Off the Page: A Columbia University Press Podcast

Beginning in the 1920s, audiences around the globe were seduced not only by Hollywood films but also by lavish movie theaters that were owned and operated by the major American film companies. These theaters aimed to provide a quintessentially “American” experience. Outfitted with American technology and accoutrements, they allowed local audiences to watch American films in an American-owned cinema in a distinctly American way. In a history that stretches from Buenos Aires and Tokyo to Johannesburg and Cairo, Ross Melnick considers these movie houses as cultural embassies. He examines how the exhibition of Hollywood films became a constant flow of political and consumerist messaging, selling American ideas, products, and power, especially during fractious eras. Melnick demonstrates that while Hollywood’s marketing of luxury and consumption often struck a chord with local audiences, it was also frequently tone-deaf to new social, cultural, racial, and political movements. He argues that the story of Hollywood’s global cinemas is not a simple narrative of cultural and industrial indoctrination and colonization. Instead, it is one of negotiation, booms and busts, successes and failures, adoptions and rejections, and a precursor to later conflicts over the spread of American consumer culture. A truly global account, Hollywood's Embassies: How Movie Theaters Projected American Power Around the World (Columbia UP, 2022) shows how the entanglement of worldwide movie theaters with American empire offers a new way of understanding film history and the history of U.S. soft power. Ross Melnick is professor of film and media studies at the University of California, Santa Barbara. He is the author of American Showman: Samuel “Roxy” Rothafel and the Birth of the Entertainment Industry, 1908–1935 (Columbia, 2012) and co-editor of Rediscovering U.S. Newsfilm: Cinema, Television, and the Archive (2018). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.

From news about World War II to the broadcasting of music from popular movies, radio played a crucial role in an increasingly divided South Asia for more than half a century. Radio for the Millions: Hindi-Urdu Broadcasting Across Borders (Columbia University Press, 2023) by Isabel Huacuja Alonso examines the history of Hindi-Urdu radio during the height of its popularity from the 1930s to the 1980s, showing how it created transnational communities of listeners. Huacuja Alonso argues that despite British, Indian, and Pakistani politicians’ efforts to usurp the medium for state purposes, radio largely escaped their grasp. She demonstrates that the medium enabled listeners and broadcasters to resist the cultural, linguistic, and political agendas of the British colonial administration and the subsequent independent Indian and Pakistani governments. Rather than being merely a tool of nation building in South Asia, radio created affective links that defied state agendas, policies, and borders. It forged an enduring transnational soundscape, even after the 1947 Partition had made a united India a political impossibility. The book traces how people engaged with radio across news, music, and drama broadcasts, arguing for a more expansive definition of what it means to listen. She develops the concept of “radio resonance” to understand how radio relied on circuits of oral communication such as rumor and gossip and to account for the affective bonds this “talk” created. By analyzing Hindi film-song radio programs, she demonstrates how radio spurred new ways of listening to cinema. Drawing on a rich collection of sources, including newly recovered recordings, listeners’ letters to radio stations, original interviews with broadcasters, and archival documents from across three continents, Radio for the Millions rethinks assumptions about how the medium connects with audiences. Isabel Huacuja Alonso is an Assistant Professor in the Department of Middle Eastern, South Asia, and African Studies (MESAAS) at Columbia University. She is a historian of sound media and modern South Asia. Shatrunjay Mall is a PhD candidate at the Department of History at the University of Wisconsin-Madison. He works on transnational Asian history, and his dissertation explores intellectual, political, and cultural intersections and affinities that emerged between Indian anti-colonialism and imperial Japan in the twentieth century.

Cities are central to prosperity: they are hubs of innovation and growth. However, the economic vitality of wealthy cities is marred by persistent and pervasive inequality—and deeply entrenched anti-urban policies and politics limit the options to address it. Structural racism, suburban subsidies, regional government fragmentation, the hostility of state legislatures, and federal policy all contribute to an unequal status quo that underfunds cities while preventing them from pursuing fairer outcomes. Economist Richard McGahey explores how cities can foster equitable economic growth despite the obstacles in their way. Drawing on economic and historical analysis as well as his extensive experience in government and philanthropy, he examines the failures of public policy and conventional economic wisdom that have led to the neglect of American cities and highlights opportunities for reform. Unequal Cities: Overcoming Anti-Urban Bias to Reduce Inequality in the United States (Columbia UP, 2023) features detailed case studies of New York, Detroit, and Los Angeles, tracing how their attempts to achieve greater equity foundered because of the fiscal and political constraints imposed on them. McGahey identifies key lessons about the political coalitions that can overcome anti-urban biases, arguing that alliances among unions, environmentalists, and communities of color can help cities thrive. But he warns that cities cannot solve inequality on their own: political action at state and federal levels is necessary to achieve systemic change. Shedding light on the forces that produced today’s dysfunction and disparities, Unequal Cities provides timely policy prescriptions to promote both growth and equity. Stephen Pimpare is director of the Public Service & Nonprofit Leadership program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire.

What is the nature of language? This is the question that Nathan Vedal’s book, The Culture of Language in Ming China: Sound, Script, and the Redefinition of Boundaries of Knowledge (Columbia University Press; 2022), explores. And ‘explore’ is indeed the best word to describe what this beautifully rich book does, for it looks at how language was conceived, discussed, and debated in a wide range of little-known texts from the Ming and Qing, including works of philosophy, philology, literature, and music. Through this exploration, The Culture of Language in Ming China looks at how a community interested in philology formed in the sixteenth century. More importantly, this book examines Ming philology on its own terms, making the point that constrained disciplinary boundaries around philology and around what constitutes the study of language simply didn’t apply in this period; such restrictions would come later. As such, this book should be of interest to anyone curious in learning more about Chinese intellectual history, the history of the Ming and Qing, and the study of language in East Asia — but also anyone interested in thinking critically about the formation and history of disciplinary boundaries. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at [email protected]

One of the foremost Black writers and intellectuals of his era, Claude McKay (1889–1948) was a central figure in Caribbean literature, the Harlem Renaissance, and the Black radical tradition. McKay’s life and writing were defined by his class consciousness and anticolonialism, shaped by his experiences growing up in colonial Jamaica as well as his early career as a writer in Harlem and then London. Dedicated to confronting both racism and capitalist exploitation, he was a critical observer of the Black condition throughout the African diaspora and became a committed Bolshevik. In Claude McKay: The Making of a Black Bolshevik (Columbia UP, 2022), Winston James offers a revelatory account of McKay’s political and intellectual trajectory from his upbringing in Jamaica through the early years of his literary career and radical activism. In 1912, McKay left Jamaica to study in the United States, never to return. James follows McKay’s time at the Tuskegee Institute and Kansas State University, as he discovered the harshness of American racism, and his move to Harlem, where he encountered the ferment of Black cultural and political movements and figures such as Hubert Harrison and Marcus Garvey. McKay left New York for London, where his commitment to revolutionary socialism deepened, culminating in his transformation from Fabian socialist to Bolshevik. Drawing on a wide variety of sources, James offers a rich and detailed chronicle of McKay’s life, political evolution, and the historical, political, and intellectual contexts that shaped him. Articles referenced in the show: Winston James, “Letters from London in Black and Red: Claude McKay, Marcus Garvey and the Negro World,” History Workshop Journal, Issue 85 (Spring 2018), pp. 281-293. Winston James, "To the East Turn: The Russian Revolution and the Black Radical Imagination in the United States, 1917–1924," The American Historical Review, Volume 126, Issue 3, September 2021, Pages 1001–1045. @amandajoycehall is a postdoctoral fellow at Northwestern University in the Department of African American Studies.

In Generation Gap: Why the Baby Boomers Still Dominate American Politics and Culture (Columbia UP, 2022), Kevin Munger marshals novel data and survey evidence to argue that generational conflict will define the politics of the next decade. He shows that a common "cohort consciousness" binds aging Boomer voters into a bloc--but a shared identity and purpose among Millennials and Gen Z could topple Boomer power. Kevin Munger is an assistant professor of political science and social data analytics at Penn State University. Caleb Zakarin is the Assistant Editor of the New Books Network.

Social psychiatry was a mid-twentieth-century approach to mental health that stressed the prevention of mental illness rather than its treatment. Its proponents developed environmental explanations of mental health, arguing that socioeconomic problems such as poverty, inequality, and social isolation were the underlying causes of mental illness. The influence of social psychiatry contributed to the closure of psychiatric hospitals and the emergence of community mental health care during the 1960s. By the 1980s, however, social psychiatry was in decline, having lost ground to biological psychiatry and its emphasis on genetics, neurology, and psychopharmacology. The First Resort: The History of Social Psychiatry in the United States (Columbia UP, 2022) is a history of the rise and fall of social psychiatry that also explores the lessons this largely forgotten movement has to offer today. Matthew Smith examines four ambitious projects that investigated the relationship between socioeconomic factors and mental illness in Chicago, New Haven, New York City, and Nova Scotia. He contends that social psychiatry waned not because of flaws in its preventive approach to mental health but rather because the economic and political crises of the 1970s and the shift to the right during the 1980s foreclosed the social changes required to create a more mentally healthy society. Smith also argues that social psychiatry provides timely insights about how progressive social policies, such as a universal basic income, can help stem rising rates of mental illness in the present day. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine.

The late Qing was a time of great turmoil and upheaval but also a time of great possibility, as scholars, officials, the press, and revolutionaries all sought to find ways to shape China’s future. For many, as explored in Daniel Barish’s new book, Learning to Rule: Court Education and the Remaking of the Qing State, 1861-1912 (Columbia UP, 2022), the solution lay not outside the Qing but within it — with the emperor himself. Learning to Rule explores the education of the final three Qing emperors, looking at how debates about Western learning, foreign language education, the Manchu Way, and constitutionalism played out in the classrooms of the Qing emperors. Not only is this an intimate and deeply human look at the emperor and court life, it also shows just how involved the Qing was in global conversations about the role and education of a monarch, with many drawing on the examples of rulers in Russia and Japan when proposing their own plans for the Qing. Vividly written, this book will be of interest to any readers looking to learn about the late Qing, modern Chinese history, and the history of global empires — as well as those who might be curious about what it was like to try to teach the Son of Heaven. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at [email protected]

In a burst of creativity unmatched in Hollywood history, Preston Sturges directed a string of all-time classic comedies from 1939 through 1948--The Great McGinty, The Lady Eve, Sullivan's Travels, The Palm Beach Story, and The Miracle of Morgan's Creek among them--all from screenplays he alone had written. Stuart Klawans' Crooked, But Never Common: The Films of Preston Sturges (Columbia UP, 2023) pays close attention to Sturges' celebrated dialogue, but also to his films surprisingly intricate structures, marvelous use of a standard roster of character actors, and effective composition of shots. Klawans goes deeper than this, though, providing compelling readings of the underlying personal philosophy depicted in these films, which for all their seen-it-all cynicism nonetheless express firmly-held values, among them a fear for conformity and crowd-mentality, a dread of stasis, and a respect for intelligence, whether of a billionaire or of a Pullman porter. This is a book that will return you to these great films with new eyes. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.

Today, states' ability to borrow private capital depends on stringent evaluations of their creditworthiness. While many presume that this has long been the case, Quentin Bruneau argues that it is a surprisingly recent phenomenon--the outcome of a pivotal shift in the social composition of financial markets. Investigating the financiers involved in lending capital to sovereigns over the past two centuries, Bruneau identifies profound changes in their identities, goals, and forms of knowledge. In States and the Masters of Capital (Columbia University Press, 2022), he shows how an old world made up of merchant banking families pursuing both profit and status gradually gave way to a new one dominated by large companies, such as joint stock banks and credit rating agencies, exclusively pursuing profit. Lacking the web of personal ties to sovereigns across the world that their established rivals possessed, these financial institutions began relying on a different form of knowledge created to describe and compare states through quantifiable data: statistics. Over the course of this epochal shift, which only came to an end a few decades ago, financial markets thus reconceptualized states. Instead of a set of individuals to be known in person, they became numbers on a page. Raising new questions about the history of sovereign lending, this book illuminates the nature of the relationship between states and financial markets today--and suggests that it may be on the cusp of another major transformation. Quentin Bruneau is an Assistant Professor in the Department of Politics at the New School for Social Research and Eugene Lang College. Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).

Sanctions have become the go-to foreign policy tool for the United States. Coercive economic measures such as trade tariffs, financial penalties, and export controls affect large numbers of companies and states across the globe. Some of these penalties target nonstate actors, such as Colombian drug cartels and Islamist terror groups; others apply to entire countries, including North Korea, Iran, and Russia. U.S. policy makers see sanctions as a low-cost tactic, but in reality these measures often fail to achieve their intended goals--and their potent side effects can even harm American interests. Backfire: How Sanctions Reshape the World Against U.S. Interests (Columbia UP, 2022) explores the surprising ways sanctions affect multinational companies, governments, and ultimately millions of people around the world. Drawing on interviews with experts, policy makers, and people in sanctioned countries, Agathe Demarais examines the unintended consequences of the use of sanctions as a diplomatic weapon. The proliferation of sanctions spurs efforts to evade them, as states and firms seek ways to circumvent U.S. penalties. This is only part of the story. Sanctions also reshape relations between countries, pushing governments that are at odds with the U.S. closer to each other--or, increasingly, to Russia and China. Full of counterintuitive insights spanning a wide range of topics, from commodities markets in Russia to Iran's COVID response and China's cryptocurrency ambitions, Backfire reveals how sanctions are transforming geopolitics and the global economy--as well as diminishing U.S. influence. This insider's account is an eye-opening, accessible, and timely book that sheds light on the future of sanctions in an increasingly multipolar world. Mathias Fuelling is a doctoral candidate in History at Temple University, working on a political history of Czechoslovakia in the immediate post-WWII years. He can be found on Twitter at https://twitter.com/bucephalus424

The director and cowriter of some of the world's most iconic films―including Double Indemnity, Sunset Blvd., Some Like It Hot, and The Apartment―Billy Wilder earned acclaim as American cinema's greatest social satirist. Though an influential fixture in Hollywood, Wilder always saw himself as an outsider. His worldview was shaped by his background in the Austro-Hungarian Empire and work as a journalist in Berlin during Hitler's rise to power, and his perspective as a Jewish refugee from Nazism lent his films a sense of the peril that could engulf any society. In this critical study, Joseph McBride offers new ways to understand Wilder's work, stretching from his days as a reporter and screenwriter in Europe to his distinguished as well as forgotten films as a Hollywood writer and his celebrated work as a writer-director. In contrast to the widespread view of Wilder as a hardened cynic, McBride reveals him to be a disappointed romantic. Wilder's experiences as an exile led him to mask his sensitivity beneath a veneer of wisecracking that made him a celebrated caustic wit. Amid the satirical barbs and exposure of social hypocrisies, Wilder’s films are marked by intense compassion and a profound understanding of the human condition. Mixing biographical insight with in-depth analysis of films from throughout Wilder's career as a screenwriter and director of comedy and drama, and drawing on McBride's interviews with the director and his collaborators, this book casts new light on the full range of Wilder's rich, complex, and distinctive vision. Joseph McBride is a film historian and professor in the School of Cinema at San Francisco State University. His many books include the critical study How Did Lubitsch Do It? (Columbia, 2018) as well as acclaimed biographies of Frank Capra, John Ford, and Steven Spielberg and three books on Orson Welles. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.

The Modern Presidency: Six Debates That Define the Institution (Columbia University Press, 2022) is a concisely written book that helps makes sense of the most powerful office in America. Michael frames each chapter through a key conundrum about the nature of the presidency. He presents the strongest cases for the sides of every major debate, along with his own view. In addition to providing insight into the modern American presidency, Michael demonstrates how to think about tough issues with remarkable clarity. Michael A. Genovese is professor of political science and president of the global policy institute at Loyola Marymount University. Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).

As a broad category of identity, “transgender” has given life to a vibrant field of academic research since the 1990s. Yet the Western origins of the field have tended to limit its cross-cultural scope. Howard Chiang proposes a new paradigm for doing transgender history in which geopolitics assumes central importance. Defined as the antidote to transphobia, transtopia challenges a minoritarian view of transgender experience and makes room for the variability of transness on a historical continuum. Against the backdrop of the Sinophone Pacific, Chiang argues that the concept of transgender identity must be rethought beyond a purely Western frame. At the same time, he challenges China-centrism in the study of East Asian gender and sexual configurations. Chiang brings Sinophone studies to bear on trans theory to deconstruct the ways in which sexual normativity and Chinese imperialism have been produced through one another. Grounded in an eclectic range of sources—from the archives of sexology to press reports of intersexuality, films about castration, and records of social activism—this book reorients anti-transphobic inquiry at the crossroads of area studies, medical humanities, and queer theory. Timely and provocative, Transtopia in the Sinophone Pacific (Columbia UP, 2021) highlights the urgency of interdisciplinary knowledge in debates over the promise and future of human diversity. Howard Chiang proposes a new paradigm for doing transgender history in which geopolitics assumes central importance. Defined as the antidote to transphobia, transtopia challenges a minoritarian view of transgender experience and makes room for the variability of transness on a historical continuum. Please join Howard in conversation with Thomas Baudinette to learn more about this book's exciting theoretical interventions into the fields of trans studies, gender and sexuality studies, and Sinophone studies. Thomas Baudinette is Lecturer in International Studies at Macquarie University, Australia.

Virginia C. Gildersleeve was the most influential dean of Barnard College, which she led from 1911 to 1947. An organizer of the Seven College Conference, or “Seven Sisters,” she defended women's intellectual abilities and the value of the liberal arts. She also amassed a strong set of foreign policy credentials and, at the peak of her prominence in 1945, served as the sole woman member of the U.S. delegation to the drafting of the United Nations Charter. But her accomplishments are undercut by other factors: she had a reputation for bias against Jewish applicants for admission to Barnard and early in the 1930s voiced an indulgent view of the Nazi regime. In this biography, historian Nancy Woloch explores Gildersleeve’s complicated career in academia and public life. At once a privileged insider, prone to elitism and insularity, and a perpetual outsider to the sexist establishment in whose ranks she sought to ascend, Gildersleeve stands out as richly contradictory. The book examines her initiatives in higher education, her savvy administration, her strategies for gaining influence in academic life, the ways that she acquired and deployed expertise, and her drive to take part in the world of foreign affairs. Woloch draws out her ambivalent stance in the women’s movement, concerned with women’s status but opposed to demands for equal rights. Tracing resonant themes of ambition, competition, and rivalry, The Insider: A Life of Virginia C. Gildersleeve (Columbia UP, 2022) masterfully weaves Gildersleeve’s life into the histories of education, international relations, and feminism. Jane Scimeca is Professor of History at Brookdale Community College.

In the face of a Korean cultural world preoccupied with newness, literary output from the more measured and regulated Choson period (1392-1910) can seem difficult to engage with for readers both inside and outside the country. But as Ksenia Chizhova’s Kinship Novels of Early Modern Korea: Between Genealogical Time and the Domestic Everyday (Columbia UP, 2021) shows, a particular genre of late-Chsoson lineage novels reflect not only the staid norms of Confucian patriarchy and heredity, but also a more textured world of unruly emotions, gendered family disputes, calligraphic creativity and scandal simmering under the surface of mundane domestic life. Ed Pulford is an Anthropologist and Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and indigeneity in northeast Asia.

Michael Francis Laffan’s Under Empire: Muslim Lives and Loyalties Across the Indian Ocean World, 1775–1945 (Columbia University Press, 2022) traces a tapestry of historical actors, empires, and ideas across the Indian Ocean world. Starting with an imam banished from eastern Indonesia to the Cape of Good Hope in 1780 to build a new Muslim community with a mix of fellow exiles, enslaved people, and even the men tasked with supervising his detention. To nineteenth-century colonial chroniclers who invent the legend of the “loyal Malay” warrior, whose anger can be tamed through the “mildness” of British rule. And a Tunisian-born teacher who arrived in Java from Istanbul in the early twentieth century becomes an enterprising Arabic-language journalist caught between competing nationalisms. Telling these stories and many more, Michael Laffan offers a sweeping exploration of two centuries of interactions among Muslim subjects of empires and future nation-states around the Indian Ocean world. Under Empire follows interlinked lives and journeys, examining engagements with Western, Islamic, and pan-Asian imperial formations to consider the possibilities for Muslims in an imperial age. It ranges from the dying era of the trading companies in the late eighteenth century through the period of Dutch and British colonial rule up to the rise of nationalist and cosmopolitan movements for social reform in the nineteenth and twentieth centuries. Laffan emphasizes how Indian Ocean Muslims by turn asserted loyalty to colonial states in pursuit of a measure of religious freedom or looked to the Ottoman Empire or Egypt in search of spiritual unity. Bringing the history of Southeast Asian Islam to African and South Asian shores, Under Empire is an expansive and inventive account of Muslim communal belonging on the world stage. Michael Francis Laffan is professor of history and Paula Chow Chair in International and Regional Studies at Princeton University. He is the author of Islamic Nationhood and Colonial Indonesia (2003) and The Makings of Indonesian Islam (2011) as well as the editor of Belonging Across the Bay of Bengal (2017). Kelvin Ng co-hosted the episode. He is a Ph.D. candidate at Yale University, History Department. His research interests broadly lie in the history of imperialism and anti-imperialism in the early-twentieth-century Indian Ocean circuit. Tamara Fernando co-hosted the episode. She is a Past & Present postdoctoral fellow at the Institute for Historical Research, London, and an incoming assistant professor in the history of the global south at SUNY Stony Brook University. Her present book project, Of Mollusks and Men, is a history of pearl diving across the Persian Gulf, the Gulf of Mannar and the Mergui archipelago. She is interested in histories of science, environment, and labour across the Indian Ocean. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at PrincetonUniversity, Near Eastern Studies Department. His research focuses on the intersection of law, the occult, and the environment across the western Indian Ocean. He can be reached by email at [email protected] or on Twitter @Ahmed_Yaqoub. Listeners’ feedback, questions, and book suggestions are most welcome

What would an “anti-field history” of Buddhist Studies look like? What does the social history of knowledge look like when it both includes and exceeds the West/Nonwest binary, the ethnonational subject, the secular humanist gaze, and the moral narratives and metaphysical content of modernism? Matt W. King explores these critical questions and models innovative approaches in his second monograph, In the Forest of the Blind (Columbia University Press 2022), which uses Faxian’s Record of Buddhist Kingdoms to expose “ecologies of interpretation” in both nineteenth-century European Orientalist scholarship and Inner Asian monastic cultures. Although Faxian’s The Record of Buddhist Kingdoms (Foguoji) is a fifth-century CE travelogue about the Chinese Buddhist monk’s journey into Central and South Asia, it later became the subject of Europe’s first study of “Buddhist Asia” in the nineteenth century in Jean-Pierre Abel-Rémusat’s Relation des Royaumes Bouddhiques, which was then translated from French into Mongolian by the Buryat scholar Dorji Banzarov, and then by the Mongolian monk Zava Damdin Lubsangdamdin from Mongolian into Tibetan. Tracing this fascinating history of trans-Eurasian circulation of knowledge production, King argues that “the circulatory history of Faxian’s Record is not simply about Buddhist Asia forged in Europe into other places that were not Europe,” rather, the story is organized “by a chain of site-specific and differing orientations to knowledge itself – of treatments for traces of the past, of methodology.” In six creatively organized chapters, King discusses first discusses how Faxian’s Record “orders time by means of space” in its early Chinese context, and then delves into the history of Orientalist Buddhist Studies showing how Abel-Rémusat’s “poaching” of Qing sources facilitated the disciplining of Buddhist Asia into an object of a transregional science. In Chapters 3 and 5, we see an inversion of the Orientalist gaze and learn about the reception and reinterpretation of Orientalist scholarship among the “Oriental” subjects themselves, who attempted to make sense of Buddhist history, geography, and Asia’s place and time in the world through Faxian’s Record, via Abel-Rémusat’s translation and scholarship. Here, King shows us that Abel-Rémusat’s science of Buddhist Asia was turned, or rather silenced, into chö-jung (history of the Dharma). Unlike models from world history and transcultural studies that tend to focus on movement, contact, and exchange, In the Forest of the Blind instead focuses innovatively on connected but place-bound interpreters who hardly knew of each other and “who began anew from the silence of analytical practices staged elsewhere.” As an example of an “anti-field history,” this book, in King’s words, attempts “not to look past the fetish of the subject, but to find the disciplinary implications of centerless, overlapping, and mutually incomprehensible relations of knowledge-power that are coproductive but unbeholden to any specific relation of force (such as colonizer/colonized).” The aim of the book, King explains, is “to imagine new disciplinary futures in Buddhist and Asian studies by implicating the disciplinary present in a more diverse, global, subversive, and dispersed disciplinary past that is more attentive to negative space and absence than to impact or influence.” Ending the book with a complete, annotated English translation of the Tibetan version of Faxian’s Record, which was translated from a Mongolian translation of the French translation of the Chinese original, In the Forest of the Blind provides the readers with rich notes about continuities and discrepancies across all four trans-Eurasian versions. Matthew King is an Associate Professor in Transnational Buddhism in the Department of Religious Studies at the University of California, Riverside.

In ancient Rome, any citizen who had brought disgrace upon the state could be subject to a judgment believed to be worse than death: damnatio memoriae, condemnation of memory. The Senate would decree that every trace of the citizen's existence be removed from the city as if they had never existed in the first place. Once reserved for individuals, damnatio memoriae in different forms now extends to social classes, racial and ethnic groups, and even entire peoples. In modern times, the condemned go by different names-"enemies of the people;" the "missing," the "disappeared," "ghost" detainees in "black sites"-but they are subject to the same fate of political erasure. Arthur Bradley explores the power to render life unlived from ancient Rome through the War on Terror. He argues that sovereignty is the power to decide what counts as being alive and what does not: to make life "unbearable," unrecognized as having lived or died. In readings of Augustine, Shakespeare, Hobbes, Robespierre, Schmitt, and Benjamin, Bradley asks: What is the "life" of this unbearable life? How does it change and endure across sovereign time and space, from empires to republics, from kings to presidents? To what extent can it be resisted or lived otherwise? A profoundly interdisciplinary and ambitious work, Unbearable Life rethinks sovereignty, biopolitics, and political theology to find the radical potential of a life that neither lives or dies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.

The author of more than thirty books of fiction and nonfiction and winner of the Nobel Prize in Literature, V. S. Naipaul (1932–2018) is one of the most acclaimed authors of the twentieth century. He is also one of the most controversial. Before settling in England, Naipaul grew up in Trinidad in an Indian immigrant community, and his depiction of colonized peoples has often been harshly judged by critics as unsympathetic, misguided, racist, and sexist. Yet other readers praise his work as containing uncommonly perceptive historical and psychological insight. In V. S. Naipaul's Journeys: From Periphery to Center (Columbia UP, 2020), Sanjay Krishnan offers new perspectives on the distinctiveness and power of Naipaul’s writing, as well as his shortcomings, trajectory, and complicated legacy. While recognizing the flaws and prejudices that shaped and limited Naipaul’s life and art, this book challenges the binaries that have dominated discussions of his writing. Krishnan reads Naipaul as self-subverting and self-critical, engaged in describing his own implication in what he saw as the malaise of the postcolonial world. Krishnan brings together close readings of major novels with considerations of Naipaul’s work as a united project, as well as nuanced assessments of Naipaul’s political commentary on ethnic nationalism and religious fundamentalism. Krishnan provides a Naipaul for contemporary times, illuminating how his life and work shed light on debates regarding migration, diversity, sectarianism, displacement, and other global challenges. Professor Sanjay Krishnan is teaches English at Boston University. Gargi Binju is a researcher at the University of Tübingen.

A standard way of proceeding in political philosophy is to start with some form of conceptual inquiry: we first try to figure out what justice, equality, and freedom are and only then we may eventually begin thinking about how these goods might be pursued and achieved. On this approach, although social activism is perhaps necessary to counteract the worst kinds of social deprivation, it is also premature from the philosophical standpoint: as we still are debating what justice is, present efforts to bring about justice are risky at best. In her new book, Making Space for Justice: Social Movements, Collective Imagination, and Political Hope (Columbia University Press, 2022), Michele Moody-Adams travels a different path. She begins by looking at social movements and argues that they not only can teach us about what justice is, but that they often play a necessary role in clarifying our normative concepts.

Most people tend to mark the beginning of Indian international relations thought to Nehru, and his self-proclaimed attempt to build a true non-aligned movement and more enlightened international system. But Indian thought didn’t emerge sui generis after Indian independence, as Rahul Sagar notes in his edited anthology, To Raise a Fallen People: The Nineteenth-Century Origins of Indian Views on International Politics (Juggernaut / Columbia University Press: 2022). Rahul collects writings from Indian thinkers on a variety of topics: the threat posed by Russia, the value of free trade, discrimination faced by Indians at home and overseas, showing the diversity of views present in Indian political debate long before 1945. In this interview, Rahul and I talk about these collected writings, and what they tell us about India then and, perhaps India today. Rahul Sagar is Global Network Associate Professor of Political Science at New York University Abu Dhabi. His other books include Secrets and Leaks: The Dilemma of State Secrecy (Princeton University Press: 2013) and The Progressive Maharaja: Sir Madhava Rao’s Hints on the Art and Science of Government (Oxford University Press: 2022). He can be followed on Twitter at @rahulsagar. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of To Raise A Fallen People. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

Ideology drives American foreign policy in ways seen and unseen. Racialized notions of subjecthood and civilization underlay the political revolution of eighteenth-century white colonizers; neoconservatism, neoliberalism, and unilateralism propelled the post–Cold War United States to unleash catastrophe in the Middle East. Ideologies order and explain the world, project the illusion of controllable outcomes, and often explain success and failure. How does the history of U.S. foreign relations appear differently when viewed through the lens of ideology? Christopher Nichols and David Milne's Ideology in U.S. Foreign Relations: New Histories (Columbia UP, 2022) explores the ideological landscape of international relations from the colonial era to the present. Contributors examine ideologies developed to justify—or resist—white settler colonialism and free-trade imperialism, and they discuss the role of nationalism in immigration policy. The book reveals new insights on the role of ideas at the intersection of U.S. foreign and domestic policy and politics. It shows how the ideals coded as “civilization,” “freedom,” and “democracy” legitimized U.S. military interventions and enabled foreign leaders to turn American power to their benefit. The book traces the ideological struggle over competing visions of democracy and of American democracy’s place in the world and in history. It highlights sources beyond the realm of traditional diplomatic history, including nonstate actors and historically marginalized voices. Featuring the foremost specialists as well as rising stars, this book offers a foundational statement on the intellectual history of U.S. foreign policy. Grant Golub is an Ernest May Fellow in History and Policy at the Harvard Kennedy School and a PhD candidate in U.S. and international history at the London School of Economics and Political Science (LSE). His research examines the politics of American grand strategy during World War II. Follow him on Twitter @ghgolub.

Vineland is hardly anyone’s favorite Thomas Pynchon novel. Marking Pynchon’s return after vanishing for nearly two decades following his epic Gravity’s Rainbow, it was initially regarded as slight, a middling curiosity. However, for Peter Coviello, the oft-overlooked Vineland opens up new ways of thinking about Pynchon’s writing and about how we read and how we live in the rough currents of history. In Vineland Reread (Columbia UP, 2021), Coviello reads Pynchon’s offbeat novel of sixties insurgents stranded in the Reaganite summer of 1984 as a delirious stoner comedy that is simultaneously a work of heartsick fury and political grief: a portrait of the hard afterlives of failed revolution in a period of stifling reaction. Offering a roving meditation on the uses of criticism and the practice of friendship, the fashioning of publics and counterpublics, the sentence and the police, Coviello argues that Vineland is among the most abundant and far-sighted of late-century American excursions into novelistic possibility. Departing from visions of Pynchon as the arch-postmodernist, erudite and obscure, he discloses an author far more companionable and humane. In Pynchon’s harmonizing of joyousness and outrage, comedy and sorrow, Coviello finds a model for thinking through our catastrophic present. Interview by Christian B. Long.

How do metrics and quantification shape social science? In The Quantified Scholar: How Research Evaluations Transformed the British Social Sciences (Columbia UP, 2022), Juan Pablo Pardo-Guerra, an Associate Professor in sociology at the University of California, San Diego, explores this question using a case study of British academia. The book combines a rich array of quantitative and qualitative analysis, demonstrating the transformation of working conditions, institutional contexts, and research areas since the introduction of a metrics and quantification regime during the 1980s. Highlighting the complexity and ambivalences of metrics and quantification, as well as the uneven distribution of positive and negative impacts, the book offers essential reading for every academic, irrespective of the nation or institution in which they work. It also will be important for those seeing to better understand the role of metrics and markets in contemporary life. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.

Since the early days of Buddhism in China, monastics and laity alike have expressed a profound concern with the past. In voluminous historical works, they attempted to determine as precisely as possible the dates of events in the Buddha's life, seeking to iron out discrepancies in varying accounts and pinpoint when he delivered which sermons. Buddhist writers chronicled the history of the Dharma in China as well, compiling biographies of eminent monks and nuns and detailing the rise and decline in the religion's fortunes under various rulers. They searched for evidence of karma in the historical record and drew on prophecy to explain the past. John Kieschnick provides an innovative, expansive account of how Chinese Buddhists have sought to understand their history through a Buddhist lens. Exploring a series of themes in mainstream Buddhist historiographical works from the fifth to the twentieth century, he looks not so much for what they reveal about the people and events they describe as for what they tell us about their compilers' understanding of history. Kieschnick examines how Buddhist doctrines influenced the search for the underlying principles driving history, the significance of genealogy in Buddhist writing, and the transformation of Buddhist historiography in the twentieth century. This book casts new light on the intellectual history of Chinese Buddhism and on Buddhists' understanding of the past. As I say in the interview, Buddhist Historiography in China (Columbia University Press, 2022) is one of those that you hope exists out there somewhere, and are delighted when you find out it does! This book is highly recommended not only for those with a keen interest in Buddhism and Chinese history, but also those fascinated by questions of historiography and temporarily more broadly. Lance Pursey is a postdoctoral research fellow at the University of Aberdeen where they work on the history and archaeology of the Liao dynasty. They are interested in questions of identity, and the complexities of working with different kinds of sources textually and materially.

Art After Liberalism (Columbia UP, 2022) is an account of creative practice at a moment of converging political and social rifts – a moment that could be described as a crisis of liberalism. The apparent failures of liberal thinking are a starting point for an inquiry into emergent ways of living, acting, and making art in the company of others. What happens when the framework of the nation-state, the figure of the enterprising individual, and the premise of limitless development can no longer be counted on to produce a world worth living in? It is increasingly clear that these commonplace liberal conceptions have failed to improve life in any lasting way. In fact, they conceal fundamental connections to enslavement, colonization, moral debt, and ecological devastation. Nicholas Gamso speaks to Pierre d’Alancaisez about the ills of liberalism and art’s role in deciding on what may come after the impasse. Nicholas Gamso is a writer and academic who works across theory, visual culture, performance, and space/place. He’s an editor at Places. Kara Walker, A Subtlety, 2014 Manaf Halbouni, Monument, 2017 Warren Kanders controversy at the Whitney Triple Chaser by Forensic Architecture My conversations with and on Forensic Architecture Wolfgang Tillmans and his anti-Brexit campaign Ren Hang Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

It is widely believed that the political problems of the Middle East date back to the era of World War I, when European colonial powers unilaterally imposed artificial borders on the post-Ottoman world in postwar agreements. This book offers a new account of how the Great War unmade and then remade the political order of the region. Ranging from Morocco to Iran and spanning the eve of the Great War into the 1930s, it demonstrates that the modern Middle East was shaped through complex and violent power struggles among local and international actors. Jonathan Wyrtzen shows how the cataclysm of the war opened new possibilities for both European and local actors to reimagine post-Ottoman futures. After the 1914–1918 phase of the war, violent conflicts between competing political visions continued across the region. In these extended struggles, the greater Middle East was reforged. Wyrtzen emphasizes the intersections of local and colonial projects and the entwined processes through which states were made, identities transformed, and boundaries drawn. This book’s vast scope encompasses successful state-building projects such as the Turkish Republic and the Kingdom of Saudi Arabia as well as short-lived political units—including the Rif Republic in Morocco, the Sanusi state in eastern Libya, a Greater Syria, and attempted Kurdish states—that nonetheless left traces on the map of the region. Drawing on a wide range of sources, Worldmaking in the Long Great War: How Local and Colonial Struggles Shaped the Modern Middle East (Columbia UP, 2022) retells the origin story of the modern Middle East. Ronay Bakan is a Ph.D. student at the Department of Political Science at Johns Hopkins University.

Postwar multilateral cooperation is often viewed as an attempt to overcome the limitations of the nation-state system. However, in 1945, when the United Nations was founded, large parts of the world were still under imperial control. Building States investigates how the UN tried to manage the dissolution of European empires in the 1950s and 1960s—and helped transform the practice of international development and the meaning of state sovereignty in the process. In Building States: The United Nations, Development, and Decolonization, 1945–1965 (Columbia University Press, 2022) Dr. Eva-Maria Muschik argues that the UN played a key role in the global proliferation and reinvention of the nation-state in the postwar era, as newly independent states came to rely on international assistance. Drawing on previously untapped primary sources, she traces how UN personnel—usually in close consultation with Western officials—sought to manage decolonization peacefully through international development assistance. Examining initiatives in Libya, Somaliland, Bolivia, the Congo, and New York, Dr. Muschik shows how the UN pioneered a new understanding and practice of state building, presented as a technical challenge for international experts rather than a political process. UN officials increasingly took on public-policy functions, despite the organization’s mandate not to interfere in the domestic affairs of its member states. These initiatives, Dr. Muschik suggests, had lasting effects on international development practice, peacekeeping, and post-conflict territorial administration. Casting new light on how international organizations became major players in the governance of developing countries, Building States has significant implications for the histories of decolonization, the Cold War, and international development. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

What is the purpose of a novel? What purpose or logic do literary critics assign to a novel? How has the novel changed? What does that mean for its readers and literary criticism in the contemporary era? What does novel share with cinema and what does that mean for contemporary thought? Timothy Bewes provides brilliant insights on these questions in his book, Free Indirect: The Novel in a Postfictional Age (Columbia UP, 2022). Everywhere today, we are urged to “connect.” Literary critics celebrate a new "honesty" in contemporary fiction or call for a return to "realism." Yet such rhetoric is strikingly reminiscent of earlier theorizations. Two of the most famous injunctions of twentieth-century writing - E. M. Forster's “Only connect . . .” and Fredric Jameson’s “Always historicize!” - helped establish connection as the purpose of the novel and its reconstruction as the task of criticism. But what if connection was not the novel’s modus operandi but the defining aesthetic ideology of our era-and its most monetizable commodity? What kind of thought is left for the novel when all ideas are acceptable as long as they can be fitted to a consumer profile? This book develops a new theory of the novel for the twenty-first century. In the works of writers such as J. M. Coetzee, Rachel Cusk, James Kelman, W. G. Sebald, and Zadie Smith, Timothy Bewes identifies a mode of thought that he calls "free indirect," in which the novel's refusal of prevailing ideologies can be found. It is not situated in a character or a narrator and does not take a subjective or perceptual form. Far from heralding the arrival of a new literary genre, this development represents the rediscovery of a quality that has been largely ignored by theorists: thought at the limits of form. Free Indirect contends that this self-awakening of contemporary fiction represents the most promising solution to the problem of thought today. Iqra Shagufta Cheema is writer, researcher, and chronic procrastinator. When she does write, she writes in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. Check out her latest book chapter Queer Love: He is also Made in Heaven. She can be reached via email at [email protected] or Twitter.

Hugo Marcus (1880–1966) was a man of many names and many identities. Born a German Jew, he converted to Islam and took the name Hamid, becoming one of the most prominent Muslims in Germany prior to World War II. He was renamed Israel by the Nazis and sent to the Sachsenhausen concentration camp before escaping to Switzerland. He was a gay man who never called himself gay but fought for homosexual rights and wrote queer fiction under the pen name Hans Alienus during his decades of exile. In German, Jew, Muslim, Gay: The Life and Times of Hugo Marcus (Columbia University Press, 2020), Marc David Baer uses Marcus’s life and work to shed new light on a striking range of subjects, including German Jewish history and anti-Semitism, Islam in Europe, Muslim-Jewish relations, and the history of the gay rights struggle. Baer explores how Marcus created a unique synthesis of German, gay, and Muslim identity that positioned Johann Wolfgang von Goethe as an intellectual and spiritual model. Marcus’s life offers a new perspective on sexuality and on competing conceptions of gay identity in the multilayered world of interwar and postwar Europe. His unconventional story reveals new aspects of the interconnected histories of Jewish and Muslim individuals and communities, including Muslim responses to Nazism and Muslim experiences of the Holocaust. An intellectual biography of an exceptional yet little-known figure, German, Jew, Muslim, Gay illuminates the complexities of twentieth-century Europe’s religious, sexual, and cultural politics. Marc David Baer is professor of international history at the London School of Economics and Political Science. Armanc Yildiz is a doctoral candidate in Social Anthropology with a secondary field in Studies in Women, Gender and Sexuality at Harvard University. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor.

One of the largely untold stories of Orientalism is the degree to which the Middle East has been associated with "deviant" male homosexuality by scores of Western travelers, historians, writers, and artists for well over four hundred years. And this story stands to shatter our preconceptions of Orientalism. To illuminate why and how the Islamicate world became the locus for such fantasies and desires, Boone deploys a supple mode of analysis that reveals how the cultural exchanges between Middle East and West have always been reciprocal and often mutual, amatory as well as bellicose. Whether examining European accounts of Istanbul and Egypt as hotbeds of forbidden desire, juxtaposing Ottoman homoerotic genres and their European imitators, or unlocking the homoerotic encoding in Persian miniatures and Orientalist paintings, this remarkable study models an ethics of crosscultural reading that exposes, with nuance and economy, the crucial role played by the homoerotics of Orientalism in shaping the world as we know it today. A contribution to studies in visual culture as well as literary and social history, The Homoerotics of Orientalism (Columbia UP, 2014) draws on primary sources ranging from untranslated Middle Eastern manuscripts and European belles-lettres to miniature paintings and photographic erotica that are presented here for the first time. Joseph Allen Boone is a professor of English and gender studies at the University of Southern California and the author of Libidinal Currents: Sexuality and the Shaping of Modernism and Tradition Counter Tradition: Love and the Form of Fiction. He has received fellowships from the Guggenheim Foundation, the National Humanities Center, the Huntington, the Stanford Humanity Center, and the American Council of Learned Societies and has been in residency at the Liguria Center at Bogliasco, the Rockefeller-Bellagio Center, and the Valparaiso Foundation. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.

Amid a vast influx of rural migrants into urban areas, China has allowed cities wide latitude in providing education and other social services. While millions of people have been welcomed into the megacities as a source of cheap labor, local governments have used various tools to limit their access to full citizenship. The Urbanization of People: The Politics of Development, Labor Markets, and Schooling in the Chinese City (Columbia University Press, 2022) by Eli D. Friedman reveals how cities in China have granted public goods to the privileged while condemning poor and working-class migrants to insecurity, constant mobility, and degraded educational opportunities. Using the school as a lens on urban life, Eli Friedman investigates how the state manages flows of people into the city. He demonstrates that urban governments are providing quality public education to those who need it least: school admissions for nonlocals heavily favor families with high levels of economic and cultural capital. Those deemed not useful are left to enroll their children in precarious resource-starved private schools that sometimes are subjected to forced demolition. Over time, these populations are shunted away to smaller locales with inferior public services. Based on extensive ethnographic research and hundreds of in-depth interviews, this interdisciplinary book details the policy framework that produces unequal outcomes as well as providing a fine-grained account of the life experiences of people drawn into the cities as workers but excluded as full citizens. Michael O. Johnston, Ph.D. is Assistant Professor of Sociology at William Penn University. His most recent research, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant,” was published in Gender Issues Journal. He researches culture, social identity, placemaking, and media representations of social life at festivals and celebrations. He is currently working on a book titled Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River. You can learn more about Dr. Johnston on his website, Google Scholar, on Twitter @ProfessorJohnst, or by email at [email protected].

On October 27, 1930, members of six Taiwanese indigenous groups ambushed the Japanese attendees of an athletic competition at the Musha Elementary School, killing 134. The uprising came as a shock to Japanese colonial authorities, whose response was swift and brutal. Heavy artillery and battalions of troops assaulted the region, spraying a wide area with banned poison gas. The Seediq from Mhebu, who led the uprising, were brought to the brink of genocide. Over the ensuing decades, the Musha Incident became seen as a central moment in Taiwan’s colonial history, and different political regimes and movements have seized on it for various purposes. Under the Japanese, it was used to attest to the “barbarity” of Taiwan’s indigenous tribes; the Nationalist regime cited the uprising as proof of the Taiwanese peoples’ heroism and solidarity with the Chinese in resisting the Japanese; and pro-independence groups in Taiwan have portrayed the Seediq people and their history as exemplars of Taiwan’s “authentic” cultural traditions, which stand apart from that of mainland China. This book brings together leading scholars to provide new perspectives on one of the most traumatic episodes in Taiwan’s modern history and its fraught legacies. Contributors from a variety of disciplines revisit the Musha Incident and its afterlife in history, literature, film, art, and popular culture. They unravel the complexities surrounding it by confronting a history of exploitation, contradictions, and misunderstandings. The book also features conversations with influential cultural figures in Taiwan who have attempted to tell the story of the uprising. Michael Berry is professor of modern Chinese literature and film at the University of California, Los Angeles. His books include Speaking in Images: Interviews with Contemporary Chinese Filmmakers (2005) and A History of Pain: Trauma in Modern Chinese Literature and Film (2008), and he is the translator of several novels, including Chang Ta-chun’s Wild Kids: Two Novels About Growing Up (2000) and Wu He’s Remains of Life (2017). Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.

Long before the current preoccupation with “fake news,” American newspapers routinely ran stories that were not quite, strictly speaking, true. Today, a firm boundary between fact and fakery is a hallmark of journalistic practice, yet for many readers and publishers across more than three centuries, this distinction has seemed slippery or even irrelevant. We see this play in pink slime local news sites and in the proliferation of truthers claiming to do their own research because of a deep distrust in the mainstream media. In Not Exactly Lying: Fake News and Fake Journalism in American History (Columbia UP, 2022) Tucher argues that the creation of outward forms of factuality unleashed new opportunities for falsehood: News doesn’t have to be true as long as it looks true. Propaganda, disinformation, and advocacy—whether in print, on the radio, on television, or online—could be crafted to resemble the real thing. Dressed up in legitimate journalistic conventions, this “fake journalism” became inextricably bound up with right-wing politics, to the point where it has become an essential driver of political polarization. In the book and in this conversation, Tucher explores how American audiences have argued over what’s real and what’s not—and why that matters for democracy. Andie Tucher the H. Gordon Garbedian Professor and the director of the Communications Ph.D. Program at the Columbia Journalism School. Jenna Spinelle is a journalism instructor at Penn State's Donald P. Bellisario College of Communications. She's also the communications specialist for the university's McCourtney Institute for Democracy, where she hosts and produces the Democracy Works podcast.

In Alluring Monsters: The Pontianak and Cinemas of Decolonization (Columbia University Press, 2021), film scholar Rosalind Galt offers a cinematic exploration of the pontianak, a female vampire ghost whose origins stem back to pre-Islamic animist tradition but who is continues to be feared and revered in Malay cultures to this day. In the 1950s, the pontianak haunted the screens of late colonial Singapore in a series of popular films that combined appeals to indigenous animism with the affective force of the horror genre. Although the pontianak would disappear from view following the breakdown of the studio system, she would once again wreak havoc in postcolonial Southeast Asian film and society from the early 2000s onwards. In this book, Galt explores the enduring appeal of the Pontianak, framing her as an ambivalent agent of gender subversion, a precolonial figure of disturbance within postcolonial cultures, and a haunting presence that sheds light on a range of questions—surrounding race, religion, nationalism, and modernity—in Malaysia and Singapore. As Alluring Monsters demonstrates, the Pontianak has much to tell us about intersecting issues of decolonisation: femininity and modernity; globalisation and indigeneity; racial identities and nation; Islam and animism; and heritage and environmental destruction. Jules O’Dwyer is Research Fellow in Film Studies and French at the University of Cambridge.

When people describe the brain they often compare it to a computer. In fact, the metaphor of the brain as a computer has defined the field for decades now. And in many ways, it works – the are many respects in which the brain is like a computer. But there are other aspects of the brain which are not captured by the computer metaphor which is why the neuroscientist Daniel Graham is suggesting another paradigm for understanding the brain. In his book An Internet in Your Head: A New Paradigm for How the Brain Works (Columbia UP, 2021), he argues that the brain is a communication system, like the internet. Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.

The great political ideas and movements of the modern world were founded on a promise of universal emancipation. But in recent decades, much of the Left has grown suspicious of such aspirations. Critics see the invocation of universality as a form of domination or a way of speaking for others, and have come to favor a politics of particularism—often derided as “identity politics.” Others, both centrists and conservatives, associate universalism with twentieth-century totalitarianism and hold that it is bound to lead to catastrophe. This book develops a new conception of universality that helps us rethink political thought and action. Todd McGowan argues that universals such as equality and freedom are not imposed on us. They emerge from our shared experience of their absence and our struggle to attain them. McGowan reconsiders the history of Nazism and Stalinism and reclaims the universalism of movements fighting racism, sexism, and homophobia. He demonstrates that the divide between Right and Left comes down to particularity versus universality. Despite the accusation of identity politics directed against leftists, every emancipatory political project is fundamentally a universal one—and the real proponents of identity politics are the right wing. Through a wide range of examples in contemporary politics, film, and history, Universality and Identity Politics (Columbia UP, 2020) offers an antidote to the impasses of identity and an inspiring vision of twenty-first-century collective struggle. Todd McGowan is professor of film studies at the University of Vermont. His previous Columbia University Press books are The Impossible David Lynch (2007), Capitalism and Desire: The Psychic Cost of Free Markets (2016), and Emancipation After Hegel: Achieving a Contradictory Revolution (2019). He is the coeditor of the Diaeresis series at Northwestern University Press with Slavoj Žižek and Adrian Johnston. He is also cohost of the Why Theory podcast, which brings continental philosophy and psychoanalytic theory together to examine cultural phenomena.

Corey Byrnes’ Fixing Landscape: A Techno-Poetic History of China’s Three Gorges (Columbia University Press, 2019) is a work of considerable historical and disciplinary depth. Byrnes brings together the Tang dynasty poetry of Du Fu, Song travel writing about the same, late Qing cartographic ventures, texts written by Western travelers in the 19th and 20th centuries, as well as contemporary Chinese film and landscape art (among many other sources) to analyze how the Three Gorges region has been written and rewritten. The books’ title, and its critical intervention, turns on the dual meaning of “fixing.” A “fixed” landscape is both a (constructed) space of cultural coherence and a terrain continuously altered to hew to social, political, economic, and even moral demands. By investigating aesthetic forms that seek to represent and mold the Three Gorges, Byrnes investigates how “landscape ideas act materially in the production of space.” The text is rich with sustained close readings of visual and textual landscape aesthetics; such formal analysis is in turn deftly woven into elegant arguments that speak not only to Chinese studies, but disciplines such as media theory and the environmental humanities. I greatly enjoyed our conversation, and the chance to speak to Corey about a book whose first iteration as a graduate project I witnessed in the early days of my own doctorate, an editing process about which you will hear more in the following episode. Julia Keblinska is a Post-Doctoral Researcher at the Center for Historical Research at the Ohio State University specializing in Chinese media history and comparative socialisms.

Prisons operate according to the clockwork logic of our criminal justice system: we punish people by making them “serve” time. The Cage of Days: Time and Temporal Experience in Prison (Columbia UP, 2022) combines the perspectives of K. C. Carceral, a formerly incarcerated convict criminologist, and Michael G. Flaherty, a sociologist who studies temporal experience. Drawing from Carceral’s field notes, his interviews with fellow inmates, and convict memoirs, this book reveals what time does to prisoners and what prisoners do to time. Carceral and Flaherty consider the connection between the subjective dimensions of time and the existential circumstances of imprisonment. Convicts find that their experience of time has become deeply distorted by the rhythm and routines of prison and by how authorities ensure that an inmate’s time is under their control. They become obsessed with the passage of time and preoccupied with regaining temporal autonomy, creating elaborate strategies for modifying their perception of time. To escape the feeling that their lives lack forward momentum, prisoners devise distinctive ways to mark the passage of time, but these tactics can backfire by intensifying their awareness of temporality. Providing rich and nuanced analysis grounded in the distinctive voices of diverse prisoners, The Cage of Days examines how prisons regulate time and how prisoners resist the temporal regime. Rachel Pagones is an acupuncturist, educator, and author based in Cambridge, England. Her book, Acupuncture as Revolution: Suffering, Liberation, and Love (Brevis Press) was published in 2021.

The Jahriyya Sufis—a primarily Sinophone order of Naqshbandiyya Sufism in northwestern China—inhabit a unique religious soundscape. The hallmark of their spiritual practice is the “loud” (jahr) remembrance of God in liturgical rituals featuring distinctive melodic vocal chants. The first ethnography of this order in any language, The Sound of Salvation: Voice, Gender, and the Sufi Mediascape in China (Columbia UP, 2021) draws on nearly a decade of fieldwork to reveal the intricacies and importance of Jahriyya vocal recitation. Guangtian Ha examines how the use of voice in liturgy helps the Jahriyya to sustain their faith and the ways it has enabled them to endure political persecution over the past two and a half centuries. He situates the Jahriyya in a global multilingual network of Sufis and shows how their characteristic soundscapes result from transcultural interactions among Middle Eastern, Central Asian, and Chinese Muslim communities. Ha argues that the resilience of Jahriyya Sufism stems from the diversity and multiplicity of liturgical practice, which he shows to be rooted in notions of Sufi sainthood. He considers the movement of Jahriyya vocal recitation to new media forms and foregrounds the gendered opposition of male voices and female silence that structures the group’s rituals. Spanning diverse disciplines—including anthropology, ethnomusicology, Islamic studies, sound studies, and media studies—and using Arabic, Persian, and Chinese sources, The Sound of Salvation offers new perspectives on the importance of sound to religious practice, the role of gender in Chinese Islam, and the links connecting Chinese Muslims to the broader Islamic world.

It is the late twenty-first century, and Momo is the most celebrated dermal care technician in all of T City. Humanity has migrated to domes at the bottom of the sea to escape devastating climate change. The world is dominated by powerful media conglomerates and runs on exploited cyborg labor. Momo prefers to keep to herself, and anyway she’s too busy for other relationships: her clients include some of the city’s best-known media personalities. But after meeting her estranged mother, she begins to explore her true identity, a journey that leads to questioning the bounds of gender, memory, self, and reality. First published in Taiwan in 1995, The Membranes is a classic of queer speculative fiction in Chinese. Chi Ta-wei weaves dystopian tropes—heirloom animals, radiation-proof combat drones, sinister surveillance technologies—into a sensitive portrait of one young woman’s quest for self-understanding. Predicting everything from fitness tracking to social media saturation, this visionary and sublime novel stands out for its queer and trans themes. The Membranes reveals the diversity and originality of contemporary speculative fiction in Chinese, exploring gender and sexuality, technological domination, and regimes of capital, all while applying an unflinching self-reflexivity to the reader’s own role. Ari Larissa Heinrich’s translation brings Chi’s hybrid punk sensibility to all readers interested in books that test the limits of where speculative fiction can go. Chi Ta-wei is a renowned writer and scholar from Taiwan. Chi’s scholarly work focuses on LGBT studies, disability studies, and Sinophone literary history, while his award-winning creative writing ranges from science fiction to queer short stories. He is an associate professor of Taiwanese literature at the National Chengchi University. Ari Larissa Heinrich is a professor of Chinese literature and media at the Australian National University. They are the author of Chinese Surplus: Biopolitical Aesthetics and the Medically Commodified Body (2018) and other books, and the translator of Qiu Miaojin’s novel Last Words from Montmartre (2014). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.

From Frank Sinatra’s early pro-Zionist rallying to Steven Spielberg’s present-day peacemaking, Hollywood has long enjoyed a “special relationship” with Israel. This book offers a groundbreaking account of this relationship, both on and off the screen. Tony Shaw and Giora Goodman investigate the many ways in which Hollywood’s moguls, directors, and actors have supported or challenged Israel for more than seven decades. They explore the complex story of Israel’s relationship with American Jewry and illuminate how media and soft power have shaped the Arab-Israeli conflict. In Hollywood and Israel: A History (Columbia University Press, 2022), Shaw and Goodman draw on a vast range of archival sources to demonstrate how show business has played a pivotal role in crafting the U.S.-Israel alliance. They probe the influence of Israeli diplomacy on Hollywood’s output and lobbying activities but also highlight the limits of ideological devotion in high-risk entertainment industries. The book details the political involvement with Israel—and Palestine—of household names such as Eddie Cantor, Kirk Douglas, Elizabeth Taylor, Barbra Streisand, Vanessa Redgrave, Arnold Schwarzenegger, Robert De Niro, and Natalie Portman. It also spotlights the role of key behind-the-scenes players like Dore Schary, Arthur Krim, Arnon Milchan, and Haim Saban. Bringing the story up to the moment, Shaw and Goodman contend that the Hollywood-Israel relationship might now be at a turning point. Shedding new light on the political power that images and celebrity can wield, Hollywood and Israel shows the world’s entertainment capital to be an important player in international affairs. Nathan Abrams is a professor of film at Bangor University in Wales [https://research.bangor.ac.uk/...(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [https://oxford.universitypress...]. To discuss and propose a book for interview you can reach him at [email protected]. Twitter: @ndabrams

Too often, vaudeville is seen from the perspective of its decline: it is the corny, messy art form that predated the book musical, or that gave us Chaplin, Keaton, and the Marx Brothers. Rarely is it seen as the populist avant-garde form it was at its height. David Hajdu and John Carey's graphic history, A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge (Columbia University Press, 2021), corrects this misconception, giving us illustrated biographies of three of the genre's most outré and successful stars. Eva Tanguay challenged contemporary gender roles through her outrageous behavior and sexually suggestive songs. Julian Eltinge also subverted gendered expectations of femininity by performing them to the hilt -- but as a man. And Bert Williams, a black man who performed in black face, tried to use his fame to soften the hard edges of Jim Crow bigotry but eventually became exhausted by the racism he encountered within the entertainment industry. These three performers truly were revolutionary, and their stories should be known to any theatre fan or historian. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.

In Literature in Motion: Translating Multilingualism Across the Americas (Columbia University Press, 2022), Ellen C. Jones centers not just translation but multilingualism as both an artistic practice and scholarly lens through which to examine the production and reception of literature across the Americas. Focusing on writers who use mixed language forms such as “Spanglish,” “Portunhol,” and “Frenglish,” she shows how these authors and their translators use multilingualism to disrupt binaries and hierarchies in language, gender, and literary production itself. In this episode of NBN, Ellen Jones discusses the complex relationship and perceived tensions between translation and multilingualism, the sociopolitical forces that have shaped the status of multilingualism within the United States, her experience translating Susana Chávez-Silverman’s multilingual writing, multilingualism as queer practice in Giannina Braschi’s Yo-Yo Boing! and Tess O’Dwyer’s English-only translation of Yo-Yo Boing!, indigenous multilingualism in Wilson Bueno’s Mar Paraguayo and its public life as an art exhibition by Andrew Forster in collaboration with translator Erín Moure, the collaborative joy of editing special issues on multilingualism for the literary journal Asymptote, and more. Tune in to learn about all this and more! Ellen C. Jones is a literary translator, writer, and editor based in Mexico City. Jennifer Gayoung Lee is a writer and data analyst based in New York City.

In The Profits of Nature: Colonial Development and the Quest for Resources in Nineteenth-Century China (Columbia UP, 2020), Peter Lavelle offers a fascinating narrative history of natural resource development in China during the tumultuous 19th-century. Faced with an unprecedented confluence of natural disasters, wars, rebellions, foreign incursions and social problems, Qing Dynasty officials and elites looked to the natural world as a source of wealth, security and power. Lavelle grounds his narrative in the life and career of Zuo Zongtang (1812-1885), who was an avid student of geography and agricultural sciences, in addition to being one the leading statesmen of his generation. In efforts to rebuild livelihoods, relieve demographic pressures, secure government revenues and expand control over borderland regions, Zuo and his contemporaries harnessed long-standing traditions of knowledge and established new connections between China's borderlands and its eastern regions. What emerges from The Profits of Nature is a fresh and richly detailed chapter in late Qing history, written through the nexus of crisis, Qing colonialism and the environment. Zachary Lowell holds an MA in global studies from Humboldt-Universtität zu Berlin.

A Companion to The Story of the Stone: A Chapter-by-Chapter Guide (Columbia UP, 2021), co-authored by Susan Chan Egan and Pai Hsien-yung (Columbia University Press, 2021), is a straightforward guide to the Chinese literary classic, The Story of the Stone (also known as Dream of the Red Chamber), that was written at a time when readers had plenty of leisure to sort through the hundreds of characters and half a dozen subplots that weave in and out of the book’s 120 chapters. The Story of the Stone is widely held to be the greatest work of Chinese literature, beloved by readers ever since it was first published in 1791. The story revolves around the young scion of a mighty clan who, instead of studying for the civil service examinations, frolics with his maidservants and girl cousins. The narrative is cast within a mythic framework in which the protagonist’s rebellion against Confucian strictures is guided by a Buddhist monk and a Taoist priest. Embedded in the novel is a biting critique of imperial China’s political and social system. Each chapter of A Companion to The Story of the Stone: A Chapter-by-Chapter Guide summarizes and comments on each chapter of the novel. The companion provides English-speaking readers—whether they are simply dipping into this novel or intent on a deep analysis of this masterpiece—with the cultural context to enjoy the story and understand its world. The book is keyed to David Hawkes and John Minford’s English translation of The Story of the Stone and includes an index that gives the original Chinese names and terms. Susan Chan Egan is an independent scholar. She is the author of A Latterday Confucian: Reminiscences of William Hung (1893–1980) (1987), coauthor of A Pragmatist and His Free Spirit: The Half-Century Romance of Hu Shi and Edith Clifford Williams (2009), and cotranslator of Wang Anyi’s The Song of Everlasting Sorrow: A Novel of Shanghai (Columbia, 2008), among other books. Pai Hsien-yung (Bai Xianyong) is an acclaimed fiction writer and a professor emeritus of East Asian languages and cultural studies at the University of California, Santa Barbara. His books include Taipei People (1971) and Crystal Boys (1983). He has taught The Story of the Stone for decades and is the author of a popular three-volume guide in Chinese on which this book is based. Linshan Jiang is Ph.D. candidate in the Department of East Asian Languages and Cultural Studies, University of California, Santa Barbara. Her research interests are modern and contemporary literature, film, and popular culture in mainland China, Taiwan and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies.

Can subalterns speak? Now an iconic question from a prominent postcolonial studies scholar Gayatri Spivak, the question interrogates the in-built assumption about the locatable agency in an individual. Postcolonial studies have grappled with the question of legibility and limitations of archives. In her pathbreaking work, An Empire of Touch: Women's Political Labor and the Fabrication of East Bengal (Columbia UP, 2019), Poulomi Saha disrupts the binaries of nation/individual and agency/silence by arguing that women’s labor is a political one that articulate their relational aspirations through the tactile. In this contemporary moment with neoliberalism’s co-optation of ethnonationalism and an increasing disciplinary turn towards ethnicity as culture, Saha emphasizes the urgency of postcolonialism to prioritize political project in literary critiques and understand the connections between global capital and intimate, material life of women’s labor. The book is divided into three parts: “Reading the Body Politic,” “The Fetish of Nationalism,” and “International Basket Case.” In the first section, Saha provides a theoretical framework through her reading of Pritilata Waddedar’s body to disrupt the individualistic idea of agency and signify gendered refusal. In the second part, Saha brings Tagore’s understanding of fetish to rethink non-sovereignty as not a loss but rather an enthrallment that allowed women to express their attachment to desh (home). In the third part, Saha problematizes the power of a name by analyzing the production of discourses around birangona (war heroines) and connect the devaluation of clothes to the larger history of development where women’s labor simultaneously turned into an object of empowerment and erasure. Saha’s rich and insightful book will be an important read for scholars who are interested in development, history of labor, and feminist theories. Poulomi Saha is associate professor of English at the University of California, Berkeley. Her first book, An Empire of Touch, was awarded the 2020 Harry Levin Prize for Outstanding First Book from the American Comparative Literature Association. Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at [email protected].

The science on race is clear. Common categories like “Black,” “white,” and “Asian” do not represent genetic differences among groups. But if race is a pernicious fiction according to natural science, it is all too significant in the day-to-day lives of racialized people across the globe. Inequities in health, wealth, and an array of other life outcomes cannot be explained without referring to “race”—but their true source is racism. What do we need to know about the pseudoscience of race in order to fight racism and fulfill human potential? In Racism, Not Race: Answers to Frequently Asked Questions (Columbia UP, 2021), two distinguished scientists tackle common misconceptions about race, human biology, and racism. Using an accessible question-and-answer format, Joseph L. Graves Jr. and Alan H. Goodman explain the differences between social and biological notions of race. Although there are many meaningful human genetic variations, they do not map onto socially constructed racial categories. Drawing on evidence from both natural and social science, Graves and Goodman dismantle the malignant myth of gene-based racial difference. They demonstrate that the ideology of racism created races and show why the inequalities ascribed to race are in fact caused by racism. Graves and Goodman provide persuasive and timely answers to key questions about race and racism for a moment when people of all backgrounds are striving for social justice. Racism, Not Race shows readers why antiracist principles are both just and backed by sound science. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.

I am joined for my interview with Edward Tyerman by Ed Pulford, another host on our channel. Together, we discuss Edward’s new book, Internationalist Aesthetics: China and Early Soviet Culture (Columbia University Press, 2021). Internationalist Aesthetics examines how knowledge of China is produced in the early Soviet period through the aesthetic idiom of internationalism. Tyerman shows how artist intellectuals, especially Sergei Tretyakov, the book’s protagonist, make China affectively sensible for Russian audiences. Each chapter takes on a separate medium: travelogue, stage, film, and “bio-narrative,” to think through how Soviet aesthetes negotiate old and new forms to demystify China, a nation that even in the revolutionary environment of 1920s Russia, was still understood through recourse to orientalist tropes. The book ultimately spans a very short period, a slither of the 1920s, a moment of opportunity before the Guomindang’s persecution of the communists in China in 1927 and a moment of aesthetic possibility before the purges of the 1930s in Russia. Join us in our conversation about how a certain mode of “Chinese studies” emerges in the media aesthetics of this turbulent period. Julia Keblinska is a Post-Doctoral Researcher at the Center for Historical Research at the Ohio State University specializing in Chinese media history and comparative socialisms.