New Books in Communications

John Durham Peters‘ wonderful new book is a brilliant and beautifully-written consideration of natural environments as subjects for media studies. Accessible and informative for a broad readership. The Marvelous Clouds: Toward a Philosophy of Elemental Media (University of Chicago Press, 2015) is structured as a series of meditations on and explorations of water, fire, air, earth, and ether media. After a chapter that sets out some of the foundational ideas shaping the book and charts an intellectual landscape for rethinking media, each of the following chapters offers a carefully curated series of studies of particulars – dolphin jaws, candles, towers, watches, clouds, feet, bells, weathermen, Google, and more – as a means of examining the significance of infrastructure, forgetting, technicity, and other modes of understanding media. Peters asks us to come with a fresh perspective to notions that we otherwise take for granted, and the result is a thoughtful and inspiring account that brings together media studies, theology, philosophy, and the natural sciences in thoroughly compelling ways. Among other things, the book is a call for a “greener media studies” that “appreciates our long natural history of shaping and being shaped by our habitats as a process of mediation.” What if, Peters asks, we took nature instead of the mind as the “epitome of meaning”? What are the stakes of doing so? The result is among the most exciting and enjoyable books that I’ve read in some time. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

By now it is incontrovertible that new technology has had an effect on how regular people get information. Whether in the form of an online newspaper or a Google search, new technology has allowed individuals to access masses of information faster than ever before. What, then, has been the effect of digital tools on research practices? In their new book Knowledge Machines: Digital Transformations of the Sciences and Humanities (MIT Press, 2015), Eric T. Meyer, Associate Professor and Senior Research Fellow at the Oxford Internet Institute, and Ralph Schroeder, Professor at the Oxford Internet Institute, explore how digital tools have transformed research. To do this, Meyer and Schroeder use case studies to examine how new technology has, and continues to, change research in various fields, and what this means for the future of e-research. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Did you notice that after 9/11, the depiction of torture on prime-time television went up nearly seven hundred percent? Hilary Neroni did. She had just finished a book on the changing relationship between female characters and violence in narrative cinema, and was attuned to function of violence in film and television. This was around the time the Abu Ghraib torture photos were leaked to the public. Over the next 10 years, torture porn appeared in the Saw and Hostel films, and it seemed that torture quickly became a routine element of thriller plots in movies and TV, such as the series 24. In The Subject of Torture: Psychoanalysis and Biopolitics in Television and Film (Columbia University Press, 2015), Neroni makes a compelling case that, prior to 9/11, the stage had already been set for the dehumanizing fantasy of torture to appear in mass culture – via biopolitics. With this book, Neroni takes on the task of defining and understanding torture through a psychoanalytic lens, using films and television as case studies. The book is both compelling and readable, and argues that the fantasy and depiction of torture play a role as an ideology in national politics and policy, and that it’s all more complicated than it seems–once you stop averting your eyes. Hilary Neroni teaches in the Film and Television Studies Program at the University of Vermont and is also the author of The Violent Woman: Femininity, Narrative, and Violence in Contemporary American Cinema. Her areas of interest include representations of gender and race in contemporary American film, violence in film, women directors, documentary film/video, feminist theory, psychoanalysis, and Marxism. She has published essays on women directors (in particular Jane Campion and Claire Denis) and on issues surrounding gender and violence in the cinema. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In late imperial China, how did local elites connect with and influence the central government? How was local information made and managed? How did the state incorporate frontier areas into the empire? How were books produced and read, and by whom? In his new book, Joseph R. Dennis helps answer these questions and more by studying the genre of local gazetteers. Focusing on the Ming period, Writing, Publishing, and Reading Local Gazetteers in Imperial China, 1100-1700 (Harvard University Asia Center, 2015) argues that gazetteers were “important points of intersection between the central government and local societies and one of the main vehicles for transmitting local information to central government officials.” In seven chapters that collectively move readers through the life cycle of a gazetteer, Dennis’s story informs the histories of the frontier, the state, kinship, the law, material culture, and the book industry. It will be a must-read for all scholars and students of late imperial Chinese history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

At New Books in Psychoanalysis, interviews are conducted using Skype. As the program is audio rather than video based, it never occurred to me to use the camera on my computer to see on the screen the person I was speaking to. Rather, I kept my ear turned acutely towards the authors, hanging on their every word while privately perusing my list of questions. I have joked with many interviewees that for all I know they are in their pajamas or naked. Truth be told, I have had no interest in seeing the authors during the interview. There was and is something about having the experience that the listener has on hearing, rather than seeing, the interview that may play a role in creating a certain kind of intensity and intimacy. So it was not lost on me that for this particular interview with Gillian Isaacs Russell about a book that looks straightforwardly at the impact of technology on the therapeutic relationship, that we would not be making eye contact. Though we could, I requested that we not do so. And anyway, of course, if you have used it, eye contact is actually impossible on Skype. We can see each other but we cannot lock orbs. Our interview, as you will hear, is full of the same kinds of problems that one might have when working with a patient over the ether. At one point there is a bizarre reverb and everything Isaacs Russell says comes out in triplicate. We did not lose the connection though this has happened to me on several occasions while playing my interlocutory part. And of course we both had our anxieties about the capacity of the technology to connect us and to keep us connected but do bear in mind that we are not analyst and patient. Our relationship is layered with much less meaning or significance than that of the analytic couple. If the technology disconnected us, we would not wonder if it was something that one of us said. No one would have hurt feelings. We could keep it impersonal. In Screen Relations: The Limits of Computer-Mediated Psychoanalysis and Psychotherapy (Karnac, 2015), Isaacs Russell asks a key question of psychoanalysts: what might be lost in working this way? The interview explores reasons why analysts have jumped in to use Skype and explores what the implications might be of the loss of two bodies in a room together. Her thinking is clear and the ideas she pits forth I found haunting. The age old question of what makes a treatment psychoanalysis came to mind when reading this book as I wondered if you can’t smell the patient, if there is not the risk of touch that is not acted upon, if there is not the walk out the door when the session is over, is essential grist for the mill irreparably lost? Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Literary practices are often associated with specific social groups in particular social settings. Kate Pahl‘s Materializing Literacies in Communities: The Uses of Literacy Revisited (Bloomsbury, 2014) challenges these assumptions by showing the varieties of literary practice in Rotherham, England. The book engages with the locally particular to draw out a variety of general findings, relevant to methodological reflection and material culture debates. The book draws on a wealth of projects from the AHRC funded Connected Communities programme, including Fishing as Wisdom, The Imagine Project, and Language as Talisman. The book represents an important intervention into how we understand community, literacy and identity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In the first legal history course I took as an undergraduate, I read Lawrence M. Friedman‘s A History of American Law and American Law in the 20th Century and have been fascinated with the subject ever since. His most recent work, The Big Trial: Law as Public Spectacle (University Press of Kansas, 2015) combines the scintillating narrative style that he employs as the author of several mystery novels with the keen insights about law and society that he has revealed time and again in his numerous cornerstone works of legal scholarship. Per the book jacket, “The trial of O. J. Simpson was a sensation, avidly followed by millions of people, but it was also, in a sense, nothing new. One hundred years earlier the Lizzie Borden trial had held the nation in thrall. The names (and the crimes) may change, but the appeal is enduring–and why this is, how it works, and what it means are what Lawrence Friedman investigates in The Big Trial. What is it about these cases that captures the public imagination? Are the “headline trials” of our period different from those of a century or two ago? And what do we learn from them, about the nature of our society, past and present? To get a clearer picture, Friedman first identifies what certain headline trials have in common, then considers particular cases within each grouping. The political trial, for instance, embraces treason and spying, dissenters and radicals, and, to varying degrees, corruption and fraud. Celebrity trials involve the famous–whether victims, as in the case of Charles Manson, or defendants as disparate as Fatty Arbuckle and William Kennedy Smith–but certain high-profile cases, such as those Friedman categorizes as tabloid trials, can also create celebrities. The fascination of whodunit trials can be found in the mystery surrounding the case: Are we sure about O. J. Simpson? What about Claus von Bulow–tried, in another sensational case, for sending his wife into a coma? An especially interesting type of case Friedman groups under the rubric worm in the bud. These are cases, such as that of Lizzie Borden, that seem to put society itself on trial; they raise fundamental social questions and often suggest hidden and secret pathologies. And finally, a small but important group of cases proceed from moral panic, the Salem witchcraft trials being the classic instance, though Friedman also considers recent examples. Though they might differ in significant ways, these types of trials also have important similarities. Most notably, they invariably raise questions about identity (Who is this defendant? A villain? An innocent unfairly accused?). And in this respect, The Big Trial shows us, the headline trial reflects a critical aspect of modern society. Reaching across the nineteenth and twentieth centuries to the latest outrage, from congressional hearings to lynching and vigilante justice to public punishment, from Dr. Sam Sheppard (the “fugitive”) to Jeffrey Dahmer (the “cannibal”), The Rosenbergs to Timothy McVeigh, the book presents a complex picture of headline trials as displays of power–moments of “didactic theater”” that demonstrate in one way or another whether a society is fair, whom it protects, and whose interest it serves.” Some of the topics we cover are: (1) Classifications of the different types of headline trials; (2) How telling the story of headline trials also tells the story of the rise of mass media; (3) Why big trials are considered didactic theater. (4) The effect the familiarity we now have with celebrities has upon the trials that involve them. Lawrence Friedman is Marion Rice Kirkwood Professor of Law at Stanford Law School. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What do we know about the individuals who make comments on online news stories, blogs, videos and other media? What kind of people take the time to post all manner of information and context to material created by others? Joseph M. Reagle, assistant professor of communication studies at Northeastern University and a faculty associate at Harvard University’s Berkman Center for Internet and Society, examines these online pontificators and provocateurs in his new book Reading the Comments: Likers, Haters and Manipulators at the Bottom of the Web (MIT Press, 2015). Reagle categorizes the different kinds of comments, thereby organizing the different kinds of commenters into groups. In addition, Reagle considers both the function and value of comments in society. Just listen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Sonja D. Williams‘ book Word Warrior: Richard Durham, Radio, and Freedom (University of Illinois Press, 2015) connects its subject to some of the most important events and social movements of his time, including what we now call the Civil Rights Movement and the Great Migration. Durham’s life path, like that of many other African Americans born in the early part of the 20th century, goes from the Jim Crow South, to Chicago, where his family builds a solid middle-class existence founded on educational attainment and hard work. Durham’s writing career included poetry, newspapers, radio, television, and a celebrated biography of Muhammad Ali. Durham also played a significant role in the election of the first black mayor of Chicago, his high school friend, Harold Washington. In this engaging interview, Sonja Williams sheds important light on an unassuming man who was most comfortable quietly but forcefully serving the causes he believed in from behind the scenes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Nicole Starosielski‘s new book brings an environmental and ecological consciousness to the study of digital media and digital systems, and it is a must-read. The Undersea Network (Duke University Press, 2015) looks carefully and imaginatively at the geography of undersea cable networks, paying special attention to the materiality of network infrastructure and its relationships with the histories of the Pacific. The book revises what we think we know about the infrastructure of global networks: they are not “wireless,” but wired; not rhizomatic and distributed, but semicentralized; not deterritorialized, but “territorially entrenched”; not resilient, but precarious and vulnerable; and not urban, but rural and aquatic. After providing a broad overview of three major eras of cable development – the copper cables of the 1850s-1950s, the coaxial cables of the 1950s-1980s, and the fiber-optic cables of the 1990s on, in each case focusing on the importance of security, insulation, and interconnection – Starosielski analyzes how cables have become embedded into existing natural and cultural environments in a number of specific sites in Hawai’i, California, New Zealand, British Columbia, Tahiti, Guam, Fiji, Yap, and beyond. Countering the rhetorical pull of terms like “flow” that tend to provoke an approach to media that is deterritorializing and dematerializing, Starosielski instead turns readers’ attention to the ecological dimension of media and the fixed, material investments grounding today’s communication networks. It is a brilliant book that deserves a wide readership. Don’t miss the website that is woven together with the book: www.surfacing.in. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Video games have become an important cultural and economic force in our media environment. In his new book, The Video Game Business (British Film Institute, 2014), scholar Randy Nichols provides an overview of the increasingly diverse global market for video games. Nichols locates the origins of the video game industry back to the dawn of the computer age in the 1960s. He then explores the emergence of an industry around video games, noting the interdependence of hardware and software across a number of key “epochs”: from consoles to computer gaming to the explosion of mobile gaming. Throughout the book, Nichols explores key moments of transition in video games by providing institutional profiles of key industrial players in the industry. His critical analysis of power in the video game industry also explores the role of labor and audiences. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Networks seem to be the dominant metaphor for contemporary society. In Networkologies: A Philosophy of Networks for a Hyperconnected Age (Zero Books, 2014), Christopher Vitale sets out a manifesto for understanding and using networks as the basis of a new philosophy. The book draws on continental philosophy, complex systems theory and a range of other elements to both introduce and contextualise, as well as present, the networkology manifesto. The book explores what networks are, how they emerge, how they change and how they are resilient (or not). The book intervenes in the contemporary interest in networks and will thus be of interest beyond just the critical theoretical disciplines. The text is also part of a much broader networkological project, including an original iteration of the manifesto and several papers. You can find out more about the project here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In his new book Native Americans on Network TV: Stereotypes, Myths, and the ‘Good Indian’ (Rowman and Littlefield, 2013), Michael Ray FitzGerald reviews how television represented Native Americans, including in both positive and negative stereotypes. He talks about these portrayals from early television shows to more recent characterizations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Jonathan Coopersmith‘s new book takes readers through the century-and-a-half-long history of the fax machine and the technologies that shaped and were shaped by it, from Alexander Bain’s 1843 patent to the computer-based faxing of the end of the 20thcentury. Faxed: The Rise and Fall of the Fax Machine (Johns Hopkins University Press, 2015) chronicles the transformations of fax wrought by a range of industries and technologies in the context of world wars and global economic changes. In Coopersmith’s able hands, the history of the fax machine substantively informs a number of fields and disciplines that might not seem immediately related to it: these include visual studies (as newspapers and the military helped drive the development of fax markets and technology thanks to the need for rapid transfer of images in times of war and beyond) and East Asian studies (as fax machines can be traced through the history of modern homes and businesses in Japan). Coopersmith tells a story of fax as a story of repeated failures that were nevertheless productive and germinal, whether they resulted from competition from other technologies and industries, compatibility problems in a fracturing market, or foundation-laying for the acceptance of the email and internet technologies that would ultimately surpass it. It’s a fascinating and elegantly told story of a technology that was, for many years, a constant element of the living and working spaces of many of our lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

James A. Secord‘s new book is both deeply enlightening and a pleasure to read. Emerging from the 2013 Sandars Lectures in Bibliography at the Cambridge University Library, Visions of Science: Books and Readers at the Dawn of the Victorian Age (University of Chicago Press, 2014) is a fascinating exploration of books and their readers during a moment of intense transformation in British society. Secord brings us into a period of the nineteenth century when transformations in publishing and an expanded reading public helped create a wide-ranging conversation about science and its possible futures. Out of this utopian moment several works emerged that reflected on the practices and prospects of science, and Secord guides us through seven of them in turn: the dialogues of Humphry Davy’s Consolations in Travel, the polemic of Charles Babbage’s Reflections on the Decline of Science in England, John Herschel’s moralizing Preliminary Discourse on the Study of Natural Philosophy, Mary Somerville’s mathematical On the Connexion of the Physical Sciences, Charles Lyell’s Principles of Geology, George Combe’s phrenological The Constitution of Man, Considered in Relation to External Objects, and Thomas Carlyle’s bizarre and wonderful Sartor Resartus. In each case, Secord pays careful attention to the physicality of books and the ways that their readers create and transform them. In addition to being great fun to read, the book will also be helpful for teachers putting together material for undergraduate lecture courses on the history of science and/or book history, and will find a happy home on syllabi for upper-level undergraduate or graduate seminars in the history of books and reading, the sciences and modernity, and many others. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Social media is now a pervasive element of many people’s lives. in order to best understand this phenomenon we need a comprehensive theory of the political economy of social media. In Culture and Economy in the Age of Social Media (Routledge, 2015), Christian Fuchs, a professor of social media at the University of Westminster, brings together a range of media, social and economic theorists to explain social media. Using Raymond Williams to draw attention to the material conditions of control, production and use of social media, including case studies from the USA and China. Most notably the book insists on understanding the international division of labour behind the seemingly ephemeral aspects of online interactions. The book is essential reading for all of those active online, as well as those working in the political economy and critical theory traditions. It is available here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Greg Siegel‘s new book is a wonderfully engaging and meticulously researched account of a dual tendency in modern technological life: treating forensic knowledge of accident causation as a key to solving the accident, and treating this knowledge as the source for the future improvement of both technology and civilization. Forensic Media: Reconstructing Accidents in Accelerated Modernity (Duke University Press, 2014) argues that accidents, forensics, and media have been central to the emergence and evolution of this tendency. The chapters of the book trace the forms of media (graphic, photographic, electronic, and digital) that have been crucial forensic mediation since the nineteenth century, a period when the accident became “technologically modern” and the relationship between progress and catastrophe was transformed by the rise of “forensic rationality.” A series of fascinating case studies guides readers through the nature and implications of this transformation by introducing the rise of the forensic engineer, the inscribing apparatus of Charles Babbage, the “black box” technology of the flight-data recorder and the cockpit voice recorder, and the high-speed cinematography that offered a way of mapping and making sense of vehicle collision in the 1950s. There are some extremely moving moments nestled in the narratives of these cases, including a must-read discussion of last words and cockpit voice recorders in Chapter 3. Forensic Media is not only a gripping read, but will make a great addition to the syllabi for upper-level courses that treat any combination of STS, technology studies, media studies, and studies of modernity Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

That privacy in the digital age is an important concept to be discussed is axiomatic. Cameras in mobile phones make it easy to record events and post them on the web. Consumers post an enormous amount of information on social media sites. And much of this information is made publicly available. A common question, then, is what can people truly expect to be be private when so much information is accessible. In his new book Privacy in the New Media Age (University Press of Florida 2015), Jon L. Mills (University of Florida, Levin College of Law), discusses another issue related to privacy in the digital environment: the conflict between privacy and freedom of expression. In so doing, Mills examines how the law, particularly in the United States, is always chasing advances in technology, and discusses how countries in the European Union have attempted to tackle this matter. Throughout the book he discusses famous court cases that illustrate the issues with privacy and new media in an attempt to come to a resolution for the dispute. Just listen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Struggles over information in the digital era are central to Tim Jordan‘s new book, Information Politics: Liberation and Exploitation in the Digital Society (Pluto Press, 2015). The book aims to connect a critical theoretical reading of the idea of information with the architectures and practices surrounding information. The text begins by setting out how information is not separated from contemporary struggles over liberation and exploitation and points towards the principles of information politics that guide the reader through an engagement with contemporary theories, including the work of Haraway and Deleuze. These principles then inform theories of networks, recursion and the affordances of technologies that are used, in turn, to account for the platforms and battlegrounds of informational politics. The book does not offer up information as a new master discourse for political struggles, but rather shows, through examples including Facebook, the ICloud, the iPad, online gaming, and hacktivism, how information can be connected to, and can shape, other areas of social contestation. The text will be of interest to anyone using the internet, in particular those concerned with who is control of that space and how it might be reimagined. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Screens are ubiquitous. From the screen on a mobile, to that on a tablet, or laptop, or desktop computer, screens appear all around us, full of content both visual and text. But it is not necessarily the ubiquity of screens that has societal implications. The significance is in how screens fundamentally change how we ingest information. In her new book, Words Onscreen: The Fate of Reading in a Digital World (Oxford University Press, 2015), Naomi S. Baron, professor of linguistics and Executive Director of the Center for Teaching, Research & Learning at American University, asserts that despite the benefits of convenience and monetary savings, reading onscreen has many drawbacks. Using surveys of millennials in the United States, Japan and Germany, combined with anecdotes, and information from writers, Baron provides evidence of the impact of technology on reading, and thinking, in society. Just listen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Propaganda names a familiar collection of phenomena, and examples of propaganda are easy to identify, especially when one examines the output of totalitarian states. In those cases, language and imagery are employed for the purpose of shaping mass opinion, forming group allegiances, constructing worldviews, and securing compliance. It is undeniable that propaganda is employed by liberal democratic states. But it is also undeniable that the use of propaganda is especially problematic in liberal democracies, as it looks incompatible with the democratic ideals of equality and autonomous self-government. It’s surprising, then, that the topic of propaganda has gone relatively unexplored in contemporary political philosophy. In How Propaganda Works (Princeton University Press, 2015), Jason Stanley develops an original theory of propaganda according to which propaganda is the deployment of an ideal against itself. Along the way, Stanley distinguishes various kinds of propaganda and explores the connections between propaganda, ideology, stereotypes, and group identities. Stanley’s central thesis is that propaganda poses an epistemological problem for democracy, as propaganda is the vehicle by which false beliefs are disseminated and opportunities for knowledge are closed. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Social media and digital technology now allow researchers to collect vast amounts of a variety data quickly. This so-called “big data,” and the practices that surround its collection, is all the rage in both the media and in research circles. What makes data “big,” is described by the v’s: volume, velocity, variety, and veracity. Volume refers to the massive scale of the data that can be collected, velocity, the speed of streaming analysis. Variety refers to the different forms of data available, while veracity considers the bias and noise in the data. Although many would like to focus on these details, two other v’s,validity and volatility, hold significance for big data. Validity considers the level of uncertainty in the data, asking whether it is accurate for the intended use. Volatility refers to how long the data can be stored, and remain valid. In her new book, Big Data, Little Data, No Data: Scholarship in the Networked World (MIT Press, 2015), Professor Christine L. Borgman, Presidential Chair in Information Studies at the University of California, Los Angeles, examines the infatuation with big data and the implications for scholarship. Borgman asserts that although the collection of massive amounts of data is alluring, it is best to have the correct data for the kind of research being conducted. Further, scholars must now consider the economic, technical, and policy issues related to data collection, storage and sharing. In examining these issues, Borgman details data collection, use, storage and sharing practices across disciplines, and analyzes what data means for different scholarly traditions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Todd Wolfson’s book, Digital Rebellion: The Birth of the Cyber Left (University of Illinois Press, 2014) examines the impact of new media and communication technologies on the spatial, strategic, and organizational fabric of social movements. Wolfson explores how aspects of the mid-1990s Zapatistas movement—network organizational structure, participatory democratic governance, and the use of communication tools as a binding agent—became essential parts of Indymedia and other Cyber Left organizations. From there he uses oral interviews and other rich ethnographic data to chart the media-based think tanks and experiments that continued the Cyber Left’s evolution through the Independent Media Center’s birth around the 1999 WTO protests in Seattle. Melding virtual and traditional ethnographic practice to explore the Cyber Left’s cultural logic, Wolfson maps the social, spatial and communicative structure of the Indymedia network and details its operations on the local, national and global level. He looks at the participatory democracy that governs global social movements and the ways democracy and decentralization have come into tension, and how “the switchboard of struggle” conducts stories from the hyper-local and disperses them worldwide. As he shows, understanding the intersection of Indymedia and the Global Social Justice Movement illuminates their foundational role in the Occupy struggle and other emergent movements that have re-energized radical politics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Reverse Engineering Social Media: Software, Culture, and Political Economy in New Media Capitalism (Temple University Press, 2014) by Robert Gehl (University of Utah, Department of Communication) explores the architecture and political economy of social media. Gehl analyzes the ideas of social media and software engineers, using these ideas to find contradictions and fissures beneath the surfaces of glossy sites such as Facebook, Google, and Twitter. The book draws upon software studies, science and technology studies, and political economy to contextualize the institutionalization of user labor in our growing social media landscape. Looking backward at divisions of labor and the process of user labor, he provides case studies that illustrate how binary “Like” consumer choices hide surveillance systems that rely on users to build content for site owners who make money selling user data, and that promote a culture of anxiety and immediacy over depth. Gehl also goes beyond a critique of these inherently undemocratic systems to outline proposals that can shape our collective online future for the better. An idealized social data system, he argues, should be “decentralized, transparent, encrypted, antiarchival, stored on free hardware, and geared toward collective politics over atomization and depth over immediacy and surfaces.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

For the past few decades a major focus has been how the Internet, and Internet associated new media, allows for greater social and political participation globally. There is no disputing that the Internet has allowed for more participation, but the medium carries an inherent elitism and the need for expertise, which may limit accessibility. According to some advocates, old media like radio offer an alternative without the limitations of new media systems. In her new book Low Power to the People: Pirates, Protest, and Politics in FM Radio Activism (MIT Press, 2014), Christina Dunbar-Hester, an assistant professor in the School of Communication and Information at Rutgers University, explores the activist organization the Prometheus Project, and its role in advocating for greater community access to low power radio licenses. In an ethnographic examination of the medium of microradio, Dunbar-Hester examines the dichotomy of old versus new media, as well as the use of media for participatory and emancipatory politics on the local community level. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Wikipedia is one of the most popular resources on the web, with its massive collection of articles on an incredible number of topics. Yet, its user written and edited model makes it controversial in many circles. In Wikipedia U: Knowledge, Authority, and Liberal Education in the Digital Age (Johns Hopkins University Press, 2014), Thomas Leitch of the University of Delaware English Department has written a book that challenges many of the criticisms of Wikipedia. Yet he also reviewed the importance of authority as an issue with all research in the twenty first century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Frank R. Baumgartner and Bryan D. Jones are the authors of The Politics of Information: Problem Definition and the Course of Public Policy in America (University of Chicago Press, 2014). Baumgartner is the Richard J. Richardson Distinguished Professor of Political Science at The University of North Carolina at Chapel Hill, Chapel Hill and Jones is the J. J. “Jake” Pickle Regents Chair in Congressional Studies and Professor of Government at the University of Texas at Austin. The Politics of Information picks up where the authors’ last book, The Politics of Attention, leaves off. They explore how information enters into the policy process and how that has evolved over time, focusing on what they call the “paradox of search”. They make extensive use of the publicly available data that they have collected over the last decade called the Policy Agendas Project. They argue that: “Information determines priorities, and priorities determine action” (p. 40). They discover is that the policy process is replete with information – not all high quality – and that different policy problems integrate information in different ways. They also find that the government has “broadened” – addressing an ever growing array of issues – rather than just “thickening” – through growth in the overall size of government. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

To understand contemporary politics we must understand how it is represented in fiction. This is the main argument in A State of Play: British Politics on Screen, Stage and Page, from Anthony Trollope to The Thick of It (Bloomsbury Academic, 2014) a new book by Steven Fielding, Professor of Politics at the University of Nottingham. The book explores how British politics has been represented in fiction from the late Victorian era through to the present. The book identifies a fascinating set of core themes, including how the political class has been defended and attacked, how the idea of populism has developed over time, along with the changing role of women in British political fiction. A State of Play does not over-claim, stressing that although an understanding of fiction is essential to understanding politics, we still don’t know the exact relationship between people’s political participation and political fiction. However, it does make a convincing case that any understanding of the British political system will be insufficient without understanding how it has been imagined and depicted. Indeed, as later chapters show, the mode of depiction itself has become an important territory for explaining British political culture. The book contains a huge range of examples, from the more well known television series, such as Yes, Minister and The Thick of It, through to obscure and perhaps forgotten books such asThe Mistress of Downing Street. Overall it will be of interest to academics and the public alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Johanna Drucker‘s marvelous new book gives us a language with which to talk about visual epistemology.Graphesis: Visual Forms of Knowledge Production (Harvard University Press, 2014) simultaneously introduces the nature and function of information graphics, awakens readers to the visual interfaces prevalent in our daily work, and considers how paying careful attention to visual interpretation can serve a broader humanistic agenda. Drucker urges us to think of graphic forms of knowledge not as mere presentation, but as interpretation, as “arguments made in graphical form.” Here, images are not necessarily fixed displays of information:Drucker suggests a way to think about images as producers of knowledge. Once we understand and approach a graphic display as a generative technology, it opens up some fascinating ways of imagining the future of the book, of reading, and of composition. As a thoughtfully and beautifully produced volume, Graphesisalso challenges our visual and material expectations for a book-as-object in its form as well as its argument. This will be a fascinating and compelling read for anyone working in/on/with visual forms of knowledge production in the humanities (digital and otherwise) or the history of the book. It is an excellent and productive book to think with, to create with, and to teach with. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

It is a cliche to suggest we are what we read, but it is also an important insight. In The New Literary Middlebrow: Readers and Tastemaking in the Twenty First Century (Palgrave-MacMillan, 2014), Beth Driscoll, from University of Melbourne, extends and critiques the work of Pierre Bourdieu to account for modern literary tastes and the literary field in which those tastes are embedded. The book attempts to explore and defend the idea of the middlebrow in literature. ‘Middlebrow’ is defined by eight characteristics, whereby it is middle class, it has reverence to elite cultures, and it is entrepreneurial, mediated, feminized, emotional, recreational and earnest. In the main it is situated within the tension between the aesthetic and the commercial. The book uses four case studies to explore how this tension, along with the idea of the middlebrow, plays out. In the first case study the role of Oprah Winfrey as a tastemaker and cultural intermediary is explored as part of an analysis of book clubs. The analysis shows how Oprah’s book club was important in establishing markets for books as well as being a site for the struggle over what is, and what is not, legitimate taste. This legitimacy is tied to elements of the middlebrow aesthetic, which has earnestness and self improvement as an important component. This component is both the source of struggle with more elite elements of the literary field and a source of changing reading practices, for example in the way Harry Potter is used in schools. The final two case studies, of book prizes and literary festivals, add to the defence of the middlebrow as a vital form of aesthetic production and cultural consumption for both understanding the future of reading and the future of the market for literature in the era of social media. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The media system in the United States could have developed into something very different than what it is today. In fact, there was an era in which significant media reform was considered. This was a time when media consumers were tired of constant advertising, bias, and control by corporate entities, and instead wanted more “public-oriented” content. Sound at all familiar? In his new book, America’s Battle for Media Democracy: The Triumph of Corporate Libertarianism and the Future of Media Reform (Cambridge University Press, 2014), Victor Pickard, an assistant professor of communication at the Annenberg School for Communication at the University of Pennsylvania, examines the debates on media reform and policy from the early 20th century, focusing, in particular, on radio. Pickard revisits the significant media policy conflicts to analyze why the American media is the way it is, and how it could have been. In so doing, he considers what the current American media system means for the Web and other new media. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Bridget Conor’s new book, Screenwriting: Creative Labor and Professional Practice (Routledge, 2014), looks closely at the creative practice and profession of screenwriting for film and television in the US and UK. Situated within the critical media production studies paradigm, Screenwriting analyzes the history, current industrial practices, identities, and cultural milieu that surround this form of creative labor. Conor examines the professional myths that are often associated with screenwriting by looking back at its history during Hollywood’s golden age, beginning with the groundbreaking work of sociologist Hortense Powdermaker. Then, utilizing theoretical frameworks developed by luminaries of media production studies such as Angela McRobbie, John T. Caldwell, and David Hesmondhalgh, Conor outlines the contemporary labor scene for screenwriters. Through in-depth interviews with professional screenwriters, Conor underscores some of the commercial and creative tensions in the industry that often challenge these individuals’ professional autonomy and claims to authorship in their work. Lastly, Conor unveils some of the deep social inequalities that persist in this industry, many of which are unfortunately perpetuated though the numerous “how-to” manuals that serve to socialize budding screenwriters in the profession. Screenwriting also illuminates some of the fascinating changes being wrought by the Internet on screenwriters and their sense of autonomy in a new digital world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

It’s been 100 years since the start of the First World War, a conflict that cost millions of lives. In his recently revised book, Propaganda and the Ethics of Persuasion (2013), Randal Marlin writes that Britain pioneered propaganda techniques to sell that war that have been imitated ever since. He tells how the British spread a false story about Germans boiling the bodies of their dead soldiers in corpse factories. It was designed to paint Germany as a uncivilized, ghoulish nation that had to be fought. Marlin also tells how American propaganda during the First World War helped foster the modern public relations and advertising industries. Marlin, who studied with the French propaganda theorist Jacques Ellul, sees propaganda as a manipulative exercise of power and he argues that in order to defend ourselves against it, we need to recognize its methods and techniques. His revised second edition analyzes how the Bush administration used fear to persuade Americans to support the invasion of Iraq. The book traces the history of propaganda from ancient times to its present, post 9/11 forms Randal Marlin is a professor of philosophy at Carleton University in Ottawa. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

“This is a book that wants you to surpass and destroy it.” Eric Hayot‘s new book has the potential to transform how we teach and practice academic writing, and it invites the kind of reading and engagement that makes such a transformation possible. The Elements of Academic Style: Writing for the Humanities (Columbia University Press, 2014) is a style guide geared specifically toward academic writers in the humanities, paying special attention to the field of literary and cultural theory but applying equally well across humanistic disciplines. At turns funny, moving, and brilliant – not always qualities we associate with writing style guides – Hayot’s book treats writing as a process that encompasses “behavioral, emotional, & institutional parameters.” The first section of the book treats writing as a form of life, addressing the contexts and habits of the writer and the institutional contexts in which we teach and write. It also offers some strategies for getting writing done in the course of the typically crazy, packed life of the academic writer, and includes some great advice for thinking about the relationship between a dissertation and a book. The second section addresses strategies of academic writing, introducing the scalable “Uneven-U” model for conceptualizing the structure of paragraphs, essays, and beyond. It also includes some helpful ways to understand and craft openings and closings, and reminds us how important it is to keep the experience of our readers in mind as we write. The third section offers great advice on some of the elemental tactics of writing practice, including citation, sentence rhythm, and much more. The final section suggests a way to think about the writing in terms of “becoming”: a writer, a written work, a form of life. The Elements of Academic Style is a book well worth reading and rereading. I’ve already been using it in my teaching and writing, and it’s a fitting work to inaugurate the New Books Network Seminar! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Failure by government agencies to share information has had disastrous results globally. From the inability to prevent terrorist attacks, like the 9-11 attacks in New York City, Washington D.C., and Pennsylvania, to the ill-equipped and ill-fated responses to disasters like the nuclear meltdown at Fukushima, and Hurricane Katrina, a common denominator in all of these events, and those similar, was a lack of inter- and intra-government information sharing. In his new book Traversing Digital Babel: Information, E-Government, and Exchange (MIT 2014), Alon Peled, associate professor of political science at The Hebrew University of Jerusalem, conceptualizes a platform that would incentivize inter-agency information sharing. Called the Public Sector Information Exchange (PSIE), the platform would not only enable the trading of information, but also offers the valuation of information assets. In this way the PSIE creates an inter-government economic system. In detailing of the opportunities and threats to such a system, Peled offers examples of how similar systems have been implemented in governments throughout the world, and uses interdisciplinary training and experience in information technology and political science to describe a system and rationale that could offer assistance to those looking for simplified and efficient government. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In the early days of the Internet, optimists saw the future as highly connected, where voices from across the globe would mingle and learn from one another as never before. However, as Ethan Zuckerman argues in Rewire: Digital Cosmopolitans in the Age of Connection (Norton, 2013), just because a connection is possible does not mean disparate voices are being heard. Instead, things and not ideas have become more connected; we now live in a world where is easier to get a bottle of water from a tropical island halfway around the world than it is to get (let alone comprehend) news from that island. Zuckerman, a media scholar and activist based at MIT, suggests despite our perceived “connectedness,” the wired world is actually becoming more provincial and narrow, as we shift from professionally curated news and information, to search engines and algorithmically selected information based on previous “likes” and those of our homogeneous social circles. In other words, we are getting more and more of what we already know we want with ever-greater efficiency, but not what we need to be informed participants in a global world. In an expansive analysis that takes on everything from the global response to modern pandemics, to Greek philosophy, to the “Arab Spring,” to musical hybridization across cultures, Zuckerman calls for a world of “digital cosmopolitans,” where those who can bridge between communities are called upon to foster deeper, more nuanced conversations around the globe in ways that fulfill the promise of expanding technological opportunities. At once a thoughtful analysis, an engaging history, and a bold call to arms, Rewire offers readers a deep understanding of how media is evolving to shape and be shaped by global voices. As such, it has vast implications at both personal and geopolitical levels for the future of information, technology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What would a truly ‘social’ social media look like? This is the core question of From Corporate to Social Media: Critical Perspectives on Corporate Social Responsibility in Media and Communication Industries (Routledge, 2014), the new book by Marisol Sandoval. The text is concerned with the emergence of a seemingly open and democratic space, social media, which is in fact subject to corporate dominance and control. The book aims to provide a political economy of the social relations in which media and communications industries are embedded, to reveal the inequalities of both power and control in social media. This point is illustrated through case studies of major corporations. Sandoval takes an important theme- including net neutrality, e-waste, ideologies, and labour conditions- and compares and contrasts CSR statements and positions with the reality of corporate actions on these themes. Case studies include Google, Apple, Disney and AT&T. The book concludes by considering how social media might become more social by thinking about how it might contribute to the idea of the commons, a concept that has been crucial to much critical theory thinking in recent years. By linking ideas of the commons to the political economy of media and communications, From Corporate to Social Media, gives an important new basis for future theoretical discussion. The book is therefore essential reading for all of us participating in the new world of social media, whether as academics, employees or as citizens. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

There is no doubt that innovations in technology have had, and are having, a significant impact on society, changing the way we live, work, and play. But the changes that we are seeing are far from novel. In fact, most are a continuation of changes to society and societal structure with roots in the past. So argues Hugh F. Cline, adjunct professor of sociology and education at Teachers College, Columbia University, in his new book, Information Communication Technology and Social Transformation: A Social and Historical Perspective (Routledge, 2014). According to Cline, the technopanics, or strong objections to new technology have happened since the days of Aristotle. In spite of the objections, technological innovations can positively advance societal interests. Mixing history, sociology, anthropology, and technological studies, Cline provides context for the examination of how ICTs are impacting society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Brooke Erin Duffy's Remake, Remodel: Women's Magazines in the Digital Age (University of Illinois Press, 2013) traces the upheaval in the women's magazine industry in an era of media convergence and audience media-making. Duffy, assistant professor at Temple University's School of Media and Communication, is especially interested in the experience of writers, editors, and others who produce women's magazines: How are they coping with new competition, more intense work routines, and the imperative to produce (and engage) across a range of non-print media platforms? Questions of identity thread through the book: What does it mean to be a magazine writer in the iPad era? What are the stakes for gender identity as this female-focused genre adapts to digital workflows? To get at these questions, Duffy conducted in-depth interviews with dozens of editors, publishers, interns, and business-side workers, most of them at the big three magazine publishers, Hearst, Conde Nast, and Time, Inc. Remake, Remodel traces the history of women's magazines, as well the history of scholarship on these magazines, but the bulk of the book explores different facets of workers' coming-to-terms with the digital tsunami, including changes to the gendered makeup of the workforce, shifts in the industry's attitude toward its audience, the complicated rivalry, dismissal, and embrace of fashion bloggers, and the tension between medium-specific traditions and the push to spread the magazine--now reimagined as a brand--across a range of platforms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Julia Azari has written Delivering the People’s Message: The Changing Politics of the Presidential Mandate (Cornell University Press, 2014). Azari is assistant professor of political science at Marquette University. What was President Obama’s mandate when he was elected in 2008? Did that mandate extend to 2012? We commonly think that mandates attach to wide electoral margins. Azari cuts through this convention to analyze the variety of ways presidents have used the language of mandates to advocate for their policy agenda. Azari’s book fits with a book featured on the podcast in May by John Hudak. Both books link together the political and policy dimensions of the presidency. Azari discovers that presidents refer to mandates when political polarization increases and as the White House loses legitimacy. By the time President Obama was elected, these factors came together, thereby increasing the use of mandate language and the unrealistic expectations that often come with lofty promises. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Social media is a phenomenon that continues to grow and attract much attention in the form of consternation, commentary, criticism and scholarly research. Any attempt at truly understanding social media communication practices and tools requires interdisciplinary analysis, the examination of the technology from the varying perspectives of the groups of users, developers and experts with respect to the issues surrounding it. It also should include a look at the changes social media has and continues to bring to various fields, particularly with respect to professional communication. Jeremy Lipschultz, Isaacson Professor in the School of Communication at the University of Nebraska at Omaha, discusses the impact of social media on various mass communications professions in his new book Social Media Communication: Concepts, Practices, Data, Law, and Ethics (Routledge 2014). In his book, Lipschultz examines the various theories and practices connected to social media communication, and how this emerging form of communication differs from the traditional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The social and cultural historian Joe Moran, Professor of English and Cultural History at Liverpool John Moores University, UK is interested in the everyday moments between great events. In his books Queuing for Beginners: The Story of Daily Life from Breakfast to Bedtime, On Roads: A Hidden History and now Armchair Nation: An Intimate History of Britain in Front of the TV (Profile Books, 2013) he documents the mundane activities that make up our lives. In Armchair Nation Moran surveys the history of television watching in Britain from the technology’s first demonstration in a department store in 1925 and up to today. Moran’s engaging narrative progresses through major milestones in the medium’s history. To document how watching television had become a daily habit for a multitude of individuals, Moran uses an assortment of sources such as newspaper reviews, listings and interviews, diaries, and Mass Observation entries. While Moran hesitates to treat the consumption of television as an act of community building, he does frame it as a communal and meaningful act that binds millions together. Therefore, for Moran, the analysis of television consumption is also a meditation about the characteristics and challenges of collective memory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The conversation about the Web and social media skews toward a discussion of the potential for connections, and how both individuals and organizations are using the media to communicate, to form communities, and to conduct business. Lacking, for the most part, is an investigation of the design of these spaces and how design, both good and bad, encourages or provokes certain kinds of interactions. In her new book, The Social Machine: Designs for Living Online (MIT Press, 2014), Judith Donath, Faculty Fellow at Harvard University’s Berkman Center, explores the theory and practice of interface design, and analyzes how design influences online interaction. With a view toward inspiring designers, and others, “to be more radical and thoughtful in their creations,” Donath provides a detailed examination of topics to be considered for beneficial design. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

“One doesn’t so much read a death certificate, it would seem, as perform calisthenics on one…” From the first, prefatory page of Lisa Gitelman‘s new book, the reader is introduced to a way of thinking about documents as tools for creating bodily experience, and as material objects situated within hierarchies and relationships of labor. Working beautifully at the intersection of media studies and history, Paper Knowledge: Toward a Media History of Documents (Duke University Press, 2014) curates a thoughtful and inspiring collection of moments from the expansion of a modern “scriptural economy.” The case studies explore fill-in-the-blank forms in the context of late nineteenth century job printing, typescript books and scholarly communication in the 1930s, photocopies and photocopying in the 1960s and 1970s, and PDF files in the 1990s and beyond. The final chapter is a fascinating exploration of what it might look like to write a situated history of amateurdom and the figure of the “amateur,” a theme that recurs throughout the preceding chapters. Though all of these cases are carefully rooted within a US context, the insights gleaned from them potentially apply to a much wider and trans-local conversation about the documentary media of writers and readers. It is a history of documenting as an epistemic practice and documents as instruments, and that history is consistently and productively entangled with concerns about reproduction, access, labor, and the emergence of a bureaucratic self. Along the way, Paper Knowledge helpfully opens up some persistent historiographical notions that benefit from such opening, such as “print culture,” “digital humanities,” “authorship,” and other categories that have defined the history of and with communication, and that animate contemporary debates within academia and beyond. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Scholars and commentators have used metaphor in an attempt to describe the Web since public access began. Think of ideas like the information highway, cyberspace, the digital library, etc. In her new book, The Leisure Commons: A Spatial History of Web 2.0 (Routledge, 2014), Payal Arora, an assistant professor in the Department of Media and Communication at Erasmus University Rotterdam, takes a novel approach to the use of metaphor by examining the parallels between public common spaces and Web 2.0. In the book, Arora uses an interdisciplinary approach to exploring the historical, geographical, political and social issues related to public parks. In so doing, Arora, provides a foundation for how policymakers, organizations and individuals may conceptualizes the debates surrounding common spaces, particularly Web 2.0. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Ian Haney Lopez is the author of Dog Whistle Politics: How Coded Racial Appeals Have Reinvented Racism and Wrecked the Middle Class (Oxford UP 2014). He is the John H. Boalt Professor of Law at the University of California, Berkeley, and on the Executive Committee of the Thelton E. Henderson Center for Social Justice. Lopez investigates the often hidden side of racism. He traces the political history of candidates for office using a set of coded phrases, allusions, and references to call attention to race, without ever uttering the word. In the post Brown v. Board era, Lopez argues, candidates learned a new language of strategic racism, substituting anti-government rhetoric for anti-black, anti-Latino, or anti-immigrant. In doing so, the dog whistle was heard as a much wider criticism of the social welfare state, and thus a direct attack not just on minorities, but on the middle class. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The mid-’00s saw the rise of a political movement in Europe concerned with technocratic impositions on the ideals of free culture, privacy, government transparency and other technology policy issues. Led by online file sharers and developers, the Swedish Pirate Party was thrust into the spotlight in 2006 after law enforcement shut down the popular file sharing site The Pirate Bay. In his new book, Pirate Politics: The New Information Policy Contests (MIT Press, 2014), Patrick Burkart, an associate professor of communication at Texas A&M University and currently a visiting scholar at the University of Helsinki, examines the rise of the Pirate Party in Sweden, and later Germany. To do so, Burkart analyzes ideas about the colonization of Internet communities and resources using critical communications theories. In do doing, Burkart provides a foundation for the examination of the spread of Pirate parties across the globe as well as the rise of similarly aligned political movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

John Nathan Anderson’s new book, Radio’s Digital Dilemma: Broadcasting in the 21st Century (Routledge, 2014), documents the somewhat tortured path of broadcast radio’s digital transition in the United States. Beginning his analysis with rise of neoliberal communications policy in the 1980s, Anderson charts the development of the idea of digitalization by closely examining two key archival sources: The Federal Communication Commission’s extensive archive of rulemaking and public comments and the archives of the two most important trade journals in broadcast radio, Radio World and Current. As Anderson explores in the book, FCC regulatory neglect coupled with the huge consolidation within the radio industry following the passage of the Telecommunications Act of 1996 resulted in a digital transition that was dictated largely by commercial interests. For example, the most important decision about digital radio – the engineering standard for digital broadcasting – was determined by a federation of corporations that formed a proprietary standard called HD Radio. This new digital standard was a failure on a number of levels, argues Anderson. First, it was at odds with the global digital radio standard, Eureka 147. Second, it caused unwanted interference with analog radio signals. Third, the corporate entity which owned the rights to the HD Radio standard, iBiquity, was determined to charge local stations a fee for using its digital radio standard. Once digital radio began to roll out across the nation in 2002, local stations’ and listeners’ complaints about interference and bad reception were effectively drowned out by a sustained marketing effort on behalf of HD Radio’s corporate partners. Today, the future of digital radio in the United States is in doubt: only 13% of all stations are broadcasting a digital signal. Throughout the book, Anderson argues that the lack of regulatory guidance and oversight, coupled with blind allegiance to market forces, has resulted in a radio environment that falls well short of our aspirations for a democratic media system. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What is the value of music and why does it matter? These are the core questions in David Hesmondhalgh‘s new book Why Music Matters (Wiley Blackwell, 2014). The book attempts a critical defence of music in the face of both uncritical populist post-modernism and more economistic neo-liberal understandings of music’s worth. Hesmondhalgh develops this critical defence of music by exploring its importance to individuals, to places, to communities and to nations, eventually engaging with the global aspects of music’s role and position in society. The book seeks to argue against some common positions in music, reasserting the importance of embodied experiences, such as dancing, whilst taking issue with the idea of the rock star as hero. Moreover Hesmondhalgh shows the social position and social structures surrounding music, whilst remaining attentive to the aesthetic qualities of both genres and individual pieces of music. Most notably the book is ambivalent about much of the promises claimed by the advocates of music’s transformative potential, but is never bleak, retaining a refreshing realism about the capacity of music to matter to people, publics and nations across the world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Leilani Nishime‘s Undercover Asian: Multiracial Asian Americans in Visual Culture (University of Illinois Press, 2014) challenges the dominant U.S. cultural narrative that imagines multiracial people as symbols of a future United States where race has ceased to function as a viable category. Nishime considers how representations of mixed race people often negate the significance of race by seeing racial mixture as an unprecedented social development that can promise a future free of race. By reading an archive of visual pop-culture that includes the celebrity of Tiger Woods, the film series “The Matrix” and reality television, Nishime considers how various narratives of multiracial Asian Americans can rupture naturalized notions of racial difference. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications