Tom McCarthy and Susan Philipsz on ‘Ulysses’
<p>‘How do you write after Ulysses?’ asked the twice Booker-nominated novelist Tom McCarthy, author of <em>C</em>, <em>Satin Island</em> and most recently <em>The Making of Incarnation</em>, in the <em>LRB</em> in 2014. He reflects on working in <em>Ulysses</em>’s wake – as we all must – with the Turner Prize-winning artist Susan Philipsz, whose past installations have drawn extensively on Joyce’s writing (and interest in music). She also sings live. Chaired by the LRB's Head of Special Projects, Sam Kinchin-Smith.</p><p>Presented in partnership with Shakespeare and Company. Photo credits: Nicole Strasser and Franziska Sinn.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>
London Review Bookshop Podcast
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Show Notes
‘How do you write after Ulysses?’ asked the twice Booker-nominated novelist Tom McCarthy, author of C, Satin Island and most recently The Making of Incarnation, in the LRB in 2014. He reflects on working in Ulysses’s wake – as we all must – with the Turner Prize-winning artist Susan Philipsz, whose past installations have drawn extensively on Joyce’s writing (and interest in music). She also sings live. Chaired by the LRB's Head of Special Projects, Sam Kinchin-Smith.
Presented in partnership with Shakespeare and Company. Photo credits: Nicole Strasser and Franziska Sinn.
Hosted on Acast. See acast.com/privacy for more information.