time Emmanuel wants to have fun, and with his friends he sings Lady Gaga's "Alejandro" and "Paparazzi".

Per favore, usate il link per il download diretto / Please, use the direct download link:Attraverso la paludeEmmanuel va a trovare Antonia, reduce da un'operazione, e conosce sua madre.Intanto, strada facendo, incontra il gatto Gino e lo prende con sé.Mentre attende il risveglio di Antonia, il ragazzo scambia quattro chiacchiere con la signora Silvia e familiarizza con lei.Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi.La colonna sonora comprende cover di "Umbrella" di Rihanna (cantata nel finale da Emmanuel stesso) e "La mia storia fra le dita" di Gianluca Grignani....Emmanuel goes to visit Antonia, who has just returned from an operation, and meets her mother.Meanwhile, along the way, he meets the cat Gino and takes it with him.While waiting for Antonia to wake up, the boy has a chat with Mrs. Silvia and gets to know her.The interpreters are Paolo Malgioglio and Elisa Gandolfi.The soundtrack includes covers of "Umbrella" by Rihanna (sung in the finale by Emmanuel himself) and "La mia storia fra le dita" by Gianluca Grignani.

Just when Emmanuel thinks that things between him and Antonia can take the desired direction and decides to radically change his life (and look), a bolt from the blue comes that knocks him out: Antonia becomes seriously ill.The interpreters are Geroge, Jason and Sarah (AI).The soundtrack consists of covers of "Blue Jeans" and "Cola" by Lana Del Rey (the last sung by Emmanuel himself), "Cu'mme" by Roberto Murolo and Mia Martini and "Superstar" by Sonic Youth.

Emmanuel e i suoi amici interpretano per voi due cover di Eminem del tutto particolari: "Lose Yourself" in inglese medioevale e la drammaticissima "Stan", entrambe in versione bardcore (in stile medioevale)....Emmanuel and his friends perform two very special Eminem covers for you: "Lose Yourself" in medieval English and the very dramatic "Stan", both in a bardcore version (in medieval style).

This episode is an experiment.Two new generation AIs, Matt and Kendra, try their hand at interpreting this episode from the first season of the podcast. Maybe we can't (yet) talk about real acting, but their naturalness is surprising.For those who don't know this episode yet, it's this: Frédéric Valentino suddenly bursts into Antonia's life, a charming young engineer with some mental problems. In episode no. 1.8 ("Frédéric Valentino") the young man had explained his plan to "prove himself" with Antonia, essentially by raping her. Now we see him put his plan into action.A period of profound internal crisis begins for Antonia, which will unfortunately also involve Emmanuel: the woman will be forced to discover the dark areas of her personality.In the episode you can listen to covers and songs of the following tracks: Michael Jackson's "Smooth Criminal"; "Du hast" by Rammstein; Mozart's "Requiem".

Stefano Romano e Erika Piroscia, attori di teatro, reinterpretano per voi questa scena della prima stagione del podcast.Nella vita di Antonia irrompe improvvisamente Frédéric Valentino, affascinante giovane ingegnere con qualche turba psichica.Nell'episodio n. 1.8 ("Frédéric Valentino") il giovane aveva esposto il suo progetto di "mettersi alla prova" con Antonia, sostanzialmente stuprandola. Ora lo vediamo mettere in atto il suo piano.Per Antonia inizia un periodo di profondissima crisi interiore, che coinvolgerà, purtroppo, anche Emmanuel: la donna sarà costretta a scoprire le zone buie della sua personalità.Nell'episodio si possono ascoltare cover e brani delle seguenti tracce:"Smooth criminal" di Michael Jackson; "Du hast" dei Rammstein; "Requiem" di Mozart....Stefano Romano and Erika Piroscia, theater actors, reinterpret for you this scene from the first season of the podcast.Frédéric Valentino suddenly bursts into Antonia's life, a charming young engineer with some mental problems. In episode no. 1.8 ("Frédéric Valentino") the young man had explained his plan to "prove himself" with Antonia, essentially by raping her. Now we see him put his plan into action.A period of profound internal crisis begins for Antonia, which will unfortunately also involve Emmanuel: the woman will be forced to discover the dark areas of her personality.In the episode you can listen to covers and songs of the following tracks: Michael Jackson's "Smooth Criminal"; "Du hast" by Rammstein; Mozart's "Requiem".

Emmanuel si cimenta in una cover molto difficile, "Smooth Criminal" di Michael Jackson in versione medioevale (bardcore), seguita da "Mr. Sandman" di SYML....Emmanuel tries his hand at a very difficult cover, "Smooth Criminal" by Michael Jackson in a medieval version (bardcore), followed by "Mr. Sandman" by SYML.

Per favore, usate il link per il download diretto / Please, use the direct download link:Giochi di specchi Proprio quando Emmanuel pensa che le cose tra lui e Antonia possano prendere la piega desiderata e decide di cambiare radicalmente vita (e look), arriva un fulmine a ciel sereno che lo mette KO: Antonia si ammala seriamente.Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi.La colonna sonora è composta da cover di "Blue Jeans" e "Cola" di Lana Del Rey, "Cu'mme" di Roberto Murolo e Mia Martini e "Superstar" dei Sonic Youth....Just when Emmanuel thinks that things between him and Antonia can take the desired direction and decides to radically change his life (and look), a bolt from the blue comes that knocks him out: Antonia becomes seriously ill.The interpreters are Paolo Malgioglio and Elisa Gandolfi.The soundtrack consists of covers of "Blue Jeans" and "Cola" by Lana Del Rey, "Cu'mme" by Roberto Murolo and Mia Martini and "Superstar" by Sonic Youth.

It is quite emotional to hear from Emmanuel's voice the letter with which the boy bids farewell to Antonia. You'll notice that his pronunciation is rather foreign, which adds to the charm of his words.The music is "Time settles" by Conil, whom we sincerily thank for the permission.

An alternate version of this episode, in which Emmanuel himself sings Elliott Smith's "Between The Bars" and his voice is quite different.The relationship between Emmanuel and Michelle takes a murky and intense turn: it would risk turning into a real love relationship... if only Michelle were capable of loving.Emmanuel, unfortunately for him, is.The interpreters are Willie and Frieda (AI).Covers of the following songs can be heard throughout the episode: Sonic Youth's "Shadow of a doubt" (cover by Black Tape For A Blue Girl), The Beatles' "Michelle" and Elliott Smith's "Between the bars" (cover by Emmanuel) .

N.B.:Sono stati corretti alcuni errori di ritmo e intonazione.Questa volta Emmanuel si cimenta con due cover molto diverse, entrambe impegnative: "Numb" dei Linkin Park nella versione bardcore (stile medioevale) di Jawnae e "Jolene" di Dolly Parton nella versione degli White Stripes.In entrambi i casi la voce di Emmanuel è sostenuta nei cori da quella di Carlos.... N.B.:Some rhythm and intonation errors have been corrected. This time Emmanuel tries his hand at two very different covers, both challenging: "Numb" by Linkin Park in the bardcore (medieval style) version by Jawnae and "Jolene" by Dolly Parton in the White Stripes version.In both cases Emmanuel's voice is supported in the choirs by that of Carlos.

With this episode Emmanuel enters a dimension between the Platonic and the medieval, committing himself with all his strength in an attempt at resurrection from the materiality into which he has fallen, also overwhelming Antonia with him.From now on, his every effort will be aimed at finding a spiritual dimension in which his relationship with the woman can reach a difficult balance capable of withstanding time.The interpreters are George and Michelle (AI).Throughout the episode you can hear a song and a cover (performed by Yvonne Jeucken) of Tim Buckley's "Phantasmagoria in Two" and medieval-style versions of Linkin Park's "Numb".

Una prova di versatilità da parte del nostro Emmanuel, che interpreta una versione "bardcore" (in sile medioevale) di due canzoni completamente opposte: "Du Hast" dei Rammstein e "Hit Me Baby One More Time" di Britney Spears. ... A proof of versatility from our Emmanuel, who plays a "bardcore" version (in medieval style) of two completely opposite songs: "Du Hast" by Rammstein and "Hit Me Baby One More Time" by Britney Spears.

Una doppia cover di Pumped Up Kicks dei Foster The People: la prima in versione medioevale, in inglese arcaico del XIV secolo, in cui Emmanuel duetta con The Miracle Aligner sulla base musicale preparata dal magistrale Cornelius Link; la seconda con la base musicale dell'eccellente Tanner Patrick....A double cover of Pumped Up Kicks by Foster The People: the first in a medieval version, in archaic English from the 14th century, in which Emmanuel duets with The Miracle Aligner on the backing track prepared by the masterful Cornelius Link; the second with the backing track by the excellent Tanner Patrick.

Per favore, usate il link per il download diretto / Please, use the direct download link:Un cavallo biancoCon questo episodio Emmanuel fa il suo ingresso in una dimensione tra il platonico e il medioevale, impegnandosi con tutte le sue forze in un tentativo di risurrezione dalla materialità in cui è precipitato, travolgendo con sé anche Antonia.Di qui in avanti ogni suo sforzo sarà rivolto a trovare una dimensione spirituale nella quale il suo rapporto con la donna possa raggiungere un difficile equilibrio in grado di resistere al tempo.Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi.Nel corso dell'episodio potete ascoltare un brano e una cover (eseguita da Yvonne Jeucken) di "Phantasmagoria in Two" di Tim Buckley e versioni in stile medioevale di "Numb" dei Linkin Park....With this episode Emmanuel enters a dimension between the Platonic and the medieval, committing himself with all his strength in an attempt at resurrection from the materiality into which he has fallen, also overwhelming Antonia with him.From now on, his every effort will be aimed at finding a spiritual dimension in which his relationship with the woman can reach a difficult balance capable of withstanding time.The interpreters are Paolo Malgioglio and Elisa Gandolfi.Throughout the episode you can hear a song and a cover (performed by Yvonne Jeucken) of Tim Buckley's "Phantasmagoria in Two" and medieval-style versions of Linkin Park's "Numb".

Novità:fra un episodio e l'altro del suo diario-romanzo, Emmanuel ci intrattiene con alcune cover interpretate da lui.Ecco le prime due: "Bad Guy" di Billie Eilish + "Get Lucky" dei Daft Punk, entrambe in versione Bardcore (stile medioevale).La parte strumentale e i cori sono del bravissimo Constantine Bard....New:between one episode and another of his diary-novel, Emmanuel entertains us with some covers performed by him.Here are the first two: "Bad Guy" by Billie Eilish + "Get Lucky" by Daft Punk, both in Bardcore version (medieval style).The instrumental part and the backing vocals are by the excellent Constantine Bard.

This episode, of particular length and importance, is proposed in two parts, of which this is the second.Emmanuel has won the game with Antonia, managing to tie her to him in an almost pathological way and creating a serious dependence in her.One day, however, he is forced to realise, with amazement and anguish, that this situation risks completely destroying the woman he loves. From now on he will be forced to make important decisions.The soundtrack includes songs and covers by Syml ("Where is my love" and "Mr. Sandman") and Lana Del Rey ("Heroin").

Per favore, usate il link per il download diretto / Please, use the direct download link:I cancelli dell'Eden - Parte IIQuesto episodio, di particolare lunghezza ed importanza, viene proposto in due parti, di cui questa è la seconda.Emmanuel ha vinto la partita con Antonia, riuscendo a legarla a sé in modo quasi patologico e creando in lei una grave dipendenza.Un giorno però è costretto a rendersi conto, con stupore e angoscia, che questa situazione rischia di distruggere completamente la donna che ama.Di qui in avanti sarà costretto a decisioni importanti.La colonna sonora comprende brani e cover di Syml ("Where is my love" e "Mr. Sandman") e Lana Del Rey ("Heroin")....This episode, of particular length and importance, is proposed in two parts, of which this is the second.Emmanuel has won the game with Antonia, managing to tie her to him in an almost pathological way and creating a serious dependence in her.One day, however, he is forced to realise, with amazement and anguish, that this situation risks completely destroying the woman he loves. From now on he will be forced to make important decisions.The soundtrack includes songs and covers by Syml ("Where is my love" and "Mr. Sandman") and Lana Del Rey ("Heroin").

This episode, of particular length and importance, is proposed in two parts, of which this is the first.A passionate and "red light" Emmanuel recalls his new experience with Antonia, whom he regained in the previous episode ("Special Effects").The boy experiences this reconquest with exhilaration and enthusiasm, but now, at eighteen, he is perfectly able to realize the difficulties of the situation and how much things have changed for both of them.However, determined to continue on his path, Emmanuel does not hesitate to resort to all the means at his disposal to keep Antonia tied to him.The interpreters are George and Michelle (AI).The soundtrack includes songs and covers by Syml ("Where is my love" and "Mr. Sandman") and Nirvana ("Moist Vagina").

Vi proponiamo un'edizione speciale di questo episodio, interpretato in presa diretta da Stefano Romano e Erika Piroscia, attori teatrali che abbiamo già ascoltato alle prese con scene comiche: questa volta si cimentano con un'interpretazione drammatica di una puntata cruciale del romanzo-podcast.La malattia ha dato a Emmanuel il tempo di chiarirsi a se stesso e lo ha reso lucido e determinato: rivuole Antonia a qualsiasi costo.Per ottenere il suo scopo è disposto anche a truccare le carte e a recitare una parte melodrammatica che spiazza completamente Antonia. E' un ricatto in piena regola, e lui lo sa bene; ma Amore, come dice Platone, è figlio di Espediente ed è quindi senza scrupoli: Emmanuel è pronto a tutto pur di far cadere le barriere difensive di Antonia e di riprendersi quel che considera suo da sempre.Nel corso dell'episodio, particolarmente ricco di effetti speciali, come da titolo, si possono ascoltare cover o versioni strumentali della colonna sonora di "Arancia Meccanica" di Stanley Kubrick, "Girl you'll be a woman soon" di Neil Diamond, "Polly" dei Nirvana, "Cola" di Lana Del Rey, un brano di "Scimmia" di Eugenio Finardi e una cover di "I want you" di Bob Dylan....We offer you a special edition of this episode, performed live by Stefano Romano and Erika Piroscia, theater actors who we have already heard in some comic scenes: this time they try their hand at a dramatic interpretation of a crucial episode of the novel-podcast.The illness has given Emmanuel time to clarify himself and has made him lucid and determined: he wants Antonia back at any cost.To achieve his goal, he is even willing to rig the cards and play a melodramatic role that completely displaces Antonia. It's full-blown blackmail, and he knows it well; but Love, as Plato says, is the son of Expedient and is therefore unscrupulous: Emmanuel is ready for anything to bring down Antonia's defensive barriers and take back what he has always considered to be his.During the episode, particularly rich in special effects, as the title suggests, you can listen to covers or instrumental versions of the soundtrack of "A Clockwork Orange" by Stanley Kubrick, "Girl you'll be a woman soon" by Neil Diamond, "Polly" by Nirvana, "Cola" by Lana Del Rey, an excerpt from "Scimmia" by Eugenio Finardi and a cover of "I want you" by Bob Dylan.

An alternate version of this crucial episode.The illness has given Emmanuel time to clarify himself and has made him lucid and determined: he wants Antonia back at any cost.To achieve his goal, he is even willing to rig the cards and play a melodramatic role that completely displaces Antonia. It's full-blown blackmail, and he knows it well; but Love, as Plato says, is the son of Expedient and is therefore unscrupulous: Emmanuel is ready for anything to bring down Antonia's defensive barriers and take back what he has always considered to be his.The interpreters are George and Sara (AI).During the episode, particularly rich in special effects, as the title suggests, you can listen to covers or instrumental versions of the soundtrack of "A Clockwork Orange" by Stanley Kubrick, "Girl you'll be a woman soon" by Neil Diamond, "Polly" by Nirvana, "Cola" by Lana Del Rey, an excerpt from "Scimmia" by Eugenio Finardi and a cover of "I Want You" by Bob Dylan.

Due bambini di 11 e 12 anni (Federico e Giacomo) hanno voluto cimentarsi con la scenetta demenziale "Gottardo", sotto la sapiente regia di Stefano Romano e Erika Piroscia. Ve la proponiamo, pur consci del fatto che la loro interpretazione risente dell'ingenuità della loro età. :-)...Two children aged 11 and 12 (Federico and Giacomo) wanted to try their hand at the zany skit "Gottardo", under the expert direction of Stefano Romano and Erika Piroscia. We propose it to you, although we are aware of the fact that their interpretation is affected by the naivety of their age. :-)

Per favore, usate il link per il download diretto / Please, use the direct download link:I cancelli dell'Eden - Parte IQuesto episodio, di particolare lunghezza e importanza, viene proposto in due parti, di cui questa è la prima.Un Emmanuel appassionato e "a luci rosse" rievoca la sua nuova esperienza con Antonia, da lui riconquistata nell'episodio precedente ("Effetti speciali").Il ragazzo vive questa riconquista con ebbrezza ed entusiasmo, ma ormai, a diciott'anni compiuti, è perfettamente in grado di rendersi conto delle difficoltà della situazione e di quanto le cose siano cambiate per entrambi.Deciso comunque a proseguire per la sua strada, Emmanuel non esita a ricorrere a tutti i mezzi a sua disposizione per tenere legata a sé Antonia.Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi.La colonna sonora comprende brani e cover di Syml ("Where is my love" e "Mr. Sandman") e Nirvana ("Moist Vagina").

Eccoci al secondo esperimento di comicità (involontariamente) demenziale dei Tantra, il gruppo teatrale degli amici di Emmanuel.Gli interpreti sono Stefano Romano e Erika Piroscia.La colonna sonora è costituita da cover Bardcore (in stile medioevale) di "Bad Guy" di Billie Eilish, "Seven Nation Army" degli White Stripes in greco attico e "Raindrops keep falling on my head" di Burt Bacharach.

And poor Carlos?We all understood that he was in love with Emmanuel, but above all he cared about him with all his heart.How will he react to his abandonment, never hearing from him again?Predictably, he suffers like a dog. Luckily for him he has his sister Mayra at his side, good and affectionate, who takes care of him and consoles him.The interpreters are Nova and Onyx (AI).The soundtrack consists of a mix of instrumental versions of "Take me to church" by Hozier and "Despedida" by Eugénio Tavares.In the finale you can hear Emmanuel and Carlos singing "Cripple and the Starfish", a beautiful song by Antony and The Johnsons.

Per favore, usate il link per il download diretto / Please, use the direct download link:Pudim de quejoE il povero Carlos?Abbiamo capito tutti che era innamorato di Emmanuel, ma soprattutto gli voleva un bene dell'anima.Come reagirà al suo abbandono e al fatto di non avere più sue notizie?Prevedibilmente, soffre come un cane. Per sua fortuna ha accanto la sorella Mayra, buona e affezionata, che si prende cura di lui e lo consola.Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi.La colonna sonora è costituita da un mix di versioni strumentali di "Take me to church" di Hozier e "Despedida" di Eugénio Tavares.Nel finale potete sentire Emmanuel e Carlos cantare "Cripple and the Starfish", una bellissima canzone di Antony and The Johnsons....And poor Carlos?We all understood that he was in love with Emmanuel, but above all he cared about him with all his heart.How will he react to his abandonment, never hearing from him again?Predictably, he suffers like a dog. Luckily for him he has his sister Mayra at his side, good and affectionate, who takes care of him and consoles him.The interpreters are Paolo Malgioglio and Elisa Gandolfi.The soundtrack consists of a mix of instrumental versions of "Take me to church" by Hozier and "Despedida" by Eugénio Tavares.In the finale you can hear Emmanuel and Carlos singing "Cripple and the Starfish", a beautiful song by Antony and The Johnsons.

Another crucial episode of the novel-podcast.The illness has given Emmanuel time to clarify himself and has made him lucid and determined: he wants Antonia back at any cost.To achieve his goal, he is even willing to rig the cards and play a melodramatic role that completely displaces Antonia. It's full-blown blackmail, and he knows it well; but Love, as Plato says, is the son of Expedient and is therefore unscrupulous: Emmanuel is ready for anything to bring down Antonia's defensive barriers and take back what he has always considered to be his.The interpreters are George and Sara (AI).During the episode, particularly rich in special effects, as the title suggests, you can listen to covers or instrumental versions of the soundtrack of "A Clockwork Orange" by Stanley Kubrick, "Girl you'll be a woman soon" by Neil Diamond, "Polly" by Nirvana, "It's five o' clock" by Aphrodite's Child, an excerpt from "Scimmia" by Eugenio Finardi and a cover of "I Want You" by Bob Dylan.

Per favore, usate il link per il download diretto / Please, use the direct download link:Effetti specialiUn altro episodio cruciale del romanzo-podcast.La malattia ha dato a Emmanuel il tempo di chiarirsi a se stesso e lo ha reso lucido e determinato: rivuole Antonia a qualsiasi costo.Per ottenere il suo scopo è disposto anche a truccare le carte e a recitare una parte melodrammatica che spiazza completamente Antonia. E' un ricatto in piena regola, e lui lo sa bene; ma Amore, come dice Platone, è figlio di Espediente ed è quindi senza scrupoli: Emmanuel è pronto a tutto pur di far cadere le barriere difensive di Antonia e di riprendersi quel che considera suo da sempre.Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi.Nel corso dell'episodio, particolarmente ricco di effetti speciali, come da titolo, si possono ascoltare cover o versioni strumentali della colonna sonora di "Arancia Meccanica" di Stanley Kubrick, "Girl you'll be a woman soon" di Neil Diamond, "Polly" dei Nirvana, "It's five o' clock" degli Aphrodite's Child, un brano di "Scimmia" di Eugenio Finardi e una cover di "I want you" di Bob Dylan....Another crucial episode of the novel-podcast.The illness has given Emmanuel time to clarify himself and has made him lucid and determined: he wants Antonia back at any cost.To achieve his goal, he is even willing to rig the cards and play a melodramatic role that completely displaces Antonia. It's full-blown blackmail, and he knows it well; but Love, as Plato says, is the son of Expedient and is therefore unscrupulous: Emmanuel is ready for anything to bring down Antonia's defensive barriers and take back what he has always considered to be his.The interpreters are Paolo Malgioglio and Elisa Gandolfi.During the episode, particularly rich in special effects, as the title suggests, you can listen to covers or instrumental versions of the soundtrack of "A Clockwork Orange" by Stanley Kubrick, "Girl you'll be a woman soon" by Neil Diamond, "Polly" by Nirvana, "It's five o' clock" by Aphrodite's Child, an excerpt from "Scimmia" by Eugenio Finardi and a cover of "I want you" by Bob Dylan.

The third part of Emmanuel's story begins: it's the most delicate and crucial one. Fresh from an experience as intense as it was devastating with Michelle K., who introduced him to drugs, the boy finds his health seriously compromised. During the period of his illness and his convalescence, he has the opportunity to seriously reflect on his situation and make important decisions for his future.Meanwhile, his elder brother Michele is increasingly worried about him.The interpreters are Paolo Malgioglio and Elisa Gandolfi.The soundtrack consists of instrumental covers of Lana del Rey's "Heroin".

Per favore, usate il link per il download diretto / Please, use the direct download link: Tabula rasaHa inizio la terza parte della storia di Emmanuel, quella più delicata e cruciale. Reduce da un'esperienza tanto intensa quanto devastante con Michelle K., che lo ha iniziato alla droga, il ragazzo si ritrova con la salute gravemente compromessa. Nel periodo della sua malattia e della sua convalescenza avrà modo di riflettere seriamente sulla sua situazione e di prendere delle importanti decisioni per il suo futuro. Intanto il fratello maggiore Michele è sempre più preoccupato per lui.Gli interpreti sono Paolo Malgioglio e Elisa Gandolfi.La colonna sonora è costituita da cover strumentali di "Heroin" di Lana del Rey....The third part of Emmanuel's story begins: it's the most delicate and crucial one. Fresh from an experience as intense as it was devastating with Michelle K., who introduced him to drugs, the boy finds his health seriously compromised. During the period of his illness and his convalescence, he has the opportunity to seriously reflect on his situation and make important decisions for his future.Meanwhile, his elder brother Michele is increasingly worried about him.The interpreters are Paolo Malgioglio and Elisa Gandolfi.The soundtrack consists of instrumental covers of Lana del Rey's "Heroin".

We publish a suite of the first 7 episodes of the Second Season, so that you can listen to them comfortably one after the other.All interpreters are AI, except those of "That is, precisely at the level".This is the last episode of the second season. If you liked the podcast, please respond to a very short anonymous questionnaire that you can find here: https://forms.gle/i4WeXE6XN3rQp7Jh8For us it is a considerable commitment to proceed with this work, and before starting the third season we would like to have a minimum amount of feedback from the listeners, so as not to be completely in the dark.Thanks to those who reply.The episodes are:1. The rabbit hole2. Going other ways3. Moon in Hell4. That is, precisely at the level5. Ode to jealousy6. Air pockets7. Weeds.

Pubblichiamo una suite dei primi 7 episodi della Seconda Stagione, in modo da poterli ascoltare comodamente uno di seguito all'altro.Se il podcast vi è piaciuto, vi preghiamo di rispondere ad un brevissimo questionario anonimo che trovate qui: https://forms.gle/wJ8Fp4UcRputSEee6Per noi è un notevole impegno procedere in questo lavoro, e prima di iniziare la terza stagione vorremmo avere un minimo di riscontro da parte degli ascoltatori, in modo da non brancolare completamente nel buio. Grazie a chi risponderà.Gli episodi sono:1. La tana del Bianconiglio2. Per altre vie3. Moon in Hell4. Cioè, proprio a livello5. Ode della gelosia6. Vuoti d'aria7. WeedsProponiamo infine una "Bonus track": "Cioè proprio a livello" interpretata da due attori di teatro, Stefano Romano e Erika Piroscia.