Latino USA

When vocalist, composer and multi-media performance artist Stefa Marin Alarcon — also known as STEFA — takes the stage, it feels like walking through a portal into somewhere that is both past and future. Born and raised in Queens, NY to Colombian immigrant parents, STEFA’s music explores themes such as reconnecting with their ancestors and falling in love under capitalism. On this How I Made It segment, Stefa talks about their journey as a multifaceted artist creating their own origin stories as a non-binary, indigenous person trying to find home in their body.See omnystudio.com/listener for privacy information.

Mexico is the most dangerous place for journalists in the world. And Lydia Cacho —a Mexican investigative journalist who worked in the country for over 30 years— knows this first hand: in 2005, she was kidnapped and tortured after uncovering an international child trafficking network. But that didn’t stop Lydia; she continued working, denouncing violence against women and children. Those after her didn’t stop either. In 2019, after they struck yet again, Lydia was forced to flee Mexico. In this episode of Latino USA, Lydia opens up about this latest attack, what it’s like to live and work in exile, and how she takes care of her mental health as a journalist.See omnystudio.com/listener for privacy information.

For this special Latino USA presentation of In The Thick, Maria and Julio are joined by Al Letson, host of Reveal and the new podcast series, “Mississippi Goddamn: The Ballad of Billey Joe.” Billey Joe Johnson Jr. was a Black high school football star who was found dead in Lucedale, Mississippi in 2008 after being pulled over by a white cop. They get into his story, the problematic history of investigations when it comes to suspicious deaths of Black people in Mississippi, and journalists’ responsibility when covering these tragic stories.See omnystudio.com/listener for privacy information.

Lupe Salazar is a grandmother in Chimayó, northern New Mexico on a mission to disrupt the cycle of opioid addiction and the trauma caused by it in her rural community. The region has long been an epicenter of drug overdose deaths – long before the national opioid epidemic was declared a national emergency. After her son began using heroin in jail when he was 18, Lupe realized the systems in place were doing a better job keeping him incarcerated than helping him access treatment for addiction. So, Lupe went back to college to learn for herself about addiction and how integrating holistic healing, like curanderismo, could help her community heal. In this episode of Latino USA we follow Lupe’s mission to help heal a community fractured by generations of opioid use and overdose, dismantle the stigma shrouding addiction and treatment and reintegrate the with traditional and indigenous healing practices – all while trying to address her son’s ongoing opioid use and keep him alive.See omnystudio.com/listener for privacy information.

In the late 2010s, dreamy, nostalgic music produced from the homes of young, independent artists became hugely popular, especially online. This style of music would be called bedroom pop, and today, a quick search on streaming sites comes up with hundreds of hits. Even bedroom pop is a new term for you, chances are you might recognize songs or artists in this genre—including a lot of the young Latinx artists who are pioneering the bedroom pop sound. Among them is Victor Internet. Victor has been outspoken about their career and insists that there’s more behind bedroom pop than meets the eye: making music from home is a real struggle, especially as a young person of color with limited access to money and resources. And as bedroom pop blows up, they want to make sure the reality for so many musicians like him doesn’t get lost. On this episode of Latino USA, we dive into the making of Victor’s bedroom pop stardom and break down the challenges of making it as a young independent artist today.See omnystudio.com/listener for privacy information.

For Dr. Miguel Cardona, growing up in a Puerto Rican household in Meriden, Connecticut —straddling two languages and two cultures— uniquely prepared him for his role as Secretary of Education. He comes to the department at a moment when education in the country has both new and long-lasting challenges: systemic inequities that have been exacerbated by the COVID-19 pandemic. In this conversation, Secretary Cardona shares what it was like to grow up in a Latino home in Connecticut, the possibility of bilingual education for all students, and what the Department of Education is doing to meet the challenges of returning to school amidst a continuing global pandemic.See omnystudio.com/listener for privacy information.

Las Cafeteras are a band out of East LA that met while doing community organizing. They began playing at the Eastside Cafe, where they discovered Son Jarocho, traditional Afro-Mexican music from Veracruz. They quickly began to adapt the music to their realities fusing it with hip hop, rock, ska, and spoken word. They are known for their politically charged lyrics, speaking out against injustices within the immigrant community and their experiences as Chicanos in East LA. For this “How I Made It” segment, we sat down with members of the group to discuss how they got started, and their work to tell and preserve brown stories. This story originally aired on November 10, 2020.See omnystudio.com/listener for privacy information.

On March 14, 2020, Martha Escudero and her two daughters became the first of a dozen unhoused families to occupy one of over a hundred vacant houses in El Sereno, Los Angeles. Some call them squatters, but they call themselves the Reclaimers. The houses the Reclaimers occupied actually belong to a state agency that purchased the houses in the 1960’s in order to demolish them and build a freeway through this largely Latinx and immigrant neighborhood. This is the story of one of these houses, and its residents, past and present, who have fought to make it their home. This story originally aired on November 6, 2020.See omnystudio.com/listener for privacy information.

Latino USA presents another episode from the new season of Port of Entry, which focuses on artists and musicians who’ve turned pain into superpowers. Mexican musician Javier Bátiz could very likely have been world famous had he headed north of the border with his good friend and bandmate Carlos Santana back in the 1960s. But instead, Javier went south to Mexico City, where he built a successful career in the country he loves. In this new episode of Port of Entry, we look into how Javier’s life, decisions and decades-long musical career have brought him internal peace and fulfillment he says is far more important to him than reaching the high-level fame his friend Carlos found. Subscribe to Port of Entry here.See omnystudio.com/listener for privacy information.

How does technology affect labor? How are tech corporations like Uber and Lyft redefining what it means to be a worker in the United States? California has been ground zero for cementing the “gig work” business model of these companies into law. A year ago this month, the state passed Proposition 22 to allow app-based firms like Uber and Lyft to classify their drivers as contractors instead of employees. In this episode of Latino USA we follow a group of drivers who are mobilizing across California – and using their own technology to take on Big Tech. Their fight is not only about their own labor protections as drivers, but a battle to prevent this labor model from spreading to other sectors of the U.S. economy.See omnystudio.com/listener for privacy information.

Before winning not one or two, but 15 Emmy’s for television writing, and before she became one of the first Latinas on television when she took on the role of “Maria” on Sesame Street in 1971, Sonia Manzano was a curious and imaginative little girl growing up in the South Bronx, a working class neighborhood in New York City. On this “How I Made It” segment, Sonia talks about discovering her love for television writing, and her new animated show: “Alma’s Way.”See omnystudio.com/listener for privacy information.

In the 1960s and 70s, a community of Latinx poets in New York City created a movement. They called themselves the Nuyorican poets. Together, they broke barriers and built a cultural institution: the Nuyorican Poets Cafe. The Nuyorican Poets Café began as an informal literary salon in Miguel Algarín’s apartment living room, one of the movement’s founding poets. But soon after, Miguel and his fellow writers realized that they needed to expand to accommodate the growing roster of artists who frequented the space. They moved into a new venue nearby, and by 1981 they relocated again to the Nuyorican’s current location in New York City’s Alphabet City. Today, the Nuyorican Poets Cafe is a haven for Black and Latinx writers and performers. In this episode of Latino USA, we stage a spoken history of the cafe featuring several artists from its storied past. We hear from poets Poet Jesús “Papoleto” Meléndez and Caridad de la Luz, known as “La Bruja,” playwright Ishmael Reed, and artist and archivist Lois Elaine Griffith.See omnystudio.com/listener for privacy information.

For Ayodele Casel, tap dancing is magic. As a young high school student, she dreamed of one day dancing like Ginger Rogers as she recreated Ginger’s moves in her bedroom–but it wasn’t until Casel was a sophomore at the NYU Tisch School of the Arts that she took her first tap dancing class. That was her entry point into the art form which would eventually lead to a more than 20-year career as a professional tap dancer. As a Black and Puerto Rican woman, Casel didn’t see herself reflected in the mainstream image of tap dancers because the form has been largely whitewashed through systematic racism. For that reason, she works tirelessly to remind her audiences that tap is deeply rooted in Black art and culture. In this “How I Made It” segment, Casel takes us through her tap journey and reclaims tap dancing as a Black art form.See omnystudio.com/listener for privacy information.

In the late 1800s, Teresa Urrea was a superstar. She was a “curandera,” (a healer), a revolutionary, and a feminist. At only 19 years old. she was exiled from Mexico by dictator Porfirio Díaz, who called her the most dangerous girl in the country. She moved to El Paso, Texas. Urrea also had a miraculous power: she could heal people through touch. Her vision of love and equality for all people regardless of gender, race, and class inspired rebellions against the Díaz dictatorship, earning her the title of the “Mexican Joan of Arc.” In this episode of Latino USA, we follow Urrea’s life and honor the legacy of a revolutionary woman decades ahead of her time.See omnystudio.com/listener for privacy information.

On August 13, 1521, a few hundred Spanish conquistadors, led by Hernan Cortés, declared the fall of the Aztec Empire. On the 500-year anniversary of that invasion, director Rodrigo Reyes presents 499, a film —part documentary, part fiction— that explores the violent legacy of the Spanish conquest. In 499, an anonymous conquistador is shipwrecked on the shores of present-day Mexico. After discovering that he is in the 21st century, this ghostly figure starts to retrace the steps he walked five centuries before—only now he is forced to witness the brutal consequences of hundreds of years of colonialism.See omnystudio.com/listener for privacy information.

The social distancing measures put in place during the pandemic have exposed how vital – and hard – it is to take care of children, the elderly, sick and disabled people. And if that wasn’t enough, families had to look after their own homes without any external help. It's women who are bearing the heaviest burden of caregiving labor – especially Latinas. Latinas are dropping out of the workforce at a higher rate than any other group during the pandemic. Latinas are also overrepresented in paid caregiving and domestic work, and the covid-19 lockdowns left the majority of them out of work. How essential is caregiving for a society to properly function? Is it in fact as vital as roads, bridges, and light posts? And should governments invest in caregiving the same way they invest in infrastructure? In this episode, we dive into the high cost of caregiving labor for so many women, through the story of Daniela Contreras.See omnystudio.com/listener for privacy information.

In July, massive protests erupted in Cuba against the one-party government that has ruled for over 60 years. One protester died and thousands were detained. In this Latino USA episode, we look at the root causes behind the protests and how the left is being redefined in a conversation with Carolina Barrero, an art historian based in Havana who is part of a movement of dissident artists, and who has been in house arrest for more than three months.See omnystudio.com/listener for privacy information.

Lifting weights and being physically strong has long been culturally associated with men. But within strength sports, there’s a category that’s become increasingly popular among women too: powerlifting. Powerlifting, which consists of lifting the heaviest weight possible in the squat, the bench press and the deadlift exercises, has exploded onto the regimens of beginner to experienced gym goers. Women are making a big impact in the sport and challenging all notions of what it means to be strong. In this episode of Latino USA, we follow Denise Juarez and Jasmine Idrogo, two elite Latina powerlifters who take us on their journey to qualify for the 2021 national powerlifting competition – and show us how they break stereotypes, battle machismo, and own your power, all while lifting some serious weight.See omnystudio.com/listener for privacy information.

Latino USA is proud to present a preview of a new podcast by Futuro Unidad Hinojosa, the newest editorial division from Maria Hinojosa and Futuro Media. Starring Emmy award-winning actress Karrueche Tran, We Imagine… Us: The Long Way Around is Futuro's first-ever fiction podcast series. It tells the story of a Black American father and his Black Vietnamese American daughter who set out across the United States in hope of rebuilding their lives. Offering a clear-eyed look at real-world struggles many communities in our country face today, its core message is that through solidarity we can make change. In this episode, Albert "Bumpy" Watkins, after serving three years in prison, is released into a post-Covid America, where he has to navigate his new status as a formerly incarcerated person and his new role as a single parent to teenager Mercy Watkins. We Imagine... Us: The Long Way Around premieres October 27. Subscribe here to enjoy full episodes, a companion factual series and more.See omnystudio.com/listener for privacy information.

August 7, 2019 forever changed the lives of many immigrants in Mississippi. Almost 700 people were taken by ICE that day in the largest single state immigration raid in the country. Latino USA continues its reporting in Mississippi and heads back to the state to follow-up with some of the people we met in last year’s episode, After the Mississippi Raids, to see what’s changed and what hasn’t in their lives and their communities. We also dive into the racial history behind the chicken processing business in the South and the vicious cycle of an industry that continues to exploit the most vulnerable.See omnystudio.com/listener for privacy information.

Throughout the year, Latino USA will begin to feature podcasts from independent Latino and Latina creators as a way to shine a light on the work they do by passing the mic on to them. The first show we are featuring on our feed is Locatora Radio—an independent podcast based out of Los Angeles that blends humor, pop culture analysis and interviews with artists to engage listeners in nuanced discussions about feminism, sexual wellness, arts and culture for a modern Latinx audience. In this episode of Locatora, hosts Mala and Diosa dive into the topic of “Faketinas,” or a person without roots in Latin America who masquerades as Latinx in order to obtain jobs, scholarships, titles and opportunities meant for people of Latin American descent.See omnystudio.com/listener for privacy information.

August 7th, 2019 was the day that tore apart an unlikely community of Guatemalan immigrants in central Mississippi. A year ago, hundreds of ICE agents arrived at seven chicken processing plants and arrested 680 workers. Many of them were fathers and mothers whose kids were left behind for days, weeks, or even months. Today, many families are still dealing with the consequences of those arrests, many remain unable to work, as they grapple with the traumatic psychological repercussions. Latino USA traveled to the heart of Mississippi to hear about the long term effects of the largest single-state immigration raid in U.S. history. This episode originally aired in August of 2020.See omnystudio.com/listener for privacy information.

Roller skating has experienced a resurgence during the pandemic with videos of people dancing on roller skates blowing up on tik tok, but many do not know where these moves come from, and the role that Black skaters and skaters of color have played in keeping roller skating alive and accessible for their communities. For Amy Collado, founder of Butter Roll- a New York based social enterprise focused on Black, Indigenous and POC wellness through roller skating & the arts- the history of roller skating is personal. Amy recalls her mother’s memories of coming of age on the roller rinks back in 1970’s Brooklyn- memories that connect her to a legacy of joy, resistance, and community.See omnystudio.com/listener for privacy information.

This week, we report on the origins of privately-run immigration detention centers and ask: “Are these places actually necessary?” The unprecedented health crisis created by the coronavirus forced the release of thousands of migrants across the country, plunging the number of people detained in immigration facilities to a historic low. And despite the dwindling detention numbers, the immigration court system never collapsed. So this begs the question: did we ever need detention facilities in the first place?See omnystudio.com/listener for privacy information.

In this episode of In The Thick, Maria and Maria and guest co-host Jamilah King, deputy inequality editor at BuzzFeed News, are joined by Lina-Maria Murillo, assistant professor of gender, women’s and sexuality studies, and history, at the University of Iowa, and Veronica Martinez, journalist covering gender and immigration, for a conversation about reproductive justice. They unpack the latest on the Texas abortion ban and Mexico’s Supreme Court ruling that decriminalizes abortion, and also get into how people historically have crossed these borders for abortion care. To subscribe to In The Thick, click here.See omnystudio.com/listener for privacy information.

In a new migration reality, women and children are requesting asylum in Mexico at higher rates than men. But even as more women are crossing borders in long and dangerous journeys, many hoping to ultimately reach the United States, we rarely hear about their stories and what it’s like to migrate undocumented when you’re a woman. For women, their body takes a central role when they’re in transit, regardless of their age. Some are forced to disguise their gender for protection, others end up using it for survival, and many are victimized because of it. Many are also mothers and carry their children with them. In this episode of Latino USA, we travel to Mexico’s southern border and meet several migrant women in different stages of their journey north–from a teenage Honduran traveling alone to a Cuban woman who was sexually abused and a Guatemalan single mother who survived domestic violence.See omnystudio.com/listener for privacy information.

Sandy Fleurimond, a first generation Haitian-American student at Temple university in Philadelphia, was looking forward to her senior year of college. She dreamed of studying abroad and graduating on a field full of friends and family. But being a college student in 2020, meant that many of these long-awaited milestones didn't go according to plan. In collaboration with Philly Audio Diaries, Sandy shares her story of loss and growth after the pandemic flipped her senior year of college upside down.See omnystudio.com/listener for privacy information.

LOUD is a new podcast from Futuro Studios that tells the story behind Reggaeton. In this episode, El General arrives in Brooklyn in the mid-80s to find a booming dancehall scene underway and links up with Jamaican producers who start recording and promoting Panamanian artists. Around the same time, a Spanish-language hip-hop revolution is taking place as mixtapes fly back and forth from NYC and Puerto Rico, led by legendary rapper Vico C.See omnystudio.com/listener for privacy information.

Going for Broke is about Americans on the edge. They’ve lost jobs, lost their homes and sometimes lost the narrative thread of their lives. It’s hard stuff but you’ll find hope in the people themselves. And later in each episode, you’ll hear solutions that come from lived experience rather than conventional experts. In this special preview episode exclusive to Latino USA, famed reporter Ray Suarez tells the shocking story of how his illustrious career fell apart in middle age. It revealed to him firsthand the crisis facing older workers. It also gave him insights into how to fix our condition. Going for Broke is a new podcast series premiering in October from the Economic Hardship Reporting Project and The Nation.See omnystudio.com/listener for privacy information.

The September 11th attacks left nearly 3,000 dead, many more injured and an entire nation traumatized. The 24-hour news cycle that followed focused endlessly on the identity of the terrorists: non-citizens who had been able to exploit “vulnerabilities” in the system. The United States government responded with harsh policy changes in the name of national security, including the Patriot Act, but it also focused the weight of policy making on curving immigration, funding astronomical budgets to further tighten borders, and toughening enforcement against non-citizens — including Muslims, Latinos, and others with zero ties to terrorism. In this episode, we explore major changes and events over the past 20 years that forever changed the U.S. immigration system through the lens of this one catastrophic day.See omnystudio.com/listener for privacy information.

Latino USA is proud to present another Futuro Media show that Maria Hinojosa co-hosts: In The Thick, a podcast about politics, race and culture from a POC perspective. In this episode of In The Thick, Maria and co-host Julio Ricardo Varela are joined by Norma Flores López, Chief Programs Officer at Justice for Migrant Women, and Reyna Lopez, Executive Director of Oregon’s largest farmworker union. They dive into how the record heat waves are affecting farmworkers, how the history of farming is rooted in slavery and what is needed to provide protection as well as a pathway to citizenship for farmworkers. To subscribe to In The Thick, click here.See omnystudio.com/listener for privacy information.

In Part 2 of “The Moving Border,” our award-winning series from 2020, we visit Tapachula, Mexico in search of a young man whose life is in danger. And we find a new frontier where refugees trying to make it to the U.S. are increasingly stuck, thanks to an international effort to make Mexico a destination state for asylum. The Moving Border series was produced in partnership with the Pulitzer Center, with additional support provided by the Ford Foundation. This episode was first broadcast on May 27, 2020.See omnystudio.com/listener for privacy information.

It was only a few years ago that Erik Rodriguez was attending medical school in his native Cuba, following his family of careerists’ footsteps. But when he heard James Brown’s "I Feel Good," he realized that he was meant for a different path. In this 2020 segment of “How I Made It,” Erik takes us through his transformation into Afro-Cuban artist Cimafunk (a Billboard “Top 10 Latin Artists to Watch”) and explains how someone who had never studied music before found the confidence to listen to himself and be listened to by others. This episode was first broadcast on December 20, 2020.See omnystudio.com/listener for privacy information.

In this award-winning two-part investigation from 2020, "The Moving Border" from Latino USA, we delve into the increasing pressure put on refugees seeking safety in the United States via its southern border. It reveals the surprising support the former Trump administration received to create an impenetrable policy wall that pushes asylum seekers south, away from the U.S. In episode one, "The North," we visit Juárez and tell the story of a mother and daughter who are mired in a web of changing policy and subjected to ongoing violence. And we find evidence of how Mexican authorities are working hand-in-hand with the U.S. at the border. “The Moving Border” series was produced in partnership with the Pulitzer Center, with additional support provided by the Ford Foundation. This episode was first broadcast on May 20, 2020.See omnystudio.com/listener for privacy information.

For some years now, mezcal, Mexico’s other national spirit, has been in a cultural spotlight outside of the country, but its unseen devastating consequences have had a profound impact on the people making it. In this episode of Latino USA, we take a journey to understand mezcal’s production process and how to become a better consumer.See omnystudio.com/listener for privacy information.

Steven Canals of 'Pose' and Linda Yvette Chavez of 'Gentefied' are making waves in Hollywood, an industry in which Latinos are disproportionately absent. In this episode, the two series creators break down their on-screen portrayals of Latino individuals and communities. They dissect notable scenes from their shows, discuss the goals that laid the foundation for their characters and storylines, while sharing the fears and questions they reckoned with along the way. As they dive into their creative processes, we learn about some of the origins of each show’s most defining elements.See omnystudio.com/listener for privacy information.

Latino USA visits one family in south Texas who is dreading something that President Joe Biden said they should no longer fear: border wall construction. Advocates and land owners on the border have called on the Biden administration to withdraw and cancel several land condemnation lawsuits against property owners for the border wall that were initiated before Biden took office, but have spilled over into his presidency and are still making their way through the courts.See omnystudio.com/listener for privacy information.

This October marks 15 years since the Secure Fence Act of 2006 was passed. This act paved the way for hundreds of miles of border wall to be built along the U.S.-Mexico border. Latino USA looks back at one case from south Texas where a pioneering Latina took on the federal government to stop border wall construction on her university campus. This case is a reminder of the fights that some continue to wage against an opponent almost impossible to defeat.See omnystudio.com/listener for privacy information.

While the United States and other wealthy countries have secured enough COVID-19 vaccines for their citizens, other nations haven't been so fortunate. Latin America specifically has seen a lackluster vaccine rollout. And while global initiatives aim to get doses to everyone who needs them, a vaccine inequity crisis still looms over the world. In this episode, we hear from Latin Americans who traveled to the U.S. to get vaccinated and from experts on how the country can contribute to fix this crisis.See omnystudio.com/listener for privacy information.

This is the true story of the young people from Jamaica, Panama, Puerto Rico and beyond who beat the odds, refused to be quiet and created an irresistible musical culture that has kept the world dancing. Join Ivy Queen, one of the founders of the genre, for an incredible musical story about sex, race, drugs, censorship, and of course, perreo. First: stop Panama. LOUD: The History Of Reggaeton is a new podcast from Spotify Studios and Futuro Studios.See omnystudio.com/listener for privacy information.

When diplomats, ambassadors, and other international officials take a post in the United States, they often bring along personal staff and domestic workers from their home countries with a special visa. The problem is, once they arrive in the U.S., some of them learn that the promises made back home aren’t real and end up facing exploitation and abuse—with very little protection available for them in the U.S. In this episode of Latino USA, we speak with human rights journalist Noy Thrupkaew about her upcoming investigation on the abuses faced by diplomatic domestic workers for The Washington Post Magazine, and we meet Germania, an Ecuadorian woman who experienced it firsthand.See omnystudio.com/listener for privacy information.

Ada Limón spent almost her whole life dreaming about poetry. Today, she has five successful poetry titles under her belt, including “Bright Dead Things,” a National Book Award finalist, and her most recent book, “The Carrying,” which won the National Book Critics Circle Award for poetry. Ada’s debut poetry collection, “Lucky Wreck,” was published in 2006. In honor of its 15th anniversary, the collection was re-released in spring 2021. “Lucky Wreck” explores themes of life and death, along with bicoastal living in California and New York City. In this episode of our "How I Made It" series, Ada Limón tells her story of a young woman falling in love with poetry and reflects on the making of “Lucky Wreck” 15 years later.See omnystudio.com/listener for privacy information.

On this episode of Latino USA, we look at the attacks against voting rights taking place throughout the country and how New York City is trying to move in the other direction—extending municipal voting rights to up to one million non-citizen residents.See omnystudio.com/listener for privacy information.

Carmen Maria Machado is a modern-day literary phenomenon. From horror to speculative fiction to comic books, her writing defies genre. She’s a bestselling author, a National Book Award finalist, and a Guggenhein Fellow. Her experimental memoir “In the Dream House,” about a past abusive queer relationship, was named a Best Book of the Year by The New York Times, the New Yorker and TIME Magazine, among others. In this “Portrait Of,” Maria Hinojosa talks to Carmen about navigating mental health during the COVID-19 pandemic, writing horror, and confronting her Latinx identity.See omnystudio.com/listener for privacy information.

President Joe Biden made a lot of promises on the campaign trail related to immigration. He even promised to reverse several Trump-era policies. Biden has now been in office more than six months, so what’s changed and what hasn’t in terms of immigration? Latino USA looks at two Trump-era policies —the Migrant Protection Protocols and Title 42 expulsions— and where they’re at under the Biden administration.See omnystudio.com/listener for privacy information.

By day, Héctor Rodríguez III is a school teacher; by night, he’s creating the world of “El Peso Hero”, a comic book superhero based on the border that is celebrating its 10th anniversary. In this episode of our "How I Made It" series, Héctor talks about growing up loving superheroes, but not feeling represented by them. Something he’d eventually deal with by building his own comic world centered on the border.See omnystudio.com/listener for privacy information.

We continue our investigation into the Los Angeles Department of Children and Family Services (DCFS). While looking into what happened the night Joseph Chacón died, reporter Deepa Fernandes finds out that another baby, Draco Ford, had passed away in the same foster home two months earlier. Why weren’t the foster children, including Joseph, immediately removed after Draco died? We also delve into the difficult decisions social workers have to make and the systemic problems of the foster care system in the U.S. as a whole. See omnystudio.com/listener for privacy information.

Chilean-American singer-songwriter Francisca Valenzuela has always forged her own path in music. Born and raised in California, Francisca began her career after moving to Chile with her family. Even when major labels and venues wouldn’t open their doors for her, Francisca recorded and performed on her own terms until she became one of Chile’s biggest stars. Francisca went on to release four studio albums, start her own music label, and create Ruidosa, a Latinx feminist collective for women and non-binary voices in music. In this episode of our "How I Made It" series, Francisca Valenzuela revisits her early days as a young woman building a music career in Latin America, and takes us down the road that led to her latest album, La Fortaleza.See omnystudio.com/listener for privacy information.

After a domestic violence incident, Leah Garcia called the police looking for safety for her and her two children. But her calls triggered the involvement of LA’s Department of Children and Family Services (DCFS), the largest child welfare agency in the country. Leah’s 5-month-old baby, Joseph, the son she had with her abusive partner, was placed with a foster care family. What happened after became a mother’s worst nightmare: the same system that was supposed to keep her child safe proved to be the biggest threat to his well-being.See omnystudio.com/listener for privacy information.

In this segment of our “How I Made It” series, Charlie Uruchima shares his journey with his ancestral language and tells us how he created "Kichwa Hatari," the first Kichwa-language radio station in the U.S. From a bedroom-turned-radio studio, to building an entire community of radio hosts and language activists, Charlie tells us how he discovered the power of radio to build solidarity that defies borders.See omnystudio.com/listener for privacy information.