New Books in Communications

Democratic political adviser Peter Daou has long toggled between the world of presidential campaigns and online activism. He worked for the presidential campaigns of John Kerry in 2004 and Hillary Clinton in 2008, and he has built a large social media presence with which he wages battles for progressive causes. Now he has channeled his experiences into Digital Civil War: Confronting the Far-Right Menace (Melville House, 2019), in which he analyzes the daily political skirmishing that rages online, urges progressives to engage on the “digital battlefield.” While acknowledging the deepening polarization of American politics, he argues that the polarization is “asymmetric,” with Republicans becoming more “extreme” than Democrats. And he warns against characterizing conservative “red America” as more reflective of the “real America” than the liberal “blue.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

We are fed a steady stream of doom and gloom—terrorist attacks, erosion of democracy, robots taking our jobs. But Michael A. Cohen and his co-author Mich Zenko argue in Clear and Present Safety: The World Has Never Been Better and Why That Matters to Americans (Yale University Press, 2019) that our world has never been “more peaceful, freer, healthier, better educated, and wealthier,” and we only feel otherwise because of “threat inflation” that sensationalizes relatively minor threats. In our discussion, Cohen readily acknowledges serious problems remain, such as climate change and gun violence, but urges us to recognize how much progress has been made and apply the lessons that have been learned. Moreover, he asks us to beware the “threat-industrial complex” of military agencies, special interest groups and the media that distort our understanding of the world we live in. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What does it mean to be famous on the Internet? How do people become Internet celebrities, and what can that celebrity be used to do? Dr. Crystal Abidin offers anthropological insight into these questions in her book Internet Celebrity: Understanding Fame Online (Emerald Publishing, 2018). Drawing on case studies from around the world, Dr. Abidin identifies the qualities that contribute to the making of internet celebrity. She explains how some internet celebrities become professional influencers and explores the global implications of the influencer industry. This accessibly written book is aimed at popular audiences and will be indispensable for undergraduate courses about digital culture, for academics who want a clear and cogent introduction to internet celebrity, and for anyone who wants to understand the online worlds in which we increasingly live. Dannah Dennis is an anthropologist currently working as a Teaching Fellow at New York University Shanghai. You can find her on Twitter @dannahdennis. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Shortly after its introduction, photography transformed the ways Americans made political arguments using visual images. In the mid-19th century, photographs became key tools in debates surrounding slavery. Yet, photographs were used in interesting and sometimes surprising ways by a range of actors. Matthew Fox-Amato, an Assistant Professor at the University of Idaho, examines the role of photography in the politics of slavery during the 19th century and the important legacies of those uses on later visual politics in his new book, Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in America (Oxford University Press, 2019). The book examines the use of photographs by slaves, abolitionists, slaveholders, and Union soldiers to explore the rich complexities of the visual politics of the moment. He also considers the legacies of this use of the new medium. In this episode of the podcast, Fox-Amato discusses the ways these various groups used photography for individual purposes and to shape the debates surrounding slavery in the antebellum period. He explains how photographs also highlight how union soldiers were beginning to think about a post-slavery racial hierarchy during the war. The book demonstrates the importance of thinking about photographs as both visual images and material objects. In the interview, Fox-Amato discusses the research necessary to analyze the photographs in both these ways and the broader importance of studying visual and material culture in all their historical complexity. Christine Lamberson is an Associate Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

On this episode of the New Books Network, Lee Pierce (she/they)--Assistant Professor, Dept. of Communication at SUNY Geneseo--interviews Dr. Leslie Hahner--Associate Professor, Dept. of Communication at Baylor University--on a spectacular new work of rhetorical history: To Become an American: Immigrants and Americanization Campaigns of the Early Twentieth Century from the Michigan State University Press’ Rhetoric & Public Affairs Series (2017). To Become an American connects the Americanization campaigns at the turn of the century to contemporary political issues surrounding who counts as a "real" American and how we know. The book looks at a variety of practices--with an interesting focus on the visual--through which Americans were made (or not made) at the turn of the century: flag day parades, Girl Scout outreach, textbooks, classroom lessons, housing campaigns, and more. Each chapter looks not only at specific campaigns of Americanization but also the rhetorical tropes through which those campaigns attempted to secure an individual and group's emotional attachment to certain spectacles and displays as synonymous with being a "real" American. Of course, those campaigns were both successful and not successful because visual symbols, no matter how ardently displayed, can never guarantee that how one acts is how one truly feels. That is the rhetorical lesson of this book that is taught over and again throughout the various chapters and that gives context for anyone interested in finding alternate logics of patriotism in the contemporary political moment. In the words of Cara Finnegan: “From flags, posters, and photographs to architecture, public rituals, and parades, the early twentieth century United States was dominated by visual rhetorics of patriotism. This historically grounded, conceptually rich book will be welcomed by scholars across the humanities interested in exploring the often problematic ways that institutions seek to teach us who we are and what we should value as citizens.” Join Lee and Leslie on this episode of the NBN as they discuss this important book with passing reference to Obama’s flag pin controversy, the Thunder Girls from Bob’s Burgers, and what Dazed and Confused teaches us about why and how we celebrate the 4th of July. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Enemy Number One: The United States of American in Soviet Ideology and Propaganda, 1945-1959 (Oxford University Press, 2019), Dr. Rósa Magnúsdóttir of Aarhus University, explores depictions of America in post-war Soviet propaganda. While the 1945 “meeting on the Elbe” marked a high point in United States/Soviet friendship, official relations deteriorated quickly thereafter. Enemy Number One incorporates a wide range of source material such as letters by Soviet citizens, popular magazines, Voice of America broadcasts, and a wide range of secondary scholarly literatures. Among the author’s conclusions based on this body of evidence, are that Russian state propaganda differentiated between “good” and “bad” Americans, that state propaganda to the contrary, everyday people in the USSR never lost a sense that WWII had been the site of genuine friendship between Americans and Soviet citizens, and, intriguingly, that Soviet propaganda could have been far more effective in the United State than it in fact was. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Racquel J. Gates’ new book, Double Negative: The Black Image and Popular Culture (Duke University Press, 2018), interrogates understandings of African-American representations on screen. This book is an important analysis of the concepts of negative and positive representations, especially in regard to the narrow space that these binary classifications create. Gates takes on not only the concept of representation, but also the texts where the images are presented, leading the reader through a variety of popular culture venues. Double Negative presents a careful typology of negativity, with extensive and diverse examples of each distinct variation. This analysis also integrates texts that are often dismissed or undermined. Instead, Gates provides valuable and nuanced interpretations of genres, reclaiming popular culture artifacts that are often excluded from scholarly or critical analysis. Gates explores many of the less respectable images and presentations of African-Americans, considering not only the images themselves and the narratives in which they are presented, but also the historical context in which the popular culture artifacts are engaged and consumed. Double Negative also takes up a metanalysis of celebrity in context of representation, especially in the entwining of race and gender. This is a fascinating book, examining important political questions and understandings through popular culture texts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

