New Books in Communications

How do social movements remember the past? How do collective memories affect their current strategic choices? In his book Social Movements, Memory and Media: Narrative in Action in the Italian and Spanish Student Movements (Palgrave, 2018), Lorenzo Zamponi provides an answer to these questions by analyzing the representations of specific episodes related to the Italian and Spanish student movements of the 1960s and 1970s, and the recollection of those events by current student activists. By bridging the disciplines of memory studies and social movement studies, Lorenzo makes a significant contribution to our understanding of how cultural factors shape political action. Collective memories can serve as a way of legitimation and mobilization to social movements, but they can also limit their strategic choices by imposing certain past identities and contentious repertoires. Researchers from all disciplines interested in the intersect between memory and social movement studies are encouraged to answer to the Call for Papers for a special issue to be published in Mobilization, edited by the author. Felipe G. Santos is a PhD candidate at the Central European University and Visiting Research Fellow at the University of California Irvine. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The study of education policy is a scholarly field that sheds light on important debates and controversies revolving around education policy and its implementation. In this episode, we will be talking with three scholars who have made substantial contributions to this field by introducing an innovative perspective to the studies of educational policy—the discursive perspectives. In their new edited volume, Discursive Perspectives on Education Policy and Implementation (Palgrave Macmillan, 2017), editors Jessica Lester, Chad Lochmiller, and Rachael Gabriel, together with other contributors of the book, argue that we should pay close attention to how language is used as a mediation in the entire process of education policy conceptualization and implementation. The book offers compelling and diverse examples to demonstrate how researchers interested in different aspects of policy studies may employ language-based methodologies to enrich our understanding of crucial issues in the realm of policymaking. Thoughtfully produced and carefully presented, the book also won this year’s AERA Qualitative Research SIG outstanding book award. About the host: Pengfei Zhao holds a doctoral degree in Inquiry Methodology from Indiana University-Bloomington. Her work employs critical qualitative research methodologies to examine topics such as youth culture, educational reform, and research ethics in both East Asian and American contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Ben Epstein’s new book, The Only Constant is Change: Technology, Political Communication, and Innovation over Time (Oxford University Press, 2018), traces communication changes and innovations in the United States from the time of the Founding to the present, while also exploring how and where innovative use of communication becomes viable for political actors. Epstein connects a number of threads within the book, including a qualitative approach to communications studies that makes use of the American Political Development, or APD, framework as the structure to explore the disruptions in technology that allow for new forms of political communication operations to come forward and for political actors to choose to make use of these innovative forms for communication. Making central claims about how technological and political forces disrupt political communication activity and how these disruptions lead to new political communication orders, Epstein also examines who makes the most use of new information and communication technology, and how and where a new political communication order becomes embedded within our daily lives. This is a clearly structured book—detailing the periods of technological revolution and then the responses to those revolutionary periods as the new form of technology becomes normalized within society and also within the political communication arena. There are also some important comparative case studies to help readers understand who may make the most out of new communication approaches, and whether these approaches may, or may not, make that much of a difference. This podcast was hosted by Lilly Goren, Professor of Political Science and Global Studies at Carroll University in Waukesha, WI. You can follow her on Twitter @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Mary E. Stuckey’s new book, Political Vocabularies: FDR, The Clergy Letters, and the Elements of Political Argument (Michigan State University Press, 2018), is a fascinating and engaging investigation of an early period during the Roosevelt Administration that provides the reader with a broad and expansive understanding of different aspects of presidential politics, political rhetoric, communication between elected officials and constituents, and the shifting perceptions of the role of the executive in the American political system. This snapshot in time, in this case, 1935, provides a much bigger picture of power, political change, and the sense of the country as a whole. Stuckey integrates aspects of these letters into her analysis as she explores rhetorical authority and differing political vocabularies as seen while the power and structural dynamics in the United States shifted during this period. She also examines how these letters between clergy members and the president provide readers with an understanding of American politics, religious warrants, and political imaginaries. This is an important and complex analysis because it also gets at the heart of what Americans understand about themselves and the political world in which they engage and participate. This book will be of interest to a broad range of scholars from political scientists and communication scholars to those in theology and religious studies as well as non-academics who will find Stuckey’s research and analysis fascinating in considering how the United States thinks about itself. This podcast was hosted by Lilly Goren, Professor of Political Science and Global Studies at Carroll University in Waukesha, WI. You can follow her on Twitter @gorenlj Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

You should never trust celebrities, politicians, or activists for health information. Why? Because they are not scientists! Scientists often cannot compete with celebrities when it comes to charm or evoking emotion. Science is complex and often cannot provide the easy “soundbite” worthy answers that celebrities and politicians truly comprehend. Americans are flooded with misleading or incorrect claims about health risks. In his book Bad Advice: Or Why Celebrities, Politicians, and Activists Aren’t Your Best Source of Health Information (Columbia University Press, 2018), Dr. Paul Offit sets the record straight. In this book, Dr. Offit shares his advice from his years of experience battling misinformation in science and public health. He has often found himself in the crosshairs of the anti-vaccine movement and other pseudoscience groups. He has received a significant amount of hate mail and even death threats for speaking out in the name of good science and the health of mankind. Bad science isn’t just wrong, it’s dangerous. Luckily. Dr Offit offers his guide for taking on the quacks. This book is especially important due to the increased amounts of politicized attacks on science in the United States. Jeremy Corr is the co-host of the hit Fixing Healthcare podcast along with industry thought leader Dr. Robert Pearl. A University of Iowa history alumnus, Jeremy is curious and passionate about all things healthcare, which means he’s always up for a good discussion! Reach him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

John H. McWhorter is Associate Professor of English and Comparative Literature at Columbia University. He has written academic books on creole linguistics, including the book we’ll be talking about today, but also a number of popular books on language (including The Power of Babel), and black identity in the United States. He is a regular columnist for several US broadsheets; he’s a two-time TED talker; and he has a weekly podcast dealing with issues related to language called Lexicon Valley which is worth checking out if you’re listening to New Books in Language. In this interview, McWhorter discusses his recent book The Creole Debate (Cambridge University Press, 2018). Making the case that prominent scholars in creole studies have systematically mischaracterized the nature of creole languages, McWhorter calls for a more intellectually honest engagement with the empirical evidence, both from “syntactocentric” formal linguists, and from creolists concerned that treating creoles as typologically distinct is tantamount to neocolonialism. John Weston is an Yliopisto-opettaja (University Teacher) in the Language Centre at Aalto University. His research focuses on the relationships between language variation, knowledge and ethics. He can be reached at [email protected] @johnwphd. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

We are arguably living in the midst of a form of economy where attention has become a key resource and value, labor, class, and currency are being reconfigured as a result. But how is this happening, what are the consequences, and is “economy” necessarily the most productive frame in which to understand these transformations in attention and distraction? Yves Citton’s new book explores these questions in a fascinating study of attention as economy, ecology, and “echology” (with the last taking on resonances of the notion of the echo). The Ecology of Attention (tr. Barnaby Norman) (Polity Press, 2017) looks carefully at attention-related phenomena emergent at a number of scales and argues throughout that there are high stakes for how we understand and work with these phenomena: for teaching, performance, the environment, and liberty itself. It’s a clear and compelling book about an important topic, and it will be of interest to a wide readership. Enjoy the conversation! Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How should we understand our new golden age of television? In New Television: The Aesthetics and Politics of a Genre (University of Chicago Press, 2017), Martin Shuster, Director of Judaic Studies and Assistant Professor at Goucher College, interrogates New Television and offers both a defense and critique. Drawing on the work of the late Stanley Cavell, along with others including Hannah Arendt, the book explores the ontology of New Television, the medium of the screen, and the nature of storytelling. New Television has a vast range of examples, including chapters specifically focused on The Wire, Weeds and Justified. Along with detailed aesthetic philosophical discussion of each program, the book ultimately poses the problem of the politics of New Television, questioning the extent to which it offers critical, emancipatory, or regressive contributions to our understanding of modern life. The book is essential reading for anyone watching television, and also those who are not! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How do we conceptualize religious conservatives and their relationship with sex? And how do Christians use digital media for sexual knowledge and pleasure? In her new book, Christians Under Covers: Evangelicals and Sexual Pleasure on the Internet (University of California Press, 2016), Kelsy Burke tackles these issues and more. Using “virtual ethnography” consisting of analysis of website content and interviews with website users online, Burke explores the ways in which evangelicals maintain commitment to God while expressing and learning about themselves sexually online. This book uses a feminist and queer perspective to understand this population and many of sociology’s great topics, including power, inequality, and gender. Respondents tend to think about themselves in terms of what Burke refers to as marital exceptionalism – that if these conversations and acts are taking place within a heterosexual marriage, then they are okay. She compares and contrasts men and women’s experiences on these websites, finding that women focus more on sexual awakening and how sexual pleasure ties to their emotional and spiritual lives, while men focus more on the practical aspects of issues they are questioning. Most evangelicals see their sexual experiences as tied to God and rest in their faith for understanding. This book will be of interest to gender and religion scholars, but Burke provides really clear and accessible explanations early on in the book which makes the book marketable to a wide audience. This text would be useful in a Sociology of Religion or a Sociology of Gender class regarding religion, graduate level. Sarah E. Patterson is a postdoc at the University of Western Ontario. You can tweet her at @spattersearch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Will voters this fall be voting for or against Donald Trump, even though he isn’t on the ballot? Will they be voting on national issues, such as immigration or relations with North Korea, even when the election is for city council or mayor? If all politics is ultimately local, then the answer should be no. Instead, most assume that national issues will dominate vote choice up and down the ballot in 2018. For Daniel Hopkins, this is not a new phenomenon: the United States has been nationalizing for a long time, and political behavior has long reflected it. Hopkins is the author of The Increasingly United States: How and Why American Political Behavior Nationalized (University of Chicago Press, 2018). He is associate professor in the Political Science Department at the University of Pennsylvania. In his new book, Hopkins marshals an incredible amount of data, from reanalysis of existing data to newly collected surveys to original experiments. From this mound of data, he shows how US politics has nationalized and why. The increasingly national news media and party polarization has change the way voters consume political information and what they are consuming. The result is an orientation of parties to national issues and political behavior that reflects this shift. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The recent Supreme Court Masterpiece Cakeshop ruling showed the on-going debate between religious conservatives and advocates of LGBTQ rights. Much of this debate has been about the definition of religious freedom and how to balance religious rights against other important individual rights. This is the topic of the new book The Rhetoric of Religious Freedom in the United States (Lexington Books, 2017). Eric Miller has brought together over a dozen scholars to consider the language used to argue over these rights claims. Chapters focus on everything from Conservative Evangelicals to environmental policy to Fundamentalists response to Donald Trump. Eric C. Miller is assistant professor of communication studies at Bloomsburg University of Pennsylvania. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

As part of its effort to forge a new secular Jewish nation, the nascent Israeli state tried to limit Jewish religiosity. However, with the steady growth of the ultraorthodox community and the expansion of the settler community, Israeli society is becoming increasingly religious. Although the arrival of religious discourse in Israeli politics has long been noticed, its cultural development has rarely been addressed. In his new book Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016), Yaron Peleg explores how the country’s popular media, principally film and television, reflect this transformation. In doing so, it examines the changing nature of Zionism and the place of Judaism within it. Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar’s work here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Middle Eastern history, the printing press has been both over- and under-assigned significance as an agent of social change. Hala Auji’s Printing Arab Modernity: Book Culture and the American Press in Nineteenth-Century Beirut (Brill, 2016) is not only a history of the American Protestant mission’s Arabic press in Beirut, which printed books for Ottoman readers during the 19th century, but a window into the world of Arabic printing at large. Auji uses art history to chart the transition between manuscripts and printed books, using a deep appreciation for Islamic art and book-production to highlight rupture and continuity. Text and non-textual elements are used to tell a story that was not local simply to Beirut, but had connections to the entire region and the development of printing in Arabic-language script at large. Part book-history, part art history, part intellectual history, Printing Arab Modernity ebbs between lithography and typography to tell an essential narrative of modern Middle Eastern history. Hala Auji is an assistant professor of art history in the Department of Fine Arts and Art History at the American University of Beirut (AUB). She holds a PhD in art history from Binghamton University, State University of New York, an MA in Art Criticism & Theory from Art Center College of Design, and a BFA in graphic design from the American University of Beirut. Her research interests include: Arabic book and print culture, 19th-century Islamic art and architecture and the| history of modern science in the Islamic world, amongst many more. She can also be found at https://www.halaauji.net/ Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

To find out what Americans really think about their government, University of Texas-Austin Professor Roderick P. Hart read and analyzed approximately 10,000 letters to the editor, from 12 “ordinary” cities, written between 1948 and the present. In Civic Hope: How Ordinary Americans Keep Democracy Alive (Cambridge University Press, 2018), Hart argues these letter writers are essential because “[c]reating and sustaining a culture of argument at the grassroots level” is what makes “democracy flourish.” Despite the sometimes cantankerous nature of letter writers, Hart praises their commitment to participating in a public dialogue. He notes the importance of sharing opinions in local newspapers in one’s own name, where neighbors can see them and respond to them, aiding communal understanding. But Hart also sees in his research a decline over the past several decades in “Oppositional Literacy,” the understanding of opposing views, possibly fed by “hyper-partisanship” in non-local online discourse. Nevertheless, “Civic Hope” is bound to make readers rethink the value of the letters page and the contributions of letter writers to democracy. Bill Scher is a Contributing Editor for POLITICO Magazine. He has provided political commentary on CNN, NPR and MSNBC. He has been published in The New York Times, The New Republic, and The New York Daily News among other publications. He is author of Wait! Don’t Move to Canada, published by Rodale in 2006. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The Lòlop’ò of Southwest China’s Yunnan Province have a folktale in which they, Han Chinese, and Tibetans were given the technology of writing. The Han man was wealthy, purchased paper, and wrote on paper. And so the Han continue to have writing today. The Tibetan man wrote on an animal hide, and so the Tibetans now have writing as well. The Lòlop’ò man, being poor, wrote on buckwheat pancakes. He ate the pancakes on the way home, and the Lòlop’ò now keep their texts orally among a group of ritual specialists. In Erik Mueggler’s Songs for Dead Parents: Corpse, Text, and World in Southwest China (University of Chicago Press, 2017), Lòlop’ò oral literature and Han Chinese writing feature prominently in local “work on the dead.” For the Lòlop’ò, one’s familial ancestors, and non-familial ancestors are present in the world, and people maintain complex intimate relations with them that are not constrained by death. These relations find expression in rituals in which souls are given material body and then dispersed again, in laments and chants, and in gravestones inscribed with Chinese. In examining these various factors, this book provides new pathways for studying the anthropology of death, and for understanding ethnic minority experience in Southwest China. Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In his new book, The World’s Din: Listening to Records, Radio and Films in New Zealand 1880–1940 (Otago University Press, 2018), Peter Hoar, a senior lecturer in radio and media history at Auckland University of Technology, explores how new technology shaped how New Zealanders experienced the very act of listening in the late 19th and early 20th century. Hoar traces how this cultural revolution in sound reflected new global possibilities in recordings, radio, and film that New Zealanders made all their own. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Follow-up interviews are always fun. Listen to my follow-up interview with Dahlia Schweitzer, author of Going Viral: Zombies, Viruses, and the End of the World (Rutgers University Press, 2018). I talk with her and Rob Thomas, the creator of Veronica Mars and the co-creator of iZombie and Party Down as well as the author of several young adult novels including Rats Saw God and Slave Day. In this interview we talk about how Schweitzer’s book discusses some of the ways in which Thomas’ series iZombie is ahead of its time, while Thomas shares some of the stories behind co-creating and writing iZombie. In addition, we discuss Thomas’ work on Veronica Mars, how the series came to be, as well as the ways in which it relates to Schweitzer’s new book. It’s a great interview for zombie lovers and marshmallows alike. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Veiled Superheroes: Islam, Feminism, and Popular Culture (Lexington Books, 2017) by Sophia Rose Arjana (with Kim Fox), takes us on a riveting journey through the world of superheroes and villains from the streets of New York to Pakistan. The book is a creative, masterful, and fascinating analysis of female Muslim superheroes in popular comic books and animation. Through the use of global examples, such as Ms. Marvel, Burka Avenger and Bloody Nasreen, just to name a few, Arjana engages her readers beyond reductive discussions of the veil, sexuality, and gender to highlight the ever-complex ways in which female Muslim superheroes can help us engage constructively with ideas of Islamic feminism, the Muslim female body, intersectionality, and even notions of violence. With supernatural powers, such through the mystical arts (i.e., Sufism), or human qualities of courage and bravery, the Muslimah superheroes featured in this study capture the real and complex lives of Muslim women globally, and the vast negotiations they have to contend with. In doing so, Arjana masterfully highlights that there is no singular Islamic feminist (or just Muslim) female experience. This book is a must read for anyone interested in religion, popular culture, and gender studies, while its accessibly written style, makes it an excellent resource for teaching religious, media, and gender studies for undergraduate students. M. Shobhana Xavier is an Assistant Professor of Religion at Ithaca College. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism (Bloomsbury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2018). More details about her research and scholarship may be found here and here. She may be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Appeals to “press freedom” can be heard from across the political spectrum. But what those appeals mean varies dramatically. Sam Lebovic, in his excellent new book, Free Speech and Unfree News: The Paradox of Press Freedom in America (Harvard University Press, 2016), traces the fraught history of that contested concept throughout the twentieth century. Beginning his analysis in the 1920s, Lebovic shows how conservative politicians, lawyers, and publishers began to define press freedom as freedom from state censorship, wrapped it in the first amendment, and fought New Deal attempts at regulation. Meanwhile, liberal politicians and journalists feared corporate control of the press as a threat to the democratic need for information, and advocated a freer and more trustworthy press. Not interested solely in the debates over press freedom, Lebovic also focuses on, what he calls, “the everyday politics of information.” He reveals how state classification practices and the political economy of the news fundamentally shaped how information flowed. It is an ambitious book that succeeds in telling a crucial story and it should inform contemporary approaches to press monopolization and the ever-growing “classified universe.” The book will interest intellectual historians, communications scholars, legal historians, political historians, and historians of U.S. foreign relations. Dexter Fergie is a first-year PhD student of US and global history at Northwestern University. He is currently researching the 20th century geopolitical history of information and communications networks. He can be reached by email at [email protected] or on Twitter @DexterFergie. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

It seems safe to assume that media coverage changes the behavior of politicians and voters. And it seems safe to assume this happens in cases of humanitarian crisis. But it’s really hard to go beyond these platitudes to determine exactly how this feedback loop works. John Nathaniel Clarke’s new book, British Media and the Rwandan Genocide (Routledge, 2018), uses Rwanda as a test case to tease out the relationship between media coverage and policy. To do so, he uses carefully structured, labor intensive and analytically rich process to determine exactly what the media was reporting and writing about the genocide. By examining the media coverage so systematically, he is also able to detect changes over time in the nature of the reporting. He then examines the way in which members of parliament respond to the reports, analysis and op-eds in a variety of British newspapers. Clarke knows his way around an excel spreadsheet, and his analysis is statistically sophisticated and his conclusions carefully considered. His book raise questions about the received wisdom about coverage of Rwanda. But it also offers a model going forward of how we might understand the relationship between media coverage of mass atrocities and the decisions made by political leaders about how to respond to these crises. Kelly McFall is Professor of History and Director of the Honors Program at Newman University. He’s the author of four modules in the Reacting to the Past series, including The Needs of Others: Human Rights, International Organizations and Intervention in Rwanda, 1994. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What do Mary Shelley’s Frankenstein, media theorist Marshall McLuhan and Canadian popular culture have in common? This is the question that Mark A. McCutcheon seeks to answer in his new book, The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology, published in 2018 by Athabasca University Press. In this unique and penetrating analysis, McCutcheon argues that Shelley’s 1818 novel essentially reinvented the word “technology” for the modern age, establishing its connections with ominous notions of manmade monstrosity. In the twentieth century, this monstrous, Frankensteinian conception of technology was globalized and popularized largely through Marshall McLuhan’s media theory and its numerous, diverse adaptations in Canadian popular culture. The Medium is the Monster establishes Frankenstein, and its various adaptations, as the originating intertext for a modern conceptualisation of technology that has manifested with a unique potency in Canadian pop culture, informing works as disparate as David Cronenberg’s Videodrome, William Gibson’s Neuromancer, the fiction of Margaret Atwood, and even electronic dance music. Furthermore, McCutcheon undertakes an incisive of analysis of how Frankensteinian constructions of technology have shaped real-world discussions of science and industry, an intertextual discourse which he sees as most powerfully encapsulated in the rhetoric associated with the Alberta tar sands industry. Over the course of the interview, McCutcheon provides some fascinating insights into changing cultural attitudes towards technology, the influence of Mary Shelley’s Frankenstein, the novel’s relationship to McLuhan’s media theory, and the surprising scope of Shelley’s cultural impact. Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The use of our data and the privacy, or lack thereof, that we have when we go online has become a topic of increasing importance as technology becomes ubiquitous and more sophisticated. Governments, advocacy groups and individual citizens are demanding that action be taken to protect their valuable data. But what does this sporadic noise amount to? B.J. Mendelson in his book Privacy: And How to Get It Back (Curious Reads, 2017) argues that a complacent citizenry and the overly-intimate relationship that corporations have with government has led to massive breaches of people’s privacy. Mendelson humorously explains the way people’s data is used and abused as he tracks the long history of government surveillance leading to an explanation of, what he believes, could be the solution to the abuse of people’s privacy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Today I was joined by Seamus Grimes from Ireland where he is Emeritus Professor at the National University of Ireland, Galway. With Yutao Sun (Dalian University of Technology), he just published a very interesting and timely book China and Global Value Chains: Globalization and the Information and Communications Technology Sector (Routledge, 2018). President Trump has raised the intriguing question of bringing the manufacturing of companies like Apple back from China to the U.S. This book, however, argues that in this age of the knowledge-based economy and increased globalization, that value creation and distribution based on knowledge and innovation activities are at the core of economic development. The double-edged sword of globalization has transformed China’s economic development in the past few decades. Although China has benefitted from globalization and is now the second largest economy in the world, having become a global manufacturing power and the biggest exporter of high-tech products, it continues to be highly dependent on foreign sources of capital and technology. The book explores the core of the Chinese economy from the perspective of the global value chain, combining analysis of inward investment, international trade, science and technology and innovation and economic development. Specifically, it investigates China’s evolving role with some innovative Chinese companies emerging in the global market and China’s ongoing efforts to become an innovation-driven economy. This is a very interesting book on the complexity of the global industrial systems that are behind the production of the electronic goods that we use daily. Beside China and this specific sector, it is a timely warning for those that argue in favour of raising barriers or regulating otherwise the current flow of goods and components worldwide. Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on Critical Management Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How does the portrayal of a character like Apu matter? What does the representation of South Asian TV characters tell us about society at large? In her new book, South Asians on the U.S. Screen: Just Like Everyone Else? (Lexington Books, 2018), Bhoomi Thakore uses interviews and audience studies to explore these questions and more. By having participants list South Asian characters they’ve seen on TV, she learns a lot about representation in addition to the positive and negative characteristics attributed to these characters. Often times South Asians are relegated to minor characters in shows and Thakore explores how The Mindy Project breaks out of this mold. Exploring ideas and concepts including “forever foreigners,” assimilation, and acculturation, Thakore analyzes this media sociologically. The book also sheds light on the portrayal of South Asian female characters specifically, as well as how some shows emphasize the “every-day”-ness of some South Asian characters versus those portrayed as tokens. Overall, this work highlights important aspects that viewers of these shows may miss in passing. Thakore concludes by giving readers insights from the analysis at hand, but also provides larger insights in terms of racial relations and media portrayals in general. This book is interesting and accessible to a wide audience. Folks interested in general sociology, race/ethnicity, or media studies will find the book enjoyable. This book would be useful for an upper level sociology of race/ethnicity course as well as graduate level courses, especially those that focus on race/ethnicity or media studies. Sarah E. Patterson is a postdoc at the University of Western Ontario. You can tweet her at @spattersearch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How do the media make race? This question is at the heart of Race and the Cultural Industries (Polity, 2018), the new book by Anamik Saha, Lecturer in Media, Communications and Promotion at Goldsmiths, University of London. The book sits between critical race theory and the political economy of culture, proving to be an astute and valuable contribution to a field that, as yet, has yet to find a definitive take on the question of race and the cultural industries. The book is filled with examples from media, including news rooms, publishing, music, theatre and film, as well as rich and detailed theoretical engagements with scholarship accounting for the often hidden structures that give us a culture dominated by the norms of whiteness. It is not only essential reading for media studies scholars, but also is important for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Unconventional, Partisan, and Polarizing Rhetoric: How the 2016 Election Shaped the Way Candidates Strategize, Engage, and Communicate (Rowman and Littlefield, 2017), Jeanine Kraybill, assistant professor of political science at Cal State University, Bakersfield, has edited a timely book on the 2016 election. From all accounts, the 2016 election was unusual, and the role of political communication was no different. Using a variety of methods, the chapter authors examine how rhetoric and political communication shaped the tone of campaigns and ultimate outcomes of the election. They study how candidates primed voters for an anti-establishment candidate. They also examine how political communication influenced key campaign issues such as climate change, immigration, national security, religion, and gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Natalia Roudakova’s book Losing Pravda: Ethics and the Press in Post-Truth Russia (Cambridge University Press, 2017) explores changes in the world of journalism in Russia in the last fifty years. Drawing from more than a decade of research of various ethnographic and historical sources, Roudakova approaches truth as a social category. She demonstrates that the status of truth was relatively secure and stable under the Soviet state socialism. It was the transformation from communism to capitalism that led to a drastic dissolution of a sense of responsibility towards the public and, consequently, into the very possibility to produce truth in the post-socialist era. Looking into everyday practices of Soviet journalists and the post-socialist transformation of the media, Losing Pravda provides a glimpse into one possible future of the US and other post-truth settings in the West. Exploring how truth-seeking and truth-telling work under different socio-political conditions, it offers a new, ethics-based vocabulary for thinking about production of facts and meaning in contemporary world. Carna Brkovic is a Lecturer at the University of Regensburg, Germany. She is an author of Managing Ambiguity, winner of the 2015 SIEF Young Scholar prize, and an anthropologist exploring humanitarianism, clientelism, and activism in former Yugoslav countries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Everyone loves a good conspiracy theory as we prep for the zombie apocalypse. In her new book Going Viral: Zombies, Viruses, and the End of the World (Rutgers University Press, 2018), Dahlia Schweitzer brings them together as she explores the outbreak narrative in popular film, television and other media. Examining the outbreak narrative in popular culture, Schweitzer traces the film cycle of the outbreak narrative as it plays out in the themes of globalization, terrorism, and the end of civilization. Schweitzer explores how popular cultural narratives in additional to official media sources heighten and perpetuate the fears created through the outbreak narrative. Although we leave in a world that is far safer today than most any time in history, the outbreak narrative as it is structured in popular culture creates a pattern of fear and conspiracy theories that are representative of larger societal panics. Well researched and covering a wide array of film, television, and other media that address the outbreak narratives, Schweitzer’s book is a must read for individuals interested in a sociological read of the ways film and television illustrate larger, global concerns. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Daniel Kapust‘s book, Flattery and the History of Political Thought: That Glib and Oily Art (Cambridge University Press, 2018), is a rich and fascinating exploration of political thought through the complex lens of the question or concept of flattery. The book traces this complicated concept through both many of the “expected” writers and thinkers in the western political theory canon while also integrating some unexpected thinkers. Kapust positions many of these thinkers in encounters with each other—exploring the kinds of conversations these thinkers might have with each other. The encounters between authors and texts tease out the differing understandings of flattery and the way that it can be used in political contexts as well as within the affective webs in which humans live and engage with one another on a personal level. Thus, Kapust situates flattery within politics, provides the reader with different definitions of flattery, and also teases out the differences between flattery and friendship. The book begins by posing the question as to why flattery is a worrisome political phenomenon and concludes with a brief exploration of the contemporary political dynamic in the United States on the eve of the 2016 election. But between these bookends, Kapust takes the reader through an extended exploration of works by Cicero, Smith, Machiavelli, the Federalist, and others who indeed wrestle with the idea of flattery in the public sphere and also within the context of political friendship and personal relationships. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

When you hear “Twentieth Century Fox,” I doubt you know where the source of “Fox” in the name. In her book, The Man Who Made the Movies: The Meteoric Rise and Tragic Fall of William Fox (Harper, 2017), Vanda Krefft presents a detailed biography of one of the founders of the American film industry, whose successes are largely unknown because of his ultimate downfall. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Humble Theory: Folklore’s Grasp on Social Life (Indiana University Press, 2016) is an anthology of essays from Dorothy Noyes, professor of English and Comparative Studies at the Ohio State University and president of the American Folklore Society. The collection of essays takes aim at some of the critical questions that the discipline of folklore faces in the twenty-first century. From seminal keyword essays (monsters, she calls them) on group, tradition, and aesthetics that set out the state of the field, to studies of the historical uses of tradition at different moments across Europe, to critiques of present-day slogan-concepts like Intangible Cultural Heritage and resilience, Humble Theory: Folklore’s Grasp on Social Life (Indiana University Press, 2016) sets out to see how the discipline of folklore, with its emphases on vernacular theorization—as opposed to grand or high theories—provides unique insights into society more broadly. Ultimately, it seems, the strength and weaknesses of folklore might simultaneously lie in the fact that the field and its theories are humble: low and close to the ground. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

As Paul Whitfield Horn Professor of Literature and Science at Texas Tech University, Bruce Clarke has spent the last decade-plus publishing groundbreaking scholarship introducing the application of second-order systems theory to the analysis of literature and media more broadly. The staggering scope of Clarke’s multidisciplinary erudition is on full display in the monograph, Neocybernetics and Narrative, out from University of Minnesota Press in 2014. In picking up Niklas Luhmann’s neologism “neocybernetics” in place of a more standard second-order cybernetic label, Clarke carves out a theoretical continuum for his thinking that runs along a trajectory from Heinz von Foerster’s notions of the observer, through George Spencer-Brown’s Laws of Form, Maturana and Varela’s biology of cognition, and right up to, and including, Niklas Luhmann’s controversial extension of autopoiesis theory to metabiotic social systems; a theoretical move most often excluded from more orthodox second-order cybernetic thinking. The formidable theoretical apparatus he has assembled allows Clarke to frame the reader of literary texts as an observer of semantic structures facilitating the psychic construction of possible worlds of meaning, and to examine literary texts themselves as forms of communicative action that continue the autopoiesis of meaning-constituted social systems along the lines of Luhmann’s tripartite process of information, utterance, and understanding. From this launch-pad, Clarke takes us on a stratospheric ride with stops on a variety of fascinating landscapes including the media theory of Friedrich Kittler, the socio-technical explorations of Bruno Latour, and encounters with artistic works as diverse as Virgina Woolf’s iconic modernist novel, Mrs. Dalloway and James Cameron’s quasi-Gaian special effects blockbuster motion picture, Avatar. As a result, Clarke has given arts and humanities scholars an entirely new set of tools with which to think about artistic production, reception, and mediation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Shanto Iyengar is Professor of Political Science at Stanford University. He has written extensively on news media and political communication in contemporary democracy. His most recent book is titled Media Politics: A Citizen’s Guide (W. W. Norton, 2015); new edition is forthcoming this year. His current research focuses on political polarization, framing effects, and political affect. The "Why We Argue" podcast is produced by the Humanities Institute at the University of Connecticut as part of the Humility and Conviction in Public Life project. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Literacy is often portrayed as a social good. Composing Egypt: Reading, Writing, and the Emergence of a Modern Nation, 1870-1930 (Stanford University Press, 2016), Hoda Yousef has a different take on it, portraying it as a tool. Yousef uses reading and writing to interrogate how new social practices were changing Egypt in the late nineteenth and early twentieth centuries, demonstrating how they were used to further divide or fracture the public sphere. Literate, illiterate, and semi-literate Egyptians all engaged in the written word via different means, be they petition-writers, those who appealed to scribes, or coffee-house frequenters who all gathered to hear a newspaper be read. Ultimately, it was the emergence of this diversely literate population that shaped the Egyptian nation that emerged in the twentieth century. Hoda Yousef is assistant professor at Denison University, previously she served as an assistant professor of history at Franklin and Marshall College. She is a historian of the modern Middle East and the Islamic World with a focus on cultural and social history and gender in society, with degrees from Georgetown and Duke Universities. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Aidan Smith has written a timely and important analysis of the way that we understand images, masculinity, and femininity, especially through the lens of presidential campaigns and political advertising. Smith’s book, Gender, Heteronormativity, and the American Presidency (Routledge, 2017) explores the idea of heteronormativity within our implicit and explicit conceptions of the American presidency—thus focusing not only on how masculinity is deployed to create particular images of candidates running for office, but also how femininity is used for both first ladies, and for female candidates for the White House who must negotiate an even more complicated set of expectations given our two hundred year history with the occupants of the Oval Office. Smith delves into the complexity of gender performance in presidential politics, and how embedded expectations of patriarchy, fatherhood, manly success, and particular experiences (wartime, boardroom, etc.) all contribute to expectations that are applied to those running for office, especially executive office. This book weaves together analyses and perspectives from a number of fields and disciplines, and thus will be of interest to political scientists who study the presidency and campaigns, as well as political theorists who explore questions of gender performance and sexuality, along with historians and communication experts exploring the integration of televisual images within the American household and the impact of this technological shift. This is a broad study that braids together gender performance expectations, heteronormativity, a nuanced understanding of the presidency, and an analysis of what that position and office often mean to the citizenry. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Kathryn Woolard is Professor Emerita and Research Professor of Anthropology at the University of California, San Diego. She has authored seminal works on language ideology and the sociolinguistic situation in Catalonia, including the present book Singular and Plural: Ideologies of Linguistic Authority in Twenty-First Century Catalonia (Oxford University Press, 2016) which won the 2017 Society for Linguistic Anthropology Edward Sapir Book Prize. Bringing together two of her longstanding areas of research interest in this book, Woolard develops a framework for analyzing ideologies of linguistic authority and applies it to the evolving political situation in Catalonia. In this interview, Woolard discusses the key theoretical and contextual elements of the book, broadly following its three-part structure. First, the concepts of linguistic authenticity, anonymity, sociolinguistic naturalism are introduced, and Woolard sets out the changing ideological grounding of linguistic authority there over the course of twenty years of fieldwork in Catalonia. Next, Woolard’s theoretical framework is applied to the case of a popular satirical television program which catalyzed the sociolinguistic rehabilitation of a Catalonian president whose Castilian Spanish was better than his Catalan. Finally, Woolard discusses her early and recent fieldwork in a Catalan-medium high school, and her experiences of following up on research informants first interviewed twenty years ago. This is a typically rich and fascinating volume from a pioneer of linguistic anthropology. Positioned as a corrective against the banal nationalism of mainstream media discourse about Spain and Catalonia, the book calls on us to rethink our ideologies of language, nationalism and cosmopolitanism, which have become so polarized in the West in recent years. Kathryn Woolard wrote a post for Indiana University’s Communication, Media and Performance Anthropology blog (08/14/2017) in which she discusses ideas we talked about in the podcast. You can find it here. John Weston is an Yliopistonopettaja (Associate Lecturer) at the Department of Language and Communication Studies at the University of Jyvaskyla. His research focuses on the relationships between language variation, knowledge and ethics. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In his book Reality TV (Routledge, 2017), author Jon Kraszewski explores reality television’s relationship to the American cityscape. Starting with show such as Candid Camera and An American Family, Kraszewski positions reality television in cities where individuals were able to thrive regardless of social class. In this space, early reality television created a laboratory for individuals. Moving to the early 1990s and beyond, Kraszewski challenges the ways in which reality television persisted in this relationship with the city although most viewers do not have the means to live in cities. Using case studies of how the Bravo network exploits the urban servant, the examination of “Boston” Rob Marino and Tiffany “New York” Pollard as reality show representative of major global American cities, and how shows such as Here Comes Honey Boo Boo, Alaska: The Last Frontier, and Swamp People, Krasweski present the complex and often problematic relationships between American urban space and the way in which reality television uses and exploits that space in relation to their characters. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How do technological advances and changing archival practices alter historical memory? In what ways have developments in the preservation and dissemination of historical material already impacted how scholars and the public engage with the past? These are questions that Jeffrey Shandler, Professor of Jewish Studies at Rutgers University, grapples with in his new book, Holocaust Memory in the Digital Age: Survivors Stories and New Media Practices (Stanford University Press, 2017) Shandler’s thought-provoking and skillfully written book addresses these problems through the lens of the Holocaust and Holocaust memory. Specifically, he examines the wealth of material curated by the Shoah Foundations Visual History Archive, which houses a wealth of over 50,000 newly-digitized videos of interviews conducted with survivors of the Holocaust and other genocides. Shandler analyzes this footage by reading “against the grain” and using the testimonies for purposes other than those intended by the Archive’s creators when it was founded in 1994. In addition to considering the collection in its entirety, Shandler underscores the significance of focusing on individual testimonies, as well. By guiding the reader through a captivating selection of case studies, he reveals how narrative, language, and spectacle have influenced, and been influenced by, new media practices. Jeffrey Shandler is Chair and Professor of Jewish Studies at Rutgers University. Robin Buller is a PhD Candidate in History at the University of North Carolina at Chapel Hill. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Christopher Grobe’s The Art of Confession: The Performance of Self from Robert Lowell to Reality TV (New York University Press, 2017) traces the ways the performance of confession permeated and transformed a wide range of media in postwar America. Grobe explores how confession—from the confessional poets of the 1960s to contemporary reality TV—is both constructed and authentic, artful even in its ostensible artlessness, and always on the move between and across media. The work’s archive is expansive, placing in conversation poetry, performance art, comedy, legal confession, film, and reality TV, genres whose conventions transform and whose boundaries blur when confronted with artists impulses to confess, to stage what Grobe calls “breakthroughs” out of both generic and sociocultural containment. Laying bare the ways confessional performances are stylized and mediated to elicit “a satiety of experience which can be taken as reality” while taking seriously artists’ attempts to reveal and perform an authentic self, Grobe demonstrates how confession energizes new ways of being, forms of collectivity, and political mobilization. Christopher Grobe is an Assistant Professor of English at Amherst College where he teaches a wide range of courses on drama, poetics, performance, and performance culture and theory. Petal Samuel is a postdoctoral fellow at the Carter G. Woodson Institute for African American and African Studies at the University of Virginia. She is completing Polluting the Soundscape: Noise Control and Afro-Caribbean Women’s Decolonial Soundscapes, a book project that traces the evolution of noise legislation and public discourses decrying noise as technologies of racial control in the Caribbean and Caribbean diaspora, while highlighting the ways Afro-Caribbean women writers have reclaimed noise against the grain of colonial injunctions to remain quiet as a condition of civic inclusion. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

With all of its entailed engagements with epistemology, emergence, and self-organization, cybernetics began (and arguably still is) the science of communication and control in the animal and the machine as it was coined in the subtitle of Norbert Wiener’s field defining book of 1948. While the reflexive turn of second-order cybernetics in the 1970s led the field down new paths (and, unfortunately, to the margins of mainstream academia) in the West, Soviet thinkers continued to develop the control scientific implications of the field in a manner that remained central to the scientific enterprise of that nation. In his densely packed book, Cybernetics: Past to Future (Springer Verlag, 2016), Dmitry Novikov provides a detailed and erudite analysis of the fields development as a kind of meta-science or philosophy of the varied strands of control theory across technological, biological, and social systems. As the current Director of the Institute of Control Sciences of the Russian Academy of Science, Dr. Novikov is eminently qualified to guide readers on a journey through the promises, challenges, disappointments, achievements and future prospects of the science of control and communication that will also introduce a global audience to the work of many eminent Russian thinkers in the field whose work has not been as accessible outside Russia as is deserved. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

As a historian I find myself constantly asking the question “Is that really new, or is it rather something that looks new but isn’t?” If you read the headlines, particularly those concerning the on going “Digital Revolution,” you would certainly get the impression that a Brave New World is emerging, one nothing like anything that we’ve seen before. And, in a way, this is true: we—meaning humans—have never lived in an environment with smartphones, social media, and the firehose of “information” that is the Internet. We’re always on and always connected in a way we have never been before. But, as Andrew Keen points out in his smart new book How To Fix The Future (Atlantic Monthly Press, 2018), there is also a sense in which we have been here before, namely, in the Industrial Revolution of the late 18th and 19th century. Then, too, technology and new forms of organization upended the way almost everyone in the industrializing world lived. (For more, see Auguste Comte, Karl Marx, and Emile Durkheim, unless you like poets, in which case you should just read the British Romantics.) Some made dire predictions, others said heaven was around the corner. There was lots of suffering and, well, lots of progress. What we did, Keen points out, is essentially tame the Industrial Revolution such that it served humanity rather than humanity serving it. He says we can do the same with the Digital Revolution, and he tells us how. Listen in. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In The Phantom Unmasked: America’s First Superhero (University of Iowa Press, 2017), Kevin Patrick examines the history of The Phantom—an American comic strip superhero that made his debut in 1936. Although not popular in the United States, The Phantom knows a long history and popularity in Australia, Sweden, and India. In The Phantom Unmasked, Patrick explores this history. By tracing the publication history of The Phantom and connecting its success to the media licensing industries starting in the 1930s and 40s, Patrick presents an under-explored history to show the role of this comic in international markets and its importance for understanding how international markets worked. In The Phantom, Patrick assesses how historical, cultural, political, and economic conditions impacted The Phantom’s rise in popularity in Australia, Sweden, and India. In addition, he surveys Phans in order to explain how they have come to love the superhero. Well researched and informative, The Phantom Unmasked adds to the burgeoning comic history. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Popular culture provides many visions of the future. From The Jetsons to Futurama, Black Mirror to Minority Report, Western culture has predicted a future predicated on innovations in technology. In his new book for the MIT Essential Knowledge Series, The Future (MIT Press, 2017), Nick Montfort examines the writings of previous futurist writers, thinkers, and designers to provide an understanding of how the future can be constructed. In so doing, Montfort argues that the future is something we can shape instead of only predict. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

John Corvino is Professor of Philosophy at the Wayne State University in Detroit. His academic work focuses on topics in moral, social, and legal philosophy surrounding sexuality, gender, marriage, religious conviction, and discrimination. But John is also an active public philosopher who frequently participates in public debates over these topics. He produces and appears in a popular YouTube series of short videos devoted to the philosophical discussion of controversial topics. He is the author of What’s Wrong with Homosexuality?, co-author (with Maggie Ghallagher) of Debating Same Sex Marriage, and.co-author (with Ryan Anderson and Sherif Girgis) of Debating Religious Liberty and Discrimination, all published with Oxford University Press. The "Why We Argue" podcast is produced by the Humanities Institute at the University of Connecticut as part of the Humility and Conviction in Public Life project. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Can we have sound media that is ecologically sound? Can we fine tune our media production and consumption habits to a greener key? How can an environmental perspective on sound media contribute to our understanding of how media culture is involved in the ecological crisis? These are just some of the questions Jacob Smith is trying to answer in his latest book, Eco-Sonic Media (University of California Press, 2015). The book brings an ecological critique to the history of sound media technologies and contributes with an environmental perspective to the field of sound studies. It is more than a methodological and theoretical exploration. It is a reckoning with our media consumption practices in an age where speed and volume are taken for granted, and alternatives to the digital are disregarded with huge costs. Hartz Canary Training Record is the jingle used in the episode and was kindly provided by Jacob Smith. It was cut and edited for the purpose of this podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The list is the origin of culture. At least, that’s according to Umberto Eco, whose words open Liam Cole Young‘s new book, List Cultures: Knowledge and Poetics from Mesopotamia to Buzzfeed (Amsterdam University Press, 2017). Young follows shifting functions of the list through history, revealing a form that “mediates boundaries between administration and art, knowledge and poetics, sense and nonsense” (10). Where systems of order surround and enframe human society, the list is there. Lists shape and shift the social world as new uses for the list are discovered, adapted, modified, and abandoned. As a searching exploration of the way that our intellectual tools “simultaneously conceal and reveal, enforce and subvert social systems,” List Cultures proves to be a rewardingly vigorous and sweeping intellectual history. List Cultures restores formal analysis to a critical discourse divided between analyses of institutions, contexts, and particular historical uses of texts. Beginning with a rereading of the earliest writing (inventories and transaction records), Young builds his case for the primacy of the list by explicating the ways lists negotiate tensions and paradoxes that have persisted across time. Young extends the work of Foucault, Latour, Borges, Benjamin, Ong, Innis and many others, demonstrating that listing is a cultural technique that constitutes concepts and categories on which technical systems and social institutions are built. List Cultures explores the pop charts and the innerworkings of Buzzfeed, giving readers a chance to see our world anew through the lens of media materialism. Lists draw borders, create hierarchies, and provide points of reference in the world of tastemaking and fandom, and speed the spread of viral media through databases and traced signatures. As an extension and counterpoint, the exploration of lists in the administrative states of Renaissance Italy and Nazi Germany provide careful reflections on how lists have been used to establish facts, determine personhood, police subjects, and build structures of knowledge that expose bodies to violence. Making the case for modernity as primarily logistical in orientation, Young closes List Cultures with a heartening meditation on ways the list has been used to remake old orders, explode boundaries, and extend horizons of possibility. Following Wolfgang Ernst’s argument that real-time data collection channels ancient forms of organizing time, List Cultures‘ final chapter plays with a binary of narrative and non-narrative modes of writing and thinking, asking us to consider how lists can displace the logic of logistical modernity and preserve a heterotopian space for thinking “other.” Carl Nellis is an academic editor and writing instructor who researches contemporary American community formation around appropriations of medieval European culture. You can learn more about Carl’s work and request an editorial consultation at carlnellis.wordpress.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Tom Mullaney’s new book The Chinese Typewriter: A History (MIT Press, 2017) provides a fascinating first look at the development of modern Chinese information technology. Spanning 150 years from the origins of telegraphy in the early 1800s to the advent of computing in the 1950s – the book explores the at times fraught relationship between Chinese writing and global modernity. It covers some of the earliest and varied attempts to make the Chinese script fit for Western communication systems, taking the reader on a journey through Chinese telegraphy, Morse code, typewriters and early computing. In addition, Mullaney includes reference to the many failed attempts, ideas and approaches in the history of Chinese information technology through a series of lively and insightful stories and people. Perhaps most interestingly, Mullaney covers how various inbuilt linguistic inequalities in turn eventually led to the evolution of innovative strategies and technologies, including input method and predictive text. Ricarda Brosch is a museum assistant (trainee) at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin – Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. Her research focuses on Ming and Qing Chinese art & material culture, transcultural interchanges, especially with Timurid and Safavid Iran, as well as provenance research & digital humanities. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The Transparency Fix: Secrets, Leaks, and Uncontrollable Government Information (Stanford University Press, 2017) dispels the myth that transparency of information will result in a perfect government. Dr. Mark Fenster discusses the motivations of transparency movements and justifications for state secrecy. Through the lens of communications theory, Fenster raises questions about the utility of disclosed information and how it may or may not be deemed valuable by the public. Fenster also examines the state’s ability to keep secrets and what, if any, outcomes result from information disclosure. In conclusion, Fenster asserts transparency, on its own, will not fix the state, but focused efforts on good governance just might. Beth Windisch is a national security practitioner. You can tweet her @bethwindisch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In his new book, Disposable Leaders: Media and Leadership Coups from Menzies to Abbott (NewSouth Publishing, 2017), Rodney Tiffen, Emeritus Professor in Government and International Relations at the University of Sydney, explores the historical and recent leadership coups in Australian politics, and the role of media in them. As leadership in Australia has become more precarious in recent years, political instability has taken its toll on the parties and the democratic system more broadly. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

When discussing Internet history, many within the United States believe the creation myth of an Internet born in Silicon Valley. But aspects of the Internet that we use for shopping, financial transactions, and social interactions, among other things, have roots in technological advances from other countries. In particular, 15 years before most Americans were online, the French government backed a communications technology, the Minitel, that revolutionized social, political, and financial interactions. In Minitel: Welcome to the Internet (MIT Press, 2017), Julien Mailland and Kevin Driscoll discuss the creation and spread of the Minitel and the particular influence it had on France, and ultimately what we call the Internet. In so doing the authors offer lessons for current regulatory debates. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications