
The Treatment
1,115 episodes — Page 21 of 23

Courtney Hunt
<p>Elvis Mitchell hosts writer-director <strong>Courtney Hunt</strong> whose debut feature film, <em>Frozen River</em>, won the Grand Jury Prize at this year's Sundance Film Festival.</p>

Jenji Kohan and Roberto Benabib
<p>The suburban dealer-mom of the cable series <em>Weeds</em> has moved her act to the beach and Mexico. <em>Weeds</em>’ executive producerss <strong>Jenji Kohan</strong> and <strong>Roberto Benabib</strong> hit us with the ideas they use to keep this comedy-drama fresh – and seedless.</p>

Christopher Nolan: The Dark Knight
<p>Christopher Nolan makes films in which the protagonists' emotional chaos is mirrored in the physical world around them. His second Batman film is the pinnacle of that.</p>

Jonathan Levine
<p>What do you get when you bring Ben Kingsley, Method Man, Josh Peck and Mary-Kate Olsen together? Besides the dream episode of Access Hollywood, you get writer-director <strong>Jonathan Levine</strong>'s first, film, <em>The Wackness</em>.</p>

Alex Gibney: Gonzo
<p><strong><em>WEB EXCLUSIVE:</em></strong> 2008 has been quite a year for director <strong>Alex Gibney</strong> (<em>Enron: The Smartest Guys in the Room)</em>. Two documentaries he was involved with were nominated for Oscars, and his film, <em>Taxi to the Dark Side</em>, won. His new doc, <em>Gonzo</em>, takes us into the heart and soul of Hunter S. Thompson. <strong><em><br /></em></strong></p> <p>&nbsp;</p>

Andrew Stanton
<p>Animated films have had many stars: animals, fish, toys, bugs, cars... <em>WALL-E</em> is the first with a lead with no face. It's a trash compactor. Is this the future of cartoons? We ask <em>WALL-E</em> director <strong>Andrew Stanton</strong> (<em>A Bug's Life, Finding Nem</em>o)</p>

David Hajdu
<p>In the 1930's and 40's, comic books were as popular as movies -- and more influential. So much so that serious steps were taken to stop them. Writer <strong>David Hajdu</strong> (<em>Lush Life, A Biography of Billy Strayhorn, Positively 4th Street</em>) examines this controversy in his new book, <em>The Ten-Cent Plague</em>, and illustrates it.</p> <p>&nbsp;</p>

Walter Mirisch
<p><em>Some Like It Hot, The Magnificent Seven, In the Heat of the Night</em>, the original <em>Pink Panther</em>. If you're lucky, you've seen these films. <strong>Walter Mirisch</strong> produced them. <em>I Thought We Were Making Movies, Not History</em> is his new book.</p>

Michael Patrick King
<p>For writer-director <strong>Michael Patrick King</strong> (<em>Will and Grace, Murphy Brown</em>) every season of <em>Sex in the City</em> was about changing expectations, which means he had his work cut out for him with the <em>Sex in the City</em> movie. See if the shoe fits.</p>

Jay Roach
<p>What's crazier than <em>Austin Powers</em> or <em>Meet the Fockers</em>? The 2000 presidential vote count, perhaps. It's the subject of <strong>Jay Roach</strong>'s new film, <em>Recount</em>. Count yourself in when Elvis Mitchell speaks with Roach.</p> <p>&nbsp;</p>

Henry Bean
<p>As a writer, <strong>Henry Bean</strong> is responsible for films about self-destructive protagonists who skirt justice in <em>Deep Cover</em> <em>Internal Affairs</em>. With his directorial debut, <em>The Believer</em>, he took that character one step further. Now with his newest film, <em>Noise</em>, he moves into the realm of fable.&nbsp; We discuss his holy war: the brain versus the heart.</p> <p>&nbsp;</p>

Doug Pray
<p>Documentary filmmaker <strong>Doug Pray</strong> manages to nose his way into outcast societies -- <em>de facto</em> families -- with his films. <em>Hype</em>, on the 90's Seattle music world, and <em>Scratch</em> on the DJ culture. His latest, <em>Surfwise</em>, is about the most exclusive family, father Dorian "Doc" Paskowitz, who turns his nine kids into champion surfers. It's all about tribal rights.</p> <p>&nbsp;</p>

Jon Favreau
<p><strong>Jon Favreau</strong> <strong></strong>understands power. As an actor, he broke through by writing a roll for himself in <em>Swingers</em>. Then he made the move behind the camera as the director of <em>Zathura</em> and <em>Elf</em> and, now, the box-office smash <em>Iron Man</em>.</p> <p>&nbsp;</p>

Garth Jennings
<p>If you were creating an indie comedy about two London boys coming into their own in the 80's, the last title you'd use is <em>Son of Rambow</em> – unless you're writer-director&nbsp;<strong>Garth Jennings</strong> (<em>The Hitchkikers Guide to the Galaxy</em>).</p>

David Mamet
<p>There are few figures in American culture as with as potent a step as <strong>David Mamet</strong> (<em>American Buffalo, House of Games, Heist</em>), first as a playwright, then as a filmmaker. With his new movie, <em>Redbelt</em>, he takes on a new frontier, the action film. We hear how he came to climb that mountain.</p> <p>&nbsp;</p>

Vadim Perelman
<p>It's not often that filmmakers turn to literary devices rather than film conventions for their work. It happens to be the case for director <strong>Vadim Perelman</strong> for both <em>House of Sand and Fog</em> and his newest, <em>The Life Before Her Eyes</em>.</p>

Anthony Minghella
<p>The late writer-director <strong>Anthony Minghella</strong> (<em>Michael Clayton, Cold Mountain, The English Patient, Truly, Madly, Deeply</em>) focused on characters trying to come to terms with themselves and found drama in the misperceptions in films both epic and intimate. We use this sad occasion to revisit his thoughtful interview on his last film, <em>Breaking and Entering</em>. (This show originally aired February 7, 2007.)</p>

Charles Burnett
<p>He's one of America’s premier filmmakers and has devoted his career to bringing a nuanced portrayal of the African American experience to the screen. Writer-director <strong>Charles Burnett</strong> (<em>Killer of Sheep, My Brother's Wedding, American Family</em>) describes what got him into the movies and how stereotypes is still a battle worth fighting.</p>

Kimberly Peirce
<p>What a difference a decade makes. In the 1990's, director <strong>Kimberly Peirce</strong> brought <em>Boys Don’t Cry</em> to the big screen. Almost a decade later, she returns with <em>Stop-Loss</em>.</p>

Mark Harris
<p>What do <em>Dr. Doolittle, The Graduate, Guess Who’s Coming to Dinner, Bonnie and Clyde</em> and <em>In the Heat of the Night</em> all have in common? All play a prominent role in movie history, as <strong>Mark Harris</strong> (<em>Entertainment Weekly</em>) notes in his new book, <em>Pictures at a Revolution</em>. It's history with a surprise ending. <strong></strong></p>

James Lipton
<p>The book <em>Inside Inside</em> not only takes a behind-the-scenes look at the television show <em>Inside the Actors' Studio</em>, but at its creator and host, <strong>James Lipton</strong>. This time, it's questions for the interrogator!</p>

Brett Morgen: Chicago 10
<p>As a filmmaker, director <strong>Brett Morgen</strong> (<em>The Kid Stays in The Picture</em>) is attracted to real-life subjects about bigger-than-life figures. <em>Chicago 10</em> is his biggest yet.</p> <p> </p>

Jon Poll
<p>You may know the name <strong>Jon Poll</strong> from his work as editor on <em>Meet the Parents</em> and two of the <em>Austin Powers </em>films. He's just directed his first film, <em>Charlie Bartlett</em>, starring Anton Yelchin, Robert Downey, Jr. and Hope Davis. He discusses being the guy that makes the cut and the guy who says, "Cut."</p>

Neil LaBute
<p>You might think it difficult to make fear, weakness bulling a career. Writer-director <strong>Neil LaBute </strong>(<em>In the Company of Men, Nurse Betty</em>) disagrees with you. He's proved it works in film, on stage and with the West Coast premiere of his new play, <em>Some Girls</em>.</p> <p>&nbsp;</p>

Nancy Oliver
<p>Yes, <em>Lars and the Real Girl</em> is about a man who falls for a sex doll. It's also about the women who help pull him out of his shell – and a lot more. Screenwriter <strong>Nancy Oliver</strong> (<em>Six Feet Under</em>) talks about the work behind building the real girl.</p>

Jason Reitman
<p>In just two films, writer-director <strong>Jason Reitman</strong> (<em>In God We Trust</em>) has found comedy in the realm of personal responsibility. First, <em>Thank You for Smoking</em> and, now, <em>Juno</em>. For this Oscar nominee, the first and second times are the charm.</p>

Tony Gilroy
<p>Not only has screenwriter <strong>Tony Gilroy</strong> (<em>The Devil's Advocate, Dolores Claiborne</em>) had quite a career, but quite a <em>year</em> as well. He adapted the <em>Bourne</em> books, including <em>Ultimatum</em>. Now he makes his directorial debut with <em>Michael Clayton</em>.</p> <p>NOTE: This encore presentation of <em>The Treatment</em> will not be heard live on KCRW as it will be pre-empted by special post-primary election coverage.</p> <p>&nbsp;</p>

Paul Thomas Anderson
<p>Elvis Mitchell hosts director-writer-producer <strong>Paul Thomas Anderson</strong> (<em>Boogie Nights, Magnolia, Punch-Drunk Love</em>) whose latest film is <em>There Will Be Blood</em>. This critically acclaimed, epic film has just received eight Academy Award nominations, including two for Anderson in the categories of Directing and Adapted Screenplay.</p>

Scott Simmon
<p><em>Treasures III: Social Issues in American Film, 1900-1934</em> is not only a mouthful as a title, but this DVD set deals with plain-spoken and direct controversy on the big screen in the silent era. You can hear all about it from its curator, <strong>Scott Simmon</strong>.</p>

Denzel Washington
<p>After <em>Malcolm X</em> and <em>The Hurricane</em>, you'd think <strong>Denzel Washington</strong> had enough of real life. But <em>The Great Debaters</em>, his second film as director, shows why fact drew him back. It's life as drama.</p>

Marc Forster
<p>It's an unusual grouping of films for <strong>Marc Forster</strong>: <em>Finding Neverland, Monster's Ball, Stranger than Fiction</em> and his newest, <em>The Kite Runner</em>. And many of them deal with storytellers. It's narratives and narrators.</p>

Julian Schnabel
<p>With <em>Basquiat, Before Night Falls</em> and his newest, <em>The Diving Bell and the Butterfly</em>, artist and director <strong>Julian Schnabel</strong> turns film biography into art. He discusses separating fiction from fact.</p>

Tamara Jenkins
<p>Elvis Mitchell hosts writer-director <strong>Tamara Jenkins</strong> (<em>Slums of Beverly Hills</em>) whose latest film is <em>The Savages</em>, starring Laura Linney and Philip Seymour Hoffman.</p>

Joel and Ethan Coen
<p>Since 1984, writer-directors <strong>Joel </strong>and <strong>Ethan Coen</strong> (<em>Blood Simple, Fargo, O Brother, Where Art Thou?</em>) have taken the chase and made some of best films of the past decade about it. Their newest, an adaptation of Colmac McCarthy's <em>No Country for Old Men</em>, is a high-octane version of that. Start your engines!</p>

Andrew Wagner
<p>Family, the ties that bind and, sometimes, strangle. Writer-director <b>Andrew Wagner</b>'s made this the subject of two movies, including his newest, <i>Starting Out in the Evening</i>.</p>

Craig Zobel
<p>In writing and directing his first feature film, <i>Great Wall of Sound</i>, <b>Craig Zobel</b> drew from his real life and focuses the film on the south that few see. It's a low-budget comedy about predators who are also prey.</p><p>Note: This show will not be broadcast on 89.9 FM due to special holiday programming but it will be available online.<br /></p>

Brian De Palma
<p>Should a director court controversy? If you're <b>Brian De Palma</b> you might answer that with a question.<br />How can you not? The man who made <i>Carrie, Dressed to Kill, The Untouchables </i>and<i> Scarface</i> is back with <i>Redacted</i>, a look at US involvement in Iraq. He'll discuss the court of public opinion.<br /></p>

Julien Temple
<p>Elvis Mitchell hosts writer-director <b>Julien Temple</b> (<i>Vigo, The Great Rock n Roll Swindle, Absolute Beginners, Glastonbury</i>) whose new film is <i>Joe Strummer: The Future is Unwritten</i>.<br /><br /></p>

Ridley Scott
<p>This year, director <b>Ridley Scott</b> celebrates 30 years of filmmaking, a career that includes <i>Blade Runner, Thelma &amp; Louise, Gladiator</i> and his newest, <i>American Gangster</i>. Past, present and future.</p>

Peter Hedges
<p><i>Dan in Real Life</i> is not only a family comedy, it's a comedy about family. Writer-director <b>Peter Hedges</b> (<i>What's Eating Gilbert Grape, About a Boy</i> screenplay; <i>Pieces of April</i> writer/director) talks about noise and quiet that define family. <br /></p>

Casey Affleck
<p>Not many actors get to show the range that <b>Casey Affleck</b> (<i>Ocean's Thirteen, Good Will Hunting</i>) unveils in two very different films: an elegiac western and a dour urban tale. He reflects on traveling those distances.</p><p><br /></p>

Shekhar Kapur
<p>Director <b>Shekhar Kapur</b> (<i>Bandit Queen, The Four Feathers) </i>has mastered bringing flesh and blood to the epic film. The story he began with <i>Elizabeth</i> in 1998 continues with <i>Elizabeth: The Golden Age</i>. He discusses combining grandeur and intimacy.</p><p>Elvis Mitchell hosts writer-director-actor-producer <b>Shekhar Kapur</b> <i>, Elizabeth</i>) whose most recent film is <i>Elizabeth: The Golden Age</i>, starring Cate Blanchett. </p>

Jenji Kohan
<p>The pot-dealer comedy <i>Weeds</i> brings humor, drama and detail to a genre -- the sitcom -- in need of weeding. <b>Jenji Kohan </b>(<i>Gilmore Girls, Sex and the City, Will &amp; Grace</i>), its creator and executive producer, talks about keeping it alive.</p><br />

Tony Gilroy
<p>Not only has screenwriter <b>Tony Gilroy</b> (<i>The Devil's Advocate, Dolores Claiborne</i>) had quite a career, but quite a <em>year</em> as well. He adapted the <em>Bourne</em> books, including <em>Ultimatum</em>. Now he makes his directorial debut with <em>Michael Clayton</em>, starring George Clooney. We look at his career so far.</p> <p><br /></p>

Robert Benton
<p>Esquire magazine art director, part of a legendary screenwriting partnership and, finally, writing and directing on his own, <b>Robert Benton</b> has seen many sides of the film business. He takes us from <i>Bonnie and Clyde</i>, to <i>Kramer versus Kramer</i>, to his newest, <i>Feast of Love</i>.</p>

Jon Robin Baitz
<p>Family, secrets, money and guilt. Watchwords found in the plays of <b>Jon Robin Baitz</b> -- and also seen in his show, <i>Brothers and Sisters</i>, the first show he created for network TV. He talks about moving from the stage to the small screen.<br /></p>

David Axelrod
<p>David McCallum, William Blake, Lou Rawls and jazz fusion--unlikely components, all a part of producer <b>David Axelrod</b>'s work. He's featured in a new concert DVD and he talks about it all.</p>

Christopher Monger and Garry Shandling
<p>If you've watched <i>The Larry Sander's Show</i>, you've seen the words "Special Thanks to Roy London." It's also name of a documentary on the acting coach. Its director, Christopher Monger (<i>Voice Over, The Englishman Who Went Up a Hill But Came Down a Mountain, Seeing Red</i>), and Garry Shandling discuss London and his legacy.</p>

Neil Jordan: Web Only Special Edition
<p>In this web-only edition of <i>The Treatment</i>, Elvis Mitchell interviews Irish director <b>Neil Jordan</b> during the Toronto International Film Festival about his latest movie<i> The Brave One</i>, starring Jodie Foster. </p><br />

Jeff Garlin
<p><i>I Want Someone to Eat Cheese With</i> is the directorial debut of <b>Jeff Garlin</b>, creator of <i>Curb Your Enthusiasm</i> with Larry David. He's an actor and stand-up comedian as well as a writer and director (<i>Mad about You, Daddy Day Care</i>). How does he define himself primarily?</p>