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The Best Thing To Ever Happen In 1960
Season 12 · Episode 22

The Best Thing To Ever Happen In 1960

You'll Hear It · Peter Martin & Adam Maness

July 7, 20251h 1m

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Show Notes

John Coltrane’s Giant Steps isn’t just a jazz classic — it’s a rite of passage. Peter Martin and Adam Maness dig into what makes the album so technically punishing and emotionally electrifying. From the iconic solo on the title track to the symmetrical harmonies, the lightning-fast chord changes, the fiery swing of Cousin Mary, and the full-throttle chaos of Countdown, they unpack the brilliance, the feel, and the mythology. Whether you’ve studied this album or are hearing it with fresh ears, you’ll come away understanding Coltrane — and Giant Steps — like never before.

You’ll hear:

- Adam’s deep dive into Coltrane’s use of symmetrical harmony and lightning fast chord changes — and why it still stumps players today
- A glimpse into Coltrane’s early years with Miles Davis and Dizzy Gillespie
- The truth about Tommy Flanagan’s controversial solo — was he lost or just playing it cool?
- How Giant Steps became the tune every jazz musician has to face
- Apex moments, desert island tracks, and a spirited debate: is Giant Steps better than Kind of Blue?

Topics

John Coltrane Coltrane Giant Steps Miles Davis Dizzy Gillespie Blue Train Blue Note Records Kind of Blue Tommy Flanagan Art Taylor