Talkhouse Podcast

To celebrate the 20th anniversary deluxe reissue of Mirah's iconic debut You Think It's Like This But Really It's Like This as well the surprise return of The Microphones with The Microphones in 2020, today's show pairs Phil Elverum (also of Mount Eerie) and Mirah in conversation. The dear old friends and collaborators share memories — and explore the act of remembering — in this touching, often very funny talk. Stay tuned for insights into the incredible Olympia, WA music scene of the late '90s/early '00s; why Phil is recording as The Microphones again; and metaphorically — as well as literally — carrying your trash around with you. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Bob Mould with Bully's Alicia Bognanno, Deerhoof with Wadada Leo Smith, and Mac DeMarco with Dayglow. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, everyone you hear recorded themself at their #stayhome studios. Our producer is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to [email protected].

Today’s show, originally aired as part of our Talkhouse Podcast Live on Insta series, features a thoughtful and often hilarious conversation between poet Hanif Abdurraqib and singer/songwriter/poet Adia Victoria. Tune in for a celebration of Little Richard, the history and context of the blues (including why Beyonce is a blues artist!), a nuanced view of Flannery O’Connor, and so much more. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Bob Mould with Bully‘s Alicia Bognanno, Deerhoof with Wadada Leo Smith, and Phil Elverum (The Microphones, Mount Eerie) with Mirah. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, everyone you hear recorded themself at their #stayhome studios. Our producer is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to [email protected].

This week’s show pairs up newly minted friends — and mutual fans — Shamir and Liza Anne. Originally broadcast on our Talkhouse Podcast Live on Insta series, we now present their hilarious and thoughtful convo in podcast form for your listening pleasure! Keep it locked for their deep dive into religion and spirituality, including why Shamir longs to act the part of “the evil queer person in a corny low budget Christian movie.” They also take in finding one’s literal — or metaphorical — New York; Liza Anne’s determined focus on mental health; and which folk star Shamir was in a past life. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Bob Mould with Bully's Alicia Bognanno, Hanif Abdurraqib with Adia Victoria, and Phil Elverum (The Microphones, Mount Eerie) with Mirah. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, everyone you hear recorded themself at their #stayhome studios. Our producer is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to [email protected].

Surprise! Jarvis Cocker has moved his wonderful new LP Beyond The Pale's release date up two months to... tomorrow! Get ready for it with a listen to this rebroadcast of Jarvis' fantastic Talkhouse conversation with The Magnetic Fields' Stephin Merritt. On this week's show, we pair two of the greatest living songwriters, artists who've reimagined what the form can look like, and what it can accomplish. The Magnetic Fields' Stephin Merritt and ex-Pulp frontman Jarvis Cocker each have great new music in the world; when I heard the latter was coming to NYC, I instantly knew I had to try to get these two together in person for a Talkhouse Podcast convo. Thankfully, when presented with the idea, both were psyched! Over cups of tea at Hook and Fade Studios in Brooklyn (before the pandemic), the guys sat down for a delightfully freewheeling conversation about songwriting — and how they both love to subvert its norms in different ways — as well as the vastly different approaches they took to making their new LPs. But of course with these two, there's so much more here, including (but not limited to!): a moving discussion of reunions with their showbiz fathers who had abandoned them; the bad omen that nearly caused Jarvis to quit music in the year 2000; why Stephin’s new sexual fetish might be a “one time only” experience; and their shared love of that "hippy writer" Richard Brautigan. This episode is dedicated to all you "mis-shapes, mistakes, misfits" — enjoy! Pick up The Magnetic Fields' Quickies here, and Jarvis's Beyond The Pale here. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including upcoming talks like Helado Negro with Buscabulla and Black Belt Eagle Scout with Sasami. Make sure to revisit Stephin Merritt and Daniel Handler (aka the author Lemony Snicket)'s 2019 look back on 69 Love Songs on its 20th anniversary. —Elia Einhorn, Talkhouse Podcast host and producer This week’s show was recorded by the Talkhouse Podcast's producer Mark Yoshizumi. Josh Modell and I recorded ourselves in our respective #stayhome studios. Our theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to [email protected].

This week’s show pairs friends, tourmates, and mutual fans Julien Baker (boygenius) and Katie Harkin (HARKIN, Sleater-Kinney). Originally broadcast to kick off the Talkhouse Podcast Live on Insta series, we now present Julien and Katie’s insightful and hilarious convo in podcast form for your listening pleasure! Keep it locked to hear about the unwelcome expectation that artists be creative during quarantine; elitism in the already intimidating world of synthesizers; and the importance of taking control of your own work. Plus — of course, with these two! — John Milton and dick pics… Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Bob Mould with Bully‘s Alicia Bognanno, Shamir with Liza Anne, and Hanif Abdurraqib with Adia Victoria. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, everyone you hear recorded themself at their #stayhome studios. Our producer is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to [email protected].

On this week’s episode of the Talkhouse Podcast, we share a deep-diving conversation about the idea of space for BIPOC folks in indie rock venues — a discussion with the explicit intent “to talk about brown voices, and to talk about how we can uplift them.” Black Belt Eagle Scout — real name Katherine Paul — is a self-described “radical indigenous queer feminist” who grew up on the Swinomish Indian Reservation in Northwest Washington state. KP, as she’s known, is Swinomish and Iñupiaq (a Native community in Alaska). Here, she speaks with Sasami Ashworth, aka SASAMI, a Korean-American singer/songwriter and musician based in Los Angeles. Sasami made her name playing synth in Cherry Glazerr before going solo in 2018. Our special guest-host is Vagabon, or Lætitia Tamko, a Cameroonian-born singer/songwriter/producer. This episode was inspired by the Twitter backlash after a conversation Black Belt Eagle Scout had with Ailsa Chang on the NPR show All Things Considered. With Chang, KP discussed feeling uncomfortable with so many white people at her shows, as her music is intended for BIPOC folks, and stated: “It’s for people of color, for indigenous people, for queer people, and white men are so fragile when I say stuff like that. It’s because of white privilege and they don’t often get told that.” KP was obviously not advocating for banning white men from her shows, but for there to be more room at each performance for her community. Still, of course, a number of fragile white men took to Twitter calling KP racist, and hating on the show for having her on. I saw Lætitia and Sasami tweeting support for KP, with Sasami doing full on UFC-style e-battle with some trolls! I reached out the next day to offer the platform of the Talkhouse Podcast for an extended convo on the topic, one without journalists or “fragile white men” involved. This talk was recorded back in March, just before Covid-19 slammed the States, and before the Black Lives Matter movement’s incredible recent strides. Keep it locked to hear about issues of safety and space in DIY touring, the importance of land acknowledgments, and actionable things that bands and fans can do. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast; next week’s is Julien Baker with Katie Harkin. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, Sasami Ashworth was recorded by Eric Rennaker at bedrock.LA; Katherine Paul, Lætitia Tamko and I each recorded ourselves. Our producer extraordinaire is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to [email protected].

In this inaugural episode of the McIntosh "for the love of music..." podcast series presented by Talkhouse, Elia Einhorn caught up with former Grateful Dead electronics outfitter, and renowned music gear creator, Janet Furman. Janet grew up in New York City, graduating from Columbia University in the late 1960s with an engineering degree before moving to San Francisco and finding work with Alembic, the Grateful Dead’s preferred recording studio and sound crew. Janet recorded the Dead’s live sets on multiple tours, as well as engineering sessions for other rock stars like Steve Miller. She went on to found her own pro audio equipment manufacturing company, Furman, whose products are used in almost every studio and live venue around the world, and which we here at Talkhouse work with every day. Janet shared some amazing stories about working for Owsley Stanley, touring Europe with the Dead and recording some of their most famous work, and even commandeering a helicopter in order to save a massive rock festival… with McIntosh amplifiers.

Sexuality, violence, gender, anger, technology, love. Singer/actress/writer Jehnny Beth (Savages) and Norwegian experimental pop musician and author Jenny Hval are both aesthetically very dark artists who brilliantly dissect these topics in their respective music and erotic novels. On this week's show, we introduce the mutual fans for the very first time; what follows is a powerful, deep dive conversation. Zola Jesus joins me as special guest host. I recently woke up at 5:30AM to set up this conversation between Jehnny's home in Paris, and Jenny's in Oslo. A couple hours later, my almost-three-year-old daughter Conwy woke up just after the talk ended; I took her out of her crib and told her "Dada just listened to a fantastic conversation between two very strong and talented women!" And it really is a fantastic conversation. With Jehnny Beth's debut solo LP To Live Is To Love out just last week, and her book of erotic fiction and photography, Crimes Against Love Memories dropping in early July, and Jenny's new single "Bonus Material" out now and second novel Girls Against God coming later this year, they had a lot to talk about. The two chop it up on their complex relationships with their countries of origin, and the powerful role of language in self-identity; their reasons for functioning primarily outside of the mainstream; and the artist's necessary freedom to express the darker sides of their humanity. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including upcoming shows featuring Black Belt Eagle Scout with Sasami, Fusilier with Bartees Strange, and Julien Baker with Katie Harkin. —Elia Einhorn, Talkhouse Podcast host and producer This week’s show was recorded by Jehnny Beth, Jenny Hval, Zola Jesus, and myself at our respective #stayhome studios. The Talkhouse Podcast’s co-producer is Mark Yoshizumi. Our theme song was composed and performed by The Range. Research assistance was provided by Samantha Small. Please direct all podcast-related ideas, vitriol, and compliments to [email protected].

Did you catch the first of our two podcasts this week? It featured Yrsa Daley-Ward reading her powerful new poem "Making The End," and Helado Negro in convo with Buscabulla. Check it out on talkhouse.com Today's show sees The Avett Brothers' Scott Avett chop it up with Eef Barzelay of Clem Snide. The friends and collaborators cover a lot, including: the role of faith in their music; being true to their art even when it hurts; and some amazing stories about Jason Molina and David Berman. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including upcoming shows featuring Black Belt Eagle Scout with Sasami, Jehnny Beth with Jenny Hval, and Julien Baker with Katie Harkin. —Elia Einhorn, Talkhouse Podcast host and producer This week’s show was recorded by Scott, Eef, Talkhouse’s Executive Editor Josh Modell, and myself at our respective #stayhome studios. The Talkhouse Podcast’s co-producer is Mark Yoshizumi. Our theme song was composed and performed by The Range. Research assistance was provided by Samantha Small. Please direct all podcast-related ideas, vitriol, and compliments to [email protected].

Today's show opens with poet Yrsa Daley-Ward reading her new work "Making The End." Helado Negro and Buscabulla kicked off the Talkhouse Podcast Live on Insta series last month with this warm, thoughtful conversation. The old friends and regular collaborators each have wonderful new music out: Helado Negro recently dropped the single "I Fell In Love" featuring Xenia Rubinos, while Puerto Rican art-poppers Buscabulla just released their hotly tipped debut LP Regressa. As flags from across Latin America and beyond were posted in the comments, they chopped it up on a lot: The experience of releasing music during quarantine; the tight community of “everybody in New York that makes weird music in Spanish”; why Nick Hakim is really Neo from The Matrix; and lots more. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including upcoming shows featuring Black Belt Eagle Scout with Sasami, Jehnny Beth with Jenny Hval, and Julien Baker with Katie Harkin. —Elia Einhorn, Talkhouse Podcast host and producer This week’s show was recorded by Buscabulla in Aguadilla, Puerto Rico, Helado Negro in Marfa, Texas, Talkhouse’s Executive Editor Josh Modell in Chicago, and myself in Philadelphia. The Talkhouse Podcast's co-producer is Mark Yoshizumi. Our theme song was composed and performed by The Range. Research assistance was provided by Samantha Small. Please direct all podcast-related ideas, vitriol, and compliments to [email protected].

This week's show is a bit different from usual Talkhouse Podcast episodes. While it's nominally hosted by the legendary Alan McGee of Creation Records — the man who signed The Jesus and Mary Chain, My Bloody Valentine, and a lil ol' band called Oasis — it's not at all a two-person conversation. Instead, this episode features Joe Talbot, frontman of the incredible post-punk group Idles, in one of the funniest, most viscerally honest live audience Q&A's I've ever witnessed. Both Joe and the attendees are willing to go to deep and often uncomfortable areas: Buckle up for a discussion of toxic masculinity, the role of violence in Idles' music, and the difficult process of developing one’s own artistic language. We also hear about Joe collabing with Mike Skinner of The Streets, turning Sleaford Mods’ taunts into a song, putting human ashes into vinyl records, and... we even get an unexpected lesson on mindfulness. This Q&A was recorded at the wonderful Barras Art & Design in Glasgow. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including upcoming talks like Helado Negro with Buscabulla, Julien Baker and Katie Harkin (Harkin, Sleater-Kinney), Black Belt Eagle Scout with Sasami, and Scott Avett (The Avett Brothers) with Eef Barzelay (Clem Snide). — Elia Einhorn, Talkhouse Podcast host and producer Today’s show was recorded in Glasgow by Nadar Shahzad of Blue Audio (thx Nadar!), and in Philadelphia and Chicago by Elia Einhorn and Josh Modell. Our co-producer is Mark Yoshizumi. Thanks so much to Matt Sadowski of Alt Waves Records and to Barras Art & Design for allowing us to share this event. The Talkhouse Podcast’s theme song was composed and performed by The Range. Research assistance was provided by Samantha Small. Please direct all podcast-related ideas, vitriol, and compliments to [email protected].

We here at the Talkhouse Podcast have been nominated by the International Academy of Digital Arts and Sciences for a Webby Award! Woo hoo! It’s in the "Best Live Podcast Recording” category, and we got the nod for our musical episode with Snail Mail, Fred Armisen, and Mary Lynn Rajskub. The show took place last summer at FORM Fest in Arcosanti, Arizona, and the three of them play, sing, and talk… at the same time. In case you missed it the first time around, or are in the mood to crack up again, check it out! BREAKING NEWS! Indie rock it-band Snail Mail has an all-new lineup! Don't worry, Lindsey Jordan is still there — only now, so is Fred Armisen and comedian Mary Lynn Rajskub (24, It’s Always Sunny in Philadelphia). On our second Talkhouse Podcast episode recorded backstage at the wonderful FORM Fest, the three form a group on the spot, then, with instruments in hand, improvise songs about: How they’re actually the new Snail Mail lineup; Chef Boyardee; Neil Young; "lemon squares that Mommy made"; Jesus’ selective saving tendencies (that one's titled called “Here Comes The Son”), and loads more. We also witness spoofs of Queen and Beyonce; hear thoughts on fergiepeepants.jpg; learn about foot fetishists and Wikifeet; take in some sarcastic breakdancing; consider gentle piss modulators; and find out why Mary Lynn is convinced Lindsey needs to get pregnant immediately. This Talkhouse Podcast and video was recorded in the Conservatory backstage at FORM Fest in Arcosanti, Arizona. Pulp Arts and Patreon teamed up to co-present The Conservatory, a rad backstage visual arts installation and recording studio. Talkhouse recorded six episodes there throughout the weekend, so subscribe to make sure to catch upcoming shows, including: Kelsey Lu & Yrsa Daley-Ward Julianna Barwick & Mary Lattimore American Football & Pelican L’Rain & Melanie Faye You can also check out the just-released first episode from the fest, featuring jazz and hip hop legend Robert Glasper with a giant of African music, Malian guitarist Vieux Farka Touré, plus an appearance by Lonnie Holley. —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was co-produced by Mark Yoshizumi. It was recorded at FORM Festival in Arcosanti, Arizona, and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi, Danny Clifton and Ian Jones. Research assistance was provided by Madalyn Feltus. The Talkhouse Podcast’s theme song was composed and performed by The Range.

On this week's show, we pair two of the greatest living songwriters, artists who've reimagined what the form can look like, and what it can accomplish. The Magnetic Fields' Stephin Merritt and ex-Pulp frontman Jarvis Cocker each have great new music in the world; when I heard the latter was coming to NYC, I instantly knew I had to try to get these two together in person for a Talkhouse Podcast convo. Thankfully, when presented with the idea, both were psyched! Over cups of tea at Hook and Fade Studios in Brooklyn (before the pandemic), the guys sat down for a delightfully freewheeling conversation about songwriting — and how they both love to subvert its norms in different ways — as well as the vastly different approaches they took to making their new LPs. But of course with these two, there's so much more here, including (but not limited to!): a moving discussion of reunions with their showbiz fathers who had abandoned them; the bad omen that nearly caused Jarvis to quit music in the year 2000; why Stephin’s new sexual fetish might be a “one time only” experience; and their shared love of that "hippy writer" Richard Brautigan. This episode is dedicated to all you "mis-shapes, mistakes, misfits" — enjoy! Pick up The Magnetic Fields' Quickies here, and Jarvis's Beyond The Pale here. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including upcoming talks like Helado Negro with Buscabulla, Black Belt Eagle Scout with Sasami, and comedian Chris D'Elia with filmmaker Amanda Kramer. Make sure to revisit Stephin Merritt and Daniel Handler (aka the author Lemony Snicket)'s 2019 look back on 69 Love Songs on its 20th anniversary. —Elia Einhorn, Talkhouse Podcast host and producer This week’s show was recorded by the Talkhouse Podcast's producer Mark Yoshizumi. Josh Modell and I recorded ourselves in our respective #stayhome studios. Our theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to [email protected].

This week on the show, we celebrate the wonderful Other Music documentary with two Grammy-winning artists: singer-songwriter Aimee Mann and the National's Matt Berninger. The two discuss the iconic record store and the creative importance of having physical spaces dedicated to musical community, plus we hear how they're managing to work during the pandemic, and Matt reveals that he's both writing a musical and launching a label imprint. The Other Music doc features many wonderful artists that have appeared on our show — TV on the Radio, the Magnetic Fields, Superchunk, Yeah Yeah Yeahs, Jason Schwartzman, Animal Collective, William Basinski, Frankie Cosmos and more — this is truly a #talkhousecore film! Other Music is currently being screened via a "virtual theatrical release," with more than 200 independent record shops and movie theaters offering it to rent, and splitting the profits 50/50. This is a wonderful chance to support your local purveyor of brilliant art, and catch one of the must-see music films of the year. Click here to find your local favorite store or theater that's screening it! (Our producer Mark Yoshizumi rented it from his alma mater Reckless Records in Chicago; Talkhouse Film's Editor-in-Chief Nick Dawson supported Permanent Records in L.A., and I went with Record Grouch in Brooklyn, where I've spent many and many a happy hour amongst the hallowed racks.) Enjoy today's show, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including upcoming talks like Jarvis Cocker (Pulp) with the Magnetic Fields’ Stephin Merritt, and Black Belt Eagle Scout with Sasami. —Elia Einhorn, Talkhouse Podcast host and producer This week’s show was recorded by Aimee Mann, Matt Berninger, Nick Dawson, and myself in our respective #stayhome studios. The Talkhouse Podcast's co-producer is Mark Yoshizumi. Our theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol and compliments to [email protected].

Comedian Joe Pera (Joe Pera Talks With You) and singer-songwriter David Bazan (Pedro The Lion) have elevated self-aware open-heartedness and detailed observation of humanity into, well, art. When David discovered Joe's show, he fell for it hard, and reached out to Talkhouse to see if we could arrange a convo. We loved the idea, and think you'll really enjoy the result. Joe and David discuss a lot, including: their granular writing techniques; appreciating the gentle joys of life, like wearing green hats on St. Patrick’s day; how some performers only achieve their maximum authenticity onstage; and why live performers must be doms. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including upcoming shows featuring Jarvis Cocker (Pulp) with the Magnetic Fields’ Stephin Merritt, and Black Belt Eagle Scout with Sasami. —Elia Einhorn, Talkhouse Podcast host and producer This week's show was recorded by Joe Pera, David Bazan, Talkhouse's Executive Editor Josh Modell, and myself in our respective #stayhome studios. The Talkhouse Podcast's co-producer is Mark Yoshizumi. Our theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to [email protected].

Today’s episode is produced in collaboration with Murmrr Ballroom and Community Bookstore. We are so pleased to, for the first time on the Talkhouse Podcast, present two authors in conversation. And what authors! To celebrate George Saunders’ new short story in the New Yorker, his appearance on Cheryl Strayed’s new podcast Sugar Calling, and many of us having a little more time to read now, we wanted to share from our digital vault his wonderful 2018 talk with Dana Spiotta. George and Dana share quite a bit in their conversation, including: why it’s important to read fiction right now; trying to write in the style of '90s chat rooms; Jesus the Temple-trashing tough guy; and… dreaming of goiters. This show includes great readings by both authors, and kicks off with a live intro from Michael Miller of Bookforum. It closes with an audience q and a. Check it out. Huge thanks to Brian Kelly and all at Murmrr. Also to Community Bookstore in Park Slope, Brooklyn; they’re one of the greats here in New York, and during this time of social isolation, are still open for deliveries, with free media mail. Regular listeners might remember we collaborated with these great folks on previous episodes including Jeff Tweedy with Abbi Jacobson and Judd Apatow with David Duchovny. Today’s show was recorded in Brooklyn by Justin Hrabvosky, Eric Lemke and our co-producer Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol and compliments to [email protected] or @eliaeinhorn on Twitter.

This harrowing virus and quarantine have brought infinite terrible things with them. Still, I want to take a moment to celebrate a ray of sunshine — some truly incredible live-from-their-home sets from brilliant artists. “The Tweedy Show,” the nightly show that Wilco‘s Jeff Tweedy and his family stream on Instagram each weeknight is not to be missed. Jeff, his wife Susie, and their sons Spencer (The Blisters, Tweedy… um, the band, that is) and Sammy broadcast whatever they feel like: impromptu live versions of Wilco songs, Jeff’s from-a-dream lyrics for a song called “Grandma’s A Cyborg Now,” or a chat with Curb Your Enthusiasm‘s Jeff Garlin. So this week, we’re re-airing a wonderful live talk between Jeff Tweedy and genius comedian Abbi Jacobson (Broad City, Disenchantment). After you listen, make sure to check out the new Mavis Staples song “All In It Together” that Jeff produced and sang on, as well as Spencer Tweedy‘s past Talkhouse Podcast episodes with NE-HI (RIP) and Whitney. Until catching this talk live last month, it would never have occurred to me that there could be a deep similarity between Jeff Tweedy’s songs and Abbi Jacobson’s Broad City character, but—there is! Jeff (Wilco, Tweedy) and Abbi (Broad City, Disenchantment) sat down at the beautiful Murmrr Theater in Brooklyn to celebrate the release of Jeff’s memoir Let’s Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc. and his new solo album Warm. Their thoughtful and funny conversation took in a lot, including the difficulties they each had writing books after focusing their careers on other types of writing; opening up about mental health and addiction; Jeff breaking into comedy; and so much more. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. Feel free to DM me to let me know which artist(s) you’d love to see appear on a future episode. —Elia Einhorn, Talkhouse Podcast host and producer This episode was recorded by Mark Yoshizumi with Eric Lemke and Justin Hrabovski at Murmrr Theater, and at Hook and Fade Studios in Brooklyn. It was co-produced by Mark Yoshizumi. Big thanks to Brian Kelly at Murmrr. The Talkhouse Podcast’s theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to [email protected].

Singer-songwriter Katie Crutchfield, aka Waxahatchee, and comedian Whitmer Thomas have each released perhaps the best work of their careers thus far in the past month or so: Waxahatchee with her new LP, Saint Cloud, Whitmer with his HBO comedy special The Golden One. The two are huge fans of each other's emotionally vulnerable work; having recently met, they have, as Katie puts it in this talk, “a weird kismet connection." In their open and honest conversation, Katie and Whitmer take us through their careers, from their beginnings as teenage rockers in Alabama to their current professional successes, and the processes of making their powerful new works. We also hear about the benefits of a slower professional trajectory; pre-album-release shame when you’ve been completely open about your life in your art; and how Katie getting sober changed her music. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including upcoming shows featuring Jarvis Cocker (Pulp) with the Magnetic Fields’ Stephin Merritt; Black Belt Eagle Scout with Sasami; and George Saunders with fellow author Dana Spiotta. —Elia Einhorn, Talkhouse Podcast host and producer This week's show was recorded by Claire Morison at Bedrock.la and in Brooklyn by Talkhouse Film's Editor-in-chief Nick Dawson and myself in our respective #stayhome studios. The Talkhouse Podcast's co-producer is Mark Yoshizumi. Our theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to [email protected].

On the latest episode of the Talkhouse Podcast, we feature a very special conversation recorded live at On Air Fest in Brooklyn earlier this month between The Roots’ lead MC Black Thought (aka Tarik Trotter) and comedian Wyatt Cenac. The two friends have a hilarious, highly entertaining talk about everything from beard grooming and the need for adult playgrounds, to their initial forays into showbiz (Tarik went to school with Questlove, Boyz II Men and Beanie Sigel!), to Wyatt’s disastrous gig hosting a CMJ hip-hop show and the awful time Tarik forgot the lyrics to the Jay-Z song he was performing – as part of a tribute to Hov himself! For more filmmakers and musicians in conversation, visit Talkhouse at talkhouse.com and subscribe to the Talkhouse Podcast to stay in the loop about future episodes. This episode was recorded by Sam Bair at On Air Fest, Elia and Nick recorded themselves in quarantine, and was co-produced Mark Yoshizumi.

With Public Enemy in the news recently, and Rage Against the Machine active this year, we were immediately reminded of this talk with Tom Morello and Public Enemy's Chuck D. A lot has changed since we recorded the new intro for this episode a week ago. We want to wish all of our listeners good health. Talkhouse will be continuing to publish new and archival conversations with your favorite musicians, actors, and filmmakers at our usual pace. Take care and thanks for listening. Chuck D (Public Enemy) and Tom Morello (Rage Against The Machine, Audioslave, the Nightwatchman) have been sending radical political messages up the pop charts for decades. On the occasion of the debut LP by their new supergroup, Prophets Of Rage, the two musical revolutionaries bum-rush the Talkhouse Podcast to discuss protest music. Their conversation also covers why new groups are afraid to be overtly political, the democratization of music via technology, how Rage Against the Machine fooled MTV and Viacom, and "Puff the Magic Dragon." Check it out, and subscribe now on iTunes or Stitcher to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer Today's episode was recorded by Susan Valot, and mixed and co-produced by Mark Yoshizumi.

A.C. Newman of The New Pornographers and Wesley Toledo, the drummer for psych/prog rockers Post Animal, are big fans of each other's music. When we paired 'em up for a Talkhouse convo, the guys were thrilled to dive deep on embracing irony and ridiculousness in their songwriting. Their talk also takes in how hip hop and psych are getting closer and closer, what can be learned from Electric Light Orchestra, and the lengths Andrew Bird will go to to get the right take. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including upcoming episodes featuring Jarvis Cocker with The Magnetic Fields' Stephin Merritt; The Roots' Black Thought with comedian Wyatt Cenac; and George Saunders with Dana Spiotta. —Elia Einhorn, Talkhouse Podcast host and producer Wesley Toledo was recorded by Talkhouse's dear pal Alex Hall at Reliable Recorders in Chicago, A.C. Newman recorded himself, and Annie Fell and I were committed to 1s and 0s by our co-producer Mark Yoshizumi at Hook and Fade Studios, Brooklyn. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to [email protected].

On the latest episode of the Talkhouse Podcast, two of the greatest living filmmakers, Kelly Reichardt and Olivier Assayas, sit down for an intimate conversation. Recorded last fall when Reichardt’s First Cow (in theaters March 6 through A24) and Assayas’ Wasp Network were both playing at the New York Film Festival, this talk sees the two comparing notes on the intricacies of their respective creative processes, from writing through to editing. They discuss the ways in which they differ (such as Assayas’ enforced spontaneity and Reichardt’s love of preparation), the personal backstories to Assayas’ films Cold Water and Summer Hours, Reichardt’s past growing up in a law-enforcement family in Miami, the way new technology figures in their work, and much more. For more filmmakers and comedians talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast.

On the latest episode of the Talkhouse Podcast, there’s a meeting of kindred spirits as Maria Bamford sits down with fellow stand-up Chris Gethard. Bamford and Gethard are both famous for having put their own mental health struggles at the center of their comedy, and Bamford’s new Topic show, What’s Your Ailment?, is a series of in-depth discussions with other comedians about depression, addiction and the like. Unsurprisingly, the two swap stories about meds and therapists, but also share their fantasies of quitting comedy (and what other jobs they dream of doing), debate the relative merits of different hotel franchises, and dish on social media attacks, how to deal with hecklers, and much, much more. For more filmmakers and comedians talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast.

Robbie Robertson is a songwriter and guitarist who redefined American music with The Band, redefined what a concert film could be with The Last Waltz, and redefined movie soundtracks via his scoring of critical Martin Scorsese films like Raging Bull, The King of Comedy, and, most recently, The Irishman. To celebrate the release of the new documentary Once Were Brothers: Robbie Robertson and The Band, Robbie sat down for an incredible Talkhouse conversation with an artist at Americana's vanguard, M.C. Taylor, AKA Hiss Golden Messenger. The guys chop it up on some truly incredible stories, including (but by no means limited to!) Robbie's touring with Bob Dylan, working with Martin Scorsese, and corresponding with the brilliant classical composer Krzysztof Penderecki. Their talk also takes in the meaning and process of songwriting, Levon Helm absolutely hating country music, and Robbie’s “incredible jukebox in the sky." Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including upcoming episodes with authors George Saunders and Dana Spiotta, filmmakers Olivier Assayas and Kelly Reichardt, and musicians A.C. Newman (The New Pornographers) and Post Animal. —Elia Einhorn, Talkhouse Podcast host and producer Today's episode is brought to you by Current.com. It was recorded in North Carolina by M.C. Taylor, in Los Angeles at Village Studios by Karl Wingate, and in Brooklyn at Hook and Fade Studios by our co-producer Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol and compliments to [email protected]

Today's episode is produced in collaboration with Murmrr Ballroom and Community Bookstore. Judd Apatow and David Duchovny absolutely adored their friend and collaborator Garry Shandling. Since Garry's death in 2016, Judd has been memorializing the game-changing comedian, first with his HBO documentary The Zen Diaries of Garry Shandling, and more recently through the book, It's Garry Shandling's Book, comprised of journal entries, photos, and contributions from peers. To celebrate Garry's life via the book's release late last year, Judd and David sat down at a sold-out Murmrr Ballroom to share some heartfelt and hilarious stories, and to answer audience questions. In this very special episode, tune in for tales of boxing and meditating with Garry; on-set shenanigans; wild times at his famous Hollywood basketball games with the likes of Adam Sandler, George Clooney, and Brad Pitt; and so much more. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including upcoming episodes with George Saunders and Dana Spiotta (another Murmrr Lit collaboration), the New Pornographer’s AC Newman and Post Animal, Robbie Robertson of The Band and Hiss Golden Messenger, and filmmakers Olivier Assayas and Kelly Reichardt. —Elia Einhorn, Talkhouse Podcast host and producer Huge thanks to Brian Kelly and all at Murmrr, and to Community Bookstore in Park Slope, Brooklyn. Today’s show was recorded in Brooklyn by Justin Hrabvosky and our co-producer Mark Yoshizumi, at Murmrr and Hook and Fade Studios. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol and compliments to [email protected]

Michael Shannon (Knives Out, The Shape Of Water) and Jason Narducy (Superchunk, Bob Mould) met while playing in a Lou Reed cover band put together by Robbie Fulks, and their friendship has only gotten more interesting from there. On the occasion of the new musical Verböten — which tells the story of Jason’s real-life punk band that formed when he was just 11 years old — opening at Chicago's Chopin Theatre, the old friends sat down for a wonderful conversation. Tune in for insider stories of Michael's newest film Knives Out, Jason's journey to seeing Verböten through to curtain, hangs with The Pretenders' Chrissie Hynde, and so much more. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including upcoming episodes with Judd Apatow and David Duchovny, The New Pornographer's AC Newman and Post Animal, and Robbie Robertson of The Band and Hiss Golden Messenger. —Elia Einhorn, Talkhouse Podcast host and producer Today's show was recorded in Chicago by Stephen Shirk at Shirk Studios, and in Brooklyn by our co-producer Mark Yoshizumi at Hook and Fade Studios. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to [email protected]

This week on the show, we revisit a fan-favorite episode: legendary producer and musician Steve Albini, and the game-changing Devo's Jerry Casale. Enjoy! The Talkhouse Podcast recently headed out to the fantastic Desert Daze festival at Moreno Beach at Lake Perris in Southern California. When we weren't catching sets by Tame Impala, King Gizzard, and My Bloody Valentine, we recorded a trio of great talks; this week, we present the first. When I saw that both Steve Albini and Devo's Jerry Casale were going to be at Desert Daze giving talks, I knew we had to pair these two icons of alternative music. They're big fans of each other's work, and halfway through their conversation, Steve said, “This is the sort of stuff no one ever talks about. These are the questions I’ve had for 30 years.” Their fascinating talk takes in the beginning years of Devo’s existence; their complex relationship with Neil Young; Brian Eno’s proclivity for ménage à trois; the differences between poker and making records; and how the name Devo became a category alongside jocks, squares and nerds. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. Feel free to DM me to let me know which artist(s) you’d love to see appear on a future episode. —Elia Einhorn, Talkhouse Podcast host and producer This episode was recorded by Keenan Kush at Desert Daze, and by Mark Yoshizumi at Hook & Fade Studios in Brooklyn. It was co-produced by Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range. Big thanks to Desert Daze for hosting the Talkhouse Podcast. Please direct all podcast-related ideas, vitriol, and compliments to [email protected]

On the latest episode of the Talkhouse Podcast, we feature the second of our talks recorded live at last year’s LA Comic Con. Though the pairing of actors Juliana Harkavy (aka Black Canary on Arrow) and Ryan Hurst (best known as Opie on Sons of Anarchy) came together at the last minute, the two clicked instantly, helped by their joint love of dogs (Ryan has 12 and is a dog trainer!) and the fact that both of them have acted on The Walking Dead. As well as swapping stories about eating lunch with zombies, the two discuss the bliss of sky-diving (which Ryan has done about 1000 times), their (sometimes embarrassing) early acting experiences, Ryan shares a hilarious Marlon Brando story, and Juliana teases a possible sideways career move into music. For more filmmakers on film, go to talkhouse.com/film. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. Today’s show was recorded at LA Comic Con by Ali Nikou, and at Hook and Fade Studios in Brooklyn by our co-producer Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

Devonté Hynes, aka Blood Orange, had an incredible 2019. He dropped the mixtape Angel's Pulse; scored the critically acclaimed film Queen and Slim; released a classical album with Third Coast Percussion; directed a music video for Beck; and, as a fan, finally saw the brilliant composer/vocalist Beverly Glenn-Copeland live. Glenn-Copeland (as he prefers to go by in his day-to-day life) had his own amazing year: At the age of 74, he had his first international tour, released the new LP Primal Prayer, and saw his previously obscure, decade-spanning seven album catalog finally embraced in music communities around the world. And he met Dev, whose music he adores. We introduced Dev and Glenn right here on the Talkhouse Podcast, and the ensuing convo was warm, vulnerable, funny, and potent. The two sat on a sofa at Hook and Fade Studio in Brooklyn, and instantly formed a world all their own; they stared into each other's eyes, and spoke so softly that it was difficult to hear them from even a few feet away. In their wide-ranging conversation, Glenn and Dev discuss discovering parts of themselves by traveling out of their home countries; the way they each approach their songwriting; and the story behind Glenn’s seminal 1986 album Keyboard Fantasies. We also learn the importance of nature and its role in their music; how recently Dev began to honor music as the foundation of all his creativity; and the trick Glenn’s mother used to make him a musician while still in utero. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer @eliaeinhorn Today's show was engineered and co-produced by Mark Yoshizumi. Additional editing by Katie Lau. Research by Reese Higgins. The Talkhouse Podcast’s theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to [email protected]

Suzi Quatro and L7's Donita Sparks are iconic rockers who have each paved the way for generations of women in music. And on today's show — for the first time ever — they meet! To celebrate the theatrical release of the documentary Suzi Q, which Donita appears in, as well as the L7 doc L7: Pretend We're Dead and new LP Scatter The Rats, the two chop it up in a wide-ranging, rapid fire convo. They talk refusing to "do gender" when it comes to their music, while also knowing when to pull what they call the “female card” and charge a “pussy premium” for their work. We also hear about Suzi's astrological studies; Donita’s time-travel crush; Suzi’s life mantra — in lyrics — and what she's gonna do to get ready when it comes time for her to kick the bucket. Today's show was recorded at Elevate Studios in Hamburg by Jan Strehl, in Los Angeles by Ali Nikou, and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

On the latest episode of the Talkhouse Podcast, singer-songwriter Damien Jurado and standup comedian and actor Nick Thune sit down together in advance of their upcoming joint “Sad Music, Sad Comedy” tour, which is hitting the East Coast this January. The two became friends after the passing in 2018 of their mutual friend, producer and musician Richard Swift, who both Nick and Damien made records with. As well as swapping stories about Swift, the two discuss how Swift’s death pushed Nick to get sober, how comedians want to be musicians (and vice versa), Nick teaching his kid manipulative behavior so he can excel at Made You Look and how Damien discovered the Beatles in his forties, plus they set the ground rules for their tour – Cracker Barrel, look out! For more filmmakers and musicians in conversation, subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. Today’s show was recorded at Bedrock.LA by Eric Rennaker and at Hook and Fade Studios in Brooklyn by our co-producer Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

What a FOOKIN' TRULY RAD YEAR it's been here at the Talkhouse Podcast! Thx for being on this wild ride with us! As we hurtle towards 2020, I've been doing a bit of year-end tallying; can I share just a few stats with you? Please? Ok, thx. We released a whopping FORTY NINE new episodes in 2019. (WHO DOES THAT?! WHAT WERE WE THINKING?!) This year we featured artists like Brian Wilson, Joseph Gordon-Levitt, Tierra Whack, Harmony Korine, Chelsea Peretti, Portugal. The Man, Fred Armisen, Shabazz Palaces, Nikki Glaser, Drew Carey, Chris Redd, The Flaming Lips, Robert Glasper, Snail Mail, The Magnetic Fields, Animal Collective, Karen O, Tim Heidecker, Kate Nash, Karen Gillan, Jon Cryer, and Ariel Pink, plus so many more greats. The Talkhouse Podcast held live tapings from LA Comic Con to Rough Trade NYC, with stops at SXSW in Austin, both Tomorrow Never Knows and Pitchfork x The Art Institute of Chicago's Midwinter in Chi, Life Is Beautiful in Las Vegas, and loads more. Oh, and did you see the videos from our time at FORM Fest in Arcosanti, Az?? They're gorgeous! We celebrate 2019 on the show this week with a roundtable of Talkhouse's editorial team looking back on some of our fave moments from the show this year. Enjoy, and happiest of holiday seasons to you! Can't wait to share the incredible episodes we've already got in store for you next year. xoxo Elia Today’s show was recorded at Hook and Fade Studios in Brooklyn by our co-producer Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

Dearest Talkhousers! As we near the end of an incredible year at the Talkhouse Podcast, we wanted to re-air one of our fan fave episodes: Cate Le Bon in conversation with Ariel Pink. Make sure to tune in next week for the Talkhouse Podcast Best of 2019 all-star bonanza show! Sending posi-core choose-your-own-holiday vibez, Elia To celebrate Mexican Summer’s ten year anniversary, we paired two of the fantastic record label’s most fascinating artists: Ariel Pink and Cate Le Bon. Backstage at A Decade Deeper: Mexican Summer’s 10 Year Anniversary party at Brooklyn’s Pioneer Works arts space, Cate and Ariel—fans of each other’s work who'd never met irl—sat down for a talk before their sets. The two really hit it off, and their wide-ranging conversation takes in a lot: the deep flaws they see in the way music press works; Ariel not always working well with others; and the difficult genesis of Cate’s upcoming LP. Ariel also talks about his favorite site on the internet, and Cate divulges the, um, very weird act she was asked to perform for a shoot. Check it out. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was co-produced by Mark Yoshizumi. Big thanks to Justin Frye and Pioneer Works for hosting this taping. The Talkhouse Podcast’s theme song was composed and performed by The Range.

Comedian Chelsea Peretti and Imperial Teen's Will Schwartz are working on a secret collaboration. Well it was secret, that is, until they sat down together for this week's podcast! Tune in to hear about their upcoming musical project, Will's wild connection to the Clinton impeachment scandal, Chelsea dishing on her and hubby Jordan Peele's complicated (and hilarious) relationship with ordering in, and “the trick to singing good.” Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer Today’s show was recorded at Bedrock.LA by Eric Rennaker and at Hook and Fade Studios in Brooklyn by our co-producer Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

We announced this surprise Talkhouse Podcast live episode at Life is Beautiful less than 45 minutes before it started. But by the time the venue where we were recording opened its doors, an impossible line snaked through rows of metal dividers, down the block, and out of sight around the corner. How could it not be a standing-room-only situation, though, when the artists on stage were Fred Armisen, Chris Redd, and Portugal. The Man??? Over the next 50 minutes, in convo and Q&A, the guys hilariously tackled impersonating the arpeggiator on a synthesizer; shared the secrets to continuously reinventing their art; and spilled tea on mind-blowing Saturday Night Live moments as well as PTM's most epic onstage meltdown. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer Thanks so much to Life is Beautiful for hosting the Talkhouse Podcast! Today’s show was recorded at Life is Beautiful by Logan Shields and Mark Yoshizumi, and in NYC by our co-producer Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

On the latest episode of the Talkhouse Podcast, friends and Mystery Science Theater 3000: The Return co-stars Felicia Day and Jonah Ray sit down for a live on-stage conversation at LA Comic Con to find out all the stuff they realize they don’t actually know about one another! The two are inveterate multi-hyphenates – Day is an actress (from Buffy the Vampire Slayer to Dr. Horrible’s Sing-Along Blog to Supernatural), web video creator (most famously of The Guild) and best-selling author (most recently of Embrace Your Weird) and Ray is a stand-up comedian, podcast host, TV host (Hidden America with Jonah Ray) and writer-director – so there’s no shortage of topics to dive into. In their wide-ranging talk, the two discuss everything from their plan Bs (if showbiz fails), Jonah’s planned indie movie about his Hawaii upbringing (which Bobcat Goldthwait is helping him with!), Felicia’s permissive, poop-friendly parenting approach, early bedtimes, accidentally ripping off Fleabag, and much, much more. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast.

On this week's show, we share a talk that took place as a fans-only live taping at Rough Trade NYC last year. Curated by Talkhouse intern Lauren McGrath, the episode sees Shannon Shaw of Shannon And The Clams and Hunx and his Punx chop it up with Happy Fits' singer/cellist Calvin Langman. Their revealing backstage convo takes in the time Shannon met Andre 3000; Calvin’s experience having his very first single blow up on Spotify; recording with The Black Keys' Dan Auerbach; and even Shannon's job working at a mental institution for the criminally insane. Check it out, and catch Shannon and The Clams on tour with the Black Keys through November: all dates @ http://shannonandtheclams.com/ This episode was recorded and co-produced by Mark Yoshizumi. Our theme song was composed and performed by The Range. Big thanks to Jill Wheeler and Rough Trade NYC for hosting us!

For our fifth consecutive year there, the Talkhouse Podcast crew flew out to the fantastic Pitchfork Music Festival in Chicago this past July to record artists in conversation backstage. Over the years, this series has featured talks between Brian Wilson & Carly Rae Jepsen, Frankie Cosmos & Vagabon, Priests with LCD Soundsystem's Tyler Pope, and many more. This week’s show is our second from the fest this year (the first was Tasha & Lillie West of Lala Lala), and it's Talkhouse's first ever bilingual conversation! In this episode, all four members of Nagoya, Japan's CHAI — whose "neo-kawaii" post-punk-pop record Punk is one of our favorites of the year — talk to Stef Smith from the stellar Chicago-based indie pop band Varsity. With the help of CHAI's translator Rena, they chat about what it’s like touring in a country where you don’t speak the language (and how that’s actually been a good thing for CHAI when it comes to getting interviewed); the real, unexpected danger of being interviewed by Nardwuar; and why dogs make such great musical inspiration. They also cover where to find the best deep dish in Chicago — controversial! — and the food Nagoya is famous for. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast! —Annie Fell, Talkhouse Senior Editor This episode was recorded by Joe Darnaby and Mark Yoshizumi, and co-produced by Mark Yoshizumi, Annie Fell, and Elia Einhorn. Our theme song was composed and performed by The Range. Big thanks to Pitchfork Music Festival for hosting Talkhouse!

Last month, Ian Williams (Battles) and Lee Ranaldo (Sonic Youth) chopped it up in front of a fully packed house at the grand opening of Everlane's flagship store in Williamsburg for a live taping of the Talkhouse Podcast. The experimental guitar legends shared the unusual processes of making their new LPs (Battles' Juice B. Crypts came out last week, and Lee's drops early next year). Their talk also takes in Sonic Youth's versus Wilco's insane touring guitar collections; how a chance encounter with Les Savy Fav led to the first ever Battles show; the cross-genre pollination of 1980s New York; and their thoughts on recently departed icons Ric Ocasek of The Cars and Daniel Johnston. Stay tuned after the talk for an audience Q&A with Lee, Ian, and myself. Links galore: If you enjoy this episode, keep an eye peeled for the wonderful Consequence of Sound podcast This Must Be The Gig's upcoming show featuring Lee Renaldo and his collaborator Raül Refree; I attended the live taping in New York and just loved it. You can also check out past Talkhouse Podcast episodes featuring Battles' Juice B. Crypts collaborators Xenia Rubinos, Tune-Yards, and Shabazz Palaces. And finally, here's Lee and Ian's first meeting on the show from back in 2016. Today's show was recorded by Stephan Kimbel Olson and Mark Yoshizumi at Everlane, and at Hook and Fade Studios in Brooklyn by our co-producer Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

Ever bring your family to Burning Man? Sorry, let me back up. A bit of context: The Talkhouse Podcast spent a fantastic weekend in Las Vegas last month at Life Is Beautiful Music and Art Festival. We put on two live Talkhouse tapings as part of their comedy lineup: Nikki Glaser x Bachelor Nation superstar Kaitlyn Bristowe, and Fred Armisen x Chris Redd x Portugal. The Man (which'll be released as a podcast soon). We also hosted a live talk under the fest's Ideas banner, featuring legendary entrepreneur Tony Hsieh (CEO of Zappos) and Joseph Gordon-Levitt (insanely famous actor, founder of HitRecord). The two friends take a heady dive into the question of what collaboration will look like in the future. Along the way we hear about parallels between artistic and entrepreneurial creativity; how the '80s show MacGyver shaped Tony's business philosophy; and, yep, taking your family to Burning Man. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer @eliaeinhorn Today’s show was recorded at Life Is Beautiful by Logan Shields and Mark Yoshizumi, and at Hook and Fade Studios in Brooklyn by our co-producer Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

Singer/songwriter Pete Yorn knows how to pick collaborators — he's worked with The Pixies' Frank Black, Scarlett Johansson, and REM's Peter Buck to name just a few greats. When he and Day Wave's Jackson Phillips began making music together, Yorn knew he'd found the right co-pilot for a new musical undertaking. To celebrate Yorn's new LP Caretakers, co-produced by him and Phillips, the two sat down for a deep dive on the Talkhouse Podcast. They examine the benefits and drawbacks of a musical education; discuss the pluses and minuses of working in both small and big recording studio; and take in how hearing The Cure & The Smiths changed the course of Yorn's life. Check it out, and subscribe to the Talkhouse Podcast to catch upcoming episodes featuring Portugal. The Man with SNL's Chris Redd and Fred Armisen, Lee Ranaldo (Sonic Youth) with Battles' Ian Williams, and CHAI in convo with Varsity. Today’s show was recorded in New York by Dan Arnes and Mark Yoshizumi. It was co-produced by Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

What's uuuuuuup!! Dearest listeners, the Talkhouse Podcast team is back from Life Is Beautiful Fest in Las Vegas and we can definitively report that it totally. fookin'. RULES! We saw Billie Eilish start five separate mosh pits; watched famous DJs spin to a rooftop pool full of three-drinks-in, beach-ball-tossing, all-gender hotties at 1:00 in the afternoon; made it rain on 11th Street Records picking up rare original-pressing Smiths 12"s; and danced like fools down strobe-lit alleyways soundtracked by blasting synth-drenched four on the floor. (Fine, I'll admit that those last two were just me...) Oh, yeah, and we also put on three live Talkhouse Podcast events! For the Life Is Beautiful Comedy series, we paired SNL's Chris Redd, Fred Armisen, and Portugal. The Man, then comedian Nikki Glaser with Bachelor Nation mega-star Kaitlyn Bristowe. And as part of the Life Is Beautiful Ideas vertical, we brought together actor Joseph Gordon-Levitt with Zappos CEO Tony Hsieh. This week we share Nikki and Kaitlyn's HILARIOUS talk. Tune in for Kaitlyn spilling tea on Ashley I and Jared's wedding, Nick Vial, JJ Lane, and her beef with The Bachelor creator Mike Fleis. Nikki tells us which Bachelor she's dying to get with, how her stint on Dancing With The Stars left her a wreck, and about her brilliant just-dropped new Netflix special Bangin'. And of course, with these two, we hear all about the benefits of getting tied up in bed; why men should “explore their assholes;” and dating bisexuals. Plus, Nikki changes Kaitlyn’s life by teaching her how to fart silently. Our special guest co-host for this episode is Liam Mathews, co-host of A Beautiful Podcast to Fall in Love, TV Guide’s unofficial Bachelor Nation podcast. Check it out! Today’s show was recorded at Life Is Beautiful by Logan Shields and Mark Yoshizumi, and at Hook and Fade Studios in Brooklyn by our co-producer Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

Did you have any idea that Drew Carey is a deep music nerd??? Yeah, that Drew Carey, the one from The Drew Carey Show, Who’s Line Is It Anyway, and The Price Is Right. Did you realize that he hosts a show called Friday Night Freak Out on Little Stevie’s Underground Garage Sirius XM radio station? He does, and it gets wonderfully weird. Drew sat down with legendary Philly musician — and fellow Underground Garage DJ — Palmyra Delran (The Friggs, The Coolies) for a fun trip down the musical rabbit hole. The two chop it up on Drew’s history playing in polka bands; the culture clash that occurred when Palmyra hired a classical cellist for a session; meeting Dick Clark, Brian Wilson, and a couple of Beatles; and so much more. Check it out! Today’s show was recorded by Eric Rennaker at Bedrock.LA in Los Angeles, and Mark Yoshizumi at Hook and Fade Studios in Brooklyn. It was co-produced by Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

The Talkhouse team just returned back from Life is Beautiful 2019 with an amazing group of talks. This week we revisit one of our favorite conversations recorded out at last year's Life is Beautiful festival. Subscribe today to keep up to date with future Talkhouse Podcasts. In September, the Talkhouse Podcast squad rolled out to Las Vegas for Life is Beautiful Music and Arts Festival. In between performances from Talkhouse faves A$AP Ferg, CHVRCHES, and Death Cab For Cutie, we recorded some epic convos for the show. Comedian Jaboukie Young-White (The Daily Show, American Vandal) and indiepop legends The Drums’ Jonny Pierce are whip-smart queer artists who have intricately bound together their work and sexuality. Backstage at the fest, they and newer Drums' member Bryan de Leon dissected what exactly it means to be a "queer artist." Their talk takes in coming out through one’s art, "conveniently Christian homophobes," Balenciaga daddies, and how the world needs a gay Shrek. Oh, and Bryan also got Jaboukie to give some inside scoop on American Vandal season two... Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. Feel free to DM me to let me know which artist(s) you’d love to see appear on a future episode. —Elia Einhorn, Talkhouse Podcast host and producer @eliaeinhorn This episode was recorded by Mark Yoshizumi at Life is Beautiful, and at Hook & Fade Studios in Brooklyn. It was co-produced by Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range. Big thanks to Life Is Beautiful for hosting the Talkhouse Podcast.

Alison Mosshart (The Kills, The Dead Weather) has been painting with remote control cars; Devendra Banhart's been obsessively pondering Christian Slater's '89 skater flick Gleaming The Cube. To celebrate Alison's new art book about cars — Car Ma — and Devendra's LP Ma, the two got together over salted egg brainless shrimp heads to discuss the above as well as skateboarding as a gateway drug to dope music, the multi-hyphenate magic of Captain Beefheart, how Guns N' Roses' November Rain video shaped Devendra's idea of Americans, and so much more. Check it out! Today’s show was recorded by Michael Harris at Electro-Vox Studios in Los Angeles, and Mark Yoshizumi at Hook and Fade Studios in Brooklyn. It was co-produced by Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

Brian Wilson and The Zombies are touring together!!! I repeat, head Beach Boy Brian Wilson and recent Rock & Roll Hall of Fame inductees The Zombies are touring America together right now! To celebrate these legendary artists sharing the stage, we got 'em together at the first gig of the run for a Talkhouse Podcast conversation. The Zombies’ songwriter/keyboardist Rod Argent and singer Colin Blunstone roundtable some wonderful ideas with Wilson, fellow Beach Boys founder Al Jardine, 1970s Beach Boys addition Blondie Chaplin (who also plays with The Rolling Stones), and Darian Sahanaja, who’s played with Brian for two decades and was key in the making of the fantastic Smile LP. Their talk takes in the early days of The Beach Boys and The Zombies, and the bands' love of each other's music; challenges in playing songs you haven’t played in 50 years; recording Friends in Brian’s living room; and "balls out" Hammond B3 organ that'd make Argent proud. Check it out, and stay tuned after the featured conversation for clips of our favorite Brian Wilson and Zombies appearances on the show from 2016, including Brian and Carly Rae Jepsen in a "one-question wonder" chat from Pitchfork Music Festival, and The Zombies chatting with Hollis Brown at the Samsung store in NYC. Catch Brian Wilson and The Zombies on tour: 9/12: Los Angeles, CA — Greek Theatre 9/13: Oakland, CA — Fox Theater 9/16: Seattle, WA — Paramount Theatre 9/17: Portland, OR — Arlene Schnitzer Concert Hall 9/19: Sandy, UT — Sandy Amphitheater 9/20: Denver, CO — Paramount Theatre 9/22: Milwaukee, WI — The Riverside Theater 9/23: Cincinnati, OH — Taft Theatre 9/24: Detroit, MI — Masonic Temple 9/26: New York, NY — Beacon Theatre 9/27: Waterbury, CT — Palace Theater 9/28: Upper Darby, PA — Tower Theater Today's show was recorded by Malcolm Harrison of National Southwestern in Las Vegas, and Mark Yoshizumi at Hook and Fade Studios in Brooklyn. It was co-produced by Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

As I learned from today's episode, comedian Chris Gethard and singer-songwriter Mal Blum are "self-deprecating sad boys from Jersey" who are attracted to “erratic or controlling people who will blow your life up.” What I already knew going in is that the two are old friends, occasional collaborators, and incredibly talented at their art. Gethard and Blum joined us on the Talkhouse Podcast to celebrate the release of Blum's excellent new LP Pity Boy, and their conversation is predictably openhearted, neurotic, and fucking hilarious. Tune in to hear them consider going to a Love Addicts 12-step meeting, share their writing processes (Gethard even opens up his joke notebook and shares some new ideas!), unpack Mal's lack of boundaries, and learn why Gethard wants to wind up his career. Today’s episode was co-produced and recorded by Mark Yoshizumi. It was cut at Hook and Fade Studios in Brooklyn. Research assistance was provided by Madalyn Feltus. The Talkhouse Podcast’s theme song was composed and performed by The Range. With this week's episode, Chris Gethard has joined the (sort of) rare and (moderately) coveted Talkhouse Podcast Hat Trick Club! Check out his previous appearances, talking with Todd Barry and Tim Heidecker.

Our latest installment of the Talkhouse Podcast at FORM Fest 2019 is a love letter to Chicago's post-rock, punk and emo scenes from the '00s to today. Windy City music legends — and old friends — Trevor de Brauw (Pelican, RLYR, TUSK) and Nate Kinsella (American Football, Joan of Arc, Make Believe) caught up backstage for a warm and hilarious convo, as well as a rad improvised ambient musical collaboration. The guys' talk takes in a lot: playing in bands with family members; having your musician father hate on your experimental work; and balancing parenthood and tour life. Oh and, of course: tone clusters, alternate tunings, death metal, and odd time signatures. This Talkhouse Podcast episode was recorded in the Conservatory backstage at FORM Fest in Arcosanti, Arizona. Pulp Arts and Patreon teamed up to co-present The Conservatory, a dope backstage visual arts installation and recording studio. Talkhouse recorded six episodes there throughout the weekend. You can also check out the other episodes in this series, including Snail Mail with Fred Armisen & Mary Lynn Rajskub, Robert Glasper & Vieux Farka Touré with special guest Lonnie Holley, Julianna Barwick & Mary Lattimore, and Kelsey Lu with Yrsa Daley-Ward. —Elia Einhorn, Talkhouse Podcast host and producer @eliaeinhorn Today’s episode was co-produced by Mark Yoshizumi. It was recorded at FORM Festival in Arcosanti, Arizona, and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi, Danny Clifton, and Ian Jones. Research assistance was provided by Madalyn Feltus. The performance includes Trevor de Brauw on guitar and Nate Kinsella playing the drums. The Talkhouse Podcast’s theme song was composed and performed by The Range.

On the latest episode of the Talkhouse Podcast, Lulu Wang — writer-director of the summer indie hit The Farewell — chats with one of her favorite directors, Ruben Östlund, the award-winning Swedish director of such acclaimed films as The Square and Force Majeure. Talking from New York City and Gothenburg, respectively, the two filmmakers have a profound and highly entertaining conversation that touches on everything from the crucial role cinema plays in society and the importance of making films from lived experience, to how the internet turns us into shitty people and what Lulu and her boyfriend Barry Jenkins watch when they just want to relax. Special thanks to Katey Rich from Vanity Fair for collaborating on this special conversation, and for joining us on the podcast. Check out today's episode of Vanity Fair's awards podcast Little Gold Men for more from Lulu and Ruben. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast.

For our fifth consecutive year there, the Talkhouse Podcast squad rolled out to the fantastic Pitchfork Music Festival in Chicago last month to record artists in conversation backstage. Over the years, this series has featured talks between Brian Wilson & Carly Rae Jepsen, Kamasi Washington & Thundercat, HAIM and Chvrches, and many more. This week's show features two young Chicago singer-songwriters who are both blowing up fast: Tasha and Lala Lala's Lillie West. The two chopped it up on how much they're learning all the time as their careers explode (including adjusting to having teams working around them); dealing with impostor syndrome; and the perils of making jokes onstage. Their talk also took in Jack White's technophobia, the pluses and minuses of freeing the nipple onstage, and Marie Kondo-ing your Instagram. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. — Elia Einhorn, Talkhouse Podcast host and producer This episode was recorded by Joe Darnaby and Mark Yoshizumi, and co-produced by Mark Yoshizumi, Annie Fell, and Elia Einhorn. Big thanks to Pitchfork Music Festival for hosting Talkhouse.