New Books in Women's History

Florida A&M University professor and former Miss FAMU Kimberly Brown Pellum, Ph.D., recently released her book, Black Beauties: African American Pageant Queens in the Segregated South (History Press, 2020). The book explores the glamorous history of African American beauty queens by using the stories of former contestants to address colorism and racism still prevalent in the industry. “My mother and grandmother took me to parades to see Miss Alabama State and Miss Tuskegee University…I loved the glamour,” Pellum said. “I wrote the book to capture that experience and address the politics of beauty within our own culture.” Kimberly Brown Pellum served as the model for the new Rosa Parks monument in Montgomery, Alabama. The allure of pageants, Pellum said, often masked the social and political challenges experienced by contestants. She said their personal stories not only illustrated their unique definitions of beauty, but also served to explain the political identities contestants created for themselves in the quests for their crowns. “So often, public discourse about black beauty is narrated by persons without an intimacy or expertise in the culture. Black beauty is a topic often exploited. This book lifts and centers the voices of black women,” she said. Pellum specializes in the history of women’s images and southern culture. Her contributions include work at the Smithsonian Institution’s National Museum of American History, the Rosa Parks Museum and Google’s Arts & Culture series. Pellum, Miss FAMU 2005, was used as the model for the Rosa Parks statue erected in Montgomery, Ala., in fall 2019. Pellum is also the director of the digital archives project, The Museum of Black Beauty. Latif Tarik is Assistant Professor of History at Elizabeth City State University located in Elizabeth City, NC. He is the history program coordinator, editorial board member for the digital journal Evoke: A Historical, Theoretical, and Cultural Analysis of Africana Dance and Theatre, and serves as book review editor for the Southern Conference of African American Studies. Latif is a contributor to Race and Ethnicity In America From Pre-Contact the Present, Islam and the Black Experience African American History Learn more about your ad choices. Visit megaphone.fm/adchoices

Women in the Bible aren't shy or retiring; they're fierce and funny and demanding and relevant to 21st-century people. Women in the Bible—some of their names we know, others we’ve only heard, and others are tragically unnamed. In Fierce: Women of the Bible and Their Stories of Violence, Mercy, Bravery, Wisdom, Sex, and Salvation (Fortress, 2017), Pastor and provocateur Alice Connor introduces these women and invites us to see them not as players in a man’s story—as victims or tempters—nor as morality archetypes, teaching us to be better wives and mothers, but as fierce foremothers of the faith. These women’s stories are messy, challenging, and beautiful. When we read their stories, we can see not only their particular, fearsome lives but also our own. Alice Connor is an Episcopal priest and a chaplain on a college campus. Dr. Christina Gessler’s background is in anthropology, women’s history, and literature. She works as a historian, poet, and photographer. In seeking the extraordinary in the ordinary, Gessler writes the histories of largely unknown women, poems about small relatable moments, and takes many, many photos in nature. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1933, the Chicago Symphony performed the Symphony in E Minor by Florence B. Price. It was the first time a major American orchestra played a composition by an African American woman. Despite her success, Price sank into obscurity after her death in 1953. Dr. Rae Linda Brown spent much of her career researching and writing about Price’s life and music, as well as advocating for African American representation in academia and in the concert hall. Three years after her death, University of Illinois Press published the manuscript she left largely complete at her passing: Heart of a Woman: The Life and Music of Florence B. Price (University of Illinois Press, 2020). Two guests join this podcast to talk about the biography—Dr. Carlene Brown, Rae Linda’s sister, and Dr. Guthrie Ramsey, who edited the book and prepared it for publication. Heart of a Woman places Price’s life and music within the context of genteel middle-class African American culture and the active black classical music scene in Chicago in the 1930s and 40s. Brown also analyzes Price’s major pieces, teasing out the ways the composer embedded influences from black musical traditions into her concert music. Today Florence Price’s music is experiencing a resurgence in popularity, due in no small part to the work of Dr. Rae Linda Brown. G. Schirmer Inc. has acquired the rights to Price’s catalog and has been publishing her music (some pieces for the first time). In the 2019–2020 season alone, the Baltimore, Chicago, Cincinnati, Cleveland, Seattle Symphonies, among others, performed her work. Rae Linda Brown was the Provost and Senior Vice President for Academic Affairs at Pacific Lutheran University at her death in 2017. Her research and publications focused on African American concert music and Florence B. Price. Carlene J. Brown is Professor of Music and Director of the Music Therapy Program at Seattle Pacific University. Her research and clinical work centers on the use of music for pain management. Guthrie Ramsey is the Edmund J. and Louise W. Kahn Term Professor of Music at the University Pennsylvania. A musicologist, pianist, and composer, Ramsey has published extensively on African American music including two books. He has also released three recordings with his band Dr. Guy’s MusiQology and directed the documentary Amazing: The Tests and Triumph of Bud Powell (2015) among other projects. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by Sasha Abramsky, author of Little Wonder: The Fabulous Story of Lottie Dod, the World’s First Female Sports Superstar (Akashic Books, 2020). Lottie Dod is not a familiar name among casual sports fans but should be. She won the first of her five Wimbledon titles when she was 15 and dominated tennis before walking away. Sticking to one game, she believed, was “appalling.” Dod then took up golf, winning a major women’s golf title. She also won a silver medal in archery at the 1908 Olympics. Dod also dabbled in skating, endurance bicycling, mountain climbing and even toboggan racing. Unlike Babe Didrikson Zaharias, Dod, however, was born before the golden age of sports, so few people have seen photographs or videos from her prime. Garbo-esque in later life, Dod kept to herself after her sports career. But her achievements sprang from the belief that there were no obstacles in her path. Abramsky, a freelance journalist who specializes in politics, is also an obsessive tennis fan. He stumbled upon Dod while visiting Wimbledon’s museum and was enchanted by her ability and career. Abramsky combines descriptive writing with research that pulls back the curtain to reveal an athlete whose feats remain stunning 60 years after her death and more than a century after her glory days. Bob D’Angelo earned his master’s degree in history from Southern New Hampshire University in May 2018. He earned his bachelor’s degree in journalism from the University of Florida and spent more than three decades as a sportswriter and sports copy editor, including 28 years on the sports copy desk at The Tampa (Fla.) Tribune. He can be reached at [email protected]. For more information, visit Bob D’Angelo’s Books and Blogs. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1918 Lucile Berkeley Buchanan Jones received her bachelor’s degree from the University of Colorado, becoming its first female African American graduate (though she was not allowed to "walk" at graduation, nor is she pictured in the 1918 CU yearbook). In Remembering Lucile: A Virginia Family's Rise from Slavery and a Legacy Forged a Mile High (University Press of Colorado), author Polly McLean depicts the rise of the African American middle class through the historical journey of Lucile and her family from slavery in northern Virginia to life in the American West, using their personal story as a lens through which to examine the greater experience of middle-class Blacks in the early twentieth century. The first-born daughter of emancipated slaves, Lucile refused to be defined by the racist and sexist climate of her times, settling on a career path in teaching that required great courage in the face of pernicious Jim Crow laws. Embracing her sister’s dream for higher education and W. E. B. Du Bois’s ideology, she placed education and intelligence at the forefront of her life, teaching in places where she could most benefit African American students. Over her 105 years she was an eyewitness to spectacular, inspiring, and tragic moments in American history, including horrific lynchings and systemic racism in housing and business opportunities, as well as the success of women's suffrage and Black-owned businesses and educational institutions. Remembering Lucile employs a unique blend of Black feminist historiography and wider discussions of race, gender, class, religion, politics, and education to illuminate major events in African American history and culture, as well as the history of the University of Colorado and its relationship to Black students and alumni, as it has evolved from institutional racism to welcoming acceptance. This extensive biography paints a vivid picture of a strong, extraordinary Black woman who witnessed an extraordinary time in America and rectifies her omission from CU’s institutional history. The book fills an important gap in the literature of the history of Blacks in the Rocky Mountain region and will be of significance to anyone interested in American history. Polly E. Bugros McLean is associate professor of media studies at the University of Colorado, Boulder, where she has served as director of Women and Gender Studies and as the faculty associate to the Chancellor. Dr. Christina Gessler’s background is in anthropology, women’s history, and literature. She works as a historian, poet, and photographer. In seeking the extraordinary in the ordinary, Gessler writes the histories of largely unknown women, poems about small relatable moments, and takes many, many photos in nature. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1912, at age 24, Georgia O’Keeffe boarded a train in Virginia and headed west, to the prairies of the Texas Panhandle, to take a position as art teacher for the newly organized Amarillo Public Schools. Subsequently she would join the faculty at what was then West Texas State Normal College (now West Texas A&M University). Already a thoroughly independent-minded woman, she maintained an active correspondence with her future husband, photographer Alfred Stieglitz, and other friends back east during the years she lived in Texas. In Georgia O'Keeffe's Wartime Texas Letters (Texas A&M UP, 2020), Amy Von Lintel brings to readers the collected O’Keeffe correspondence and added commentary and analysis, shining fresh light on a period of the artist’s life she characterizes as “some of the least appreciated in the vast O’Keeffe scholarship,” but also as “a time when she discovered her own voice as a young, successful, and independent woman . . . a dedicated faculty member at a brand-new college . . . a vibrant social butterfly . . . a progressive woman who spoke her mind and fought for her beliefs to be heard.” Although selected paintings by O’Keeffe that support the narrative are featured, this work focuses on O’Keeffe’s words. By doing so, Von Lintel aims to allow the artist’s voice to “emerge as a powerful witness of her own life, but also of western America in a pivotal moment of its development.” The result is an important new examination of one of our most beloved artists during a time when she was in the process of discovering her future identity. Amy Von Lintel is the Doris Alexander Endowed Professor of Fine Arts at West Texas A&M University. She is the author of Georgia O’Keeffe: Watercolors and coauthor of Robert Smithson in Texas. She resides in Amarillo, Texas. Kirstin L. Ellsworth is an Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this unapologetically African-centered monograph, Nwando Achebe considers the diverse forms and systems of female leadership in both the physical and spiritual worlds, as well as the complexities of female power in a multiplicity of distinct African societies. From Amma to the goddess inkosazana, Sobekneferu to Nzingha, Nehanda to Ahebi Ugbabe, Omu Okwei, and the daughters or umuada of Igboland, Female Monarchs and Merchant Queens in Africa (Ohio University Press, 2020) documents the worlds and life histories of elite African females, female principles, and (wo)men of privilege. Chronologically and by theme, Nwando Achebe pieces together the worlds and experiences of African females from African-derived sources, especially language. Achebe explores the meaning and significance of names, metaphors, symbolism, cosmology, chronicles, songs, folktales, proverbs, oral traditions, traditions of creation, and more. From centralized to small-scale egalitarian societies, patrilineal to matrilineal systems, North Africa to sub-Saharan lands, Female Monarchs and Merchant Queens in Africa offers an unparalleled history of the remarkable African women who occupied positions of power, authority, and influence. Madina Thiam is a PhD candidate in history at UCLA. Learn more about your ad choices. Visit megaphone.fm/adchoices