On this episode of the New Books Network, Lee Pierce (she/they)--Asst. Prof. of Rhetoric at SUNY Geneseo--interviews Dave Dillon of Grossmont College--on a valuable work for higher education: Blueprint for Success in College and Career, available under a Creative Commons License (open access) from the Rebus Community Press (2018). Although NBN does not typically review textbooks, this is a unique opportunity to share a cutting-edge resource for educators, students, and a general audience that is not only completely free but also a recipient of the 2019 Textbook Excellence Award from the Textbook and Academic Authors Association. In this interview, Lee and Dave discuss how the project came into being, the urgent need to teach “doing college” for the next generation of learners, and how publishing with a University Press compares and contrasts with OER publishing. Blueprint for Success is a student guide for classroom and career success, focusing on subjects ranging from study skills, time management, and career exploration to health and financial literacy. As one of the reviewers for Blueprint for Success puts it, the book is valuable for “making succeeding in college possible for a wide audience. It is a straightforward, useful, and accessible textbook that makes it easier to navigate college and develop skills for succeeding beyond the classroom." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

It's easy to get sidetracked while writing a book. But imagine being interrupted by the President of the United States. That happened to Tom Wheeler, who was in the midst of writing a history of communication networks when President Obama appointed him to be chairman of the Federal Communications Commission in 2013. Wheeler went from writing history to participating in it, making consequential decisions about net neutrality, cybersecurity, privacy, and the 5G mobile network. Wheeler is a former President of the National Cable and Telecommunications Association and former CEO of the Cellular Telecommunications and Internet Association. He was inducted into the Wireless Hall of Fame in 2003 and the Cable Television Hall of Fame in 2009. After leaving the FCC at the end of President Obama's second term, Wheeler finished his book, From Gutenberg to Google: The History of Our Future (Brookings Institution Press, 2019). He is currently a visiting fellow in Governance Studies at the Brookings Institution. Wheeler’s previous books include Leadership Lessons from the Civil War: Winning Strategies for Today's Managers (Doubleday Business, 1999) and Mr. Lincoln's T-Mails: The Untold Story of How Abraham Lincoln Used the Telegraph to Win the Civil War (HarperBusiness, 2006). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Jeff McMahan is White’s Professor of Moral Philosophy at the University of Oxford. His research focuses broadly on moral and political philosophy, and is perhaps best known for his work on the moral issues surrounding killing and letting die. The "Why We Argue" podcast is produced by the Humanities Institute at the University of Connecticut as part of the Humility and Conviction in Public Life project. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

On this episode of the New Books Network, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric at SUNY Geneseo--interviews Dr. Michael Mario Albrecht (he/his)--to discuss a sweeping exploration of masculinity, economic crisis, and some of the great television shows of the last decade: Masculinity in Contemporary Quality Television from Routledge Press in 2015. Drawing upon studies of contemporary television programs, including popular series viewed internationally such as Mad Men, The League, Hung, Breaking Bad, Louie, and Girls, this book explores the ways in which popular cultural texts address widely circulating discourses of the ostensible ’crisis of masculinity’ in contemporary culture. A rich study of masculinity and its representation in contemporary television, the book will appeal to scholars and students of cultural and media studies, popular culture, television studies and cultural sociology with interests in gender, masculinities, and sexuality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Parents, teachers, feminists, conservatives, lawyers, the concerned citizen – pornography raises everyone's hackles. Author Richa Kaul Padte approaches pornography with a combination of light-hearted camaraderie and intellectual curiosity instead. Taking seriously the notion that every individual has sexual rights, Kaul Padte explores the twinned fates of gendered representations and subjectivity in our digital age. Cyber Sexy: Rethinking Pornography (Penguin Viking, 2018) is smart and funny in equal measure. Discussions on the need to move away from obscenity clauses in the Indian constitution to a more nuanced understanding of consent, and the questions of inequality that lie at the heart of consent, are punctuated by first hand accounts of online sexual experiences (including some of Padte's own). Never pedantic, the book closes with a call for radical empathy as we collectively struggle towards a more open and accepting social order. Richa Kaul Padte is an independent writer currently living in Goa, India. She edits and writes for Deep Dives, a longform digital imprint working at the intersections of sex, gender and technology. Cyber Sexy is her first book. Find Richa on Twitter @hirishitatalkies. Madhuri Karak holds a Ph.D. in cultural anthropology from The Graduate Center, City University of New York. She tweets @madhurikarak and more of her work can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In the information age, knowledge is power. Hence, facilitating the access to knowledge to wider publics empowers citizens and makes societies more democratic. How can publishers and authors contribute to this process? This podcast addresses this issue. We interview Professor Austin Choi-Fitzpatrick, whose book, The Good Drone: How Social Movements Democratize Surveillance (forthcoming with MIT Press) is undergoing a Massive Online Peer-Review (MOPR) process, where everyone can make comments on his manuscript. Additionally, his book will be Open Access (OA) since the date of publication. We discuss with him how do MOPR and OA work, how he managed to combine both of them and how these initiatives can contribute to the democratization of knowledge. You can participate in the MOPR process of The Good Drone through this link: https://thegooddrone.pubpub.org/ Felipe G. Santos is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What does it mean to consider trauma and media from the perspective of technology and not from that of the subject of trauma, the clinician or the witness? In Transmitted Wounds: Media and the Mediation of Trauma (Oxford University Press, 2019), Amit Pinchevski carries out this thought experiment to great effect. By bringing media theory to bear on trauma theory, this book reveals the technical operations that inform the understanding of traumatic impact on bodies and minds. Under consideration is not the way trauma and traumatic memory figure in the media (film, television, photography and other popular culture portrayals of traumatic experience), but rather media as partaking in the very construction of the traumatic itself. Pinchevski conducts an erudite and innovative exploration through a series of case studies: the radio broadcasts of the Eichmann trial; the videotaping of Holocaust testimonies; recent psychiatric debates about trauma through media following the 9/11 attacks; current controversy surrounding drone operators' post-trauma; and digital platforms of algorithmic-holographic witnessing and virtual reality exposure therapy for PTSD. Each of these cases makes a compelling argument about how media technology and logic shape the social life of trauma both clinically and culturally. Transmitted Wounds takes us from mid-twentieth century to our current moment, moving us from an analogue world of trauma to the digital ecosystem that promises to transcend trauma all together. This temporal set-up demands ethical considerations of past and current systems of memory, witnessing and therapy, which Pinchevski does exceptionally well. Transmitted Wounds offers fresh and thought-provoking contributions to the fields of trauma and memory, media theory, and the history of science and technology. It will also be of relevance to theoreticians and practitioners interested in digital culture and digital humanities. Amit Pinchevski is an Associate Professor in the Department of Communication and Journalism at The Hebrew University of Jerusalem, Israel. He is the author of By Way of Interruption: Levinas and the Ethics of Communication (Duquesne University Press 2005) and coeditor of two books, Media Witnessing: Testimony in the Age of Mass Communication (Palgrave Macmillan, 2009) and Ethics of Media (Palgrave Macmillan, 2013). His research interests are in philosophy and theory of communication and media. Tal Zalmanovich is a cultural historian of modern Britain. She’s a postdoctoral researcher at the University of Haifa. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Given its expanding multimedia presence in Asia and around the world for many years now, K-pop is a phenomenon that is hard to ignore. This “animal that thrives on excess,” as Suk-Young Kim puts it (p. 6) is more than just music, however, as it offers us a way of looking at a host of fascinating and important subjects in politics, economics, anthropology and performance studies. Suk-Young Kim's book K-Pop Live: Fans, Idols, and Multimedia Performance (Stanford University Press, 2018) transports us into K-pop's dizzying world of production, consumption, participation and neoliberal commerce. As well as navigating the geopolitical and technological conditions that have enabled K-pop’s emergence and success, Kim takes us up close to the fans and stars themselves through her ethnographic work at gigs, conventions and TV recordings. Combining all the passion of a true fan with clear-headed analysis of postmodern subjects' interactions with big business and the state, this is a must-read for anyone curious about contemporary Korean cultural history, digital technologies, or how BIGBANG perfect their dance moves. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Reece Peck's Fox Populism: Branding Conservatism as Working Class (Cambridge University Press, 2019) offers a unique argument of why the Fox News Channel has been both a commercial successful and wielded enormous political influence. Peck focuses on the importance of the tabloid sensibilities and populist style of Fox News. He traces the history of Fox's counter-elite brand from Murdoch to O’Reilly to Hannity. Using the network's coverage of the economic recession as a case study, Peck shows how producers and hosts how use style to frame news events and create a coalition of working-class and business-class people. Peck is assistant professor of media culture at College of Staten Island, City University of New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

If you mention Appalachia to many people, they may immediately respond with the "Deliverance" dueling banjos theme. Unfortunately, this is an example of how the region is stereotyped and misunderstood, particularly in films. In her book, Unwhite: Appalachia, Race, and Film(University of Georgia Press, 2018), Meredith McCarroll, Director of Writing and Rhetoric at Bowdoin College, describes Appalachian people as being shown as different from both white and nonwhite groups, often considered as belonging to the worst of each group. Her book discusses specific film examples that help to illustrate the negative connotation heaped upon Appalachia, and also presents where filmmakers treat them more fairly. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

It's been called the first Internet. In the nineteenth century, the telegraph spun a world wide web of cables and poles, carrying electronic signals with unprecedented speed. In order to connect the entire American continent, however, the telegraph had to cross western territory, which brought a host of challenges, conflicts, and uncertainties. What happened when the telegraph crossed the Mississippi River? What natural obstacles had to be overcome? What role did the telegraph play in the displacement of native tribes? James Schwoch answers these questions in Wired into Nature: The Telegraph and the North American Frontier (University of Illinois Press, 2018). Schwoch is a professor of communication studies at Northwestern University. He is also the author of The American Radio Industry and Its Latin American Activities, 1900-1939 and Global TV: New Media and the Cold War, 1946–69, both also published by University of Illinois Press. Nathan Bierma is a writer, instructional designer, and voiceover talent in Grand Rapids, Michigan. His website is www.nathanbierma.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Is the existence of truth coming to a screeching halt? Does truth still exist? In Truth-Spots: How Places Make People Believe (University of Chicago Press, 2018), Dr. Thomas F. Gieryn takes time to explain how place informs truth. During this interview Dr. Gieryn offers an in-depth explanation of how history and biography have fed the narratives told about truth-spots. Dr. Gieryn presents us with the beliefs and claims that have developed Mount Parnassus, Delphi, Walden Pond, Seneca, Selma, Stonewall, courthouses, laboratories, and several other places across the globe as truth-spots. The advancement of technology has improved human travel and allows humans access to almost anywhere around the globe. An improvement in human mobility allows more people to access truth-spots that would otherwise be unavailable. This access paired with mass media has heightened human awareness to claims humans make about their accounts of truth-spots. Dr. Gieryn provides an account of how he views the automobile and other modes of transportation contributing to the creation and conservation of truth-spots. Dr. Tom Gieryn is Rudy Professor of Sociology Emeritis at Indiana University. Michael O. Johnston is an Assistant Professor of Sociology at William Penn University. He is currently conducting research on the continuous process that occurs with placemaking at farmers’ market. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In the early days of film, female comedians appeared in films that included both strange activities and slapstick. In her new book Specters of Slapstick and Silent Film Comediennes (Columbia University Press, 2018), Margaret Hennefeld, Assistant Professor of Cultural Studies and Comparative Literature at the University of Minnesota, Twin Cities, reviews the role of these women, as well as how their appearances had a cultural and political effect, particularly in the feminist movement leading to universal suffrage. She illustrates how these films still have important meanings to modern day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How can insights from psychoanalysis help us understand digital culture? in Psychoanalysis and Digital Culture: Audiences, Social Media, and Big Data (Routledge, 2018), Jacob Johanssen, a senior lecturer in the University of Westminster's School of Media and Communication, draws on the work of Freud and Anzieu to explore both traditional and new forms of media. The book uses research projects on the Embarrassing Bodies television show, and on digital labour, to show how psychoanalysis can inform research methods and explain how people engage with TV, use Twitter, and present themselves online. Moreover, the book grapples with the rise of big data, offering new perspectives on content providers such as Netflix. Packed with rich analysis and a wealth of examples, the book will be essential reading across cultural and media studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

On this episode of New Books in Communications, Lee Pierce (she/they) interviews Dr. Bradford Vivian (he/his) of Penn State University on his fabulous new book Commonplace Witnessing: Rhetorical Invention, Historical Remembrance, and Public Culture (Oxford University Press, 2017). In this book, Dr. Vivian asks readers to reconsider our almost sacred regard for the act of witnessing in public culture and consider witnessing as a rhetorical act that we recognize not only because of the transparent truth of the witness testimony but because that testimony conforms to particular expectations of witnessing, which Dr. Vivian calls the “topoi” or commonplaces of witnessing including authenticity, impossibility, and regret. Investigating a variety of public culture texts—from 19th-century speeches to the 9/11 Memorial—Dr. Vivian explores the ambiguity of witnessing as an act of memory and culture and how that act normalizes who has the right to speak truth and how. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

On this episode of the New Books Network, Lee Pierce (she/they) interviews Dr. Kendall Phillips (he) of Syracuse University on his fabulous new book A Place of Darkness: The Rhetoric of Horror in Early American Cinema (University of Texas, 2018). In it, Phillips explores the emergence of the horror film genre before it was horror and a post-Civil War national American identity. Dr. Phillips discusses the unique role of Universal Studio’s 1931 Dracula, the turning point of the Phantom’s revelation in The Phantom of the Opera, and what horror was before it was horror. Along the way, Dr. Phillips discusses how shifts in filming technologies and international politics at the turn of the century forged a distinctly American identity based upon incredulousness, narrative depth, and rationality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

We know, perhaps too well, the innovation-centric history of personal computing. Yet, computer users were not necessarily microelectronics consumers from the get-go; rather, earlier efforts to expand mainframe computing as a public utility made elite information technology accessible to a wide audience. In A People's History of Computing in the United States (Harvard University Press, 2018), Joy Lisi Rankin seeks to restore this broader perspective by situating the history of educational computing within the arc of U.S. social politics in the 1960s and 1970s. The result is a new perspective that challenges the business-dominated historiography of computing by explaining the convergence between the technical and social through efforts that began locally. As these projects expanded in scope, their advocates articulated a vision of "computing citizenship" throughout the rise of what we now call the "information age." Through a series of cases, beginning with timesharing at Dartmouth and the development of the BASIC programming language, through efforts by the state of Minnesota to make the fruits of its high-tech industry available to all, and ending with perhaps the most successful early computing network, the University of Illinois's PLATO project, Rankin makes a compelling case for a social history of computing. Historians of technology, education, and U.S. social history will all find a new resource—and perhaps a new timeline—in this beautifully researched and written book. Mikey McGovern is a PhD candidate in Princeton University’s Program in the History of Science. He works on computing, quantification, communication, and governance in modern America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Innocent Weapons: The Soviet and American Politics of Childhood in the Cold War (University of North Press, 2014), Margaret Peacock analyzes the various ways in which images of children were put to use, in Soviet and American Cold War propaganda. From the Boy Scouts to the Pioneers, ubiquitous images of children portrayed the superiority of communism/capitalism. Where children were used to showcase superiority, equally powerful were images of children as needing protection. In the United States, images of the child helped explain the need for nuclear testing and fallout shelters. From a Soviet point of view, children were likewise to be protected: from the evils of capitalist consumerism, from the rapacious nuclear warmongering of the West. Even as children were used to promote the officially sanctioned view of the American/Soviet state, those same images, Dr. Peacock shows, could be used to subvert that view. Post-Stalin Soviet films criticized the status quo using images of the child to do so. Suspect American mothers hauled in front of the House Committee on Un-American Activities managed to subvert the aims of that body by hauling their children right along with them. Utilizing archival and published evidence from a wide variety of Russian and American sources, Dr. Peacock has written an engaging history of the uses to which images of children have been put, in service of a conflict that spanned at least half the last century and whose consequences remain with us. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

With recent events having raised hopes that significant change may be afoot in North Korea, it is important to remember that DPRK society has in fact been undergoing steady transformation for a considerable period of time. Among the most important dimensions of this are the changes that have occurred in the kind of information North Koreans have access to, and this is the subject of Jieun Baek's excellent North Korea's Hidden Revolution: How the Information Underground Is Transforming a Closed Society (Yale University Press, 2016). Based on interviews with North Koreans who have settled in the South, Baek shows how everything from television programs to foreign affairs coverage and fashion has made its way into the country from the outside world. DPRK citizens today live in a much more informationally open society than the all-too-common ‘hermit kingdom’ label would imply. As well as getting a rich sense of the very personal stories that often underlie the movement of information, goods and cash into the country, we also come from Baek's work to understand the elaborate networks of smugglers, traders and intermediaries who facilitate its passage. Appreciating all of the complexity around North Korea's involvement in global flows, and how the Pyongyang government is responding to this, will surely be crucial whatever course this state and its people take over the coming months and years. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The story of Emmett Till’s death at the hands of white Mississippians is well known. For many Americans, it highlights the racism of the Jim Crow South and was a defining moment that helped galvanize a generation of civil rights leaders. In his new book, Elliott J. Gorn (Professor of History at Loyola University Chicago) tells the story of Till’s life and death. The death and trial was a national and international news story, but the exact meaning of events in Mississippi were contested. Moreover, the horrific images of Till’s badly beaten body were published in black publications at a time of a segregated media landscape. Most white Americans did not see them until decades later. In Let the People See: The Story of Emmett Till (Oxford University Press, 2018), Gorn also tells this story of the story of Till’s death—examining how responses to the death varied across the population and showing how public memory of Till’s murder has changed over the intervening years. In this episode of the podcast, Gorn discusses Till’s life, death, and legacy. He explains what happened and how it was received at the time. He also discusses why Till’s death drew so much attention, and how that attention fit into the larger historical context. He touches on why his death feels especially timely today. Finally, he discusses the experience of researching the book. Christine Lamberson is an Associate Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How has the council estate been represented on stage? In Social Housing In Performance: The English Council Estate On and Off Stage (Methuen Drama, 2018), Dr. Katie Beswick, a lecturer in drama at the University of Exeter, explores this question using a mixture of dramatic and social theory, along with examples from a variety of theatre performances and forms. The book sets out the history of social housing and the council estate, along with a reading of the (mis)representations of the estate across contemporary media. The book shows the longstanding and complex relationship between theatre, class, and the estate, using examples including high profile state pieces, as well as site specific theatre. The book will be essential reading for theatre and performance scholars, along with anyone interested in issues of class and culture, as well as housing, space and place. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Regia Rini is the Canada Research Chair in Philosophy of Moral and Social Cognition at the York University. Her research resides at the intersections of moral philosophy, psychology, and political epistemology. She also publishes popular work on topics concerning the social and political impacts of technology. She is currently working on a book about social media and democracy. The "Why We Argue" podcast is produced by the Humanities Institute at the University of Connecticut as part of the Humility and Conviction in Public Life project. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What can the lives of journalists under Hitler and Adenauer reveal? How did they navigate the Third Reich as "internal emigrants"? How did the emerging Cold War shape new tensions with their government and publishers? Volker Berghahn examines the lives and careers of three media giants with his latest book Journalists between Hitler and Adenauer: From Inner Emigration to the Moral Reconstruction of West Germany(Princeton University Press, 2019). In it, Berghan's exploration of German journalists' compromises and moral vision for their country illuminates perennial issues around press freedom and the place of media in modern societies. Volker Berghahn is the Seth Low Professor Emeritus of History at Columbia University. His numerous contributions to the field have covered the social and cultural history of modern Germany and Euro-American relations. He taught in England and Germany before coming to Brown University in 1988 and going on to Columbia ten years later. A selected list of Berghahn's books includes America and the Intellectual Cold Wars in Europe (2001), Imperial Germany (1995), The Americanization of West German Industry, 1945-1973 (1986), Modern Germany (1982), The Tirpitz Plan (1971), Europe in the Era of Two World Wars (2006), and Industrial Society and Cultural Transfer (2010). Ryan Stackhouse is a historian of Europe specializing in modern Germany and political policing under dictatorship. His research exploring Gestapo enforcement practices toward different social groups is nearing completion under the working title A Discriminating Terror. He also cohosts the Third Reich History Podcast and can be reached at [email protected] or @Staxomatix. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Our evolutionary success, according to co-authors Alex Bentley and Michael O'Brien, lies in our ability to acquire cultural wisdom and teach it to the next generation. Today, we follow social media bots as much as we learn from our ancestors. We are radically changing the way culture evolves. In The Acceleration of Cultural Change: From Ancestors to Algorithms (MIT Press, 2017), Bentley and O'Brien describe how the transmission of culture has become vast and instantaneous across an internet of people and devices, after millennia of local, ancestral knowledge that evolved slowly. Long-evolved cultural knowledge is aggressively discounted by online algorithms, which prioritize popularity and recency. If children learn more from Minecraft than from tradition, this is a profound shift in cultural evolution. Bentley and O'Brien examine the broad and shallow model of cultural evolution seen today in the science of networks, prediction markets, and the explosion of digital information. They suggest that in the future, artificial intelligence could help solve the problem of information overload, learning to integrate concepts over the vast milieu of digitally stored information. Professor Alex Bentley is Chair of the Department of Anthropology at the University of Tennessee. Follow him on Twitter @ralexbentley. Hoover Harris, editor of Degree Or Not Degree?, holds a PhD in English and writes and speaks about trends in higher education. He can be reached by email at [email protected] or on Twitter @degreenot. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

When "Dirty Harry" first premiered in 1971, it was both praised and condemned for its portrayal of a rogue policeman fighting crime by ignoring many of the rules and procedures of the profession. Yet director Don Siegel denied any attempt to make a political statement with the film. Joe Street’s book Dirty Harry’s America: Clint Eastwood, Harry Callahan, and the Conservative Backlash (University Press of Florida, 2016) discusses all five "Dirty Harry" films and helps to better explain the importance of them both cinematically and socially. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How has European culture changed since the 1960s? In Enter Culture, Exit Arts? The Transformation of Cultural Hierarchies in European Newspaper Culture Sections, 1960–2010 (Routledge, 2018), Dr. Irmak Karademir Hazir and her co-authors, explore this important question by looking at newspaper coverage of culture across Europe over the last 50 years. The book has an incredibly rich and detailed dataset of newspaper articles from Spain, UK, France, Turkey, Sweden and Finland, and covers a range of cultural forms. The book grapples with the classic tensions in the study of culture, between aesthetics and commercialisation, hierarchies, and globalisation, along with changes in the format, style, and production conditions for cultural journalism. The book is essential reading for anyone interested in culture in Europe, and you can find out more about the project and read some of the papers here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

At the dawn of the radio age in the 1920s, Frederick Du Vernet—Anglican archbishop and self-declared scientist—announced a psychic channel by which minds could telepathically communicate across distance. Pamela E. Klassen retalls Du Vernet’s imaginative experiment in her newest book, The Story of Radio Mind: A Missionary's Journey on Indigenous Land (University of Chicago Press, 2018). Following Du Vernet’s journey westward across Canada, Klassen examines how contests over the mediation of stories—via photography, maps, printing presses, and radio—reveal the spiritual work of colonial settlement. Pamela Klassen is Professor in the Department for the Study of Religion at the University of Toronto. Hillary Kaell co-hosts NBIR and is Associate Professor of Religion at Concordia University in Montreal, Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Perhaps no form of popular art has appeared as poised to resist subversive sexual themes as the television situation comedy. But Tison Pugh writes that the sitcom’s historic dogmatic insistence on an earnest innocence was doomed to fail, and that the weight of this strain reveals itself under close scrutiny. In The Queer Fantasies of the American Family Sitcom (Rutgers University Press, 2018), Pugh looks at six beloved sitcoms throughout television history in a way you have probably never viewed them before. “Sexuality and queerness can never be banished from family sitcoms but instead percolate throughout various story lines that attempt to quell their disruptive force," Pugh writes. “In brief, queerness as a critical concept fractures cultural constructions of gendered and erotic normativity, dismantling rigid binary codes of licit and illicit desires and identities. Queer refers to contested sexual and gender identities but extends further to include identities that challenge regimes of normativity. More so, queerness exposes how deeply heteronormative narrative frameworks, such as that of the family sitcom, are structurally incapable of suturing over their aporias and contradictions, such that their surface normativity cannot withstand the steady erosion of their symptomatic queerness.” Pugh is a professor of English at the University of Central Florida, and the author or co-author of several books on sexuality and literature, including Precious Perversions: Humor, Homosexuality, and the Southern Literary Canon (Louisiana State University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In her new book, Filming the Colonial Past: The New Zealand Wars on Screen (Otago University Press, 2018), Annabel Cooper, an Associate Professor in the Gender Studies Programme at the University of Otago, explores how filmmakers have portrayed the New Zealand wars of the 19th century and how those productions serve as a snapshot of the complex cultural moment of their creation. Exploring today's new forms of media and innovative platforms, Cooper charts the growth of Maori creative control in telling these important national stories. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What is the relationship between popular misogyny and popular feminism? In Empowered: Popular Feminism and Popular Misogyny(Duke University Press, 2018), Sarah Banet-Weiser, Professor of Media and Communications and Head of Department at the LSE's Department of Media and Communications, explores these two interrelated ideas in order to analyse a range of examples including the body positivity movement, confidence, #gamergate, seduction communities, and women in tech. These examples, along with extensive discussion of media examples including advertising, and a theorisation of the 'economy of visibility', demonstrate the important work of popular feminism, its limits, and the misogynist backlash aimed at arresting feminism's progress. The book engages and explains our current politics, with important lessons for both sides of the Atlantic, as well as a media analysis with global implications. As a result the book is an important read across the social sciences, politics, and beyond. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

McKenzie Wark’s new book offers 21 focused studies of thinkers working in a wide range of fields who are worth your attention. The chapters of General Intellects: Twenty-One Thinkers for the Twenty-First Century (Verso, 2017) introduce readers to important work in Anglophone cultural studies, psychoanalysis, political theory, media theory, speculative realism, science studies, Italian and French workerist and autonomist thought, two “imaginative readings of Marx,” and two “unique takes on the body politic.” There are significant implications of these ideas for how we live and work at the contemporary university, and we discussed some of those in our conversation. This is a great book to read and to teach with! Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

One of the major aspects of the end of the Cold War has been the discovery and release of records related to many government activities from the period. In Lookout America!: The Secret Hollywood Studio at the Heart of the Cold War (Dartmouth College Press, 2018), Kevin Hamilton and Ned O’Gorman tell the story of a movie studio created by the United States government soon after the end of World War 2: Lookout Mountain Laboratory, known during the 1960s as the 1352nd Photographic Group of the United States Air Force. The studio made hundreds of films. You may have seen one, but probably don't know it. Listen in. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The success of a translator may seem to lie in going unnoticed: the translator ducks out of the spotlight so that the original author may shine. Mark Polizzotti challenges that idea in a provocative treatise on his craft, Sympathy for the Traitor: A Translation Manifesto (MIT Press, 2018). “A good translation, created by a thoughtful and talented translator,” Polizzotti writes, “aims not to betray the original but to honor it by offering something of equal–possibly even greater–beauty in its name. Polizzotti has translated over 50 books and authored or co-authored four of his own. He is the Publisher and Editor-in-Chief at the Metropolitan Museum of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Arabic script is astounding! Not only because it represents one of the most commonly spoken languages today –that is, the Arabic language– but because it has represented dozens of other languages over the course of human history from the Middle East to Asia, to Europe, and to the tip of South Africa. Letters of Light: Arabic Script in Calligraphy, Print, and Digital Design (Harvard University Press, 2017) is a recent example of the scholarship on the aesthetics of Arabic script and what it communicates. Author J.R. Osborn writes, not quite a standard history, not quite a work of communication studies, not quite a linguistic study, but a combination of all three that tells the story of Arabic script over ten centuries: from the formation of the calligraphic tradition to the rise of Unicode. J.R. Osborn is an Assistant Professor at Georgetown University in the Communication, Culture, and Technology Program. His work explores media history, design, semiotics, communication technologies, and aesthetics with a regional focus of the Middle East and Africa. J.R. is also a self-described ‘experimentalist of communication’ who works across media forms: from text to film to digital interface design and curatorial projects. He holds Ph.D in Communication and a Certificate in Ethnographic Film from the University of California, San Diego. Letters of Light is his first book. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Television started as a dream of nineteenth-century science fiction. It took its place in the twentieth-century home, and became a fixture of family life and a transformative cultural force. Today, televisions are both less visible and more present than ever, thanks to screens on our walls and in our pockets. Chris Horrocks traces the cultural history of the television set in The Joy of Sets: A Short History of the Television (Reaktion Press, 2017). Horrocks is a filmmaker and professor in the School of Critical Studies and Creative Industries at Kingston University in London. His previous books include Cultures of Colour: Visual, Material, Textual (Berghahn, 2012), and Marshall McLuhan and Virtuality (Icon, 2000). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What are the hidden structures of the television industry? In The Talent Industry: Television, Cultural Intermediaries and New Digital Pathways (Palgrave, 2018), Raymond Boyle, a professor of communications at the University of Glasgow‘s Centre for Cultural Policy Research, explores this question by focusing on the idea of talent. The book offers a rich theoretical and empirical engagement with the contemporary television landscape, giving detailed analysis of the history of talent development, as well as the impact of digital and new platforms. The shifting landscape of talent, television, and the infrastructure of cultural intermediaries is illustrated with key case studies, ultimately showing how the winners and losers of the talent industry map onto existing inequalities. The book is essential reading for anyone interested in contemporary media. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Networked Press Freedom: Creating Infrastructures For a Public Right to Hear (MIT Press, 2018), journalism professor Mike Ananny provides a new framework for thinking about the media at a time of significant change within the industry. Drawing on a variety of disciplines from journalism studies, political theory and technological studies, Ananny argues press freedom is a result of an interplay of duty, autonomy, social, and institutional forces. Focusing on the public right to hear, Ananny explores the competing values and publics journalists must negotiate to provide objective news and to build trust. Exploring the complexities of ‘doing journalism’ in the 21st century with competing technological platforms he attempts to answer the question: what is the role of journalism and freedom of the press in the modern era? Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Physical journals, scrapbooks, and photo albums all offer their owners the opportunity to chronicle both mundane and extravagant events. But unlike social media posting, this analog memorializing of life happenings is not encumbered with the negative theorizing about why people choose to record experiences. In her new book, The Qualified Self: Social Media and the Accounting of Everyday Life (MIT Press, 2018), Cornell University associate professor Lee Humphreys argues that selfies and other social media life logging, like traditional journaling, is media accounting, which offers us a deeper understanding of ourselves. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Jack Benny was one of the first crossover stars in broadcast comedy, rising from the vaudeville circuit to star in radio, film, and television. Kathryn Fuller-Seeley chronicles Benny’s career in her book, Jack Benny and the Golden Age of American Radio Comedy (University of California Press, 2017). The book recently received a Special Jury Prize from the Theatre Library Association. Kathryn Fuller-Seeley is Professor of Communication at the University of Texas at Austin. She is also the author of various books on film history, including At the Picture Show: Small-Town Audiences and the Creation of Movie Fan Culture (Smithsonian Institution Press, 1996). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How does the seduction, or “pick-up artist,” industry work? In her new book Seduction: Men, Masculinity, and Mediated Intimacy (Polity, 2018), Rachel O’Neill provides a sociological analysis of the seduction industry. By using ethnographic and interview methods, O’Neill engages with the industry to better understand how intimacy is portrayed through media, trainings, and men’s experiences using these techniques in the field. This book is rich with accessible and interesting discussions of masculinity. For instance, O’Neill explores how men who attend seduction trainings, as well as the trainers themselves, “brand” their “sexual selves.” The book covers many interesting topics including social hierarchies and the importance of style. O’Neill also tackles issues relevant to current cultural discussions around consent and the intersection and discord between feminism and masculinity. O’Neill’s next project includes turning an eye to mediated health through studying “wellness culture” and practices of health enhancements including food and diets. Sarah E. Patterson is a postdoc at the University of Western Ontario. You can tweet her at @spattersearch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

If you watch old movies or study film history, you may know that early 20th-century Hollywood operated under the Motion Picture Production Code, which dictated what could and couldn’t be portrayed onscreen. But did you know that television had a code of its own? Its story has never been told at length until now. Deborah Jaramillo, Associate Professor of Film and Television at Boston University, is the author of a new book called The Television Code: Regulating the Screen to Safeguard the Industry (University of Texas Press, 2018). Jaramillo tells the story of a young television industry’s attempt to police itself on controversial questions about content, fending off pressure from government regulators and finicky viewers. Jaramillo explores whether the federal government could have played a stronger role at this formative time in the industry, and what the code did and didn’t accomplish in its three decades of existence. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

LikeWar: The Weaponization of Social Media (Houghton Mifflin Harcourt, 2018), by P.W. Singer and Emerson T. Brooking, outlines the history of social media platforms and their use in popular culture and modern conflict. The authors make comparisons to previous technological advancements (such as telegraph and radio) and connect the use of social media to a Clausewitzian view of war. The use of social media by insurgents, criminal organizations, and nation-states raises questions about whether the medium is the message or if new communication channels are propaganda in another form. Beth Windisch is a national security practitioner. You can tweet her @bethwindisch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In a time where concepts such as gender pronouns, sexual assault and harassment, and toxic masculinity are entering and shaping public discourse, knowing the ways in which gender and language interact is key. In her new book, Speaking Up: Understanding Language and Gender (Multilingual Matters, 2018), Dr. Allyson Jule describes the ways in which gender and language intersect in various parts of life. Jule examines gender and language in media and technology, education, the workplace, religion, and relationships. Each chapter offers the latest research in that area as well as major works that preceded our current time. Jule provides an excellent primer that could be used at all levels of higher education along with being accessible to the general public, which makes this an outstanding contribution to the field. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications