New Books in Women's History

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her rich book, Mary Magdalene Revealed: The First Apostle, The Feminist Gospel, and the Christianity We Haven’t Tried Yet (Hay House, 2019), Meggan Watterson takes us deep into the heart of Mary Magdalene and her recently uncovered gospel. The Gospel of Mary Magdalene reveals a very different love story from the one we've come to refer to as Christianity. Harvard-trained theologian Meggan Watterson leads us verse by verse through Mary's gospel to illuminate the powerful teachings it contains. A gospel, as ancient and authentic as any of the gospels that the Christian bible contains, was buried deep in the Egyptian desert after an edict was sent out in the 4th century to have all copies of it destroyed. Fortunately, some rebel monks were wise enough to refuse-and thanks to their disobedience and spiritual bravery, we have several manuscripts of the only gospel that was written in the name of a woman: The Gospel of Mary Magdalene. Mary's gospel reveals a radical love that sits at the heart of the Christian story. Her gospel says that we are not sinful; we are not to feel ashamed or unworthy for being human. In fact, our purpose is to be fully human, to be a "true human being"- that is, a person who has remembered that, yes, we are a messy, limited ego, and we are also a limitless soul. And all we need to do is to turn inward (again and again); to meditate, like Mary Magdalene, in the way her gospel directs us, so that we can see past the ego of our own little lives to what's more real, and lasting, and infinite, and already here, within. With searing clarity, Watterson explains how and why Mary Magdalene came to be portrayed as the penitent prostitute and relates a more historically and theologically accurate depiction of who Mary was within the early Christ movement. And she shares how this discovery of Mary's gospel has allowed her to practice, and to experience, a love that never ends, a love that transforms everything. Meg Gambino is an artist and activist currently working as the Director of Outreach for an addiction recovery center. Her life mission is to creatively empower others by modeling reconciliation between communities of people and people on the margins. Find her work at reconfigureart.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

How do women claim rights against violence in India and with what consequences? By observing how survivors navigate the Indian criminal justice system, Roychowdhury provides a unique lens on rights negotiations in the world's largest democracy. She finds that women interact with the law not by following legal procedure or abiding by the rules, but by deploying collective threats and doing the work of the state themselves. They do so because law enforcement personnel are incapacitated and unwilling to enforce the law. As a result, rights negotiations do not necessarily lead to more woman-friendly outcomes or better legal enforcement. Instead, they allow some women to make gains outside the law: repossess property and children, negotiate cash settlements, join women's groups, access paid employment, develop a sense of self-assurance, and become members of the public sphere. Capable Women, Incapable States: Negotiating Violence and Rights in India (Oxford UP, 2020) shows how the Indian criminal justice system governs violence against women not by protecting them from harm, but by forcing them to become "capable": to take the law into their own hands and complete the hard work that incapable and unwilling state officials refuse to complete. Roychowdhury's book houses implications for how we understand gender inequality and governance not just in India, but large parts of the world where political mobilization for rights confronts negligent criminal justice systems throughout the world. Sneha Annavarapu is a postdoctoral researcher at the University of Chicago. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Alison M. Parker’s new book Unceasing Militant: The Life of Mary Church Terrell (University of North Carolina Press, 2020) explores the life of civil rights activist and feminist, Mary Church Terrell. Born into slavery at the end of the Civil War, Terrell (1863-1954) became one of the most prominent activists of her time -- working at the intersection of rights for women and African Americans, anti-colonialism, criminal justice reform, and beyond. Her career stretched from the late nineteenth century to the civil rights movement of the 1950s -- and she was able to see the result of the NAACP’s efforts in Brown v. Board of Education before she died. The first president of the National Association of Colored Women and a founding member of the NAACP, Terrell collaborated closely with other leaders such as Ida B. Wells-Barnett, Booker T. Washington, W. E. B. Du Bois, and Mary McLeod Bethune -- but she also was unafraid to disagree on principle and political strategy. Unceasing Militant, the first full-length academic biography of Terrell, integrates her extraordinary public activism with her romantic, reproductive, parental, economic, and mental health challenges. Understanding what she called the double handicap of sexism and racism, Terrell offered a nuanced and intersectional Black feminist political theory. Terrell insisted upon African American women’s “full humanity and equality” and -- honoring that legacy -- Alison Parker deftly weaves resources of all kinds, including privately held letters and diaries, to provide an account of a woman dedicated to changing the culture and institutions that perpetuated inequality throughout the United States -- but also a breathing, loving, nuanced woman navigating life. Alison M. Parker is Richards Professor of American History and Chair of the History of the Department at the University of Delaware. She researches and teaches at the intersections of gender, race, disability, citizenship and the law in U.S. history. Her earlier works include two books, Articulating Rights: Nineteenth- Century American Women on Race, Reform and the State (Cornell University Press, 2010) and Purifying America: Women, Cultural Reform, and Pro-Censorship Activism, 1873-1933 (Northern Illinois University Press,1997). Her most recent public facing scholarship is the 2020 New York Times op-ed, “When White Women Wanted a Monument to Black Mammies.” Madeline Jones assisted with this podcast. Susan Liebell is an associate professor of political science at Saint Joseph’s University in Philadelphia. Why Diehard Originalists Aren’t Really Originalists recently appeared in the Washington Post’s Monkey Cage and “Retreat from the Rule of Law: Locke and the Perils of Stand Your Ground” was published in the Journal of Politics (July 2020). Email her comments at [email protected] or tweet to @SusanLiebell. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello Everyone, and welcome to New Books in Gender and Sexuality, a channel on the New Books Network. I’m your host, Jana Byars, and I’m here today with Pallavi Guha, assistant professor in the Department of Mass Communication at Towson University in Towson, MD, to talk to her about her new book, Hear #MeToo in India: News, Social Media, and Anti-Rape and Sexual Harassment Activism, out this year, 2021 with Rutgers University Press. This book examines the role media platforms play in anti-rape and sexual harassment activism in India. Including 75 interviews with feminist activists and journalists working across India, it proposes a framework of agenda-building and establishes a theoretical framework to examine media coverage of issues in the digitally emerging Global South. Learn more about your ad choices. Visit megaphone.fm/adchoices

Although scholars have emphasized the importance of women’s networks for civil society in twentieth-century Japan, Women and Networks in Nineteenth-Century Japan (University of Michigan Press, 2020) is the first book to tackle the subject for the contentious and consequential nineteenth century. The essays traverse the divide when Japan started transforming itself from a decentralized to a centralized government, from legally imposed restrictions on movement to the breakdown of travel barriers, and from ad hoc schooling to compulsory elementary school education. As these essays suggest, such changes had a profound impact on women and their roles in networks. Rather than pursue a common methodology, the authors take diverse approaches to this topic that open up fruitful avenues for further exploration. Most of the essays in this volume are by Japanese scholars; their inclusion here provides either an introduction to their work or the opportunity to explore their scholarship further. Because women are often invisible in historical documentation, the authors use a range of sources (such as diaries, letters, and legal documents) to reconstruct the familial, neighborhood, religious, political, work, and travel networks that women maintained, constructed, or found themselves in, sometimes against their will. In so doing, most but not all of the authors try to decenter historical narratives built on men’s activities and men’s occupational and status-based networks, and instead recover women’s activities in more localized groupings and personal associations. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices

The only constant in Western history is change. Susan Lee Johnson, Harry Reid Endowed Chair in the History of the Intermountain West at UNLV, knows this better than most. Author of the Bancroft Prize Winning "Roaring Camp," (2000), Johnson's new book is a testament to the changing nature of Western history. In Writing Kit Carson: Fallen Heroes in a Changing West (UNC Press, 2020) Johnson writes about shifting ideas about the region's meaning across the span of the twentieth century through the lens of two mid-twentieth century "minor historians" of Kit Carson: Quantrille McClung, a librarian at the Denver Public Library, and Bernice Blackwelder, a former CIA employee and radio entertainer. Johnson tells the history of these two women's often mundane, quintessentially American, lives in the urban 20th century West, and their fasciation with Kit Carson, the 19th century explorer (if you ask some historians) or colonizer (if you ask many others). Johnson's intensely personal book is less a history of Carson, and more a history of how history is written, and the practical facts of life - an uncomfortable desk, a pesky spouse - that go into creating knowledge and what happens when new knowledge hits the mainstream. As Kit Carson's tangled legacy shows, once knowledge is created, it's difficult to keep it corralled. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked to Ora Szekely about Insurgent Women: Female Combatants in Civil Wars (Georgetown UP, 2019), which she co-edited with Jessica Trisko Darden and Alexis Henshaw. Why do women go to war in non-state armed groups? Despite the reality that female combatants exist the world over, we still know relatively little about who these women are, what motivates them to take up arms, how they are utilized by armed groups, and what happens to them when war ends. Through a comparative analysis of women's participation in different non-state armed groups, Insurgent Women addresses women's involvement in civil war at three different points in the conflict lifecycle: recruitment, conflict participation, and conflict resolution. By examining the ongoing civil war in Ukraine, the conflicts in the Kurdish regions of Turkey, Syria, and Iraq, and the civil war in Colombia, the authors find that there is no single profile of a female combatant. Rather, women's roles in and motivations for joining insurgent groups vary. The practical and theoretical implications of Insurgent Women suggest that policymakers and scholars must pay more attention to the complex motivations and roles that female combatants play in waging war in order to secure peace. This is an accessible and timely work that will be a useful introduction to another side of contemporary conflict. Dilan Okcuoglu is post-doctoral fellow at American University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why We Cook: Women on Food, Identity, and Connection (Workman, 2021) includes essays, recipes, interviews and profiles of more than 100 women in the world of food; from restaurateurs and activists, to food writers, professional chefs, and home cooks. Curated, researched and beautifully illustrated by author and artist Lindsay Gardner, it brings together the stories and perspectives of a diverse array of female voices who are transforming food across the world. Find more about the book at here. Visit the author’s website here and follow her work on social media @lindsaygardnerart Daniela Gutiérrez Flores is a PhD Candidate at the University of Chicago. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the political ferment of early twentieth century New York City, when socialists and reformers battled sweatshops, and writers and artists thought a new world was being born, an immigrant Jewish woman from Russia appeared in the Yiddish press, in Carnegie Hall, and at rallies. Her name was Rose Pastor Stokes, and she fought for socialism, contraception and workers’ rights. What set her apart was not just the strength of her speeches or the passion of her commitments, but her marriage to James Graham Phelps Stokes, the wealthy Episcopalian son of one of the oldest and most elite families in the United States. Over the course of their marriage they lived in an apartment on the Lower East Side, a private island in Long Island Sound, and a townhouse in Greenwich Village. The book Rebel Cinderella: From Rags to Riches to Radical, the Epic Journey of Rose Pastor Stokes by Adam Hochschild (Houghton Mifflin Harcourt, 2020) explores her life, her unlikely marriage and the great hopes of the Progressive Era in New York City. Hochschild, a master of deeply researched narrative history, is the author of ten books—among them King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa and Spain In Our Hearts: Americans in the Spanish Civil War. He has won widespread recognition for his writing and received the Theodore Roosevelt—Woodrow Wilson Award of the American Historical Association. Robert W. Snyder, Manhattan Borough Historian and professor emeritus of American Studies and Journalism at Rutgers University, is co-author of both All the Nations Under Heaven: Immigrants, Migrants and the Making of New York (Columbia) and Metropolitan lives: The Ashcan Artists and Their New York (Norton/Smithsonian). Learn more about your ad choices. Visit megaphone.fm/adchoices

Maureen Mahon’s book, Black Diamond Queens: African American Women and Rock and Roll (Duke University Press, 2020), focuses on the contributions to rock and roll by African American women from Big Mama Thornton to Tina Turner, and the erasure and marginalization of most of these women in other histories of popular music. Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll and puts them back into a narrative that generally emphasizes the role of white male guitar players in the development of the genre. She considers how the racialized vocal timbre of African American women’s voices has shaped rock from the girl groups of the early 1960s to the background singers who created the sound of some of the most iconic tracks recorded by the bands of the British invasion. Running throughout the book is a deep analysis of how the stereotypes about Black women crashed into the lived experiences of her subjects, affecting their careers, their relationships, and their music. By uncovering this hidden history, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the Many: American Feminists and the Global Fight for Democratic Equality (Princeton University Press, 2021) presents an inspiring look at how US women and their global allies pushed the nation and the world toward justice and greater equality for all. Reclaiming social democracy as one of the central threads of American feminism, Dorothy Sue Cobble offers a bold rewriting of twentieth-century feminist history and documents how forces, peoples, and ideas worldwide shaped American politics. Cobble follows egalitarian women’s activism from the explosion of democracy movements before World War I to the establishment of the New Deal, through the upheavals in rights and social citizenship at midcentury, to the reassertion of conservatism and the revival of female-led movements today. Cobble brings to life the women who crossed borders of class, race, and nation to build grassroots campaigns, found international institutions, and enact policies dedicated to raising standards of life for everyone. Readers encounter famous figures, including Eleanor Roosevelt, Frances Perkins, and Mary McLeod Bethune, together with less well-known leaders, such as Rose Schneiderman, Maida Springer Kemp, and Esther Peterson. Multiple generations partnered to expand social and economic rights, and despite setbacks, the fight for the many persists, as twenty-first-century activists urgently demand a more caring, inclusive world. Putting women at the center of US political history, For the Many reveals the powerful currents of democratic equality that spurred American feminists to seek a better life for all. Marshall Poe is the founder and editor of the New Books Network. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

Cinderella stories captured the imagination of girls in the 1950s, when dreams of meeting the right man could seem like a happy ending, a solution to life's problems. But over the next fifty years women's lives were transformed, not by the magic wand of a fairy godmother, nor by marrying princes, but by education, work, birth control--and feminism. However, while widening opportunities for women were seen as progress, feminists were regularly caricatured as man-haters, cast in the role of ugly sisters, witches or wicked fairies in the fairy-tale. Carol Dyhouse's new book Love Lives: From Cinderella to Frozen (Oxford UP, 2021) is about the reshaping of women's lives, loves and dreams since 1950, the year in which Walt Disney's film Cinderella gave expression to popular ideas of romance, and at a time when marriage was a major determinant of female life chances and teenage girls dreamed of Mr Right and happy endings. It ends with the runaway success of Disney's Frozen, in 2013--a film with relevance to very different times. Along the way, it illuminates how women's expectations and emotional landscapes have shifted, asking bold questions about how women's lives have been transformed since 1950. How have women's changing life experiences been mirrored in new expectations about marriage, intimacy, and family life? How have new forms of independence through education and work, and greater control over childbearing, altered women's life ambitions? And were feminists right to believe that sexual equality would improve relationships between men and women? Marshall Poe is the founder and editor of the New Books Network. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

What does it mean to tie your cloth to that of another person, as in the Ghanaian tradition, or to be in full dress? How is fashion photography in a colonial and decolonial context more than just a "look" but in fact a looking and a looking at? Join author Catherine McKinley (she/her) and host Lee M. Pierce (they) for a discussion of these provocative questions in the context of fashion photography by and about pan-African women from the 1870s to the 1970s. Most of us grew up with images of African women that were purely anthropological—bright displays of exotica where the deeper personhood seemed tucked away. Or they were chronicles of war and poverty—“poverty porn.” But now, curator Catherine E. McKinley draws on her extensive collection of historical and contemporary photos, spanning the 150-year arc of photography on the continent, to tell a different story of African women: how deeply cosmopolitan and modern they are in their style; how they were able to reclaim the tools of the colonial oppression that threatened their selfhood and livelihoods. Featuring works by celebrated African masters, African studios of local legend, and anonymous artists, The African Lookbook: A Visual History of 100 Years of African Womanhood (Bloomsbury, 2021) captures the dignity, playfulness, austerity, grandeur, and fantasy-making of African women across centuries. McKinley also features photos by Europeans—most starkly, striking nudes—revealing the relationships between white men and the black female sitters where, at best, a grave power imbalance lies. It’s a bittersweet truth that when there is exploitation there can also be profound resistance expressed in unexpected ways—even if it’s only in gazing back. These photos tell the story of how the sewing machine and the camera became powerful tools for women’s self-expression, revealing a truly glorious display of everyday beauty. Discussion welcome! Connect with author Catherine McKinley on Instagram @the_african_lookbook and the_mckinley_collection and host Lee M. Pierce on Gmail, Instagram and Twitter @rhetoriclee. Special thanks to Oslo-based Norwegian-Nigerian artist Frida Orupado (nemieppeba) for contributing a series of collages to the work to deepen the way in which we engage the original photos and their histories. If you enjoyed this interview you may also enjoy New Books Network interviews with Anne Cheng about Second Skin: Josephine Baker and the Modern Surface and Zakiyyah Iman Jackson about Becoming Human: Matter and Meaning in an Antiblack World. Learn more about your ad choices. Visit megaphone.fm/adchoices

The ratification of the Nineteenth Amendment to the Constitution of the United States, which granted women the right to vote nationwide, was the culmination of a long and oftentimes contentious campaign that had its origins in the beginnings of the nation itself. In American Women’s Suffrage: Voices from the Long Struggle for the Vote, 1776-1965 (Library of America, 2020) Susan Ware provides readers with a sampling of the letters, articles, speeches, and other contemporary documents that reflect both the ideas of the movement and the arguments deployed against it. Her selections demonstrate how the battle of women’s suffrage was itself a part of a broader campaign for women’s rights in the early 19th century. Though it was galvanized by the activism of women from the abolitionist movement, the solidarity born of common oppression was shattered after the Civil War, when many suffragists expressed frustration with their exclusion from the voting rights being granted to Blacks. While a corps of dedicated activists continued their campaign into the 20th century, it was only in the 1910s that momentum shifted decisively in their direction. As Ware demonstrates, their success in gaining ratification in 1920 was less the conclusion of women’s efforts for political quality than it was the end of one stage and the beginning of a new effort to turn the newly-won franchise into political power – an effort that continues down to the present day. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beginning in the late nineteenth century, India played a pivotal role in global conversations about population and reproduction. In Reproductive Politics and the Making of Modern India (University of Washington Press, 2021), Mytheli Sreenivas demonstrates how colonial administrators, postcolonial development experts, nationalists, eugenicists, feminists, and family planners all aimed to reform reproduction to transform both individual bodies and the body politic. Across the political spectrum, people insisted that regulating reproduction was necessary and that limiting the population was essential to economic development. This book investigates the often devastating implications of this logic, which demonized some women's reproduction as the cause of national and planetary catastrophe. To tell this story, Sreenivas explores debates about marriage, family, and contraception. She also demonstrates how concerns about reproduction surfaced within a range of political questions--about poverty and crises of subsistence, migration and claims of national sovereignty, normative heterosexuality and drives for economic development. Locating India at the center of transnational historical change, this book suggests that Indian developments produced the very grounds over which reproduction was called into question in the modern world. Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bernadette Barton, Ph.D. exposes the double standard we attach to women’s sexuality in The Pornification of America: How Raunch Culture is Ruining Our Society (NYU Press, 2021) Pictures of half-naked girls and women can easily be found on screens, billboards, and advertisement across the United States of America. There are pole-dancing courses that can be purchased by women who desire to stay fit. Men share dick pics to nonconsensual passengers on planes and trains. The last American President has also bragged about grabbing women “by their pussy.” This pornification of society is what Barton calls “raunch culture.” In this book, she explores what raunch culture is, why it matters, and how it is ruining America. She exposes how what is shown on the internet has a driving force in what is displayed on the programs, advertisement, and social media we watch. These images then make their way to content that is displayed on our cellphones, available for us to purchase in the fashion industry, and fantasies/desires we have when engaging in sexual intercourse. From twerking and breast implants, to fake nails and push-up bras, Barton explores just how much we encounter raunch culture on a daily basis – porn has become normalized. Drawing on interviews, television shows, movies, and social media, Barton argues that raunch culture matters not because it is sexy, but because it is sexist. She shows how young women are encouraged to be sexy like porn stars, and to be grateful for getting cat-called or receiving unsolicited dick pics. In male politicians vote to restrict women’s access to birth control and abortion. Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent research, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant“, was published in Gender Issues Journal. He researches culture, social identity, and collective representation as it is presented in everyday social interactions. He is currently studying the social interactions that people engage in at two annual festivals that take place during the summer months along the banks of the Mississippi River. You can learn more about him on his website, Google Scholar, follow him on Twitter @ProfessorJohnst, or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

Since the historic #MeToo movement materialized in 2017, innumerable survivors of sexual assault and misconduct have broken their silence and called out their abusers publicly--from well-known celebrities to politicians and high-profile business leaders. Not surprisingly, conservatives quickly opposed this new movement, but the fact that "sex positive" progressives joined in the opposition was unexpected and seldom discussed. Why We Lost the Sex Wars: Sexual Freedom in the #MeToo Era (University of Minnesota Press, 2021) explores how a narrow set of political prospects for resisting the use of sex as a tool of domination came to be embraced across this broad swath of the political spectrum in the contemporary United States. To better understand today's multilayered sexual politics, Lorna N. Bracewell offers a revisionist history of the "sex wars" of the 1970s, '80s, and '90s. Rather than focusing on what divided antipornography and sex-radical feminists, Bracewell highlights significant points of contact and overlap between these rivals, particularly the trenchant challenges they offered to the narrow and ambivalent sexual politics of postwar liberalism. Bracewell leverages this recovered history to illuminate in fresh and provocative ways a range of current phenomena, including recent controversies over trigger warnings, the unimaginative politics of "sex-positive" feminism, and the rise of carceral feminism. By foregrounding the role played by liberal concepts such as expressive freedom and the public/private divide as well as the long-neglected contributions of Black and "Third World" feminists, Bracewell upends much of what we think we know about the sex wars and makes a strong case for the continued relevance of these debates today. Why We Lost the Sex Wars provides a history of feminist thinking on topics such as pornography, commercial sex work, LGBTQ+ identities, and BDSM, as well as discussions of such notable figures as Patrick Califia, Alan Dershowitz, Andrea Dworkin, Elena Kagan, Audre Lorde, Catharine MacKinnon, Cherríe Moraga, Robin Morgan, Gayle Rubin, Nadine Strossen, Cass Sunstein, and Alice Walker. Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1916, hundreds of local female household workers attempted to establish a union in Denver. The organizer behind the effort was Jane Street, a remarkable 29-year-old woman who, as Jane Little Botkin describes in The Girl Who Dared to Defy: Jane Street and the Rebel Maids of Denver (University of Oklahoma Press, 2021), brought a remarkable set of skills to what seemed an impossible task. Raised in Arkansas, young Jane went west with her sister after a failed marriage to a bigamist and sexual predator. While in San Francisco, she joined the Industrial Workers of the World (IWW), and upon her move to Denver in late 1915 began to organize the mainly immigrant housemaids who worked for the city’s elite. While Street’s efforts enjoyed considerable success initially, she soon found herself battling as well the patriarchal views of the all-male IWW leadership. The loss of the Housemaids’ Union’s charter in 1917 spelled the beginning of the end for the local, while the demands of her growing family forced Street to bring her career as a labor activist and union organizer to a premature end soon afterward. Learn more about your ad choices. Visit megaphone.fm/adchoices

Political Theorist and activist Dana Mill’s latest new book, Rosa Luxemburg (Reaktion Books, 2020), is part of an extensive series of books published by Reaktion Books, Ltd, which focuses both on the ideas or creations and the lives of many leading cultural figures of the modern period. These volumes are not long, but they are thorough, and they help the reader to understand the historical context in which these thinkers, artists, writers, etc. lived, created, and worked. Mill’s contribution to this series centers on the turbulent life of Rosa Luxemburg, who lived, worked, studied, and advocated in Europe in the late 1800s and into the 1900s. Mills provides a biographical guide to Luxemburg as we learn about her young life growing up in Poland and her move to Zurich to pursue a PhD in Economics. Luxemburg becomes involved in politics in the late 1880s and 1890s, and she is also developing her thinking about economics, politics, exploitation, and nationalism during this same period. As Mills makes clear, Luxemburg quite enjoyed the experience of thinking and engaging ideas, taking on the dialectical arguments that were very much the mode and method of learning and teaching, particularly among those focusing on economics and Marxism. Luxemburg transferred this method of learning and teaching to her own work as a teacher, a very talented teacher in the trade union schools. Rosa Luxemburg was imprisoned for long stretches of her life—and, as a result of these experiences, she learned quite a lot about what incarceration does to a person, how this form of constraint impacts the individual psyche. This also contributed to her continued thinking about what freedom and equality actually mean to people, how these concepts are dimensions of justice, and how justice may be achieved in a colonial, imperial world marked by nationalism and material inequality. Mills’ biographical analysis incorporates Luxemburg’s murder, which, as Mills notes, is indeed tragic, but does not make Rosa Luxemburg into a tragic figure. Luxemburg was very much the author of her own life story, but she anticipated her murder, which was committed by right-wing fascists who would ultimately become members of the Nazi Party under Hitler. Dana Mills brings Rosa Luxemburg to life, exploring her revolutionary thinking and writing, all while helping the reader get to know Red Rosa, who always took brisk walks, loved reading Goethe’s Faust, regularly corresponded with V.I. Lenin, and continually worked towards an open and just future. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at [email protected] or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices

Oksana Kis’s Survival as Victory: Ukrainian Women in the Gulag (Harvard Series in Ukrainian Studies, Ukrainian Research Institute, Harvard University Press, 2021) fundamentally contributes to the Gulag studies through its essential intervention into the conventional framework of researching the Gulag as a system of measures to control the individuals and the collectives. The work draws readers' attention to the survival strategies of the individual who has to learn how to make sense of life again under the inhumane and dehumanizing conditions. Oksana Kis builds her research on diaries, memoirs, documents which were created by the Gulag detainees. Her main characters are Ukrainian women who were arrested and sent to the Gulag on the basis of accusation or suspicion of national engagements. A meticulously researched body of documents provides insight into the everyday life of the women who were forced to re-invent their lives, while trying to maintain some sense of normalcy. Can there be any normalcy in the Gulag? And what is “a normalcy” in the Gulag? With her book, Kis asks and pursues these questions and invites readers to subvert their horizon of expectations. There is some sort of normalcy in the Gulag, but one has to reinvent herself in order to create and accept it. In this regard, the book surpasses the boundaries of one national community: the discussion that it initiates invites readers to expand their understanding of the Gulag life. Survival as Victory: Ukrainian Women in the Gulag is a valuable addition to the scholarship on the USSR, post-Soviet studies, and Ukraine. Nataliya Shpylova-Saeed is a PhD student in the Department of Slavic and East European Languages and Cultures. Learn more about your ad choices. Visit megaphone.fm/adchoices

Allison B. Wolf's Just Immigration in the Americas: A Feminist Account (Rowman and Littlefield, 2020) proposes a pioneering, interdisciplinary, feminist approach to immigration justice, which defines immigration justice as being about identifying and resisting global oppression in immigration structures, policies, practices, and norms. In contrast to most philosophical work on immigration (which begins with abstract ideas and philosophical debates and then makes claims based on them), this book begins with concrete cases and immigration policies from throughout the United States, Mexico, Central America, and Colombia to assess the nature of immigration injustice and set us up to address it. Every chapter of the book begins with specific immigration policies, practices or sets of immigrant experiences in the U.S. and Latin America and then explores them through the lens of global oppression to better identify what makes it unjust and to put us in a better position to respond to that injustice and improve immigrants’ lives. It is one of the first sustained studies of immigration justice that focuses on Central and South America in addition to the U.S. and Mexico. Ethan Besser Fredrick is a graduate student in Modern Latin American history seeking his PhD at the University of Minnesota. His work focuses on the Transatlantic Catholic movements in Mexico and Spain during the early 20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Telling stories: that sounds innocuous enough. But for the first chronicle in the Japanese vernacular, A Tale of Flowering Fortunes (Eiga monogatari), there was more to worry about than a good yarn. The health of the community was at stake. Flowering Tales: Women Exorcising History in Heian Japan (Harvard University Press, 2020) is the first extensive literary study of this historical tale, which covers about 150 years of births, deaths, and happenings in late Heian society, a golden age of court literature in women’s hands. Takeshi Watanabe contends that the blossoming of tales, marked by The Tale of Genji, inspired Eiga’s new affective history: an exorcism of embittered spirits whose stories needed to be retold to ensure peace. Tracing the narrative arcs of politically marginalized figures, Watanabe shows how Eiga’s female authors adapted the discourse and strategies of The Tale of Genji to rechannel wayward ghosts into the community through genealogies that relied not on blood but on literary resonances. These reverberations, highlighted through comparisons to contemporaneous accounts in courtiers’ journals, echo through shared details of funerary practices, political life, and characterization. Flowering Tales reanimates these eleventh-century voices to trouble conceptions of history: how it ought to be recounted, who got to record it, and why remembering mattered. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this globe-spanning work, Florvil uncovers the manifold activities Black German women undertook in the 1980s and 1990s to resist and challenge racism, sexism, and homophobia at home and abroad. Through their grassroots organizing, fellowship with members of the African Diaspora, and political and cultural practices, they created spaces to examine and critique German conceptions of national identity that often excluded Black Germans from the nation. As Black Germans strove to fight against racial and gender oppression, they fostered connections with other members of the African Diaspora and created transnational intellectual, political, and affective ties to support them in times of crisis. Florvil demonstrates how the activist groups Initiative of Black Germans (ISD) and Afro-German Women (ADEFRA) consciously cultivated their own identities and histories so as not to be further erased by their fellow Germans. By excavating the legacy of German colonialism and the racial politics of post-1945 East and West Germany, Florvil illustrates the numerous obstacles Black German activists faced—and continue to face—to be recognized as fully-fledged citizens, and how their connections with the African diasporic community aided and embraced them in their struggles. Sandie Holguín (Co-Editor, Journal of Women’s History; Professor of History, University of Oklahoma) speaks with Tiffany N. Florvil (Associate Professor of History and affiliate of the Women, Gender, and Sexuality Studies Program, Institute for the Study of ‘Race’ & Social Justice, University of New Mexico) about her book, Mobilizing Black Germany: Afro-German Women and the Making of a Transnational Movement (U Illinois Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices

Consumption and the Literary Cookbook, edited by Roxanne Harde and Janet Wesselius (published 2021 by Routledge) examines the ways in which recipe authors and readers engage with one another through reading, cooking and eating the foods contained within the pages of Literary Cookbooks. The editors define literary cookbooks as novels and memoirs that include recipes, cookbooks that include narrative, and children's books that include recipes. Divided into three parts­– “Textual Consumption,” “Consumption and Community,” and “Cultural Consumption”– the collection explores a diverse cross section of cooking literature and food culture from nineteenth century manuscript cookbooks to cookbooks built on the narratives of childhood classics Alice in Wonderland and Anne of Green Gables. Through this assortment of historical documents and cultural touchstones, Harde and Wesselius and their contributors work to convince scholars of literature and food studies that literary cookbooks offer unique insight into the era, society, and region they represent. The collection creates a foundation for an in-depth study of consumption as it pertains to the intellectual consumption of information, emotional connection and release through empathetic consumption, and of course, the physical consumption of the edible results of the recipes contained within each book. Ardent cooks and cookbook consumers, Harde and Wesselius hope that this collection will liberate literary cookbooks from kitchen shelves and incorporate them into both literature and food studies as important tools for understanding culture and society. Roxanne Harde is Professor of English at the University of Alberta's Augustana campus where she also serves as Chair of Department of Fine Arts and humanities. A Fullbright Scholar, Roxanne researches and teaches American literature and culture focusing on American women writers, children's literature, and popular culture. Find her on Twitter @ProfessorRoxy. Janet Wesselius is Professor of Philosophy at the University of Alberta's Augustana campus. In addition to her work in feminist epistemology, she has published on philosophy and children’s literature. Eliza Weeks is a recent graduate of the Master of Food Studies program at Chatham University in Pittsburgh, PA. She hopes to do work related to amplifying diverse and often marginalized voices within the food system so that the opportunity to represent and share food and food culture is not limited to the privileged few. When Eliza is not on the job hunt she enjoys adventuring through new recipes, sharing food and stories with others, and cohosting her podcast Dear Human. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dina Hassan (Lecturer, Modern Languages, Literatures, and Linguistics, University of Oklahoma, USA) speaks with Nicola Pratt (Associate Professor, International Politics of the Middle East, University of Warwick, UK) about Pratt’s recent book, Embodying Geopolitics: Generations of Women’s Activism in Egypt, Jordan, and Lebanon (University of California Press, 2020). Waves of protests drew women and men, young and old across the Middle East into the streets to demonstrate against authoritarian regimes during 2011. Nicola Pratt’s sweeping new monograph provides essential context for the gendered significance of that activism. In over one hundred oral histories with activists, Pratt locates the long roots and diverse aims of women’s participation in anticolonial and egalitarian movements in Egypt, Jordan and Lebanon from the 1950s to the present day. Grappling with the legacies of state feminism in Egypt or vibrant voluntary societies in Jordan requires scholars develop analytical tools attuned to the dynamism of gender relations over the past century. Join us for a conversation that connects the personal and the political across time, national borders, and political affiliations. Interested in further resources? Please consult Prof. Pratt’s digital archive of Interviews “Middle East Women’s Activism” here. For more resources on women and revolution, visit the multimedia, digital archive, co-curated by Prof. Pratt: “Politics, Popular Culture and the 2011 Egyptian Revolution.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Siobhán Hearne's Policing Prostitution: Regulating the Lower Classes in Late Imperial Russia (Oxford UP, 2021) examines the complex world of commercial sex in the late Russian Empire. From the 1840s until 1917, prostitution was legally tolerated across the Russian Empire under a system known as regulation. Medical police were in charge of compiling information about registered prostitutes and ensuring that they followed the strict rules prescribed by the imperial state governing their visibility and behaviour. The vast majority of women who sold sex hailed from the lower classes, as did their managers and clients. This study examines how regulation was implemented, experienced, and resisted amid rapid urbanization, industrialization, and modernization around the turn of the twentieth century. Each chapter examines the lives and challenges of different groups who engaged with the world of prostitution, including women who sold sex, the men who paid for it, mediators, the police, and wider urban communities. Drawing on archival material from Russia, Ukraine, Belarus, Latvia, Lithuania, and Estonia, Policing Prostitution illustrates how prostitution was an acknowledged, contested, and ever-present component of lower-class urban society in the late imperial period. In principle, the tsarist state regulated prostitution in the name of public order and public health; in practice, that regulation was both modulated by provincial police forces who had different local priorities, resources, and strategies, and contested by registered prostitutes, brothel madams, and others who interacted with the world of commercial sex. Siobhán Hearne is a historian of gender and sexuality in the Russian Empire and the Soviet Union. She received her PhD from the University of Nottingham and is currently a Leverhulme Early Career Fellow at Durham University in the UK. She is also one of the editors of the website Peripheral Histories, a collaborative digital history project exploring ‘peripheral’ spaces in the Russian Empire, Soviet Union, and post-Soviet world. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fleeting Agencies: A Social History of Indian Coolie Women in British Malaya (Cambridge UP, 2021) disrupts the male-dominated narratives by focusing on gendered patterns of migration and showing how South Asian women labour migrants engaged with the process of migration, interacted with other migrants and negotiated colonial laws. This is the first study of Indian coolie women in British Malaya to date. In exploring the politicization of labour migration trends and gender relations in the colonial plantation society in British Malaya, the author foregrounds how the migrant Indian 'coolie' women manipulated colonial legal and administrative perceptions of Indian women; their gender-prescriptive roles, relations within patriarchal marriage institutions, and even the emerging Indian national independence movement in India and Malaya. All this, to ensure their survival, escape from unfavourable relations and situations, and improve their lives. The book also introduces the concept of situational or fleeting agency, which contributes to further a nuanced understanding of agency in the lives of Indian coolie women. Arunima Datta is a historian of South and Southeast Asia and the British Empire. Her main area of research interest focuses on the transnational mobility of South Asians in the colonial period (nineteenth and twentieth century) across different parts of the British Empire. Much of Dr. Datta’s research has simultaneously also focused on themes of labor history, transnational Indian nationalism, women’s and gender history. In addition to Fleeting Agencies, she has also published a number of articles and chapters, concerning South Asian labor, migration and women’s histories. Her current research project is centered around the migration and mobility of Indian Travelling Ayahs (travelling nannies) across the British Empire in the nineteenth and twentieth century. Dr. Datta also serves as a member of the editorial board for the journal Gender & History, Journal of Malaysian Branch of the Royal Asiatic Society and Asian Journal of Social Science Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked to Kali Nicole Gross about her new book (co-authored with Daina Ramey Berry) A Black Women's History of the United States (Beacon Press, 2020). This episode covers a litany of instances in which black women have shown remarkable courage and resiliency. Yes, the episode starts with Meghan Markle, Harry, their son Archie, and how the Royals are emblematic of British society’s troubled history with racism. But the episode also covers Ida B. Wells campaigning against black suppression after the Civil War in Memphis; how the Great Migration was spurred in no small part by black domestic servants being subject to rape in the households where they served; and how Anita Hill and Pauli Murray are among a long list of black heroines who had to battle both racism and sexism at the hands of black leaders. From “Jane Crow” to the fact that the Statue of Liberty was meant to celebrate the abolitionist cause, the episode is full of surprises. Kali Nicole Gross is Acting Professor of African American Studies at Emory University. Her previous books include Hannah Mary Tabbs and the Disembodied Torso, winner of the 2017 Hurston/Wright Legacy Award for nonfiction. Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Feminist Geography Unbound: Discomfort, Bodies, and Prefigured Futures, edited by Banu Gökarıksel, Michael Hawkins, Christopher Neubert, and Sara Smith (West Virginia University Press, 2021) is a collection of papers by a diverse range of up-and-coming scholars in feminist geography. Addressing topics from Dalit activism to tiny houses to restrictions on transgender bathroom use, the collection challenges the "comfort feminism" promoted by white middle-class feminists and asks us to embrace productive discomfort in scholarship and activism to seek out a better future. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are here today with Sara Ritchey, associate professor of history at the University of Tennessee in Knoxville, TN, about her new book, Acts of Care: Recovering Women in Late Medieval Health, out with Cornell University Press this year, 2021. The author of Holy Matter: Changing Perceptions of the Material World in Late Medieval Christianity (Cornell, 2014) and numerous articles, including “Caring by the Hours: the Psalter as a Source of Gendered Healthcare,” “Health, Healing, and Salvation: Hagiography as a Source of Medieval Healthcare,” “The Wound’s Presence and Bodily Absence: The Experience of God in a Fourteenth-Century Manuscript,” Dr. Ritchey discusses her profound understanding in the intersection of religious practice (writ large) and the practice of medicine (writ large) in the Medieval era. In Acts of Care, Sara Ritchey recovers women's healthcare work by identifying previously overlooked tools of care: healing prayers, birthing indulgences, medical blessings, liturgical images, and penitential practices. Ritchey demonstrates that women in premodern Europe were both deeply engaged with and highly knowledgeable about health, the body, and therapeutic practices, but their critical role in medieval healthcare has been obscured because scholars have erroneously regarded the evidence of their activities as religious rather than medical. The sources for identifying the scope of medieval women's health knowledge and healthcare practice, Ritchey argues, are not found in academic medical treatises. Rather, she follows fragile traces detectable in liturgy, miracles, poetry, hagiographic narratives, meditations, sacred objects, and the daily behaviors that constituted the world, as well as in testaments and land transactions from hospitals and leprosaria established and staffed by beguines and Cistercian nuns. Through its surprising use of alternate sources, Acts of Care reconstructs the vital caregiving practices of religious women in the southern Low Countries, reconnecting women's therapeutic authority into the everyday world of late medieval healthcare. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1836, an enslaved six-year-old girl named Med was brought to Boston by a woman from New Orleans who claimed her as property. Learning of the girl's arrival in the city, the Boston Female Anti-Slavery Society (BFASS) waged a legal fight to secure her freedom and affirm the free soil of Massachusetts. While Chief Justice Lemuel Shaw ruled quite narrowly in the case that enslaved people brought to Massachusetts could not be held against their will, BFASS claimed a broad victory for the abolitionist cause, and Med was released to the care of a local institution. When she died two years later, celebration quickly turned to silence, and her story was soon forgotten. As a result, Commonwealth v. Aves is little known outside of legal scholarship. In The Case of the Slave-Child, Med: Free Soil in Antislavery Boston (University of Massachusetts Press, 2019), Karen Woods Weierman complicates Boston's identity as the birthplace of abolition and the cradle of liberty, and restores Med to her rightful place in antislavery history by situating her story in the context of other writings on slavery, childhood, and the law. Karen Woods Weierman is Professor of English and the former director of the Commonwealth Honors Program at Worcester State University. She is the author of One Nation, One Blood: Interracial Marriage in American Fiction, Scandal, and Law, 1820–1870, published in 2005 by the University of Massachusetts Press. Jerrad P. Pacatte is a Ph.D. candidate and School of Arts and Sciences Excellence Fellow in the Department of History at Rutgers, The State University of New Jersey-New Brunswick. His teaching and research interests examine eighteenth and nineteenth century African American women’s history and the history of slavery and emancipation in early America and the Atlantic world. Follow him on Twitter @Jerrad_Pacatte! Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello Everyone and welcome back to New Books in History, a network on the New Books Network. I’m Jana Byars, your host, and I’m here today with Angela Firkus, Professor of History at Cottey College in Nevada, Missouri to talk about her new book, America’s Early Women Celebrities: The Famous and Scorned from Martha Washington to Silent Film Star Mary Fuller, out this year, 2021 with McFarland & Company. Well before television and the internet, there were women who sought fame, flirted with infamy, and actively engaged with their fan base. In today’s pop culture world, it can be hard to understand what the lives of these women were like. In their pre-suffrage world, women who attracted attention were considered scandalous and it was largely uncommon for women to become celebrities. Women who rose to fame in those times had to put up with societal standards for women on top of the lack of privacy and free speech. This book provides the details and context to let us know the women who captured America’s heart in the18th and 19th centuries. Rather than looking at influential women who strictly avoided notoriety, it covers the lives of 18 celebrities like Lydia Maria Child, Sojourner Truth, and Jane Addams. The conversation covers the meaning of celebrity and how women use power. Learn more about your ad choices. Visit megaphone.fm/adchoices

A close friend and muse of many of postrevolutionary Mexico's greatest artists, Luz Jiménez's likeness appears across Mexico City in the form of painting, photography, and sculpture. Jiménez's ubiquity has earned her the titles of "the most painted woman in all of Mexico" and "the archetype of Indigenous Mexican woman." And yet the details of her complex life as an Indigenous woman at mid century have long remained shrouded by artistic depictions of her face and body. Jiménez's experience of hypervisibility and simultaneous erasure in postrevolutionary Mexico is no anomaly; during the early to mid-twentieth century, Indigenous women were idealized and objectified as relics of Mexico's past as cultural elites sought to manufacture a distinctly mestizo future. The experiences of modern Indigenous women constitute the focus of Natasha Varner's new book, La Raza Cosmética: Beauty, Identity, and Settler Colonialism in Postrevolutionary Mexico (University of Arizona Press, 2020), a vivid recovery of the intersections of settler colonialism, gender, visual culture, and modernity. Varner employs methods from the fields of Native American and Indigenous Studies and settler colonial studies in an innovative new study of postrevolutionary Mexican visual culture. Drawing upon a range of midcentury media - including newspapers, photography, film, postcards and tourism materials, and more - Varner weaves together narratives of visibility, erasure, survivance, dispossession, and identity that ultimately center upon on Indigenous women's experiences and livelihoods. Despite efforts to erase Indigenous women from Mexico's future, La Raza Cosmética impresses upon us a powerful reminder of Indigenous women's persistence in Mexico - at midcentury as well as in the present. Annabel LaBrecque is a PhD student in the Department of History at UC Berkeley. You can find her on Twitter @labrcq. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hawraa Al Hassan’s Women, Writing and the Iraqi Ba’thist State: Contending Discourses of Resistance and Collaboration, 1968-2003 (University of Edinburgh Press, 2020) is unique because it both explores discourse concerning women and how women themselves used literature to create a site of resistance to the state. Al-Hassan’s work is also inclusive, as it joins a wider call to make literary studies a space in which works which were previously considered propagandistic can also be seriously considered. My hope for the book is that it will shift perspectives in literary studies to different foci, painting a more complete vision of the literary history of the Arabic language. Dr Hawraa Al-Hassan is an associate fellow of the Higher Education Academy, having taught Arabic and modern history of the Middle East at the University of Cambridge. Hawraa completed her PhD in Middle Eastern Studies at the University of Cambridge and gained an MA in Comparative Literature at University College London. She is interested in the cultural history of the Arab world in so far as it relates to totalitarianism, propaganda and nationalism. Hawraa’s research focuses on interdisciplinary approaches to the Arab novel as a conduit of group identities. Her current project explores Iraqi Ba’thist involvement in the production of literary and media discourses on gender and nation, whilst considering the potential of resistive ‘counter-public’ spaces, be they Islamic or secular. Learn more about your ad choices. Visit megaphone.fm/adchoices

Edited by Drs. Erica Ball, Tatiana Seijas, and Terri L. Snyder, As if She Were Free (Cambridge University Press, 2020) is a collective biography of African and African-descended women across the Americas. This collection of twenty-four beautifully crafted chapters, spans across centuries and geographies, giving us a varied and textured reading of women’s lives and experiences. More importantly than that, and herein lies the revolutionary character of this book, As If She Were Free changes our ways of understanding and conceptualizing freedom and emancipation, ultimately transforming how we narrate the past of our societies and understand our present. As the editors of the book tell us in this interview, this is a feminist project at its core, a useful history for today because African and African-descended women in the Americas, both in the past and present, have crafted their own understandings of freedom, advocated for new ways of defining and living freely, and achieved revolutionary changes in our societies. Enjoy this wonderful conversation! PS. By the end of the interview, you may notice Tatiana Seijas does not answer some questions. The recording of this episode occurred during the Texas Winter storms, and she had to rush home before sunset. Her commitment to this interview, even under such circumstances, was remarkable even if not surprising for those of us who know her and her love for history. Lisette Varón-Carvajal is a PhD Candidate at Rutgers University-New Brunswick. You can tweet her and suggest books at @LisetteVaron Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked to Carol J. Adams about two of her classic texts that have recently been republished. The first book we discuss, first published in 1990, is The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory, a landmark text in the ongoing debates about animal rights. In the two decades since, the book has inspired controversy and heated debate. The Sexual Politics of Meat argues that what, or more precisely who, we eat is determined by the patriarchal politics of our culture, and that the meanings attached to meat eating are often clustered around virility. We live in a world in which men still have considerable power over women, both in public and in private. Carol Adams argues that gender politics is inextricably related to how we view animals, especially animals who are consumed. Further, she argues that vegetarianism and fighting for animal rights fit perfectly alongside working to improve the lives of disenfranchised and suffering people, under the wide umbrella of compassionate activism. The second book we discuss, first published in 2004, is The Pornography of Meat. For 30 years, since the publication of her landmark book The Sexual Politics of Meat, Carol J. Adams and her readers have continued to document and hold to account the degrading interplay of language about women, domesticated animals, and meat in advertising, politics, and media. Serving as sequel and visual companion, The Pornography of Meat charts the continued influence of this language and the fight against it. This new edition includes more than 300 images, most of them new, and brings the book up to date to include expressions of misogyny in online media and advertising, the #MeToo movement, and the impact of Donald Trump and white supremacy on our political language. Never has this book--or Adams's analysis--been more relevant. Carol J. Adams is the author of numerous books, including The Sexual Politics of Meat, Neither Man nor Beast: Feminism and the Defense of Animals, and The Pornography of Meat. She is the co-editor of several pathbreaking anthologies, including most recently Ecofeminism: Feminist Intersections with Other Animals and the Earth (with Lori Gruen). Her work is the subject of two recent anthologies, Defiant Daughters: 21 Women of Art, Activism, Animals, and The Sexual Politics of Meat and The Art of the Animal: 14 Women Artists Explore The Sexual Politics of Meat, in which a new generation of feminists, artists, and activists respond to Adams' groundbreaking work. Mark Molloy is the reviews editor at MAKE: A Literary Magazine. Learn more about your ad choices. Visit megaphone.fm/adchoices

In their groundbreaking new book, Islamic Interpretive Tradition and Gender Justice: Processes of Canonization, Subversion, and Change (McGill, 2020), Nevin Reda and Yasmin Amin raise excellent questions about the existence and formation of a canon in the Islamic tradition. This exciting book comprises ten chapters, organized into three sections: The Qur’an and Its Interpretation; Figurative Representation: Hadith and Biographical Dictionaries; and, finally, Fiqh and Its Application. The volume brilliantly and carefully responds to criticisms against Islamic feminism, such as the claim that Islamic feminist scholarship lacks methodological rigor. Some of the overarching themes that each chapter in the volume shares are providing more ethical and egalitarian interpretations of gendered verses in the Qur’an and interrogating the idea of canonization in Islam. Each author accomplishes this by challenging the unfounded assumption of an established canon in the Islamic tradition; by raising questions about what ijma’ (or consensus) is and if it has ever existed on given issues; and/or by using the methodologies of pre-modern male scholars of Islam only to produce significantly different interpretations on the same matter. Among the topics covered are polygamy, divorce, child marriage, women’s public participation, interreligious marriage, stoning, and so much more. In today's conversation with Yasmin Amin and Nevin Reda, we discuss the major contributions of the book, the process of compilation, what the authors mean by decanonization and by subverting the canon if one exists, some of the specific chapters of the book, such as on child marriage, polygamy, and biographies of women, and the question of ethical interpretations of the Qur’an in the context of gender. Shehnaz Haqqani is an Assistant Professor of Religion at Mercer University. She earned her PhD in Islamic Studies with a focus on gender from the University of Texas at Austin in 2018. Her dissertation research explored questions of change and tradition, specifically in the context of gender and sexuality, in Islam. She is currently working on a book project on Muslim women's marriage to non-Muslims in Islam. Shehnaz runs a YouTube channel called What the Patriarchy?!, where she vlogs about feminism and Islam in an effort to dismantle the patriarchy and uproot it from Islam (ambitious, she knows). She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

By combining the spirit of fiction with the fabulism of Indian mythology and in-depth academic research, Vanessa R. Sasson shares the evocative story of the Buddha from the perspective of a forgotten woman: Yasodhara, the Buddha's wife. Although often marginalized, Yasodhara's narrative here comes to life. Written with a strong feminist voice, we encounter Yasodhara as a fiercely independent, passionate and resilient individual. We witness her joys and sorrows, her expectations and frustrations, her fairy-tale wedding, and her overwhelming devastation at the departure of her beloved. It is through her eyes that we witness Siddhattha's slow transformation, from a sheltered prince to a deeply sensitive young man. On the way, we see how the gods watch over the future Buddha from the clouds, how the king and his ministers try to keep the suffering of the world from him and how he eventually renounces the throne, his wife and newly-born son to seek enlightenment. Along with a foreword from Wendy Doniger, Yasodhara and the Buddha (Bloomsbury Publishing, 2020) includes a scholarly introduction to Yasodhara's narrative and offers extensive notes along with study questions, to help readers navigate the traditional literature in a new way, making this an essential book for anyone wanting to learn about Buddhist narratives. Learn more about your ad choices. Visit megaphone.fm/adchoices

Elizabeth Severn: The 'Evil Genius' of Psychoanalysis (Routledge, 2017) chronicles the life and work of Elizabeth Severn, both as one of the most controversial analysands in the history of psychoanalysis, and as a psychoanalyst in her own right. Condemned by Freud as "an evil genius", Freud disapproved of Severn’s work and had her influence expelled from the psychoanalytic mainstream. In this book, Rachman draws on years of research into Severn to present a much-needed reappraisal of her life and work, as well as her contribution to modern psychoanalysis. Arnold Rachman’s re-discovery, restoration and analysis of the Elizabeth Severn Papers – including previously unpublished interviews, books, brochures and photographs – suggests that, far from a failure, that the analysis of Severn by Ferenczi constitutes one of the great cases in psychoanalysis, one that was responsible a new theory and methodology for the study and treatment of trauma disorder, in which Severn played a pioneering role. Elizabeth Severn should be of interest to any psychoanalyst looking to glean fresh light on Severn’s progressive views on clinical empathy, self-disclosure, countertransference analysis, intersubjectivity and the origins of relational analysis. Learn more about your ad choices. Visit megaphone.fm/adchoices

Who were your heroes during your formative years? As a child of the 1970s, many of mine were journalists, especially those reporting on war and revolution in Southeast Asia and Latin America. I wanted to be Mel Gibson in The Year of Living Dangerously, James Woods in Salvador, or even Nick Nolte in Under Fire. It was all so exciting and glamorous, but all of these role models were men. As a teenager I idealized that romantic image of the hard drinking, rugged, tough guy journalist. When I read When the War was Over for a college seminar on the politics of revolution, I added a real-life heroine to my pantheon: Elizabeth Becker. She covered the horrors of the American bombing of Cambodia, the barbaric civil war, and the unfathomable brutality of the Khmer Rouge. She was there, on the ground in Cambodia, when so much of the world turned away. Now she has written a book about her heroes, three female journalists who covered the American War in Vietnam, the Second Indochina War, and the way it spilled into Cambodia. You Don't Belong Here: How Three Women Rewrote the Story of War is a profile of these three journalists, but it also works as a narrative of the war in Vietnam and in Cambodia. Obviously, this book genders our understanding of the war and the reporters who told the world about this war. Like the three women she profiles in You Don't Belong Here: How Three Women Rewrote the Story of War (PublicAffairs, 2021), Elizabeth Becker began her career as a war correspondent in Southeast Asia. She arrived Cambodia in early 1973. Writing for the Washington Post, she covered the American bombing and the war between the Lon Nol government and the Khmer Rouge. She wrote a major exposé of the Khmer Rouge leadership. During the Khmer Rouge regime, she was one of a handful of Westerners allowed into the country and met Pol Pot. She was almost killed by assassins during that surreal trip. She has been the Senior Foreign Editor for National Public Radio and a New York Times correspondent covering national security, economics and foreign policy. She has won accolades from the Overseas Press Club and was part the Times team that won the Pulitzer Prize for Public Service for coverage of 9/11. She is the author of When the War was Over: Cambodia and the Khmer Rouge Revolution, which has been in print for 35 years and remains one of the best books on the Khmer Rouge. She has also written Bophana, America’s Vietnam War: A Narrative History, and Overbooked: The Exploding Business of Travel and Tourism, an exposé of the travel industry. She also served as an expert witness in the Khmer Rouge genocide trials in Phnom Penh. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity Learn more about your ad choices. Visit megaphone.fm/adchoices

Rosa Luxemburg occupies a complex place in our history partly because there are several different Rosa's one can find scattered across the world; the feminist activist, revolutionary Marxist, economist, journalist, essayist literary and critic all have been picked up in coopted by different movements at different times. While this speaks to her versatility as a thinker, writer and person, it also reflects the fragmented way in which her writing has been collected, edited, translated and published. A pamphlet here, an essay there, a book or 2 and several collections of letters but little effort has been made to present her in a thorough, well organized format. Luckily that is changing with the ongoing efforts to publish the entirety of her output in English translation, the vast majority of it being translated now for the first time by Verso. Spearheading this project is Peter Hudis and a team of international scholars who are working to collect and translate her work and publish it in a complete collected edition. As of right now they have published a 500-page collection of letters, two volumes of economic writings and a volume of her political writings (all approximately 600 pages) and the series is currently projected to have somewhere between 15 and 20 volumes when complete, although because so much for work is still being discovered in various archives across Europe it may expand beyond that as well. This episode will be a sort of introduction where we discuss the basics of Luxemburg's life, the key themes of her work, and the editorial efforts going on behind the scenes to make this project a reality, but we're hoping to do more episodes exploring each volume in greater depth as they're made available. Obviously a massive project like this is incredibly time consuming and resource intensive, which is why the people behind it are asking for your help. While some funds have been made available the team is still looking for some extra funding to put towards the translation efforts. The editors are not being paid for the work they do on this; for them it's a labor of love, but the crowdfunding will go to the numerous translators being brought on board. If you are excited and able to help visit the Toledo Translation Fund and contribute to the project. Peter Hudis is a lifelong activist and is a professor of philosophy and humanities at Oakton Community College. In addition to being the general editor of the Complete Works of Rosa Luxemburg, he is the author of Marx's Concept of the Alternative to Capitalism and Frantz Fanon: Philosopher of the Barricades. He also wrote a new preface to the reprint of J.P. Nettl's biography of Rosa Luxemburg, reprinted in a single volume by Verso in 2019. Learn more about your ad choices. Visit megaphone.fm/adchoices

Calamity Jane is an enigma of Western history. Clad in men’s clothing, she rode across the American West in the latter half of the 19th century, making a name for herself as a military scout, a hard drinker, dime-novel mainstay, and performer. Even after her death, Martha Jane Canary has proven immortal in Hollywood portrayals and, most recently, in an Emmy Award nominated performance by Robin Weigert in HBO’s series Deadwood (2004-2006, 20189. Hidden beyond over a century of mythos, the real Calamity Jane can be hard to discern. In Calamity: The Many Lives of Calamity Jane (Yale UP, 2020), Dr. Karen Jones embraces the paradoxes and inconsistencies in Canary’s life story. Dr. Jones, professor of environmental and cultural history at the University of Kent, uses cultural and gender analysis to uncover the meanings of Calamity Jane as a character of the Wild West mythology – rather than playing the role of “truth detective,” Jones instead analyzes Jane’s many stories to uncover deeper meanings behind the stories about her life. In the case of Calamity Jane, it’s often the fiction that’s more revealing than truth. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoices

How can the history of women’s work in film and TV help address inequality today? In Women’s Activism Behind the Screens: Trade Unions and Gender Inequality in the British Film and Television Industries (University of Bristol Press, 2020), Frances Galt, a Teaching Associate in history at Newcastle University, looks at the history of women’s struggles for equality within unions in the screen industry, to show the lessons of how gender equality has progressed and receded since the 1930s. The book draws on a rich blend of archival, oral history, and policy document research, presenting the context for key moments in the fight to support the status of women in the film and television industries. A fascinating history, with crucial lessons for contemporary activism, the book is essential reading across the humanities and social sciences. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of New Books in History features an interview with Anke Gilleir, professor of Modern German Literature at KU Leuven, about her new edited volume, Strategic Imaginations: Women and the Gender of Sovereignty in European Culture (Leuven University Press, 2020). Dr. Gilleir has a longstanding interest in under appreciated female intellectuals, starting with her dissertation cum first monograph on Johanna Schopenhauer, read alongside Pierre Bourdieu, exploring particularly mechanisms of power and the symbolic importance of those mechanisms. She has also addressed similar themes with Therese Huber, Caroline Pichler, Rosa Luxemburg, and Margarete Sussman. As part of this ongoing concern with how women interact with political power, she came to edit this delightful volume. Though the cases studies represent a real breadth temporally, spatially, and even in subject and source material, all the essays work together very well to make a very tight argument. Political sovereignty has been a major theme in European thought from the very beginning of intellectual reflection on community. Philosophy and political theory, historiography, theology, and literature and the arts have, often in dialogue with one another, sought to represent or recalibrate notions of rule. Yet whatever covenant was imagined, sovereign rule has consistently been figured as a male prerogative While in-depth studies of historical women rulers have proliferated in the past decades, these have not systematically explored how all women rulers throughout the entirety of European culture have had to operate in a context that could not think power as female – except in grotesque terms. Strategic Imaginations demonstrates that this constitutive tension can only be brought out by studying women’s political rule in a comparative and longue durée manner. The book offers a collection of essays that brings together studies of female sovereignty from the Polish-Lithuanian to the British Commonwealth, and from the Middle Ages to the genesis of modern democracy. It addresses historical figures and takes stock of the rich yet unsettling imagination of female rule in philosophy, literature and art history. For all the variety of geographical, social, and historical contexts it engages, the book reveals surprising resonances between the strategies women rulers used and the images and practices they adopted in the context of an all-pervasive skepticism toward female rule. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the centuries since her execution in 1536, Anne Boleyn’s presence in Western culture has grown to extraordinary proportions. In The Afterlife of Anne Boleyn: Representations of Anne Boleyn in Fiction and on the Screen (Palgrave Macmillan), Stephanie Russo describes the various ways in which her life has been interpreted and how these interpretations reflect the interests and developments of their respective eras. This process began with her contemporaries, who began memorializing her even before her death. That she was the subject of so much of their attention reflected in no small measure her prominent role in England’s adoption of Protestantism, which exerted a predominant influence in how she was interpreted for over a century and a half. As the controversies in England over religion ebbed in the 18th century the focus became more exclusively upon Anne as a person, as her activities and her relationships proved an enduring source of material for both novelists and playwrights. Russo shows how this interest as only grown over time, with Anne Boleyn’s life today serving as subject matter for everything from postfeminist novels to salacious cable television series – all of which help perpetuate our interest about this enigmatic and elusive figure. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lori Cox Han and Caroline Heldman, both scholars of gender and politics as well as scholars of the American Presidency, have assembled a wide array of essays[*] to revisit the question about whether “we” are ready for the first female president of the United States, and what the path might look like to arrive at that glass-ceiling shattering event. Cox Han and Heldman had edited a previous version of this concept in 2007 (Rethinking Madam President: Are We Ready for the First Woman in the White House? Lynne Rienner Publishers, 2007) and they and their contributing authors had concluded that, in 2007, the United States was not yet ready to give “female presidential candidates a fair run.” But much has shifted and changed over the years since the publication of that previous interrogation of this perennial consideration and Madam President? Gender and Politics on the Road to the White House (Lynne Rienner Publishers, 2020) revisits this consideration having seen Hillary Clinton as the standard bearer for the Democratic Party in 2016, even while she lost the Electoral College vote to Donald Trump. Cox Han and Heldman, and the contributing authors to Madam President? are evaluating the political landscape following Clinton’s loss and exploring what changed as a result of the presidential race in 2016, including the Women’s Movement/March that came together following Trump’s Inauguration and the rise of the #MeToo and #TimesUp movements as well. The chapters that make up Madam President? Gender and Politics on the Road to the White House cover quite a few different dimensions of presidential politics and gender politics, including examining where female candidates have been able to compete on a more equal playing field with male candidates, such as in their capacity to fundraise, as Victoria Farrar-Myers explains in her chapter on “Money and Candidate Viability.” Other chapters explore the masculine nature of the presidency itself and the difficulty this poses for candidates and for voters. Authors approach this complicated foundation of the American presidency from a variety of perspectives, including Meredith Conroy’s chapter on masculinity and media coverage during the course of the campaign, and Karen Hult’s and Meena Bose’s respective chapters on sex, gender, and leadership within the Executive Branch, and key areas of presidential responsibility. Madam President? helps us think about the newly elected female Vice President, Kamala Harris, and her husband’s role as first spouse. As Cox Han and Heldman explain during the course of our conversation, there is some cause of optimism that we may already be seeing the first woman president of the United States, it just may be a few years before she takes office. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at [email protected] or tweet to @gorenlj. [*] Full disclosure: I am a contributing co-author, with Linda Beail, of one of these essays. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Women's War: Fighting and Surviving the Civil War (Harvard UP, 2019), the award-winning author of Confederate Reckoning challenges the idea that women are outside of war, through a trio of dramatic stories revealing women's transformative role in the American Civil War. We think of war as a man's world, but women have always played active roles in times of violence and been left to pick up the pieces in societies decimated by war. In this groundbreaking reconsideration of the Civil War, the award-winning author of Confederate Reckoning invites us to see America's bloodiest conflict not just as pitting brother against brother but as a woman's war. When the war broke out, Union soldiers assumed Confederate women would be innocent noncombatants. Experience soon challenged this simplistic belief. Through a trio of dramatic stories, Stephanie McCurry reveals the vital and sometimes confounding roles women played on and off the battlefield. We meet Clara Judd, a Confederate spy whose imprisonment for treason sparked heated controversy, defying the principle of civilian immunity and leading to lasting changes in the laws of war. Hundreds of thousands of enslaved women escaped across Union lines, upending emancipation policies that extended only to enslaved men. The Union's response was to classify fugitive black women as "soldiers' wives," regardless of whether they were married--offering them some protection but placing new obstacles on their path to freedom. In the war's aftermath, the Confederate grande dame Gertrude Thomas wrestled with her loss of status and of her former slaves. War, emancipation, and economic devastation affected her family intimately, and through her life McCurry helps us see how fundamental the changes of Reconstruction were. Women's War dismantles the long-standing fiction that women are outside of war and shows that they were indispensable actors in the Civil War, as they have been--and continue to be--in all wars. Jerrad P. Pacatte is a doctoral candidate and School of Arts and Sciences Excellence Fellow in the Department of History at Rutgers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound (Harvard University Press, 2021) by Dr. Daphne Brooks is a lyrical masterpiece that takes readers on an exhilarating journey through a century of Black sound from Bessie Smith to Beyoncé. In writing alongside the sistas who cared for Black women's musicianship like Pauline Hopkins and Janelle Monaé, Brooks casts contemporary performers as archivists, acclaimed writers as sound theorists, record label originators as music critics, and fans as the vital keepers of Black sound. Brooks’ liner notes are a “requiem” for the oversight of Black women musicians and their intellectual resonance, powerfully uncovering their sonic, visual, and kinesthetic innovations through a Black feminist conceptual lens. On each step of the journey, Brooks presents Black sound women as radical intellectuals, as the creators of modernity, and as the fierce leaders of revolutionary world-making. Amanda Joyce Hall is a Ph.D. Candidate in History and African American Studies at Yale University. She is writing an international history on the global movement against South African apartheid during the 1970s and 1980s. She tweets from @amandajoycehall. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Only Among Women: Philosophies of Community in the Russian and Soviet Imagination, 1860–1940 (Northwestern University Press, 2019), Anne Eakin Moss examines idealized relationships between women in Russian literature and culture from the age of the classic Russian novel to socialist realism and Stalinist film. Her book reveals how the idea of a community of women—a social sphere ostensibly free from the taint of money, sex, or self-interest—originates in the classic Russian novel, fuels mystical notions of unity in turn-of-the-century modernism, and finally assumes a place of privilege in Stalinist culture, especially cinema. Rethinking the significance and surprising continuities of gender in Russian and Soviet culture, Eakin Moss relates this tradition to Western philosophies of community developed by thinkers from Jean-Jacques Rousseau to Jean-Luc Nancy. She shows that in the 1860s friendship among women came to figure as an organic national collectivity in works such as Tolstoy’s War and Peace and a model for revolutionary organization in Chernyshevsky’s What Is To Be Done?. Only Among Women also traces how women’s community came to be connected with new religious and philosophical notions of a unity transcending the individual at the fin-de-siècle. Finally, in Stalinist propaganda of the 1930s, the notion of women’s community inherited from the Russian novel reemerged in the image of harmonious female workers serving as a patriarchal model for loyal Communist citizenship. Anne Eakin Moss is an assistant professor in the Department of Comparative Thought and Literature at Johns Hopkins University. Colleen McQuillen is an associate professor in the Department of Slavic Languages and Literatures at the University of Southern California.Follow her on Twitter @russianprof Learn more about your ad choices. Visit megaphone.fm/adchoices