Monica A. Coleman's great-grandfather asked his two young sons to lift him up and pull out the chair when he hanged himself, and that noose stayed in the family shed for years. The rope was the violent instrument, but it was mental anguish that killed him. Now, in gripping fashion, Coleman examines the ways that the legacies of slavery, war, sharecropping, poverty, and alcoholism mask a family history of mental illness. Those same forces accompanied her into the black religious traditions and Christian ministry. All the while, she wrestled with her own bipolar disorder. Bipolar Faith: A Black Woman’s Journey with Depression and Faith (Fortress Press, 2016) is both a spiritual autobiography and a memoir of mental illness. In this powerful book, Monica Coleman shares her life-long dance with trauma, depression, and the threat of death. Citing serendipitous encounters with black intellectuals like Henry Louis Gates, Jr., Angela Davis, and Renita Weems, Coleman offers a rare account of how the modulated highs of bipolar II can lead to professional success, while hiding a depression that even her doctors rarely believed. Only as she was able to face her illness was she able to live faithfully with bipolar. Monica A. Coleman teaches theology and African American religions at Claremont School of Theology, where she also codirects the Center for Process Studies. Her writings cover womanist theology, sexual abuse, and the African American experience. She is an ordained elder in the African Methodist Episcopal Church a sought-after speaker and preacher. Elizabeth Cronin, Psy.D., is a licensed clinical psychologist and mindfulness meditation teacher with offices in Brookline and Norwood, MA. You can follow her on Instagram or visit her website at https://drelizabethcronin.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

“The most interesting women in the world!” That’s how Claire Robertson describes African women, and it’s hard to disagree with her after reading Holding the World Together: African Women in Changing Perspective (University of Wisconsin Press, 2019), co-edited with Nwando Achebe. In 16 chapters, 19 contributors explore everything from issues of representation in novels and cinema, to political organizing, religious fundamentalism, slavery, love, and sexuality. Each essay is written by an expert in the field, balancing an overview of the scholarship with key examples that portray the diversity of women’s experiences on the continent. Holding the World Together represents a lively, interdisciplinary effort to invite readers into the fascinating lives of African women, past and present. Elisa Prosperetti is a Visiting Assistant Professor in African history at Mount Holyoke College. Her research focuses on the connected histories of education and development in postcolonial West Africa. Contact her at: www.elisaprosperetti.net. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this revised edition of her classic and groundbreaking work, Believing Women in Islam: Unreading Patriarchal Interpretations of the Qur’an (University of Texas Press, 2019), Asma Barlas demonstrates how a Muslim believer can fully adopt an antipatriarchal reading of the Qur’anic text while maintaining belief in its Divine Providence. The intervention she makes is thus as useful to those studying the Quran (and scriptural interpretation more broadly) in the western academy as it is to Muslims searching for renewed ways to interpret their Divine Scripture in a more egalitarian spirit. Barlas cogently argues that just as patriarchy is read into the text, it can also be unread, and provides a methodology by which this can be done. In the process, she critiques both those within her tradition who hold to fixed patriarchal or authoritarian readings of scripture and those outside of her tradition who believe that her efforts are futile. Barlas’s hermeneutic privileges the text without being strictly textualist. That is to say, she is conscious of—and likewise calls her readers to be attuned to—the role played by power in the construction of interpretive knowledge. For example, she argues that even if the Qur’an is emphatic and explicit in affirming that God is genderless, this has not prevented a masculinization and an anthropomorphization of God through certain (male-dominated) theological and spiritual discourses and language. In our interview, we take a journey through the three parts of her book: (1) Texts, Contexts, and Religious Meaning (2) God, the Prophets, and Fathers and (3) Unreading and Rereading Patriarchy. With deep moral clarity, Asma Barlas aims to recover what Leila Ahmad (1992) has called the ‘stubbornly egalitarian’ voice of Islam by illuminating the polysemic voice of the Qur’an. We additionally discuss the two new chapters in this revised edition of the book: “Abraham’s Sacrifice in the Qur’an: Beyond the Body” which elaborates on the Qur’anic rejection of representations of fathers as surrogates of a divine patriarch; and “Secular/Feminism and the Qur’an” where she engages with—and responds to—her secular and feminist interlocutors/critics on the subject of Qur’anic interpretation. This book is a passionate clarion call to dig deeper into how we receive, understand, and interpret scripture regardless of our faith commitments. Asad Dandia is a graduate student of Islamic Studies at Columbia University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Aya Gruber, a professor of law at the University of Colorado Law School, has written a history of how the women’s movement in America has shaped the law on domestic violence and sexual assault. In The Feminist War on Crime: The Unexpected Role of Women’s Liberation in Mass Incarceration (University of California Press, 2020), Professor Gruber contends that the legal reform movement on sexual assault began with feminists in the 19th century, who argued in favor of temperance reform, partly in the hope that it would lead to less violence against women. She also argues that the social context in which sexual assault allegations were made in the 19th century, especially regarding African-American males and white women, influenced the outcomes in legal cases and divided the feminists of the 19th century. Professor Gruber also addresses the fissures created in the women’s movement from the 1960s through today regarding how sexual assault should be treated under the law has worked against justice for both victims and their assailants. Professor Gruber argues that sexual assault law is premised upon erroneous beliefs about how men and women interact, the norms of nonverbal conduct, and the efficacy of punitive solutions. In addition to covering the history of sexual assault law she addresses how the criminal law might be reformed to meet the “convergent interests” of men and women. Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory. Learn more about your ad choices. Visit megaphone.fm/adchoices

Gertrude Hoffman is one of many entertainers who were big stars in vaudeville before World War I, but whose celebrity faded as the American public was seduced by radio and film after the Great War. Sunny Stalter-Pace recounts Hoffmann’s groundbreaking career and contextualizes her work as a dancer, comedienne, producer, and choreographer in the American cultural landscape in Imitation Artist: Gertrude Hoffman’s Life in Vaudeville and Dance (Northwestern University Press, 2020). Hoffman brought European modern dance to a mass American audience through her imitations, vaudeville revues, and touring show recreating some of the Ballet Russes’s iconic dances. She served as a conduit between the avant-garde and commercial theater through a deft combination of highbrow and lowbrow in each of her projects. More than a simply a stage performer, Hoffman was also the first woman stage manager and choreographer on Broadway, and a prolific producer both during and after her stage career was over. Intersecting with figures such as Florence Ziegfeld, George M. Cohan, and Oscar Hammerstein I, Hoffman was part of the network of impresarios and performers who created popular entertainment in the United States at the beginning of the twentieth century. Sunny Stalter-Pace is the Hargis Associate Professor of American Literature at Auburn University. She is interested in the intersection of modernist performance and literature in urban spaces. A prolific scholar, Imitation Artist is Stalter-Pace’s second book. Kristen Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paulo Drinot’s The Sexual Question: A History of Prostitution in Peru, 1850s-1950s (Cambridge University Press, 2020), studies the interplay of sexuality, society, and the state in Peru in the nineteenth and twentieth centuries. Drinot analyzes the rules and norms that governed prostitution and venereal disease in this period, and tracks how regulation of prostitution was implemented in the early twentieth century, and then seemingly abandoned in the 1950s. Drinot’s story foregrounds the many agents that intervened in this process: prostitutes––or sex workers as we may call them today––but also government officials, physicians, journalists, feminists, among others. Set in a global and comparative framework, this book centers on Peru, a country that came “late” to the regulation of prostitution, and did so under arguments that combined concerns about public health and ideas about proper female and male sexuality. The Sexual Question goes beyond the history of prostitution for it also sheds light on broader processes such as the medicalization of society and the construction of the nation-state in Latin American societies. Race figures prominently in this story: throughout this period, the regulation of prostitution was accompanied by the racialization of disease, and the policing of certain groups deemed especially dangerous or in need of protection (Afro-Peruvians and indigenous groups for example). This is a timely book, not only for those listeners concerned with Latin American history, but also for those who are interested in sexuality, the state, race, and medical history more generally. A must for our listeners! Lisette Varón-Carvajal is a PhD Candidate at Rutgers University-New Brunswick. You can tweet her and suggest books at @LisetteVaron Learn more about your ad choices. Visit megaphone.fm/adchoices

Among the tens of thousands of Americans who volunteered their services during the Civil War was Mary Walker, a daring young woman who was one of the handful of female doctors in the nation at that time. Yet despite the often desperate need for medical professionals she spent much of the war struggling to earn the respect she felt she deserved. In Dr. Mary Walker's Civil War: One Woman's Journey to the Medal of Honor and the Fight for Women's Rights (Lyons Press, 2020), Theresa Kaminski describes this struggle and how it reflected her lifelong struggle to have the world accept her on her own terms. The daughter of free-thinking farmers, the young Mary enjoyed a level of education unusual for her era. Even before the war began she defined her identity with their radical choices in clothing and her decision to divorce her philandering husband. When the war began Dr. Walker sought a commission as a doctor, only to face opposition from every authority figure she met. Over time, however, her persistent efforts gradually won her a degree of acceptance and a role in the war. While her goal to earn a commission remained unfulfilled, at the end of the war her brave sacrifices on behalf of the Union earned for herself a Medal of Honor – one that a century and a half later remains the only Medal of Honor ever awarded to a woman. Learn more about your ad choices. Visit megaphone.fm/adchoices

Before Ronald Reagan appointed Sandra Day O’Connor to the Supreme Court in 1981, nine highly qualified women were on the shortlist. What do the stories of these women tell us about the judiciary? Gender? Feminism? Race? In Shortlisted: Women in the Shadows of the Supreme Court (NYU Press, 2020), Renee Knake Jefferson (professor at the University of Houston Law Center) and Hannah Brenner Johnson (Vice Dean and a law professor at California Western School of Law in San Diego) demonstrate how highly (and often overly) qualified woman are shortlisted by presidents -- from Herbert Hoover to Donald Trump -- to create the appearance of diversity before a (white) man is selected to preserve the status quo. Short-listing isn’t success but symptom of a problem. Jefferson and Johnson’s research in presidential libraries, private papers, oral histories, the Nixon tapes, and biographies reveals that presidents as early as Herbert Hoover began discussing female candidates – though presidents set aside overly qualified women for decades. The first half of this nuanced book explores the first woman considered (Florence Allen), five judges who were on the short lists of JFK, LBJ, Nixon, and Ford, and female judges who were short-listed alongside Sandra Day O’Connor (including the first Black female judge, Amalya Lyle Kearse). The histories of each candidate map onto the waves of feminism, reflect on the role of marriage, motherhood, and sexuality, and allow the authors to identify the harms of short-listing. The details are revealing about both past and present and the second half of the book addresses how to apply the lessons learned from these decades of paying lip-service to diversity. How can candidates transition from shortlisting to selection? Jefferson and Johnson discuss tokenism, the burdens of being a gender spokesperson, racism, ageism, and the binds of femininity and “respectability.” The authors demonstrate how the selection of women for the Supreme Court impacts other aspects of the legal system and beyond. Although the number of men and women entering law school and entry-level legal positions are equal, the rate at which men reach leadership positions is considerably faster than women. This phenomenon can be seen in many fields where there is a pursuit of professional advancement. The authors conclude with strategies such as “collaborating to compete” to reform the American legal system. Daniella Campos assisted with this podcast. Susan Liebell is associate professor of political science at Saint Joseph’s University in Philadelphia. She is the author of Democracy, Intelligent Design, and Evolution: Science for Citizenship (Routledge, 2013) and, most recently, “Retreat from the Rule of Law: Locke and the Perils of Stand Your Ground” in the Journal of Politics (August 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices

The Unforgettable Queens of Islam: Succession, Authority and Gender (Cambridge University Press, 2020) by Shahla Haeri (Associate Professor of Anthropology at Boston University) is a captivating book on the biographies of Muslim women rulers and political leaders. Drawing from extensive historical archives as well as from ethnographic research, Haeri reflects on the legacy of the hadith that says, “never will succeed a nation as makes a woman their ruler.” The book includes stories of Muslim women leaders in classical period, such as Queen of Sheba and ‘A’isha, and in medieval era, such as Queen Arwa of Yemen and Razia Sultan of India to challenge us to rethink gendered political authority across the Muslim world. In historically situating these biographies and also the contemporary popular legacies of Muslim women who were political and at times religious rulers, Haeri showcases how such political authority did not always rest solely on religious tradition but rather hinged on dynastic power and succession, as well as patriarchal familial support and privilege. Additionally, the biographies of contemporary Muslim women’s leadership through dynastic political succession, such as of Benazir Bhutto of Pakistan and Megawati Sukarnoputri of Indonesia further complicates how religious, legal, and political discourses are used as justifications and/or even weaponized against Muslim women’s authority and power in political and public office by religious and, peculiarly, by secular opposing political figures and movements. The book is a great resource for courses on gender and Islam, but also will be of interest for those who think and write on Islam, gender, politics, sovereignty, and much more. Shobhana Xavier is an Assistant Professor of Religious Studies at Queen’s University. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism (Bloombsury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2017). More details about her research and scholarship may be found here and here. She may be reached at [email protected]. You can follow her on Twitter via @shobhanaxavier Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Movement for Reproductive Justice: Empowering Women of Color through Social Activism (NYU Press, 2020), Pat Zavella shows how reproductive justice organizations' collaborative work across racial lines provides a compelling model for other groups to successfully influence change. In the context of the war on women's reproductive rights and its disproportionate effect on women of color, and increased legal violence toward immigrants, The Movement for Reproductive Justice demonstrates that a truly intersectional movement built on grassroots organizing, culture shift work, and policy advocating can offer visions of strength, resiliency, and dignity for all. Dr. Pat Zavella is Professor Emerita in the Department of Latin American and Latino Studies at the University of California, Santa Cruz. She is also the author of I’m Neither Here nor There: Mexicans’ Quotidian Struggles with Migration and Poverty and coauthor of Telling to Live: Latina Feminist Testimonios. Dr. Isabel Machado is a Postdoctoral Fellow in Gender and Sexuality Studies at the Department of History of the University of Memphis. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Judy Garland's Judy at Carnegie Hall (Bloomsbury Academic, 2020), Manuel Betancourt explores what makes Judy Garland’s landmark album great, and why it holds such a central place in queer culture. A hit when released in 1961 (it was the first album by a woman ever to win the Grammy award for Best Album), Judy at Carnegie Hall quickly came to occupy a central place in the gay imaginary. And yet by 1967 characters in the play The Boys in the Band would mock Judy fandom as the height of outdated cliché. What accounts for Judy Garland’s strange temporality, somehow always so ten years ago? Why is there such an intense association between Garland and nostalgia, and between Garland and nostalgia’s twin, failure? Why can we accept Judy Garland as a comeback kid but not as a success? Betancourt’s book explores these questions and more in a deep dive into the nature of queer fandom. Manuel Betancourt is a writer based out of Los Angeles. He earned his Ph.D. in English Literature from Rutgers University, USA. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

What if the moral guardians of West African societies are postmenopausal women? This is the argument that Laura S. Grillo makes in her 2018 book, An Intimate Rebuke: Female Genital Power in Ritual and Politics in West Africa (Duke University Press, 2018). Drawing on anthropological fieldwork in Côte d’Ivoire that spans three decades, Grillo elaborates a revolutionary argument that has significant implications not only for Côte d’Ivoire, but for the broader West African region. Postmenopausal women—the “Mothers”, as Grillo calls them—are the ultimate moral arbiters in society. They publicly perform their spiritual rebuke by stripping naked, wielding branches or pestles, and slapping their genitals and bare breasts to curse and expel the forces of evil. It is a ritual that has been observed from Sierra Leone to Cameroon, but An Intimate Rebuke is the first work to analyze these powerful displays as part of a connected moral framework. Grillo’s findings suggest both concrete ways to address the trauma of civil conflict and a framework to re-think the fundaments of African studies. Laura S. Grillo is Affiliated Faculty in the Department of Theology at Georgetown University. Dr. Elisa Prosperetti teaches African and global history at SciencesPo Paris. Her research focuses on the connected histories of education and development in postcolonial West Africa. Contact her at: www.elisaprosperetti.net. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amanda L. Scott’s book, The Basque Seroras: Local Religion, Gender, and Power in Northern Iberia, 1550-1800 (Cornell University Press, 2020), focuses on the Basque seroras, a category of uncloistered religious women that were employed by parishes to perform a wide variety of functions. Somewhat like other religious laywomen like Belgian beguines, Italian tertiaries, or Castilian beatas, they occupied an intermediate zone of honorable possibility for women between marriage and the convent. Unlike women in those other categories, however, the serora enjoyed financial security and respectability in her community in part because of her protection by local communities and church authorities. By situating the seroras within these social dynamics, The Basque Seroras broadens the way we conceive of female religious life and the opportunities it could provide. It also crucially revises our understanding of reform and consumption of legal resources at the local level. Following the Council of Trent, uncloistered religious women were broadly condemned and forced to join established religious orders; these directives notwithstanding, the seroras managed to survive well into the eighteenth century. Scott contends that even though the Counter Reformation program of centralization and standardization is often characterized as an immediate – and repressive – success, the seroras demonstrate the variability of local enforcement and the ways parishes could successfully press for leniency or reach tacit compromise with authorities. These devout laywomen, who straddled secular and religious spheres, were instrumental in this process of negotiated reform. Elizabeth Spragins is assistant professor of Spanish at the College of the Holy Cross. Her current book project is on corpses in early modern Mediterranean narrative. You can follow her on Twitter @elspragins. Learn more about your ad choices. Visit megaphone.fm/adchoices

The courageous and inspiring personal narratives and empirical studies in Presumed Incompetent II: Race, Class, Power, and Resistance of Women in Academia (Utah State University Press, 2019) name formidable obstacles and systemic biases that all women faculty—from diverse intersectional and transnational identities and from tenure track, terminal contract, and administrative positions—encounter in their higher education careers. Edited by Yolanda Flores Niemann, Gabriella Gutiérrez y Muhs, and Carmen G. González, the book provides practical, specific, and insightful guidance to fight back, prevail, and thrive in challenging work environments. This new volume comes at a crucial historical moment as the United States grapples with a resurgence of white supremacy and misogyny at the forefront of our social and political dialogues that continue to permeate the academic world. Today I talked to two of the editors: Yolanda Flores Niemann (PhD, Psychology, University of Houston, 1992), a professor of psychology at the University of North Texas and Gabriella Gutiérrez y Muhs (MA and PhD Stanford University, 2000), a professor of modern languages and women studies at Seattle University. Dr. Christina Gessler’s background is in anthropology, women’s history, and literature. She works as a historian, poet, and photographer. In seeking the extraordinary in the ordinary, Gessler writes the histories of largely unknown women, poems about small relatable moments, and takes many, many photos in nature. Learn more about your ad choices. Visit megaphone.fm/adchoices

If we want girls to succeed, we need to teach them the audacity to transgress. Through the lives of students at three very different schools, Sally Nuamah, an award-winning scholar-activist, makes the case for “feminist schools” that orient girls toward a lifetime of achievement in How Girls Achieve (Harvard University Press). This bold and necessary book points out a simple and overlooked truth: most schools never had girls in mind to begin with. That is why the world needs what Sally Nuamah calls “feminist schools,” deliberately designed to provide girls with achievement-oriented identities. And she shows how these schools would help all students, regardless of their gender. Educated women raise healthier families, build stronger communities, and generate economic opportunities for themselves and their children. Yet millions of disadvantaged girls never make it to school―and too many others drop out or fail. Upending decades of advice and billions of dollars in aid, Nuamah argues that this happens because so many challenges girls confront―from sexual abuse to unequal access to materials and opportunities―go unaddressed. But it isn’t enough just to go to school. What you learn there has to prepare you for the world where you’ll put that knowledge to work. A compelling and inspiring scholar who has founded a nonprofit to test her ideas, Nuamah reveals that developing resilience is not a gender-neutral undertaking. Preaching grit doesn’t help girls; it actively harms them. Drawing on her deep immersion in classrooms in the United States, Ghana, and South Africa, Nuamah calls for a new approach: creating feminist schools that will actively teach girls how and when to challenge society’s norms, and allow them to carve out their own paths to success. Sally A. Nuamah is a scholar, activist, and filmmaker. She has received numerous awards, including the Gates Millennium scholarship and the Black Women Organized for Political Action’s Under 40 Award in Education, and was selected a Change-Maker by the White House. “HerStory,” her award-winning documentary on girls and education in Ghana, has been screened across the world and is accessible through Discovery Education. Dr. Christina Gessler’s background is in women’s history, literature and anthropology. She studies the diaries and personal writings of 19th-century American women, and works as a historian and photographer. In seeking the extraordinary in the ordinary, Gessler writes the histories of largely unknown women, and takes many, many photos in nature. Learn more about your ad choices. Visit megaphone.fm/adchoices

How did Buddhist women access religious experience and transcendence in a Confucian patriarchal system in imperial China? How were Buddhist practices carried out in the intimate settings of a boudoir? In Dr. Yuhang Li’s recent monograph, Becoming Guanyin: Artistic Devotion of Buddhist Women in Late Imperial China (Columbia University Press), the answers to these questions can be found in creative usages of “women’s things” and the female body. Dr. Li shows in this book that through expressive depictions of Guanyin, or the Bodhisattva Avalokiteśvara in various media such as painting and embroidery, and through embodiments of the deity via jewelry and dance, Buddhist women in Ming-Qing China were able to forge personal connections with the Bodhisattva of Compassion. Dr. Li argues that this connection was made possible through “mimetic devotion,” which allowed the faithful devotees to use their own bodies and material things to “become” the feminized form of the popular Buddhist deity. Yuhang Li is an assistant professor of Chinese art in the Department of Art History at the University of Wisconsin-Madison. Daigengna Duoer is a PhD student at the Religious Studies Department, University of California, Santa Barbara. Her dissertation researches on transnational and transregional networks of Buddhism connecting twentieth-century Inner Mongolia, Manchuria, Republican China, Tibet, and Imperial Japan. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sex Matters: How Male-Centric Medicine Endangers Women's Health and What We Can Do About It (Hachette, 2020) tackles one of the most urgent, yet unspoken issues facing women's health care today: all models of medical research and practice are based on male-centric models that ignore the unique biological and emotional differences between men and women -- an omission that can endanger women's lives. The facts surrounding how male-centric medicine impacts women's health every day are chilling: in the ER, women are more likely to receive a psychiatric diagnosis with regard to opioid use, while men are more likely to be referred for detoxification; the more vocal women become about their pain, the more likely their providers are to prescribe either inadequate or inappropriate pain relief medication; women often present with nontraditional symptoms of stroke, which causes delays in recognition by both them and their health professionals; and a government accountability study found that 80% of drugs that are withdrawn from the market are due to side effects that happen to women (a result of testing drugs mostly on men). Leading expert on sex and gender medicine Dr. Alyson McGregor focuses on the key areas where these differences are most potentially harmful, addressing: Cardiac and stroke diagnosis and treatment in women Prescription and dosing of pharmaceuticals; Subjective evaluation of women's symptoms; Pain and pain management; Hormones and female biochemistry (including prescribed hormones); How economic status, race, and gender identity are additional critical factors. Not only does Dr. McGregor explore these disparities in depth, she shares clear, practical suggestions for what women can do to protect themselves. A work of riveting exposé with revelatory insights and actionable guidance for navigating the medical establishment, Sex Matters is an empowering roadmap for reinventing modern medicine -- and for self-care. Alyson J. McGregor, MD, MA, FACEP, is an Associate Professor of Emergency Medicine at The Warren Alpert Medical School of Brown University, and the Co-Founder and Director for the Division of Sex and Gender in Emergency Medicine (SGEM) at Brown University's Department of Emergency Medicine. A co-founder of the national organization Sex and Gender Women's Health Collaborative, Dr. McGregor has written or co-written over seventy peer-reviewed publications in scientific journals and was also the lead editor for the medical textbook, Sex and Gender in Acute Care Medicine (Cambridge University Press, 2016). Dr. Christina Gessler’s background is in women’s history, anthropology and literature. She is a historian, and photographer. In seeking the extraordinary in the ordinary, Gessler writes the histories of largely unknown women, and takes many, many photos in nature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sandie Holguín speaks with Jennifer L. Holland about her book, Tiny You: A Western History of the Anti-Abortion Movement (University of California Press, 2020). In addition to her book, Dr. Holland has recently published an article in Feminist Studies, “‘Survivors of the Abortion Holocaust’: Children and Young Adults in the Anti-Abortion Movement.” Dr. Holland is Assistant Professor of History at the University of Oklahoma and Book Review Editor for the Journal of Women’s History. In Tiny You, Holland tells the story of one of the most successful political movements of the twentieth century in the United States: the grassroots campaign against legalized abortion. The interview covers the origins, spread, and success of this conservative movement in the Mountain West during the latter half of the twentieth century. Although she discusses the many leaders of the movement, her focus is on how women at the local level championed the rights of fetuses in domestic spaces, churches, and schools, therefore changing the tenor of local, state, and national politics in enduring ways. After reading this book, one can never look at American conservatism or anti-abortion politics in the same way again. Please join us for an enlightening interview. Jennifer L. Holland is Assistant Professor of History at the University of Oklahoma. Sandie Holguín, Professor of History, Co-editor of the Journal of Women’s History, and author of Flamenco Nation: The Construction of Spanish National Identity can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, I talk with Pernilla Myrne about her exciting and excellently researched book Female Sexuality in the Early Medieval Islamic World: Gender and Sex in Arabic Literature, published with I. B. Tauris in 2020. Pernilla Myrne is an Associate Professor of Arabic Literature and History at the University of Gothenburg in Sweden, where she also earned her PhD in 2008. Her research interests include the representation of women in pre-modern Arabic literature, attitudes to sexuality in medieval Islam, and women as creative subjects. In today’s discussion, Myrne shares with us the origins of her book, some of its findings, and the process of collecting the many, many sources she used to make this book an essential resource of many a thing female sexuality, including pleasure, sexual comedy, and women’s bodies. Among Myrne’s impressive range of sources are medical, Islamic legal, literary, and entertainment sources. Contrary to popular and even scholarly expectations, medieval erotic literature emphasized female sexual satisfaction, including via teaching male readers how precisely to ensure that their female partner reaches an orgasm. Other specific themes we discuss in today’s interview include the Greek influences on Islamic writers writing about sex and sexuality, female desire, the two-seed theory, female orgasm, and lesbian love. The book would be welcome by anyone interested in gender and sexuality, medieval literature, and female representation in various genres, such as medical, erotic, and religio-legal literature. Shehnaz Haqqani is Assistant Professor of Religion at Mercer University. Her primary research areas include Islam, gender, and questions of change and tradition in Islam. She also vlogs on YouTube; her videos focus on dismantling the patriarchy and are available at here. She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today Jana Byars talks to Jean Halley, Professor of Sociology at the College of Staten Island and the Graduate Center of the City University of New York about her new book Horse Crazy: Girls and the Lives of Horses (University of Georgia Press, 2019). Part memoir, part heavy-hitting theoretical exploration, this delightfully readable book explores the relationship between horses and humans, and how girls develop relationships with horses and subvert dominant narratives about gender roles and heteronormativity. Professor Halley works on the intersection of affective relationships, identity construction, and power, often as these intersections interact with horses. She is the author of The Parallel Lives of Women and Cows: Meat Markets (Palgrave 2012) and Boundaries of Touch: Parenting and Adult-Child Intimacy (Illinois, 2007) as well as the editor of Seeing Straight, Seeing White, and The Affective Turn. As well as her academic and hybrid academic/memoir work, Halley writes creative non-fiction. Killing Deer, a beautifully written and slightly devastating short, was published in Harper’s Magazine. Learn more about your ad choices. Visit megaphone.fm/adchoices

Gender, Separatist Politics, and Embodied Nationalism in Cameroon (University of Michigan Press, 2019) illuminates how issues of ideal womanhood shaped the Anglophone Cameroonian nationalist movement in the first decade of independence in Cameroon, a west-central African country. Drawing upon history, political science, gender studies, and feminist epistemologies, the book examines how formally educated women sought to protect the cultural values and the self-determination of the Anglophone Cameroonian state as Francophone Cameroon prepared to dismantle the federal republic. The book defines and uses the concept of embodied nationalism to illustrate the political importance of women’s everyday behavior—the clothes they wore, the foods they cooked, whether they gossiped, and their deference to their husbands. The result, in this fascinating approach, reveals that West Cameroon, which included English-speaking areas, was a progressive and autonomous nation. The author’s sources include oral interviews and archival records such as women’s newspaper advice columns, Cameroon’s first cooking book, and the first novel published by an Anglophone Cameroonian woman. Jacqueline-Bethel Tchouta Mougoué is an Assistant Professor of African Cultural Studies at the University of Wisconsin-Madison. Her book was awarded the 2020 Frances Richardson Keller-Sierra Prize from the Western Association of Women Historians. Madina Thiam is a PhD candidate in History at UCLA. Learn more about your ad choices. Visit megaphone.fm/adchoices

Smithsonian American Women: Remarkable Objects and Stories of Strength, Ingenuity and Vision from the National Collection (Smithsonian Book, 2019) is an inspiring and surprising celebration of U.S. women's history told through Smithsonian artifacts illustrating women's participation in science, art, music, sports, fashion, business, religion, entertainment, military, politics, activism, and more. This book offers a unique, panoramic look at women's history in the United States through the lens of ordinary objects from, by, and for extraordinary women. Featuring more than 280 artifacts from 16 Smithsonian museums and archives, and more than 135 essays from 95 Smithsonian authors, this book tells women's history as only the Smithsonian can. Listen as Dr. Christina Gessler talks with two curators at the Smithsonian about their work in creating this book. Margaret A. Weitekamp, Ph.D., is the Department Chair and Curator of the Space History Department at the Smithsonian National Air and Space Museum. Michelle Delaney is the Assistant Director for History and Culture of the National Museum of the American Indian. Dr. Christina Gessler’s background is in women’s history, and literature. She works as a historian and photographer. In seeking the extraordinary in the ordinary, Gessler writes the histories of largely unknown women, and takes many, many photos in nature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today Jana Byars talks to Lucy Delap, Reader in Modern British and Gender History at Murray Edwards College, Cambridge University, about her new book Feminisms: A Global History (University of Chicago Press, 2020). This outstanding work, available later this year, takes a thematic approach to the topic of global feminist history to provide a unified vision that maintains appropriate nuance. Delap is a gender historian, writ large. Her first book, The Feminist Avant Garde (Cambridge 2007), examined the development of feminism in the Anglo-American context, tracing the ideas as developed in trans-Atlantic discourse. She then directed her gaze back to her homeland in subsequent publications, including Knowing their Place: Domestic Service in Twentieth Century Britain (Oxford 2011) and the 2013 Palgrave release, Men, Masculinities and Religious Change in Britain since 1890, Delap explore another expression of gender altogether. The breadth of her scholarship – women and men, intellectual elites and domestic servants, adults and children – prepared her to write this broad but fairly concise work of history. Enjoy our lively discussion! Learn more about your ad choices. Visit megaphone.fm/adchoices

What kind of discrimination do Black women face in the legal profession? Tsedale Melaku explores this question and more in her new book: You Don’t Look Like a Lawyer: Black Women and Systemic Gendered Racism (Rowman & Littlefield, 2019). Using in-depth interviews with Black women about their lived experiences working in elite law firms, Melaku explores topics including double burden, system gendered racism, and color-blind ideology. She also pushes our thinking further about these issues through discovery of issues including the invisible labor clause and inclusion tax. Her respondents elaborate on their experiences of having their appearances and positions continually scrutinized, leading to hypervisibility and invisibility. Melaku also explores women’s experiences of isolation, exclusion, and ultimately attrition through daily experiences as well as through important relationships within professional networks. This book will be of interest to many readers inside and outside of Sociology. Scholars of race, gender, and work will find this to be an important reading for their own work and a critical addition to their classrooms. Anyone working in professional institutions could benefit from reading the experiences of these women and Melaku’s clear and thorough analysis of next steps and take-aways. Sarah E. Patterson is a postdoctoral fellow at the University of Michigan. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sophonisba Breckinridge's remarkable career stretched from the Civil War to the Cold War. She took part in virtually every reform campaign of the Progressive and New Deal eras and became a nationally and internationally renowned figure. Her work informed women's activism for decades and continues to shape progressive politics today. In her new book, Sophonisba Breckinridge: Championing Women's Activism in Modern America (U Illinois Press, 2019), Anya Jabour's rediscovers this groundbreaking American figure. After earning advanced degrees in politics, economics, and law, Breckinridge established the University of Chicago's School of Social Service Administration, which became a feminist think tank that promoted public welfare policy and propelled women into leadership positions. In 1935, Breckinridge’s unremitting efforts to provide government aid to the dispossessed culminated in her appointment as an advisor on programs for the new Social Security Act. A longtime activist in international movements for peace and justice, Breckinridge also influenced the formation of the United Nations and advanced the idea that "women’s rights are human rights." Her lifelong commitment to social justice created a lasting legacy for generations of progressive activists Anya Jabour is Regents Professor of History at the University of Montana. Her books include Topsy-Turvy: How the Civil War Turned the World Upside Down for Southern Children and Scarlett's Sisters: Young Women in the Old South. Dr. Christina Gessler works as a historian, poet, and photographer. In seeking the extraordinary in the ordinary, Gessler writes the histories of largely unknown women, poems about small relatable moments, and takes many, many photos in nature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Natalie Kimball is the author of An Open Secret: The History of Unwanted Pregnancy and Abortion in Modern Bolivia, out this year from Rutgers University Press. An Open Secret argues that, despite stigma and continued legal prohibitions, practices and attitudes surrounding abortion have changed in urban Bolivia since the 1950s. Kimball shows how women have pushed for and enacted changes in policy and services relating to unwanted pregnancy and abortion in Bolivia. In particular, they argue that since the 1980s, women have opened space for themselves to be able to terminate pregnancies with more options and more safety, even as abortion remains illegal. In order to tell this story, Kimball conducted over 100 interviews with women and maternal health practitioners in both La Paz and El Alto, and their stories offer a history not only of policy change, but of transformations in official and unofficial attitudes. An Open Secret tells these stories while remaining attuned to the specific contexts of urban Bolivia, where women and men navigate overlapping medical systems not reducible to western science alone. Their book also centers women’s affective responses to pregnancy and the structures that factor into decisions about care. In this interview, we talk about oral history practices as well as the challenges of rights and choice base frameworks for maternal health activism in postcolonial contexts. An Open Secret is essential reading for anyone interested in women’s health or the practice of oral history in Latin America. Natalie Kimball is an Assistant Professor of History at the College of Staten Island, which forms part of the City University of New York. Elena McGrath is an Assistant Professor of History at Union College in Schenectady, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the culture of the tech industry? In The Culture of Women in Tech: An Unsuitable Job for a Woman (Emerald, 2019), Mariann Hardey, an Associate Professor in Marketing at Durham University, shows the ongoing inequalities faced by women in the IT industry. The book uses a range of case studies from across the world’s ‘tech cities’, drawing on interviews, focus groups, ethnography, and a feminist theoretical framework, to make clear the problem of the ‘women in tech’ label and the sexism in the tech industry. The book analyses the gendered spatial and career divisions of tech, making it an important addition to the literature, as well as essential reading for anyone interested in how this most essential modern industry works. Learn more about your ad choices. Visit megaphone.fm/adchoices

New mothers face a barrage of confounding decisions during the life-cycle of early motherhood which includes... Should they change their diet or mindset to conceive? Exercise while pregnant? Should they opt for a home birth or head for a hospital? Whatever they “choose,” they will be sure to find plenty of medical expertise from health practitioners to social media “influencers” telling them that they’re making a series of mistakes. As intersectional feminists with two small children each, Bethany L. Johnson and Margaret M. Quinlan draw from their own experiences as well as stories from a range of caretakers throughout. You’re Doing it Wrong! Mothering, Media and Medical Expertise (Rutgers University Press, 2019) investigates the storied history of mothering advice in the media, from the newspapers, magazines, doctors’ records and personal papers of the nineteenth-century to today’s websites, Facebook groups, and Instagram feeds. Johnson and Quinlan find surprising parallels between today’s mothering experts and their Victorian counterparts, but they also explore how social media has placed unprecedented pressures on new mothers, even while it may function as social support for some. They further examine the contentious construction of prenatal and baby care expertise itself, as individuals such as everyone from medical professionals to experienced moms have competed to have their expertise acknowledged in the public sphere. Exploring potential health crises from infertility treatments to “better babies” milestones, You’re Doing it Wrong! provides a provocative look at historical and contemporary medical expertise during conception, pregnancy, childbirth, postpartum, and infant care stages. Bethany L. Johnson (MPhil, M.A.) is a doctoral student in the history of science, technology and the environment at the University of South Carolina and an associate member to the graduate faculty and research affiliate faculty in the department of communication studies at the University of North Carolina at Charlotte. Margaret M. Quinlan (PhD) is an associate professor in the Department of Communication Studies and core faculty in the interdisciplinary Health Psychology Ph.D. Program at the University of North Carolina at Charlotte. Dr. Christina Gessler’s background is in anthropology, women’s history, and literature. She works as a historian, poet, and photographer. In seeking the extraordinary in the ordinary, Gessler writes the histories of largely unknown women, poems about small relatable moments, and takes many, many photos in nature. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of the New Books Network, Lee Pierce (s/t) interviews Teresa Bergman of the University of the Pacific on The Commemoration of Women in the United States: Remembering Women in Public Space (Routledge, 2019). Examining the public memorialization of women in the US over the past century, with a particular focus on the late twentieth century and early twenty first, the book includes six case examples of memorialization, and explores broad themes of cultural representation. Bergman argues that the construction, or relocation, of a series of prominent national memorials together form a significant moment of change in the ways in which women are commemorated in the US. The historic and present-day challenges facing such commemoration are examined, with reference to broader political debates. The case examples explored are the Women in the Military Service for America Memorial; the Women’s Rights National Historic Park; the Vietnam Veterans Women’s Memorial; the Rosie the Riveter WWII Home Front National Historical Park; the Eleanor Roosevelt Statue in the Franklin Delano Roosevelt Memorial; and the Portrait Monument of Susan B. Anthony, Lucretia Mott, and Elizabeth Cady Stanton. Providing insightful and grounded analysis of the history and practice of the commemoration of women in the US, this book makes useful reading for a range of scholars and students in subjects including heritage studies, communication studies, and history. We’d love to hear your thoughts on this interview and the book The Commemoration of Women in the United States. Connect with the author @tbergman on Twitter and @teresa.bergman on Facebook. Connect with your host @rhetoriclee on Twitter, Instagram, Facebook, and Gmail. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marriage after Migration: An Ethnography of Money, Romance, and Gender in Globalizing Mexico (Oxford University Press, 2019) tells the stories of five women in rural Mexico, each navigating the tricky terrain that is men’s international migration. With their husbands and sons working in the United States, will the women hold their families together? In the book, Nora Haenn draws on twenty-five years of experience in Calakmul, on Mexico’s southern border, to relate the pleasures and dangers driving labor migration. With their men abroad, women find new romance, unimagined wealth, and, for some, relief from constraining gender roles. But for these women migration’s dangers are just as real: a return to poverty, pressure to live up to impossible standards, emotional betrayal, divorce. When men return home with a drinking problem, wives can face life-threatening domestic violence. Marriage after Migration shows how globalization changes people but also how marginalized people, including indigenous people, drive globalization. By following the women’s journeys, readers go beneath the surface of globalization to see its roots in people’s most intimate relationships. Pamela Fuentes is an Assistant Professor in the Women’s and Gender Studies Department at Pace University, NYC campus. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of the New Books Network, Lee Pierce (s/t) interviews Rebekah Farrugia and Kellie D. Hay of Oakland University on their new book Women Rapping Revolution.(University of California Press, 2020). Detroit, Michigan, has long been recognized as a center of musical innovation and social change. Rebekah Farrugia and Kellie D. Hay draw on seven years of fieldwork to illuminate the important role that women have played in mobilizing a grassroots response to political and social pressures at the heart of Detroit’s ongoing renewal and development project. Focusing on the Foundation, a women-centered hip-hop collective, Women Rapping Revolution argues that the hip-hop underground is a crucial site where Black women shape subjectivity and claim self-care as a principle of community organizing. Through interviews and sustained critical engagement with artists and activists, this study also articulates the substantial role of cultural production in social, racial, and economic justice efforts. Resources mentioned in the show: Farrugia and Hay,“The Politics and Place of a ‘Legendary’ Hip Hop Track in Detroit,” Journal of Music and Politics. Rebekah Farrugia is Professor of Media Studies in the Department of Communication, Journalism, and Public Relations at Oakland University. She is the author of Beyond the Dance Floor: Female DJs, Technology, and Electronic Dance Music Culture. Connect @b3kkaf on Twitter and @rebekah.farrugia.7 on Facebook. Kellie D. Hay is Professor of Cultural Studies in the Department of Communication, Journalism, and Public Relations at Oakland University. She has authored many articles about music, politics, and cultural identity, and specializes in critical qualitative methodologies. Connect @obihay on Twitter, @kellie.hay.37 on Facebook and by email at [email protected]. We’d love to hear your thoughts on this interview and the book, Women Rapping Revolution. Connect with your host @rhetoriclee on Instagram, Facebook, Twitter, and Gmail. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Where the Millennials Will Take Us: A New Generation Wrestles with the Gender Structure (Oxford University Press 2018), Barbara J. Risman uses her gender structure theory to tackle the question about whether today’s young people, Millennials, are pushing forward the gender revolution or backing away from it. In the first part of the book, Risman revises her theoretical argument to differentiate more clearly between culture and material aspects of each level of gender as a social structure. She then uses previous research to explain that today’s young people spend years in a new life stage where they are emerging as adults. The new research presented here offers a typology of how today’s young people wrestle with gender during the years of emerging adulthood. How do they experience gender at the individual level? What are the expectations they face because of their sex? What are their ideological beliefs and organizational constraints based on their gender category? Risman suggests there is great variety within this generation. She identifies four strategies used by young people: true believers in gender difference, innovators who want to push boundaries in feminist directions, straddlers who are simply confused, and rebels who sometimes identify as genderqueer and reject gender categories altogether. The final chapter offers a utopian vision that would ease the struggles of all these groups, a fourth wave of feminism that rejects the gender structure itself. Risman envisions a world where the sex ascribed at birth matters has few consequences beyond reproduction. In this interview, Dr. Risman and I discuss how gender is more than an identity, but a way of shaping and legitimating inequality. We also discuss her methods and data, the four categories of classifying participants’ gender beliefs and behaviours, and how to move forward with feminist change. This book makes a meaningful contribution to not only the literature on gender as a social structure but also the literature on emerging adulthood. I recommend this book for students, professors, and anyone else interested in gender, emerging adulthood, feminism, and inequality Dr. Barbara J. Risman (@bjrisman) is a Distinguished Professor in the Department of Sociology at the University of Illinois-Chicago. She is editor-in-chief of the journal Gender and Society and former president of Sociologists for Women in Society. Her research interests include gender inequality and families; feminist activism, and public sociology. More information is available on her website www.barbararisman.com/. Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Pursuit of Knowledge: Black Women and Educational Activism in Antebellum America (NYU Press, 2019) is an intellectual and cultural history of the educational activism of African American women and girls in the long nineteenth century. Kabria Baumgartner focuses her narrative on the actions of “African American women and girls living in the antebellum Northeast” in cities such as New York, Boston, and Philadelphia. These women including individuals such as Sarah Mapps Douglas and Sarah Parker Remond wrote essays about education, built schools, and became educators in their own right while living their lives with a “sense of purpose” defined as a “purposeful womanhood”. Activism is “broadly construed” by the author to note that Black women engaged in “concerted efforts to procure advancing schooling (beyond the primary level) and teaching opportunities for themselves and their community”. Baumgartner notes that not only did these women advocate for entrance into educational institutions for themselves, but that they also developed schools that welcomed students of all races. In this text, the author essentially traces the historical development of victories against segregation won at the state and local level, in the educational system, a century before the historic Supreme Court decision in Brown vs. the Board of Education, Topeka Kansas in 1954 that helped to make the Civil Rights Movement a mass movement across the United States (U.S.). Baumgartner, in her text, importantly notes that these achievements gained in the nineteenth century were the result of both individual and collective efforts of Black women such as Sarah Harris, Mary E. Miles, Serena de Grasse, Rosetta Morrison, Sarah Parker Remond, Susan Paul, Sarah Mapps Douglass and Charlotte Forten. This text is concisely organized around two major sections and six chapters with an “Introduction” and a “Conclusion.” Baumgartner reads the activism of Black women in the nineteenth century as “continuous and dynamic, becoming more and more organized” by the mid-nineteenth century. For women such as Sarah Harris, profiled in Chapter One of the text, the schoolhouse was both “an extension of the home and a defining civic space” or place for these women to define a purposeful womanhood. Harris and other Black women who helped to integrate schools in Connecticut such as the Canterbury Female Boarding School did so with the larger goal of securing rights as citizens beyond the schoolhouse. Baumgartner weaves together a network of Black women activists in her narrative who forged a collective attack against school segregation and laid the foundations for the ideology of a beloved community moving beyond the schoolhouse that eventually became the intellectual basis for the Black freedom struggle in the twentieth century. She does this by reading an array of sources against the grain including census records, letters, pamphlets, school records, annual reports, almanacks, petitions, newspapers, abolitionist literature and published writings. Hettie V. Williams PhD is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. She has published book chapters, essays, and edited/authored five books. Her latest publications include Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History (Praeger, 2017) and, with Dr G. Reginald Daniel, professor of historical sociology at the University of California, Santa Barbara, Race and the Obama Phenomenon: The Vision of a More Perfect Multiracial Union (University Press of Mississippi 2014). Website: hettiewilliams.com/ Follow me on twitter: @DrHettie2017 Learn more about your ad choices. Visit megaphone.fm/adchoices

We are all familiar with the story of how in early 1919 heads of state and diplomats from around the world came to Paris to negotiate a peace settlement with a defeated Germany and its allies. Many of us are aware of how nationalists such as Nguyễn Ái Quốc, the future Hồ Chí Minh, tried to gain access to the official meetings. But far fewer of us know of the roles played of activist women such as the French Marguerite de Witt Schlumberger, the African American Ida Gibbs Hunt, and the Chinese Soumay Tcheng. In her new book Peace on Our Terms: The Global Battle for Women’s Rights After the First World (Columbia University Press, 2020), Professor Mona L. Siegel explores the previously neglected history of a diverse group of women from around the world who fought for women’s rights as male politicians forged a new world order. Written like a true global history, Peace on Our Terms links the meeting rooms of Paris to street demonstrations in Cairo to the revolutionary underworld of Shanghai. Not only does Siegel gender the history of 1919, but she also offers a serious critique of traditional narratives of the American women’s movement by bringing in issues of race and class. Based on her research in archives in several countries on both sides of the Atlantic, Siegel explores troves of previously untouched documents. This is a scholarly work written in a style accessible for a general audience. Mona L. Siegel of Sacramento State University earned her PhD at the University of Wisconsin, Madison. In 2004, she published The Moral Disarmament of France: Education, Pacifism, and Patriotism, 1914-1940 with Cambridge University Press. In addition to awards from the Peace History Society and the History of Education Society, Siegel received grants from the National Endowment for the Humanities for research on feminist activism and peace negotiations after World War One. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford, 2018). When he’s not quietly reading or happily talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1883, a young woman named Anandi Joshi set out from her native India to the United States to study medicine. To do so, as Nandini Patwardhan describes in her book Radical Spirits: India’s First Woman Doctor and Her American Champions (Story Artisan Press, 2020) required overcoming numerous hurdles, which she did thanks to the support of family and friends on two continents. One of them, as Patwardhan explains, was her husband Gopal, who often moved with his young wife to various posts throughout India so as to obtain an education for her. The death of their son soon after childbirth fueled Anandi’s desire to study medicine, while the couple’s relationships with American missionaries led to an invitation to stay in America. Though Anandi faced numerous problems adapting to life in America and her husband’s oftentimes antagonistic nature added to her stress, through her hard labors and the aid of her friends Anandi succeeded in obtaining her medical degree, only to die tragically soon after her celebrated return to India in 1886. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fascination with the Viking Age seems to be at an all-time high, though it has never really gone out of fashion. There is something irresistible about the Vikings, a civilization dedicated to exploring the edges of the known world, forging an empire from north America to Kiev, which dominated the political and economic landscape from the Fall of Rome to the First Crusade. Writers, artists and musicians such as Richard Wagner and J. R. R. Tolkien have found inspiration in the stories, legends, and sagas of the Vikings, and modern culture too has successfully mined the canon for the inspiration behind blockbusters as “Vikings,” “Game of Thrones” and the Marvel films. But few scholars have delved-exclusively into the world of Viking women until now. Jóhanna Katrín Friðriksdóttir’s recent book, Valkyrie: The Women of the Viking World (Bloomsbury, 2020) is a deeply satisfying exploration of the lives of Viking women. Valkyrie is skillfully arranged around the skeleton of the life cycle of a woman—from birth through childhood, adolescence, marriage, and old age. But this skeleton is expertly fleshed out with cogent examples drawn from archaeology, contemporary accounts, and the rich literary vein of the Old Norse sagas. The result is a gripping read, which plunges us into the world of the Viking women as they grapple with the emotional rollercoaster that is adolescence, weather transactional marriages, and navigate old age. The Viking Age (793-1100 CE) was a time of exceptional opportunity for social mobility. Viking raiding and trading had the potential to create substantial wealth for those of comparatively humble origins. “Valkyrie” looks at this phenomenon, too: charting the role women played in running successful enterprises, and sometimes even ruling countries. Jóhanna Katrín Friðriksdóttiralso explores the emotional lives of Viking women, and their capacity for protecting their loved ones as fiercely as they exact vengeance for wrongs done to them. “Valkyrie” is that rare academic book that reads like an action-packed thriller and is sure to appeal to serious scholars of early Scandinavian history as much as it will to those who are eager to learn more about the women behind the great men of the Viking age. This is a book that gives the hitherto unseen Vikingwomen a chance to take centre stage and emerge as powerful agents for change in their own right. Friðriksdóttir earned attained her PhD from the University of Oxford and has held teaching and research positions at Yale, The Árni MagnússonInstitute for Icelandic Studies, and Harvard. She is currently based at the National Library of Norway in Oslo. She is the author of Women in Old Norse Literature: Bodies, Words and Power, The New Middle Ages. (Palgrave Macmillan, 2013). Find out more about Johanna at her website, vikingwomen.org. Jennifer Eremeeva is an American expatriate writer who writes about travel, culture, cuisine and culinary history, Russian history, and Royal History, with bylines in Reuters, Fodor's, USTOA, LitHub, The Moscow Times, and Russian Life. She is the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow and Have Personality Disorder, Will Rule Russia: A Pocket Guide to Russian History. Learn more about your ad choices. Visit megaphone.fm/adchoices

Good Reason to Run: Women and Political Candidacy (Temple University Press, 2020) is an excellent text that provides a wealth of information and analysis of the reasons why women (and men) choose to run for public office and what that path looks like in terms of training, support, obstacles, and advantages. This is a wonderfully accessible text, great for use in the classroom, for those who work in politics and campaigns, and for scholars of electoral politics, particularly those who study women and politics. Shauna L. Shames, Rachel I. Bernhard, Mirya R. Holman, Dawn Langan Teele have assembled an impressive group of contributing authors, focusing mostly but not exclusively on American politics and the particular experiences and issues that women in the United States face in considering a run for public office. Good Reason to Run came out of a collaborative effort between scholars/academics and practitioners, thus the data, information, and analysis in the book weaves together both scholarship on women running for office and the experience of those who work with and for women running for office or in elected office. A standout section of the book harnesses this collaborative information in discussing the role of non-profit organizations in providing a variety of support for female candidates; this section also includes a global comparative analysis of the role of these organizations. The book focuses on the theory of political ambition and how a static understanding of this concept has often shaped the thinking and analysis of electoral politics. Good Reason to Run: Women and Political Candidacy provides a diversity of methodological approaches across the chapters, from field experiments and survey data to deep interviews and descriptive analysis—which makes the text accessible to a broad array of readers. Beyond answering questions about which women choose to run and why they make that choice, Good Reason to Run also includes a section on the role of money in politics, especially as it figures into that decision matrix – and the differences across parties, and countries. Shames, Bernhard, Holman, and Teele have organized and marshaled an engaging text that responds to the literature about women running for office, integrating the established theories and exploring current data, information, and experiences from those in the field. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Learn more about your ad choices. Visit megaphone.fm/adchoices

Many Americans are familiar with the real, but repeatedly stereotyped problem of alcohol abuse in Indian country. Most know about the Prohibition Era and reformers who promoted passage of the Eighteenth Amendment, among them the members of the Woman’s Christian Temperance Union (WCTU). But few people are aware of how American Indian women joined forces with the WCTU to press for positive change in their communities, a critical chapter of American cultural history explored in depth for the first time in his book In League Against King Alcohol: Native American Women and the Woman's Christian Temperance Union, 1874–1933 (University of Oklahoma Press, 2020) Drawing on the WCTU’s national records as well as state and regional organizational newspaper accounts and official state histories, historian Thomas John Lappas unearths the story of the Woman’s Christian Temperance Union in Indian country. Lappas' work reveals how Native American women in the organization embraced a type of social, economic, and political progress that their white counterparts supported and recognized—while maintaining distinctly Native elements of sovereignty, self-determination, and cultural preservation. They asserted their identities as Indigenous women, albeit as Christian and progressive Indigenous women. At the same time, through their mutual participation, white WCTU members formed conceptions about Native people that they subsequently brought to bear on state and local Indian policy pertaining to alcohol, but also on education, citizenship, voting rights, and land use and ownership. Lappas’s book places Native women at the center of the temperance story, showing how they used a women’s national reform organization to move their own goals and objectives forward. Subtly but significantly, they altered the welfare and status of American Indian communities in the early twentieth century. David Dry is a PhD student in the Department of History at the University of North Carolina at Chapel Hill. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Beyond Repair? Mayan Women’s Protagonism in the Aftermath of Genocidal Harm (Rutgers University Press, 2019), Alison D. Crosby and M. Brinton Lykes draw on eight years of feminist participatory action research conducted with fifty-four Q’eqchi’, Kaqchikel, Chuj, and Mam women to explore Mayan women’s agency in their search for truth, justice, and reparation for harm suffered during the genocidal violence perpetrated by the Guatemalan state at the height of the thirty-six-year armed conflict. The book discusses the complexities of navigating, negotiating, and interpreting informal and formal justice processes, as participated in and experienced by protagonists, women’s rights activists, lawyers, psychologists, Mayan rights activists, and researchers who have accompanied them as intermediaries. Jeff Bachman is a senior lecturer in Human Rights at American University’s School of International Service in Washington, DC. He is the author of the United States and Genocide: (Re)Defining the relationship and editor of the volume cultural Genocide: Law, Politics, and Global Manifestations. He is currently working on a new book, The Politics of Genocide: From the Genocide Convention to the Responsibility to Protect, contracted by Rutgers University Press for its Genocide, Political Violence, Human Rights series. Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Politics of Taste: Beatriz González and Cold War Aesthetics (Duke University Press, 2019), Ana María Reyes examines the ways Colombian artist Beatriz González and Argentine-born art critic Marta Traba railed against international forms of modernism and promoted low brow or even provincial forms of art in the period of the Colombian National Front’s coalition government (1958-1974). In doing so, Reyes situates art in a pivotal moment in Colombian history where efforts to end political violence through compromise and power-sharing also led to the ushering of modernizing projects promoted initially under President Alberto Lleras Camargo. Reyes shows that art became under the purview of elites seeking to project Colombia as a modern, internationalist nation. González, on the other hand, increasingly questioned and challenged elite efforts to present modernism as the epitome of high art and culture in Colombia. In doing so, Reyes wholeheartedly adopted her role as a provocateur as a way to resist U.S. cultural interference and to preserve the marginal voices so often derided by urban elites in Bogotá. Through an examination of art, Reyes offers a refreshing perspective on the ways taste became politicized in mid-twentieth century Colombia. Sharika Crawford is an associate professor of history at the United States Naval Academy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jana Byars talks with Martina Cvajner, Assistant Professor of Sociology in the Department of Psychology and Cognitive Sciences at the University of Trento, about her new book, Soviet Signoras: Personal and Collective Transformations in Eastern European Migration (University of Chicago Press, 2019). This book focuses on a group of women who migrated from areas in the former Soviet Union to northern Italy, following them from the first days of their arrival and their early work as elderly home caregivers, as they build personal lives and networks, through the establishment of a meaningful community. Dr Cvajner spent almost two decades with the women she studies, developing friendships and long-term connections. This personal interest shines through in the book and in our talk. She has a genuine affection for her subjects and approaches them not just as research material, but as whole humans, with complex stories. As a review noted, “By zeroing in on these elements of personal identity, she reveals previously unexplored sides of the social psychology of migration, colouring our contemporary discussion with complex shades of humanity. ”Our discussion discusses the importance of sexuality, the relationship between gender and migration, and explores the benefits of long-term ethnographic research. Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Politics of Taste: Beatriz González and Cold War Aesthetics (Duke University Press, 2019), Ana María Reyes examines the ways Colombian artist Beatriz González and Argentine-born art critic Marta Traba railed against international forms of modernism and promoted low brow or even provincial forms of art in the period of the Colombian National Front’s coalition government (1958-1974). In doing so, Reyes situates art in a pivotal moment in Colombian history where efforts to end political violence through compromise and power-sharing also led to the ushering of modernizing projects promoted initially under President Alberto Lleras Camargo. Reyes shows that art became under the purview of elites seeking to project Colombia as a modern, internationalist nation. González, on the other hand, increasingly questioned and challenged elite efforts to present modernism as the epitome of high art and culture in Colombia. In doing so, Reyes wholeheartedly adopted her role as a provocateur as a way to resist U.S. cultural interference and to preserve the marginal voices so often derided by urban elites in Bogotá. Through an examination of art, Reyes offers a refreshing perspective on the ways taste became politicized in mid-twentieth century Colombia. Sharika Crawford is an associate professor of history at the United States Naval Academy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Burn It Down: Feminist Manifestos for the Revolution (Verso, 2020), Breanne Fahs has curated a comprehensive collection of feminist manifestos from the nineteenth century to today. Fahs collected over seventy-five manifestos from around the world, calling on feminists to act, be defiant and show their rage. This thought-provoking and timely collection includes not only popular manifestos often taught in women and gender studies courses, but also introduces readers to works from feminist activists who are often placed on the margins. The eight sections of the book cover manifestos from a wide range of feminist activist spectrums: queer/trans, anticapitalist/anarchist, angry/violent, indigenous/women of color, sex/body, hacker/cyborg, trashy/punk, and witchy/bitchy. Fahs has put together a collection that has something for everyone and that is a must-need on every feminist bookshelf. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices