The Partially Examined Life Philosophy Podcast

On Ch. 4 of Lewis's book Counterfactuals (1973) and the essays "Scorekeeping in a Language Game" (1979) and "Truth in Fiction" (1978). What makes a sentence about possibility true? Lewis things that we need possible worlds that really exist in order to make sense of our modal intuitions. He uses this possible world talk to make sense of conversations and the worlds created by fiction writers. With guest Matt Teichman from Elucidations. Please support PEL!

Continuing on The Spirit of the Laws (1748) by Charles Louis de Secondat, aka Baron de Montesquieu. Mark, Wes, Dylan, and Seth talk more about the "motive force" behind each type of government and the separation of powers. Begin with part 1 or get the full, ad-free Citizen Edition. Please support PEL! End song: "King of the Hill" by MINUTEMEN. Listen to Mark interview Mike Watt on Nakedly Examined Music #108.

On The Spirit of the Laws (1748) by Charles Louis de Secondat, aka Baron de Montesquieu. What keeps a society functioning? Montesquieu, though of course not the first political philosopher, was perhaps the first to systematically explore correlations between characteristics of a government, its people, its climate, dominant industries, religion, and other factors. Some of his ideas directly influenced the American Constitution, and some of them are very very weird. Please support PEL!

Mark, Wes, Dylan, and Seth summarize thoughts about our recent series on social construction, gender and sex, and Judith Butler's notion of "grievable lives." Should we stop covering so much contemporary work and/or political topics? End song: "The Size of Luv" by Mark Lint from Mark Lint's Dry Folk (2018). Get this and every episode ad-free with a PEL Membership. Please support the podcast!

Continuing on Benjamin's "Critique of Violence" (1921). Mark, Wes, and Seth keep trying to figure out this difficult essay. Is Benjamin really advocating a workers' revolution to end the state, or just reflecting on a hypothetical to explore the limits of the concept of violence? According to Judith Butler's interpretation of the essay, the takeaway is the alternative to motivation through force, i.e. speech, which Benjamin (in other essays) gives some religious significance, but the way he actually concludes the essay is in a discussion of "divine violence" as somehow transcending means-end analysis and the corruption inherent in violence. Begin with part one or get the full, ad-free Citizen Edition. Please support PEL! End song: "Jericho" from hackedepiciotto, as interviewed on Nakedly Examined Music #116.

On "Critique of Violence" (1921). What is violence? Benjamin gives us a taxonomy: law-creating, law-preserving, mythological, and divine. Then he deconstructs his own distinctions to demonstrate that all state power is rotten through its being founded on and continually re-established by violence or the threat of it. Don't wait for part two. Get the full ad-free Citizen Edition now. Please support PEL!

On The Force of Nonviolence: An Ethico-Political Bind (2020). What is it to be nonviolent in political activity? Most ethics allow for self-defense, but Judith has a problem with defining "self" as well as "violence," and offers a full critique of the individualism that underlies typical Western approaches to both ethics and politics. Mark, Seth, and Wes interview Judith about these issues and the connection to Gender Trouble. End song: "Dancing with Death," discussed on Nakedly Examined Music #111 with Marty Willson-Piper. Get this episode ad-free with a PEL Citizenship. Please support PEL!

Mark, Erica, and Brian discuss Michael Schur's NBC TV show. Is it good? Does it actually teach moral philosophy? We talk sit-com tropes, TV finales, the show's convoluted structure, the puzzle of heaven, and more. For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop. This podcast is part of the Partially Examined Life network and is curated by openculture.com.

Concluding "Gender Trouble" (1990), with just Mark, Wes, and Seth going carefully through pt I, sec v: "Identity, Set, and the Metaphysics of Substance," and pt III, sec iv: "Subversive Bodily Acts: Bodily Inscriptions, Performative Subversions." Start with part one or get the unbroken, ad-free Citizen Edition. Please support PEL! End song: "I'm a Boy" by Lys Guillorn as interviewed for Nakedly Examined Music #44.

More Gender Trouble (1990) with Jennifer Hansen. We get into the metaphysics of substance (is gender an attribute that a person has, or is there a better way to describe the situation?), performatives, Beauvoir vs. Irigaray on femininity, and the available mechanisms for changing gender norms. Start with Part One or get the full, ad-free Citizen Edition. Please support PEL!

On Gender Trouble: Feminism and the Subversion of Identity (1990). Is gender socially constructed, and if so, how? Butler describes gender not as an essential quality of a person, but as "performed," as habits of acting in certain ways in accordance with customs. Her idea of social construction is so totalizing that even biological sex itself is constructed. With guest Jennifer Hansen. Please support PEL!

We consider The Irishman in the context of Scorsese's body of work and the styles and themes that his films tend to exhibit. Writer/podcaster Colin Marshall joins Mark, Erica, and Brian to talk about connecting with Scorsese's sensibility and their status as "art films." Plus S's use of music, comments on Marvel, CGI age alternation, and more. For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop. This podcast is part of the Partially Examined Life network and is curated by openculture.com.

Concluding Simone de Beauvoir's The Second Sex (1949): "The Woman in Love" and "Myths" with guest Jennifer Hansen. We continue on the ailments of women under patriarchy as well as the existential problems that we're all subject to. Are we doomed to isolation, or does existentialism allow for intimacy? Is marriage in "bad faith"? We also talk narcissism, abjection, and the film Marriage Story. Start with part 1 or get the Citizen Edition. Please support PEL! End song: "Easier than Leaving" by Michaela Anne, interviewed on Nakedly Examined Music #114.

On Simone De Beauvoir's The Second Sex (1949): "The Woman in Love" and "Myths" with guest Jennifer Hansen. What is love under patriarchy? We all want to achieve solidity in another's eyes, but the Othered woman wants to live through the man, and the man sees the woman as his rejected corporeal character. Party time! Please support PEL!

Mark, Erica, and Brian talk about the unique place these films have in the brains of people of a certain age, how we grappled with the prequels, and why we feel the need to fill in and argue about the details. We focus primarily on The Mandalorian and The Rise of Skywalker. For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop. This podcast is part of the Partially Examined Life network and is curated by openculture.com.

Continuing on the dialogue, where Socrates argues that Protagoras doesn't actually know what virtue is, because he thinks that the various virtues (especially courage) are distinct, a claim that Socrates refutes in several (logically suspect) ways. Start with part one, or get the full, ad-free Citizen Edition. Please support PEL! End song: "Make It Clear" by Feelies; hear Glenn Mercer on Nakedly Examined Music #41.

Covering Alan Moore's 1986 graphic novel, the new HBO series and the 2009 film. Mark, Erica, and Brian are joined by David, psych prof at Cornell and host of Very Bad Wizards. How does Moore's style translate to the screen? How well did the show handle politics? Should there be a second season? For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop. This podcast is part of the Partially Examined Life network and is curated by openculture.com.

On the Platonic dialogue written around 380 BCE about an encounter between Socrates and one of the leading Sophists of his day. What is virtue ("the political art" according to Protagoras), and can it be taught? What are the relations of the various virtues to each other? Do they really amount ultimately to one and the same thing, i.e. wisdom? In this entertaining dialogue, Socrates and Protagoras swap positions, and Socrates seems to parody the Sophists' style. Don't wait for part two; get the full, ad-free Citizen Edition now. Please support PEL! Sponsor: Visit thegreatcoursesplus.com/PEL for a free trial of The Great Courses Plus Video Learning Service.

Continuing Simone de Beauvoir's The Second Sex (1949) with guest Jennifer Hansen. How does one become a Subject and how do women traditionally get shut out of this process? We get into Vol. 2, "Lived Experience" where Beauvoir details how this drama unfolds in various stages of life. Also, religion, logic, the relation of biology to situation, and more. How do we modernize Beauvoir's critique given the evolution in women's positions since the book was written? Start with part one or get the full, ad-free Citizen Edition. Please support PEL! End song: "Wrong Side of Gone" by Beth Kille as discussed on Nakedly Examined Music #13.

On Simone De Beauvoir's The Second Sex (1949): the intro, conclusion, "Woman's Situation and Character" and parts of "Lived Experience," with guest Jennifer Hansen. According to Beauvoir, Woman is historically conceived of by society (and herself) as "Other," as not a Subject who creates and makes decisions. Her life is pre-determined, revolving around marriage and child-bearing, and is so deformed by this situation. Don't wait for part two; get the unbroken Citizen Edition now. Please support PEL!

Continuing on Descartes's Discourse on Method, looking closely at part 4 (his proto-Meditations) and his "provisional" Stoic ethics. Listen to part one first or get the full, ad-free Citizen Edition. Please support PEL! End song: "My Real Fantasy" By Joe Louis Walker, as interviewed on Nakedly Examined Music #110.

On René Descartes's Discourse on Method (1637), an overview of his work that distills his method, outlines his famous Meditations, presents a provisional (Stoic) ethics, and considers whether he wants to be a public intellectual. This is all meant as a preface to scientific publications on geometry, optics, and meteors. Please support PEL!

Continuing on Latour's We Have Never Been Modern (1993) with guest Lynda Olman. Latour rejects the idea of objective truth totally apart from perceivers, so is he an idealist? We lay out the "Constitution" of modernity that keeps science and politics separate, how it makes it difficult for us to address issues like climate change, and what Latour thinks should replace it. Start with part 1 or get the full, ad-free Citizen Edition. Please support PEL! End song: "Mono No Aware" by Guy Sigsworth, as discussed on Nakedly Examined Music #109.

On Latour's We Have Never Been Modern (1993) with guest Lynda Olman. What's the "modern" ideology of science, and is there something we should critique about it? Latour wants us to think about science not abstractly through the eternal truths it supposedly discovers, but through the concrete practices of scientists. He investigates the Modern Constitution by which science and politics are kept conceptually separate, a myth that he claims we've never fully bought into. Don't wait for part two; get your unbroken, ad-free Citizen Edition now. Please support PEL!

Concluding René Descartes's Rules for Direction of the Mind (1628). We finish rule 12 through the end, talking about simples, the faculties of intuition and judgment, perception and imagination, necessary vs. contingent truths, and how to do Cartesian science, including what constitutes a "perfectly understood problem." Start with part one, or get the full, ad-free Citizen Edition. Please support PEL! End song: "Perfect Design" by Ian Moore, as interviewed on Nakedly Examined Music #94.

Continuing on René Descartes's Rules for Direction of the Mind (1628), covering rules 7 through the first part of the lengthy rule 12. We try to figure out what he means by "enumeration;" the faculties of imagination, sense and memory; the virtues of perspicacity and sagacity; his psychology of the senses, the "common sense" where all sense data comes together, and the understanding; how Descartes recommends we do scientific investigation; why syllogisms stink; and whether some people are just better at philosophy than others. Start with part 1. You don't need to wait for part 3; get the full, Citizen Edition now. Citizen Edition now? Please support PEL!

On René Descartes's Rules for Direction of the Mind (1628). Is there a careful way to approach problems that will ensure that you'll always be right? What if you just never assert anything you can't be sure of? This is Descartes's strategy, modeled on mathematics. We likewise carefully move step-by-step through this text. This is part 1 of 3; get the whole discussion now via the Citizen Edition now? Please support PEL!

Are stand-up comedians the Modern Day Philosophers? This is the premise of Daniel's podcast, but really, only some comedians express original claims; many just tell jokes. Are those exceptional comics philosophizing? Does telling the whole, tragic truth rule out being funny? Daniel, Mark, Erica, and Brian consider Carlin, Gadsby, Chappelle, and others. For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop. This podcast is part of the Partially Examined Life podcast network and is curated by openculture.com. Sponsor: Visit Keeps.com/EXAMINED for a free month of hair loss treatment.

Continuing on Kwame Anthony Appiah's "Race, Culture, Identity: Misunderstood Connections" (1994), Charles Mills's "But What Are You Really?, The Metaphysics of Race" (1998), and Neven Sesardic's "Race: A Social Destruction of a Biological Concept" (2010) with guest Coleman Hughes. Racial classifications vary geographically, therefore race is socially constructed. Given this, can we retain the positive aspects of group-identification without hierarchies and what Appiah calls "imperialism of identity?" Start with part one or get the full, ad-free Citizen Edition. Please support PEL! End song: "Tired Skin" by Alejandro Escovedo, as interviewed on Nakedly Examined Music #60.

On Kwame Anthony Appiah's "Race, Culture, Identity: Misunderstood Connections" (1994), Charles Mills' "But What Are You Really?, The Metaphysics of Race" (1998), and Neven Sesardic's "Race: A Social Destruction of a Biological Concept" (2010). With guest Coleman Hughes. Please support PEL!

Continuing Ian Hacking's The Social Construction of What (1999) and Peter Berger's "Religion and World Construction" (1967). We break down Hacking's typology of construction arguments: Are they exploring where our ideas came from or trying to change things? Are they trying to state facts about nature vs. nurture or essentially political solicitations for us to reconceptualize in healthier ways? Plus, more about the supposed divide between science wars and the culture wars and Berger's picture of the nomos (custom) defining what it is for us to live a meaningful life. Please support PEL! End song: "The ConstruKction of Light, Part 1" by King Crimson; listen to Mark with Trey Gunn on Nakedly Examined Music #21.

On Ian Hacking's The Social Construction of What (1999) and Peter Berger's "Religion and World Construction" (1967). Guest Coleman Hughes from Dilemma joins us to survey the types of social construction arguments: the "culture wars" (e.g. race, gender) and the "science wars" (scientific findings are not read off the world but emerge from history). Something can be constructed, yet still be an objective truth we have to deal with. Please support PEL!

Continuing on Sir Francis Bacon's New Organon (1620). We cover more of Bacon's "idols" and how Bacon divides religion from science (and what this means politically). We then move on to book 2, including Bacon's novel update of the term "form," and take a look at Bacon's method of doing science by filling out tables before actually doing experiments. Start with part one or get the full, unbroken Citizen Edition. Please support PEL, like, get Patreon's feed for a mere $1/month. End song: "Stuck in a Cave" by Chrome Cranks; hear Mark talk to singer/songwriter Peter Aaron on Nakedly Examined Music #93.

Wes joins Mark, Erica, and Brian to discuss Quentin Tarantino's Once Upon a Time... In Hollywood in the context of Tarantino's other films. We consider T's strange sense of pacing, his comic violence, his historical revisionism, and casting choices. Is this a brilliant film or a fundamentally misguided idea badly in need of an editor? For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop. This podcast is part of the Partially Examined Life podcast network and is curated by openculture.com.

On Sir Francis Bacon's New Organon (1620). Bacon claims to have developed a new toolset that will open up nature to inquiry in a way that wasn't possible for ancient and modern natural philosophy. Mark, Wes, and Dylan consider how much what Bacon describes resembles modern scientific method, talk through Bacon's "four idols" that interfere with impartial inquiry, and consider how Bacon's method fits in with his larger political-ethical-religious views. Please support PEL!

Continuing on Simone Weil's essays "The Iliad, or the Poem of Force" (1939) and "Analysis of Oppression" (1934) with guest Corey Mohler. We talk about the self-contradictions of power, why oppression and war are so intractable, and her positive solution (what there is of it here). Weil cuts through our left-right political dichotomy in a way that might interest you. Plus, why the Iliad is so great. Start with part one or get the full, ad-free Citizen Edition. Please support PEL! End song: "Throw Down the Sword" from Wishbone Ash; hear Andy Powell on Nakedly Examined Music #51.

On Simone Weil's essays "The Iliad, or the Poem of Force" (1939) and "Analysis of Oppression" (1934). How do circumstances oppress and dehumanize us? Weil describes the mechanisms that keep people at war and maintain oppression even through revolutions as inherent to the logic of power. With guest Corey Mohler. Please support PEL!

Continuing on "The Present Age" (1846), plus Hubert Dreyfus's "Nihilism on the Information Highway: Anonymity vs. Commitment in the Present Age" (2004) with guest John Ganz. Does K's critique actually apply to our present age? We address K's view of humor, romance, authenticity, actual community vs. "the public," the leveling that occurs without anyone specific actually doing it, and the virtue of silence. Start with part one or get the unbroken, ad-free Citizen Edition. Please support PEL! End song: "Wry Observer" by Aaron David Gleason, as discussed on Nakedly Examined Music #71.

Mark, Erica, and Brian discuss the function of super-hero films and how this new one fits in. Do we need "realism" in such stories? When does a premise like this get too old to keep recycling? For more, visit prettymuchpop.com. Hear bonus content for this episode, and more episodes in advance, at patreon.com/prettymuchpop. This podcast is part of the Partially Examined Life podcast network and is curated by openculture.com.

On Soren Kierkegaard's essay "The Present Age" (1846) and Hubert Dreyfus's "Nihilism on the Information Highway: Anonymity vs. Commitment in the Present Age" (2004). What's wrong with our society? Kierkegaard saw the advent of the press and gossip culture as engendering a systematic passivity and shallowness in his fellows, and Dreyfus thinks this is an even more apt description of the Internet Age. With guest John Ganz. Please support PEL!

We talk with Ned about a second Blockheads (2019) article, Michael Tyle's "Homunculi Heads and Silicon Chips: The Importance of History to Phenomenology," which provides a variation off of the David Chalmers fading qualia argument, and then Mark, Seth, Dylan, and Wes continue exploring the details uncovered by our interview after Ned leaves. Please support PEL! End song: "Your So Dark Sleep/Goodbye" by The Black Watch, as interviewed on Nakedly Examined Music #102.

The climax and denouement of our summer philosophy of mind series: Ned Block visits to fill in the gaps about functionalism and attributing consciousness to machines and discuss essays from Blockheads (2019), focusing here on Brian McLaughlin's "Could an Android be Sentient?" Please support PEL!

Continuing on Ned Block's "Troubles with Functionalism" (1978) and David Chalmers's "Absent Qualia, Fading Qualia, Dancing Qualia" (1995). What would it be like to be halfway between person and machine? If you think the machine can't have consciousness, then Chalmers thinks that there's no sensible way to describe such an experience, ergo the machine (if functionally equivalent to the person) must have consciousness after all. Listen to part one first, or get the unbroken, ad-free Citizen Edition. Please support PEL! End song: "Machine" by Helen Money as interviewed on Nakedly Examined Music #101.

On Ned Block's "Troubles with Functionalism" (1978) and David Chalmers's "Absent Qualia, Fading Qualia, Dancing Qualia" (1995). If mental states are functional states, there couldn't be zombies. Yet Block claims that there could be zombies: for example, a functional duplicate of you whose components are actually citizens of China obeying algorithmic rules. Even if the resulting system acts like you, it obviously isn't conscious. Chalmers argues that you'd then need to explain the experiences of a creature half way between you and the zombie, but you can't, so Block's argument doesn't work and functionalism is left standing. What do you think? Do you hate weird thought experiments like these? Please support PEL!

Is media trying to brainwash us into being ALL THE SAME? Are the excesses of the mob scaring us into conformity? Mark, Erica, and Brian muse on cultural homogenization and are joined by comedian Dr. Yakov Smirnoff to talk about growing up in a repressive society and the shadow of political correctness over comedy. For more about this podcast, see prettymuchpop.com. Hear bonus content for this episode, and more episodes in advance, at patreon.com/prettymuchpop. This podcast is curated by openculture.com and The Partially Examined Life Podcast Network.

Continuing on functionalism with David M. Armstrong's "The Causal Theory of the Mind" (1981). Your four hosts start afresh the day after Part One on Putnam to discuss this version of functionalism that is supposed to clear the way for the scientific identification of mental states with brain states. Mental states are defined by their causal relations with other states and with behavior, and the content of a mental state is exhausted by its intentional object, e.g. the content of a perception is the thing you're perceiving which (normally) causes the perception. So what about things like colors and sounds that aren't really out in the world? Can functionalism explain how these seem to us? Listen to part one first or get the full, ad-free Citizen Edition. Please support PEL! End song: "Pain Makes You Beautiful" by Jeff Heiskell's JudyBats, as featured on Nakedly Examined Music #5.

On Hilary Putnam's "The Nature of Mental States" (1973). What is the mind? Functionalist theories identify the mental with not with the brain exactly, but with something the brain does. So some other creature without a brain (maybe a computer) might be able to do that same thing if it could duplicate the structure of what our brains do. Is this a satisfying account of the mind? Please support PEL!

What is pop culture? Does it make sense to distinguish it from high culture, or can something be both? Welcome to this new pop culture podcast hosted by Mark Linsenmayer, Erica Spyres, and Brian Hirt. This episode also features Tyler Hislop, our editor. For more, see prettymuchpop.com. Get involved from the start at patreon.com/prettymuchpop. We'll solicit your input for our episodes, release them early for supporters, and provide bonus content with every episode; there's already some waiting for you now. Presented by openculture.com and the Partially Examined Life podcast network. End song: "High Rollin' Cult" written by Mark just for this release, featuring Erica. Theme music by Mark and Erica. PMP logo by Ken Gerber.

Mark, Seth, Dylan, and Wes reflect on the changing state of podcasting and public philosophy over the last decade, how our goals and interests have changed since we started we started. Why don't colleges pay their faculty to educate the public through regular, broadcasted conversations like ours? If you think we're snarky, take a look at actual philosophy faculty! Should we continue to do more literature, poetry, and other topics that are not strictly philosophy? Also, the stalled state of the PEL book. Thanks so much to each and every Partially Examined Life listener for making it worth our time to do this! End song: "High Rollin' Cult" by Mark Lint with Erica Spyres, celebrating a new attempt to capture the fun of the beginning of PEL: Pretty Much Pop.

On Ned Block's "The Harder Problem of Consciousness" (2002) and David Papineau's "Could There Be a Science of Consciousness?" (2003). What would give us sufficient reason to believe that a non-human was conscious? Block thinks this is a harder problem that we might suspect. We can't know for sure exactly what consciousness in us is, so we can't know for sure what such a being might require (a brain? certain patterns of behavior?) for them to be enough like us that we could safely apply our own experience of our own conscious states to them. Papineau diagnoses this as a fundamental vagueness in the concepts we use to describe our conscious states. This conversation continues from ep. 218, with guest Gregory Miller from the Panpsycast still with us. End song: "Mindreader" by Phil Judd as interviewed on Nakedly Examined Music #98.