Alienating the Audience

"Pluribus is the Borg Collective, but polite and friendly." So says Brian Brushwood, who rejoins the show to discuss Vince Gilligan's latest program, starring Rhea Seehorn.

Science fiction tackles the end of the world again and again, sometimes hopefully and sometimes utterly devoid of it. Josh Jennings joins in this expensive episode to discuss the many, many fates of mankind which come to a close across the worlds of science fiction. Space Tractor: And Other Science Fiction Short Stories https://www.amazon.com/SPACE-TRACTOR-Science-Fiction-Stories-ebook/dp/B0FJPDYMH8/ref=sr_1_1?crid=15MARPN6Y4DM&dib=eyJ2IjoiMSJ9.cFEATJSsQLnfuO9Y2RkgnmYoIvRwTMvIuk0R6Z6ZAp8NsR2mn5D9ml79QeygyBBR4c8Fxvw2jBUe8IGSYGo9x4iQnr3qkIF2HGcmvBRt5p4.HqB3rkgkSY53a9bxfAiHB24WIjWObnR9Rz0eWsJDaCo&dib_tag=se&keywords=josh+jennings+books&qid=1762223518&sprefix=josh+jennings%2Caps%2C125&sr=8-1

In the film "Cabin in the Woods" the grizzly deaths of several archetypical characters are stage-managed by office workers in order to quench the bloodlust of ancient, pagan gods. The film is simultaneously a comedy and a horror, and an excellent romp. Henrique Couto, host of the Weekly Spooky podcast, joins to discuss the film, as well as the appeal of horror, and why that genre in particular excels at meta narratives.

The Prime Directive orders Starfleet officers to refrain from interfering in pre-warprdrive civilizations. It is a doctrine of cultural non-interference... But is it actually a good idea? Scottish Scifi twins Dickie and Stone Lynch return to argue with Heaton about it. Support the show! www.patreon.com/alienating

In "The Last Starfighter" (1984) a young man has his sword-in-the-stone moment playing an arcade game which propels him into heroic intergalactic adventure. Brett Weaver joins to discuss the movie, the Hero's Journey, and to talk about what a sequel or remake would look like. LINKS: Heaton's Otamatone Odyssey https://youtu.be/3BMGPv5RnOQ

In Naomi Alderman's "The Power" women all over the planet suddenly develop the ability to shoot electrical shocks, to the point of lethality. The natural order is entirely inverted, with men easily overpowered by women, and resulting societal tumult. Katherine Mangu-Ward joins to discuss.

Getting thrown back to the same place in time, repeatedly, with little you can do about it has become an awesome sub genre in scifi. From Groundhog Day, to The Endless, we discuss time loops and their appeal in science fiction. Brian Brushwood joins to discuss.

Star Trek's Feringi are intergalactic traders, merchants, entrepreneurs, and feckless shysters. How did they get to be space capitalists when the Federation outgrew the concept of money altogether? Sean Finnerty joins to discuss Feringinar, the Rules of Acquisition, and the economy of the 24th century.

In "Subservience" Megan Fox plays a robot servant who goes off the rails, seduces her owner, and tries to kill his wife. Henrique Couto joins to discuss the ethical implications of cheating on your spouse with a robot, how we ought to treat robots even if they don't really have consciousness, and whether or not we'd buy robot servants in general.

Fresh after seeing "Alien: Romulus," Dickie Lynch and Heaton discuss Ripley Scott's "Alien" franchise: the creepy aesthetics of H. R. Geiger, the deepest fears of the movie, the alien seeding of "Prometheus," and the most recent installment as a best-of.

It's three centuries after the apocalypse, and a small Catholic monastery in the desert is collecting and safeguarding whatever pre-calamite artifacts it can, to preserve knowledge until civilization gets going again. Brian Brushwood joins to discuss this post-apocalyptic "Jesuits in space" novel.

How has A. I. been portrayed through history in science fiction, and what's it going to look like as it keeps getting better? Stone Lynch and J. C. Campbell join to discuss.

Anthony Burgess wrote his dystopian novel "A Clockwork Orange" in 1962, but two different versions appeared on either side of the Atlantic. The American version stops at chapter twenty, whereas the British version has an extra twenty-first chapter, which totally changes the book. Brian Brushwood joins to discuss.

The universe is really, really big. Like huge. Really really really huge. Prompting science fiction to come up with workarounds so everyone isn't stuck on the same boring 'ol planet. Dickie Lynch rejoins to discuss.

Drew Magary's book "The Postmortal" explores a scenario in which a vaccine is made for aging. Whatever age you take it at, you are paused there indefinitely. How does that effect marriage, retirement, and society as a whole? Josh Jennings and Ashland Viscosi return to discuss.

Madeline Miller's "Circe" novelizes the mysterious character from the Odyssey who turns men into swine, but also helps Odysseus get home. The book shows the feckless, narcissistic nature of the Greek pantheon, what is the true nature of self, and the divine patriarchy. Alexandra August and Isabella Reinhardt join to discuss.

George Orwell died way back in 1950, and his estate has never allowed anyone to canonically (or legally) contribute to the immense worldbuilding of "1984"... Until now. Sandra Newman recently wrote "Julia," the official sequel to 1984, which happens conterminously with its events, but from the perspective of Winston's paramour, Julia. Josh Jennings joins to discuss.

Season Finale! In which we talk about how to use sci-fi robots for helpful psychological thought experiments. Support the show! www.patreon.com/alienating ATA Survey: https://docs.google.com/forms/d/e/1FAIpQLSe8FbFXeniKqq4gJNITdQNtbBy4MvUEnZH2m66JteJIJXY-zw/viewform?usp=sf_link

Star Trek Deep Space Nine's Elim Garak is a simple, unassuming character. But also a spymaster. Why is he so beguiling, and what's his character arc? Andrew Young joins to discuss.

Is 1984 prophetic, or merely a terrifying dystopia? What makes this haunting book so engaging on a literary level? Josh Jennings returns to discuss.

Star Trek: Picard recently wrapped up its third and final season--and the first season Heaton or his guests have enjoyed of it. Scottish sci-fi twins Dickie and Stone rejoin to discuss Star Trek: Picard, and what made its ultimate season likeable.

Adrian Tchaikovsky's "Children of Time" tackles multi-generational sleeper ships, uplifiting species, AI, the nature of intelligence, teleforming and more. Richard Amiro rejoins to discuss.

In this satirical novel by Max Barry, the United States is a corporate wasteland with ruthless businesses and toothless rump state unable to restrain them. John Krikorian of Trekprofiles joins to discuss. Book at: www.mightyheaton.com/goodscifi

How does the multiverse shake out in science fiction? What are the tropes, and what are the implications? Scottish scifi twins Dickie and Stone Lynch join to discuss.

In "The Truman Show," Jim Carey's character is the unwitting star of a global reality television show–until he decides to escape. Director Henrique Cuoto joins to talk about the iconic film, and the evils of false reality. Henrique's dog: www.helpchicano.com Support the show! Mightyheaton.com/alienating Interstellar Vagabonding Clips, with Nick Sperdute: www.mightyheaton.com/vagabonding

Neil Stephenson's "Snowcrash" looked at the embryonic Internet and projected a future of VR and avatar onto it. And a world in which nation states had been eclipsed by successor states of corporate "franchulates." Is "Snowcrash" a corporate dystopia, a libertarian utopia, or merely prophetic? Brian Brushwood joins to discuss.

In this episode we talk about all the times people get tiny in science fiction, from "Honey I Shrunk the Kids" to "The Fantastic Voyage" to Jonathan Swift.

Comedian John Robertson is a regular performer, panelist, and celebrity at science fiction conventions. He joins to discuss the community element of conventions, how celebrities should comport themselves, and how fans can best interact with them.

Charlton Heston stars in "Soylent Green," a film about the terror of overpopulation, urban ennui, and ultimately cannibalism. Based on the novel "Make Room! Make Room!" by Harry Harrison. Scottish scifi twins Stone and Dickie Lynch join to discuss. SUPPORT THE SHOW! www.patreon.com/alienating

At its height, Terry Pratchett's Discworld series accounted for fully 2% of all book sales in the United Kingdom. Over the course of his life he wrote 59 books, achieved knighthood, and created a beloved and hilarious franchise. What was Pratchett's worldview, and what motivated him to crack jokes about Death and wizards? Guest Marc Burrows wrote the first authorized biography of Pratchett, and just wrapped up a show about him at the Edinburgh Fringe. REFERENCED BOOKS AT: www.mightyheaton.com/goodscifi SUPPORT THE SHOW! www.patreon.com/alienating

Captain Pike commanded the USS Enterprise prior to Kirk, and the prequel series featuring him, Mr. Spock, Nurse Chapel, and their contemporaries goes back to the roots of Star Trek: exploring weird planets with weird things... but with just the right amount of fun. Scottish sci-fi twins Dickie and Stone Lynch return to discuss.

In Charlie Kaufman's weirdest film (and that's saying something) John Cusack discovers a portal that delivers you into John Malkovich's head for a few minutes... so he charges admission. Henrique Couto and Matt Sienkiewicz join to discuss

Vulcans, humans, Klingons, Romulans--everybody in the Star Trek universe can easily interbreed! Stone and Dickie Lynch rejoin the show to discuss reproduction in the final frontier

The Expanse explores the political and military tension between decadent Earth, militant Mars, and the Belters stuck in between. War correspondent Kristaps Andrejsons joins to discuss

What if JFK survived the assassination attempt, and instead of Vietnam, America invested in a moon base? Bill Oakley is a former writer and showrunner on The Simpsons, and award-winning comedy writer, and the author of "Space: 1969" an Audible Original. He joins, along with Brian Brushwood, to discuss his retro-scifi comedy, and the nature of humor writing. BOOK AT: www.mightyheaton.com/goodscifi Support the show! www.patreon.com/alienating

Characters can selectively wipe memories in Charlie Kaufman's "Eternal Sunshine of the Spotless Mind," but in doing so they lose part of themselves. Chloe Effron and Nick Sperdute join to discuss this trippy... romcom? SUPPORT THE SHOW! www.patreon.com/alienating

Are holograms on Star Trek NPC's, sentient, or in some hellish state of limerence in between? Star Trek aficionados Dickie and Stone Lynch return to discuss

James Gunn's "Peacemaker" chronicles a toxic meathead character as he comes to terms with his past, his racist father, and an alien takeover of the planet. He is neither a hero nor antihero. He's something new, and hilarious: a "loserhero" Nick Sperdute and Justin Robert Young join to discuss.

How do clones manifest in science fiction? When are they evil, good, or a portent of science gone too far? Scottish scifi twins Dickie and Stone rejoin to discuss. SUPPORT THE SHOW! www.patreon.com/alienating

"Solaris" by Stanislaw Lem follows a crew of scientists trying to understand an utterly alien intelligence--a planet covered by an ocean of (apparently?) conscious goop. How can we communicate with something truly, truly foreign to our evolution and understanding? How can we even confirm it's "intelligent"? John Krikorian returns to discuss.

"Rick and Morty" is the funniest science fiction to grace the world sense "Futurama"--if not the best comedy in general. What is it about, and what distinguishes it from other, lesser comedies? Jeff Maurer joins to discuss. (Note: this episode was recorded before the fall of Justin Roiland)

"The Fifth Element" starring Bruce Willis and Mila Jovovich is a cult classic. But... does it hold up? Did it ever? To answer that question, we turn to Scottish scifi twins Dickie and Stone Lynch.

"Enterprise" is the prequel of Star Trek, exploring the foundation of the Federation of Planets, and the bump, suspicious period when Vulcans and humans get to know one another. Scottish science fiction twins Dickie & Stone Lynch return to discuss.

There's a subgenre of science fiction we might call "femme fear," exemplified by writers like Margaret Atwood. Olivia Wilde's "Don't Worry Darling" is the latest example. And while it was mostly panned by critics, Heaton enjoyed it. Ashland Viscosi joins to discuss. SUPPORT THE SHOW! www.patreon.com/alienating

In "The Sparrow" by Mary Doria Russell, life is discovered on an alien planet, and the first humans to arrive are... Jesuits. The book explores the terrifying consequences of missionaries on a new world, who are there for good reasons--with good intentions--but don't know what they've got themselves into. Richard Amiro joins to discuss. SUPPORT THE SHOW! www.patreon.com/alienating BOOK RECOMMENDATIONS: www.mightyheaton.com/goodscifi

The Sith are the dark lords of Star Wars. But what do they want? Are they logically consistent antagonists, with clear rationales for their goals and methods, or just mustache-twirling villains with no depth? Stephen Kent and Mike TV join to discuss

John Carpenter's "They Live" is a cult classic about seeing through societal mirage to glimpse the strings of the puppet masters. It's also a specific and intentional "primal scream" against Reagonomics. Ron Hayden joins to discuss.

In "The Boys" super heroes superficially fight crime, but are really corporate pawns and predators, ranging from ladder-climbing reality show scumbags to full-blown Nietzschean demigods. What happens when super powers are not always entrusted in the super moral? Andrew Young joins to discuss.

Brain swaps are a beloved sci-fi trope, but how feasible are they? Dr. John-Paul Kolsun is a brain doctor, and host of "The Neurosurgery Podcast" He joins to discuss the feasibility of brain transplants.

In Stephen King's finest work, protagonist Jake Epping discovers a time portal which allows him to go back to the late 50s and then stick around long enough to stop Lee Harvey Oswald from killing President Kennedy. . . But should he interfere with the timeline, however good his intentions? Josh Jennings and Tim Silfies join to discuss