New Books in Women's History

Elizabeth Severn: The 'Evil Genius' of Psychoanalysis (Routledge, 2017) chronicles the life and work of Elizabeth Severn, both as one of the most controversial analysands in the history of psychoanalysis, and as a psychoanalyst in her own right. Condemned by Freud as "an evil genius", Freud disapproved of Severn’s work and had her influence expelled from the psychoanalytic mainstream. In this book, Rachman draws on years of research into Severn to present a much-needed reappraisal of her life and work, as well as her contribution to modern psychoanalysis. Arnold Rachman’s re-discovery, restoration and analysis of the Elizabeth Severn Papers – including previously unpublished interviews, books, brochures and photographs – suggests that, far from a failure, that the analysis of Severn by Ferenczi constitutes one of the great cases in psychoanalysis, one that was responsible a new theory and methodology for the study and treatment of trauma disorder, in which Severn played a pioneering role. Elizabeth Severn should be of interest to any psychoanalyst looking to glean fresh light on Severn’s progressive views on clinical empathy, self-disclosure, countertransference analysis, intersubjectivity and the origins of relational analysis. Learn more about your ad choices. Visit megaphone.fm/adchoices

Who were your heroes during your formative years? As a child of the 1970s, many of mine were journalists, especially those reporting on war and revolution in Southeast Asia and Latin America. I wanted to be Mel Gibson in The Year of Living Dangerously, James Woods in Salvador, or even Nick Nolte in Under Fire. It was all so exciting and glamorous, but all of these role models were men. As a teenager I idealized that romantic image of the hard drinking, rugged, tough guy journalist. When I read When the War was Over for a college seminar on the politics of revolution, I added a real-life heroine to my pantheon: Elizabeth Becker. She covered the horrors of the American bombing of Cambodia, the barbaric civil war, and the unfathomable brutality of the Khmer Rouge. She was there, on the ground in Cambodia, when so much of the world turned away. Now she has written a book about her heroes, three female journalists who covered the American War in Vietnam, the Second Indochina War, and the way it spilled into Cambodia. You Don't Belong Here: How Three Women Rewrote the Story of War is a profile of these three journalists, but it also works as a narrative of the war in Vietnam and in Cambodia. Obviously, this book genders our understanding of the war and the reporters who told the world about this war. Like the three women she profiles in You Don't Belong Here: How Three Women Rewrote the Story of War (PublicAffairs, 2021), Elizabeth Becker began her career as a war correspondent in Southeast Asia. She arrived Cambodia in early 1973. Writing for the Washington Post, she covered the American bombing and the war between the Lon Nol government and the Khmer Rouge. She wrote a major exposé of the Khmer Rouge leadership. During the Khmer Rouge regime, she was one of a handful of Westerners allowed into the country and met Pol Pot. She was almost killed by assassins during that surreal trip. She has been the Senior Foreign Editor for National Public Radio and a New York Times correspondent covering national security, economics and foreign policy. She has won accolades from the Overseas Press Club and was part the Times team that won the Pulitzer Prize for Public Service for coverage of 9/11. She is the author of When the War was Over: Cambodia and the Khmer Rouge Revolution, which has been in print for 35 years and remains one of the best books on the Khmer Rouge. She has also written Bophana, America’s Vietnam War: A Narrative History, and Overbooked: The Exploding Business of Travel and Tourism, an exposé of the travel industry. She also served as an expert witness in the Khmer Rouge genocide trials in Phnom Penh. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity Learn more about your ad choices. Visit megaphone.fm/adchoices

Rosa Luxemburg occupies a complex place in our history partly because there are several different Rosa's one can find scattered across the world; the feminist activist, revolutionary Marxist, economist, journalist, essayist literary and critic all have been picked up in coopted by different movements at different times. While this speaks to her versatility as a thinker, writer and person, it also reflects the fragmented way in which her writing has been collected, edited, translated and published. A pamphlet here, an essay there, a book or 2 and several collections of letters but little effort has been made to present her in a thorough, well organized format. Luckily that is changing with the ongoing efforts to publish the entirety of her output in English translation, the vast majority of it being translated now for the first time by Verso. Spearheading this project is Peter Hudis and a team of international scholars who are working to collect and translate her work and publish it in a complete collected edition. As of right now they have published a 500-page collection of letters, two volumes of economic writings and a volume of her political writings (all approximately 600 pages) and the series is currently projected to have somewhere between 15 and 20 volumes when complete, although because so much for work is still being discovered in various archives across Europe it may expand beyond that as well. This episode will be a sort of introduction where we discuss the basics of Luxemburg's life, the key themes of her work, and the editorial efforts going on behind the scenes to make this project a reality, but we're hoping to do more episodes exploring each volume in greater depth as they're made available. Obviously a massive project like this is incredibly time consuming and resource intensive, which is why the people behind it are asking for your help. While some funds have been made available the team is still looking for some extra funding to put towards the translation efforts. The editors are not being paid for the work they do on this; for them it's a labor of love, but the crowdfunding will go to the numerous translators being brought on board. If you are excited and able to help visit the Toledo Translation Fund and contribute to the project. Peter Hudis is a lifelong activist and is a professor of philosophy and humanities at Oakton Community College. In addition to being the general editor of the Complete Works of Rosa Luxemburg, he is the author of Marx's Concept of the Alternative to Capitalism and Frantz Fanon: Philosopher of the Barricades. He also wrote a new preface to the reprint of J.P. Nettl's biography of Rosa Luxemburg, reprinted in a single volume by Verso in 2019. Learn more about your ad choices. Visit megaphone.fm/adchoices

Calamity Jane is an enigma of Western history. Clad in men’s clothing, she rode across the American West in the latter half of the 19th century, making a name for herself as a military scout, a hard drinker, dime-novel mainstay, and performer. Even after her death, Martha Jane Canary has proven immortal in Hollywood portrayals and, most recently, in an Emmy Award nominated performance by Robin Weigert in HBO’s series Deadwood (2004-2006, 20189. Hidden beyond over a century of mythos, the real Calamity Jane can be hard to discern. In Calamity: The Many Lives of Calamity Jane (Yale UP, 2020), Dr. Karen Jones embraces the paradoxes and inconsistencies in Canary’s life story. Dr. Jones, professor of environmental and cultural history at the University of Kent, uses cultural and gender analysis to uncover the meanings of Calamity Jane as a character of the Wild West mythology – rather than playing the role of “truth detective,” Jones instead analyzes Jane’s many stories to uncover deeper meanings behind the stories about her life. In the case of Calamity Jane, it’s often the fiction that’s more revealing than truth. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoices

How can the history of women’s work in film and TV help address inequality today? In Women’s Activism Behind the Screens: Trade Unions and Gender Inequality in the British Film and Television Industries (University of Bristol Press, 2020), Frances Galt, a Teaching Associate in history at Newcastle University, looks at the history of women’s struggles for equality within unions in the screen industry, to show the lessons of how gender equality has progressed and receded since the 1930s. The book draws on a rich blend of archival, oral history, and policy document research, presenting the context for key moments in the fight to support the status of women in the film and television industries. A fascinating history, with crucial lessons for contemporary activism, the book is essential reading across the humanities and social sciences. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of New Books in History features an interview with Anke Gilleir, professor of Modern German Literature at KU Leuven, about her new edited volume, Strategic Imaginations: Women and the Gender of Sovereignty in European Culture (Leuven University Press, 2020). Dr. Gilleir has a longstanding interest in under appreciated female intellectuals, starting with her dissertation cum first monograph on Johanna Schopenhauer, read alongside Pierre Bourdieu, exploring particularly mechanisms of power and the symbolic importance of those mechanisms. She has also addressed similar themes with Therese Huber, Caroline Pichler, Rosa Luxemburg, and Margarete Sussman. As part of this ongoing concern with how women interact with political power, she came to edit this delightful volume. Though the cases studies represent a real breadth temporally, spatially, and even in subject and source material, all the essays work together very well to make a very tight argument. Political sovereignty has been a major theme in European thought from the very beginning of intellectual reflection on community. Philosophy and political theory, historiography, theology, and literature and the arts have, often in dialogue with one another, sought to represent or recalibrate notions of rule. Yet whatever covenant was imagined, sovereign rule has consistently been figured as a male prerogative While in-depth studies of historical women rulers have proliferated in the past decades, these have not systematically explored how all women rulers throughout the entirety of European culture have had to operate in a context that could not think power as female – except in grotesque terms. Strategic Imaginations demonstrates that this constitutive tension can only be brought out by studying women’s political rule in a comparative and longue durée manner. The book offers a collection of essays that brings together studies of female sovereignty from the Polish-Lithuanian to the British Commonwealth, and from the Middle Ages to the genesis of modern democracy. It addresses historical figures and takes stock of the rich yet unsettling imagination of female rule in philosophy, literature and art history. For all the variety of geographical, social, and historical contexts it engages, the book reveals surprising resonances between the strategies women rulers used and the images and practices they adopted in the context of an all-pervasive skepticism toward female rule. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the centuries since her execution in 1536, Anne Boleyn’s presence in Western culture has grown to extraordinary proportions. In The Afterlife of Anne Boleyn: Representations of Anne Boleyn in Fiction and on the Screen (Palgrave Macmillan), Stephanie Russo describes the various ways in which her life has been interpreted and how these interpretations reflect the interests and developments of their respective eras. This process began with her contemporaries, who began memorializing her even before her death. That she was the subject of so much of their attention reflected in no small measure her prominent role in England’s adoption of Protestantism, which exerted a predominant influence in how she was interpreted for over a century and a half. As the controversies in England over religion ebbed in the 18th century the focus became more exclusively upon Anne as a person, as her activities and her relationships proved an enduring source of material for both novelists and playwrights. Russo shows how this interest as only grown over time, with Anne Boleyn’s life today serving as subject matter for everything from postfeminist novels to salacious cable television series – all of which help perpetuate our interest about this enigmatic and elusive figure. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lori Cox Han and Caroline Heldman, both scholars of gender and politics as well as scholars of the American Presidency, have assembled a wide array of essays[*] to revisit the question about whether “we” are ready for the first female president of the United States, and what the path might look like to arrive at that glass-ceiling shattering event. Cox Han and Heldman had edited a previous version of this concept in 2007 (Rethinking Madam President: Are We Ready for the First Woman in the White House? Lynne Rienner Publishers, 2007) and they and their contributing authors had concluded that, in 2007, the United States was not yet ready to give “female presidential candidates a fair run.” But much has shifted and changed over the years since the publication of that previous interrogation of this perennial consideration and Madam President? Gender and Politics on the Road to the White House (Lynne Rienner Publishers, 2020) revisits this consideration having seen Hillary Clinton as the standard bearer for the Democratic Party in 2016, even while she lost the Electoral College vote to Donald Trump. Cox Han and Heldman, and the contributing authors to Madam President? are evaluating the political landscape following Clinton’s loss and exploring what changed as a result of the presidential race in 2016, including the Women’s Movement/March that came together following Trump’s Inauguration and the rise of the #MeToo and #TimesUp movements as well. The chapters that make up Madam President? Gender and Politics on the Road to the White House cover quite a few different dimensions of presidential politics and gender politics, including examining where female candidates have been able to compete on a more equal playing field with male candidates, such as in their capacity to fundraise, as Victoria Farrar-Myers explains in her chapter on “Money and Candidate Viability.” Other chapters explore the masculine nature of the presidency itself and the difficulty this poses for candidates and for voters. Authors approach this complicated foundation of the American presidency from a variety of perspectives, including Meredith Conroy’s chapter on masculinity and media coverage during the course of the campaign, and Karen Hult’s and Meena Bose’s respective chapters on sex, gender, and leadership within the Executive Branch, and key areas of presidential responsibility. Madam President? helps us think about the newly elected female Vice President, Kamala Harris, and her husband’s role as first spouse. As Cox Han and Heldman explain during the course of our conversation, there is some cause of optimism that we may already be seeing the first woman president of the United States, it just may be a few years before she takes office. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at [email protected] or tweet to @gorenlj. [*] Full disclosure: I am a contributing co-author, with Linda Beail, of one of these essays. Learn more about your ad choices. Visit megaphone.fm/adchoices

Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound (Harvard University Press, 2021) by Dr. Daphne Brooks is a lyrical masterpiece that takes readers on an exhilarating journey through a century of Black sound from Bessie Smith to Beyoncé. In writing alongside the sistas who cared for Black women's musicianship like Pauline Hopkins and Janelle Monaé, Brooks casts contemporary performers as archivists, acclaimed writers as sound theorists, record label originators as music critics, and fans as the vital keepers of Black sound. Brooks’ liner notes are a “requiem” for the oversight of Black women musicians and their intellectual resonance, powerfully uncovering their sonic, visual, and kinesthetic innovations through a Black feminist conceptual lens. On each step of the journey, Brooks presents Black sound women as radical intellectuals, as the creators of modernity, and as the fierce leaders of revolutionary world-making. Amanda Joyce Hall is a Ph.D. Candidate in History and African American Studies at Yale University. She is writing an international history on the global movement against South African apartheid during the 1970s and 1980s. She tweets from @amandajoycehall. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Women's War: Fighting and Surviving the Civil War (Harvard UP, 2019), the award-winning author of Confederate Reckoning challenges the idea that women are outside of war, through a trio of dramatic stories revealing women's transformative role in the American Civil War. We think of war as a man's world, but women have always played active roles in times of violence and been left to pick up the pieces in societies decimated by war. In this groundbreaking reconsideration of the Civil War, the award-winning author of Confederate Reckoning invites us to see America's bloodiest conflict not just as pitting brother against brother but as a woman's war. When the war broke out, Union soldiers assumed Confederate women would be innocent noncombatants. Experience soon challenged this simplistic belief. Through a trio of dramatic stories, Stephanie McCurry reveals the vital and sometimes confounding roles women played on and off the battlefield. We meet Clara Judd, a Confederate spy whose imprisonment for treason sparked heated controversy, defying the principle of civilian immunity and leading to lasting changes in the laws of war. Hundreds of thousands of enslaved women escaped across Union lines, upending emancipation policies that extended only to enslaved men. The Union's response was to classify fugitive black women as "soldiers' wives," regardless of whether they were married--offering them some protection but placing new obstacles on their path to freedom. In the war's aftermath, the Confederate grande dame Gertrude Thomas wrestled with her loss of status and of her former slaves. War, emancipation, and economic devastation affected her family intimately, and through her life McCurry helps us see how fundamental the changes of Reconstruction were. Women's War dismantles the long-standing fiction that women are outside of war and shows that they were indispensable actors in the Civil War, as they have been--and continue to be--in all wars. Jerrad P. Pacatte is a doctoral candidate and School of Arts and Sciences Excellence Fellow in the Department of History at Rutgers. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Only Among Women: Philosophies of Community in the Russian and Soviet Imagination, 1860–1940 (Northwestern University Press, 2019), Anne Eakin Moss examines idealized relationships between women in Russian literature and culture from the age of the classic Russian novel to socialist realism and Stalinist film. Her book reveals how the idea of a community of women—a social sphere ostensibly free from the taint of money, sex, or self-interest—originates in the classic Russian novel, fuels mystical notions of unity in turn-of-the-century modernism, and finally assumes a place of privilege in Stalinist culture, especially cinema. Rethinking the significance and surprising continuities of gender in Russian and Soviet culture, Eakin Moss relates this tradition to Western philosophies of community developed by thinkers from Jean-Jacques Rousseau to Jean-Luc Nancy. She shows that in the 1860s friendship among women came to figure as an organic national collectivity in works such as Tolstoy’s War and Peace and a model for revolutionary organization in Chernyshevsky’s What Is To Be Done?. Only Among Women also traces how women’s community came to be connected with new religious and philosophical notions of a unity transcending the individual at the fin-de-siècle. Finally, in Stalinist propaganda of the 1930s, the notion of women’s community inherited from the Russian novel reemerged in the image of harmonious female workers serving as a patriarchal model for loyal Communist citizenship. Anne Eakin Moss is an assistant professor in the Department of Comparative Thought and Literature at Johns Hopkins University. Colleen McQuillen is an associate professor in the Department of Slavic Languages and Literatures at the University of Southern California.Follow her on Twitter @russianprof Learn more about your ad choices. Visit megaphone.fm/adchoices

Sarah Schenirer is one of the unsung heroes of twentieth-century Orthodox Judaism. In Sarah Schenirer and the Bais Yaakov Movement: A Revolution in the Name of Tradition (Littman Library of Jewish Civilization, 2019), Naomi Seidman describes how the Bais Yaakov schools Schenirer founded in interwar Poland had an unparalleled impact on a traditional Jewish society threatened by assimilation and modernity, educating a generation of girls to take an active part in their community. The movement grew at an astonishing pace, expanding to include high schools, teacher seminaries, summer programmes, vocational schools, and youth movements, in Poland and beyond; it continues to flourish throughout the Jewish diaspora. Seidman explores the movement through the tensions that characterized it, capturing its complexity as a revolution in the name of tradition. She presents the context which led to its founding, examining the impact of socialism, feminism, Zionism, and Polish electoral politics on the process, and recounts its history, from its foundation in interwar Krakow to its near-destruction in the Holocaust, and its role in the reconstruction of Orthodoxy in subsequent decades. A vivid portrait of Schenirer shines through. The book includes selections from her writings published in English for the first time. Her pioneering, determined character remains the subject of debate in a culture that still regards innovation, female initiative, and women's Torah study with suspicion. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices

Elesha J. Coffman's Margaret Mead: A Twentieth-Century Faith (Oxford UP, 2021) takes a careful look at Mead’s religious origins and influence. As a famous American anthropologist, Mead’s intellectual contributions to mid-century culture has been fruitfully studied. Coffman offers insight into a neglected aspect of Mead’s life—her religious views. Born into a home with secular agnostic parents, Mead chose a religious path as a child and joined the Episcopal Church. As an anthropologist she believed in the significance of ritual and the importance of service but rejected many of the particulars of her chosen faith. From De Pauw University to Columbia University, through multiple love affairs and marriages, travels and publications, Mead became an influential public intellectual, developing her own perspective on social ethics. Her high-profile and expansive view of human development that did not reject religion offered the opportunity to contribute to mid-twentieth century liberal Christianity on multiple fronts. Elesha J. Coffman, an associate professor of History at Baylor University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paola Bonifazio’s The Photoromance. A Feminist Reading of Popular Culture (MIT Press, 2020) is the first feminist reading of photoromances that examines both its industry and its fandom, arguing for their relevance as transmedia narratives in a transnational market. The photoromance, a form of graphic storytelling that uses photographs instead of drawings, reached a readership of millions in the 1960s. Despite its popularity, the photoromance was—and still is—widely scorned as a medium, and its largely female audience derided as naïve, pathetic, and uneducated. Bonifazio reframes and problematizes the “natural” association between this genre and the female readers, claiming that the photoromance is relevant to both feminism and media culture. She investigates how female readers powered the Italian photoromance’s industry success and discusses the photoromance as the precursor of the phenomenon of convergence culture—as in the case of Senso, a photoromance inspired by director Luchino Visconti’s Senso. Nicoletta Marini Maio is professor of Italian and Film Studies at Dickinson College. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Women and Gender in the Qur’an (Oxford University Press in 2020), Celene Ibrahim explores key themes related to gender in the Qur’an, focusing on women, such as female sexuality, female kin and relations, and female figures in the sacred text. Among her findings is that there are no archetypal women in the Qur’an and instead, the Qur’an provides a wide-ranging depiction of women, who figure as negative and positive exemplars and ultimately serve the specific didactic aims of Qur’anic narratives. The Qur’an invokes their good and bad examples, Ibrahim notes, especially to construct a moral framework for its immediate audience, the early Muslim community, the emerging polity. In our discussion, she talks about the primary contributions of the book and its origins; she explains her choice to use a Qur’an-only approach to investigating the question of gender; and we discuss specific content from the book, such as the Qur’an’s portrayals of daughters and mothers, Prophet Yusuf’s harassment incident, women’s speech, Muhammad’s wives in the Qur’an, the concept – and the gender – of heavenly beings, such as the hoor, and a lot more. Shehnaz Haqqani is an Assistant Professor of Religion at Mercer University. She earned her PhD in Islamic Studies with a focus on gender from the University of Texas at Austin in 2018. Her dissertation research explored questions of change and tradition, specifically in the context of gender and sexuality, in Islam. She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mona Lena Krook examines the unique phenomena of violence against women in politics, which is distinct from the broader concern and issue of violence against women in general. Krook pulls together global experiences in regard to this issue, noting that violence against women in politics is not confined to any particular region or part of the world. The research also indicates that this is not just physical violence or force, but also includes psychological violence, economic violence, sexual violence, threats, and harassment, and semiotic violence, a newer category to be included with the other classifications of violence against women in politics. Violence Against Women in Politics (Oxford UP, 2020) also explores the violence that is directed towards women who are not in elected office but are working in areas or fields that are directly connected to electoral or appointed political offices, namely women who are working in human rights areas or with human rights organizations, and women who are members of the press or media. Krook explains that her research in the book centers around this issue of violence against women in politics because that violence, in whatever form it takes, is designed to keep women from fully participating in politics and in the public sphere. Krook has also developed a number of websites with information and further connections to work towards the end of violence against women in politics, including the companion website for the book itself: https://www.vawpolitics.org/, and the collaborative #NotTheCost website hosted by the National Democratic Institute. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at [email protected] or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eika Tai’s Comfort Women Activism: Critical Voices from the Perpetrator State (Hong Kong University Press, 2020) tackles the complex histories of Japanese “military sexual violence” and the activism by women in Japan, mostly since the 1990s. Tai’s contribution to scholarship on the so-called “comfort women” issue begins with a helpful overview of both the comfort women movement and also the political and social context in which that movement arose and continues today. Part 2: Activist Narratives, includes four chapters. Chapters 3-5 look at different ways that activists in Japan―primarily Japanese women responding directly or indirectly to the testimony of survivors―have approached the “comfort women” issue. Tai tells the stories of two or three representative activists in each of these chapters, and demonstrates how they encapsulate a particular way of being “activists in the perpetrator state.” Chapter 6 follows the same structural approach, but ties together some of the threads from previous chapters in its analysis of the transnational feminism that led to the Women’s International War Crimes Tribunal in 2000. The book’s conclusion contrasts this approach with the thought of feminist scholar Ōgoshi Aiko, and introduces the idea of “Feminism against Japan’s Military Sexual Violence,” the title of Chapter 7. Because it breaks new ground in understanding not just the question of military sexual violence, but also the histories of philosophical and activist feminisms, Comfort Women Activism will be of interest to historians of East Asia, gender, social movements, and more. Nathan Hopson is an associate professor of Japanese and East Asian history in the Graduate School of Humanities, Nagoya University. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are joined today by Alison Phipps, Professor in Gender Studies and the University of Sussex to talk about her newest book, Me, Not You: The Trouble with Mainstream Feminism (Manchester University Press, 2020). The Me Too movement, started by Black feminist Tarana Burke in 2006, went viral as a hashtag eleven years later after a tweet by white actor Alyssa Milano. Mainstream movements like #MeToo have often built on and co-opted the work of women of colour, while refusing to learn from them or centre their concerns. Far too often, the message is not ‘Me, Too’ but ‘Me, Not You’. Alison Phipps argues that this is not just a lack of solidarity. Privileged white women also sacrifice more marginalised people to achieve their aims, or even define them as enemies when they get in the way. Me, not you argues that the mainstream movement against sexual violence expresses a political whiteness that both reflects its demographics and limits its revolutionary potential. Privileged white women use their traumatic experiences to create media outrage, while relying on state power and bureaucracy to purge ‘bad men’ from elite institutions with little concern for where they might appear next. In their attacks on sex workers and trans people, the more reactionary branches of this feminist movement play into the hands of the resurgent far-right. Dr. Phipps is the author of Women in Science, Engineering and Technology: Three Decades of UK Initiatives (Trentham Books, 2008), an examination of the mixed results of the UK’s attempts to address gender disparity STEM fields through policy and The Politics of the Body: Gender in a Neoliberal and Neoconservative Age (Polity Press, 2014) an award-winning look at the way feminists find themselves negotiating a very tight passage between the Scylla and Charybdis of neoconservatives and neoliberals, as well as a bevy or articles on similar issues. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

Few astronomers in the 20th century did as much to expand our understanding of the universe as Vera Rubin. To tell her remarkable story in their biography Vera Rubin: A Life (Belknap Press, 2021), authors Jacqueline and Simon Mitton describe both the range of her accomplishments as well as the barriers she overcame in order to achieve them. As they explain, Rubin was drawn early to the study of the stars, determining early in her life that she wanted to be an astronomer. To become one she had to overcome the assumptions of many of her peers that science was not an appropriate field of study for a woman, or that she would abandon her studies once she married and had children. Defying their expectations, Rubin balanced child-rearing with earning her doctorate in astronomy and undertaking observational work. Though she participated in a number of different studies, her passion was for understanding galaxies, and her discoveries proved critical for the acceptance of the existence of dark matter in the universe. Acclaimed for her work, she used her position to fight for improve the status of women in the sciences, a fight that she continued alongside her research for the rest of her life. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are joined today by Meenakshi Gigi Durham, Professor in the School of Journalism and Mass Communication at the University of Iowa in the writers’ heaven that is Iowa City, Iowa. She also holds a joint appointment in the Department of Gender, Women’s Studies, and Sexuality Studies at Iowa. She is here today to talk to us about her upcoming book: Me Too: The Impact of Rape Culture in the Media (Polity Press, 2021). Professor Durham is the author of the quite famous The Lolita Effect: The Media Sexualization of Young Girls and What We Can Do About It (Overlook Press, 2008) and Technosex: Precarious Corporealities, Mediated Sexualities, and the Ethics of Embodied Technics (Palgrave 2016) – both of which address modern, mass media explorations of the sexuality and gender. In the wake of the MeToo movement, revelations of sexual assault and harassment continue to disrupt sexual politics across the globe. Reports of recurrent and widespread misconduct - in workplaces from doctors' offices to factory floors - are precipitating firings, legal actions, street protests, and policy punditry. Meenakshi Gigi Durham situates media culture as a place in which these broader social struggles are enacted and reproduced. The media figures whose depravity sparked the #MeToo movement are symbolic markers of the complexities of sexual desire and consent. Pop culture sparks controversies about rape culture; social media users have launched feminist resistance that turned to real-world activism; investigative journalists have broken stories of assault, offering a platform for survivors to speak truth to patriarchal power. Arguing that the media are a linchpin in these events, Durham provides a feminist account of the interrelated contexts of media production, representation, and reception. She situates media as the key site where the establishment of sexuality and social relations takes place and traces the media's powerful role in both reifying and challenging rape culture. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

We think we know the story of women's suffrage in the United States: women met at Seneca Falls, marched in Washington, D.C., and demanded the vote until they won it with the ratification of the Nineteenth Amendment. But the fight for women's voting rights extended far beyond these familiar scenes. From social clubs in New York's Chinatown to conferences for Native American rights, and in African American newspapers and pamphlets demanding equality for Spanish-speaking New Mexicans, a diverse cadre of extraordinary women struggled to build a movement that would truly include all women, regardless of race or national origin. In Recasting the Vote: How Women of Color Transformed the Suffrage Movement (The University of North Carolina Press, 2020), Cathleen D. Cahill tells the powerful stories of a multiracial group of activists who propelled the national suffrage movement toward a more inclusive vision of equal rights. Cahill reveals a new cast of heroines largely ignored in earlier suffrage histories: Marie Louise Bottineau Baldwin, Gertrude Simmons Bonnin (Zitkala-Ša), Laura Cornelius Kellogg, Carrie Williams Clifford, Mabel Ping-Hua Lee, and Adelina "Nina" Luna Otero-Warren. With these feminists of color in the foreground, Cahill recasts the suffrage movement as an unfinished struggle that extended beyond the ratification of the Nineteenth Amendment. As we celebrate the centennial of a great triumph for the women's movement, Cahill's powerful history reminds us of the work that remains. Learn more about your ad choices. Visit megaphone.fm/adchoices

Robert J. Mrazek, an author of eleven books and former congressman from New York, has written a gripping account of one the most determine heroines of World War II: The Indomitable Florence Finch: The Untold Story of a War Widow Turned Resistance Fighter and Savior of American POWs (Hachette, 2020). Florence Finch was the widow of an American intelligence officer who died in the Battle of Bataan. Finch pledged to her husband’s memory that she would contribute to the effort to defeat the Japanese Army after it consolidated its control over the Philippines in 1941-42. Soon Finch was organizing fuel shipments under the Japanese occupiers’ noses and selling fuel on the black market in order to provide medicine and food for American POWs imprisoned in the Philippines. Finch did not merely play a small part in the Philippine resistance; she was central to the survival of American military and other civilian prisoners. Mrazek also tells the story of Carl Engelhart, a supervisor and friend of Finch, who became a POW from the fall of Bataan to the last days of the Pacific war. Finch’s covert supply effort was one of the reasons he survived his POW experience. Mrazek has used letters, audiotapes, an unpublished memoir, and other archival sources to present Finch’s compelling tale of resistance. Ian J. Drake is Associate Professor of Jurisprudence, Montclair State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Arlin Migliazzo’s Mother of Modern Evangelicalism: The Life and Legacy of Henrietta Mears (Eerdmans, 2020) documents the life and ministry of one of the most influential teachers of twentieth-century American evangelicalism. As the leader of one of the largest Sunday school classes in America at First Presbyterian Church of Hollywood, California, Mears energized an entire generation of evangelical Christians with her teaching, her publishing endeavors, and her mentorship of figures such as Billy Graham and Bill Bright. Migliazzo’s biography illuminates this fascinating figure in American evangelical history and charts a trajectory of conservative American Christianity from repressed fundamentalism to a culturally aware and engaged modern evangelicalism. Lane Davis is a doctoral candidate in the Graduate Program in Religious Studies at Southern Methodist University where he studies American religious history. Find him on Twitter @TheeLaneDavis Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 1980s and 1990s, Black German women began to play significant roles in challenging the discrimination in their own nation and abroad. Their grassroots organizing, writings, and political and cultural activities nurtured innovative traditions, ideas, and practices. These strategies facilitated new, often radical bonds between people from disparate backgrounds across the Black Diaspora. In Mobilizing Black Germany: Afro-German Women and the Making of a Transnational Movement (University of Illinois Press 2020), Tiffany N. Florvil examines the role of queer and straight women in shaping the contours of the modern Black German movement as part of the Black internationalist opposition to racial and gender oppression. Florvil shows the multifaceted contributions of women to movement making, including Audre Lorde's role in influencing their activism; the activists who inspired Afro-German women to curate their own identities and histories; and the evolution of the activist groups Initiative of Black Germans and Afro-German Women. These practices and strategies became a rallying point for isolated and marginalized women (and men) and shaped the roots of contemporary Black German activism. Richly researched and multidimensional in scope, Mobilizing Black Germany offers a rare in-depth look at the emergence of the modern Black German movement and Black feminists' politics, intellectualism, and internationalism. Dr. Tiffany N. Florvil is an Associate Professor of 20th-century European Women’s and Gender History at the University of New Mexico. She specializes in the histories of post-1945 Europe, the African/Black diaspora, social movements, feminism, Black internationalism, gender and sexuality, and emotions. Follow her on Twitter @tnflorvil. Learn more about your ad choices. Visit megaphone.fm/adchoices

On January 21, 2017, the day after Donald Trump’s presidential inauguration, hundreds of cities in the U.S. and across the globe organized Women’s Marches in response to Trump’s misogynistic comments and as a general rebuke of his election. In this collection edited by Dr. Rachelle (Riki) Saltzman, established and emerging scholars contribute essays that examine the folkloric aspects of the Women’s Marches. Hear our conversation as we discuss the symbolic elements of these protests. First, Dr. Saltzman tells me about her start in folklore with her fascinating adventures in documenting the oral histories of Chesapeake watermen on the Eastern Shore in Maryland as a college student and then later curating thousands of World War II letters written by American soldiers who corresponded with a secretary at a Jewish YMCA. We begin our discussion of Pussyhats, Politics, and Public Protest (University Press of Mississippi, 2020) by talking about the deliberate timing of its release. While the publication focuses on the Women’s Marches that took place at the beginning of Trump’s presidency, the release of the book takes place as his administration wraps up and a new one begins. Dr. Saltzman characterizes the 2017 Women’s Marches as “carnivalesque” where public events have a number of features of the carnival – the turning of the world upside down, poking fun, and critiquing those in power under the license of festivity with the possibility of transformative change. The protests signs were also a significant part of the marches, engaging in humor and puns to critique the status quo but also as a means to understand the community. Similarly, the pussy hats also carry symbolic meaning of community making and we share our stories of receiving our own pussy hats from friends. From there we discuss a queer art studio that created conversation about the protests through its jewelry and the multiple generations that attended the protests. Dr. Saltzman is a folklorist at the High Desert Museum and the Oregon Folklife Network where she was also the former Executive Director. She also teaches at the University of Oregon as a lecturer in the Folklore and Public Culture program. Nancy Yan received her PhD in folklore from The Ohio State University and taught First Year Writing, Comparative Studies, and Asian American studies for several years before returning to organizing work. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the relationship between time and sexual difference? Are the categories of linearity and circularity that have so dominated conceptions of time sufficient for the emancipatory aims of feminist theory and praxis? In Revolutionary Time: On Time and Difference in Kristeva and Irigaray (SUNY Press, 2019), Fanny Söderbäck engages the work of Julia Kristeva and Luce Irigaray to argue that neither linear nor circular models of time make change possible. Only through returning to and revitalizing the past can we enliven the present in ways that make a new future possible. Time and sexual difference, she argues, must be thought together. Learn more about your ad choices. Visit megaphone.fm/adchoices

The “diva” is a common trope when we talk about culture. We normally think of the diva as a Western construction: the opera singer, the Broadway actress, the movie star. A woman of outstanding talent, whose personality and ability are both larger-than-life. But the truth is throughout history, many cultures have featured spaces for strong female artists, whose talent allows them to break free of the gender roles that pervaded their societies. In Three Asian Divas: Women, Art and Culture in Shiraz, Delhi and Yangzhou (Abbreviated Press: 2020) David Chaffetz briefly explores how these “Asian divas” could be seen as some of the first recognizably “modern women''. In this interview, David and I talk about the three different cultures of Three Asian Divas: Shiraz, Delhi and Yangzhou. We discuss what it meant to be a diva in these historical contexts, and what they say about gender roles in these historic Asian societies. After studying Persian, Turkish and Arabic in college, David Chaffetz worked on the publication of the Encyclopedia Iranica and is also the author of A Journey through Afghanistan, a study of its varied people, social classes and religious sects. He has lived in Afghanistan, Iran and Turkey, and travelled extensively in Asia. After a forty-year break working in the technology industry, he returned to writing with “Three Asian Divas.” You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Katharine Massam's A Bridge Between: Spanish Benedictine Missionary Women in Australia (ANU Press, 2020) is the first book detailing the Benedictine women who worked at New Norcia, examining their life in the Western Australian mission town. From the founding of a grand school intended for ‘nativas’, through to their house in the Kimberley-region, and the recruiting via a network of villages near Burgos in the north of Spain, this is a complex international history. A Bridge Between gathers a powerful, fragmented story from the margins of the archive, recalling the Aboriginal women who joined the community in the 1950s and the compelling reunion of missionaries and former students in 2001. By tracing the all-but-forgotten story of the community of Benedictine women who were central to the experience of the mission for many Aboriginal families in the twentieth century, this book lays a foundation for further work. Learn more about your ad choices. Visit megaphone.fm/adchoices

Can we ever overcome the epistemological barrier to conceptualizing Asian women not as particular cases but as theories, and can women of color academics be heard in this process? This is one of the central questions Laura Hyun Yi Kang grapples with in her groundbreaking book, Traffic in Asian Women (Duke University Press, 2020). Kang, in conversation with works such as Kuan-Hsing Chen’s Asia as Method: Towards Deimperialization, contests the uses of Asian women as a bounded unit of knowledge and proposes “start[ing] off from ‘Asian women’ as an imperial effect and multivalent discourse of intra-Asian contestation and transpacific nonknowing” (35). Contesting the limitation of rendering a generalized group as a bounded unit legible for academics’ expertise and dissection, Kang proceeds to examine “unexpected transfigurations” and “investments in sympathies” of Asian women in three categories that became important for knowledge dissemination within and by the universities, NGOs and UN agencies: “Traffic in women,” “sexual slavery,” and “violence against women.” Further, Kang critically analyzes how the contours of human rights and women’s rights discourses as well as political economy shaped compensation, truth disclosure, and memorialization of “comfort women” transnationally. Through the figure of Asian women, Kang critiques the ways in which capitalist and imperialist global governance has shaped international justice and discourses of redress, drawing a boundary in the knowledge production of Asian women in their complexity, nuance, and unknowability. Kang's work is critical for any scholars who are interested in the questions of interdisciplinarity, critical area and empire studies, justice, transnational feminism, critical university studies, cultural production and social movement. Laura Hyun Yi Kang is a Professor of Gender and Sexuality Studies at University of California, Irvine. Her previous book, which contends with the problem of disciplinarity, is Compositional Subjects: Enfiguring Asian/American Women (Duke University Press, 2002) and lays out some of the grounds of the discussions that continues in her new book, Traffic in Asian Women. Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode Miranda Corcoran speaks to Courtenay Stallings about her new book, Laura’s Ghost: Women Speak about Twin Peaks (Fayetteville Mafia Press, 2020). Laura’s Ghost is unique exploration of an iconic television series. The book focuses on the character of Laura Palmer, the beautiful homecoming queen whose murder sets in motion the mysteries at the heart of David Lynch’s eccentric small town. Through conversations with women involved in both the show itself and the Twin Peaks fan community, Laura’s Ghost explores Laura’s legacy from a host of different perspectives. Stallings speaks with the actor Sheryl Lee about her experience of playing Laura Palmer, with filmmaker Jennifer Lynch about writing Laura’s backstory in The Secret Diary of Laura Palmer, and with a range of artists, authors, performers and teachers about Laura’s impact on their lives. In this way, Laura’s Ghost excavates the layers of complexity embedded in Laura’s character, framing her as a friend, a daughter, a mischief-maker, a rebel and, most importantly, a survivor. Courtenay Stallings is a writer and professor based in Los Angeles. Content Warning: This episode discusses sexual abuse and incest. Resources for sexual abuse and domestic violence survivors can be found here and here. The author is donating 10% of all proceeds she personally receives to The Rape, Abuse & Incest National Network. Miranda Corcoran is a lecturer in twenty-first-century literature in University College Cork. She is a regular contributor to Diabolique and blogs about popular culture here. You can follow her on Twitter @middleagedwitch Learn more about your ad choices. Visit megaphone.fm/adchoices

Through interviews, diaries, memoirs, and letters, Her Neighbor's Wife: A History of Lesbian Desire Within Marriage (University of Pennsylvania Press, 2019) traces the stories of hundreds of women, like Barbara Kalish, who struggled to balance marriage and same-sex desire in the postwar United States. In doing so, Lauren Jae Gutterman draws our attention away from the postwar landscape of urban gay bars and into the homes of married women, who tended to engage in affairs with wives and mothers they met in the context of their daily lives: through work, at church, or in their neighborhoods. In the late 1960s and 1970s, the lesbian feminist movement and the no-fault divorce revolution transformed the lives of wives who desired women. Women could now choose to divorce their husbands in order to lead openly lesbian or bisexual lives; increasingly, however, these women were confronted by hostile state discrimination, typically in legal battles over child custody. Well into the 1980s, many women remained ambivalent about divorce and resistant to labeling themselves as lesbian, therefore complicating a simple interpretation of their lives and relationship choices. By revealing the extent to which marriage has historically permitted space for wives' relationships with other women, Her Neighbor's Wife calls into question the presumed straightness of traditional American marriage. It has recently been awarded the 2019 Berkshire Conference of Women Historians Book Prize. Stephen Colbrook is a graduate student at the University College London, where he is researching a dissertation on the interaction between HIV/AIDS and state policy-making. Stephen can be contacted at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

The preface to Robin Mitchell's new book, Vénus Noire: Black Women and Colonial Fantasies in Nineteenth-Century France (University of Georgia Press, 2020) moves me. In it, the author tells the story of her first research trip to Paris and the profound moment of her encounter with a plaster cast of Sarah Baartman's body at the Musée de l'Homme. It is riveting, personal, and honest, the perfect entry into a book that is all of these things. Exploring the cultural production of French representations of three extraordinary Black women (Baartman, Ourika, and Jeanne Duval), the book interrogates the visual and literary imaginaries that white French men and women developed in relationship to these women's lives and bodies. Subjected to a perverse "scientific" fascination, Baartman's body became "famous" throughout and beyond France as white gazes and fantasies sexualized and pathologized her for years until she died. Brought to France from Senegal by the Maréchal Prince de Beauvau, Ourika became the subject of what Mitchell characterizes as a cultural consumptive "mania" that both emulated and rejected her story and the possibilities of her "Frenchness". The lover and common law wife of poet Charles Baudelaire, Jeanne Duval lived an entire life in France, but could never be "French enough." Marked and minoritized by their racial difference, all three women became sites of fixation and memory for a white population seeking/needing constant shoring up of their gendered and racialized identities, and a society haunted by loss and defeat in the wake of the Haitian Revolution. The book is so beautiful, so clearly written, so overflowing with injustice, meaning, and feeling. And Mitchell's voice is there throughout, finding and honouring the voices and lives of these women. It is a book for everyone. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. She is the author of Future Tense: The Culture of Anticipation in France Between the Wars (2009). Her current research focuses on the history of French nuclear weapons and testing since 1945. Her most recent article, ‘“No Hiroshima in Africa”: The Algerian War and the Question of French Nuclear Tests in the Sahara’ appeared in the Spring 2019 issue of History of the Present. She lives and reads on the unceded traditional territories of the Sḵwx̱wú7mesh (Squamish), Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh), and xʷməθkʷəy̓əm (Musqueam) peoples known as Vancouver, Canada and hopes all listeners are keeping healthy and safe at this difficult time in our world. If you have a recent title to suggest for the podcast, please send her an email ([email protected]). Learn more about your ad choices. Visit megaphone.fm/adchoices

Jenn Shapland's My Autobiography of Carson McCullers (Tin House Books, 2020) is a fascinating cross-genre book that combines elements of traditional biography with Shapland's own personal narrative of researching McCullers and discovering the many ways her life and McCullers' mirror each other. McCullers was a lesbian, but many of her biographers have shied away from this aspect of her life, referring to her partners as "friends" or "obsessions." Shapland's book is a bold work of historical reclamation, insisting we view McCullers as a queer writer and drawing attention to previously-obscured elements of queerness in her work. It is also a portrait of a vibrant queer community existing beneath the placid surface of mid-century America: Tennessee Williams, Truman Capote, Gypsy Rose Lee, and W.H. Auden all make memorable appearances in its pages. My Autobiography of Carson McCullers is a must-read for fans of McCullers, but it will also be of interest to fans of cross-genre writers like Maggie Nelson, Eileen Myles, and Hilton Als. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Routledge Handbook of Islam and Gender (Routledge, 2020), edited by Justine Howe, includes an excellent introduction to Islam and gender as well as to the volume and 31 content chapters, written by national and international, and established and emerging scholars. It encompasses a wide range of scholarship on many themes in the study of gender and Islam, including sex, sexuality, masculinity, femininity, women’s lived experiences, female authority, fertility, and queerness. It is organized in seven parts, which are: foundational texts in historical and contemporary contexts; sex, sexuality, and gender difference; political and religious displacements; negotiating law, ethics, and normativity; vulnerability, care, and violence in Muslim families; and representation, commodification, and popular culture. Each section utilizes various approaches, theories, and methods in understanding Islam, and examines key questions and debates in the specific area the chapters fall in. The book makes for an excellent introduction to Islam and gender, its audience not limited to specialists and experts of Islam, but also undergraduate and graduate students of Islam, gender, religion, Anthropology, History, Sociology, to name a few. It is an essential pedagogical tool for the classroom, as well as an essential reference for any researcher of Islam. Learn more about your ad choices. Visit megaphone.fm/adchoices

Growing up in a conservative, middle-class family in Texas, Claire Myers Owens sought adventure and freedom at an early age. At twenty years old, she left home and quickly found a community of like-minded free spirits and intellectuals in New York's Greenwich Village. There Owens wrote novels and short stories, including the controversial novel The Unpredictable Adventure: A Comedy of Woman's Independence, which was banned by the New York Public Library for its "risqu " content. Drawn to ideals of selfactualization and creative freedom, Owens became a key figure in the Human Potential Movement along with founder Abraham Maslow and Aldous Huxley, and became an ardent follower of Carl Jung. In her later years, Owens devoted her life to the practice of Zen Buddhism, moving to Rochester, NY, where she joined the Zen Center and studied under Roshi Philip Kapleau. She published her final book, Zen and the Lady, at the age of eighty-three. In Rivers of Light: The Life of Claire Myers Owens (Syracuse UP, 2019), Friedman brings well-deserved attention to Owen's little known yet extraordinary life and passionate spirit. Drawing upon autobiographies, letters, journals, and novels, Friedman chronicles Owens's robust intellect and her tumultuous private life and, along the way, shows readers what makes her story significant. With very few role models in the early twentieth century, Owens blazed her own path of independence and enlightenment. Dr. Christina Gessler, a historian of women, gender, and sexuality. She seeks the extraordinary in the ordinary, and reinterprets the historical narrative in both traditional and creative forms. She supports her work-life balance with long walks and her love of photography, which you can find here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Pleasure in the News: African American Readership and Sexuality in the Black Press (University of Illinois Press, 2020), Dr. Kim Gallon examines how Black newspaper editors and journalists created and fostered Black sexual publics during the 1920s and 1930s. She demonstrates that editors strategically elected to publish stories about marital scandals, divorces, homosexuality, and gender non-conformity, imagining that this coverage was a source of pleasure and debate for Black readers. Gallon argues that this editorial practice actually exposed class, gender, and sexuality divisions between different groups of African Americans. At the same time, this coverage revealed the tenuous position of lesbians, gay men, and female impersonators in a public sphere that sometimes silenced and marginalized their voices. Along with advancing racial solidarity, which Gallon takes as the Black presses’ starting point, the press revealed the diversity of Black people and created a discursive space in which sexual knowledge was produced, debated, and enjoyed. To learn more about Professor Gallon’s digital scholarship and stay informed about how her work is meeting the demands of our moment, follow @BlackDigitalHum and @COVIDBlk on Twitter. Amanda Joyce Hall is a Ph.D. Candidate in History and African American Studies at Yale University. She is writing an international history on the global movement against South African apartheid during the 1970s and 1980s. She tweets from @amandajoycehall. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Stanley Rabinowitz once again immerses us into the world of ballet and Akim Volynsky with his book And Then Came Dance: The Women Who Led Volynsky to Ballet's Magic Kingdom (Oxford UP, 2019). In this interview, Rabinowitz discusses his path to this book which is a lovely addition to his first book on Volynsky as well as some sage advice in publishing manuscripts. Presenting for the first time Akim Volynsky's (1861-1926) pre-balletic writings on Leonardo da Vinci, Fyodor Dostoevsky, Otto Weininger, and on such illustrious personalities as Zinaida Gippius, Ida Rubinstein, and Lou Andreas-Salome, And Then Came Dance provides new insight into the origins of Volynsky's life-altering journey to become Russia's foremost ballet critic. A man for whom the realm of art was largely female in form and whose all-encompassing image of woman constituted the crux of his aesthetic contemplation that crossed over into the personal and libidinal, Volynsky looks ahead to another Petersburg-bred high priest of classical dance, George Balanchine. With an undeniable proclivity toward ballet's female component, Volynsky's dance writings, illuminated by examples of his earlier gendered criticism, invite speculation on how truly ground-breaking and forward-looking this critic is. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Conceiving Agency: Reproductive Authority among Haredi Women (Indiana University Press, 2020), Michal Raucher explores the ways ultra-Orthodox Jewish women in Israel make decisions about their reproductive lives. Although they must contend with interference from doctors, rabbis, and the Israeli government, ultra-Orthodox women find space for―and insist on―autonomy from them when they make decisions regarding the use of contraceptives, prenatal testing, fetal ultrasounds, and other reproductive practices. Drawing on their experiences of pregnancy, knowledge of cultural norms of reproduction, and theological beliefs, Raucher shows that ultra-Orthodox women assert that they are in the best position to make decisions about reproduction. Conceiving Agency puts forward a new view of ultra-Orthodox women acting in ways that challenge male authority and the structural hierarchies of their conservative religious tradition. Raucher asserts that ultra-Orthodox women's reproductive agency is a demonstration of women's commitment to ultra-Orthodox life and culture as well as an indication of how they define religious ethics. Michal Raucher is Assistant Professor of Jewish Studies at Rutgers University. Her research lies at the intersection of Israel studies, the anthropology of women in Judaism, and religious authority. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

A startling and eye-opening look into America’s First Family, Never Caught: The Washingtons' Relentless Pursuit of Their Runaway Slave, Ona Judge (Simon and Schuster, 2017) is the powerful narrative of Ona Judge, George and Martha Washington’s runaway slave who risked everything to escape the nation’s capital and reach freedom. When George Washington was elected president, he reluctantly left his beloved Mount Vernon to serve in Philadelphia, the temporary seat of the nation’s capital. In setting up his household he took Tobias Lear, his celebrated secretary and eight slaves, including Ona Judge, about whom little has been written. As he grew accustomed to Northern ways, there was one change he couldn’t get his arms around: Pennsylvania law required enslaved people be set free after six months of residency in the state. Rather than comply, Washington decided to circumvent the law. Every six months he sent the slaves back down south just as the clock was about to expire. Though Ona Judge lived a life of relative comfort, the few pleasantries she was afforded were nothing compared to freedom, a glimpse of which she encountered first-hand in Philadelphia. So, when the opportunity presented itself, Judge left everything she knew to escape to New England. Yet freedom would not come without its costs. At just twenty-two-years-old, Ona became the subject of an intense manhunt led by George Washington, who used his political and personal contacts to recapture his property. With impeccable research, historian Erica Armstrong Dunbar weaves a powerful tale and offers fascinating new scholarship on how one young woman risked it all to gain freedom from the famous founding father. Dr. Christina Gessler, a historian of women, gender, and sexuality. She seeks the extraordinary in the ordinary, and reinterprets the historical narrative in both traditional and creative forms. She supports her work-life balance with long walks and her love of photography, which you can find here. Learn more about your ad choices. Visit megaphone.fm/adchoices

The epic history of African American women's pursuit of political power-and how it transformed America In the standard story, the suffrage crusade began in Seneca Falls in 1848 and ended with the ratification of the Nineteenth Amendment in 1920. But this overwhelmingly white women's movement did not win the vote for most black women. Securing their rights required a movement of their own. In Vanguard: How Black Women Broke Barriers, Won the Vote, and Insisted on Equality for All (Basic Books, 2020), acclaimed historian Dr. Martha S. Jones offers a new history of African American women's political lives in America. She recounts how they defied both racism and sexism to fight for the ballot, and how they wielded political power to secure the equality and dignity of all persons. From the earliest days of the republic to the passage of the 1965 Voting Rights Act and beyond, Jones excavates the lives and work of black women-Maria Stewart, Frances Ellen Watkins Harper, Fannie Lou Hamer, and more-who were the vanguard of women's rights, calling on America to realize its best ideals. Adam McNeil is a third year Ph.D. in History student at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest today, author Mithu Sanyal, describes the topic of rape as a ‘cultural sore spot,’ one that requires yet eludes wide conversation. Her latest book, Rape: From Lucretia to #MeToo (Verso, 2019), bravely starts this conversation. It covers the history of rape as well as of our divergent and misguided conceptions for it, and it addresses the topic’s intersection with matters of gender stereotypes and racism. We unpack these topics in our interview, along with the psychological phenomena undergirding conflicts over consent and body sovereignty. This episode will be of interest for anyone interested in the problems of sexual violence and gender bias. Mithu Sanyal is an award-winning broadcaster, academic, and author based in Dusseldorf. Her prior book, Vulva, has been translated into five languages. Eugenio Duarte, Ph.D. is a psychologist and psychoanalyst practicing in Miami. He treats individuals and couples, with specialties in gender and sexuality, eating and body image problems, and relationship issues. He is a graduate and faculty of William Alanson White Institute in Psychiatry, Psychoanalysis, and Psychology in New York City and former chair of their LGBTQ Study Group; and faculty at Florida Psychoanalytic Institute in Miami. He is also a contributing author to the book Introduction to Contemporary Psychoanalysis: Defining Terms and Building Bridges (2018, Routledge). Learn more about your ad choices. Visit megaphone.fm/adchoices

Suffrage at 100: Women in American Politics since 1920 (Johns Hopkins UP, 2020) is a wonderful and sweeping exploration of the way that women and their access to the ballot have contributed to politics and life in the United States for the past century. Editors Stacie Taranto, professor of history at Ramapo College in New Jersey, and Leandra Zarnow, professor of history at the University of Houston, have compiled a broad and deep group of contributing authors, all of whom have written chapters that examine women, politics, power, activism, and citizenship in the United States. This is an intersectional history of American feminism and an analysis of women in politics and as citizens. The book is split into three sections, that follow the historical contours of social movements and political engagement, starting with the period before the 19th Amendment but spanning the period of suffrage through post-World War II America. The next section of the book pays close attention to the wave of advocacy and activism from the 1960s through the 1980s. The final section of the book focuses on more contemporary history and politics, examining the period that straddles the new century, from the 1990s up to the Trump era. By centering biography in many of these chapters, the authors and editors explore political history through those who actively participated in politics. Taranto and Zarnow have assembled a book that looks at where women have been, in terms of achieving voting power, to where women have moved, as citizens and in elected and appointed office, in terms of acquiring and using political power. The full sweep of the book weaves together women’s history and political history, moving away from thinking about politics through the lens of constitutionally regulated election cycles, especially presidential election cycles, and instead focuses on engagement with politics, activism, and policy change. The editors set up the framework for the broader analysis and research in the book, examining the ways that citizenship and power are gendered male in the United States, and how this constructed perspective and expectation has impacted women, especially as they were granted more of the rights of citizenship. These constraints also affected different women in different ways, benefiting white women, while excluding black women, Asian women, and others until later in the century. At the same time, the role and impact of republican motherhood is also examined within the pages of Suffrage at 100. In this anniversary year, Suffrage at 100: Women in American Politics since 1920 is a great companion to Christina Wolbrecht and J. Kevin Corder’s A Century of Votes for Women: American Elections since Suffrage (Cambridge University Press, 2020), which concentrates specifically on the role that women have played as voters in American elections over the past century. Suffrage at 100 takes the same sweep of time, with a similar focus on women, but in this case, the thrust is biographical, in examining particular women who engaged in politics over the course of the last century, and historical, centering women as political actors within the scope of social and political history. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Learn more about your ad choices. Visit megaphone.fm/adchoices

On today’s New Books in History, we sit down with Dr. Nimisha Barton to discuss her new book, Reproductive Citizens: Gender, Immigration, and the State in Modern France (Cornell University Press, 2020). This conversation is a perfect supplemental teaching tool to assign a class reading Reproductive Citizens as is the impressive digital appendices that Dr. Barton created to accompany her work. Building on the massive amount of primary and secondary source material that Dr. Barton examined during research, she built a digital repository and archive for students and researchers to use. Included in these appendices are statistics on foreigners in France and descriptions of sources as well as methodologies. A testament to Dr. Barton’s commitment to diversity and accessibility in education, she provides this resource free to all in the hopes that students and researchers studying women, gender, sexuality, and/or migration can benefit from them. To learn more, please visit this website. About Reproductive Citizens: In the familiar tale of mass migration to France from 1880 onwards, we know very little about the hundreds of thousands of women who formed a critical part of those migration waves. In Reproductive Citizens, Nimisha Barton argues that their relative occlusion in the historical record hints at a larger and more problematic oversight: the role of sex and gender in shaping the experiences of migrants to France before the Second World War. Barton's compelling history of social citizenship demonstrates how, through the routine application of social policies, state and social actors worked separately towards a shared goal: repopulating France with immigrant families. Filled with voices gleaned from census reports, municipal statistics, naturalization dossiers, court cases, police files, and social worker registers, Reproductive Citizens shows how France welcomed foreign-born men and women, mobilizing naturalization, family law, social policy, and welfare assistance to ensure they would procreate, bearing French-assimilated children. Barton concludes that, in return for generous social provisions and refuge in dark times, immigrants joined the French nation through marriage and reproduction, breadwinning and child-rearing—in short, through families and family-making—which made them more French than even formal citizenship status could. Julia Gossard is an Assistant Professor of History, Utah State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sarah Hines (Assistant Professor, Department of History, University of Oklahoma) and James Cane-Carrasco (Associate Professor, Departments of History and International & Area Studies, University of Oklahoma) speak with Lessie Jo Frazier (Professor, Departments of Gender Studies and American Studies, Indiana University-Bloomington) about her new book, Desired States: Sex, Gender, and Political Culture in Chile (Rutgers UP, 2020). In a powerful refutation to scholars who relegate gendered social order and sexuality to the private sphere, Lessie Jo Frazier contends that desire played a central role in the political culture of the modern Chilean state. In four chapters and an epilogue that span 1913 to 2019, Prof. Frazier documents how public debates over sexuality—including those over working women’s behavior, the vulnerability of male prisoners of war, and socialist masculinities—have long shaped the body politic. Frazier unites ethnographic fieldwork, cultural criticism, and extensive archival research to highlight how states and political movements conjure or condemn people’s desires for institutional purposes. Join us for a conversation about the serendipity that brought her to research in Chile, and the diverse influences that shaped this book. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we speak to Carolyn Conley, Professor Emerita from the University of Alabama – Birmingham, about her new book Debauched, Desperate, Deranged: Women Who Killed, London 1674-1913 (Oxford UP, 2020). This book examines the over 1400 trials of women accused of homicide in London from 1674-1913, using trial records as well as newspaper, pamphlets and other media to analyse the changing image of the female killer. Conley is the author of The Unwritten Law: Criminal Justice in Victorian Kent (Oxford UP, 1991); Melancholy Accidents: The Meaning of Violence in Post-Famine Ireland (Lexington Books, 1999); and Certain Other Countries: Homicide and National Identity in England, Ireland, Scotland, and Wales, 1867- 92 (Ohio State University Press, 2007). This work, a sort of capstone for her career, traces the development of the criminal prosecution and punishment of women from the early modern era to the early twentieth century. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

The thematic research question in The Inclusion Calculation: Why Men Appropriate Women’s Representation (Oxford UP, 2019) is whether there is a distinction between women’s power itself and the strategic value of having women in power, and, within this distinction, what is it that men get out of women in power. This is a fascinating interrogation because it approaches the idea of women’s power – particularly what we consider to be political power – from a somewhat novel perspective, the rational calculus of those in power (not women) about what this might mean and how it might impact those in power. Melody Valdini considers the question of the “inclusion calculation” by asking how men might benefit from including women in elected political or appointed office. From a rational choice perspective, this makes sense: what are the trade-offs for including women, for allocating power to women, for advocating for the election or appointment of women? What benefit does this bring to men—this is the calculation that has been made in the United States and around the world by politicians and those in power as the advocacy for greater female representation has been made in quite a few different ways and by different constituent groups. Valdini notes in her research that this is a kind of fascinating blind spot in the literature and research on women and politics and power. The Inclusion Calculation fills in this space in our understanding not so much of men and how they react to women, but in terms of considering how and where this idea of inclusion finds purchase. There is a great deal of important and diverse research on women in politics, and on women and power, but Valdini notes that there is this kind of cost/benefit analysis that was never really evaluated in terms of the give and take of power as women have moved into politics and into power. The Inclusion Calculation outlines a clear calculus to evaluate the various dimensions of the costs and benefits in terms of integrating women, and also sheds light on the side of the equation that just keeps admonishing women to work and try harder in order to achieve the same political outcomes or achievements as men. The Inclusion Calculation looks at this issue quite broadly, and notes some patterns in various political systems, especially in response to corruption, when women candidates are recruited to “clean things up.” This is a fascinating and important addition to the literature on women and politics, keeping the focus on women and power, and analyzing how and where women do and don’t fit into the political landscape and why. Stayed tuned to the interview to also learn a bit about the cover art for the book, which helps to tell the story about why men appropriate women’s representation. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Learn more about your ad choices. Visit megaphone.fm/adchoices

Jane K. Wickersham (Associate Professor of History, University of Oklahoma) speaks with Amanda L. Scott (Assistant Professor, Penn State University) about her new book The Basque Seroras: Local Religion, Gender and Power in Northern Iberia, 1550-1800 (Cornell University Press, 2020). Neither wives nor nuns, the seroras fulfilled an essential religious role in early modern Basque communities. Amanda L. Scott explores the lives of the devout laywomen who cared for and maintained churches and shrines in the Basque country, and in so doing reconceptualizes how to frame the social and religious limitations placed on early modern women. Seroras performed essential religious work in their communities; yet they only made simple promises (rather than holy vows), rendering their religious vocations more flexible and their lifestyle more autonomous. Using a wide variety of archival sources, in over seven chapters Scott analyzes the seroras’ relationships with diocesan officials and local communities. Despite the Tridentine-era efforts to more strictly regulate the lives of religious women, Scott finds that both episcopal authorities and communities had a vested interest in negotiating and maintaining the seroras in their religious roles. They were seen as essential to the maintenance of the church, physically and spiritually, and as collaborators in furthering some aspects of Tridentine reform. Scott sensitively explores these women’s work, and the complexities, ambiguities, and conflicts engendered by their autonomous religious status. Scott, in this important book, closely examines the lived experiences of seroras to reach a new understanding of the nature of religious reform in early modern Iberia. Learn more about your ad choices. Visit megaphone.fm/adchoices

In their new collection, Monstrous Women in Comics (University Press of Mississippi, 2020), Samantha Langsdale and Elizabeth Rae Coody put together a critical volume on the ways women are made monstrous in popular culture. This edited volume examines the coding of woman as monstrous and how the monster as dangerously evocative of women/femininity/the female is exacerbated by the intersection of gender with sexuality, race, nationality, and disability. The five sections of this book look at the cultural context surrounding varied monstrous voices: embodiment, maternity, childhood, power, and performance. This volume probes into the patriarchal contexts wherein men are assumed to be representative of the normative, universal subject, such that women frequently become monsters. The collection includes contributions by Novia Shih-Shan Chen, Elizabeth Rae Coody, Keri Crist-Wagner, Sara Durazo-DeMoss, Charlotte Johanne Fabricius, Ayanni C. Hanna, Christina M. Knopf, Tomoko Kuribayashi, Samantha Langsdale, Jeannie Ludlow, Marcela Murillo, Sho Ogawa, Pauline J. Reynolds, Stefanie Snider, J. Richard Stevens, Justin Wigard, Daniel F. Yezbick, and Jing Zhang. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. She has written extensively on popular culture in the classroom, youth’s out of school literacy practices, music-based pedagogy, and punk, including her book "Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics" (Peter Lang, 2018). She's a diehard Cubs fan and will miss The Winchester Brothers when they are gone. Learn more about your ad choices. Visit megaphone.fm/adchoices

Andrea Pető's book The Women of the Arrow Cross Party: Invisible Hungarian Perpetrators in the Second World War (Palgrave Macmillan, 2020) analyses the actions, background, connections and the eventual trials of Hungarian female perpetrators in the Second World War through the concept of invisibility. It examines why and how far-right women in general and among them several Second World War perpetrators were made invisible by their fellow Arrow Cross Party members in the 1930s and during the war (1939-1945), and later by the Hungarian people's tribunals responsible for the purge of those guilty of war crimes (1945-1949). It argues that because of their 'invisibilization' the legacy of these women could remain alive throughout the years of state socialism and that, furthermore, this legacy has actively contributed to the recent insurgence of far-right politics in Hungary. This book therefore analyses how the invisibility of Second World War perpetrators is connected to twenty-first century memory politics and the present-day resurgence of far-right movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Muslim Women’s Rights: Contesting Liberal-Secular Sensibilities in Canada (Routledge 2019) By Tabassum Fahim Ruby follows the legal debates and public discussions that surrounded the proposed shari‘ah tribunals in Canada from 2003 to 2006. In her close readings and discourse analysis of the public and media scrutiny that followed this discussion, Ruby found that these debates existed at the nexus of complex assumptions about human rights discourses, liberal-secular sensibilities, and law, which all hinged on narratives of western modernity and progress and were set against notions of Muslim women’s rights and agency, or lack thereof. By tracing discourses surrounding Islamic family law and practices of faith-based arbitration in Canada, the study problematizes conceptions of multiculturalism, secularism, and human rights discourses, while further contributing to discussion of contemporary Islam and gender by drawing on postcolonial, antiracist, and transnational feminist studies by focusing on Muslim women’s rights. This book will be of interest to scholars who think and write about women and gender in Islam, especially in Canada, the United States and western Europe, along with those who are interested in human rights and Islamic law. It will also be a great text to include in courses on Islam and gender, and contemporary Islam. Shobhana Xavier is an Assistant Professor of Religious Studies at Queen’s University. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism (Bloomsury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2017). More details about her research and scholarship may be found here and here. She may be reached at [email protected]. You can follow her on Twitter via @shobhanaxavier. Learn more about your ad choices. Visit megaphone.fm/adchoices