ArtTactic

In this week's episode of the ArtTactic Podcast, we're joined by Karline Moeller and Josie Hines, co-founders of Art Frankly, a startup professional networking platform for the art world. As a hybrid between IMDB and LinkedIn, Karline and Josie first share with us some of the main features on the platform, such as job listings, connecting with others in the industry and space rentals. Then, they discuss the extent of the void that exists in the art world today in terms of individuals being unable to connect with others. Also, Karline and Josie explain how younger entrants in the industry as well as veterans are engaging with the platform and how employers are responding to the idea of utilizing Art Frankly to find applicants for job openings.

In this week's edition of the ArtTactic Podcast, Serge Tiroche, co-founder of Art Vantage, an art investment fund focused on contemporary art from emerging art markets, joins us to update us on his fund. First, Serge details the performance of his fund, which launched in 2011. Then, he reveals how the development of several emerging art markets has impacted his ability to opportunistically acquire artworks from these markets. Also, Serge shares some lessons he has learned from being one of the few successful art investment fund managers. Lastly, Serge speculates on the future of the niche art investment fund space.

In this week's edition of the ArtTactic Podcast, Nate Freeman, senior staff writer at ARTnews, joins us to recap the The Armory Show which occurred this past weekend in New York City. First, Nate touches on Benjamin Genocchio's impact on this year's fair in his first full year as director. Then, he shares his reporting on the evolution of the popular Kusama installation at this year's fair. Also, Nate discusses the level of sales at this year's edition of The Armory Show as well as how the market is feeling after the weekend. Lastly, Nate provides us with his thoughts on some of the other fairs taking place this weekend.

In this week's episode of the ArtTactic Podcast, Anders Petterson, founder and managing director of ArtTactic, speaks with us about ArtTactic's inaugural edition of our South Asian Art Market Report, which is now available to download for free at ArtTactic.com. First, Anders provides us with some background on the report and why ArtTactic is launching its inaugural edition now. Then, he shares some of the key findings from the report. Also, Anders tells us whats next in regard to ArtTactic research reports coming out in the near future.

In this week's edition of the ArtTactic Podcast, Puneet Shah, founder of Akara Art, a Mumbai-based gallery showing Indian modern and contemporary artists, joins us to talk about the state of the Indian art market. First, Puneet reflects on recently launching an art gallery in India. Then, he identifies some of the positive and challenging trends facing the Indian art market as we enter 2017. Also, Puneet describes the aesthetics of the art being made by notable contemporary Indian artists.

In this week’s episode of the ArtTactic Podcast, Javier Lumbreras, CEO of Artemundi Management Limited, joins us to talk about his recently closed art investment fund as well as the art fund industry. First, Javier reflects on his first fund and shares with us his five golden rules for managing a successful art investment fund, a rarity in the art world. Then, Javier identifies some of the challenges and obstacles he faced when launching and managing the fund that he didn’t foresee. Also, he speculates as to why more art funds haven’t successfully launched in the art world given its appeal as an alternative asset. Lastly, given the art market and macroeconomy has changed over the past five years, Javier details to what extent he will modify his strategy and approach for his second fund.

In this end of the year episode of the ArtTactic Podcast, Katya Kazakina, art market reporter for Bloomberg News, reflects on the major events in the art market in 2016. First, Katya selects the contraction of the art market, in particular observed at auction, as the major headline of 2016. Then, she identifies Agnes Martin, Yayoi Kusama, Kerry James Marshall and Harold Ancart as artists who had the best 2016. Also, Katya details Instagram's increasing influence over the past year in terms of how artists are discovered and artworks are sold. Lastly, Katya shares with us how market participants are feeling about the state of the art market as we head into 2017.

In this week's edition of the ArtTactic Podcast, Robin Pogrebin, culture reporter for The New York Times, joins us to recap Art Basel Miami Beach. First, Robin discusses how visitors and gallerists felt about the relatively slow pace of the fair this year and also identifies some of the reasons why this year wasn't as expeditious as in the past. Then, she describes the type of artists and artworks that were on display for sale at this year's fair. Also, Robin touches on the difference between the art world and the art market's reaction to Trump's election victory. Lastly, Robin explains the significance of the Rubell collection and the other notable Miami-based private contemporary art collections as tastemakers for the contemporary art world.

In this week's edition of the ArtTactic Podcast, Bose Krishnamachari, director of the Kochi-Muziris Biennale, the Indian based contemporary art biennale, joins us ahead of their biennale starting on December 12th. First, Bose tells us about the history of the biennale as well as what distinguishes it from other ones in the art world. Then, he reveals how it has influenced the Indian and South Asian art scene as well as its perception abroad. Also, Bose discusses the current state of the South Asian contemporary art market and where he sees it headed in the future.

In this week's episode of the ArtTactic Podcast, Paddle8's Shea Goli, head of the London contemporary sale, and Patrick van der Vorst, UK CEO, update us on the online auction house following its merger with Auctionata as well as share news about their first live streaming auctions. First, six months after the announced merger with Auctionata, Patrick and Shea tell us the ways in which Paddle8 has benefited from joining with competitor Auctionata. Then, they highlight areas of strength and weakness in the mid-market, where the majority of the art market operates. Additionally, with major auction houses recently launching eCommerce platforms, Shea and Patrick reveal Paddle's pitch to persuade consignors to sell with them. Also, they tell us about their upcoming Paddle8 Pad, a set of live streaming auctions and why they decided to pursue the live sales format. Lastly, they highlight some lots from their inaugural lives sales.

In this week's episode of the ArtTactic Podcast, Judd Tully, editor at large of Art + Auction, joins us to recap last week's major post-war and contemporary sales in New York. First, Judd reveals the mood of the art market just ahead of the auctions, following the US election, and if it was similar to the summer auctions that occurred in London shortly after Brexit. Then, he highlights some of the key takeaways from the auction results and what it indicates for the health of the art market. Also, Judd touches on the sustainability of Adrian Ghenie's incredible market surge as well as why Phillips' sale last week was a "breakthrough" for the auction house.

In this week's edition of the ArtTactic Podcast, Ari Grazi, president and co-founder of Indiewalls, an online art platform created to connect designers, interior decorators and businesses with artists, joins us to discuss the commercial art space. First, Ari explains how Indiewalls is different than so many other art eCommerce websites in that it focuses on corporate clients seeking art for commercial spaces, rather than individual collectors. Then, he reveals to what extent owners of commercial property, such as hotels, are concerned with the art that hangs on their walls from both an aesthetic and cost perspective. Also, Ari tell us how much competition there is in this unique area of the art market, he identifies the types of artists who submit artworks on his platform and he shares some metrics on the company's recent performance.

In this week's edition of the ArtTactic Podcast, Gareth Harris, chief contributing editor at The Art Newspaper and contributor to the Financial Times, recaps the French contemporary art fair FIAC and touches on how Brexit may impact the UK art market. First, Gareth outlines some of the major differences between FIAC, which occurred last week in Paris, and Frieze, which took place the preceding week in London. Also, Gareth observed that many American collectors were missing from this year's edition of FIAC and he speculates on why that was the case. Then, he summarizes how the fair did from a sales perspective. Additionally, Gareth identifies some of the major aspects of the UK art market that may be impacted by Brexit as well as if participants in the market are preparing in any way for the eventual exit from the EU.

In this week's edition of the ArtTactic Podcast, Mark Rappolt, editor-in-chief of ArtReview, joins us to discuss their annual Power 100, a ranking of the year's most influential people in the contemporary art world. First, Mark reveals that Hans Ulrich Obrist is at the top of the rankings and explains why they awarded that spot to the Serpentine Galleries director. Then, Mark discusses what story this year's list reveals in terms of where the most influence currently lies in the art world. Also, he touches on the decreasing influence of art critics, he identifies which individuals experienced the greatest rises in the rankings from last year and he touches on some of the geographical trends in the rankings over the past few years.

In this week's episode of the ArtTactic Podcast, Nicholas Forrest, Head of Visual Arts at ARTINFO, joins us to recap Frieze Art Fair, which occurred last week in London. First, Nicholas summarizes the level of sales at this year's edition of the fair and highlights some of the most notable artworks at Frieze from an aesthetic or price point perspective. Then, he shares some of the most discussed topics of conversation at this year's fair by insiders. Also, he reveals how galleries are combating art fair fatigue, analyzes the contemporary auctions which occurred during Frieze week and explained to what extent the weak Pound impacted sales throughout the week.

In this week's edition of the ArtTactic Podcast, Andrea Danese, CEO and president of Athena Art Finance, speaks to us about Athena's practices and position within the art financing space. First, Andrea tells us how much potential he sees for the nascent art financing industry in the future. Then, as art financing is still a new concept to many, he reveals to what extent clients reach out to Athena versus Athena directly engaging with individuals, educating them about their product and the ability to borrow against their collections. After, Andrea walks us through the process of how Athena lends against an artwork and some of the decisions and processes involved as a lender. Lastly, as the art financing space continues becoming more competitive, Andrea shares with us where he see Athena fitting into this competitive landscape.

In this week's edition of the ArtTactic Podcast, we speak with Sara Roffino, senior editor at Art + Auction magazine about her latest article, the 25 Most Collectible Conceptual Artists. First, Sara clarifies for us the definition of conceptual art, then speculates why it's so difficult for collectors to collect and embrace compared to other artistic movements. Then, she identifies a few of the most well-known artists on her list and some of the less familiar artists in her article. Also, Sara reveals to what extent conceptual artists have recently appeared at auction, in museum shows and in galleries.

In this week’s episode of the ArtTactic Podcast, Anders Petterson, founder of ArtTactic, joins us to discuss ArtTactic’s upcoming seminar, How to Research Your Art Business Idea, a 3-evening course occurring from September 12-14 in London. Considering that we interview so many art entrepreneurs on the podcast, we thought you would enjoy hearing a preview of our seminar, which is focused on assisting art entrepreneurs with their business ideas. First, Anders explains why ArtTactic is hosting the seminar at this time, citing the many ways in which the art industry is changing, including the increasing entrepreneurship outside of the transaction based business models, the increase in the industry’s size, the maturation of art as an asset class and the increasing development of technology, social media and e-commerce. Then, Anders details what the course aims to achieve and what an aspiring or existing art entrepreneur can learn over the three evenings.

In this week’s edition of the ArtTactic Podcast, Richard Polsky, author, dealer and the founder of Richard Polsky Art Authentication returns to the podcast to update us on his authentication business as well as discuss some recent happenings in the art world. First, Richard updates us as to how the authentication service is going thus far, which was launched last October focused exclusively on authenticating Andy Warhols. Then, Richard reveals that he has expanded his authentication business to include Jean-Michel Basquiat and Keith Haring and explains some of the key factors to consider when trying to authenticate their artworks. Meanwhile, while the authentication services for Warhol, Basquiat and Haring are now defunct in large part due to costly litigation, Richard explains why he believes he will be able to avoid such costs. Also, he reveals to what extent he has communicated with these respective artists’ estates regarding his authentication business. Lastly, Richard shares his thoughts on the current state of the art market and also reacts to the breaking news regarding Alec Baldwin, Mary Boone and Ross Bleckner.

In this week’s edition of the ArtTactic Podcast, we’re here with Matthias Dorner, founder of Wydr, a new start-up considered to be Tinder for the art world. First, Matthias walks us through how someone uses Wydr and then explains how similar the app is is to Tinder. Then, Matthias argues why viewing art one work at a time using a swiping motion is preferable over the traditional way of viewing artwork online, many thumbnails at a time. Also. he shares his thoughts regarding to what extent he believes the art world will eventually adopt this format of viewing artworks. Lastly, Matthias explains why Wydr is so appealing to millennials and also what type of artists are choosing to feature their artwork on the app.

In this week's episode of the ArtTactic Podcast, Max Fishko, director of the Seattle Art Fair, joins us to preview this year's edition of the fair which is occurring on August 4th-7th. First, Max describes the Seattle art scene to us as well as the collecting community there. Then, he reveals Microsoft co-founder Paul Allen's motivation for establishing the Seattle Art Fair last year and his involvement in the fair. Also, Max shares his thoughts on the different ways in which galleries are attempting to pursue emerging collectors from the technology industry. Lastly, Max previews this year's edition of the fair and the week in Seattle.

In this week’s edition of the ArtTactic Podcast, we’re here with Ayal Brenner, founding member and director of Artist Pension Trust, to discuss the trust’s first distribution since its establishment in 2004. First, Ayal explains the concept of Artist Pension Trust as a risk diversification tool to provide more secure income to artists. Then, Ayal identifies some of the most prominent artists who participate in Artist Pension Trust, including Rashid Johnson, Ivan Navarro and three former Turner Prize winners. Also, he reveals the strategy and process regarding selling artworks from the trust and how the money generated from these sales is distributed to the artists. Lastly, Ayal discusses why this financial structure is so appealing to artists and what kind of artists are benefitting the most from this.

In this week’s episode of the ArtTactic Podcast, we’re joined by Dr Alireza Sami Azar, a former head of Tehran’s Museum of Contemporary Art and head of Tehran Auction, launched in 2012 as a private initiative to introduce Iranian art to art collectors and a global audience. First, Alireza talks about the establishment of Tehran Auction and how it has helped develop a domestic art market in Iran. Then, Alireza speculates to what extent the lifting of sanctions on Iran will lead to more international buyers for Iranian art. Also, he describes the art schools, gallery structure and museums in Tehran and how similar or different they are than those in the US and Europe. Lastly, Alireza identifies some of the most prominent and emerging Iranian artists that are featured most prominently at Tehran Auction.

In this week’s edition of the ArtTactic Podcast, Nate Freeman, senior staff writer at ARTnews, joins us to discuss how Brexit may impact the art market and to recap Art Basel. First, Nate shares his thoughts on to what extent Brexit may influence the art market in both the short-term and long-term. Then, Nate relays his interactions with several mega-galleries at Art Basel regarding the mood of the art market and how the fair went for them. Also, he identifies some of the most talked about artworks at this year's fair. Lastly, Nate touches on the presence of 8-figure artworks at Art Basel, the size of this year's crowd and if younger artists were prominently featured at the fair.

In this week’s episode of the ArtTactic Podcast, we speak with Simon de Pury, a London-based art dealer and adviser, author of the new book The Auctioneer: Adventures in the Art Trade and both the former Chairman of Sotheby’s Europe and the former owner and co-founder of Phillips de Pury. First, Simon tells us about his new book and what inspired him to write it at this time. Then, he reflects on the time just before he left Sotheby’s and what prompted him to leave to ultimately establish Phillips de Pury. Also, Simon reveals some of the advantages of Phillips de Pury being a smaller auction house in relation to Christie’s and Sotheby’s. Further, he gives his impressions on the development of the online art market and where he sees it heading in the future. Lastly, Simon identifies some exciting contemporary art scenes across the world, shares what he believes to be the mood of the contemporary art market at this moment and offers important advice to emerging art collectors.

In this week’s episode of the ArtTactic Podcast, Robert Manley, formerly the deputy chairman of post-war and contemporary art at Christie’s and who will soon be joining Phillips auction house in a similar capacity, joins us to speak with us about his experiences participating in our ArtTactic Forecaster competition in which participants forecast prices of artworks upcoming at auction. Robert has given 2,650 predictions in the ArtTactic Forecaster game since May 2014 and he recently won the 2015-2016 Expert League season championship. First, Robert shares what initially drew him to ArtTactic Forecaster and what motivated him to leave so many forecasts. Then, Robert explains why giving forecasts then having the opportunity to review and analyze his performance improved his forecasting accuracy. Also, he reveals what he has learned about his forecasting abilities that has surprised him. Additionally, Robert offers some free advice on leaving accurate forecasts, in particular he emphasizes the importance of the low estimate figure. Lastly, Robert shares his commentary on the May contemporary sales as well as the state of the overall contemporary art market.

In this week's episode of the ArtTactic Podcast, we're joined by Jean-Baptiste Fabre, founder of Auction After Sale, an online platform addressing artworks unsold at auction. First, Jean-Baptiste reveals the difficulties established auctions houses have in managing unsold lots. Then, he walks us through Auction After Sale's platform and explains how a visitor can make an offer on an unsold lot. Also, Jean-Baptiste shares how he approached auction houses regarding his business and how they initially reacted to his proposal. Lastly, Jean-Baptiste tells us how much an artwork burned at auction impacts its value.

In this week's edition of the ArtTactic Podcast, we speak with Yan Walther, managing director of SGS Art Services, which offers a wide range of highly technical and analytical services for the art world. First, Yan addresses the reasons behind the increasing numbers of fraudulent artworks on the market and how SGS' technologies protect buyers from acquiring such artworks. Also, he explains why traditional condition reports are inadequate in today's art market. Then, Yan speculates on some of the technological trends he envisions the art world embracing over the next few years.

In this week’s episode of the ArtTactic Podcast, we're joined by Katie Kennedy Perez, founder of Geneva-based Kennedy Fine Art, which provides valuations for art financing companies. First, Katie gives us a sense of the size of the art lending industry in Europe and to what extent it is has grown in the past few years. Then, she reveals if it has become difficult to value art given recent global economic volatility. Also, Katie explains why Europe needs to regulate this area of the market similar to the United States. Lastly, Katie shares her opinion on the strength of the contemporary art market at the moment in Europe.

In this week's episode of the ArtTactic Podcast, Brenda Valansi, CEO of ArtRio, Brazil's leading art fair, updates us on the Brazilian art scene. First, given the current political conflict as well as the recession in Brazil, Brenda shares with us to what extent these events have impacted the Brazilian art market. Then, Brenda tells us how her personal mission of attempting to reduce Brazil's hefty art import tax is progressing. Also, she speaks about the advantages and disadvantages of having several blue-chip foreign galleries exhibit at ArtRio. Lastly, Brenda reveals how the Brazilian art scene has transformed over the past six years and identifies challenges that must be overcome in order for the Brazilian art scene to continue to mature.

In this week’s episode of the ArtTactic Podcast, Scott Phillips, co-founder and CEO of Rise Art, an online art gallery in which you can buy or rent contemporary art. First, Scott explains why Rise Art has made renting art a significant component of their business model. Then, Scott argues why renting art actually isn’t a new concept in the art world, but is new at a lower price point. Also, Scott gives us a sense as to who is the kind of collector who is choosing to rent over immediately buying the artwork from Rise Art. Lastly, he discusses the importance of social media in today’s online art market.

In this week’s edition of the ArtTactic Podcast, we speak with Jessica Paindiris and Gaia Banovich, co-founders of The Clarion List, the leading online directory of art service providers with ratings and reviews. First, Jessica and Gaia explain the concept behind their site and answer if it can be considered Yelp for the art world. Then, they discuss what experiences in their art world careers motivated them to launch this service. Also, they walk us through the features of the website, share how art service providers and galleries have reacted thus far to The Clarion List and reveal their strategy as to how they plan on growing their online community to increase the number of reviews left on the platform.

In this week’s episode of the ArtTactic Podcast, we’re joined by Liz Hopfan, founder and Executive Director of Free Arts NYC, a non-profit organization dedicated to providing under-served children and families with a unique combination of educational arts and mentoring programs. First, tells us about Free Arts NYC and the current programming they provided to children, teens and families. Then, Liz reveals how some recognizable fine artists have take part in Free Arts NYC’s programming with children, including: Dan Colen, Rashid Johnson and Rob Pruitt. Also, in light of Free Arts NYC’s upcoming benefit auction, she shares with us the process of organizing such an event as well as asking contemporary artists to donate artworks for the evening. Additionally, Liz explains the ways in which the growth of the art market has positively impacted Free Arts NYC. Lastly, Liz elaborates on some of the current challenges facing arts organizations in New York City.

In this week’s episode of the ArtTactic Podcast, Stephen Tanenbaum, co-founder and CEO of UGallery, an art e-commerce platform that connects artists directly with collectors. Launching in 2006, as one of the first art e-commerce websites, Stephen first describes the online art market in 2006 and why he was compelled to be one of the first businesses to enter into it. Then, Stephen compares the online art market in 2006 to the online art market today. Also, he walks us through the experience of an artist getting his/her artwork on their platform and a collector buying art from the site. Additionally, Stephen talks with us about the types of both artists and collectors they are attracting to UGallery. Lastly, Stephen shares his thoughts on if the art market can handle this many online businesses or if a bubble has developed in this space.

In this week's episode of the ArtTactic Podcast, Robert Norton, CEO of Verisart, tells us about his new startup that verifies art authenticity through blockchain technology. First, Robert briefly explains blockchain technology and how Verisart plans to utilize it within the art world. Then, Robert walks us through Verisart's app and how artists, galleries and collectors can use it to confirm ownership and authenticity of an artwork. Also, he explains how Verisart fits into the recent proliferation of the art eCommerce sector. Lastly, Robert shares how people in the art world have reacted thus far regarding embracing the blockchain technology.

In this week’s episode of the ArtTactic Podcast, Jori Finkel, Los Angeles correspondent for The Art Newspaper and a regular contributor to the New York Times, joins us to to chat about the buzzing art scene in LA. First, Jori discusses the trend of galleries expanding into Los Angeles in order to protect their west-coast based artists from joining local galleries or to scoop up LA artists without representation at home. Then, Jori explains why despite the increasing presence of artists and galleries in LA, the collector base in the area has not grown significantly. Also, she reveals how impactful the new Broad Museum has been on the LA art scene. Lastly, Jori compares the Los Angeles art market with New York City’s.

In this week’s episode of the ArtTactic Podcast, Patrick van Maris, CEO of The European Fine Art Fair, better known as TEFAF, joins us to talk about their expansion into New York as well as their upcoming Maastricht fair from March 11th to March 20th. First, Patrick shares with us more details about the fair’s upcoming launch in New York City as well as the motivation behind brining TEFAF to America at this time. Then, Patrick gives a “sales pitch” to listeners of the podcast on how TEFAF differentiates itself from the rest of the art fairs that occur in New York City. Also, he previews the Maastricht fair by identifying a few of the notable works of art that will be at this year’s edition. Lastly, Patrick shares his thoughts on the state of the art market and why he believes we are in the midst of a market correction.

In this week’s edition of the ArtTactic Podcast, Marco Forgione, CEO of the British Antique Dealers’ Association (BADA), joins us to preview BADA’s Antiques and Fine Art Fair as well as discuss their new online auction platform. First, Marco shares with us the motivation for BADA to launch its own online auction website exclusively for its dealers. Then, Marco elaborates on why the state of the antiques market has strengthened over the past few years. Also, he previews the diversity of objects that will be featured at this year’s BADA’s Antiques and Fine Art Fair in London. Lastly, Marco explains about how antiques and modern and contemporary art complement each other.

In this week's episode of the ArtTactic Podcast, Anny Shaw, UK correspondent and art market reporter for The Art Newspaper, joins us to recap last week's post-war and contemporary auctions in London. First, Anny breaks down the sales by the numbers and identifies some of the trends across the auction houses. While there seemed to be varying opinions on the strength of the sales and what they mean for the state of the art market moving forward, Anny shares with us what the mood was like amongst market participants in the sales rooms following each of the auctions. Then, she explains why the middle market may be an area which the auction houses focus on moving forward. Also, Anny picks out what kinds of artists and aesthetic styles performed favorably or were ignored by bidders during the sales. Lastly, Anny discusses the substantial drop off in auction guarantees this season.

In this week’s episode of the ArtTactic Podcast, we’re joined by Meg Maggio, Director of Pekin Fine Arts, a Beijing and Hong Kong based contemporary art gallery. First, Meg addresses to what extent the recently volatile Chinese stock market and economy has impacted the Chinese contemporary art market. Then, she explains, unlike the wave of speculation for young artists that has occurred in the US and European art market, a healthier environment exists in China for young artists at this moment. Also, with galleries in Hong Kong and Beijing, Meg shares with us some of the notable differences between operating an art gallery in these two locations. Further, Meg assesses the level of success experienced by US and European art galleries who opened locations in China over the past few years. Lastly, she identifies some of the exciting visual art trends in the Chinese contemporary art world.

In this week's edition of the ArtTactic Podcast, Christopher Bedford, director of The Rose Art Museum at Brandeis University, updates us on some of the recent activities at the museum. First, Chris shares how he has lead the museum past some of the negative publicity garnered in 2009 when it was announced, but not actually implemented, that Brandeis would close the museum and sell its permanent collection to curtail losses associated with the global financial crisis. Then, he details the incredible story of the museum's first director, Sam Hunter, and how he developed an incredible contemporary art collection for the museum in the 1960's on a limited budget. Also, Chris tells us how collectors today can learn from Sam Hunter's approach to building the museum's collection for their own private art collections. Further, Chris reveals how he balances exhibiting works from the museum's permanent collection versus organizing exhibitions featuring art from outside the museum's collection. Lastly, Chris explains why he has focused so much on strengthening the relationship between the museum and the student body at Brandeis University.

In this week’s episode of the ArtTactic Podcast, we’re joined by prominent California-based art collector, Dr Robert Shimshak. First, Robert shares his evolution as an art collector, acquiring along the way several works by Ed Ruscha, Sol Lewitt, On Kawara, Bruce Conner and others. Then, he offers advice for new collectors that he wished he had received when he first started collecting. Also, Robert gives his perspective on the current state of the art market and reveals some significant buying opportunities that currently exist. Lastly, having lived primarily on the west coast, Dr Shimshak compares the art scenes in San Francisco and Los Angeles to New York City.

In this week’s episode of the ArtTactic Podcast, Gavin Delahunty, Hoffman Family Senior Curator of Contemporary Art at the Dallas Museum of Art, joins us to discuss his critically acclaimed exhibition, Jackson Pollock: Blind Spots. First, Gavin reveals to us what inspired him to curate the largest survey of Jackson Pollock’s black paintings ever assembled. Then, he takes us inside the process of locating the artworks around the world and ultimately convincing collectors and institutions to lend their artworks for the show. Also, Gavin shares his feelings on what having a high-quality, critically acclaimed exhibition such as the Pollock show has done for the city of Dallas and more broadly he gives his impressions on Dallas’ growing contemporary art scene. Additionally, given the growth of the contemporary art market, Gavin explains to what extent, as a contemporary art curator for a museum, the art market plays in his job. Lastly, Gavin speaks about the Dallas Museum of Art’s free admission initiative and to what extent he has consequently witnessed an expanded audience at the museum.

In this week's edition of the ArtTactic Podcast, we speak with Stephen McCoubrey, curator for the UBS art collection, and Johan Jervoe, group chief marketing officer at UBS. First, Stephen and Johan discuss UBS' strategy as to what and how they acquire artworks for the corporate collection. Then, they reveal the extent of the relationship between UBS employees and the company's art collection. Also, Stephen and Johan share some of the major benefits of UBS sponsoring Art Basel. Lastly, they explain the motivation behind their recent commissioned photographs by Annie Leibovitz.

In this week's edition of the ArtTactic Podcast, Joe Elliot, director of sales and marketing at Artlogic, joins us to talk about some of the technological trends in the art market today. First, Joe tells us how technologically advanced both blue chip and emerging art galleries are at the moment. Then, he explains how galleries presently view the importance of eCommerce as a selling platform. Also, Joe discusses how collectors are benefitting from technological innovation in the art world over the past few years. Lastly, Joe explains how Artlogic plays into the technology discussion within the art world.

In this week’s episode of the ArtTactic Podcast we recap the top stories and trends in the art market from 2015 with Katya Kazakina, art market report for Bloomberg News. First, Katya shares her two top stories of the year, the increased competition between the three major auction houses and the rise of private museums established by top collectors around the world. Then, Katya identifies a diverse group of artists who she believes had the best 2015s including Frank Stella, Lucio Fontana and Kazuo Shiraga. Also, she speculates on what will happen in 2016 to the generation of emerging, younger artists who paint in an abstract, “zombie formalism” style. Further, Katya explains to what extent the online art market matured as an industry over the past year. Lastly, Katya describes the current sentiment of the art market as we enter 2016.

In this week's episode of the ArtTactic Podcast, Baiqu Gonkar, founder of Art Represent, a commercial platform conceived to promote, sell and exhibit artworks by artists impacted by conflict and social upheaval. First, Baiqu shares how Art Represent aids artists who are affected by conflict. Then, she describes the commonality she witnesses across the artists she has worked with in terms of how their art helped them survive and ultimately flee these conflicts. Also, Baiqu discusses how an art scene is transformed when conflict infects a region.

In this week’s episode of the ArtTactic Podcast, Kelly Crow, art market reporter for The Wall Street Journal, joins us to share her insights and observations from Art Basel Miami Beach. First, Kelly discusses the recent softening at the top of the art market, in conjunction with the strengthening lower and middle segments of the market. Then, in light of the increasing popularity and volume of art fairs, Kelly explains how galleries are altering their approaches in terms of what type of art they bring to mega-fairs such as Art Basel Miami Beach. Also, she highlights some of the prominent collectors in Miami, such as the Rubells, who annually open up their private museums to the art world during Art Basel Miami Beach and she explains to what extent these collectors have become tastemakers in the art world. Lastly, Kelly highlights a few of the exciting, younger artists who exhibited at the fairs in Miami.

In this week's episode of the ArtTactic Podcast, Angus Haldane, director of Haldane Fine Art, joins us to talk about the Old Masters market in light of major Old Masters auctions this week at Christie's, Sotheby's and Bonhams. First, Angus reveals why his expectations are somewhat tempered for the sales this week as well as what is the overall sentiment of the Old Masters market at this moment. Meanwhile, as the average age of an Old Masters collector is greater than Impressionist and Contemporary collectors, he shares with us what tactics he employs to try to sway younger collectors to embrace Old Masters art. Lastly, as the art market continues to grow geographically around the world, Angus tells us to what extent he has witnessed an expansion of the collector base for Old Masters artworks.

In this week's episode of the ArtTactic Podcast we chat with Kenneth Schlenker, co-founder and CEO of ArtList, a startup online private art sales website. First, Kenneth tells us how they are effectively utilizing Instagram to attract collectors to their site. Then, he explains why he believes a bubble has emerged in the art e-commerce sector of the art market. Also, Kenneth tells us how he feels about ArtList selling artworks by younger, emerging artists. Lastly, Kenneth talks about the challenges ArtList and other art eCommerce sites face if they wish to flourish in the long-term.