Latino USA

Dahlma Llanos-Figueroa grew up listening to the stories of her rural Afro Puerto Rican community of Puerto Rico, but when she moved to New York, she realized that not everybody had access to this kind of storytelling. After a long career as school teacher and librarian, Dahlma realized that she needed to write the stories her mostly Dominican and Puerto Rican students in the Bronx were missing. Dahlma shares how she found her writing voice and gives us a sneak peak of her new novel, A Woman of Endurance, which centers the experience of an enslaved woman in Puerto Rico.See omnystudio.com/listener for privacy information.

La Lupe was a legendary Afro-Cuban singer who was once known as the “Queen of Latin Soul.” She was one of the top performers in Havana cabarets amid the Cuban Revolution and became a legendary figure in New York after fleeing Cuba. She worked with some of Latin music’s biggest names, including Tito Puente, and was known for explosive boleros like “Qué Te Pedí” and “La Tirana.” By the mid-1970s, Lupe’s label was acquired by Fania Records and she was pushed aside. She earned the reputation of being difficult to manage and there were rumors that she was a drug abuser, even though her family and friends have consistently denied these claims. Changing tastes in Latin music coupled with her strained reputation led her career to decline by the 80s. This episode of Latino USA is part of our Genias in Music series, remembering notable women and their contributions to their fields throughout history. We question some of the myths about La Lupe that attempted to delegitimize her music and look at how her identity as an Afrolatina influenced the racist and sexist characterizations of her as “possessed,” “crazy” and “on drugs.” But by singing and moving in the ways she was known for, she was resisting her erasure and claiming her space –– whether audiences understood it or not.See omnystudio.com/listener for privacy information.

Silvana Estrada has spent her entire life surrounded by the sounds of music: the tuning of a violin, the strumming and plucking of guitar strings, the bowing of a big-bellied double bass. The 24-year-old singer and composer grew up in the mountains of Veracruz, Mexico. Music was a way for Silvana to connect with the world around her. “Marchita” —written and recorded entirely in Spanish— draws from Silvana’s jazz background and the folkloric Mexican music she grew up with. The album confronts themes of heartbreak and love, and it’s a product of Silvana’s own pursuit of creative freedom. On this episode of Latino USA, Silvana talks about connecting with audiences across the country, finding inspiration in the world around her, and forging her own musical path.See omnystudio.com/listener for privacy information.

Independent filmmakers Cristina Ibarra and Alex Rivera have won many awards throughout their careers, but in 2021 they made history: they became the first married couple to each receive the MacArthur Genius Grant at the same time. In an intimate conversation, Cristina and Alex take us through their journey as filmmakers—from their early experimental student films and developing their craft, to their directorial collaboration in the hybrid film The Infiltrators, which won the audience award at Sundance in 2019. They also share a glimpse into their life as partners and parents, while discussing the power of film to change narratives about Latino identity and representation.See omnystudio.com/listener for privacy information.

Latino USA presents a recent episode of Latino Rebels Radio that focuses on media representation in our community. Host Julio Ricardo Varela welcomes Stacie de Armas, the Senior VP of Strategic Initiatives & Consumer Engagement for Nielsen, to explain what Latino representation looks like in media, what audiences want and what needs to be done for more diverse programming. To subscribe to Latino Rebels Radio, which is also produced by Futuro Media, click here.See omnystudio.com/listener for privacy information.

Rodeo —the Spanish word for “rounding up”— is a multi-million dollar sport in the United States, but it’s rooted in the riding, roping, and cattle ranching skills brought by Mexican cowboys to the Southwest hundreds of years ago. Today, most of the top professional rodeo athletes are white, but if you take a closer look, there are a large number of Mexican-American cowboys who live and breathe the sport. In this episode from our archives, Latino USA visits the Tucson Rodeo, also known as La Fiesta de Los Vaqueros, and follows one family’s dreams to turn their kid into a rodeo champion. This episode was originally broadcast on April 7, 2017.See omnystudio.com/listener for privacy information.

For years, the U.S. Census has undercounted Indigenous migrants, grouping them under the label of “Hispanic” or “Latinos.” This is a problem for communities whose first language is not Spanish or English, but Zapotec, Chinantec, K’iché or any of the various Indigenous languages that are being spoken across the country today. The Indigenous, women-led organization Comunidades Indígenas en Liderazgo, or CIELO, decided to start counting their own community, and put themselves on the map of Los Angeles. In this episode, Janet Martinez from CIELO and Mariah Tso, a Diné cartographer from UCLA, tell us how they built the “We Are Here” map, and why a visual representation of Indigenous migrant languages matters.See omnystudio.com/listener for privacy information.

On April 27, 2022, Melissa Lucio could become the first Latina sentenced to death to be executed in Texas. In 2008, Melissa was convicted for the death of her two-year old daughter Mariah Alvarez. However, her family and others believe Melissa is innocent and argue that she did not have an adequate defense. In fact, in 2019, the Fifth Circuit Court of Appeals seemed inclined to give Melissa another chance and opened the door for the possibility of a new trial, but the state of Texas appealed that decision and the court backtracked. Now, there aren’t many legal options for Melissa, and her family is racing to save her life.See omnystudio.com/listener for privacy information.

On the night of the presidential elections in 2016, Xochitl Gonzalez was at the Javits Center in New York City attending an event in support of Hillary Clinton’s presidential nomination. She was talking to “other very liberal, Democratic volunteers” when the subject of Puerto Rico came up. Xochitl, born and raised into a Nuyorican family, was stunned and frustrated when she realized that nobody knew anything about the injustices her family’s ancestral home had gone through. It was then and there that she decided that her first book would be about the experiences of the Puerto Rican diaspora. Xochitl’s debut novel, Olga Dies Dreaming (2021) tells the fictional story of a Nuyorican family from Brooklyn. Olga, the main character of the novel, is an amalgamation of Xochitl’s own life experiences as a daughter of Latino militant activist parents and her career as a wedding planner for wealthy New Yorkers. In this episode of Latino USA, Xochitl sits down with Maria Hinojosa to discuss why she wanted her first book to be so autobiographical but also highly political. And how she decided to leave her wedding business behind to fulfill her dream of writing.See omnystudio.com/listener for privacy information.

In 1916, Maria Grever set foot in New York City with her two children in tow. She was a Mexican composer whose husband allegedly sent her to the city to escape political turmoil amidst the Mexican Revolution. But Maria Grever wasn’t just any composer. She composed anywhere from 800 to 1,000 songs spanning from the early 1920s until her death in 1951. She composed numerous top charting hits, scored for the big movie houses, wrote operas and Broadway musicals, yet many have never heard her name. While her accolades are many, Maria Grever the person is a mystery, making her one of the most famous unknowns in music history. In this episode of Latino USA, we go on a quest to find out everything we can about this prolific composer and why it’s important to remember the women who came before us.See omnystudio.com/listener for privacy information.

Latino USA presents another episode from the In The Thick podcast. In this episode, Maria and Julio are joined by Anayansi Diaz-Cortes, senior reporter and producer at Reveal, and Kate Doyle, senior analyst at the National Security Archive. They discuss Reveal’s new series “After Ayotzinapa”, a three-part investigation into the disappearance of 43 students from a Mexican teacher’s college in 2014. They also unpack the role of the U.S. in Mexico’s drug war, and the human consequences of corruption. You can listen to the full series here. See omnystudio.com/listener for privacy information.

After two years, Maria Hinojosa returns to Mexico’s southern border for the latest episode of the award-winning series The Moving Border. In 2020, the series revealed how a complex web of policies, created by the United States under the Trump presidency and supported by Mexico's own government, had created a virtually impenetrable policy wall for asylum seekers. This time, the series explores changes – or the lack of – after the first year of the Biden administration, and their effect on migrants who have spent months, sometimes years, trying to make it through Mexico into the U.S. Finding that the demographic of asylum seekers arriving in Mexico has changed, the report shifts even further south, traveling to the Darién Gap, the jungle at the border between Colombia and Panama, where hundreds of people arrive daily, risking their lives in hopes of making it one step closer to the U.S.See omnystudio.com/listener for privacy information.

Angelica Garcia’s music is as colorful and eclectic as her many influences, ranging from traditional rancheras, folk and blues to electronic and pop music. In this intimate portrait, Angelica takes us into the worlds that shape her sound: the family parties in El Monte, California, where she first learned to sing; the empty church in Richmond, Virginia where she wrote her first songs; and her current practices of journaling and meditation that lead her to dynamic compositions. As she shares the inspiration behind her songs, Angelica reflects on her relationship with her voice: the memories it holds, and the lessons it has taught her as an artist.See omnystudio.com/listener for privacy information.

2021 was a big year for Latinos in Hollywood, and now they’re getting some awards season love. With this year’s nominations, the Academy Awards are shining a spotlight on some Latino artists, with hit films like "Encanto" and "West Side Story" in the running for some of the evening’s biggest prizes – and to possibly even make some history. But many critics find it worth asking: is this the kind of representation Latinos and Latinas have been looking for in Hollywood? And after being systematically shut out of the Oscars for nearly a century, is this recognition from the Academy something we should be striving for, anyway? On this episode of Latino USA, Latino and Latina film critics Clayton Davis, Cristina Escobar, and Jack Rico step up to the mic for a roundtable about Latinos in film this past year. Ahead of Hollywood’s biggest night, they discuss the honors (and snubs) for Latino-led films this awards season. They also talk about importance of diversity in criticism, and push the conversation past the topic of “representation” to envision a more inclusive future for Latinos in Hollywood and the film industry as a whole. So sit back, get your popcorn ready, and lights, camera… action!See omnystudio.com/listener for privacy information.

Alexis Daria now writes love stories about Latina and Latino characters that reflect and celebrate her friends and family. In this episode of Latino USA, Daria takes us through her early morning writing process, reads an excerpt from A Lot Like Adiós, and asks us to ponder, what is so silly about a love story?See omnystudio.com/listener for privacy information.

This year marks the 10th anniversary since the policy of Deferred Action for Childhood Arrivals (DACA) was put in place. It has been described as “extraordinarily successful,” benefiting more than 800,000 people. However, it still doesn’t offer a pathway to legal permanent residency or citizenship. This instability has driven many young immigrants to return to their countries of origin, even if it means abandoning the life they knew. In this episode of Latino USA, you will hear the untold stories of forced return through the voices of Maggie, Madaí and Esme, three women who are trying to form a life in Mexico after growing up in the U.S. and who found their community where they least expected it.See omnystudio.com/listener for privacy information.

When 8-year-old Relisha Rudd disappeared from a homeless shelter in Washington, D.C. in 2014, nobody noticed. By the time police appeared at the homeless shelter where Relisha lived with her family, 18 days had passed since she’d been seen at school or in the shelter. Click here to subscribe for more episodes of Through the Cracks.See omnystudio.com/listener for privacy information.

From the Latino USA archives, producer Marlon Bishop travels to the Dominican-Haitian border to unpack the history of what happened during the Perejil Massacre of 1937—and what are the consequences today. This episode originally aired on October 6, 2017.See omnystudio.com/listener for privacy information.

As a Zapotec and Maya Ch’orti’ environmental scientist, Dr. Jessica Hernandez has always found academia to be a hostile place. She had looked forward to sharing what she learned from her grandmother and father about nature as an undergraduate student, but her lived experiences and knowledge were dismissed and sometimes mocked by her professors. Now, Dr. Hernandez is working to change how we think about environmental sciences by centering Indigenous science to heal our planet, because she knows Western conservationism isn’t working.See omnystudio.com/listener for privacy information.

If some Latinos hear "la doctora," it doesn’t evoke the image of a medical doctor. Instead, it’s that of a Cuban American attorney-turned-show host who sings her own theme song. In 2001, Doctora Polo had been practicing family law for over 20 years in Miami when she was hired to host a new court show on Telemundo that would later become "Caso Cerrado." It often aired for multiple hours a day on Telemundo and was nominated for a Daytime Emmy. In this episode of "Latino USA," Doctora Polo reflects on her role as a Latina entertainer and the phenomenon of "Caso Cerrado" in Latinx pop culture.See omnystudio.com/listener for privacy information.

From Futuro Studios and Sonoro Chalino grew up surrounded by violence in a humble town in Sinaloa. But his life takes a turn for the worse when a group of men attack his sister. That day he promises to avenge her. Years later, when he is given his first pistol, Chalino is believed to have stalked one of the attackers at a party. This event gives rise to the first theory about who could have killed Chalino. For more episodes, subscribe here.See omnystudio.com/listener for privacy information.

From Futuro Studios and Sonoro Narcocorrido superstar Chalino Sánchez sings to a sold-out crowd for the first time in Sinaloa. It's the best night of his career until someone hands him a note. His face turns pale and his smile slowly disappears. That night, after the show, Chalino will be executed. But who killed him and why? We begin a journey to understand Chalino's life and impact, and the theories behind his unsolved murder. For more episodes, subscribe here.See omnystudio.com/listener for privacy information.

Latino USA is featuring a recent Latino Rebels Radio episode where host Julio Ricardo Varela welcomes Chilean historian and journalist Camila Vergara to discuss Chile’s historic elections and how new political mechanisms will be required to loosen the grip of reactionary forces in an effort to radically redraft the Constitution. For more Latino Rebels Radio shows, subscribe here.See omnystudio.com/listener for privacy information.

It has been over seven years since 43 students from the Ayotzinapa Rural Teachers’ College in Guerrero, Mexico, were taken by armed men in the middle of the night. They were never seen again. Their disappearance sparked mass protests, as the 43 became symbols of Mexico’s unchecked human rights abuses. In recent decades, tens of thousands of people have gone missing in Mexico, and almost no one has been held accountable. The culture of impunity is so ingrained that families often don’t go to police for help, believing they’re either corrupt or too afraid to investigate. In the first part of a three-part investigation of the Ayotzinapa case, Reveal’s Anayansi Diaz-Cortes and Kate Doyle from the National Security Archive take us inside the investigation into the attack on the students. For parts two and three, go to the Reveal podcast feed.See omnystudio.com/listener for privacy information.

Veronique Medrano is a Tejano and Spanish Country singer from Brownsville, Texas in the Rio Grande Valley. Veronique finds inspiration as an artist from her experiences living on the border, her Mexican-American identity and her everyday life. On this How I Made It segment, Veronique walks us through the origins and diversity of Tejano music, being a woman in a male-dominated industry and the importance of archiving and preserving the genre for future generations.See omnystudio.com/listener for privacy information.

Two boys, Mexican-American, 1987, El Paso, Texas… and they fall in love. That’s the pitch behind Benjamin Alire Sáenz’s bestselling young adult novel, “Aristotle and Dante Discover the Secrets of the Universe.” Nearly a decade later, Benjamin would release the book’s sequel, “Aristotle and Dante Dive into the Waters of the World,” to wide acclaim. For both books, Benjamin drew inspiration from his life growing up near the border in New Mexico. But he didn’t immediately begin writing full-time—Benjamin was a priest for several years until he left the order just before turning 30. He eventually followed his calling to be a writer and moved to El Paso, where he would write several award-winning books including “Aristotle and Dante.” The novels would become a massive, queer young adult hit that spoke to hundreds of thousands of readers around the world. Benjamin, a gay Latino man himself who came out just a few years before the book was published, found solace in the characters, too. On this episode of Latino USA, Benjamin talks about his journey from the borderlands to the priesthood and back to El Paso again. He also discusses “Aristotle and Dante Discover the Secrets of the Universe”—the book that he says saved his life and became a surprise international phenomenon along the way.See omnystudio.com/listener for privacy information.

For this special Latino USA presentation of In The Thick, Maria and Julio are joined by Keeanga-Yamahtta Taylor, historian, writer and professor at Princeton University, and Adam Goodman, professor at the University of Illinois Chicago, for a conversation about the deep-rooted history of white supremacy in this country. They discuss their chapters in a new anthology titled A Field Guide to White Supremacy, and also get into how white supremacy manifests in our society today, from the immigration system to policing. You can subscribe to In The Thick here.See omnystudio.com/listener for privacy information.

Juan Castillo escaped the Civil War in El Salvador and fled to the U.S. in search of freedom. He was barely a teenager when he arrived and soon fell into the wrong crowd. After being accused and convicted of a murder he denies having committed, he’s been striving to make a life in prison for the last 26 years. Now, as ICE is trying to deport him, he’s fighting to not only find freedom again, but remain in the only country he knows. Juan tells the story of how he transformed his life, became a religious guide for fellow prisoners and detainees, and relied on art and literature to reach beyond the bars that confine him.See omnystudio.com/listener for privacy information.

José Hernandez began modeling a couple years ago after a photoshoot of his went viral in 2018. The main image showed him holding a rooster, glammed up in a look that can only be described as Queer Chicano Chic, with glowing skin, a tight fade, cowboy boots, and a luscious mustache. Since then José has been booked and busy. He’s worked with brands such as NYX Cosmetics, Facebook, and Grindr, and walking down the runways at LA and New York Fashion Week. Though beauty standards in the modeling industry are among the most narrow in fashion, José is challenging those preconceptions and embracing his own aesthetic in his modeling, influenced by Mexican rancheros and 90s L.A. street style. In this episode of Latino USA, José Hernandez speaks about beauty, community, and representation—not only on the runway, but behind the scenes, where he believes it truly matters.See omnystudio.com/listener for privacy information.

While tango is usually pictured as a dance between a white man in an elegant black suit and a white woman in high heels, and a tight red dress, the reality of tango goes much deeper. Born in the brothels and dance halls of Buenos Aires’ lower caste, this music and dance is actually rooted in Argentina’s African and queer subcultures. Before it became the defining music of Argentina, tango was actually condemned by elites and the Catholic church, which saw it as obscene and transgressive. The dance’s reign was also threatened by the worldwide phenomenon of rock n’ roll and then all but buried by Argentina's Dirty War. When tango began its revival in the 1980s and 90s, a new era of tango artists began challenging rigid norms established in the early half of the 20th century. Breaking from traditional gender roles and shining a light on the Black history of tango, these artists aimed to invoke tango’s past to make way for a more inclusive future. In this episode, we travel to Argentina and meet three women who will help us to understand the controversial roots of tango and how they are helping to give new life to a dance very much rooted in tradition.See omnystudio.com/listener for privacy information.

Chicago is a breeding ground for diverse sounds: it is the birthplace of house music and has a thriving indie hip-hop scene. One of the city's up-and-coming artists is Kaina Castillo. Known simply as KAINA, the 23-year-old singer-songwriter blends genres like soul and rock, creating dreamy soundscapes. A Latina of Venezuelan and Guatemalan descent, she writes about struggling with her identity, all while uplifting her immigrant roots. In this "How I Made It" segment, KAINA tells us about what it was like growing up with a small family, making a name for herself in Chicago’s vibrant music scene and the inspiration behind her music. This podcast originally aired on October 8, 2019.See omnystudio.com/listener for privacy information.

Armando Christian Pérez —better known as Pitbull— is a rapper, entrepreneur, motivational speaker, brand ambassador and has a whole host of other job titles. As his nearly two-decade-long career has diversified, his image and brand have solidified. He rose to prominence off bilingual records hits like "Culo" and "Toma" in the early 2000s and became a household name thanks to wedding and quinceañera classics like "Give Me Everything" and "Time of Our Lives." Today, the Latino demographic that helped catapult Pitbull to the top music charts is facing greater open discrimination than at any other point during Pitbull's career. During a day with Pitbull, the Cuban-American entertainer opens up about his thoughts on the state of immigration, why he won't stop making music with Chris Brown, and how country music is not just for white folk. This podcast episode originally aired on October 11, 2019.See omnystudio.com/listener for privacy information.

The musical genres most people associate with the Dominican Republic are merengue and bachata. Yet, there's another set of rhythms that are essential to the spirit of the country, and that's Afro-Dominican roots music. That's where the band Yasser Tejeda & Palotré come in. They blend some of the country's black roots rhythms like palo, salve and sarandunga, with jazz and rock to bring a new spin to local sounds—and to reimagine what it means to be Dominican. In this segment of "How I Made It," the band's frontman Yasser Tejeda walks us through the inspiration behind their latest album "Kijombo," and the making of the single "Amor Arrayano," which is all about love across the Dominican-Haitian border. This podcast episode originally aired on February 25, 2020See omnystudio.com/listener for privacy information.

Latino USA and Black Public Media bring you Alzheimer’s in Color, a 2021 Gracie Awards winner. It’s the story of Ramona Latty, a Dominican immigrant, told by her daughter Yvonne, and it mirrors countless other families of color navigating a disease that is ravaging the Latino community. It’s been four years now since Ramona was diagnosed. Four years of the lonely journey, which in the end her daughter walks alone, because her mom has no idea what day it is, how old she is or where she is. Ramona lives in a nursing home and COVID-19, and months of separation have accelerated the disease, and Yvonne’s despair. This podcast episode originally aired on September 11, 2020.See omnystudio.com/listener for privacy information.

When vocalist, composer and multi-media performance artist Stefa Marin Alarcon — also known as STEFA — takes the stage, it feels like walking through a portal into somewhere that is both past and future. Born and raised in Queens, NY to Colombian immigrant parents, STEFA’s music explores themes such as reconnecting with their ancestors and falling in love under capitalism. On this How I Made It segment, Stefa talks about their journey as a multifaceted artist creating their own origin stories as a non-binary, indigenous person trying to find home in their body.See omnystudio.com/listener for privacy information.

Mexico is the most dangerous place for journalists in the world. And Lydia Cacho —a Mexican investigative journalist who worked in the country for over 30 years— knows this first hand: in 2005, she was kidnapped and tortured after uncovering an international child trafficking network. But that didn’t stop Lydia; she continued working, denouncing violence against women and children. Those after her didn’t stop either. In 2019, after they struck yet again, Lydia was forced to flee Mexico. In this episode of Latino USA, Lydia opens up about this latest attack, what it’s like to live and work in exile, and how she takes care of her mental health as a journalist.See omnystudio.com/listener for privacy information.

For this special Latino USA presentation of In The Thick, Maria and Julio are joined by Al Letson, host of Reveal and the new podcast series, “Mississippi Goddamn: The Ballad of Billey Joe.” Billey Joe Johnson Jr. was a Black high school football star who was found dead in Lucedale, Mississippi in 2008 after being pulled over by a white cop. They get into his story, the problematic history of investigations when it comes to suspicious deaths of Black people in Mississippi, and journalists’ responsibility when covering these tragic stories.See omnystudio.com/listener for privacy information.

Lupe Salazar is a grandmother in Chimayó, northern New Mexico on a mission to disrupt the cycle of opioid addiction and the trauma caused by it in her rural community. The region has long been an epicenter of drug overdose deaths – long before the national opioid epidemic was declared a national emergency. After her son began using heroin in jail when he was 18, Lupe realized the systems in place were doing a better job keeping him incarcerated than helping him access treatment for addiction. So, Lupe went back to college to learn for herself about addiction and how integrating holistic healing, like curanderismo, could help her community heal. In this episode of Latino USA we follow Lupe’s mission to help heal a community fractured by generations of opioid use and overdose, dismantle the stigma shrouding addiction and treatment and reintegrate the with traditional and indigenous healing practices – all while trying to address her son’s ongoing opioid use and keep him alive.See omnystudio.com/listener for privacy information.

In the late 2010s, dreamy, nostalgic music produced from the homes of young, independent artists became hugely popular, especially online. This style of music would be called bedroom pop, and today, a quick search on streaming sites comes up with hundreds of hits. Even bedroom pop is a new term for you, chances are you might recognize songs or artists in this genre—including a lot of the young Latinx artists who are pioneering the bedroom pop sound. Among them is Victor Internet. Victor has been outspoken about their career and insists that there’s more behind bedroom pop than meets the eye: making music from home is a real struggle, especially as a young person of color with limited access to money and resources. And as bedroom pop blows up, they want to make sure the reality for so many musicians like him doesn’t get lost. On this episode of Latino USA, we dive into the making of Victor’s bedroom pop stardom and break down the challenges of making it as a young independent artist today.See omnystudio.com/listener for privacy information.

For Dr. Miguel Cardona, growing up in a Puerto Rican household in Meriden, Connecticut —straddling two languages and two cultures— uniquely prepared him for his role as Secretary of Education. He comes to the department at a moment when education in the country has both new and long-lasting challenges: systemic inequities that have been exacerbated by the COVID-19 pandemic. In this conversation, Secretary Cardona shares what it was like to grow up in a Latino home in Connecticut, the possibility of bilingual education for all students, and what the Department of Education is doing to meet the challenges of returning to school amidst a continuing global pandemic.See omnystudio.com/listener for privacy information.

Las Cafeteras are a band out of East LA that met while doing community organizing. They began playing at the Eastside Cafe, where they discovered Son Jarocho, traditional Afro-Mexican music from Veracruz. They quickly began to adapt the music to their realities fusing it with hip hop, rock, ska, and spoken word. They are known for their politically charged lyrics, speaking out against injustices within the immigrant community and their experiences as Chicanos in East LA. For this “How I Made It” segment, we sat down with members of the group to discuss how they got started, and their work to tell and preserve brown stories. This story originally aired on November 10, 2020.See omnystudio.com/listener for privacy information.

On March 14, 2020, Martha Escudero and her two daughters became the first of a dozen unhoused families to occupy one of over a hundred vacant houses in El Sereno, Los Angeles. Some call them squatters, but they call themselves the Reclaimers. The houses the Reclaimers occupied actually belong to a state agency that purchased the houses in the 1960’s in order to demolish them and build a freeway through this largely Latinx and immigrant neighborhood. This is the story of one of these houses, and its residents, past and present, who have fought to make it their home. This story originally aired on November 6, 2020.See omnystudio.com/listener for privacy information.

Latino USA presents another episode from the new season of Port of Entry, which focuses on artists and musicians who’ve turned pain into superpowers. Mexican musician Javier Bátiz could very likely have been world famous had he headed north of the border with his good friend and bandmate Carlos Santana back in the 1960s. But instead, Javier went south to Mexico City, where he built a successful career in the country he loves. In this new episode of Port of Entry, we look into how Javier’s life, decisions and decades-long musical career have brought him internal peace and fulfillment he says is far more important to him than reaching the high-level fame his friend Carlos found. Subscribe to Port of Entry here.See omnystudio.com/listener for privacy information.

How does technology affect labor? How are tech corporations like Uber and Lyft redefining what it means to be a worker in the United States? California has been ground zero for cementing the “gig work” business model of these companies into law. A year ago this month, the state passed Proposition 22 to allow app-based firms like Uber and Lyft to classify their drivers as contractors instead of employees. In this episode of Latino USA we follow a group of drivers who are mobilizing across California – and using their own technology to take on Big Tech. Their fight is not only about their own labor protections as drivers, but a battle to prevent this labor model from spreading to other sectors of the U.S. economy.See omnystudio.com/listener for privacy information.

Before winning not one or two, but 15 Emmy’s for television writing, and before she became one of the first Latinas on television when she took on the role of “Maria” on Sesame Street in 1971, Sonia Manzano was a curious and imaginative little girl growing up in the South Bronx, a working class neighborhood in New York City. On this “How I Made It” segment, Sonia talks about discovering her love for television writing, and her new animated show: “Alma’s Way.”See omnystudio.com/listener for privacy information.

In the 1960s and 70s, a community of Latinx poets in New York City created a movement. They called themselves the Nuyorican poets. Together, they broke barriers and built a cultural institution: the Nuyorican Poets Cafe. The Nuyorican Poets Café began as an informal literary salon in Miguel Algarín’s apartment living room, one of the movement’s founding poets. But soon after, Miguel and his fellow writers realized that they needed to expand to accommodate the growing roster of artists who frequented the space. They moved into a new venue nearby, and by 1981 they relocated again to the Nuyorican’s current location in New York City’s Alphabet City. Today, the Nuyorican Poets Cafe is a haven for Black and Latinx writers and performers. In this episode of Latino USA, we stage a spoken history of the cafe featuring several artists from its storied past. We hear from poets Poet Jesús “Papoleto” Meléndez and Caridad de la Luz, known as “La Bruja,” playwright Ishmael Reed, and artist and archivist Lois Elaine Griffith.See omnystudio.com/listener for privacy information.

For Ayodele Casel, tap dancing is magic. As a young high school student, she dreamed of one day dancing like Ginger Rogers as she recreated Ginger’s moves in her bedroom–but it wasn’t until Casel was a sophomore at the NYU Tisch School of the Arts that she took her first tap dancing class. That was her entry point into the art form which would eventually lead to a more than 20-year career as a professional tap dancer. As a Black and Puerto Rican woman, Casel didn’t see herself reflected in the mainstream image of tap dancers because the form has been largely whitewashed through systematic racism. For that reason, she works tirelessly to remind her audiences that tap is deeply rooted in Black art and culture. In this “How I Made It” segment, Casel takes us through her tap journey and reclaims tap dancing as a Black art form.See omnystudio.com/listener for privacy information.

In the late 1800s, Teresa Urrea was a superstar. She was a “curandera,” (a healer), a revolutionary, and a feminist. At only 19 years old. she was exiled from Mexico by dictator Porfirio Díaz, who called her the most dangerous girl in the country. She moved to El Paso, Texas. Urrea also had a miraculous power: she could heal people through touch. Her vision of love and equality for all people regardless of gender, race, and class inspired rebellions against the Díaz dictatorship, earning her the title of the “Mexican Joan of Arc.” In this episode of Latino USA, we follow Urrea’s life and honor the legacy of a revolutionary woman decades ahead of her time.See omnystudio.com/listener for privacy information.

On August 13, 1521, a few hundred Spanish conquistadors, led by Hernan Cortés, declared the fall of the Aztec Empire. On the 500-year anniversary of that invasion, director Rodrigo Reyes presents 499, a film —part documentary, part fiction— that explores the violent legacy of the Spanish conquest. In 499, an anonymous conquistador is shipwrecked on the shores of present-day Mexico. After discovering that he is in the 21st century, this ghostly figure starts to retrace the steps he walked five centuries before—only now he is forced to witness the brutal consequences of hundreds of years of colonialism.See omnystudio.com/listener for privacy information.

The social distancing measures put in place during the pandemic have exposed how vital – and hard – it is to take care of children, the elderly, sick and disabled people. And if that wasn’t enough, families had to look after their own homes without any external help. It's women who are bearing the heaviest burden of caregiving labor – especially Latinas. Latinas are dropping out of the workforce at a higher rate than any other group during the pandemic. Latinas are also overrepresented in paid caregiving and domestic work, and the covid-19 lockdowns left the majority of them out of work. How essential is caregiving for a society to properly function? Is it in fact as vital as roads, bridges, and light posts? And should governments invest in caregiving the same way they invest in infrastructure? In this episode, we dive into the high cost of caregiving labor for so many women, through the story of Daniela Contreras.See omnystudio.com/listener for privacy information.