New Books in Literary Studies

Patrick Madden and Joey Franklin are English professors at Brigham Young University. Madden’s latest book is Disparates (U Nebraska Press, 2020) and Franklin’s is The Writer's Hustle: A Professional Guide to the Creativity, Discipline, Humility, and Grit Every Writer Needs to Flourish (Bloomsbury, 2022). They serve as co-editors-in-chief of Fourth Genre. Two guest voices in this episode means twice the fun, as Patrick Madden and Joey Franklin reinforce as well as diverge somewhat in their essay preferences. Madden is more in the Montaigne reflection vein, whereas Franklin admits he can prefer a narrative-driven memoir approach. Together, we worked our way through three essays from a recent issue of Fourth Genre, one of three magazines that spearheaded a renewed appreciation for the essay form beginning a quarter of a century ago. Both editors enjoyed the surprises that bubble up in Peggy Shinner’s essay, “The Rest Is History,” which explores the conflation of female sexuality and nuclear testing during World War Two and on Bikini Atoll subsequently. Kabi Hartman’s essay “Nipple Day” visits and revisits the circumstances surrounding her own father’s leering behavior, trying to make sense of it all. Finally, on a quieter note is “Garden Hunter” by Joanne Hartman, where the beauty of nature contrasts with parents falling apart physically and between themselves prior to their ultimate deaths. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Epic poetry and tragic drama provide us with some of the richest ancient Greek depictions of women who are married to soldiers. In tales of the Trojan War, as told by Homer, Aeschylus, Sophocles, and Euripides, we encounter these mythical warriors' wives: Penelope, isolated but resourceful as she awaits the return of Odysseus after his lengthy absence; the war widow Andromache, enslaved and displaced from her homeland after the fall of Troy; the unfaithful and murderous Clytemnestra; and Tecmessa, a war captive who witnesses her partner's breakdown and suicide in the aftermath of battle. Warriors' Wives: Ancient Greek Myth and Modern Experience (Oxford University Press, 2023) by Dr. Emma Bridges compares the experiences of these mythical characters with those of contemporary military spouses. Dr. Bridges traces aspects of the lives of warriors' wives—mythical and real, ancient and modern—from the moment of farewell, through periods of separation and reunion, to the often traumatic aftermath of war, to consider the emotional, psychological, and social impacts of life as a military spouse. By unearthing a wealth of contemporary evidence for the lives of the often silenced and unacknowledged partners of those who serve in the military, and by examining this alongside the ancient stories of warriors' wives, Warriors' Wives sheds fresh light on the experience of being married to the military. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Holly A. Baggett's Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review (Northern Illinois UP, 2023) is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"―Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot―and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review. Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

East of Delhi: Multilingual Literary Culture and World Literature (Oxford University Press, 2023) examines literature produced, practiced, and circulated in and out of North India, focusing on the region of Awadh, from the beginning of recorded vernacular literature in the late fourteenth century to the colonial era of the early twentieth century. This book considers texts in a wide range of genres-courtly, devotional, and popular-composed in the main languages of the region: Hindavi, Persian, Brajbhasha, and Urdu. Individual chapters focus on narratives, devotional song-poems and didactic works, local courtly literary practices, and multilingual education as recorded in biographical dictionaries-anthologies. This book suggests that the multilingual and multi-genre approach is better suited to capturing the texture, complexity, and dynamics of literature in the world, and of literary history, than approaches that focus only on global circulation or models that draw centers and peripheries on a single global map. Francesca Orsini is Professor Emerita of Hindi and South Asian Literature at SOAS, University of London. After earning an undergraduate degree in Hindi at Venice University and living in Delhi, she completed her PhD at SOAS. She taught at the University of Cambridge and SOAS and held visiting positions at Columbia University and the University of Pennsylvania. She was a fellow at the Radcliffe Institute for Advanced Studies, Harvard, and is a Fellow of the British Academy, a regional editor of the Murty Classical Library of India, and an editor of the Cambridge Studies in World Literature series. Her previous monographs include the 2009 book Print and Pleasure: Popular Literature and Entertaining Fictions in Colonial North India and the 2002 book The Hindi Public Sphere 1920-1940, Language and Literature in the Age of Nationalism. She has recently also been writing on decolonisation, the role of magazines in cold-war internationalisms and rethinking the paradigm of world literature by taking a more multilingual and located approach. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Matthew Rubery's book Reader’s Block: A History of Reading Differences (Stanford UP, 2022) explores the influence neurodivergence has on the ways individuals read. This alternative history of reading is one of the few books which tells the stories of "atypical" readers and the impact had on their lives by neurological conditions affecting their ability to make sense of the printed word: from dyslexia, hyperlexia, and alexia to synesthesia, hallucinations, and dementia. Rubery's focus on neurodiversity aims to transform our understanding of the very concept of reading. Drawing on personal testimonies gathered from literature, film, life writing, social media, medical case studies, and other sources to express how cognitive differences have shaped people's experiences both on and off the page, Rubery contends that there is no single activity known as reading. Instead, there are multiple ways of reading (and, for that matter, not reading) despite the ease with which we use the term. Pushing us to rethink what it means to read; Reader's Block moves toward an understanding of reading as a spectrum that is capacious enough to accommodate the full range of activities documented in this fascinating and highly original book. Matthew Rubery is Professor of Modern Literature at Queen Mary University of London. His earlier books include The Novelty of Newspapers: Victorian Fiction after the Invention of the News (Oxford, 2009) and The Untold Story of the Talking Book (Harvard University Press, 2016). He has also edited or co-edited Audiobooks, Literature, and Sound Studies (Routledge, 2011), Secret Commissions: An Anthology of Victorian Investigative Journalism (Broadview, 2012), and Further Reading (Oxford, 2020). Currently, he is working on a history of “projected reading”, a form of assisted reading that involves projecting books on ceilings which a patient can read while lying in bed. This was first used to help World War 2 soldiers injured on duty who could not read conventionally. Matthew also likes to collaborate with charities and other organisations to think about ways of reading more suited to people with disabilities or neurodivergent readers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

George Floyd's death on May 25th 2020 marked a watershed in reactions to anti-Black racism in the United States and elsewhere. Intense demonstrations around the world followed. Within literary studies, the demonstrations accelerated the scrutiny of the literary curriculum, the need to diversify the curriculum, and the need to incorporate more Black writers. Decolonizing the English Literary Curriculum (Cambridge UP, 2023), jointly edited by Professor Ankhi Mukherjee and Professor Ato Quayson, is a major collection that aims to address these issues from a global perspective. An international team of leading scholars illustrate the necessity and advantages of reform from specific decolonial perspectives, with evidence-based arguments from classroom contexts, as well as establishing new critical agendas. The significance of Decolonizing the English Literary Curriculum lies in the complete overhaul it proposes for the study of English literature. It reconnects English studies, the humanities, and the modern, international university to issues of racial and social justice. Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature (Ohio State UP, 2023) dwells on the literal afterlives of history. Reading the reanimated corpses—monstrous, metaphorical, and occasionally electrified—that Mary Shelley, Robert Browning, Charles Dickens, W. B. Yeats, Bram Stoker, and others bring to life, Renée Fox argues that these undead figures embody the present’s desire to remake the past in its own image. Fox positions “necromantic literature” at a nineteenth-century intersection between sentimental historiography, medical electricity, imperial gothic monsters, and the Irish Literary Revival, contending that these unghostly bodies resist critical assumptions about the always-haunting power of history. By considering Irish Revival texts within the broader scope of nineteenth-century necromantic works, The Necromantics challenges Victorian studies’ tendency to merge Irish and English national traditions into a single British whole, as well as Irish studies’ postcolonial efforts to cordon off a distinct Irish canon. Fox thus forges new connections between conflicting political, formal, and historical traditions. In doing so, she proposes necromantic literature as a model for a contemporary reparative reading practice that can reanimate nineteenth-century texts with new aesthetic affinities, demonstrating that any effective act of reading will always be an effort of reanimation. Renee Fox is an Associate Professor at UC Santa Cruz where she also serves as the Jordan-Stern Presidential Chair for Dickens and Nineteenth-Century Studies and Co-Director of The Center for Monster Studies. She’s co-edited quite a number of works in Irish Studies, Irish literature and monster literature as well writing for journals such as Victorian Studies, the Irish University Review and the New Hibernia Review. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A slender novel of epic power, Orbital (Atlantic Monthly Press, 2023) deftly snapshots one day in the lives of six women and men hurtling through space--not towards the moon or the vast unknown, but around our planet. Selected for one of the last space station missions of its kind before the program is dismantled, these astronauts and cosmonauts--from America, Russia, Italy, Britain, and Japan--have left their lives behind to travel at a speed of over seventeen thousand miles an hour as the earth reels below. We glimpse moments of their earthly lives through brief communications with family, their photos and talismans; we watch them whip up dehydrated meals, float in gravity-free sleep, and exercise in regimented routines to prevent atrophying muscles; we witness them form bonds that will stand between them and utter solitude. Most of all, we are with them as they behold and record their silent blue planet. Their experiences of sixteen sunrises and sunsets and the bright, blinking constellations of the galaxy are at once breathtakingly awesome and surprisingly intimate. So are the marks of civilization far below, encrusted on the planet on which we live. Profound, contemplative and gorgeous, Orbital is an eloquent meditation on space and a moving elegy to our humanity, environment, and planet. Samantha Harvey is the author of five novels, The Wilderness, All Is Song, Dear Thief, The Western Wind and Orbital. She is also the author of a memoir, The Shapeless Unease. Her novels have been shortlisted for the Orange Prize for Fiction, the Guardian First Book Award, the Walter Scott Prize and the James Tait Black Prize, and longlisted for the Man Booker Prize, among many others. She lives in Bath, England, and teaches Creative Writing at Bath Spa University. Recommended Books: Jenny Erpenbeck, Kairos Allen Rossi, Our Last Year Miranda Pountney, How to Be Somebody Else Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As per William Shakespeare, ‘all the world’s a stage’. But what if the human soul was a stage too? What if the stage of the world and the stage of the soul coincided? And what if the soul was also the main character of the play? These questions are at the core of Eugenio Refini's book Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy (Legenda, 2022), which explores pedagogical uses of allegorical drama in Italy in the decades around 1600, with a focus on the place of theatre in the education of female orphans in the hospitals of Venice. The consumption of morality plays is looked at as a form of spiritual practice modeled on long-lasting theatrical metaphors. In this context, tropes such as the theatrum mundi not only regained their literal meaning by being actually staged, but also turned into rhetorical devices able to promote the inner staging of the ‘world’ on the ‘spiritual’ stage of the soul. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the cultures of diplomacy and reception. Email: [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Derek Askey is an associate editor on staff at The Sun magazine, located in Chapel Hill, North Carolina. What qualifies as a Sun essay? As noted by my guest, odds are that means an essay that’s intimate, even raw, with an author who dares to leave a lot of themselves on the page. In Derek Askey’ case, he’s often drawn to an essay with a mix of moods and writing that “looks you in the eye.” Of the three essays discussed, “Lawn Skeletons” by Tom McAllister might seem the most whimsical. How much can you learn from your neighbors’ outdoor decorations and lawn signs, after all? A lot is the answer, as the author goes deeper into also questioning his identity. The second essay discussed here, “The Ice Age” takes on the topic of depression and how even peeling an orange can prove difficult. A third essay, Daniel Donaghy’s “Fire” considers the physical, emotional and even spiritual costs of being poor and, at times, literally having to fight your way out of poverty. As James Baldwin has noted, it’s very expensive to be poor in many ways beyond the financial angle. The bonus round here? That would be Derek recounting his interview of Lynn Casteel Harper regarding dementia, which The Sun’s founder Sy Safransky is now beginning to deal with himself. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Richard Hoffman is the creative nonfiction editor at Solstice and is the author of seven books, including two memoirs and four books of poetry. He’s won a Massachusetts Book Award for his poetry and is an Emeritus Writer in Residence at Emerson College. Over the 16 years that Richard Hoffman has been involved with Solstice, he’s happily seen it evolve to be ever more conscious of including more diverse voices in a literary conversation that was once upon a time literally “segregated.” For him, the essay form is often most attractive when a writer is positioning their personal content in a larger, societal context. In this episode, the focus was on two essays from the magazine and two other essays from Hoffman’s recent essay collection, Remembering the Alchemists. The Soltice essay “How Much Time Do You Want for Your Progress” by Allen M. Price uses repetitions of an entry in his childhood notebook to reflect on the negative impact of racism on his maturing psyche. Adrianna Paramo’s essay “A Minute of Silence” unflinchingly explores a time when her controlling mom had her receive a gynecological exam given her concerns about maintaining her daughter’s virginity. Hoffman’s two essays recounted here, “The Egg” and the title piece deal, respectively, with grieving over a lost opportunity to be closer to his now deceased mom and on how Eisenhower’s warning about the country’s “military-industrial complex” has come to complete, unfortunate fruition. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How do fiction and research intersect? In The Frankfurt Kabuff Critical Edition (Wilfrid Laurier University Press 2023), Beth Driscoll, an Associate Professor in Publishing, Communications and Arts Management at the University of Melbourne and Claire Squires a Professor in Publishing Studies at the University of Stirling, reflect on Blaire Squiscoll’s The Frankfurt Kabuff, by bringing together a collection of scholarly and creative responses to the original novella. Playfully critiquing the idea of a critical edition, from its form and content through to the book’s footnotes and index, the book offers a huge range of insights on the publishing industry. Showing how fiction can be research, art, satire, and a political project, the collection of essays and appendices are essential readings across the arts and humanities, as well as for anyone interested in publishing, fiction, and wanting to read a good erotic thriller! Find out more about the writing partnership of Blaire Squiscoll and their philosophy of Ullapoolism and the Ullapoolism manifesto. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

William Meiners is a writer, editor, and teacher living in Mount Pleasant, Michigan. He created Sport Literate as a graduate student at Columbia College Chicago in 1995. By day, he works as a reporter for the Gratiot County Herald, a family-owned weekly newspaper, and by night, he teaches academic writing courses at Mid Michigan College For the 25th anniversary of Sport Literate, Bill and his colleague Brian McKenna chose essays for a special anthology edition entitled Game: A Sport Literate Anthology (Pint-Size Publications, 2023). It features essays from across a wide array of sports: heavy hitters like baseball, football, and basketball, but also essays addressing bicycling, fishing, hockey, tennis and even roller skating. Given that Sport Literate essays have earned notable nods over 30 times in two Best American anthologies, Best American Sports Writing as well as Best American Essays, there was plenty of excellent material to choose from. The episode covers four different essays from the sports of baseball, bicycling, fighting, and hockey. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Dayna Tororici is the co-editor of n + 1 magazine, located in New York City. She’s been on staff for the past 10 years, following her studies at Brown University. She’s also a new mother. n + 1 positions itself as combining a fine sense for how literature is composed through the use of voice, and an eye for detail and an ear for rhythm, in addition to wanting to address the current political and cultural situation in America and elsewhere. She sees the essay form as giving its authors time to “marinate” on a topic, building up their reflections to a richer outcome. Many of n + 1’s essays offer a mix of the memoir approach combined with reportage and often some historical analysis as context. In this case, we discussed in particular three essays that lean more purely in the memoir vein from three recent editions of the magazine: Jessica Karissa’s “Love and Wizkid” (about Afrobeats and trying to explore one’s sexuality without feeling exploited); Sander Pleij’s voice-driven essay “Cowboy in Sweden” (with travelogue observations that come from traveling as a roadie helping his wife stage her music); and Laura Preston’s “Human Fallback” (about aiding a real estate chatbot without, ideally, beginning to feel too automatic and sterile yourself). Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Jacob and Wilhelm Grimm are probably history’s most famous folklorists. Their collection of folk tales – the Children’s and Household Tales – is one of the world’s most translated literary works. Living in a time of upheaval and war, the Grimm brothers were also passionate German nationalists. They insisted that Germans must reject alien regimes and only accept rulers who spoke their language and cherished their traditions. The Brothers Grimm and the Making of German Nationalism (Cambridge UP, 2022) is the first book-length study of the Grimms’ political attitudes and ideas. It shows how the Grimms believed that their groundbreaking philological knowledge of grammar and folk narratives allowed them to disentangle cultural and linguistic groups from each other, criticize imperial rule, and even counsel kings and princes. The brothers sought to revive a neglected Germanic culture for a contemporary audience, but they also wished to provide the traditional political elite with an understanding of the resurgent national collective. Through detailed analysis, Norberg reconstructs how the Grimms wished to mediate between culture and politics as well as between sovereigns and peoples. Jakob Norberg is a Professor of German at Duke University. He is the author of Sociability and Its Enemies (Northwestern University Press, 2014), The Brothers Grimm and the Making of German Nationalism (Cambridge University Press, 2022), and Schopenhauer’s Politics (Cambridge University Press, forthcoming). His articles have appeared in venues such as PMLA, Arcadia, Cultural Critique, New German Critique, Textual Practice, Telos, and the Blackwell Encyclopedia of Political Thought. His book on the Grimms won the 2023 Best Book award of the Brothers Grimm Society of North America and a recent article, “Schopenhauer and the Injustice of Slavery,” won the 2023 essay prize of the Schopenhauer Society. Amir Engel is currently a visiting professor at the faculty of theology at the Humboldt University in berlin. He is also the chair at the German department at the Hebrew University. Engel studied philosophy, literature, and culture studies at the Hebrew University and completed his PhD. in the German Studies department at Stanford University. He is the author of Grshom Scholem: an Intellectual biography that came out in Chicago in 2017. He also published works on, among others, Jacob Taubes, Hannah Arendt, and Hans Jonas. He is currently working on a book titled "The German Spirit from its Jewish Sources: The History of Jewish-GermanOccultism". The project proposes a new approach to German intellectual history by highlighting marginalized connections between German Occultism, its Christian sources notwithstanding, and Jewish sources, especially the Jewish mystical tradition. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

John Gower’s "Confessio Amantis" ("The Lover’s Confession") is one of the most important English works of the fourteenth century. Within its frame of the lovesick lover’s confession are well over a hundred stories, mainly derived from classical mythology, the Bible, and history which exemplify the Middle Ages. Echoing the octosyllabic line of the original, The Lover's Confession: A Translation of John Gower's Confessio Amantis (Medieval Institute Press, 2023) is the first translation of the entire (33,000-line) poem, including its Latin verses and glosses. The book was edited and translated by Brian Gastle and Catherine Carter, with Latin translations by Andrew Galloway. Nikki Roulo received her Ph.D. in English from the University of North Carolina at Chapel Hill in 2023 and her scholarly interests include fools in early modern literature, seventeenth-century drama, poetics, and jestbooks. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Race and Respectability in an Early Black Atlantic (LSU Press, 2023) by Dr. Cassander L. Smith examines the means through which people of African descent embodied tenets of respectability as a coping strategy to navigate enslavement and racial oppression in the early Black Atlantic world. The term “respectability politics” refers to the way members of a minoritized population adopt the customs and manners of a dominant culture in order to gain visibility and combat negative stereotypes about their subject group. Today respectability politics can be seen in how those within and outside Black communities police the behaviour of Black celebrities, critique protest movements, and celebrate accomplishments by people of African descent who break racial barriers. To study the origins of the complicated relationship between race and respectability, Dr. Smith shows that early American literatures reveal Black communities engaging with issues of respectability from the very beginning of the transatlantic slave trade. Concerns about character and comportment influenced the literary production of Black Atlantic communities, particularly in the long eighteenth century. Uncovering the central importance of respectability as a theme shaping the literary development of cultures throughout the early Black Atlantic, Smith illuminates the mechanics of respectability politics in a range of texts, including poetry, letters, and life writing by Phillis Wheatley, Olaudah Equiano, and expatriates on the west coast of Africa in Sierra Leone. Through these early Black texts, Race and Respectability in an Early Black Atlantic considers respectability politics as a malleable strategy that has both energized and suppressed Black cultures for centuries. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Roman singer, courtesan, and writer Margherita Costa won prominence and fame across the courts of Italy and France during the mid-seventeenth century. She secured a steady stream of elite patrons – including popes, queens, grand dukes, and influential cardinals – while male poets and librettists wrote celebratory poetry on her behalf. In addition to her appearances as a soprano on the opera stage, Costa published a remarkable fourteen full-length texts across an expanse of genres: burlesque comedy, drama, equestrian ballet, pastoral opera, amorous letters, lyric poetry, and history. Margherita Costa, Diva of the Baroque Court (U Toronto Press, 2023) brings together close textual readings of Costa’s numerous publications with archival materials detailing her performance itinerary and social-cultural networks. The book progresses chronologically through her life, geographically along the routes she travelled, and thematically via the genres in which she experimented. Jessica Goethals illuminates how Costa was unafraid to leap over the boundaries of decorum that delimited what women should and did write about. More than merely a literary biography, this book is also a portrait of seventeenth-century courts, their concerns, and their entertainments. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the cultures of diplomacy and reception. Email: [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The invention of an easily learned Korean alphabet in the mid-fifteenth century sparked an "epistolary revolution" in the following century as letter writing became an indispensable daily practice for elite men and women alike. The amount of correspondence increased exponentially as new epistolary networks were built among scholars and within families, and written culture created room for appropriation and subversion by those who joined epistolary practices. Focusing on the ways that written culture interacts with philosophical, social, and political changes, The Power of the Brush: Epistolary Practices in Chosŏn Korea (U Washington Press, 2020) examines the social effects of these changes and adds a Korean perspective to the evolving international discourse on the materiality of texts. It demonstrates how innovative uses of letters and the appropriation of letter-writing practices empowered elite cultural, social, and political minority groups: Confucians who did not have access to the advanced scholarship of China; women who were excluded from the male-dominated literary culture, which used Chinese script; and provincial literati, who were marginalized from court politics. New modes of reading and writing that were developed in letter writing precipitated changes in scholarly methodology, social interactions, and political mobilization. Even today, remnants of these traditional epistolary practices endure in media and political culture, reverberating in new communications technologies. The Power of the Brush is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem) and the generous support of Emory University and the Andrew W. Mellon Foundation. Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Helen is one of the brightest minds of her generation: a young physicist on a path to solve high-temperature superconductivity (which could save the planet). When she discovers that her brilliant adviser is involved in a sex scandal, Helen is torn: should she give up on her work with him? Or should she accompany him to a controversial university, founded by a provocateur billionaire, that hosts academics other schools have thrown out? Helen decides she must go--her work is too important. She brings along her partner, Hew, who is much less sanguine about living on an island where the disgraced and deplorable get to operate with impunity. On campus, Helen finds herself drawn to an iconoclastic older novelist, while Hew stews in an increasingly radical protest movement. Their rift deepens until both confront choices that will reshape their lives--and maybe the world. Irreverent, generous, anchored in character, and provocative without being polemical, How I Won a Nobel Prize (Little, Brown, 2023) illuminates the compromises we'll make for progress, what it means to be a good person, and how to win a Nobel Prize. Turns out all of it would be simple--if you could run the numbers. Julius’s writing has appeared in the Washington Post, Los Angeles Review of Books, Chronicle of Higher Education, and some other places. For a while he was a lawyer. Julius attended Yale Law School and Pomona College. He lives in New York. Recommended Books: Dorothy Baker, Cassandra at the Wedding Tom Holland, Dominion Kabat, The Eighth Moon Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Roman imperial epic is enjoying a moment in the sun in the twenty-first century, as Lucan, Valerius Flaccus, Statius, and Silius Italicus have all been the subject of a remarkable increase in scholarly attention and appreciation. Lucan and Flavian Epic (Brill, 2023) characterizes and historicizes that moment, showing how the qualities of the poems and the histories of their receptions have brought about the kind of analysis and attention they are now receiving. Serving both experienced scholars of the poems and students interested in them for the first time, this book offers a new perspective on current and future directions in scholarship. Translations: -Lucan: Jane Wilson Joyce -Valerius Flaccus: P.J. Davis -Statius' Thebaid: Jane Wilson Joyce -Statius' Achelleid: Stanley Lombardo -Silius Italicus: Neil Bernstein and Antony Agoustakis Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Reckoning with Restorative Justice Hawaii Women's Prison Writing (Duke University Press, 2023), Dr. Leanne Trapedo Sims explores the experiences of women incarcerated at the Women’s Community Correctional Center, the only women’s prison in Hawaii. Adopting a decolonial and pro-abolitionist lens, she focuses mainly on women’s participation in the Kailua Prison Writing Project and its accompanying Prison Monologues program. Trapedo Sims argues that while the writing project was a vital resource for the inside women, it also remained deeply embedded within carceral logics at the institutional, state, and federal levels. She foregrounds different aspects of these programs, such as the classroom spaces and the dynamics that emerged between performers and audiences in the Prison Monologues. Blending ethnography, literary studies, psychological analysis, and criminal justice critique, Trapedo Sims centers the often-overlooked stories of incarcerated Native Hawaiian and Pacific Islander women in Hawai‘i in ways that resound with the broader American narrative: the disproportionate incarceration of people of color in the prison-industrial complex. Rameen Mohammed is a community organizer based in Texas, a fellow for Muslim Counterpublics Lab, and a soon-to-be law student. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A genre-bending debut with a fiercely political heart, A Haunting in Hialeah Gardens (Dutton, 2023) explores the weight of the devil's bargain, following the lengths one man will go to for the promise of freedom. Hugo Contreras's world in Miami has shrunk. Since his wife died, Hugo's debt from her medical bills has become insurmountable. He shuffles between his efficiency apartment, La Carreta (his favorite place for a cafecito), and a botanica in a strip mall where he works as the resident babaláwo. One day, Hugo's nemesis calls. Alexi Ramirez is a debt collector who has been hounding Hugo for years, and Hugo assumes this call is just more of the same. Except this time Alexi is calling because he needs spiritual help. His house is haunted. Alexi proposes a deal: If Hugo can successfully cleanse his home before Noche Buena, Alexi will forgive Hugo's debt. Hugo reluctantly accepts, but there's one issue: Despite being a babaláwo, he doesn't believe in spirits. Hugo plans to do what he's done with dozens of clients before: use sleight of hand and amateur psychology to convince Alexi the spirits have departed. But when the job turns out to be more than Hugo bargained for, Hugo's old tricks don't work. Memories of his past--his childhood in the Bolivian silver mines and a fraught crossing into the United States as a boy--collide with Alexi's demons in an explosive climax. Equal parts hilarious and heartbreaking, A Haunting in Hialeah Gardens explores questions of visibility, migration, and what we owe--to ourselves, our families, and our histories. Raul Palma is a second generation Cuban American, born and raised in Miami. His short story collection In This World of Ultraviolet Light won the 2021 Don Belton prize. His writing has appeared in Alaska Quarterly Review, the Greensboro Review, Hayden Ferry Review and elsewhere. He teaches Fiction at Ithaca College, where he is the associate dean of faculty in the School of Humanities and Sciences. He has also taught at the Elmira Correctional Facility through Cornell University’s prison education program. He lives with his wife and daughter in Ithaca New York. Recommended Books: Alejandro Nodarse, Blood in the Cut Claire Jimenez, What Ever Happened to Ruthie Ramirez Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his new book Inkface: Othello and White Authority in the Era of Atlantic Slavery (University of Virginia Press, 2023), Miles P. Grier argues that blackness in Othello and the texts that it influenced should be understood as deeply material, transferable, and unstable. The defining of alphanumerical and dramatic characters, while represented as settled, was anything but. As Miles writes in the book, “Before the racial categories of high scientific racism were elaborated in the late eighteenth century, a functional white interpretive community was being forged through the shared exercise of interpretive authority over inky black figures. The stage offered a place in which control over symbols and their interpretation could be celebrated as if it were already a fait accompli, rather than a tense, ongoing battle.” Miles Parks Grier is Professor of English at Queens College, City University of New York. Miles’s articles have appeared in The William and Mary Quarterly, The Journal of Popular Music Studies, and Shakespeare/Text: Contemporary Readings in Textual Studies, Editing and Performance. Along with Cassander L. Smith and Nicholas Jones, Miles co-edited Early Modern Black Diaspora Studies: A Critical Anthology (Palgrave, 2018). Inkface is his first monograph. John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

For nearly 200 years, people have questioned the identity of Shakespeare; however, this debate is often dismissed by most scholars as “just a conspiracy theory,” with the life of the poet-playwright being “beyond doubt.” And yet, the documented facts related to the man from Stratford are meagre—where they exist at all—forcing biographers to rely heavily on their own imaginations. The Shakespeare Authorship Question and Philosophy: Knowledge, Rhetoric, Identity (Cambridge Scholars Publishing, 2023) by Michael Quinn Dudley moves beyond this debate to understand how we construct our understanding of the author by asking pointed questions. What does it mean to say that the traditional stance on Shakespeare’s authorship is a belief as opposed to a search for knowledge? What are the ethical implications of declaring that some history is “beyond doubt,” and that no debate about it may be permitted? What can theories of knowledge, truth and rhetoric tell us about how knowledge of Shakespeare has been constructed and justified? To the extent that this belief has consequences for society, can it then be said to be an ethical one? Finally, what difference does it actually make—from a pragmatic perspective—who the Author was? Highly original in its scope, The Shakespeare Authorship Question and Philosophy sets out the debate’s many profound philosophical dimensions concerning knowledge, historiography, truth and academic freedom—implications that transcend the debate itself. Dr. Michael LaMagna is the Information Literacy Program and Library Services Coordinator and Professor of Library Services at Delaware County Community College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Rosemary Candwell's past has exploded into her present. Down-and-out and deteriorating, she drifts from anonymous beds and bars in Providence, to a homeless shelter hidden among the hedge-rowed avenues of Newport, and through the revolving door of service jobs and quick-fix psychiatric care, always grasping for hope, for a solution. She's desperate to readjust back into a family and a world that has deemed her a crazy bitch living a choice they believe she could simply un-choose at any time. She endures flashbacks and panic attacks, migraines and nightmares. She can't sleep or she sleeps for days; she lashes out at anyone and everyone, especially herself. She abuses over-the-counter cold medicine and guzzles down anything caffeinated just to feel less alone. What if her family is right? What if she is truly broken beyond repair? Drawn from the author's experience of homelessness and trauma recovery, It's Not Nothing is a collage of small moments, biting jokes, intrusive memories, and quiet epiphanies meant to reveal a greater truth: Resilience never looks the way we expect it to look. Courtney Denelle is the author of IT’S NOT NOTHING (Santa Fe Writers Project, 2022), a novel-in-fragments drawn from her experience of homelessness and recovery, and the forthcoming novel Real Piece of Work, an art world satire that explores image-craft and the unbidden toll of a life lived in persona. Her stories have appeared in the Alembic, Tahoma Literary Review, Southampton Review, and elsewhere. Courtney was also winner of the 2021 Poets & Writers Maureen Egen award, and she has been granted a Hawthornden Fellowship and a MacColl Johnson Fellowship, as well as residencies from Hedgebrook and the Jentel Foundation. Recommended Books: Naomi Klein, Doppelganger Kate Doyle, I Meant It Once Isle McElroy, People Collide Kerri Schlottman, Tell Me One Thing Kimberly King Parsons, We Were The Universe Lucas Mann, Attachments Yiyun Lee, Dear Friend, From My Life I Write to You in Your Life Emily St. John Mandel, Last Night in Montreal Sarah Manguso, Liars Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Patrick R. O'Malley's book The Irish and the Imagination of Race: White Supremacy Across the Atlantic in the Nineteenth Century (U Virginia Press, 2023) analyzes the role of Irishness in nineteenth-century constructions of race and racialization, both in the British Isles and in the United States. Focusing on the years immediately preceding the American Civil War, Patrick O’Malley interrogates the bardic verse epic, the gothic tale, the realist novel, the stage melodrama, and the political polemic to ask how many mid-nineteenth-century Irish nationalist writers with liberationist politics declined to oppose race-based chattel enslavement in the United States and the structures of white supremacy that underpinned and ultimately outlived it. Many of the writers whose work O’Malley examines drew specifically upon the image of Black suffering to generate support for their arguments for Irish political enfranchisement; yet in doing so, they frequently misrepresented the fundamental differences between Irish and Black experience under the regimes of white supremacy, which has had profound consequences. Patrick R. O'Malley is Professor of English at Georgetown University, where he teaches Irish and British literature of the long nineteenth century and critical theory. He is the author of two previous books: Catholicism, Sexual Deviance, and Victorian Gothic Culture, which was published by Cambridge University Press in 2006, and Liffey and Lethe: Paramnesiac History in Nineteenth-Century Anglo-Ireland, which was published by Oxford University Press in 2017 and won the Robert Rhodes Prize for books on literature from the American Conference for Irish Studies. Aidan Beatty is a lecturer in the history department at Carnegie Mellon University Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Jim Finley--a recently retired English teacher living alone on the shifting edge of San Francisco--has been set, unwittingly, on the back porch of life. Trying to harmonize the voices in his head, he sits most days by his stack of "to-do" books until, one day, his daughter comes home with the worst news of her life. Everything changes. As his broken heart reengages, he steps back into a new world. He sees his ex-wife has launched into a larger life than the one they'd shared. He is surprised to find it easier to talk to his son's immigrant girlfriend, or even the remains of a Russian saint, than to the young man he's raised. He misconnects with Carol--his first date in decades--a woman he enjoys talking with but doesn't quite hear. Set in the pre-tech calm before the turn of this century, Outer Sunset (U Iowa Press, 2023) is a deeply felt story about the intimate place where long-lasting growth occurs in our lives; how we revise, or live without, our dreams; how to love the flaws of those closest to you and watch a child grow away into someone better than you'd imagined; and how to be shaken by beauty amidst unimaginable loss and remain standing. Mark’s work has won a Nelson Algren Short Story Award, been long-listed for the Pirates Alley/Faulkner — William Wisdom prize, and been published in the Chicago Tribune, LitHub, Santa Clara Review, Connotation Press, Kindle Singles, and elsewhere. Mark grew up in Western Massachusetts and New York's "North Country," earned a BA from St. John’s College in Annapolis, and moved to San Francisco in 1987, where he earned an MFA from SF State. He worked nearly 30 years in nonprofit communications, including a wonderful spell with the California Council for the Humanities. He lives with his wife and kids in San Francisco. Recommended Books: Joy Williams, Harrow Jaime Cortez, Gordo Stuart O’Nan, Last Night at the Lobster Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Jessica Romney's book Lyric Poetry and Social Identity in Archaic Greece (U Michigan Press, 2020) examines how Greek men presented themselves and their social groups to one another. The author examines identity rhetoric in sympotic lyric: how Greek poets constructed images of self for their groups, focusing in turn on the construction of identity in martial-themed poetry, the protection of group identities in the face of political exile, and the negotiation between individual and group as seen in political lyric. By conducting a close reading of six poems and then a broad survey of martial lyric, exile poetry, political lyric, and sympotic lyric as a whole, Romney demonstrates that sympotic lyric focuses on the same basic behaviors and values to construct social identities regardless of the content or subgenre of the poems in question. The volume also argues that the performance of identity depends on the context as well as the material of performance. Furthermore, the book demonstrates that sympotic lyric overwhelmingly prefers to use identity rhetoric that insists on the inherent sameness of group members. All non-English text and quotes are translated, with the original languages given alongside the translation or in the endnotes. Reyes Bertolin is a professor of Classics at the University of Calgary. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

We see notebooks everywhere we go. But where did this simple invention come from? How did they revolutionise our lives, and why are they such powerful tools for creativity? And how can using a notebook help you change the way you think? In The Notebook: A History of Thinking on Paper (Profile Books, 2023), Roland Allen reveals all the answers. Ranging from the bustling markets of mediaeval Florence to the quiet studies of our greatest thinkers, he follows a trail of dazzling ideas, revealing how the notebook became our most dependable and versatile tool for creative thinking. He tells the notebook stories of artists like Leonardo and Frida Kahlo, scientists from Isaac Newton to Marie Curie, and writers from Chaucer to Henry James. We watch Darwin developing his theory of evolution in tiny pocketbooks, see Agatha Christie plotting a hundred murders in scrappy exercise books, and learn how Bruce Chatwin unwittingly inspired the creation of the Moleskine. On the way we meet a host of cooks, kings, sailors, fishermen, musicians, engineers, politicians, adventurers and mathematicians, who all used their notebooks as a space for thinking and to shape the modern world. In an age of AI and digital overload, the humble notebook is more relevant than ever. Allen shows how bullet points can combat ADHD, journals can ease PTSD, and patient diaries soften the trauma of reawakening from coma. The everyday act of moving a pen across paper can have profound consequences, changing the way we think and feel: making us more creative, more productive - and happier. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The thirteen stories in Rebecca Turkewitz's debut collection, Here in the Night (Black Lawrence Press, 2023), are engrossing, strange, eerie, and emotionally nuanced. With psychological insight and finely crafted prose, Here in the Night investigates the joys and constraints of womanhood, of queerness, and of intimacy. Preoccupied with all manner of hauntings, these stories traverse a boarding school in the Vermont woods, the jagged coast of Maine, an attic in suburban Massachusetts, an elevator stuck between floors, and the side of an unlit highway in rural South Carolina. At the center of almost every story is the landscape of night, with all its tantalizing and terrifying potential. After dark, the familiar becomes unfamiliar, boundaries loosen, expectations fall away, and even the greatest skeptics believe-at least fleetingly-that anything could happen. These stories will stay with you. Rebecca Turkewitz is a writer and high school English teacher living in Portland, Maine. She is the author of Here in the Night (Black Lawrence Press, July 2023), a collection of thirteen spooky literary stories. Her fiction and humor writing have appeared in The Normal School, Chicago Quarterly Review, Electric Literature’s Recommended Reading, SmokeLong Quarterly, The New Yorker’s Daily Shouts, and elsewhere. She holds an MFA in fiction from The Ohio State University. She has been a resident at Hewn oaks Artist Residency and won a 2020 Maine Literary Award in the short works category. She loves cats, the ocean, and ghost stories. Recommended Books: NANA KWAME ADJEI-BRENYAH, Chain Gang All-Stars Talia Lakshmi Kolluri, What We Fed to the Manticore Gabrielle Zevin, Tomorrow, Tomorrow, Tomorrow Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode of High Theory, Pardis Dabashi tells us about plot. A plot consists of a change with stakes that establish norms. This seemingly simple structure shapes novels, films, politics, and our world, from easy seductions of comfort to difficult promises of liberation. In the episode, Pardis references Thomas Edison’s 1903 film, Electrocuting an Elephant, which is super sad, and kind of terrifying, but an economical explanation of plot. She also discusses Max Ophüls’s 1953 film, The Earrings of Madame de... as an example of a film with a potentially liberatory plot. We recommend you watch the latter, not the former. Other texts referenced in this episode include Mary Anne Doane’s The Emergence of Cinematic Time (Harvard, 2002) and Lauren Berlant’s Cruel Optimism (Duke, 2011) and Female Complaint (Duke, 2008). The occasion for our conversation was Pardis’s new book, Losing the Plot: Film and Feeling in the Modern Novel (U Chicago Press, 2023). If you’d like to get yourself a copy there’s a 30% discount on the University of Chicago Press website with the promo code UCPNEW. It’s a book about film and literary modernism, including the work of Nella Larsen, Djuna Barnes, and William Faulkner. The cover is really beautiful, and it’s definitely worth a read if you’re interested in either of the genres it addresses. Pardis Dabashi is an Assistant Professor of Literatures in English and Film Studies at Bryn Mawr College, where she is also Affiliated Faculty in the Middle Eastern, Central Asian, and North African Studies Program (MECANA). She has published everywhere, and is friends with everyone! She teaches courses in twentieth-century literature, film studies, Middle East studies, and theory. She was also one of the first guests on High Theory! You can listen to her 2020 episode on The Autonomous Work of Art if you’re feeling a flashback. The image for this episode is a publicity still from George Cukor’s 1936 MGM film Camille, showing Greta Garbo and Robert Taylor in a tense embrace. Digital image from Wikimedia Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Why did the New York Public Library ban a novel about women’s independence? What was the Human Potential Movement? And who was Claire Myers Owens? Today’s book is: Rivers of Light: The Life of Claire Myers Owens (Syracuse University Press,, 2019) by Miriam Kalman Friedman, which is a biography of Owens, who grew up in a conservative, middle-class family in Texas, but sought adventure and freedom. At twenty years old, she left home and quickly found a community of like-minded free spirits and intellectuals in New York’s Greenwich Village. There Owens wrote novels and short stories, including the controversial novel The Unpredictable Adventure: A Comedy of Woman’s Independence, which was banned by the New York Public Library for its “risqué” content. Drawn to ideals of self-actualization and creative freedom, Owens became a key figure in the Human Potential Movement along with founder Abraham Maslow and Aldous Huxley. In her later years, Owens devoted her life to the practice of Zen Buddhism, and published her final book, Zen and the Lady, at the age of eighty-three. Dr. Friedman’s rediscovery of Owens brings attention to her little known yet extraordinary life and passionate spirit. Drawing upon autobiographies, letters, journals, and novels, Dr. Friedman chronicles Owens’s robust intellect and her tumultuous private life. Our guest is: Dr. Miriam Kalman Friedman, who is a writing coach, editor, and lecturer. She has published multiple books on feminism, women, and women's studies. She is the author of Rivers of Light: The Life of Claire Myers Owens. Our host is: Dr. Christina Gessler, who is the host and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also be interested in: Exploring the Emotional Arc of Turning a Dissertation into A Book Becoming the Writer You Already Are, by Michelle R. Boyd This discussion of the book Becoming the Writer You Already Are Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us here to learn from experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Since the first translations of Lewis Carroll’s Alice books appeared in Japan in 1899, Alice has found her way into nearly every facet of Japanese life and popular culture. The books have been translated into Japanese more than 500 times, resulting in more editions of these works in Japanese than any other language except English. Generations of Japanese children learned English from textbooks containing Alice excerpts. Japan’s internationally famous fashion vogue, Lolita, merges Alice with French Rococo style. In Japan Alice is everywhere—in manga, literature, fine art, live-action film and television shows, anime, video games, clothing, restaurants, and household goods consumed by people of all ages and genders. In Alice in Japanese Wonderlands: Translation, Adaptation, Mediation (U Hawaii Press, 2023), Amanda Kennell traverses the breadth of Alice’s Japanese media environment, starting in 1899 and continuing through 60s psychedelia and 70s intellectual fads to the present, showing how a set of nineteenth-century British children’s books became a vital element in Japanese popular culture. Using Japan’s myriad adaptations to investigate how this modern media landscape developed, Kennell reveals how Alice connects different fields of cultural production and builds cohesion out of otherwise disparate media, artists, and consumers. The first sustained examination of Japanese Alice adaptations, her work probes the meaning of Alice in Wonderland as it was adapted by a cast of characters that includes the “father of the Japanese short story,” Ryūnosuke Akutagawa; the renowned pop artist Yayoi Kusama; and the best-selling manga collective CLAMP. While some may deride adaptive activities as mere copying, the form Alice takes in Japan today clearly reflects domestic considerations and creativity, not the desire to imitate. By engaging with studies of adaptation, literature, film, media, and popular culture, Kennell uses Japan’s proliferation of Alices to explore both Alice and the Japanese media environment. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Growing up in suburban New York, Dylan lived through the unfathomable: three years as a victim of sex trafficking at the hands of Vincent, a troubled young man who promised to marry Dylan when he turned eighteen. Years later--long after a police investigation that went nowhere, and after the statute of limitations for the crimes perpetrated against him have run out--the long shadow of Dylan's trauma still looms over the fragile life in the city he's managed to build with his fiancé, Moans, who knows little of Dylan's past. His continued existence depends upon an all-important mantra: To survive, you live through it, but never look back. Then a groundbreaking new law--the Child Victims Act--opens a new way foreword: a one-year window during which Dylan can sue his abusers. But for someone who was trafficked as a child, does money represent justice--does his pain have a price? As Dylan is forced to look back at what happened to him and try to make sense of his past, he begins to explore a drug and sex-fueled world of bathhouses, clubs, and strangers' apartments, only to emerge, barely alive, with a new clarity of purpose: a righteous determination to gaze, unflinching, upon the brutal men whose faces have haunted him for a decade, and to extract justice on his own terms. By turns harrowing, lyrical, and beautiful, Hertz's debut offers a startling glimpse at the unraveling of trauma--and the light that peeks, faintly, and often in surprising ways, from the other side of the window. Kyle Dillon Hertz is the author of The Lookback Window (Simon and Schuster, 2023), a New York Times Editors' Choice. His work can be found in Esquire, Freeman’s, Time, and more. He received his MFA from NYU and a residency from Yaddo. He teaches at The New School. Recommended Books: Megan Nolan, Ordinary Human Failings Andrew Holleran, Dancer from the Dance Evan S. Connell, Mrs Bridge Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Suspicious of what he called the spectator's "sticky" adherence to the screen, Roland Barthes had a cautious attitude towards cinema. Falling into a hypnotic trance, the philosopher warned, an audience can become susceptible to ideology and "myth". In Roland Barthes and Film: Myth, Eroticism and Poetics (Bloomsbury), Patrick Ffrench explains that although Barthes was wary of film, he engaged deeply with it. Barthes' thought was, Ffrench argues, punctuated by the experience of watching films - and likewise his philosophy of photography, culture, semiotics, ethics and theatricality have been immensely important in film theory. Focusing particularly on the essays 'The Third Meaning' and 'On Leaving the Cinema' and the acclaimed book Camera Lucida, Ffrench examines Barthes' writing and traces a persistent interest in films and directors, from Fellini and Antonioni, to Eisenstein, the Marx Brothers and Hitchcock. Ffrench explains that although Barthes found pleasure in "leaving the cinema" - disconnecting from its dangerous allure by a literal exit or by forcefully breaking the trance - he found value in returning to the screen anew. Barthes delved beneath the pull of progressing narrative and the moving image by becoming attentive to space and material aesthetics. This book presents an invaluable reassessment of one of the most original and subtle thinkers of the twentieth-century: a figure indebted to the movies. Bill Schaffer is a semi-retired lecturer in Film Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Are the canonical Gospels historically reliable? The four canonical Gospels are ancient biographies, narratives of Jesus’s life. The authors of these Gospels were intentional in how they handled historical information and sources. Building on recent work in the study of ancient biographies, Craig Keener argues that the writers of the canonical Gospels followed the literary practices of other biographers in their day. In Christobiography: Memory, History, and the Reliability of the Gospels (Eerdmans, 2019), Keener explores the character of ancient biography and urges students and scholars to appreciate the Gospel writers’ method and degree of accuracy in recounting the life and ministry of Jesus. Keener’s Christobiography has far-reaching implications for the study of the canonical Gospels and historical Jesus research. He concludes that the four canonical Gospels are historically reliable ancient biographies. Dr. Craig Keener is F. M. and Ada Thompson Professor of Biblical Studies at Asbury Theological Seminary. He is the author of over 30 books, 6 of which have won awards in Christianity Today. Keener is also the New Testament editor for the award-winning NIV Cultural Backgrounds Study Bible, and is serving as the president of the Evangelical Theological Society. With more than a million copies of his books in circulation, Keener also serves the global church by teaching and lecturing all over the world. Jonathan Wright is a PhD student in New Testament at Midwestern Baptist Theological Seminary. He holds an MDiv from The Southern Baptist Theological Seminary and a ThM from Trinity Evangelical Divinity School, and can be reached at [email protected], on Twitter @jonrichwright, or jonathanrichardwright.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Refugee Aesthetic: Reimagining Southeast Asian America (Temple University Press, 2021), Timothy K. August centers Southeast Asian American writers and artists to develop a theory of refugee aesthetics as a way of considering how aesthetic forms are created and contested by refugees, nonrefugees, and institutions alike. On this episode of New Books in Asian American Studies, Timothy K. August discusses the contradictions in how refugee stories are read as arising from exceptional circumstances even as the ever-increasing number of refugees renders refugeeness a remarkably everyday experience; the importance of aesthetics as a means by which refugees are able to contest—and reimagine—the refugee narratives that have been created through institutional and bureaucratic definitions of refugees; how refugee writers reconcile demands that they explain their experiences or perform their humanity within their own art and writing; and more. The Refugee Aesthetic examines a range of literary and artistic works by refugees, including poems, novels, graphic novels, and visual art, by writers and artists including Bao Phi, Monique Truong, Viet Thanh Nguyen, Mohsin Hamid, Gia-Bao Tran, and more, to argue for the agency of refugees as cultural producers who are redefining a politically, bureaucratically produced refugee image and instead imagining a plural form of refugee aesthetics. Please note that this episode was recorded prior to the events of October 7, 2023. Timothy August is an Associate Professor of English at Stony Brook University. Jennifer Gayoung Lee is a writer and researcher based in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

An original and hilarious satire of both our political culture and those who rage against it, The Book of Ayn (Catapult, 2023) follows a writer from New York to Los Angeles to Lesbos as she searches for artistic and spiritual fulfillment in radical selfishness, altruism, and ego-death. After writing a satirical novel that The New York Times calls classist, Anna is shunned by the literary establishment and, in her hurt, radicalized by the philosophy of Ayn Rand. Determined to follow Rand's theory of rational selfishness, Anna alienates herself from the scene and eventually her friends and family. Finally, in true Randian style, she abandons everyone for the boundless horizons of Los Angeles, hoping to make a TV show about her beloved muse. Things look better in Hollywood--until the money starts running out, and with it Anna's faith in the virtue of selfishness. When a death in the family sends her running back to New York and then spiraling at her mother's house, Anna is offered a different kind of opportunity. A chance to kill the ego causing her pain at a mysterious commune on the island of Lesbos. The second half of Anna's odyssey finds her exploring a very different kind of freedom - communal love, communal toilets - and a new perspective on Ayn Rand that could bring Anna back home to herself. "A gimlet-eyed satirist of the cultural morasses and political impasses of our times" (Alexandra Kleeman), Lexi Freiman speaks in The Book of Ayn not only to a particular millennial loneliness, but also to a timeless existential predicament: the strangeness, absurdity, and hilarity of seeking meaning in the modern world. Lexi Freiman is the author of the novel Inappropriation, longlisted for the Center for Fiction First Novel Prize and the Miles Franklin Award. She is a graduate of Columbia’s MFA in fiction and worked as fiction editor at George Braziller for five years. She also writes for television. Recommended Books: Jordan Castro, The Novelist Herve Guibert, Crazy for Vincent Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The great English essayist and linguist Samuel Johnson was writing during the Enlightenment – the period some historians identify as the beginning of the modern age. American author and philosopher David Foster Wallace worked more than two centuries later, in the “post-modern” style. But these two writers shared a common problem: once modernity fractured society’s sense of shared moral norms, how could you write persuasively about morality? This episode looks at how Johnson and Wallace attempted to solve this problem; what struggles plagued their solutions; and why our modern, pluralistic landscape makes their work more valuable than ever. Researcher, writer, and episode producer: Kirsten Hall Herlin Featured Scholars: Walter Jackson Bate (1918-1999), Professor of English, Harvard University Matt Bucher, Managing Editor, The Journal of David Foster Wallace Studies Jack Lynch, Professor of English, Rutgers University D. T. Max, Staff Writer, The New Yorker Special thanks: Dutton Kearney For transcript, teaching aids, and other resources, click here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When teaching a public course called “The Age of Debt” this winter break, I had the strange realization that one of the the most successful readings in that course, the one which most clearly explained the 2008 crisis and the financialized economy, was written by an English professor. It was Annie McClanahan’s Dead Pledges: Debt, Crisis, and Twenty-First Century Culture (Stanford University Press, 2016). The book is a masterful exploration of the cultural politics of the financial crisis and a powerful mediation on how to make sense of an era of unrepayable debts. As a review in the LA Review of Books notes, McClanahan has resurrected and repurposed the rich tradition of Marxist literary criticism which brought us Raymond Williams, analyzing post-crisis literature, photography, and cinema as cultural texts registering “a new ‘crisis subjectivity’ in the wake of the mortgage meltdown’s shattering revelations.” Dead Pledges is a must read. For whom? Well, anyone living in the 21st century, concerned about insurmountable debts, thinking of how culture and the economy transect each other, and striving for a radical politics fit for the mortgaged times in which we live. Aparna Gopalan is a Ph.D. student in Social Anthropology at Harvard University. Her research focuses on how managing surplus populations and tapping into fortunes at the “bottom-of-the-pyramid” are twin-logics that undergird poverty alleviation projects in rural Rajasthan. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

By the 1980s, critics and the public alike considered James Baldwin irrelevant. Yet Baldwin remained an important, prolific writer until his death in 1987. Indeed, his work throughout the decade pushed him into new areas, in particular an expanded interest in the social and psychological consequences of popular culture and mass media. In his new book James Baldwin and the 1980s: Witnessing the Reagan Era (University of Illinois Press, 2018), Joseph Vogel offers the first in-depth look at Baldwin's dynamic final decade of work. Delving into the writer's creative endeavors, crucial essays and articles, and the impassioned polemic The Evidence of Things Not Seen, Vogel finds Baldwin as prescient and fearless as ever. Baldwin's sustained grappling with "the great transforming energy" of mass culture revealed his gifts for media and cultural criticism. It also brought him into the fray on issues ranging from the Reagan-era culture wars to the New South, from the deterioration of inner cities to the disproportionate incarceration of black youth, and from pop culture gender-bending to the evolving women's and gay rights movements. Astute and compelling, revives and redeems the final act of a great American writer. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As this book intriguingly explores, for those who would make Rome great again and their victims, ideas of Roman decline and renewal have had a long and violent history. The decline of Rome has been a constant source of discussion for more than 2200 years. Everyone from American journalists in the twenty-first century AD to Roman politicians at the turn of the third century BC have used it as a tool to illustrate the negative consequences of changes in their world. Because Roman history is so long, it provides a buffet of ready-made stories of decline that can help develop the context around any snapshot. And Rome did, in fact, decline and, eventually, fall. An empire that once controlled all or part of more than 40 modern European, Asian, and African countries no longer exists. Roman prophets of decline were, ultimately, proven correct-a fact that makes their modern invocations all the more powerful. If it happened then, it could happen now. Edward J. Watts' The Eternal Decline and Fall of Rome: The History of a Dangerous Idea (Oxford UP, 2021) tells the stories of the people who built their political and literary careers around promises of Roman renewal as well as those of the victims they blamed for causing Rome's decline. Each chapter offers the historical context necessary to understand a moment or a series of moments in which Romans, aspiring Romans, and non--Romans used ideas of Roman decline and restoration to seize power and remake the world around them. The story begins during the Roman Republic just after 200 BC. It proceeds through the empire of Augustus and his successors, traces the Roman loss of much of western Europe in the fifth century AD, and then follows Roman history as it runs through the Eastern Roman Empire (Byzantium) until its fall in 1453. The final two chapters look at ideas of Roman decline and renewal from the fifteenth century until today. If Rome illustrates the profound danger of the rhetoric of decline, it also demonstrates the rehabilitative potential of a rhetoric that focuses on collaborative restoration, a lesson of great relevance to our world today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

By 1935 William Faulkner was well established as an author of critically praised novels, yet the low volume of his sales forced him to seek work in Hollywood. As Carl Rollyson details in The Life of William Faulkner: This Alarming Paradox, 1935-1962 (University of Virginia Press, 2020), this led to an itinerant life divided between Mississippi and Hollywood. Rollyson shows how his encounters with the politicized writers and European refugees who populated the film industry helped broaden his outlook, which was reflected in the injection of anti-fascist elements into his scripts and novels. By the end of the Second World War, Faulkner enjoyed a growing international status that culminated with receiving the award of the Nobel Prize for Literature in 1950, which cemented his place at the forefront of American literature. Though a reluctant celebrity, Faulkner embraced his status by becoming an informal ambassador of American values abroad, while using his position as an unofficial spokesperson of the South to criticize the mistreatment of Blacks in the region and call for improvements in race relations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Analysing materials from literature and film, this book considers the fates of women who did not or could not buy into the Japanese imperial ideology of "good wives, wise mothers" in support of male empire-building. Although many feminist critics have articulated women's active roles as dutiful collaborators for the Japanese empire, male-dominated narratives of empire-building have been largely supported and rectified. In contrast, the roles of marginalized women, such as sex workers, women entertainers, hostesses, and hibakusha have rarely been analyzed. This book addresses this intellectual lacuna by closely examining memories, (semi-)autobiographical stories, and newspaper articles, grounded or inspired by lived experiences not only in Japan, but also in Shanghai, Manchukuo, colonial Korea, and the Pacific. Chapters further explore the voices of diasporic Korean women (Zainichi Korean woman born in Japan, as well as Korean American woman born in Korea) whose lives were impacted, intervening ethnocentric narratives that were at the heart of the Japanese empire. An appendix presents the first English translation of a memorable statement on comfort women by former Japanese propaganda actress, Ri Kōran / Yamaguchi Yoshiko. Nobuko Ishitate-Okunomiya Yamasaki's book Prostitutes, Hostesses, and Actresses at the Edge of the Japanese Empire (Routledge, 2021) will appeal to students and scholars of Japanese literature and film studies, as well as gender, sexuality and postcolonial studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ethics for Apocalyptic Times: Theapoetics, Autotheory, and Mennonite Literature (Penn State UP, 2023) is about the role literature can play in helping readers cope with our present-day crises, including the COVID-19 pandemic, climate change, and the shift toward fascism in global politics. Using the lens of Mennonite literature and their own personal experience as a culturally Mennonite, queer, Latinx person, Daniel Shank Cruz investigates the age-old question of what literature’s role in society should be, and argues that when we read literature theapoetically, we can glean a relational ethic that teaches us how to act in our difficult times. In this book, Cruz theorizes theapoetics―a feminist reading strategy that reveals the Divine via literature based on lived experiences―and extends the concept to show how it is queer, decolonial, and equally applicable to secular and religious discourse. Cruz’s analysis focuses on Mennonite literature―including Sofia Samatar’s short story collection Tender and Miriam Toew’s novel Women Talking―but also examines a non-Mennonite text, Samuel R. Delany’s novel The Mad Man, alongside practices of haiku and tarot, to show how reading theapoetically is transferable to other literary traditions. Weaving together close reading and personal narrative, this pathbreaking book makes a significant and original contribution to the field of Mennonite literary studies. Cruz’s arguments will also be appreciated by literary scholars interested in queer theory and the role of literature in society. Daniel Shank Cruz (they/multitudes) is a queer, disabled boricua who grew up in New York City and Lancaster, Pennsylvania. Multitudes is the author of Queering Mennonite Literature: Archives, Activism, and the Search for Community, also published by Penn State University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

George MacLeod's book Mediating Violence from Africa: Francophone Literature, Film, and Testimony After the Cold War (U Nebraska Press, 2023) explores how African and non-African Francophone authors, filmmakers, editors, and scholars have packaged, interpreted, and filmed the violent histories of post–Cold War Francophone Africa. This violence, much of which unfolded in front of Western television cameras, included the use of child soldiers facilitated by the Soviet Union’s castoff Kalashnikov rifles, the rise of Islamist terrorism in West Africa, and the horrific genocide against the Tutsi in Rwanda. Through close readings of fictionalized child-soldier narratives, cinematic representations of Islamist militants, genocide survivor testimony, and Western scholarship, George S. MacLeod analyzes the ways Francophone African authors and filmmakers, as well as their editors and scholarly critics, negotiate the aesthetic, political, cultural, and ethical implications of making these traumatic stories visible. MacLeod argues for the need to periodize these productions within a “post–Cold War” framework to emphasize how shifts in post-1989 political discourse are echoed, contested, or subverted by contemporary Francophone authors, filmmakers, and Western scholars. The questions raised in Mediating Violence from Africa are of vital importance today. How the world engages with and responds to stories of recent violence and loss from Africa has profound implications for the affected communities and individuals. More broadly, in an era in which stories and images of violence, from terror attacks to school shootings to police brutality, are disseminated almost instantly and with minimal context, these theoretical questions have implications for debates surrounding the ethics of representing trauma, the politicization of memory, and Africa’s place in a global (as opposed to a postcolonial or Euro-African) economic and political landscape. Annie deSaussure holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Why would an inkstone have a poem inscribed on it? Early modern Chinese writers did not limit themselves to working with brushes and ink, and their texts were not confined to woodblock-printed books or the boundaries of the paper page. Poets carved lines of verse onto cups, ladles, animal horns, seashells, walking sticks, boxes, fans, daggers, teapots, and musical instruments. Calligraphers left messages on the implements ordinarily used for writing on paper. These inscriptions—terse compositions in verse or epigrammatic prose—relate in complex ways to the objects on which they are written. Thomas Kelly develops a new account of the relationship between Chinese literature and material culture by examining inscribed objects from the late Ming and early to mid-Qing dynasties. He considers how the literary qualities of inscriptions interact with the visual and physical properties of the things that bear them. Kelly argues that inscribing an object became a means for authors to grapple with the materiality and technologies of writing. Facing profound social upheavals, from volatility in the marketplace to the violence of dynastic transition, writers turned to inscriptions to reflect on their investments in and dependence on the permanence of the written word. Shedding new light on cultures of writing in early modern China, The Inscription of Things: Writing and Materiality in Early Modern China (Columbia UP, 2023) broadens understandings of the links between the literary and the material. Huijun Mai is an Assistant Professor in Medieval Chinese Studies at the University of California, Los Angeles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Olga V. Solovieva's book The Russian Kurosawa: Transnational Cinema, Or the Art of Speaking Differently (Oxford UP. 2023) offers a new historical perspective on the work of the renowned Japanese film director Akira Kurosawa. It uncovers Kurosawa's debt to the intellectual tradition of Japanese-Russian democratic dissent, reflected in the affinity for Kurosawa's worldview expressed by such Russian directors as Grigory Kozintsev and Andrei Tarkovsky. Through a detailed discussion of the Russian subtext of Kurosawa's cinema, most clearly manifested in the director's films based on Dostoevsky, Tolstoy, Gorky, and Arseniev, the book shows that Kurosawa used Russian intertexts to deal with the most politically sensitive topics of postwar Japan. Locating the director in the cultural tradition of Russian-inflected Japanese anarchism, the book challenges prevalent views of Akira Kurosawa as an apolitical art house director or a conformist studio filmmaker of muddled ideological alliances by offering a philosophically consistent picture of the director's participation in post-war debates on cultural and political reconstruction. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A novel about womanhood, modern family, and the interior landscape of maternal life, as seen through the life of a young wife and mother on a single day. At night, Maisie Moore dreams that her life is perfect: the looming mortgages and credit card debt have magically vanished, and she can raise her four children, including newborn Esme, on an undulating current of maternal bliss, by turns oceanic and overwhelming, but awash in awe and wonder. Then she jolts awake and, after checking that her husband and baby are asleep beside her, remembers the real-world money problems to be resolved amid the long days of grocery shopping, gymnastics practices, and soccer games. From this moment, Eliza Minot draws readers into the psyche of the perceptive and warmhearted Maisie, who yearns to understand the world around her and overflows with fierce love for her growing family. Unfolding over the course of a single day in which Maisie and her husband take their children to pick apples, In the Orchard (Knopf, 2023) is luminous, masterfully crafted, revelatory--a shining exploration of motherhood, childhood, and love. Eliza Minot is the author of the critically acclaimed novels THE TINY ONE, THE BRAMBLES, and IN THE ORCHARD published by Knopf/Vintage. Her books have been named to various lists, including The New York Times Notable, Booksense 76, Nancy Pearl’s, and Oprah’s Top Ten Summer Picks. She went to Barnard College and received her MFA from Rutgers-Newark, where she was a Presidential Fellow. She has taught at Rutgers-Newark, Barnard College, and NYU. She received the Maplewood Library Literary Award in 2023. She grew up the youngest of seven children in Manchester-by-the-Sea, Massachusetts. She lives in Maplewood, NJ, with her family. Recommended Books: Anne Patchett, Tom Lake (audiobook) Barbara Kingsolver, Demon Copperhead (audiobook) Victor Frankl, Man’s Search for Meaning DOIREANN NIě GHRIěOFA, Ghost in the Throat Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies