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Show Notes
<p>As a writer, <strong>Henry Bean</strong> is responsible for films about self-destructive protagonists who skirt justice in <em>Deep Cover</em> <em>Internal Affairs</em>. With his directorial debut, <em>The Believer</em>, he took that character one step further. Now with his newest film, <em>Noise</em>, he moves into the realm of fable. We discuss his holy war: the brain versus the heart.</p>
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