New Books in Communications

In Middle Eastern history, the printing press has been both over- and under-assigned significance as an agent of social change. Hala Auji’s Printing Arab Modernity: Book Culture and the American Press in Nineteenth-Century Beirut (Brill, 2016) is not only a history of the American Protestant mission’s Arabic press in Beirut, which printed books for Ottoman readers during the 19th century, but a window into the world of Arabic printing at large. Auji uses art history to chart the transition between manuscripts and printed books, using a deep appreciation for Islamic art and book-production to highlight rupture and continuity. Text and non-textual elements are used to tell a story that was not local simply to Beirut, but had connections to the entire region and the development of printing in Arabic-language script at large. Part book-history, part art history, part intellectual history, Printing Arab Modernity ebbs between lithography and typography to tell an essential narrative of modern Middle Eastern history. Hala Auji is an assistant professor of art history in the Department of Fine Arts and Art History at the American University of Beirut (AUB). She holds a PhD in art history from Binghamton University, State University of New York, an MA in Art Criticism & Theory from Art Center College of Design, and a BFA in graphic design from the American University of Beirut. Her research interests include: Arabic book and print culture, 19th-century Islamic art and architecture and the| history of modern science in the Islamic world, amongst many more. She can also be found at https://www.halaauji.net/ Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

To find out what Americans really think about their government, University of Texas-Austin Professor Roderick P. Hart read and analyzed approximately 10,000 letters to the editor, from 12 “ordinary” cities, written between 1948 and the present. In Civic Hope: How Ordinary Americans Keep Democracy Alive (Cambridge University Press, 2018), Hart argues these letter writers are essential because “[c]reating and sustaining a culture of argument at the grassroots level” is what makes “democracy flourish.” Despite the sometimes cantankerous nature of letter writers, Hart praises their commitment to participating in a public dialogue. He notes the importance of sharing opinions in local newspapers in one’s own name, where neighbors can see them and respond to them, aiding communal understanding. But Hart also sees in his research a decline over the past several decades in “Oppositional Literacy,” the understanding of opposing views, possibly fed by “hyper-partisanship” in non-local online discourse. Nevertheless, “Civic Hope” is bound to make readers rethink the value of the letters page and the contributions of letter writers to democracy. Bill Scher is a Contributing Editor for POLITICO Magazine. He has provided political commentary on CNN, NPR and MSNBC. He has been published in The New York Times, The New Republic, and The New York Daily News among other publications. He is author of Wait! Don’t Move to Canada, published by Rodale in 2006. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The Lòlop’ò of Southwest China’s Yunnan Province have a folktale in which they, Han Chinese, and Tibetans were given the technology of writing. The Han man was wealthy, purchased paper, and wrote on paper. And so the Han continue to have writing today. The Tibetan man wrote on an animal hide, and so the Tibetans now have writing as well. The Lòlop’ò man, being poor, wrote on buckwheat pancakes. He ate the pancakes on the way home, and the Lòlop’ò now keep their texts orally among a group of ritual specialists. In Erik Mueggler’s Songs for Dead Parents: Corpse, Text, and World in Southwest China (University of Chicago Press, 2017), Lòlop’ò oral literature and Han Chinese writing feature prominently in local “work on the dead.” For the Lòlop’ò, one’s familial ancestors, and non-familial ancestors are present in the world, and people maintain complex intimate relations with them that are not constrained by death. These relations find expression in rituals in which souls are given material body and then dispersed again, in laments and chants, and in gravestones inscribed with Chinese. In examining these various factors, this book provides new pathways for studying the anthropology of death, and for understanding ethnic minority experience in Southwest China. Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In his new book, The World’s Din: Listening to Records, Radio and Films in New Zealand 1880–1940 (Otago University Press, 2018), Peter Hoar, a senior lecturer in radio and media history at Auckland University of Technology, explores how new technology shaped how New Zealanders experienced the very act of listening in the late 19th and early 20th century. Hoar traces how this cultural revolution in sound reflected new global possibilities in recordings, radio, and film that New Zealanders made all their own. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Follow-up interviews are always fun. Listen to my follow-up interview with Dahlia Schweitzer, author of Going Viral: Zombies, Viruses, and the End of the World (Rutgers University Press, 2018). I talk with her and Rob Thomas, the creator of Veronica Mars and the co-creator of iZombie and Party Down as well as the author of several young adult novels including Rats Saw God and Slave Day. In this interview we talk about how Schweitzer’s book discusses some of the ways in which Thomas’ series iZombie is ahead of its time, while Thomas shares some of the stories behind co-creating and writing iZombie. In addition, we discuss Thomas’ work on Veronica Mars, how the series came to be, as well as the ways in which it relates to Schweitzer’s new book. It’s a great interview for zombie lovers and marshmallows alike. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Veiled Superheroes: Islam, Feminism, and Popular Culture (Lexington Books, 2017) by Sophia Rose Arjana (with Kim Fox), takes us on a riveting journey through the world of superheroes and villains from the streets of New York to Pakistan. The book is a creative, masterful, and fascinating analysis of female Muslim superheroes in popular comic books and animation. Through the use of global examples, such as Ms. Marvel, Burka Avenger and Bloody Nasreen, just to name a few, Arjana engages her readers beyond reductive discussions of the veil, sexuality, and gender to highlight the ever-complex ways in which female Muslim superheroes can help us engage constructively with ideas of Islamic feminism, the Muslim female body, intersectionality, and even notions of violence. With supernatural powers, such through the mystical arts (i.e., Sufism), or human qualities of courage and bravery, the Muslimah superheroes featured in this study capture the real and complex lives of Muslim women globally, and the vast negotiations they have to contend with. In doing so, Arjana masterfully highlights that there is no singular Islamic feminist (or just Muslim) female experience. This book is a must read for anyone interested in religion, popular culture, and gender studies, while its accessibly written style, makes it an excellent resource for teaching religious, media, and gender studies for undergraduate students. M. Shobhana Xavier is an Assistant Professor of Religion at Ithaca College. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism (Bloomsbury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2018). More details about her research and scholarship may be found here and here. She may be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Appeals to “press freedom” can be heard from across the political spectrum. But what those appeals mean varies dramatically. Sam Lebovic, in his excellent new book, Free Speech and Unfree News: The Paradox of Press Freedom in America (Harvard University Press, 2016), traces the fraught history of that contested concept throughout the twentieth century. Beginning his analysis in the 1920s, Lebovic shows how conservative politicians, lawyers, and publishers began to define press freedom as freedom from state censorship, wrapped it in the first amendment, and fought New Deal attempts at regulation. Meanwhile, liberal politicians and journalists feared corporate control of the press as a threat to the democratic need for information, and advocated a freer and more trustworthy press. Not interested solely in the debates over press freedom, Lebovic also focuses on, what he calls, “the everyday politics of information.” He reveals how state classification practices and the political economy of the news fundamentally shaped how information flowed. It is an ambitious book that succeeds in telling a crucial story and it should inform contemporary approaches to press monopolization and the ever-growing “classified universe.” The book will interest intellectual historians, communications scholars, legal historians, political historians, and historians of U.S. foreign relations. Dexter Fergie is a first-year PhD student of US and global history at Northwestern University. He is currently researching the 20th century geopolitical history of information and communications networks. He can be reached by email at [email protected] or on Twitter @DexterFergie. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

It seems safe to assume that media coverage changes the behavior of politicians and voters. And it seems safe to assume this happens in cases of humanitarian crisis. But it’s really hard to go beyond these platitudes to determine exactly how this feedback loop works. John Nathaniel Clarke’s new book, British Media and the Rwandan Genocide (Routledge, 2018), uses Rwanda as a test case to tease out the relationship between media coverage and policy. To do so, he uses carefully structured, labor intensive and analytically rich process to determine exactly what the media was reporting and writing about the genocide. By examining the media coverage so systematically, he is also able to detect changes over time in the nature of the reporting. He then examines the way in which members of parliament respond to the reports, analysis and op-eds in a variety of British newspapers. Clarke knows his way around an excel spreadsheet, and his analysis is statistically sophisticated and his conclusions carefully considered. His book raise questions about the received wisdom about coverage of Rwanda. But it also offers a model going forward of how we might understand the relationship between media coverage of mass atrocities and the decisions made by political leaders about how to respond to these crises. Kelly McFall is Professor of History and Director of the Honors Program at Newman University. He’s the author of four modules in the Reacting to the Past series, including The Needs of Others: Human Rights, International Organizations and Intervention in Rwanda, 1994. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What do Mary Shelley’s Frankenstein, media theorist Marshall McLuhan and Canadian popular culture have in common? This is the question that Mark A. McCutcheon seeks to answer in his new book, The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology, published in 2018 by Athabasca University Press. In this unique and penetrating analysis, McCutcheon argues that Shelley’s 1818 novel essentially reinvented the word “technology” for the modern age, establishing its connections with ominous notions of manmade monstrosity. In the twentieth century, this monstrous, Frankensteinian conception of technology was globalized and popularized largely through Marshall McLuhan’s media theory and its numerous, diverse adaptations in Canadian popular culture. The Medium is the Monster establishes Frankenstein, and its various adaptations, as the originating intertext for a modern conceptualisation of technology that has manifested with a unique potency in Canadian pop culture, informing works as disparate as David Cronenberg’s Videodrome, William Gibson’s Neuromancer, the fiction of Margaret Atwood, and even electronic dance music. Furthermore, McCutcheon undertakes an incisive of analysis of how Frankensteinian constructions of technology have shaped real-world discussions of science and industry, an intertextual discourse which he sees as most powerfully encapsulated in the rhetoric associated with the Alberta tar sands industry. Over the course of the interview, McCutcheon provides some fascinating insights into changing cultural attitudes towards technology, the influence of Mary Shelley’s Frankenstein, the novel’s relationship to McLuhan’s media theory, and the surprising scope of Shelley’s cultural impact. Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The use of our data and the privacy, or lack thereof, that we have when we go online has become a topic of increasing importance as technology becomes ubiquitous and more sophisticated. Governments, advocacy groups and individual citizens are demanding that action be taken to protect their valuable data. But what does this sporadic noise amount to? B.J. Mendelson in his book Privacy: And How to Get It Back (Curious Reads, 2017) argues that a complacent citizenry and the overly-intimate relationship that corporations have with government has led to massive breaches of people’s privacy. Mendelson humorously explains the way people’s data is used and abused as he tracks the long history of government surveillance leading to an explanation of, what he believes, could be the solution to the abuse of people’s privacy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Today I was joined by Seamus Grimes from Ireland where he is Emeritus Professor at the National University of Ireland, Galway. With Yutao Sun (Dalian University of Technology), he just published a very interesting and timely book China and Global Value Chains: Globalization and the Information and Communications Technology Sector (Routledge, 2018). President Trump has raised the intriguing question of bringing the manufacturing of companies like Apple back from China to the U.S. This book, however, argues that in this age of the knowledge-based economy and increased globalization, that value creation and distribution based on knowledge and innovation activities are at the core of economic development. The double-edged sword of globalization has transformed China’s economic development in the past few decades. Although China has benefitted from globalization and is now the second largest economy in the world, having become a global manufacturing power and the biggest exporter of high-tech products, it continues to be highly dependent on foreign sources of capital and technology. The book explores the core of the Chinese economy from the perspective of the global value chain, combining analysis of inward investment, international trade, science and technology and innovation and economic development. Specifically, it investigates China’s evolving role with some innovative Chinese companies emerging in the global market and China’s ongoing efforts to become an innovation-driven economy. This is a very interesting book on the complexity of the global industrial systems that are behind the production of the electronic goods that we use daily. Beside China and this specific sector, it is a timely warning for those that argue in favour of raising barriers or regulating otherwise the current flow of goods and components worldwide. Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on Critical Management Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How does the portrayal of a character like Apu matter? What does the representation of South Asian TV characters tell us about society at large? In her new book, South Asians on the U.S. Screen: Just Like Everyone Else? (Lexington Books, 2018), Bhoomi Thakore uses interviews and audience studies to explore these questions and more. By having participants list South Asian characters they’ve seen on TV, she learns a lot about representation in addition to the positive and negative characteristics attributed to these characters. Often times South Asians are relegated to minor characters in shows and Thakore explores how The Mindy Project breaks out of this mold. Exploring ideas and concepts including “forever foreigners,” assimilation, and acculturation, Thakore analyzes this media sociologically. The book also sheds light on the portrayal of South Asian female characters specifically, as well as how some shows emphasize the “every-day”-ness of some South Asian characters versus those portrayed as tokens. Overall, this work highlights important aspects that viewers of these shows may miss in passing. Thakore concludes by giving readers insights from the analysis at hand, but also provides larger insights in terms of racial relations and media portrayals in general. This book is interesting and accessible to a wide audience. Folks interested in general sociology, race/ethnicity, or media studies will find the book enjoyable. This book would be useful for an upper level sociology of race/ethnicity course as well as graduate level courses, especially those that focus on race/ethnicity or media studies. Sarah E. Patterson is a postdoc at the University of Western Ontario. You can tweet her at @spattersearch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How do the media make race? This question is at the heart of Race and the Cultural Industries (Polity, 2018), the new book by Anamik Saha, Lecturer in Media, Communications and Promotion at Goldsmiths, University of London. The book sits between critical race theory and the political economy of culture, proving to be an astute and valuable contribution to a field that, as yet, has yet to find a definitive take on the question of race and the cultural industries. The book is filled with examples from media, including news rooms, publishing, music, theatre and film, as well as rich and detailed theoretical engagements with scholarship accounting for the often hidden structures that give us a culture dominated by the norms of whiteness. It is not only essential reading for media studies scholars, but also is important for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Unconventional, Partisan, and Polarizing Rhetoric: How the 2016 Election Shaped the Way Candidates Strategize, Engage, and Communicate (Rowman and Littlefield, 2017), Jeanine Kraybill, assistant professor of political science at Cal State University, Bakersfield, has edited a timely book on the 2016 election. From all accounts, the 2016 election was unusual, and the role of political communication was no different. Using a variety of methods, the chapter authors examine how rhetoric and political communication shaped the tone of campaigns and ultimate outcomes of the election. They study how candidates primed voters for an anti-establishment candidate. They also examine how political communication influenced key campaign issues such as climate change, immigration, national security, religion, and gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Natalia Roudakova’s book Losing Pravda: Ethics and the Press in Post-Truth Russia (Cambridge University Press, 2017) explores changes in the world of journalism in Russia in the last fifty years. Drawing from more than a decade of research of various ethnographic and historical sources, Roudakova approaches truth as a social category. She demonstrates that the status of truth was relatively secure and stable under the Soviet state socialism. It was the transformation from communism to capitalism that led to a drastic dissolution of a sense of responsibility towards the public and, consequently, into the very possibility to produce truth in the post-socialist era. Looking into everyday practices of Soviet journalists and the post-socialist transformation of the media, Losing Pravda provides a glimpse into one possible future of the US and other post-truth settings in the West. Exploring how truth-seeking and truth-telling work under different socio-political conditions, it offers a new, ethics-based vocabulary for thinking about production of facts and meaning in contemporary world. Carna Brkovic is a Lecturer at the University of Regensburg, Germany. She is an author of Managing Ambiguity, winner of the 2015 SIEF Young Scholar prize, and an anthropologist exploring humanitarianism, clientelism, and activism in former Yugoslav countries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Everyone loves a good conspiracy theory as we prep for the zombie apocalypse. In her new book Going Viral: Zombies, Viruses, and the End of the World (Rutgers University Press, 2018), Dahlia Schweitzer brings them together as she explores the outbreak narrative in popular film, television and other media. Examining the outbreak narrative in popular culture, Schweitzer traces the film cycle of the outbreak narrative as it plays out in the themes of globalization, terrorism, and the end of civilization. Schweitzer explores how popular cultural narratives in additional to official media sources heighten and perpetuate the fears created through the outbreak narrative. Although we leave in a world that is far safer today than most any time in history, the outbreak narrative as it is structured in popular culture creates a pattern of fear and conspiracy theories that are representative of larger societal panics. Well researched and covering a wide array of film, television, and other media that address the outbreak narratives, Schweitzer’s book is a must read for individuals interested in a sociological read of the ways film and television illustrate larger, global concerns. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Daniel Kapust‘s book, Flattery and the History of Political Thought: That Glib and Oily Art (Cambridge University Press, 2018), is a rich and fascinating exploration of political thought through the complex lens of the question or concept of flattery. The book traces this complicated concept through both many of the “expected” writers and thinkers in the western political theory canon while also integrating some unexpected thinkers. Kapust positions many of these thinkers in encounters with each other—exploring the kinds of conversations these thinkers might have with each other. The encounters between authors and texts tease out the differing understandings of flattery and the way that it can be used in political contexts as well as within the affective webs in which humans live and engage with one another on a personal level. Thus, Kapust situates flattery within politics, provides the reader with different definitions of flattery, and also teases out the differences between flattery and friendship. The book begins by posing the question as to why flattery is a worrisome political phenomenon and concludes with a brief exploration of the contemporary political dynamic in the United States on the eve of the 2016 election. But between these bookends, Kapust takes the reader through an extended exploration of works by Cicero, Smith, Machiavelli, the Federalist, and others who indeed wrestle with the idea of flattery in the public sphere and also within the context of political friendship and personal relationships. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

When you hear “Twentieth Century Fox,” I doubt you know where the source of “Fox” in the name. In her book, The Man Who Made the Movies: The Meteoric Rise and Tragic Fall of William Fox (Harper, 2017), Vanda Krefft presents a detailed biography of one of the founders of the American film industry, whose successes are largely unknown because of his ultimate downfall. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Humble Theory: Folklore’s Grasp on Social Life (Indiana University Press, 2016) is an anthology of essays from Dorothy Noyes, professor of English and Comparative Studies at the Ohio State University and president of the American Folklore Society. The collection of essays takes aim at some of the critical questions that the discipline of folklore faces in the twenty-first century. From seminal keyword essays (monsters, she calls them) on group, tradition, and aesthetics that set out the state of the field, to studies of the historical uses of tradition at different moments across Europe, to critiques of present-day slogan-concepts like Intangible Cultural Heritage and resilience, Humble Theory: Folklore’s Grasp on Social Life (Indiana University Press, 2016) sets out to see how the discipline of folklore, with its emphases on vernacular theorization—as opposed to grand or high theories—provides unique insights into society more broadly. Ultimately, it seems, the strength and weaknesses of folklore might simultaneously lie in the fact that the field and its theories are humble: low and close to the ground. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

As Paul Whitfield Horn Professor of Literature and Science at Texas Tech University, Bruce Clarke has spent the last decade-plus publishing groundbreaking scholarship introducing the application of second-order systems theory to the analysis of literature and media more broadly. The staggering scope of Clarke’s multidisciplinary erudition is on full display in the monograph, Neocybernetics and Narrative, out from University of Minnesota Press in 2014. In picking up Niklas Luhmann’s neologism “neocybernetics” in place of a more standard second-order cybernetic label, Clarke carves out a theoretical continuum for his thinking that runs along a trajectory from Heinz von Foerster’s notions of the observer, through George Spencer-Brown’s Laws of Form, Maturana and Varela’s biology of cognition, and right up to, and including, Niklas Luhmann’s controversial extension of autopoiesis theory to metabiotic social systems; a theoretical move most often excluded from more orthodox second-order cybernetic thinking. The formidable theoretical apparatus he has assembled allows Clarke to frame the reader of literary texts as an observer of semantic structures facilitating the psychic construction of possible worlds of meaning, and to examine literary texts themselves as forms of communicative action that continue the autopoiesis of meaning-constituted social systems along the lines of Luhmann’s tripartite process of information, utterance, and understanding. From this launch-pad, Clarke takes us on a stratospheric ride with stops on a variety of fascinating landscapes including the media theory of Friedrich Kittler, the socio-technical explorations of Bruno Latour, and encounters with artistic works as diverse as Virgina Woolf’s iconic modernist novel, Mrs. Dalloway and James Cameron’s quasi-Gaian special effects blockbuster motion picture, Avatar. As a result, Clarke has given arts and humanities scholars an entirely new set of tools with which to think about artistic production, reception, and mediation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Shanto Iyengar is Professor of Political Science at Stanford University. He has written extensively on news media and political communication in contemporary democracy. His most recent book is titled Media Politics: A Citizen’s Guide (W. W. Norton, 2015); new edition is forthcoming this year. His current research focuses on political polarization, framing effects, and political affect. The "Why We Argue" podcast is produced by the Humanities Institute at the University of Connecticut as part of the Humility and Conviction in Public Life project. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Literacy is often portrayed as a social good. Composing Egypt: Reading, Writing, and the Emergence of a Modern Nation, 1870-1930 (Stanford University Press, 2016), Hoda Yousef has a different take on it, portraying it as a tool. Yousef uses reading and writing to interrogate how new social practices were changing Egypt in the late nineteenth and early twentieth centuries, demonstrating how they were used to further divide or fracture the public sphere. Literate, illiterate, and semi-literate Egyptians all engaged in the written word via different means, be they petition-writers, those who appealed to scribes, or coffee-house frequenters who all gathered to hear a newspaper be read. Ultimately, it was the emergence of this diversely literate population that shaped the Egyptian nation that emerged in the twentieth century. Hoda Yousef is assistant professor at Denison University, previously she served as an assistant professor of history at Franklin and Marshall College. She is a historian of the modern Middle East and the Islamic World with a focus on cultural and social history and gender in society, with degrees from Georgetown and Duke Universities. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Aidan Smith has written a timely and important analysis of the way that we understand images, masculinity, and femininity, especially through the lens of presidential campaigns and political advertising. Smith’s book, Gender, Heteronormativity, and the American Presidency (Routledge, 2017) explores the idea of heteronormativity within our implicit and explicit conceptions of the American presidency—thus focusing not only on how masculinity is deployed to create particular images of candidates running for office, but also how femininity is used for both first ladies, and for female candidates for the White House who must negotiate an even more complicated set of expectations given our two hundred year history with the occupants of the Oval Office. Smith delves into the complexity of gender performance in presidential politics, and how embedded expectations of patriarchy, fatherhood, manly success, and particular experiences (wartime, boardroom, etc.) all contribute to expectations that are applied to those running for office, especially executive office. This book weaves together analyses and perspectives from a number of fields and disciplines, and thus will be of interest to political scientists who study the presidency and campaigns, as well as political theorists who explore questions of gender performance and sexuality, along with historians and communication experts exploring the integration of televisual images within the American household and the impact of this technological shift. This is a broad study that braids together gender performance expectations, heteronormativity, a nuanced understanding of the presidency, and an analysis of what that position and office often mean to the citizenry. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Kathryn Woolard is Professor Emerita and Research Professor of Anthropology at the University of California, San Diego. She has authored seminal works on language ideology and the sociolinguistic situation in Catalonia, including the present book Singular and Plural: Ideologies of Linguistic Authority in Twenty-First Century Catalonia (Oxford University Press, 2016) which won the 2017 Society for Linguistic Anthropology Edward Sapir Book Prize. Bringing together two of her longstanding areas of research interest in this book, Woolard develops a framework for analyzing ideologies of linguistic authority and applies it to the evolving political situation in Catalonia. In this interview, Woolard discusses the key theoretical and contextual elements of the book, broadly following its three-part structure. First, the concepts of linguistic authenticity, anonymity, sociolinguistic naturalism are introduced, and Woolard sets out the changing ideological grounding of linguistic authority there over the course of twenty years of fieldwork in Catalonia. Next, Woolard’s theoretical framework is applied to the case of a popular satirical television program which catalyzed the sociolinguistic rehabilitation of a Catalonian president whose Castilian Spanish was better than his Catalan. Finally, Woolard discusses her early and recent fieldwork in a Catalan-medium high school, and her experiences of following up on research informants first interviewed twenty years ago. This is a typically rich and fascinating volume from a pioneer of linguistic anthropology. Positioned as a corrective against the banal nationalism of mainstream media discourse about Spain and Catalonia, the book calls on us to rethink our ideologies of language, nationalism and cosmopolitanism, which have become so polarized in the West in recent years. Kathryn Woolard wrote a post for Indiana University’s Communication, Media and Performance Anthropology blog (08/14/2017) in which she discusses ideas we talked about in the podcast. You can find it here. John Weston is an Yliopistonopettaja (Associate Lecturer) at the Department of Language and Communication Studies at the University of Jyvaskyla. His research focuses on the relationships between language variation, knowledge and ethics. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In his book Reality TV (Routledge, 2017), author Jon Kraszewski explores reality television’s relationship to the American cityscape. Starting with show such as Candid Camera and An American Family, Kraszewski positions reality television in cities where individuals were able to thrive regardless of social class. In this space, early reality television created a laboratory for individuals. Moving to the early 1990s and beyond, Kraszewski challenges the ways in which reality television persisted in this relationship with the city although most viewers do not have the means to live in cities. Using case studies of how the Bravo network exploits the urban servant, the examination of “Boston” Rob Marino and Tiffany “New York” Pollard as reality show representative of major global American cities, and how shows such as Here Comes Honey Boo Boo, Alaska: The Last Frontier, and Swamp People, Krasweski present the complex and often problematic relationships between American urban space and the way in which reality television uses and exploits that space in relation to their characters. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How do technological advances and changing archival practices alter historical memory? In what ways have developments in the preservation and dissemination of historical material already impacted how scholars and the public engage with the past? These are questions that Jeffrey Shandler, Professor of Jewish Studies at Rutgers University, grapples with in his new book, Holocaust Memory in the Digital Age: Survivors Stories and New Media Practices (Stanford University Press, 2017) Shandler’s thought-provoking and skillfully written book addresses these problems through the lens of the Holocaust and Holocaust memory. Specifically, he examines the wealth of material curated by the Shoah Foundations Visual History Archive, which houses a wealth of over 50,000 newly-digitized videos of interviews conducted with survivors of the Holocaust and other genocides. Shandler analyzes this footage by reading “against the grain” and using the testimonies for purposes other than those intended by the Archive’s creators when it was founded in 1994. In addition to considering the collection in its entirety, Shandler underscores the significance of focusing on individual testimonies, as well. By guiding the reader through a captivating selection of case studies, he reveals how narrative, language, and spectacle have influenced, and been influenced by, new media practices. Jeffrey Shandler is Chair and Professor of Jewish Studies at Rutgers University. Robin Buller is a PhD Candidate in History at the University of North Carolina at Chapel Hill. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Christopher Grobe’s The Art of Confession: The Performance of Self from Robert Lowell to Reality TV (New York University Press, 2017) traces the ways the performance of confession permeated and transformed a wide range of media in postwar America. Grobe explores how confession—from the confessional poets of the 1960s to contemporary reality TV—is both constructed and authentic, artful even in its ostensible artlessness, and always on the move between and across media. The work’s archive is expansive, placing in conversation poetry, performance art, comedy, legal confession, film, and reality TV, genres whose conventions transform and whose boundaries blur when confronted with artists impulses to confess, to stage what Grobe calls “breakthroughs” out of both generic and sociocultural containment. Laying bare the ways confessional performances are stylized and mediated to elicit “a satiety of experience which can be taken as reality” while taking seriously artists’ attempts to reveal and perform an authentic self, Grobe demonstrates how confession energizes new ways of being, forms of collectivity, and political mobilization. Christopher Grobe is an Assistant Professor of English at Amherst College where he teaches a wide range of courses on drama, poetics, performance, and performance culture and theory. Petal Samuel is a postdoctoral fellow at the Carter G. Woodson Institute for African American and African Studies at the University of Virginia. She is completing Polluting the Soundscape: Noise Control and Afro-Caribbean Women’s Decolonial Soundscapes, a book project that traces the evolution of noise legislation and public discourses decrying noise as technologies of racial control in the Caribbean and Caribbean diaspora, while highlighting the ways Afro-Caribbean women writers have reclaimed noise against the grain of colonial injunctions to remain quiet as a condition of civic inclusion. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

With all of its entailed engagements with epistemology, emergence, and self-organization, cybernetics began (and arguably still is) the science of communication and control in the animal and the machine as it was coined in the subtitle of Norbert Wiener’s field defining book of 1948. While the reflexive turn of second-order cybernetics in the 1970s led the field down new paths (and, unfortunately, to the margins of mainstream academia) in the West, Soviet thinkers continued to develop the control scientific implications of the field in a manner that remained central to the scientific enterprise of that nation. In his densely packed book, Cybernetics: Past to Future (Springer Verlag, 2016), Dmitry Novikov provides a detailed and erudite analysis of the fields development as a kind of meta-science or philosophy of the varied strands of control theory across technological, biological, and social systems. As the current Director of the Institute of Control Sciences of the Russian Academy of Science, Dr. Novikov is eminently qualified to guide readers on a journey through the promises, challenges, disappointments, achievements and future prospects of the science of control and communication that will also introduce a global audience to the work of many eminent Russian thinkers in the field whose work has not been as accessible outside Russia as is deserved. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

As a historian I find myself constantly asking the question “Is that really new, or is it rather something that looks new but isn’t?” If you read the headlines, particularly those concerning the on going “Digital Revolution,” you would certainly get the impression that a Brave New World is emerging, one nothing like anything that we’ve seen before. And, in a way, this is true: we—meaning humans—have never lived in an environment with smartphones, social media, and the firehose of “information” that is the Internet. We’re always on and always connected in a way we have never been before. But, as Andrew Keen points out in his smart new book How To Fix The Future (Atlantic Monthly Press, 2018), there is also a sense in which we have been here before, namely, in the Industrial Revolution of the late 18th and 19th century. Then, too, technology and new forms of organization upended the way almost everyone in the industrializing world lived. (For more, see Auguste Comte, Karl Marx, and Emile Durkheim, unless you like poets, in which case you should just read the British Romantics.) Some made dire predictions, others said heaven was around the corner. There was lots of suffering and, well, lots of progress. What we did, Keen points out, is essentially tame the Industrial Revolution such that it served humanity rather than humanity serving it. He says we can do the same with the Digital Revolution, and he tells us how. Listen in. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In The Phantom Unmasked: America’s First Superhero (University of Iowa Press, 2017), Kevin Patrick examines the history of The Phantom—an American comic strip superhero that made his debut in 1936. Although not popular in the United States, The Phantom knows a long history and popularity in Australia, Sweden, and India. In The Phantom Unmasked, Patrick explores this history. By tracing the publication history of The Phantom and connecting its success to the media licensing industries starting in the 1930s and 40s, Patrick presents an under-explored history to show the role of this comic in international markets and its importance for understanding how international markets worked. In The Phantom, Patrick assesses how historical, cultural, political, and economic conditions impacted The Phantom’s rise in popularity in Australia, Sweden, and India. In addition, he surveys Phans in order to explain how they have come to love the superhero. Well researched and informative, The Phantom Unmasked adds to the burgeoning comic history. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Popular culture provides many visions of the future. From The Jetsons to Futurama, Black Mirror to Minority Report, Western culture has predicted a future predicated on innovations in technology. In his new book for the MIT Essential Knowledge Series, The Future (MIT Press, 2017), Nick Montfort examines the writings of previous futurist writers, thinkers, and designers to provide an understanding of how the future can be constructed. In so doing, Montfort argues that the future is something we can shape instead of only predict. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

John Corvino is Professor of Philosophy at the Wayne State University in Detroit. His academic work focuses on topics in moral, social, and legal philosophy surrounding sexuality, gender, marriage, religious conviction, and discrimination. But John is also an active public philosopher who frequently participates in public debates over these topics. He produces and appears in a popular YouTube series of short videos devoted to the philosophical discussion of controversial topics. He is the author of What’s Wrong with Homosexuality?, co-author (with Maggie Ghallagher) of Debating Same Sex Marriage, and.co-author (with Ryan Anderson and Sherif Girgis) of Debating Religious Liberty and Discrimination, all published with Oxford University Press. The "Why We Argue" podcast is produced by the Humanities Institute at the University of Connecticut as part of the Humility and Conviction in Public Life project. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Can we have sound media that is ecologically sound? Can we fine tune our media production and consumption habits to a greener key? How can an environmental perspective on sound media contribute to our understanding of how media culture is involved in the ecological crisis? These are just some of the questions Jacob Smith is trying to answer in his latest book, Eco-Sonic Media (University of California Press, 2015). The book brings an ecological critique to the history of sound media technologies and contributes with an environmental perspective to the field of sound studies. It is more than a methodological and theoretical exploration. It is a reckoning with our media consumption practices in an age where speed and volume are taken for granted, and alternatives to the digital are disregarded with huge costs. Hartz Canary Training Record is the jingle used in the episode and was kindly provided by Jacob Smith. It was cut and edited for the purpose of this podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The list is the origin of culture. At least, that’s according to Umberto Eco, whose words open Liam Cole Young‘s new book, List Cultures: Knowledge and Poetics from Mesopotamia to Buzzfeed (Amsterdam University Press, 2017). Young follows shifting functions of the list through history, revealing a form that “mediates boundaries between administration and art, knowledge and poetics, sense and nonsense” (10). Where systems of order surround and enframe human society, the list is there. Lists shape and shift the social world as new uses for the list are discovered, adapted, modified, and abandoned. As a searching exploration of the way that our intellectual tools “simultaneously conceal and reveal, enforce and subvert social systems,” List Cultures proves to be a rewardingly vigorous and sweeping intellectual history. List Cultures restores formal analysis to a critical discourse divided between analyses of institutions, contexts, and particular historical uses of texts. Beginning with a rereading of the earliest writing (inventories and transaction records), Young builds his case for the primacy of the list by explicating the ways lists negotiate tensions and paradoxes that have persisted across time. Young extends the work of Foucault, Latour, Borges, Benjamin, Ong, Innis and many others, demonstrating that listing is a cultural technique that constitutes concepts and categories on which technical systems and social institutions are built. List Cultures explores the pop charts and the innerworkings of Buzzfeed, giving readers a chance to see our world anew through the lens of media materialism. Lists draw borders, create hierarchies, and provide points of reference in the world of tastemaking and fandom, and speed the spread of viral media through databases and traced signatures. As an extension and counterpoint, the exploration of lists in the administrative states of Renaissance Italy and Nazi Germany provide careful reflections on how lists have been used to establish facts, determine personhood, police subjects, and build structures of knowledge that expose bodies to violence. Making the case for modernity as primarily logistical in orientation, Young closes List Cultures with a heartening meditation on ways the list has been used to remake old orders, explode boundaries, and extend horizons of possibility. Following Wolfgang Ernst’s argument that real-time data collection channels ancient forms of organizing time, List Cultures‘ final chapter plays with a binary of narrative and non-narrative modes of writing and thinking, asking us to consider how lists can displace the logic of logistical modernity and preserve a heterotopian space for thinking “other.” Carl Nellis is an academic editor and writing instructor who researches contemporary American community formation around appropriations of medieval European culture. You can learn more about Carl’s work and request an editorial consultation at carlnellis.wordpress.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Tom Mullaney’s new book The Chinese Typewriter: A History (MIT Press, 2017) provides a fascinating first look at the development of modern Chinese information technology. Spanning 150 years from the origins of telegraphy in the early 1800s to the advent of computing in the 1950s – the book explores the at times fraught relationship between Chinese writing and global modernity. It covers some of the earliest and varied attempts to make the Chinese script fit for Western communication systems, taking the reader on a journey through Chinese telegraphy, Morse code, typewriters and early computing. In addition, Mullaney includes reference to the many failed attempts, ideas and approaches in the history of Chinese information technology through a series of lively and insightful stories and people. Perhaps most interestingly, Mullaney covers how various inbuilt linguistic inequalities in turn eventually led to the evolution of innovative strategies and technologies, including input method and predictive text. Ricarda Brosch is a museum assistant (trainee) at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin – Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. Her research focuses on Ming and Qing Chinese art & material culture, transcultural interchanges, especially with Timurid and Safavid Iran, as well as provenance research & digital humanities. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The Transparency Fix: Secrets, Leaks, and Uncontrollable Government Information (Stanford University Press, 2017) dispels the myth that transparency of information will result in a perfect government. Dr. Mark Fenster discusses the motivations of transparency movements and justifications for state secrecy. Through the lens of communications theory, Fenster raises questions about the utility of disclosed information and how it may or may not be deemed valuable by the public. Fenster also examines the state’s ability to keep secrets and what, if any, outcomes result from information disclosure. In conclusion, Fenster asserts transparency, on its own, will not fix the state, but focused efforts on good governance just might. Beth Windisch is a national security practitioner. You can tweet her @bethwindisch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In his new book, Disposable Leaders: Media and Leadership Coups from Menzies to Abbott (NewSouth Publishing, 2017), Rodney Tiffen, Emeritus Professor in Government and International Relations at the University of Sydney, explores the historical and recent leadership coups in Australian politics, and the role of media in them. As leadership in Australia has become more precarious in recent years, political instability has taken its toll on the parties and the democratic system more broadly. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

When discussing Internet history, many within the United States believe the creation myth of an Internet born in Silicon Valley. But aspects of the Internet that we use for shopping, financial transactions, and social interactions, among other things, have roots in technological advances from other countries. In particular, 15 years before most Americans were online, the French government backed a communications technology, the Minitel, that revolutionized social, political, and financial interactions. In Minitel: Welcome to the Internet (MIT Press, 2017), Julien Mailland and Kevin Driscoll discuss the creation and spread of the Minitel and the particular influence it had on France, and ultimately what we call the Internet. In so doing the authors offer lessons for current regulatory debates. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How can Lacan help us to understand the subversive potential of video games? In The Playstation Dreamworld (Polity, 2017), Alfie Bown, Assistant Professor of Literature at HSMC, Hong Kong, explores this and many other questions of the modern condition. The book offers an accessible overview of key psychoanalytic theories to understand the video game, in particular the video game experience and its impact on the social world. The book uses a plethora of gaming examples, drawing out the ambivalences and potentials in even the most seemingly un-revolutionary games. These range from the transformation of space and urban experience in Pokemon Go, through the more corporate or reactionary experiences of Uncharted, through to the subversive elements of Papers Please. The book is essential reading for anyone interested in understanding how we live, through video games, now. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Who do people turn to when they want to talk about serious issues in their life? Do they end up confiding in people they list as confidants? In his new book, Someone to Talk To (Oxford University Press, 2017), Mario Luis Small uses in-depth interviews with first-year graduate students to uncover how intimate conversations are executed in real time. This book is interesting in the way that the interviews unfold; readers will find themselves nodding in agreement and thinking about social networks in new ways. A common theme throughout the book is how our behavior differs from what we may answer on a survey and under what circumstances it does so. For instance, weak ties, not strong ties, are relied upon more often than previous research would suggest. At the end of the book Small turns to empirical and theoretical generalizability finding many examples and surveys of non-graduates students echoing his study. In an era of big data Small encourages us to not lose sight of the human behavior we are studying and the stories behind the data. This book is rich with ideas and stories but would be easily digested by many different types of readers. Sociologists, and particularly those studying social networks, will find the book useful. Graduate students, advisers, and graduate program chairs will find the insights in the book invaluable. This book is a clear fit for a Social Networks class, but would even work as an example in a methods or theory class. Sarah E. Patterson is a postdoc at the University of Western Ontario. You can tweet her at @spattersearch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Zek Valkyrie teaches at the University of Colorado in Colorado Springs. His new book, Game Worlds Get Real: How Who We Are Online Became Who We Are Offline (Praeger, 2017), takes readers into the world of electronic games and the complex social relationships that they create. With the mainstream reader in mind, it serves as a primer for anyone interested in the how and why of gaming, as well as a solid introduction to social science concepts generally. The book does not presume apologetics for video games—to be sure, the author takes a direct approach to discussing the myriad social problems inherent in the medium. Along with the many positives to collaborative and competitive online play, major topics include sexism, masculinity, various gamer stigmas, identity formation, and consumption, among others. In this conversation we touch of all of these, as well as the books origins, how the author was able to include student work in the final publication, and his award-winning teaching methods. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Today we are joined by Brett L. Abrams, author of the book Terry Bradshaw: From Super Bowl Champion to Television Personality (Rowman & Littlefield, 2017). It is part of a series called Sports Icons and Issues in Popular Culture. Abrams, an archivist of electronic records in Washington. D.C., does more than just document the football career of Hall of Fame quarterback Terry Bradshaw, who won four Super Bowl titles during the 1970s with the Pittsburgh Steelers. Abrams goes beyond the nuts and bolts of a successful athletic career and explores Bradshaw’s foray into country and gospel singing, his acting in movies, his adventure as a part owner of a NASCAR team, and finally, his long and successful run as a NFL color commentator and later a studio analyst first for CBS, and then for Fox. Maligned during his playing career for a perceived lack of intelligence—a prejudicial view of Southerners mostly held by people north of the Mason-Dixon line, Bradshaw played off his L’il Abner, good o’l boy image to craft his own niche in the entertainment field. As Abrams writes in this well-researched book, Bradshaw demonstrated what it took for an entertainer to master many of those entertainment industries in the late 20th century. More people may now know Bradshaw as an enthusiastic football analyst, but he is much more than that. Bob D’Angelo is working on his masters degree in history at Southern New Hampshire University. He earned his bachelors degree in journalism from the University of Florida and spent more than three decades as a sportswriter and sports copy editor, including 28 years on the sports copy desk at The Tampa (Fla.) Tribune. He can be reached at [email protected]. For more information, visit Bob D’Angelo’s Books and Blogs. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Rebecca Tuhus-Dubrow‘s book, Personal Stereo (Bloomsbury Academic, 2017) , which is part of the Object Lessons series, offers a compelling and expertly researched study of the Sony Walkman, taking into account the device’s controversial origin story, the seismic cultural impact on society in the 1980s, the worries of diminishing social interactions, and the philosophical implications of listening to music within one’s own private bubble. All this is channeled through a personal nostalgic affection for the device. Rebecca Tuhus-Dubrow is a writer-in-residence at the University of California, Irvine. Her writing has appeared in Slate, The Nation, The New York Times Book Review, the Los Angeles Review of Books, and Dissent, where she is a contributing editor. She was previously a contributing writer for the Boston Globe’s Ideas section, a columnist for the urban affairs website Next City, and a Journalism and Media Fellow at the UCLA Institute of the Environment and Sustainability. Stephen Lee Naish is a writer and author of several books on the subjects of film and popular culture. He lives in Ontario, Canada. Follow him on Twitter @riffsandmeaning. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In his new book, Stan Lee: The Man Behind Marvel (Rowman and Littlefield, 2017), cultural historian and biographer Bob Batchelor examines the life of Marvel’s Stan Lee one of the most iconic figures in comic book history. Batchelor has written the first biography of Stan Lee. Starting with his childhood as a Depression-era New Yorker born to immigrant parents, Batchelor follows Lee’s career as a teenage editor at Marvel Comics, his stint as a playwright for the United States Army during World War II, and his unrelenting work ethic and drive that transformed the comic book industry and brought characters such as Spider Man, the Hulk, Iron Man, the Fantastic Four, the Avengers, and the X-Men to life. Batchelor explores the larger place in popular and American cultural history that Stan Lee has played over the past 70 years from comics to television to film, reflecting on the role of the superhero in the American experience. Well researched, Stan Lee: The Man Behind Marvel gives insight not only into well-known aspects of Lee’s life, but also presents readers with little known background into Lee’s past and what has made him the icon he is today. Batchelor’s book is a must read for Marvel and comic books fans. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How does the idea of ‘meritocracy’ serve to reinforce social inequality? In Against Meritocracy: Culture, Power and Myths of Mobility (Routledge, 2017) Dr Jo Littler, Reader in Culture and Creative Industries at City, University of London analyses the history of the term, the political project it has been associated with, and the cultural manifestations of its neo-liberal form. The book charts the early, critical and satirical, origins of the idea, mapping its co-option by right wing governments within a project of state transformation and the end of social democracy. Allied to the genealogy of the idea, and the politics of inequality to which it is attached, the book details various manifestations of meritocratic culture that serve to exclude and divide. Here there are rich case studies of inequality of class, gender and ethnicity, ranging from #Damonsplaining, through ‘mumpreneurs’ to normcore plutocrats. Ranging widely, but theoretically grounded, the book is essential reading for anyone wanting to know how our current discourses of fairness have ended up supporting growing social inequality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In her book, Death Makes the News: How the Media Censor and Display the Dead (NYU Press, 2017), Jessica M. Fishman examines how death is presented in the media. Researching how media outlets present images of death over the past 30 years, Fishman explores the controversial practice of picturing the dead. Fishman presents the varying ways the press selects the images they choose to use, the way they make decisions of what images they use, and why. Her research reveals that much of what we think we know about how dead bodies are, or are not, shown in the media is wrong. The tabloid press is less likely to show a dead body, media show dead foreign bodies more often than they show dead American bodies, and the exceptions to the rules the media uses to portray the dead are not often altered. Well researched, with knowledge from editors and photojournalists about the decisions made around images of death, Jessica Fishman’s work gives readers new ways to think about the ways death does, and does not, make the news. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In her new book, Politics, Media and Campaign Language: Australia’s Identity Anxiety (Anthem Press, 2017), Stephanie Brookes, a Lecturer in Journalism at Monash University, explores the power of election campaign language to offer a window into the Australian national mood and national identity. Using a variety of political and media sources, including speeches, interviews, press conferences, and debates, Brookes investigates how campaign communication can help us understand Australia’s identity security: what kind of country Australia is and ought to be. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In his recent book, The Buddha Party: How the People’s Republic of China Works to Define and Control Tibetan Buddhism (Oxford University Press, 2016), John Powers presents a comprehensive overview of propaganda employed by the People’s Republic of China related to Tibet and Tibetan Buddhism, showing not only how Han Chinese come to believe it, but also how Tibetans work to resist it. Drawing on previously untranslated material collected from both inside and outside of Tibet and China, this book outlines the narratives constructed by the PRC in an attempt to inform and control Tibetan Buddhist beliefs and practices. In addition to the well-known “patriotic re-education programs,” Powers also describes a booklet entitled Interpreting Tibetan Buddhist Doctrines, which attempts to re-frame Tibetan Buddhism in Chinese contexts for monks and nuns. The book also highlights the ways in which the PRC attempts to inform people’s views of foreign countries that are perceived as being sympathetic to the Dalai Lama and the so-called “Dalai Clique,” while simultaneously presenting the Dalai Lama as a nefarious, but ultimately ineffectual figure. In our conversation, Powers argues that the goal of this book is not to persuade readers to believe anything in particular about the effectiveness of Chinese propaganda, but rather to present and contextualize these materials so that readers can draw their own conclusions. This controversial book draws on years of research and personal experiences in the Tibet Autonomous Region and surrounding areas, and is a comprehensive and engaging read. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

One of the defining characteristics of the Nazi regime that ruled Germany from 1933 until 1945 was its attention to presentation as a means of winning support. In Marketing the Third Reich: Persuasion, Packaging and Propaganda (Routledge, 2017), Nicholas O’Shaughnessy details the centrality of political marketing to how the Nazis governed Germany, showing how vital it was to its success. As he explains, for all of the fear generated by the Gestapo and other tools of the authoritarian state, the basis of their rule was the construction of a broad consensus through domination of the media. At the center of this effort was Adolf Hitler himself, both as an architect of it and as the main figure in its imagery. As O’Shaughnessy demonstrates, the Nazi leadership created a brand that they spent enormous effort developing and protecting. Through a pioneering use of both “new” (radio, cinema, television) and “old” (newspapers, posters, oratory) media, the Nazis crafted a message that both sold their ideology to their contemporaries and contributed to the endurance of its imagery decades after the regime itself collapsed in the onslaught of a world war. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Marvin Scott’s new book, As I Saw It: A Reporter’s Intrepid Journey (Beaufort Books, 2017) tells 26 stories of memorable people and events that the veteran TV journalist gathered during a career spanning more than 50 years. Scott estimates that he’s told more than 15,000 stories and interviewed 30,000 people for print, radio and television. He describes himself as a journalist who has “tried to stick to old-fashioned reporting, just the facts, without adding my personal views.” He also writes that “at the heart of every story, big and small, is a person. It is people who make the news.” The winner of 11 Emmy Awards, Scott is currently the senior correspondent at New York’s WPIX-TV. He has written for the New York Herald Tribune as well as Parade Magazine and has worked as a radio reporter for the Mutual Broadcasting System and at such television outfits as CNN, WNEW, and WABC. In this New Books Network interview, Marvin Scott recounts some of the stories he covered including one he did on Charlie Walsh, the bank thief who became a New York celebrity. He also describes how he managed to interview Abraham Zapruder and how many years later, he synced Zapruder’s recorded words to the 26-second amateur film he had shot of the Kennedy assassination in Dallas. Scott champions traditional, shoe-leather reporting and laments the influence of social media outlets that publish first and check the facts later. Bruce Wark is a freelance journalist and retired journalism professor based in the Sackville, New Brunswick. Laura Landon is a librarian at Mount Allison University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications