The No Film School Podcast

In today’s episode, we talk to director Parker Finn and cinematographer Charlie Sarroff about working together on the set of horror film, Smile. They share their special process of creating the film. Smile is in theaters now! In this episode, we talk about… Parker looking for the right “partner in crime” to make the film with How Parker’s short spread like wildfire Selling the pitch to Paramount Pictures Using cinematic language to work toward themes of the story Why Parker prefers a shot list over a storyboard What influenced the camera choice Thinking about the audience and what the film is doing to them Mentioned in the episode: Smile Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s smart to figure out the box you want to be in, since the industry is going to put you in a box anyway. Then you need to learn to appreciate your time in that box. In this episode, we talk about… James Gunn, director of Guardians of the Galaxy, running the superhero division of DC Showing up for others and celebrating their successes with them The SONY A7R V and its unique AI feature How Artificial Intelligence is getting nuts The number one thing that makes a spec fail Why making a simple spec is hard Memorable Quotes “One person’s success is not your failure.” [13:19] “Your goal with a spec, is that it should feel like a real commercial. It should trick people in an agency into thinking it’s a real spot.” [28:58] “Product work is a very specific universe.” [33:43] “Arrested development is phenomenal, but there's a gift in being able to do Seinfeld.” [39:48] Mentioned in the episode: Sony A7R V James Gunn - CEO of DC Studios Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Horror is best when it's balanced. It’s like baking, if one ingredient is off, it doesn't work. Teenage filmmaker, Jessica Nipperess, shares how she created the film, Devil Bean. In this episode, we talk about… Why Jessica is drawn to film festivals The Black Magic Pocket Cinema Camera and the difference it made for shooting The main challenges in directing Devil Bean Feeling emotionally disconnected from a script written by someone else Using original music to help tell the story of a film Post production and the many changes made to the film Tapping into serious horrors that are helpful to the world Memorable Quotes “Films have always been like a chance to learn more about filmmaking through the experience of learning it.” [5:02] “This is what the film will be like, but less pigs and more coffee.” [18:56 ] “Horror is like a playground where we put out all of our fears and anxieties, and explore them in a way that feels safe and makes sense to us.” [25:42] Mentioned in the episode: Jessica Nipperess Devil Bean Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

You win some and you lose some. This is what happens when there are shifts in the industry, and AI is bringing with it a major shift. In this episode, we talk about… Shortverse - The place filmmakers, industry pros, and fans of short film can connect The complexity and inevitability of AI being used in filmmaking Feeling frustrated yet fascinated for the future of AI Why giving and receiving feedback is one of the biggest skills you need to practice Different strategies behind giving notes Being extreme - We throw out gold stars yet we rip things to shreds The best accessories for shooting film on an iPhone Memorable Quotes “I am not gonna say it feels industry focused, but right now it feels a little industry-focused and I am A-OK with that.” [8:55] “The rate at which it’s developing and changing what we can do and who does what, is pretty insane and exciting and intimidating. And it’s just going to completely alter workflows.” [15:57] “This is going to cost people their jobs eventually. It’s not right now. But give it 5 years…and some people are gonna be screwed.” [22:37] Mentioned in the episode: Shortverse Word Player Will AI Make Movies Without Us Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Want to be a filmmaker? Then you have to be confident enough to have no confidence in yourself. This is the advice from Paul Feig, This is the advice from Paul Feig, director of The School For Good and Evil, Bridesmaids, and television shows like Freaks and Geeks, The Office, Arrested Development and Nurse Jackie. In this episode, we talk about… Applying lessons learned from his standup career and acting career Having more than enough film to choose from in case certain jokes bomb Setting the rules at the beginning of a film Remaining consistent with your style throughout the film How Paul handles making film for streaming services Hooking the audience so they will make a complete journey with the characters Why there is no excuse for beginner filmmakers wanting to start their career Memorable Quotes “The reason comedy never wins awards is because if you do it right, It looks easy.” [9:09] “You can make a movie as crazy as you want, as long as you set the rules in the first five minutes.” [21:12] “The hardest thing in the world is to tell a complete story, in two hours.” [24:49] Mentioned in the episode: Watch The School For Good and Evil now! Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

What do large studios, “run and gun” filmmakers, and project stakeholders all have in common? They lack humility. In this episode, we talk about… Talent Development Programs being mandated by the DGA TikTok creators becoming show runners for NBC Universal Studios being desperate for larger audiences Getting arrested for “running and gunning” How to prepare for a “run and gun” and what to do if you are caught Fuji’s new box lens with crazy zoom ranges and vibration reduction Fuji’s X-H2s camera joins the Cloud Using Davinci Resolve on the new iPad Pro Memorable Quotes “It feels like a true disconnect and a flashy name grab.” [7:59] “Don’t force someone doing something interesting, to do something stale because you’re the powerful powerbroker.” [15:52] I feel very strangely about the future of film. I feel very strangely about the future of traditional storytelling with a camera. I think it’s gonna change and I think we gotta be ready for it.” [23: 52] Mentioned in the episode: Fuji Box Lens for Filmmakers Fuji X-H2s shoots files to the Cloud New iPad Pro Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Josh Gordon and Will Speck are the directing duo behind the film, Lyle, Lyle, Crocodile. This duo explains the complex process of adapting a well-loved, children’s book to the big screen. In this episode, we talk about… How Josh and Will first met and what inspired them to direct projects together Dividing the directing responsibilities between them Their unique approach to producing such a complex film Why they chose to adapt this particular story into a performance-based musical How they convinced the IP owners to give them permission for the project Honoring the artwork from the book in the making of the film Memorable Quotes “Something about otherness and about acceptance of things that don’t appear the way that you want them to.” [15:30] “There’s something about what you have to impose on these characters, or creatures, in the absence of them speaking...and it also makes them more soulful.” [23:42] “There’s nothing more complicated than a human-being. A human being is unpredictable.” [27:59] Mentioned in the episode: Lyle Lyle Crocodile is in theaters Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Why is there such a weird fixation on the box office numbers from the first three days of film’s release? We don’t think a film’s success should be determined this way. In this episode, we talk about… How some films that did poorly the first few days at the box office, became popular afterward Putting too much pressure on the box office release How to pitch a film that is similar to another movie that previously flopped When pitching, remember the phrase “similar but different” Challenges that actors have to endure The top four pieces of editing software for film Why DaVinci Resolve is the best overall editing software Memorable Quotes “It’s insane what can be produced from something that had a crummy first three days.” [6:02] “They really really really seem to put all their eggs in the box office basket.” [8:52] “The thing that broke my heart…is that most of the videos don’t even get a view.” [29:57] “Auditions are the worst. The Worst. Everything about it sucks…The experience is miserable.” [31:33] Mentioned in the episode: DaVinci Resolve Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Preparation, preparation, preparation. Director Halina Reijn shares why it is important to prepare before filming and how that process (and No Film School!) helped her on Bodies Bodies Bodies. In this episode, we talk about… How Halina started as an actress before becoming a director Implementing ideas from theater into the filmmaking process Leading with a vision and accepting collaborative ideas Having a flexible storyboard in order to make changes intuitively Rehearsing camera work before rehearsing with actors An economic and efficient way to do table readings Focusing on the wellbeing of actors on the set of Bodies Bodies Bodies Memorable Quotes “When I direct I love everybody to learn their lines like little machines, like little robots.” [09:32] “We’re all equal and we’re going to build this building together and you are as much responsible for getting it up in the air as I am.” [13:08] “Time is so expensive…Every fucking second counts. Your preparation is everything.” [14:35] “Acting is the most embarrassing profession of all time.” [23:04] Mentioned in the episode: Bodies Bodies Bodies Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Your brain is part of your body. The way you eat on set will affect how you think on set. In this episode, we talk about… How audiences will draw connections from vague story explanations Charles’ theory on a recent tech mishap on Episode 7 of House of The Dragon Changing the factory settings on your television Ideas on how to improve the superhero genre Why characters don’t always have to be going through an intense internal conflict Easy and healthy alternatives to the unhealthy food on set Being aware of how food will affect your brain and body while you are working Preventing decision fatigue Memorable Quotes “There’s such an invaluable lesson about the power of an audience’s imagination and brain that gets disrespected left and right by people thinking they have to spell out the entire equation. You can just put ‘two plus two’ on the board; you don’t have to put ‘equals four.’ ” [08:19] “These characters are the human experience on a test drive…as a crash test dummy. We’re putting them through extremes of what can be endured, of what can be solved, of what can be experienced.” [32:19] “If I am at the Craft service table, I am getting a bag of skittles. So I just don’t go to the Craft Service Table. I avoid it.” [47:14] Mentioned in the episode: House of The Dragon Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever wondered how you can make your niche documentary appealing to a wider audience? Jon Weinbach, a sports documentary filmmaker, shares his techniques on how to do that very thing. In this episode, we talk about… What influenced Jon to pursue documentary filmmaking His background as a journalist for the Wall Street Journal Jon’s journey with sports docs such as 30 for 30 and The Last Dance The Redeem Team, a film about the 2008 U.S. Olympic Men's Basketball team Developing a deeper narrative to the basketball film Interview techniques - be authentic and ask new questions Pitching the documentary to the Netflix executives Mentioned in the episode: The Redeem Team on Netflix 30 for 30 The Last Dance Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Your confidence is low and so is your bank account. You are lacking work opportunities and need consistent work. In this episode, we discuss the steps you need to take to overcome this common struggle. In this episode, we talk about… Using A.I. voice generators for iconic characters instead of going for a fresh take Weird casting traditions on TV shows of the past Tom Hanks’ debut novel, The Making of Another Motion Picture Masterpiece What we think Hanks’ best films are Being a movie slut - loving movies so much you can’t choose the “best” one Maintaining the wide-eyed excitement for movies Eliminating shame and self-judgment Memorable Quotes “It is interesting to think about the negotiation process of turning yourself over to a specific corporate entity.” [10:58] “Movies are like pizza, you can find something delicious in almost every one of them.” [40:15] “All of us forever, forever, at all levels, are just taking whatever work we can get and hoping to do cool shit next.” [41:28] Mentioned in the episode: Hanks announced the release of his upcoming novel Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Today’s guest is Greg Mottola, director of Superbad, Adventureland, and new film Confess,Fletch. Greg discusses how to navigate gatekeepers, his experiences working with great comedic talent, and today’s challenges within the film industry. In this episode, we talk about… Greg’s experience working on various television series, such as Arrested Development Staying confident when projects do not catch up in the mainstream How artists can survive financially and mentally in this tough industry The streaming industry and how it has changed the financial model Directing the films Superbad and Adventureland The differences between the original Fletch and Confess, Fletch Sneaking social commentary into comedy movies Mentioned in the episode: Confess, Fletch - Available streaming and in theaters Fletch - Original 1985 film Superbad Adventureland Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Are sex scenes a necessary part of the plot in your projects? If so, then there are ways to be intentional when filming these parts. Everyone will feel comfortable and you will get a great scene in the process. In this episode, we talk about… The premiere of The People’s Joker at the Toronto International Film Festival Classic indie films versus the “out there” indie films Intimacy Coordinators and the benefits to having one on set Being intentional and mindful in shooting sex scenes Feeling overwhelmed by infinite possibilities when starting a new project Not following the trend when developing your next project Being committed to the hard parts of a project means you will see it through to completion Mentioned in the episode: The People’s Joker Los Angeles Plays Itself House of the Dragon Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Filmmakers want to present our craft to the world, and that craft is made with a particular vision. Sometimes sticking to this vision means we will lose out on other opportunities. Comedian and filmmaker, Jerrod Carmichael, explains why he is willing to take that risk. In this episode, we talk about… Stand-up comedy and how it is an immediate art form Developing thick skin from being a stand-up comedian Getting the plug pulled on a major project How his film, On the Count of Three, melds comedy with darkness and honesty Jerrod’s perspective on what a film’s premise should be Protecting the main idea of a film - Keep the idea intact His multiple roles on the set of his film The premiere of his film at the 2021 Sundance Film Festival Mentioned in the episode: On the Count of Three Licorice Pizza Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Just because something is different doesn’t mean it is wrong. Sometimes “breaking the rules” is precisely what makes films so great. In this episode, we talk about… Famous French-Swiss filmmaker, Jean-Luc Godard The unique perspective French filmmakers brought to the industry in the mid-1900s Jean-Luc Godard and his malicious compliance to “the rules” in filmmaking Being careful in the edit room - Don’t fall in love with the temp score A list of Godard films to watch for those who are unfamiliar with his work How one needs to consider context when crossing the line in film The problem with flat fee distributors Mentioned in the episode: Jean-Luc Godard Contempt Alphaville Weekend Masculin Feminin 2 or 3 Things I Know About Her Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Visit https://nordvpn.com/nofilmschool Learn more about your ad choices. Visit megaphone.fm/adchoices

Most filmmakers don’t have the resources to make a film turn out exactly the way we plan, but if we can apply the “Judo-style of Filmmaking,” we can still create wonderful projects. Filmmaker Petr Jakl explains how he applied this approach to the new film, Medieval, starring Ben Foster and Michael Caine. In this episode, we talk about… What made Petr decide to make the film about famous Czech military leader - Jan Žižka Re-writing the script and getting the script to big actors such as Ben Foster and Michael Caine Working with Caine and developing friendship with the actor Trying to have no big expectations for the film’s release How shooting the film was “the most brutal experience” of Petr’s life The various challenges that arose during specific battle scenes How Petr’s Judo training helped him overcome the challenges of filming Mentioned in the episode: Medieval Jan Žižka Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Visit https://nordvpn.com/nofilmschool Learn more about your ad choices. Visit megaphone.fm/adchoices

For those working in the entertainment industry, it is important to learn how to: hire, manage, and fire. In this episode, we talk about… Looking to collaborate with people who can properly deliver on projects When evaluating potential hires, ask yourself these questions: Is their type of work the right work for THIS project? Is their work style the right work style for ME ? Hiring slowly and firing quickly Giving feedback and asking for feedback Having the right attitude - Be willing to learn and improve Comparing the new Fuji X-H2 and the Fuji X-H2S that released earlier this year The affordable anamorphic lens set by Atlas Lens Co Mentioned in the episode: Fujifilm X-H2 camera Atlas Mercury 1.5X Anamorphic Lenses Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Visit https://nordvpn.com/nofilmschool Learn more about your ad choices. Visit megaphone.fm/adchoices

We are joined by Jessica Thompson whose feature film, The Light of the Moon, won the Audience Award for Best Narrative Film at the SXSW Film Festival in 2017. Thompson explains how she got started in the film industry and shares her approach to choosing projects to work on. In this episode, we talk about… Being influenced by her favorite filmmakers - She decided to start her career as an editor Moving from Australia to New York City for better opportunities in the film industry Thompson’s approach to projects - She only does projects she is truly passionate about Managing nerves before pitching for a script and dealing with disappointment if the pitch is rejected How Thompson pitched five times before getting hired to direct the film The Invitation Taking acting classes to help her better understand and communicate with the actors she works with What specific approach Thompson applies during rehearsal time Mentioned in the episode: Jessica M Thompson - Filmography Film: The Invitation Film: The Light of the Moon The Four Agreements Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Vist https://nordvpn.com/nofilmschool Learn more about your ad choices. Visit megaphone.fm/adchoices

We are joined by legendary filmmaker, Joe Dante, who directed movies like Gremlins, The Howling, and Innerspace. A true cinephile, Joe shares his experiences of working with great collaborators such as Spielberg and Corman. He also explains that while filmmaking has changed since he started, newer filmmakers still have the opportunity to create great films. In this episode, we talk about… Working for Roger Corman at the beginning of Joe’s career How Joe first became a “film nut” The influence cartoons had on his films Adding his naturally fragmented personality to each of his films When working on studio films, it can be difficult to be expressive Exposing more people to great films that are underappreciated or underseen New filmmakers can accomplish a lot, even with little financial resources Mentioned in the episode: Trailers from Hell Joe’s Podcast - The Movies That Made Me Joe’s Curated List of Monstrous Mayhem - September 3 on Shout Factory TV Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Vist https://nordvpn.com/nofilmschool Learn more about your ad choices. Visit megaphone.fm/adchoices

When thinking of making a big career swing, we have all asked ourselves the question, “What’s the right move here?” Making big swings can be tricky since there is no way to know what the outcome will be and if we are making the right decision. Charles, Todd, GG, and George give their insight into this tricky situation. In this episode, we talk about… Changes happening at Warner Bros and how their branding approach seems like a bad idea Should filmmakers put themselves in a box by self identifying as a certain “brand” of creator Making project decisions based on cash flow or based on ambition Incrementalism and how any progress toward the larger goal is good Realizing there are large factors outside of our control Not expecting a specific outcome when deciding to take the big career swing Aiming back at the center of the target every time you get pushed off course How the editing process is just like cooking Mentioned in the episode: Warner Bros. Discovery's Agenda Is Now Clear... and It's Not Pretty HBO 1983 Intro Theodore Roosevelt's "The Man in the Arena" Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Vist https://nordvpn.com/nofilmschool Learn more about your ad choices. Visit megaphone.fm/adchoices

Unfortunately it seems that many filmmakers are holding back from making comedy films. Comedy is a necessary genre and thankfully we still have some filmmakers who are producing hilarious films that meet audience needs. John Hamburg, from Meet the Parents and Zoolander, shares his process for creating great comedies. In this episode, we talk about… Me Time, John’s latest film that is now available on Netflix John’s opinion on why there are less comedies on the big screen Finding out what needs improvement by the feedback given in test screenings John’s experience writing for Meet the Parents and Zoolander Plot based comedies versus joke based comedies and which strategy John implements in his films Why John never directs actors to “be funny” The first step to writing a comedy film - Developing a character Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Vist https://nordvpn.com/nofilmschool Learn more about your ad choices. Visit megaphone.fm/adchoices

Do you think the success of a film should be measured on how many markets it reaches and how much money it generates? The average filmmaker needs to remember that they do not have to appeal to everyone in order to be successful. In this episode, we talk about… MoviePass returning with tiered platform prices How you can watch ads to earn movie credits by allowing the app to track your eye movement China’s request for movies that are catered to their culture, customs, and audience The two choices filmmakers have in response to territory-specific movie demands: Keep the film and plot as is and risk not being distributed in certain territories and markets Offer different versions of the film that will be acceptable to all territories Measuring the success of a film by considering many factors, not only the box office stats Why filmmakers should define success by their own individual values How filmmakers like Michael Mann, are influenced by others, like Jean-Pierre Melville, to continue evolving film into wonderful works of art Links to Resources: MoviePass Le Samouraï - film by Jean-Pierre Melville Army of Shadows - film by Jean-Pierre Melville Thief - film by Michael Mann Heat - film by Michael Mann Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Vist https://nordvpn.com/nofilmschool Learn more about your ad choices. Visit megaphone.fm/adchoices

Filmmaker, actor, & writer Cherien Dabis shares how navigating clashing cultures and embracing multiple perspectives expanded her voice and helped grow her career… In this episode, we talk about… How dangerous stereotypes inspired Cherien to become a storyteller Embracing the outsider perspective in both Arab and American cultures Transitioning from festivals to working with comedy legends Seizing opportunities to learn and a reminder to not take yourself too seriously Advice for managing the waiting game between gigs Staying true to yourself and knowing the people who want your voice will find you Honoring the choice to say no and being responsible about what you create Links to Resources: Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Sign up for NordVPN here: https://nordvpn.com/nofilmschool Learn more about your ad choices. Visit megaphone.fm/adchoices

Reacting to Sydney Sweeney’s hot take about income struggles…shedding light on the litany of inequalities of the film industry, and tech news about Aputure’s latest tube lighting… In this episode, we talk about… Context of Sydney Sweeney’s life and making rich people problems relative How residual payouts for actors has changed due to streaming Recognizing the impact of wealth and family connections in the film industry Acknowledging income, housing, and information inequality The benefits of when privileged people speak out against inequalities Aputure’s new MT Pro’s impressive pixel feature Understanding professional vs. consumer pricing models for film gear Links to Resources: https://nofilmschool.com/hollywood-income-gap-for-poor-or-middle-class-people Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Purple Hearts director Elizabeth Allen Rosenbaum reflects on her journey from underexposed dailies in film school to directing a Netflix feature that has come under heavy fire for it's political stance. In this episode, we talk about… The necessity of being a student of film in every way possible Creating a sense of scarcity and leveraging lunchtime screenings Befriending TA gatekeepers and finding a new writing partner How saying what you want can lead to work like Purple Hearts Managing the delicate balance of trusting your audience vs. being heavy-handed Threading the needle of fantasy while telling the story you want to tell The challenge of ensuring all characters’ perspectives are valid and balanced Links to Resources: Walter Murch episode: https://megaphone.link/NNLLC3056218334 Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Will bots get an unreleased cut of “Bat Girl”? Can women even pay attention to a TV show? A moment of silence for HBO Max employees…and why you need to see the movie “Nope”... In this episode, we talk about… Merger-specific math and tax benefits of not releasing “Bat Girl” A sexist breakdown of viewership for HBO Max vs. Discovery Plus What the merger means for the future of HBO Max and the people who love it How the right hand doesn’t know what the left hand is doing in the film industry Jordan Peele’s nod to the history of cinema and power of the camera in “Nope” Using a 3D camera rig to capture day for night scenes Recognizing the incredible evolution of sound design in film Links to Resources: Nope: https://nofilmschool.com/jordan-peele-nope-imax Nope Cameras https://nofilmschool.com/Large-Format-Cinematography-Goes-Giant-with-New-IMAX-Film-Cameras Warner Brothers: https://nofilmschool.com/warner-bros-cancelled-supehero-movies https://nofilmschool.com/what-exactly-going-warner-bros-discovery Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

“Nope” Editor Nicholas Monsour sheds light on cutting scenes with Jordan Peele and finding the balance between ambiguity and intention… In this episode, we talk about… Communicating with Jordan Peele without breaking the bubble of what he’s creating Approaching a script both intuitively and analytically as an editor Creating intentional perspectives and a specific language for the film Why reaching an elevated level means not forcing footage to be something it isn’t Learning what to keep vs. what to toss and understanding the rhythm of a film The intentionality behind Jordan’s films and drawing attention to Black cinema Recognizing how much blockbusters have changed over the past 20 years Links to Resources: https://nofilmschool.com/nope-movie-explained Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

How do you maintain perspective as an editor? Can you really do nothing to get ahead? Have you experienced the runner’s high of editing? Plus DaVinci Resolve 18 and killer new cloud tools… In this episode, we talk about… What editorial perspective entails and the emotional rollercoaster of editing Suggestions for gut-checking yourself in the editing process Recognizing if you’re truly listening to feedback vs. looking for a gold star Why it’s okay to be picky about who gives you notes The philosophy behind “Do nothing, stay ahead” and what Napoleon’s inbox would look like today Why it’s time to make the switch to Blackmagic Design’s DaVinci Resolve 18 Links to Resources: Walter Murch Interview on Editing - https://podcasts.apple.com/nz/podcast/cinematic-legend-walter-murch-on-editing-sound-design/id1078804724?i=1000491356114 Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Filmmakers creating trolly news cycles and buying bots to gain online attention… Hollywood myth about keeping your project a secret to prevent it from being stolen... latest cloud storage tools by Blackmagic. In this episode, we talk about… The phenomenon of creating a trolley news cycle by filmmakers Filmmakers are buying bots to gain attention on social media Soft skills you can develop to be a good filmmaker The idea of putting your vision on the market Debunking the myth that you shouldn't talk about your project with anyone. Not getting worried about your idea being stolen — it's much cheaper to buy it from you than to steal it. WGA arbitration to save your projects from plagiarism Blackmagic's latest cloud tools —Cloud Pod, Cloud Store Mini, and Proxy Generator Links to Resources: Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Cinematographer Bianca Cline explains how she shot the feature film Marcel The Shell With His Shoes On which is now playing in theaters. In this episode, we talk about… The necessities that stop motion needs Using a rotating camera around the subject Incorporating stop motion into a live-action movie Creating a visual language for the movie The idea behind making the documentary more cinematic An insight into cinema from the viewpoint of a cinematographer The power of music and cinematic language Planning how the parts will be stitched together during the editing process Cameras used for shooting stop motion and other scenes Why Bianca decided to do this film Advice for people who want to make documentaries Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Filmmakers trolling in the attention economy, Steven Spielberg’s music video debut…AI art and whether a true craftsperson or artist will always beat out a machine? In this episode, we talk about… Russo brother’s trolly comments and the benefits of trolling Importance of marketing, calling cards, and making a name for yourself Challenge of launching new IP or a new multiverse How losing a production job to Spielberg is like trying to guard Lebron James Odd celebrity projects like Dive and Planet Hollywood What artificially intelligently generated artwork means for the future of art Whether anything can be original when everything that was created before is the palette we have to work with Links to Resources: Dall-E Mini: https://huggingface.co/spaces/dalle-mini/dalle-mini Spielberg’s Restaurant: https://www.mentalfloss.com/article/537115/why-steven-spielbergs-nautically-themed-dive-restaurant-sunk Mumford Spielberg Video: https://nofilmschool.com/spielberg-music-video Russo Bros comments: https://nofilmschool.com/russo-bros-theatrical Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Does Taika Waititi really believe director’s cuts are stupid? Working conditions of VFX teams for Marvel movies…a possible replacement for VFX work, viral shorts turning into features, ARRI’s latest release and more… In this episode, we talk about… Whether director cuts are worthless or worth releasing The impact of CGI on digital post-production How VFX removes limitations while creating infinite canvas problems Business tips for Marvel and Disney’s VFX department Bad VFX isn’t a lack of skill, it’s a lack of time and resources Marcel the Shell: Turning shorts into features with grant money Power of sticking to the original intention vs. going for the big fish ARRI’s new lighting OS and camera-activated trigger Links to Resources: Walter Murch episode: https://megaphone.link/NNLLC3056218334 Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Editors Jonathan Redmond and Matt Villa and DP Mandy Walker share how they helped create the dizzying and epic Elvis through the vision of Baz Luhrman. Elvis is in theaters now! In this episode, we talk about… Determining what to include and scratching Baz Luhrman’s itch Why Baz Luhrman considers biopic a dirty word Visually contextualizing what influenced Elvis’ music without dialogue Using original footage like Easter eggs and balancing scenes played by Austin Details about the emotional sizzle reel made for studios Organic process of trial & error when deciding what to cut from 4+ hours of film Maintaining perspective on what’s working and what’s not Mediums and tools used to create the visuals for Elvis Lenses used to capture the different decades throughout the film Replicating lighting and scouring Australia for vintage rock ‘n’ roll lights Selling the illusion that Austin Butler is Elvis Presley 16 weeks of prep and testing meticulously planned sequences, lighting, visual effects Moving from metaphorical to physical and creating a world people can feel Constantly communicating with Baz and finding the harmony of visual language Links to Resources: Elvis - https://elvis.warnerbros.com/ Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Plus we talk about comments from Tom Cruise and James Cameron In this episode, we talk about… How much Tom Cruise and the film industry has changed from the first Top Gun movie to Maverick The problem with long climaxes thanks to Michael Bay and Christopher Nolan Creating a story worth telling vs. destroying every last fiber of a franchise Scientology is still bad but at least Maverick has age-appropriate love interests James Cameron’s deliberate old-man trolling about his 3-hour movie Declining appeal of long movies as well as shows with too many seasons Advice for emerging filmmakers: Less is more and storytelling matters most Building community through backyard cinema and low-level networking events Details about Laowa’s anamorphic lenses, Atlas Lens’ Orion Silver Edition, and finding the perfect combination of camera, lenses, and lighting Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Learn more about your ad choices. Visit megaphone.fm/adchoices

Screenwriter Heidi Lux talks about how having a random crush at 30 turned into a YA movie… In this episode, we talk about… Heidi’s journey from Polish immigrant family trauma to writing jokes for a living Why it’s better to write for a herpes commercial vs. star in a herpes commercial Listening to yourself and understanding the power of failure Heidi’s writing experience and strong base in satire and comedy Turning adult misery into successful young adult fodder Value of learning how to interpret feedback and the process of “vomit first drafts” Cold emailing managers and not giving up until you find the right audience Tubi TV and what comes next for Heidi Advice for screenwriters: Never use semicolons, Do use fast language, and Study your craft Links to Resources: Crushed - https://tubitv.com/movies/661023/crushed Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we discuss the Supreme Court's decision to repeal the Roe Wade decision, recent tech news, and we answer a question about finding your first on-set experiences. In this episode, we talk about… Impact of the Supreme Court's decision on Roe v. Wade on the entertainment community A look at how abortion affects men Making abortion a topic that is open and accessible so that it isn't stigmatized The impact of parenting decisions on your career Parental leave in the entertainment industry Shooting on Alexa Atlas Anamorphic Lens Some screenwriting advice Site recommendations and networking strategies for finding production subs Tips when you're doing job hunting Links to Resources: Websites for job hunting: Mandy: https://www.mandy.com/ Feedly: https://feedly.com/ Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Sophie Hyde, director of the movie Good Luck to You Leo Grande, talks about her career, filmmaking in various aspects, and how good performances can impact the success and lifespan of a movie. Good Luck to You Leo Grande is an actor dominant movie, with most of its scenes focusing on two characters. It is available to stream on Hulu. In this episode, we talk about… What inspired Sophie to start a career in filmmaking About the documentaries, she has made so far Sophie’s experience working in the Australian film industry and the international film industry The idea behind the movie 52 Tuesdays and how it came to be The challenges of directing actors Making a film with a low budget Sophie’s approach for making Good Luck to You Leo Grande Sophie’s views on the visual style of Good Luck to You Leo Grande Encouragement for filmmakers to get through the noise when they have something they want to say Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Serving a higher purpose as a filmmaker…the struggles of imposter syndrome and the Bradley Cooper fan club…DJI’s new releases and radar stuff…films and events relevant to Juneteenth… In this episode, we talk about… Whether we are “living in a tiresome, lame commercial culture of filmmaking” Making art for something bigger than yourself, your voice, your ego Recognizing imposter syndrome and how directors find their North Star Bradley Cooper’s beef with his film industry peers and “the nom he deserved” Keeping perspective when working in elite circles and being surrounded by success The importance of holding people accountable for bad behavior DJI’s new RS3, RS3 Pro, and DJI Transmission and LiDAR tech Recommended films and events to learn more about Juneteenth Links to Resources: ‘Miss Juneteenth’ Writer/Director Shows Us How to Beat the Odds - https://nofilmschool.com/miss-juneteenth-channing-godfrey-peoples Robert Eggers Explains How the Devil is in the Details on ‘The Northman’ - https://nofilmschool.com/robert-eggers-northman Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Director Jeremiah Zagar, who directed the Netflix movie Hustle, shares many valuable filmmaking lessons and how he made a phenomenal movie with people who had never acted before. In this episode, we talk about… Making an independent art film with a sports story The freedom and possibilities he got while shooting with real basketball players The idea of evolving the narrative direction through each fight How to get good performances from people who don't act professionally Tips on working with actors and helping them to do their best and not freeze while on camera His experience while working with Adam Sandler, Queen Latifah, Robert Duvall, Kenny Smith, and others Advice for people who want to shoot in a digital format but want to capture the anamorphic look Behind-the-scenes stories from the movie set How he handled self-doubt while making the movie Learning from failures and recognizing the fact that perfect is not always in the cards Links to Resources: First feature series, Ryan Koo and Amateur https://nofilmschool.com/tags/firstfeature Link to Hustle on Netflix https://www.netflix.com/in/title/80242342 Winning time interview https://megaphone.link/BLU1506714910 Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Why safety matters on set…cutting through the glut of streaming content constantly available…the highs and lows of crypto in Hollywood…and unique lenses featured at Cine Gear… In this episode, we talk about… Sarah Polley’s traumatic experience with director Terry Gilliam The importance of safety on set and holding people accountable for safety Culture shift around humane leadership and psychologically safe work environments How Netflix changed expectations for viewers and how we consume shows Binging vs. slow drip model and getting your audience to know you exist The easy access and comforting company of a streaming library Trying to understand the Hollywood and crypto bubble Advice around using crypto to finance your film Details about Cine Gear and the latest attempt at mimicking vintage lenses Links to Resources: Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Editor Eddie Hamilton tells us about cutting Top Gun: Maverick, building his career, and working with Tom Cruise. In this episode, we talk about… Making the jump from editing shorts to major blockbuster films Advice for setting your bar high and doing the best work you can possibly do Ultimate escapism and which movie made Eddie fall in love with the film industry Whether shooting IMAX footage changes the direction of the story Little stick jets, iPhones, and other tricks used during filming Maverick Working with heavy hitters of the film industry and the one-person committee of Tom Cruise Passion, hard work, and delivering a great night at the movies Cutting scenes for the big screen and why every second matters Stress testing scenes to provide an emotional journey for the audience Reshooting until it’s exactly right to create the perfect movie Editing tips for filmmakers and helping your audience connect to the characters Links to Resources: Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

When should you use a contract? Do you know what a deal memo is and how to use one? Tech news about Apple’s M2 processor and words of wisdom for a young filmmaker we wish we’d known 20 years ago… In this episode, we talk about… Elon Musk’s latest news stunt and who really benefits from contracts Where ownership by default lies vs. “work for hire” Differences between contracts vs. deal memos and when to use each Advice to have contract conversations first and red flags to avoid Apple’s shockingly powerful new MacBook Air with M2 processor Ask No Film School: “How can I get my first film out to the public?” “Which microphone should I purchase to record with my phone?” Options for dual system sound and why sound people always get paid Suggestions to watch past festival films, use online platforms to share your film, and to always keep making stuff Remember: Your first film should not be your last—use it as a learning opportunity to get better Links to Resources: 5 Day Deal Video Creators Bundle 2022 - https://nofilmschool.com/5daydeal2022 Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Next Exit’s director Mali Elfman recalls the journey of bringing her directorial debut to fruition during the height of the pandemic and how sometimes you have to embrace fear and failure to experience success… In this episode, we talk about… Taking a film to production after 10 years in development The beauty of creating a film crew pod during the pandemic Juggling the triple threat of being a writer, producer, and director The value of crew members and knowing productions can’t run without PAs Benefits of being solutions-oriented vs. being a combative director Prioritizing sleep during filming and shifting away from grind culture How sharing an unfinished passion project led to Next Exit Creating a supportive production environment for cast and crew The need to understand the practicality of how to shoot your film, its budget and constraints Speaking from your heart and giving yourself permission to embrace failure Details about the Tribeca Film Festival and hope for what comes next Links to Resources: Next Exit by Mali Elfman is premiering at the Tribeca Film Festival on June 10 - https://tribecafilm.com/films/next-exit-2022 5 Day Deal Video Creators Bundle 2022 - https://nofilmschool.com/5daydeal2022 Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

What business does the Pentagon have in films? Are filmmakers and film-watchers truly aware of the message they are sending and receiving? Plus details about ARRI’s Alexa 35 and first new sensor in 14 years and Fuji’s new digital camera… In this episode, we talk about… Recognizing the glorification of violence in America vs. the rest of the world Acknowledging the need for hierarchy in filmmaking The Pentagon’s surprising connection to over 2500 films Responsibility of filmmakers and the audience to be aware of the impact of film Advice for making decisions about money and which clients and collaborators you’re open to before the offer’s on the table Handling messages with care and the necessity of research in film Details about ARRI’s long-awaited release of the new Alexa 35 Fujifilm’s X-H2S and the first collaboration of Fujifilm and Fujinon Links to Resources: https://www.latimes.com/opinion/story/2022-05-30/top-gun-maverick-memorial-day-tom-cruise-pentagon-propaganda Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Dances With Films founders Leslee Scallon and Michael Trent join us to discuss the festival's 25 year anniversary, its history and selection process, and how they keep it a festival for filmmakers by filmmakers… In this episode, we talk about… What led Michael and Leslee to found the Dances With Films Festival Orion’s cease and desist letter and “Festival of the Unknowns” Creating a sustainable model by prioritizing film and championing new talent Why DWF is held in Los Angeles and respect for the film selection process Acknowledging not all films are good and why filmmakers need to keep practicing Engaging with new filmmakers and preparing them for the industry Watching the whole film and looking for the heart when selecting films for DWF How all films not chosen receive “pass” letters that include positive comments The challenge of DWF’s programming and how it’s evolved over the years Links to Resources: Dances with Films - https://danceswithfilms.com/ Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Is Tom Cruise the last movie star? Can you make an indie film without a celebrity? The never-ending challenge of finding your audience, casting unknowns who are the right fit, and Sirui’s affordable anamorphics… In this episode, we talk about… Defining what it means to really be a movie star Whether franchise movies mean less power for actors Letting CGI Stan Lee live in Marvel movies forever Measuring success and significance in the film industry and media Pre-digital effects feelings and the different joys actors bring Tom Cruise vs. Tyler Perry and how Tyler Perry is the modern Charlie Chaplin Why indie films no longer need a big celebrity who’re trying to be serious The challenge of finding an audience interested in your work Recognizing that different people scale to different size screens Benefits of casting the actor who’s good and right for the part Sirui’s affordable lenses and the growing lens space Links to Resources: Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Avatar is back after a long layoff since it changed the game. What can it offer filmmaking and audiences now? In this episode, we talk about… Memorable dialogue, characters, and stories of other James Cameron movies vs. Avatar Whether Avatar 2 can bridge the 13 year technology gap since the first release Regarding Henry and shutting down production over cheap caviar Consummate craftsman vs. self-destructive tendencies H&Y’s new Revoring’s surprisingly user-friendly magnetic filter setup Links to Resources: Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Aviary writers Jennifer Raite and Chris Cullari explain how a prior interview from the No Film School Podcast helped them connect with their lead actress and how to create an egoless partnership that producers want to work with… In this episode, we talk about… Producing a film during COVID with a little less than 14 days to shoot Fielding a cast who’s down for the film’s size, location, and shooting schedule What it’s like working with actors who help move production forward easily Writing a script that’s achievable even with significant limitations Creating a horror film focused on new information vs. new kills The power of collaboration and advice for putting ego aside Studying other films and directors like studying game footage for athletes Suggestions for getting your first feature made and the value of establishing relationships within the industry Learning when, where, and how to put your foot down and pushback for the story Links to Resources: The Aviary - https://www.amazon.com/Aviary-Malin-Akerman/dp/B09KG7ZF3Q Malin’s Interview on NFS Podcast - https://nofilmschool.com/malin-akerman-chick-fight Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

A journey from Georgia to Middle Earth…why you should protect and insure your gear…Have streamers broken TV? DJI’s new drone and MASV’s massive ability to share large video files… In this episode, we talk about… Camera theft and reselling a path to bigger dreams The Cat Person narrative and who gets to tell the story Vice’s article addressing two worldviews of showrunning Film industry’s apprenticeship problem and how writers rooms don’t need to be hell A life of continual growth vs. the delusion you have finally arrived The issue of paying people for 22 episode seasons vs. 6 episode seasons How DJI’s new 249 gram Mini drone skirts the law Drawbacks of sharing video files and benefits of using MASV (Massive.io) How MASV crosses WiFi streams and backwards rigging tools for film Links to Resources: Cat Person Story - https://www.newyorker.com/magazine/2017/12/11/cat-person Vice Story - https://www.vice.com/en/article/epxeze/television-is-in-a-showrunning-crisis Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices