Boxcars711 Old Time Radio

The Adventures of Frank Race, by Bruce Ells Productions, was first heard in May of 1949. The main character, Frank Race, was an attorney before World War II. As a result of his activities in the war, when it was over, he traded his law books for a career with the OSS. There, "Adventure" became his business. Tom Collins played the role of Frank Race initially, immediately following his stint as Chandu, The Magician. The lead role was taken over later by Paul Dubof.THIS EPISODE:September 18, 1949. Program #21. Broadcasters Program Syndicate syndication. "The Adventure Of Three On A Match". Commercials added locally. In Bordeaux, the European Children's Fund has been cheated out of its relief funds. The beautiful Marie Vartell holds the clue to the missing $2 million dollars. Tom Collins, Tony Barrett, Buckley Angel (writer, director), Joel Murcott (writer, director), Bruce Eells (producer), Ivan Ditmars (organist), Art Gilmore (announcer), Gerald Mohr, Jeanne Bates, Paul Dubov, Michael Ann Barrett. 26:53.

Box 13 was a syndicated radio series about the escapades of mystery novelist Dan Holiday (Alan Ladd), a former newsman. Created by Mayfair Productions, the series premiered August 22, 1948, on New York's WOR and aired in syndication on the East Coast from August 22, 1948, to August 14. 1949. On the West Coast, Box 13 was heard from March 15, 1948 to March 7, 1949. To seek out new ideas for his fiction, Holiday ran a classified ad in the Star-Times newspaper. "Adventure wanted, will go anywhere, do anything -- Box 13." The stories followed Holiday's adventures when he responded to the letters sent to him by such people as a psycho killer and various victims.THIS EPISODE:December 12, 1948. Program #17. Mayfair syndication. "The Haunted Artist". Commercials added locally. An artist's latest canvas seems to be haunted. A stone quarry keeps appearing on one side of the canvas. The date is approximate. Alan Ladd, Edmond MacDonald, Richard Sanville (director), Rudy Schrager (composer, conductor), Russell Hughes (writer), Sylvia Picker, Vern Carstensen (production supervisor). 26:56.

The FBI in Peace and War was a radio crime drama inspired by Frederick Lewis Collins' book, The FBI in Peace and War. The idea for the show came from Louis Pelletier who wrote many of the scripts. Among the show's other writers were Jack Finke, Ed Adamson and Collins. Airing on CBS from November 25, 1944 to September 28, 1958, it had a variety of sponsors (including Lava Soap, Wildroot Cream Oil, Lucky Strike, Nescafe and Wrigley's) over the years. Martin Blaine and Donald Briggs headed the cast. THIS EPISODE:September 22, 1957 CBS network. "Dumb Luck". Commercials deleted. A dumb blonde tries to pull an inheritance swindle and winds up marrying the insurance man she's trying to gyp! Jackson Beck (narrator), Charita Bauer, Arthur Winters, Louis Pelletier (writer), Betty Mandeville (producer, director), Warren Sweeney (announcer), Frederick L. Collins (creator). 20:04.

CBS Radio Mystery Theater - As you walk through the creaking door you enter into another world, the world of imagination. This world is inside you, a part of you, and you take this journey alone. Each person hears and then sees with his or her mind's eye the events portrayed within these dramas. All of us interprets what they hear differently. The images we see is unique to ourselves. A voice becomes a person, living, breathing they come alive. They take on a physical form and characteristics that we assign to them. The wonders of your own mind are boundless. Scary thoughts? Perhaps, but what powers they bring us! To exercise one's imagination is to exercise one's soul. These dramas provide us with an escape from reality. To adventures beyond our own lives. Enjoy them. And pleasant dreams!

Fibber McGee and Molly premiered in 1935. The program struggled in the ratings until 1940, when it became a national sensation. Within three years, it was the top-rated program in America. Few radio shows were more beloved than Fibber McGee and Molly. The program's lovable characters included Mayor LaTrivia, Doc Gamble, Mrs. Uppington, Wallace Wimple, Alice Darling, Gildersleeve, Beulah, Myrt, and the Old Timer. 79 Wistful Vista was one of America's most famous addresses and Molly's warning to Fibber not to open the hall closet door (and his subsequent decision to do it) created one of radio's best remembered running gags that audiences expected each week. Jim Jordan (Fibber) was born on a farm on November 16, 1896, near Peoria, Illinois. Marian Driscoll (Molly), a coal miner's daughter, was born in Peoria on November 15, 1898. After years of hardship and touring in obscurity on the small-time show biz circuit, they arrived in Chicago in 1924, where they eventually performed on thousands of shows and developed 145 different voices and characters. Broadcast to the nation from WMAQ/Chicago, the show entertained America until March 1956, and continued on NBC's Monitor until 1959. Jim Jordan died on April 1, 1988. Marian Jordan died on April 7, 1961. Fibber McGee and Molly was inducted into the Radio Hall of Fame in 1989. First Broadcast date April 16, 1935. Last Broadcast date September 6, 1959.THIS EPISODE:February 3, 1953. NBC network. Sponsored by: Reynolds Aluminum. The program originates from the N. R. E. C. A. Convention, The Civic auditorium in San Francisco. Fibber is chopping a hole in the wall. He's planning to install a wall safe! Not auditioned. Jim Jordan, Marian Jordan, Harlow Wilcox, Billy Mills and His Orchestra, The King's Men, Phil Leslie (writer), Keith Fowler (writer), Max Hutto (director), Bill Thompson, Gale Gordon, Arthur Q. Bryan, Richard LeGrand. 27:40.

The Adventures Of Philip Marlowe - The first portrayal of Phillip Marlowe on the radio was by Dick Powell, when he played Raymond Chandler's detective on the Lux Radio Theater on June 11, 1945. This was a radio adaptation of the 1944 movie, from RKO, in which Mr. Powell played the lead. Two years later, Van Heflin starred as Marlowe in a summer replacement series for the Bob Hope Show on NBC. This series ran for 13 shows. On September 26, 1948, Gerald Mohr became the third radio Marlowe, this time on CBS. It remained a CBS show through its last show in 1951.THIS EPISODE:November 28, 1948. CBS network. "The Hard Way Out". Sustaining. Murder at the Quigg and Slater Construction Company, and a surprising amount of luxury on $175 a week! Barbara Fuller, William Lally, Edgar Barrier, Gene Levitt (writer), Gerald Mohr, Jeff Corey, Luis Van Rooten, Mel Dinelli (writer), Norman Macdonnell (producer, director), Raymond Chandler (creator), Richard Aurandt (music), Robert Mitchell (writer). 29:39.

Ellery Queen Master Detective - On radio, The Adventures of Ellery Queen was heard on all three networks from 1939 to 1948. During the 1970s, syndicated radio fillers, Ellery Queen's Minute Mysteries, began with an announcer saying, "This is Ellery Queen..." and contained a short one-minute case. The radio station encouraged callers to solve the mystery and win a sponsor's prize. Once a winner was found, the solution was broadcast as confirmation. A complete episode guide and history of this radio program can be found in the book "The Sound of Detection: Ellery Queen's Adventures in Radio" from OTR Publishing, 2002.THIS EPISODE:November 6, 1943. NBC network. "The Adventure Of The Vanishing Magician". Sponsored by: Bromo Seltzer. A has-been vaudevillian promises to disappear from a house to win a $25,000 bet. A good wartime mystery! This is the East Coast broadcast. The West Coast broadcast took place on November 4, 1943. The script was previously used on "Ellery Queen" on September 15, 1940. Sydney Smith, Helen Lewis, Santos Ortega, Ted de Corsia, Charles Paul (organ), Edward Pawley ("Guest Armchair Detective," star of "Big Town"), S. Bigman ("Guest Armchair Detective," editor of "Time" magazine), Ernest Chappell (announcer), Frederic Dannay (writer), Manfred B. Lee (writer), Bruce Kamman (producer, director). 29:04.

The Hollywood Radio Theater (Lux Radio Theater) strove to feature as many of the original stars of the original stage and film productions as possible, usually paying them $5,000 an appearance to do the show. It was when sponsor Lever Brothers (who made Lux soap and detergent) moved the show from New York to Hollywood in 1936 that it eased back from adapting stage shows and toward adaptations of films. The first Lux film adaptation was The Legionnaire and the Lady, with Marlene Dietrich and Clark Gable, based on the film Morocco. That was followed by a Lux adaptation of The Thin Man, featuring the movie's stars, Myrna Loy and William Powell.THIS EPISODE:The Awful Truth from Hollywood Radio Theater aired January 18, 1955 starring Irene Dunne and Cary Grant. This is the radio version taken from the classic 1937 romantic comedy film. The plot concerns the machinations of a soon-to-be-divorced couple, played by Dunne and Grant, who go to great lengths to try to ruin each other's romantic escapades. The bright, zesty, and carefree film was nominated for six Academy Awards.

Bold Venture - The Hollywood husband and wife team of Humphrey Bogart and Lauren Bacall set sail for adventure in the Bold Venture radio series in early 1951. There were well over 400 stations that aired the program. Since thiswas syndicated * the starting date varied from station to station but Mar 26, 1951 was the official date of the first show. Humphrey Bogart portrayed Slate Shannon, owner of a rundown Havana hotel, Shannon's Place. The action took place on land as well aboard Slate's boat, The Bold Venture, thus the title of the series. Lauren Bacall was his ward Sailor Duval, a stubborn and flirtatious young woman whose late father had willed her to Slate for her protection. Together the duo found adventure, intrigue, mystery and romance in the sultry settings of tropical Havana and the mysterious islands of the Caribbean.THIS EPISODE:Program #39. ZIV Syndication. "Tabbard Of Pizarro". Commercials added locally. Shannon and Sailor become involved with "The Tabbard Of Pizarro." David Rose (composer, conductor), Jester Hairston, Humphrey Bogart, Lauren Bacall. 27:25.

The Adventures Of Casey, Crime Photographer for The Morning Express, were told in this series, which moved to television after a highly successful run on radio in the 1940's. Casey hung out at the Blue Note Café, where the music was provided by the Tony Mottola Trio, and was friendly with Ethelbert, the bartender, to whom he recounted his various exploits. Richard Carlyle and John Gibson portrayed the roles when the series premiered in April, 1951, but by June they were replaced by Darren McGavin and Cliff Hall. Ann Williams, a reporter on The Morning Express, was Casey's girlfriend. During the summer of 1951 he acquired a partner in cub reporter Jack Lipman, who wrote copy to go with Casey's pictures. This live series was set in and broadcast from, New York City.THIS EPISODE:July 3, 1947. CBS network. "Acquitted". Sponsored by: Anchor Hocking Glass. Big Mike Ryan, a swell cop, is suspended for arresting and then beating up Lenny Waldo. When Lenny and his cohort are found shot to death, Big Mike is of course the prime suspect. Alonzo Deen Cole (writer), Archie Bleyer (music), Herman Chittison (piano), Jan Miner, John Dietz (director), John Gibson, Staats Cotsworth, Tony Marvin (announcer), George Harmon Coxe (creator). 29:34.

A Date with Judy was a comedy radio series aimed at a teenage audience which had a long run from 1941 to 1950. The show began as a summer replacement for Bob Hope's show, sponsored by Pepsodent and airing on NBC from June 24 to September 16, 1941, with 14-year-old Ann Gillis in the title role. Dellie Ellis portrayed Judy when the series returned the next summer (June 23d to September 15, 1942). Louise Erickson took over the role the following summer (June 30th to September 22, 1943) when the series, with Bristol Myers as its new sponsor, replaced The Eddie Cantor Show for the summer. Louise Erickson continued in the role of Judy over the next seven years as the series, sponsored by Tums, aired from January 18, 1944 to January 4, 1949. Ford Motors and Revere Cameras were the sponsors for the final season of the radio series on ABC from October 13, 1949 to May 25, 1950. Teenagers could relate to Judy and her problems with school, boyfriends and parental rules and adults enjoyed remembering their youth as seen through the eyes of a typical teenager. A delighful comedy that ended in 1950, A Date with Judy remains a favorite even today as we realize that teenagers will always face the same problems growing up as Judy and her friends did.A Date with Judy remains a favorite even today as we realize that teenagers will always face the same problems growing up as Judy and her friends did.

Damon Runyon Theater - Broadcast from January to December 1949, "The Damon Runyon Theatre" dramatized 52 of Runyon's short stories for radio. Damon Runyon (October 4, 1884 – December 10, 1946) was a newspaperman and writer. He was best known for his short stories celebrating the world of Broadway in New York City that grew out of the Prohibition era. He spun tales of gamblers, petty thieves, actors and gangsters; few of whom go by "square" names, preferring instead to be known as "Nathan Detroit", "Big Jule", "Harry the Horse", "Good Time Charlie", "Dave the Dude", and so on. These stories were written in a very distinctive vernacular style: a mixture of formal speech and colorful slang, almost always in present tense, and always devoid of contractions.THIS EPISODE:1948. Program #18. Mayfair syndication. "Leopard's Spots". Commercials added locally. Spider McCoy invites Broadway to travel to Philadelphia where Pigsfoot Grudy is going to fight Chester Nubs. Along comes a bad appendix and Caswell Fish, also known as "The Leopard Kid." Damon Runyon (author), Jeff Chandler, John Brown, Richard Sanville (director), Russell Hughes (adaptor), Vern Carstensen (production supervisor). 27:58.

The Couple Next Door was a Peg Lynch series which began in 1953-57 on Chicago's WGN, moving to the Mutual Broadcasting System in the summer of 1957. The married couple was played by Olan Soule and Elinor Harriot. It was revived on CBS Radio (December 30, 1957-November 25, 1960) with Peg Lynch and Alan Bunce as the unnamed married couple---essentially, it reprised Ethel and Albert but the new name was necessitated because Lynch had long since lost the rights to the original title. That still wasn't the end of the show---Lynch and Bunce brought the show to NBC's legendary weekend programming block Monitor in 1963, performing three- to four-minute vignettes not unlike the original fifteen-minute shows. Their presence continued a kind-of Monitor tradition of offering new material from classic radio favourites (including James and Marian Jordan of Fibber McGee and Molly fame, until Marian Jordan's death). Even more, it returned yet again in the 1970s, as a syndicated radio feature known as The Little Things in Life. TODAYS SHOW: The Painter Quits (11-17-58) and Painting Party (11-18-58)CBS network. Sponsored by: Glamorene, Beechnut Baby Foods.The system cue is added live. Peg Lynch (writer, performer, commercial spokesman), Alan Bunce (performer, commercial spokesman), Walter Hart (producer), Ted Pearson (announcer), Francie Meyers, Dawsa Duckworth.

The Martin & Lewis Show - On July 25, 1946, Jerry began a show business partnership with Dean Martin, an association that would soon skyrocket both to fame. It started when Jerry was performing at the 500 Club in Atlantic City and one of the other entertainers quit suddenly. Lewis, who had worked with Martin at the Glass Hat in New York City, suggested Dean as a replacement. At first they worked separately, but then ad-libbed together, improvising insults and jokes, squirting seltzer water, hurling bunches of celery and exuding general zaniness. In less than eighteen weeks their salaries soared from $250.00 a week to $5,000.00. For ten years Martin and Lewis sandwiched sixteen money making films between nightclub engagements, personal appearances, recording sessions, radio shows, and television bookings. Their last film together was "Hollywood or Bust" (1956). On July 25th of that year the two made their last nightclub appearance together at the Copacabana, exactly ten years to the day since they became a team.

Arch Oboler's Plays was a radio drama series written, produced and directed by Arch Oboler. Minus a sponsor, it ran for one year, airing Saturday evenings on NBC from March 25, 1939 to March 23, 1940 and revived five years later on Mutual for a sustaining summer run from April 5, 1945 to October 11, 1945. Leading film actors were heard on this series, including Gloria Blondell, Eddie Cantor, James Cagney, Ronald Colman, Joan Crawford, Greer Garson, Edmund Gwenn, Van Heflin, Katharine Hepburn, Elsa Lanchester, Peter Lorre, Frank Lovejoy, Raymond Massey, Burgess Meredith, Paul Muni, Alla Nazimova, Edmond O'Brien, Geraldine Page, Gale Sondergaard, Franchot Tone and George Zucco.THIS EPISODE:May 17, 1945. Mutual network. "Mr. Ten-Percent". Sustaining. A good story about a Hollywood agent who finally finds a movie star to manage...and how he contributed $1 million dollars to the war effort! Mary Jane Croft, Bob Bailey, Earle Ross, Harry Lang, Everett Allen, Arch Oboler (writer), Bruce Elliott, Roseanne Murray, Evelyn Scott. 1/2 hour.

Big Town is a radio show that aired from 1937 to 1952. Edward G. Robinson had the lead role of Steve Wilson from 1937 to 1942. Claire Trevor was Wilson's society editor sidekick Lorelei Kilbourne, with Ona Munson taking over that role in 1940. Edward J. Pawley portrayed Wilson from 1942 until 1952 when Walter Greaza was heard as Wilson in the final episodes in the radio series. When Big Town moved to television, the program was telecast live, but in 1952 the production switched to film after the move from New York City to Hollywood. The television series ran on CBS from 1950 through 1954, continuing on NBC from 1955 through 1956. Repeat episodes aired on the DuMont Network (under the title City Assignment) while Big Town was still showing first-run episodes on CBS. Reruns were also shown under the titles Heart of the City, Headline and Byline Steve Wilson.THIS EPISODE:Big Town. January 4, 1949. NBC network. "The Mask Of Evil". Sponsored by: Lifebuoy Soap, Rinso. Mystery writer Hannah Harper, and her nervous companion, summon Steve Wilson and Lorelei to the lighthouse in which they're living. They are hearing noises and explosions. Listen for a monosyllabic moron, a 7 foot rabbit, a Chinese dentist named Dr. Fu, and a real red herring! Edward Pawley, Fran Carlon, Jerry McGill (writer, producer), Hugh James (announcer). 29:35.

Escape was radio's leading anthology series of high adventure, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with the introduction, intoned by Paul Frees and William Conrad: "Tired of the everyday routine? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!"THIS EPISODE:February 15, 1948. CBS network. "Ancient Sorceries". Sustaining. East coast version, the program was also broadcast on the West coast on February 21, 1948. A tale of the supernatural and witchcraft in a small Welsh town. Algernon Blackwood (author), Anne Morrison, Cy Feuer (composer, conductor), Kaye Brinker, Les Crutchfield (adaptor), Paul Frees, William Conrad, William N. Robson (director). 29:43.

Philo Vance was the detective creation of S. S. Van Dine first published in the mid 1920s. Vance, in the original books, is an intellectual so highly refined he seems he might be ghostwritten by P. G. Wodehouse. Take this quote from The Benson Murder Case, 1924, as Vance pontificates in his inimitable way: "That's your fundamental error, don't y' know. Every crime is witnessed by outsiders, just as is every work of art. The fact that no one sees the criminal, or the artist, actu'lly at work, is wholly incons'quential." Thankfully, the radio series uses only the name, and makes Philo a pretty normal, though very intelligent and extremely courteous gumshoe. Jose Ferrer played him in 1945. From 1948-1950, the fine radio actor Jackson Beck makes Vance as good as he gets. George Petrie plays Vance's constantly impressed public servant, District Attorney Markham. Joan Alexander is Ellen Deering, Vance's secretary and right-hand woman. The organist for the show is really working those ivories, and fans of old time radio organ will especially enjoy this series. Perhaps one reason the organist "pulls out all the stops" is because there seems to be little, if any, sound effects on the show. Philo Vance, the radio series, does pay homage to the original books in that both were, even in their own time, a bit out of date and stilted. (OTRR)THIS EPISODE:April 29, 1943 - ZIV Syndication. "The Case of The Cellini Cup". Commercials added locally. Jackson Beck. 28:10.

Crime Classics was a U. S. radio docudrama which aired over CBS from June 15, 1953 to June 30, 1954. Created, produced, and directed by radio actor/director Elliott Lewis, the program was basically a historical true crime series, examining crimes, and especially murders, from the past. It grew out of Lewis's personal interest in famous murder cases, and took a documentary-like approach to the subject, carefully recreating the facts, personages, and feel of the time period. Comparatively little dramatic license was taken with the facts and events, but the tragedy was leavened with humor, expressed largely through the narration.THIS EPISODE:March 17, 1954. CBS network. "Old Sixtoes: How He Stopped Construction On The B. B. C. and I". Sustaining. An old man and a young wife is old India. A recipe for murder most foul. Lou Merrill (host), Morton Fine (writer), David Friedkin (writer), Bernard Herrmann (composer, conductor), Elliott Lewis (producer, director), Ben Wright, Bob Lemond (announcer), Herb Butterfield, Jack Edwards, Jack Kruschen, Jane Webb. 30:21.

The Adventures of Ozzie and Harriet launched on CBS October 8, 1944, making a mid-season switch to NBC in 1949. The final years of the radio series were on ABC (the former NBC Blue Network) from October 14, 1949, to June 18, 1954. In an arrangement that amplified the growing pains of American broadcasting, as radio "grew up" into television (as George Burns once phrased it), the Nelsons' deal with ABC gave the network itself the right to move the show to television whenever it wanted to do it---they wanted, according to the Museum of Broadcast Communications, to have talent in the bullpen and ready to pitch, so to say, on their own network, rather than risk it defecting to CBS (where the Nelsons began) or NBC. Their sons, David and Ricky, did not join the cast until five years after the radio series began. The two boys felt frustrated at hearing themselves played by actors and continually requested they be allowed to portray themselves.THIS EPISODE:March 3rd Dilemna - March 2, 1947. ABC network origination, AFRS rebroadcast. Not auditioned. School report card day. Some good, some not so good. Ozzie Nelson, Harriet Hilliard, David Nelson, Ricky Nelson, Verne Smith (announcer), John Brown. 25:31.

21ST PRECINCT was one of the realistic police drama series of the early- to mid-1950's that were aired in the wake of DRAGNET. In 1953 CBS decided to use New York City as the backdrop for their own half-hour police series and focus on the day-to-day operation of a single police precinct. Actual cases were used as the basis for stories. The Precinct Captain acted as the narrator for the series.The official title of the series according to the series scripts and the CBS series promotional materials was 21ST PRECINCT and not TWENTY-FIRST PRECINCT or TWENTY FIRST PRECINCT which appears in many Old-Time Radio books. In 1953 CBS decided to use New York City as the backdrop for their own half-hour police series and focus on the day-to-day operations of a single police precinct. Actual cases would be used as the basis for stories. It was mentioned in each episode's closing by the announcer that, "Twenty-firstPrecinct is presented with the official cooperation of the Patrolmen's Benevolent Association an organization of more than 20,000 members of the Police Department, City of New York."THIS EPISODE:February 24, 1954. CBS network origination, AFRTS rebroadcast. "Pop" is caught sleeping in a hallway, but he refuses to reveal his name! He's really John W. Lofield, seventy-eight years old, and he doesnt want to return home! Everett Sloane, John Ives (producer), Stanley Niss (writer, director). 30:29.

Dragnet was a long-running radio and television police procedural drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects. Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday's deadpan, fast-talking persona emerged, described by John Dunning as "a cop's cop, tough but not hard, conservative but caring." (Dunning, 210) Friday's first partner was Sgt. Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. When Dragnet hit its stride, it became one of radio's top-rated shows.THIS EPISODE:August 4, 1949. Program #9. NBC network. Sustaining. A small-time narcotics user named Benny Trounsel has been beaten to death shortly after tipping the cops to a new narcotics ring in town. Jack Webb, Barton Yarborough, Raymond Burr. 29:18.

The Halls of Ivy was an NBC radio sitcom that ran from 1950-1952. It was created by Fibber McGee & Molly co-creator/writer Don Quinn before being adapted into a CBS television comedy (1954-55) produced by ITC Entertainment and Television Programs of America. Quinn developed the show after he had decided to leave Fibber McGee & Molly. The audition program featured radio veteran Gale Gordon (then co-starring in Our Miss Brooks) and Edna Best in the roles that ultimately went to British husband-and-wife actors Ronald Colman and Benita Hume. The Colmans had shown a flair for radio comedy in recurring roles on The Jack Benny Program in the late 1940s, and they landed the title roles in the new show. The Halls of Ivy featured Colman as William Todhunter Hall, the president of small, Midwestern Ivy College, and his wife, Victoria, a former British musical comedy star who sometimes felt the tug of her former profession, and followed their interactions with students, friends and college trustees. Others in the cast included Herbert Butterfield as testy Clarence Wellman, Willard Waterman (then starring as Harold Peary's successor as The Great Gildersleeve) as John Merriweather, and Elizabeth Patterson and Gloria Gordon as the Halls' maid.THIS EPISODE:March 31, 1950. NBC netqoek. Sponsored by: Schlitz Beer. Will Dr. Hall be invited to join the "Ivy Chamber Music and Knockwurst Society" to play the Piffleflute? The program may be dated April 7, 1950. Alan Reed, Benita Hume, Cliff Arquette, Don Quinn (creator, writer), Frank Martin (announcer), Gloria Gordon, Henry Russell (composer, conductor), Ken Carpenter (announcer), Nat Wolff (director), Ronald Colman, Walter Newman (writer). 29:31.

The Adventures Of Frank Race, by Bruce Ells Productions, was first heard in May of 1949. The main character, Frank Race, was an attorney before World War II. As a result of his activities in the war, when it was over, he traded his law books for a career with the OSS. There, "Adventure" became his business. Tom Collins played the role of Frank Race initially, immediately following his stint as Chandu, The Magician. The lead role was taken over later by Paul Dubof.THIS EPISODE:September 11, 1949. Program #20. Broadcasters Program Syndicate syndication. "The Adventure Of The Fourth Round Knockout". Commercials added locally. A prize-fighter dies during a fight...from poison! A big-time gambler, who only bets on a sure thing, is found dead too! Tom Collins, Tony Barrett, Buckley Angel (writer, director), Joel Murcott (writer, director), Bruce Eells (producer), Ivan Ditmars (organist), Art Gilmore (announcer), Frank Lovejoy, Florence Halop, Jack Kruschen, Theodore Von Eltz, Tom Holland, Michael Ann Barrett. 26:25.

The CBS Radio Mystery Theater (or CBSRMT) was an ambitious and sustained attempt to revive the great drama of old-time radio in the 1970s. Created by Himan Brown (who had by then become a radio legend due to his work on Inner Sanctum Mysteries and other shows dating back to the 1930s), and aired on affiliate stations across the CBS Radio network, the series began its long run on January 6, 1974. The final episode ran on December 31, 1982. The show was broadcast nightly and ran for one hour, including commercials. Typically, a week consisted of three to four new episodes, with the remainder of the week filled out with reruns. There were a total of 1399 original episodes broadcast. The total number of broadcasts, including reruns, was 2969. The late E.G. Marshall hosted the program every year but the final one, when actress Tammy Grimes took over. Each episode began with the ominous sound of a creaking door, slowly opening to invite listeners in for the evening's adventure. At the end of each show, the door would swing shut, with Marshall signing off, "Until next time, pleasant...dreams?"THIS EPISODE:October 19, 1977. Program #725. CBS network. "The Island On Silver Tree Lake". Commercials deleted. E. G. Marshall (host), Victoria Dann (writer), Patricia Elliot, Lloyd Batista, Teri Keane, Earl Hammond. 46 minutes.

Nightfall is the title of a radio drama series produced and aired by CBC Radio ( Canadian Broadcasting Corporation ) from July 1980 to June 1983. While primarily a supernatural/horror series, Nightfall featured some episodes in other genres, such as science fiction, mystery, fantasy, and human drama. One episode was even adapted from a folk song by Stan Rogers. Some of Nightfall's episodes were so terrifying that the CBC registered numerous complaints and some affiliate stations dropped it. Despite this, the series went on to become one of the most popular shows in CBC Radio history, running 100 episodes that featured a mix of original tales and adaptations of both classic and obscure short stories. THIS EPISODE:October 3, 1980. Program #14. CBC, Toronto. "The Stone Ship". Not auditioned. A chilling horror story. Henry Ramer (host), William Hope Hodgson (writer), Len Peterson (adaptor), Chris Wiggins, Arch McDonnell, Graham Haley, Eric House, John Jessop (recording engineer), Bill Robinson (sound effects), Nina Callaghan (production assistant), John Douglas (script editor), Earle Toppings (script editor), Bill Howell (producer, director). 28:00.

Amos 'n' Andy was officially transferred by NBC from the Blue Network to the Red Network in 1935, although the vast majority of stations carrying the show remained the same. Several months later, Gosden and Correll moved production of the show from NBC's Merchandise Mart studios in Chicago to Hollywood. After a long and successful run with Pepsodent, the program changed sponsors in 1938 to Campbell's Soup; because of Campbell's closer relationship with CBS, the series switched to that network on April 3, 1939.In 1943, after 4,091 episodes, the radio program went from a 15-minute CBS weekday dramatic serial to an NBC half-hour weekly comedy. While the five-a-week show often had a quiet, easygoing feeling, the new version was a full-fledged sitcom in the Hollywood sense, with a regular studio audience (for the first time in the show's history) and an orchestra. More outside actors, including many African American comedy professionals, were brought in to fill out the cast. Many of the half-hour programs were written by Joe Connelly and Bob Mosher, later the writing team behind Leave It To Beaver and The Munsters. In the new version, Amos became a peripheral character to the more dominant Andy and Kingfish duo, although Amos was still featured in the traditional Christmas show where he explains the Lord's Prayer to his daughter.THIS EPISODE:May 25, 1945. NBC network. Commercials deleted. Andy impersonates a sailor and is lucky enough to be the millionth visitor to the "Harlem Canteen." Harlow Wilcox (announcer), Freeman Gosden, Charles Correll. 27 minutes.

The Adventures of Sam Spade was a radio series based loosely on the private detective character Sam Spade, created by writer Dashiell Hammett for The Maltese Falcon. The show ran for 13 episodes on ABC in 1946, for 157 episodes on CBS in 1946-1949, and finally for 51 episodes on NBC in 1949-1951. The series starred Howard Duff (and later, Steve Dunne) as Sam Spade and Lurene Tuttle as his secretary Effie, and took a considerably more tongue-in-cheek approach to the character than the novel or movie. In 1947, scriptwriters Jason James and Bob Tallman received an Edgar Award for Best Radio Drama from the Mystery Writers of America. Before the series, Sam Spade had been played in radio adaptations of The Maltese Falcon by both Edward G. Robinson (in a 1943 Lux Radio Theater production) and by Bogart himself (in a 1946 Academy Award Theater production), both on CBS.THIS EPISODE:November 28, 1948. CBS network origination, AFRS rebroadcast. "The Quarter Eagle Caper". The owner of a gum-machine company is murdered, giving Sam plenty to chew on! Howard Duff, Lurene Tuttle, Dashiell Hammett (creator). 24:44.

Suspense was one of the premier programs of the Golden Age of Radio (aka old-time radio), and advertised itself as "radio's outstanding theater of thrills." It was heard in one form or another from 1942 through 1962. There were approximately 945 episodes broadcast during its long run, over 900 of which are extant in mostly high-quality recordings. Suspense went through several major phases, characterized by different hosts, sponsors and director/producers. There were a few rules which were followed for all but a handful of episodes: Protagonists were usually a normal person suddenly dropped into a threatening or bizarre situation. Evildoers must be punished in the end. The program made only occasional forays into science fiction and fantasy. Among its science fiction entries were "The Man who Went Back to Save Lincoln" (a time travel fantasy), and an adaptation of "Donovan's Brain".THIS EPISODE:December 2, 1948. CBS network. "The Hands Of Mr. Ottermole". Sponsored by: Auto-Lite. A "strangler" is prowling the streets of London, killing at will. A police sergeant is suspicious of "Mr. Newspaperman," who always seems to be nearby when the "strangler" strikes. Claude Rains, Thomas Burke (author), Ken Crossen (adaptor), Vincent Price, Verna Felton, Raymond Lawrence, Paul Frees (announcer), Harlow Wilcox (commercial spokesman), William Johnstone (commercial spokesman), Lucien Moraweck (composer), Lud Gluskin (conductor). 29:45.

The Story Of Doctor Kildare - In the summer of 1949, MGM reunited Lew Ayres and Lionel Barrymore to record the radio series, The Story of Dr. Kildare, scripted by Les Crutchfield, Jean Holloway and others. After broadcasts on WMGM New York from February 1, 1950 to August 3, 1951, the series was syndicated to other stations during the 1950s. The supporting cast included Ted Osborne as hospital administrator Dr. Carough, Jane Webb as nurse Mary Lamont and Virginia Gregg as Nurse Parker, labeled "Nosy Parker" by Gillespie, with appearances by William Conrad, Stacy Harris, Jay Novello, Isabel Jewell and Jack Webb.THIS EPISODE:June 15, 1950. Program #21. WMGM, New York-Mutual net origination, MGM syndication. Commercials added locally. A newly blinded man loses his will to live. Dr. Kildare tries to help. Lew Ayres, Lionel Barrymore, Isabel Jewell, William Johnstone, Peggy Webber, Dick Joy (announcer), Gene Holloway (writer), Walter Schumann (composer, conductor), William P. Rousseau (director). 28:11.

The Murder at Midnight series was a thirty-minute broadcast featuring tales of the supernatural. The actors included Mercedes McCambridge and Lawson Zerbe and the show was narrated using the spooky, creepy voice of Raymond Morgan and always opened using the same gripping signature; "the witching hour, when night is darkest, our fears are the strongest, our strength at its lowest ebb… Midnight! … when graves gape open and death strikes!"THIS EPISODE:August 18, 1947. Syndicated. "The Black Swan". Commercials added locally. A ship is "launched in blood" and continues to kill. Lawson Zerbe, Leon Meadow (writer), Charles Paul (music), Anton M. Leader (director), Louis G. Cowan (producer). 27:12.

Nightbeat - Broadcast on NBC, Nightbeat ran from 1949 to 1952 and starred Frank Lovejoy as Randy Stone, a tough and streetwise reporter who worked the nightbeat for the Chicago Star looking for human interest stories. He met an assortment of people, most of them with a problem, many of them scared, and sometimes he was able to help them, sometimes he wasn't. It is generally regarded as a 'quality' show and it stands up extremely well. Frank Lovejoy (1914-1962) isn't remembered today, but he was a powerful and believable actor with a strong delivery, and his portrayal of Randy Stone as tough guy with humanity was perfect. The scripts were excellent, given that they had to pack in a lot in a short time, and there was a good supporting cast, orchestra, and sound effects. 'The Slasher', broadcast on 10 November 1950, the last show of season one, has a very loosely Ripper-derived plot in which Stone searches for an artist. Supporting actors included Parley Baer, William Conrad, Jeff Corey, Lawrence Dobkin, Paul Frees, Jack Kruschen, Peter Leeds, Howard McNear, Lurene Tuttle and Martha Wentworth.THIS EPISODE:May 29, 1950. NBC netWORK. Sponsored by: Wheaties, Crust-Quik. Harlan Matthews, a Stamp Dealer with memories of a murder he committed long ago, attempts murder, suicide and more! An "alienist" and Randy Stone try to help. The system cue has been deleted. Frank Worth (music), Ben Wright, Junius Matthews, Warren Lewis (producer, director), Larry Marcus (editor), Irwin Ashkenazie (writer), Jeanette Nolan, Frank Lovejoy, Frank Martin (commercial spokesman), Jeff Corey. 29:23.

Command Performance was one of the few radio shows that were sent overseas to boost the morale of US Troops during World War 2. In March 1942 it became a weekly show featuring famous people such as Bob Hope, Fred Allen, Dinah Shore, Frank Sinatra and more. Each show consisted of several stars who get together and perform comedy routine. All talent for this program was donated, and valued at $75,000 a week. There were more than 400 shows. Announcers : Paul Douglas, Ken Carpenter . Creator : Lous G. Cowan . Producers : Vick Knight, Maury Holland, Cal Kuhl . Director : Glenn Wheaton . Writers : Melvin Frank, Norman Panama.

Macabre made the scene in November 13th 1961 and ran until January 8th 1962. Spooky and supernatural theme, Macabre was a Tokyo Studios, Far East Network of the Armed Forces Radio Service production. Creators of the series were William Verdier, who also starred in the series, and John F. Buey Jr., a program director with FEN Tokyo. All 8 episodes are currently in circulation.

The Mysterious Traveler - Written and directed by Robert A. Arthur and David Kogan, the series began on the Mutual Broadcasting System, December 5, 1943, continuing in many different timeslots until September 16, 1952. Unlike many other shows of the era, The Mysterious Traveler was without a sponsor for its entire run. The lonely sound of a distant locomotive heralded the arrival of the malevolent narrator, portrayed by Maurice Tarplin, who introduced himself each week in the following manner. This is the Mysterious Traveler, inviting you to join me on another journey into the strange and terrifying. I hope you will enjoy the trip, that it will thrill you a little and chill you a little. So settle back, get a good grip on your nerves and be comfortable -- if you can! THIS EPISODE:January 5, 1947. Mutual network. "New Year's Nightmare". Sustaining. A man goes on a year-end bender and wakes up a year later married to a strange woman. David Kogan (writer, producer, director), Maurice Tarplin, Robert A. Arthur (writer). 1/2 hour.

Richard Diamond, Private Detective was a radio show starring Dick Powell which aired from 1949 to 1953, first on NBC, then ABC and finally on CBS. The title character was a rather light-hearted detective who often ended the episodes singing to his girlfriend, Helen. The television series was produced by Powell's company, Four Star Television, and that series ran for 3 years from 1957 to 1960. On TV, David Janssen played the hard boiled private eye and his secretary renamed "Sam", was only ever shown on camera from the waist down, most assurardidly to display her beautiful legs. It was later leared that the legs belonged to Mary Tyler Moore. Original music by Frank DeVol and pete rugolo and later by richard shores. Good scripts, a solid cast and Powell's exceptional talent made a good time 30 minute program that was quite popular during that Golden Age of Radio. So Let's sit back now, relax and enjoy this truly otr radio classic.,…, Dick powell as Richard Diamond.., Private Detective.THIS EPISODE:July 16, 1949. "The Man Who Hated Women" NBC net. Sustaining. A serial killer is on the loose, slashing women and threatening Lt. Levinson's job! A good, serious cops and robbers story. Dick Powell sings, "Cruising Down The River" after the story. Dick Powell, Edward King (announcer), William P. Rousseau (director), Frank Worth (music director), Blake Edwards (writer), Wilms Herbert, Sidney Miller, William Conrad, Virginia Gregg, Ed Begley, Lurene Tuttle, Jack Kruschen. 29:19.

The Secrets of Scotland Yard was initially hosted by Clive Brook, probably for the first year or so. To add to the air of authenticity, Brook sometimes discusses matters with Percy Hoskins, a 1950s crime expert and reporter for the London Daily Express. Hoskins knew every nook and cranny in London's seedier districts and personally reported on many of the major crimes of the day. A student of crime, Hoskins was also one of the founders of the Saints and Sinners Club of London, an educational organization dedicated to true crime investigation methods and results. Brook had his own Scotland Yard experience previously when he played retired naval commander Stevenson in the 1936 film, "Scotland Yard Commands". American audiences will however probably more familiar with Brooks' portrayal of Sir Arthur Conan Doyle's Sherlock Holmes in the 1932 film of the same name. Brook was eventually replaced by an actor portraying the character Superintendent X of Scotland Yard.

The Voyage Of The Scarlet Queen - First heard on Mutual featuring Elliott Lewis, who as Leonard Maltin writes in "The Great American Broadcast, "…wore every hat imaginable-actor, producer, and director-also penned a good number of scripts for series he supervised, including Suspense." And Maltin says of this show, "On the terrific late-1940's high-adventure series The Voyage of the Scarlet Queen he held down both jobs simultaneously as director and star." As Maltin continues, "Lewis had the ability to make you believe whatever he said. Cast as the skipper on the high-adventure series The Voyage of the Scarlet Queen, he was completely convincing as seagoing ship's master Philip Carney-never corny or overblown." So let a master captain of drama chart a course to exotic ports of call and thrilling adventures. All you have to do is step aboard The Scarlet Queen.THIS EPISODE:October 9, 1947. Mutual network origination, AFRTS rebroadcast. "Tatooed Beaver and Baby Food For Pare Pare". A strange group of passengers for the Celebes, things aren't what they seem! Elliott Lewis, Edwin Max, Gil Doud (writer), Robert Tallman (writer), James Burton (producer), Richard Aurandt (music), Ben Wright, John Dehner, Frank Gerstle. 29:44.

A Man Called X - Sponsored by Frigidaire and later General Motors, this spy series starred Herbert Marshall as Ken Thurston, Intelligence Agent. Marshall, British by birth, starred in films with many of the greatest, especially Detreich in Blonde Venus, Bette Davis in The Virgin Queen, Vincent Price in The Fly, and a great cast in The Razor's Edge, where he portrayed W. Somerset Maugham.

Jack Benny - Benny was remarkable in many ways, but in none more than this: he built a character of every sour ingredient in life, but somehow his real personality trickled through and made it wonderful. Would a real miser act that way before 30 million people each week? The Benny of the air was a fraud, a myth, a creation. It should have surprised no one to learn — after years of toupee jokes that played so well into the vanity theme — that Benny never wore one. He overtipped in restaurants, gave away his time in countless benefit performances, and was lavish in his praise of almost everyone else.THIS EPISODE:December 12, 1937. Red network. Sponsored by: Jell-O. Mary reads a letter from Mama. Kenny sings, "Am I In Love?" Rochester appears as an elevator operator. Shlepperman as a singing Santa Claus, is joined in song by the rest of the cast. Jack and Mary go Christmas Shopping in a department store (the start of a December tradition). Andy Devine, Don Wilson, Jack Benny, Kenny Baker, Mary Livingstone, Phil Harris and His Orchestra, Eddie Anderson, Sam Hearn, Elvia Allman (quadruples), Harry Baldwin (doubles), Ed Beloin (writer, performer), Bea Benaderet, Frank Nelson (as two different floorwalkers), Blanche Stewart (triples), Bill Morrow (writer), Sidney Miller. 29:46.

Nick Carter, Master Detective - Nick Carter is the name of a popular fictional detective who first appeared in in a dime novel entitled "The Old Detective's Pupil" on September 18, 1886. In 1915, Nick Carter Weekly became Street & Smith's Detective Story Magazine. Novels featuring Carter continued to appear through the 1950s, by which time there was also a popular radio show, Nick Carter, Master Detective, which aired on Mutual from 1943 to 1955. Nick Carter first came to radio as The Return of Nick Carter. Then Nick Carter, Master Detective, with Lon Clark in the title role, began April 11, 1943, on Mutual, continuing in many different timeslots for well over a decade. Jock MacGregor was the producer-director of scripts by Alfred Bester, Milton J. Kramer, David Kogan and others. Background music was supplied by organists Hank Sylvern, Lew White and George Wright. Patsy Bowen, Nick's assistant, was portrayed by Helen Choate until mid-1946 and then Charlotte Manson stepped into the role. Nick and Patsy's friend was reporter Scubby Wilson (John Kane). Nick's contact at the police department was Sgt. Mathison (Ed Latimer). The supporting cast included Raymond Edward Johnson, Bill Johnstone and Bryna Raeburn. Michael Fitzmaurice was the program's announcer. The series ended on September 25, 1955. Chick Carter, Boy Detective was a serial adventure that aired weekday afternoons on Mutual. Chick Carter, the adopted son of Nick Carter, was played by Bill Lipton (1943-44) and Leon Janney (1944-45). The series aired from July 5, 1943 to July 6, 1945.

The Hallmark Playhouse - was heard over CBS stations Thursday evenings. This drama anthology of 30-minute shows was sponsored by, of course, Hallmark Greeting Cards. It was preceded by the RADIO READER'S DIGEST, which ran from September 13, 1942 thorugh June 3, 1948. Hallmark sponsored the RADIO READER'S DIGEST from January 13, 1946 to it's end. On Feb. 8, 1953, the series name and format was changed. It was now called THE HALLMARK HALL OF FAME and presented biographal sketches of famous persons, past and present. The new format was used until the end of the 1955 season. The exception to the new format was the broadcast each Christmas season of "A Christmas Carol". Like other dramatic series of this time, this one made use of major screen actors in the productions. James Hilton, author of "Random Harvest", "Lost Horizon" and "Goodbye, Mr. Chips" plus others, served as host and Narrator. Dee Engelbach produced and directed the shows. Jean Holloway was the writer. Sound Effects were by Harry Essman and Gene Twombly. Musical conductor was Lyn Murray. The show's theme was "Dream of Olwne" by Charles Williams.THIS EPISODE:August 12, 1948. CBS network, KMBC, Kansas City aircheck. "The Old Nest". Sponsored by: Hallmark Cards. Not auditioned. A sentimental story about the relationship between parents and children. Jane Morgan, Earle Ross, William Johnstone, Gloria Blondell, Sharon Douglas, Tony Barrett, Rupert Hughes (author), James Hilton (host), Frank Goss (announcer), Lyn Murray (composer, conductor), Milton Geiger (adaptor). 29:20.

The Weird Circle - Presented 30 minute tales of horror, frequently inspired by classic horror or ghost stories, frequently done by French authors. It opened with the sound of the surf and the chant-like opening, "In this cave by the restless sea, we are met to call from out of past, stories strange and weird. Bell keeper, toll the bell, so that all may know that we are gathered again in the Weird Circle". The show was heard on Mutual stations November, 1943 through October, 1947 and very briefly in September/October of 1947 on ABC.THIS EPISODE:Program #30. NBC syndication. "The Strange Judgment". Commercials added locally. An honest fisherman and his good wife have an evil son, not worthy of his parents. A judgment must be made! . 25:05.

Burns and Allen were an American comedy duo consisting of George Burns and his wife, Gracie Allen.Burns wrote most of the material, and played the straight man. Allen played a silly, addleheaded woman. Both attributed their success to the other, to the ends of their lives. Early on, the team had played the opposite roles until they noticed that the audience was laughing at Gracie's straight lines, so they made the change. Burns and Allen developed their popular routine over more than three decades of stage, radio, film, and television. Historians of popular culture have often stated that Allen was a brilliant comedian, whose entire career consisted of engaging in dialogues of "illogical logic" that left her verbal opponents dazed and confused, and her audiences in stitches. During a typical 23-minute episode of the Burns and Allen show, the vast majority of the dialogue and speaking parts were written for Allen, who was credited with having the genius to deliver her lengthy diatribes in a fashion that made it look as though she was making her arguments up on the spot. (One running gag on the TV show was the existence of a closet full of hats belonging to various visitors to the Burns household, where the guests would slip out the door unnoticed, leaving their hats behind, rather than face another round with Gracie.) A continuing joke on the show was that George would say, "Say good night, Gracie," and Gracie would say, "Good night Gracie!" Ralph Pape used the catchphrase for the title of his play, Say Goodnight, Gracie, produced by Steppenwolf in 1983, and the phrase lives on as a title of other books and stage productions.THIS EPISODE:Maxwell House Coffee Time. May 9, 1946. NBC network. Sponsored by: Maxwell House Coffee, Jell-O Pudding. Gracie's planning to write a newspaper column about national affairs. Guest Harpo Marx is going to be her assistant (he's heard whistling and honking, not talking of course). Harp also plays, "Stardust." Not auditioned. George Burns, Gracie Allen, Bill Goodwin, Meredith Willson and His Orchestra, Mel Blanc, Harpo Marx. 29:56.

The Creaking Door was an old-time radio series of horror and suspense shows originating in South Africa. There are at present anywhere from 34-37 extant episodes in MP3 circulation, yet no currently available program logs for the series indicate the year of the series' broadcast (though it was likely sometime in the 1950s, given the generally high audio quality of the available shows), or the total number of episodes, and only a handful of them are known by their broadcast order. The stories are thrillers in the Inner Sanctum vein, and generally thought of favorably by most fans of OTR.

The Family Doctor was a story about Dr. Grant Adams, a small town doctor who doubled as the community's moral rectifier. He was more than just respected, he was loved by all. Each week he confronted issues from robbery to suicide, and always with common sense and gentle moral judgment. Though his old-fashioned remedies for sicknesses are outdated compared to modern medical practicing, The Family Doctor's attitude towards life's daily issues transcend time. Of the 39 intended episodes, only 12 were aired.Boxcars711 supports the efforts of the Old Time Radio Researchers Group (OTRR) whose goals include restoring, preserving and sharing the classic shows from what is commonly known as the "Golden Age of Radio" (1930-1960). Please visit and support this great organization at : http://www.otrr.org/TODAY'S SHOW - Episodes7 (Glass Houses) and Episode8 (Race With The Stork) 1932

The Boston Blackie radio series, also starring Morris, began June 23, 1944, on NBC as a summer replacement for The Amos 'n' Andy Show. Sponsored by Rinso, the series continued until September 15 of that year. Unlike the concurrent films, Blackie had a steady romantic interest in the radio show: Lesley Woods appeared as Blackie's girlfriend Mary Wesley. Harlow Wilcox was the show's announcer. On April 11, 1945, Richard Kollmar took over the title role in a radio series syndicated by Frederic W. Ziv to Mutual and other network outlets. Over 200 episodes of this series were produced between 1944 and October 25, 1950. Other sponsors included Lifebuoy Soap, Champagne Velvet beer, and R&H beer. While investigating mysteries, Blackie invaribly encountered harebrained Police Inspector Farraday (Maurice Tarplin) and always solved the mystery to Farraday's amazement. Initially, friction surfaced in the relationship between Blackie and Farraday, but as the series continued, Farraday recognized Blackie's talents and requested assistance. Blackie dated Mary Wesley (Jan Miner), and for the first half of the series, his best pal Shorty was always on hand. The humorless Farraday was on the receiving end of Blackie's bad puns and word play. Kent Taylor starred in the half-hour TV series, The Adventures of Boston Blackie. Syndicated in 1951, it ran for 58 episodes, continuing in repeats over the following decade.THIS EPISODE:June 13, 1945. Program #10. Mutual network origination, Ziv syndication. Commercials added locally. After Janice Larson almost kills herself, Blackie threatens Oscar Wolfe. His threat is recorded on a dictating machine. When Wolfe is killed the next day, Blackie becomes a fugitive wanted for murder! Richard Kollmar, Frank Lovejoy, John Gibson (?). 26:18.

The Chase is an exciting Old Time Radio series in which every episode contains, well, a chase. Tales, highly melodramatic and often improbable, of people on the run. The concept of "hunter and hunted" was built into the signatures. with the lone bugle of a fox hunt, the braying of dogs, the sounds of a man running, a gunshot, and the slowing footsteps and eventual fall of the victim. It may be an adventure story, a crime story, or even science fiction, but there will always be a suspense filled chase.THIS EPISODE:November 23, 1952. NBC network. "Blackout". Sustaining. The title may be incorrect. Am amnesiac trying to discover his past life finds out he was some louse. Don MacLaughlin, Fred Collins (announcer), Fred Weihe (director, transcriber), Joan Tompkins, Lawrence Klee (creator, writer), Linda Watkins, Ned Wever, William Keene. 29:27.

Calling All Cars was one of radio's earliest cop shows, dramatizing true crime stories and introduced by officers from the Los Angeles and other police departments. The narrator of the program was speech professor Charles Frederick Lindsley, and the only other regular voice heard on the program week after week belonged to that of Sergeant Jesse Rosenquist of the L.A.P.D., whose name and voice were so unusually distinctive that he was retained for the show's entire run. None of the actors on the show ever received on-air credit, but among the talent OTR fans can hear the likes of Elvia Allman, Jackson Beck, Charles Bickford, John Gibson, Richard LeGrand and Hanley Stafford, just to name a few.THIS EPISODE:July 11, 1934. Program #33. CBS Pacific network (Don Lee net). "Fingerprints Don't Lie". Sponsored by: Rio Grande Oil. Officer #734 has been held up, shot and robbed by two men who escaped in a Hudson. The Department of Records and Identification uses fingerprints to apprehend the criminals. The system cue has been deleted. Not auditioned. William N. Robson (writer, producer), Charles Frederick Lindsley (narrator). 29:28.

Lux Radio Theater - In October of 1934, "Lux Radio Theater" debuted in New York on NBC's Blue radio network. Presenting audio versions of popular Broadway plays, the show failed to garner an audience and soon ran out of material. After switching networks to CBS and moving to Hollywood, Lux found its true market. The show began featuring adaptations of popular films, performed by as many of the original stars as possible. With an endless supply of hit films scripts and an audience of more than 40 million, Lux enjoyed a prosperous run until the curtain fell in 1956.THIS EPISODE:King Solomon's Mines aired December 01, 1952 starring Deborah Kerr and Stewart Granger in their original roles from the1950 film. Adventure stories don't come more ripping than King Solomon's Mines, the classic Great White Hunter tale. Novelist H. Rider Haggard's hero, Allan Quatermain (Stewart Granger), reluctantly agrees to lead an Englishwoman (Deborah Kerr) and her brother deep into uncharted territory in Africa, in search of the lady's lost husband. Stewart Granger plays Allan Quatermain, the intrepid hero of a whole series of adventure novels by Haggard over a period of almost thirty years. Quartermain is a big-game hunter and guide, brave, resourceful, wise, weary, cynical, and very, very British. Granger is perfect for the role; he sounds, and acts like the Quatermain of the novels. It's a spectacular adventure story with romance, while they fight with wild animals and cannibals.