Talkhouse Podcast

This episode originally aired on March 25, 2026. Subscribe to ⁠⁠Music Person. Florence Shaw of Dry Cleaning from South London, England. Florence and Dylan discuss the difficulties of international touring, what your brain feels like on art school, black plastics, wanting to become a horse, reaching an associative songwriting state, and riding the bus as an idea-generating machine. + Florence gets something off her chest. Artists we mentioned: Cate Le Bon, Ryan Davis, Black Midi, bar italia, Jeff Tweedy, Elton John. Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.

On this week’s Talkhouse Podcast, we’ve got a songwriter with a long and varied history who’s somehow just now making her solo debut alongside the musician and producer who helped her make it: it’s Morgan Nagler and King Tuff. You could be excused for not knowing Morgan Nagler’s name; she’s been on the fringes of the L.A. music scene for the past couple of decades, co-writing songs with Phoebe Bridgers (the remarkable “Kyoto”) and HAIM, among others—as well as fronting the band Whispertown. She’s also had another career on-screen, from Punky Brewster to American Pie 2, but that’s not relevant for today’s conversation. Just this month, Nagler released the first album under her own name, and it carries the all-time great title I’ve Got Nothing to Lose and I’m Losing It. If you love melodic, heartfelt pop with a bit of that Laurel Canyon twang, you will find something to love on this record. Check out the song “Hurt” right here, which features a cavalcade of talented backing singers, too. Kyle Thomas has been making music under the name King Tuff for the past 20 years or so, cranking out rollicking, straightforward rockers that fit perfectly with his moniker. For his new record Moo, Thomas went back to basics after spending what he felt like was too much time cleaning things up. The result is a garage-y, thoroughly catchy set of songs that never try to overcomplicate the desire to rock. Think GBV or Ty Segall or Mikal Cronin. Check out the song “Invisible Ink” from his new album Moo right here. It’s out this week. In this fun chat, Nagler and Thomas talk about the fun of writing lyrics together, Thomas’ move back to the snowy woods of Vermont, and what they plan to eat on their upcoming tour together. There’s also white weasels and Cadbury creme eggs, so pay close attention and enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Morgan Nagler and Kyle Thomas aka. King Tuff for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan and the Talkhouse theme is composed and performed by the Range. See you next time! Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.

On this week’s Talkhouse Podcast, we’ve got a great conversation between two friends and tourmates, one a musician, and one whose job title is slightly harder to pin down: It’s Langhorne Slim and Jordan Klepper. Langhorne Slim has been making music for the past two decades, and while it’s plenty varied, it also fits nicely into that wide bucket called Americana. For his new album, The Dreamin’ Kind, Slim hooked up with a couple of guys from Greta Van Fleet and ended up dedicating some time to rocking in a way he hadn’t really done before. Parts of the record offer a more polished sound than he’s made in the past—it’s the sound of a guy who’s always loved to go for it kind of going for it in a different way. Live, Langhorne Slim always brings it, connecting with audiences whether they’re already fans or not—often by joining them right out in the audience. If you recognize the voice or name, you may have heard Langhorne Slim on a movie soundtrack or opening for the likes of The Avett Brothers or The Lumineers over the years. Check out one of the more rocking tracks from The Dreamin’ Kind right here, “Haunted Man.” The other half of today’s conversation is a little harder to categorize. Sure, Jordan Klepper sometimes stands on stage and says funny things, but he’s not exactly a comedian. He’s probably best known as the co-host of the current Daily Show iteration, and via that avenue and others—including his own show, The Opposition and a bunch of standalone specials—he’s actually done some of the most biting and important political-culture reporting of the horrifying era we’re currently living in. He was there on January 6, somehow managing to be funny amidst all the chaos. It’s a talent that’s extended to a podcast, other TV specials, and of course, the stand-up stage. On a recent tour, he asked Langhorne Slim to join him for some dates, and as you’ll hear, the two became fast friends. In this conversation, they talk about touring together—and Slim’s frequent trips into the audience during shows—plus the tricky business of legacy, the meeting of capitalism and art, and running into an exposed penis on the streets of New York—and how one should react to that. Enjoy. Thanks for listening to the Talkhouse Podcast and thanks to Jordan Klepper and Langhorne Slim for chatting. If you like what you heard, please follow us on your favorite podcasting platform, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.