The No Film School Podcast

No Film School writers, Alyssa Miller, GG Hawkins, and Ryan Koo discuss the opening weekend of the 2023 Sundance Film Festival in Park City, Utah. We share why it has been so great to be back at Sundance in person. Also, we speak to a Powderkeg development executive about the future of indie films. In this episode, we talk about… The difficulty in choosing what to go to due to all the options Approaching your Sundance experience as if you are a character in a script Sharing our various objectives and goals for the festival Theories on the budget cuts Sundance has made The lack of distribution of the films at the festival Appreciating the happy energy of filmmakers at Sundance Powderkeg’s purpose for going to the festival How important it is to build relationships in this industry Staying true to your voice by not chasing mandates We also discuss the following Sundance films: Birth/rebirth In My Mother’s Skin Cassandro Claudio’s Song Chanshi Fantastic Machine Magazine Dreams Memorable Quotes “It’s so hard to watch a movie in the middle of your work day and feel like you’re actually at a festival.” [0:50] “Part of the filmmaker experience at Sundance is knowing where you sit in the pecking order.” [4:30] “Even if you have a film in the festival, it doesn’t mean you’re getting into the party.” [8:07] “The reality of Sundance is ditch or be ditched. And it’s gonna happen to you and you just have to accept it and go with the flow.” [8:19] “Be honest, be authentic and put yourself out there.” [35:05] Mentioned Adobe Alyssa Miller GG Hawkins Ryan Koo Powderkeg Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

In today’s episode, we offer our suggestions for how to have a successful Sundance experience. Also, we chat about having our film gear robbed from our cars, and we share our thoughts on a recent lawsuit against A.I. In this episode, we talk about… How people, who live in the same city, will make plans to hang out at a film festival in a different state Why you need to volunteer or attend Sundance regularly Getting over your ego and letting people think something was their idea How to avoid buying stolen gear Why we are worried about a particular A.I. lawsuit Figuring out how to wield the A.I. sword in the future Memorable Quotes “You start getting stuff into Sundance, five years after you go regularly.” [9:51] “You learn so much about whether or not you even have a chance.” [12:12] “My job is to make you think it’s your idea.” [27:07] “You’re a nerd. I can rent to you.” [36:56] “There’s so much happening underneath the surface that we don’t know about.” [45:53] Mentioned Artists Fight A.I in New Class Action Lawsuit Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Today’s guest is Editor Lee Smith, editor of 'The Dark Knight', 'Dunkirk', '1917' and recently 'Empire of Light'. We chat with Lee and find out more about this invisible art. He also describes what it was like working on the recent film, Empire of Light, now in theaters. In this episode, we talk about… Comparing Empire of Light to other films he has done in the past The difficulty in choosing takes when working with great actors Knowing how things will work in post production Solving rubik's cube situations in the edit Trusting your own instincts What Lee thinks is the secret sauce to a good film The defining film of his career Pacing and rhythm of a film Memorable Quotes “It’s the same kind of thing as cutting a bigger film, just in a shorter amount of time and with obviously less complexity in the visual world.” [4:50] “There’s a million things in editing that you can do to tweak anything.” [8:30] “I am a lover of most films. There are very few films I won’t watch.” [13:18] Mentioned Empire of Light is in theaters Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

In today’s episode, we discuss the importance and benefits of diversity in filmmaking. Also, we chat about the problems with how the industry handles VFX work, and we discuss a big dilemma Francis Ford Coppola is now facing. In this episode, we talk about… The Golden Globes problem with diversity Proactively diversifying our teams The clique-like nature of filmmaking How the industry doesn’t want to acknowledge good VFX work Our theories about Francis Ford Coppola losing his entire crew Why you should never self finance a movie Memorable Quotes “More diverse teams yield better products,stories, and films.” [5:53] “Culture fit tends to become this blanket term of something that’s hard to overcome.” [8:35] “Making conscious effort to find new collaborators is an exciting thing that should be pursued” [10:45] “There’s a danger in brushing aside the labor that goes into it.” [21:27] Mentioned Golden Globe winners Is Francis Ford Coppola’s ‘Megalopolis’ in Trouble? Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

In the past thirteen years, No Film School has published thousands of free articles, videos, and podcasts (this is episode 600!). But to really impact filmmakers’ careers, we’ve always wanted to create in-depth online courses available to everyone around the world. After a decade, we’re finally doing it with How to Make Money as a Cinematographer. Editor-in-chief George Edelman is joined by NFS Founder Ryan Koo and director/DP Charles Haine to talk about why we created our very first in-depth online course. In this episode, we talk about… Developing a course for the past 1.5 years Our exclusive worldwide survey of cinematographer day rates Tools and tips that will help you save money and increase your revenue Putting the “school” in No Film School The reason there are so many cinematographers in the NFS community How to buy and profit off your gear (hint: don't use a credit card!) Mentioned How To Make Money As A Cinematographer (launch week pricing available now for 40% off) The First Feature - The making of AMATEUR with writer-director Ryan Koo Learn more about your ad choices. Visit megaphone.fm/adchoices

For most of the history of the entertainment industry, there has been a large disconnect between what audiences want to see and what the large studios create. In this episode, we find out how one company is changing that by re-shaping the industry in a meaningful way. In this episode, we talk about… Legion M - The world's first fan-owned entertainment company Why Paul Scanlan and Jeff Annison started Legion M Being grateful for the community that has taken a chance on this experiment Breaking the big wall between those who make the content and those who watch the content The many diverse ways investors are directly involved in the company Getting emotional ROI from being involved in the company Sharing advance screening of film with their elite scouts The low cost to invest with Legion M Memorable Quotes “We’re uniting entertainment fans from all around the world, to co-own our own entertainment company. Think of it as a production company on it’s way to being a studio.” [2:34] “We are the ones who fuel the entire business. We buy the tickets. We pay the subscriptions. We choose what to watch.” [3:03] “I am not exactly an insider in Hollywood. I like to maintain an outsider’s perspective.” [6:12] “You don't make great art by committee.” [13:47] “Imagine having a company with a built-in audience that is not confined to an existing franchise.” [29:09] Mentioned Legion M Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

On our final episode of 2022, we are honored to speak to innovative cinematographer, Darius Khondji. Darius is known for his work on films such as Se7en and Amour. Today he shares what inspires him, and he also explains what it was like working on the film, Bardo: False Chronicle of a Handful of Truths. Bardo is now available on Netflix. In this episode, we talk about… Why he first fell in love with large format Loving the idea of the actor being very big on screen Deciding on what camera and lenses to use for the film The strong connection he had with the director and the lead Being influenced by other films or works of art What seduced him the most about the story from the beginning Deciding to work on a film based on who the director is The type of genre he would love to work on Memorable Quotes “I love large format…I love working in large format. I love the actors being larger than life.” [4:42 “I love the way the camera tells the story. The presence of the characters and the presence of the landscape of this camera.” [8:43] “You have to be very careful with inspiration. Inspiration is just a fragrance.” [14:23] Mentioned Bardo: False Chronicle of a Handful of Truths Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Hearing stories from very experienced filmmakers is helpful, but we may miss out on relevant lessons that can only be gained from those just breaking into the industry. Today’s guest is Anne Sophie Bine, a young filmmaker who is getting attention for the first time, for her recent short. In this episode, we talk about… Being interested in stories and the visual arts since childhood Developing a close working relationship with production designer, Rick Heinrichs Feeling like you are creating things into a vacuum Why Anne attended film school, even though she was always against it The process of creating and funding her short film, Dog Lover Not getting distracted by networking and socializing Remaining open and not expecting anything in return Memorable Quotes “I kinda realized all of those things came together in film…It’s a place where it is not a disadvantage to be a jack of all trades.” [4:08] “It was necessary to have a visual imagination, a sense of story, a way with words, an understanding of performance, and an ear for music.” [4:22] “As exciting and big as those jobs were, they were in a way, taking me away from directing.” [11:34] “There’s definitely a momentum that builds there and it makes me feel like I can do it again” [20:25] “It’s kind of like dating…if you’re viewing it too much based on the end goal and objective, I think things can backfire.” [24:25] “Funding things sucks. Raising money is terrible.” [27:04] Mentioned Dog Lover Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Today’s episode is our “End of the Year, Holiday Podcast.” We discuss an interesting, new method of marketing movies. Also, we chat about the first official protest against A.I. Finally, we explain the best way to promote your indie film at a festival. In this episode, we talk about… Entering the theater with low expectations but then being blown away Our thoughts on the film, Avatar: The Way of Water Going bonkers for behind the scenes content How A.I. has already directed a movie Why ArtStation’s protest on A.I. is important Feeling worried about the future of careers in the film industry How you should go about promoting your indie film Memorable Quotes “It’s about the filmmaking now. The filmmaking is being advertised.” [5:14] “There’s nothing better than coming out of the theater with that adrenaline rush, with a group of people.” [23:41] “Don’t bring a baby. Don’t bring a burrito.” [27:19] “I’m 43. This is legit the first time I’m like ‘Oh fuck, this is like 80s Scifi.’” [40:49] “We’re on the downslope of the roller coaster at this point.” [42:55] “This is a mimicry of what’s happening in the country, on a wider scale.” [58:25] Mentioned Avatar: The Way of Water ChatGPT AI MOVIE TWITTER THREAD Defector article ArtStation Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we speak to Matthew Gentile and Matt Allen about the process of filming and editing the film, American Murderer. Matthew met Matt in film school, and invited him to collaborate on his first feature film. American Murderer is now available on Amazon Prime. In this episode, we talk about… How screenwriting and directing are different Matthew’s experience in film school Realizing he wanted to write his own screenplay Becoming obsessed with the story of the main character The things that keep you going when making your first film Filming during the heart of the pandemic The danger in trying to stick so closely to your storyboard Realizing you have so many elements to work with as a director Memorable Quotes “I couldn’t really find my way towards the right first feature vehicle.” [3:13] “I think it comes down to what story you want to tell first and then you figure out how to do it.” [7:34] “Before I wanted to be a filmmaker, I wanted to be a fed.” [10:31] “I started writing the script and as I wrote it, I realized, ‘this has to be the first feature.’” [12:12] “I write the first draft of the script. I think it’s amazing. I learn very quickly, it’s not.” [13:56] “That faith you have to have when you’re making your first movie, that this is going to happen.” [21:09] Mentioned American Murderer Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

In today’s episode, we discuss whether or not we care about the intent of the creator when we evaluate a film. Also, we chat about the importance of receiving advice, and we discuss why we are annoyed by streaming platforms. In this episode, we talk about… Getting in your own way as a filmmaker when trying to get the audience to change their minds about a subject How the original intent of a project can change over time Why the narrative needs to be ‘character first’ not ‘message first’ Responding to Todd Field’s remark that “advice is cheap” Why even small pieces of advice can affect your whole career Giving specific advice versus giving broad advice Why the constant changes of streaming platforms are annoying for consumers Missing the special features that came with physical movies Memorable Quotes “I’d rather somebody not intend a single thing and just be like, ‘Hey I made Speed. It doesn’t mean shit.’” [4:06] “The best movies, the best shows, the best anything, leave you talking about it or thinking about it days later.” [6:19] “Every good movie or every good tv show is about something. And it might not come to a final conclusion about that thing, but it’s about things that are bigger than just the story and that’s what makes it so rewarding.” [11:34] “I think the best creatives are able to be like ‘fuck that noise, im making a good story.’” [14:50] “When you love something, you start to see patterns that maybe aren’t there.” [15:03] “It’s gotta be earned. If you’re gonna make them change, you gotta earn it.” [22:07] “The A.I. can’t attack our Blu-rays” [48:33] Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

It is great when you have the opportunity to interpret a film for yourself and decide what it means for you. Filmmaker Todd Field offers this opportunity in the film, Tár. The film takes us through an epic character study that mirrors the way we humans experience the world. Tár is in theaters and available on streaming platforms. In this episode, we talk about… Todd’s inspiration to write and direct the film Putting the character in a position of great power How the character lives in a way that is contrary to the advice she gives others Letting the movie and music speak for itself The intent in writing the character as a real human being The very simple rules for this film What the editing and testing process was like Why Todd believes it is healthy to have differing opinions The pleasure of being the originator of the story Memorable Quotes “My writing life has been, for the most part, in adapting material.” [2:29] “Human beings…sometimes they operate with their better angels and sometimes they’re monsters.” [12:35] “This film is about this character. It’s about having an opportunity to meet this character in different facets of their life during this period of time. A public one, a sort of professional one, and a private one.” [16:32] “The secret dream of many filmmakers is you never have to go through production. You would just go straight to the edit.” [20:03] “That’s why we make films. We want the greatest possible engagement.” [24:07] “I think being a filmmaker now is probably the most exciting thing you can possibly do.” [27:16] Mentioned in the episode: Tár Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

In today’s episode, we discuss the 2022 Sight and Sound list of the best movies. Also, we chat about why cinema is not the all-healing tool of the universe, and we discuss the things that freak us out about A.I. technology. In this episode, we talk about… Our responses to the outrage of other filmmakers Not caring what others think about your taste in movies Three films that promote the healing power of cinema: Empire of Light, Babylon, and The Fabelman’s Written content produced by A.I. and the misinformation that comes with it Why we need to stop lowering the bar intellectually Developing that human touch that A.I. cannot grasp Memorable Quotes “We’re in a bubble. We’re all in bubbles.” [11:15] “We love it. We already love it. You need to do more than just tell us that it’s lovable. You need to do a little more.” [32:50] “If you aren’t watching what's happening, it’s happening so fast. We’re coming close to judgment day.” [38:16] “There’s a reason why the money people are salivating over it. There’s a very good reason why.” [51:26] “It’s a big leap forward into anti-intellectualism. It’s taking the human beauty out of what we consume and giving us this big giant hive mind.” [52:30] Mentioned in the episode: New York Times, History of Sight and Sound Did “Woke Culture” Sabotage This Best Movies Ever Poll? Empire of Light Babylon The Fabelman’s Run Pee App You Will Be Impacted by A.I. Writing…Here is How Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Today’s guest is cinematographer Ben Davis, who has worked on films like Doctor Strange, Cry Macho, and Guardians of the Galaxy. Ben shares what his process was like as the DP of the film, The Banshees of Inisherin, which is currently in theaters. In this episode, we talk about… Comparing the flexibility of a small film versus a larger film Being open to change even with a structured plan in place Capturing the idea of loneliness and isolation with cinematography Why Ben doesn’t work against the light source How they got the digital format to look like film Choosing the color palette with director, Martin McDonagh What is was like working with Clint Eastwood in the film, Cry Macho A powerful lesson about ego Memorable Quotes “The ambition on this film was to keep it small…so that we had some sort of flexibility and we could maneuver.” [3:49] “You’re always open to change. Because that’s the delight of filmmaking, what you chance upon.” [4:40] “The great thing about this film…everyone was making the same movie and everyone was on board with it.” [6:17] “I’m never going to do it as beautifully as nature can give you.” [16:50] Mentioned in the episode: The Banshees of Inisherin Cry Macho Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

EP590 No Film School: NEW AI Tech That Blows Our Minds and How to Use Improv on Set In today’s episode, we share our theories behind the low Thanksgiving box office numbers, our successful and unsuccessful experiences with improv, and we discuss an incredible new form of AI tech that’s got us scratching our heads in awe. In this episode, we talk about… Comparing Thanksgiving box office numbers The big gray area of marketing Our past experiences with improv How improv is a tricky skill set but still possible to achieve Failing a ton - It makes you better and stronger Why NeRF technology will change the world of VFX The amazing uses of NeRF technology Memorable Quotes “There’s still something that happens when we watch it all finished. We don’t take into account part of the reason there are flaws.” [3:57] “I feel like something weird is going on with film marketing…on top of all the box office stuff.” [15:58] “Money is spent in such crazy, foolish ways that it’s just mind boggling.” [20:42] “Understanding the principles of ‘yes and’ will make you a better collaborator and creator, than anything else.” [25:34] Mentioned in the episode: NeRF technology Luma AI Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Are you the type of person that gets walked on or are you the bossy one, doing the walking? In this episode we discuss checking one’s ego, changes in studio executives, and the things we are grateful for, this Thanksgiving week. In this episode, we talk about… Disney bringing back a past CEO The art of managing talent relationships Thinking about things from the perspective of the studio Enjoying arguments with other filmmakers The recent collaboration between Tony Kushner and Steven Spielberg Productive disagreements and admitting when you are wrong How Charles and Todd were impersonated by criminals Memorable Quotes “You don’t go back to the old CEO. You just don’t.” [8:12] “The entertainment industry remains a relationship business.” [13:11] “Batman can be any guy and it can be any director.” [20:44] “It just looked like the general crap-fest we’ve been treated to.” [29:20] “I think the ego check gets easier, the bigger the rest of your life is.” [55:13] Mentioned in the episode: Tony Kushner Podcast Episode Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

There are those who write films and those who direct films. Today’s guest, Dean Craig was responsible for both roles in the recent film, The Estate. Craig, also known for writing Death at a Funeral, explains his process for both writing and directing. In this episode, we talk about… HBO denying his original script How having an appealing actor is a big piece of the puzzle Finding joy in the creative writing process Going back to first principles when facing obstacles Working on Death at a Funeral with director Frank Oz Being drawn to the challenges of being a director Appreciating the collaborative art of filmmaking Being a filter as well as the decision maker Memorable Quotes “Trying to create an eclectic range of eccentric characters and then bring them together and see what happens” [8:56] “I remember being four days in and thinking ‘This is not a job for one person.’” [15:59] “I really feel like the script is there and it’s there for everybody else to bring their expertise, talent, and brilliance to it.” [19:20] Mentioned in the episode: The Estate Death at a Funeral Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

If you have a short film that you want to get out to the world, you need to consider Shortverse. This platform offers filmmaker specific features that you won’t find anywhere else. In this episode, we speak to Andrew Allen and Jason Sondhi, founders of this incredible platform for emerging filmmakers. In this episode, we talk about… Supporting short films for over 15 years with Short of the Week The reason they created Shortverse Facilitating relationships between creators and industry professionals Numerous features such as: search filters, review system, and more. Interesting trends in the short film market The number one thing the industry is looking for in films Memorable Quotes “We’ve always thought of short film as this really powerful experimental media where filmmakers can really find their voice.” [4:44] “Imagine a platform that was built for emerging filmmakers to get their work out there, to connect with people.” [14:07] Reach for the thing that is fresh, that is new, that is risky and great. Rather than trying to cover your basis by creating something that is good and broadly accomplished.” [47:56] Mentioned in the episode: Short of the Week Shortverse Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Two of the biggest names in the industry, Tony Kushner and Steven Spielberg, collaborate on a film about Spielberg’s early life. Tony shares what it has been like to work with Spielberg over the years. The film, "The Fabelmans" is in limited release Nov 11 and everywhere Nov 23. In this episode, we talk about… Being fascinated by Steven Spielberg’s life story How filmmaking helped to protect Spielberg as a youth by giving him control Working together on films such as Munich and West Side Story Battling one another during filmmaking Recognizing when he can’t convince Spielberg and trusting his judgment Keeping everyone focused on the outcome A particular scene of The Fabelman’s - Spielberg’s genius idea Memorable Quotes “Because I think that’s the extraordinary thing about art, both for audiences and for artists. It’s a dream. But it has real life meaning and sometimes real life consequences.” [3:55] “There’s a flash of insight that he has and it feels somewhat, kinda superhuman to me.” [5:50] “Filming things is like a second nature to him…I think he makes things difficult for himself, to keep himself excited.” [9:55] "Steven is very open to the experiences of other human beings.” [11:39] Mentioned in the episode: The Fabelman’s Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Writing screenplays in our present time is challenging for a variety of reasons. There is more competition, lack of mentors, and less avid readers out there. In this episode, we cover what you should do as a screenplay writer when facing these challenges. In this episode, we talk about… Websites for screenwriting advice - The Black List and Wordplayer The cardinal sin of sending an unsolicited screenplay Making an effort to be better, more avid readers Advocating for your own material and overcoming the network effects Why you need to be a person that people like The many reasons to love Fuji Film Choosing a camera based on workflow integration and body ergonomics Switching from Twitter to Mastodon Memorable Quotes “If the screenplay is good enough, lock it in a drawer, and someone will come find it.” [2:09] “With every script, you have to decide…am I passionately trying to get this made? Or is this a spec to take me somewhere else?” [7:55] “With clarity of goal and purpose, steps after, start to become clearer.” [11:17] “Get in the arena and make the connections.” [24:23] Mentioned in the episode: The Black List Wordplayer Fujifilm X-T5 Mastodon Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

In today’s episode, we talk to director Parker Finn and cinematographer Charlie Sarroff about working together on the set of horror film, Smile. They share their special process of creating the film. Smile is in theaters now! In this episode, we talk about… Parker looking for the right “partner in crime” to make the film with How Parker’s short spread like wildfire Selling the pitch to Paramount Pictures Using cinematic language to work toward themes of the story Why Parker prefers a shot list over a storyboard What influenced the camera choice Thinking about the audience and what the film is doing to them Mentioned in the episode: Smile Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s smart to figure out the box you want to be in, since the industry is going to put you in a box anyway. Then you need to learn to appreciate your time in that box. In this episode, we talk about… James Gunn, director of Guardians of the Galaxy, running the superhero division of DC Showing up for others and celebrating their successes with them The SONY A7R V and its unique AI feature How Artificial Intelligence is getting nuts The number one thing that makes a spec fail Why making a simple spec is hard Memorable Quotes “One person’s success is not your failure.” [13:19] “Your goal with a spec, is that it should feel like a real commercial. It should trick people in an agency into thinking it’s a real spot.” [28:58] “Product work is a very specific universe.” [33:43] “Arrested development is phenomenal, but there's a gift in being able to do Seinfeld.” [39:48] Mentioned in the episode: Sony A7R V James Gunn - CEO of DC Studios Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Horror is best when it's balanced. It’s like baking, if one ingredient is off, it doesn't work. Teenage filmmaker, Jessica Nipperess, shares how she created the film, Devil Bean. In this episode, we talk about… Why Jessica is drawn to film festivals The Black Magic Pocket Cinema Camera and the difference it made for shooting The main challenges in directing Devil Bean Feeling emotionally disconnected from a script written by someone else Using original music to help tell the story of a film Post production and the many changes made to the film Tapping into serious horrors that are helpful to the world Memorable Quotes “Films have always been like a chance to learn more about filmmaking through the experience of learning it.” [5:02] “This is what the film will be like, but less pigs and more coffee.” [18:56 ] “Horror is like a playground where we put out all of our fears and anxieties, and explore them in a way that feels safe and makes sense to us.” [25:42] Mentioned in the episode: Jessica Nipperess Devil Bean Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

You win some and you lose some. This is what happens when there are shifts in the industry, and AI is bringing with it a major shift. In this episode, we talk about… Shortverse - The place filmmakers, industry pros, and fans of short film can connect The complexity and inevitability of AI being used in filmmaking Feeling frustrated yet fascinated for the future of AI Why giving and receiving feedback is one of the biggest skills you need to practice Different strategies behind giving notes Being extreme - We throw out gold stars yet we rip things to shreds The best accessories for shooting film on an iPhone Memorable Quotes “I am not gonna say it feels industry focused, but right now it feels a little industry-focused and I am A-OK with that.” [8:55] “The rate at which it’s developing and changing what we can do and who does what, is pretty insane and exciting and intimidating. And it’s just going to completely alter workflows.” [15:57] “This is going to cost people their jobs eventually. It’s not right now. But give it 5 years…and some people are gonna be screwed.” [22:37] Mentioned in the episode: Shortverse Word Player Will AI Make Movies Without Us Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Want to be a filmmaker? Then you have to be confident enough to have no confidence in yourself. This is the advice from Paul Feig, This is the advice from Paul Feig, director of The School For Good and Evil, Bridesmaids, and television shows like Freaks and Geeks, The Office, Arrested Development and Nurse Jackie. In this episode, we talk about… Applying lessons learned from his standup career and acting career Having more than enough film to choose from in case certain jokes bomb Setting the rules at the beginning of a film Remaining consistent with your style throughout the film How Paul handles making film for streaming services Hooking the audience so they will make a complete journey with the characters Why there is no excuse for beginner filmmakers wanting to start their career Memorable Quotes “The reason comedy never wins awards is because if you do it right, It looks easy.” [9:09] “You can make a movie as crazy as you want, as long as you set the rules in the first five minutes.” [21:12] “The hardest thing in the world is to tell a complete story, in two hours.” [24:49] Mentioned in the episode: Watch The School For Good and Evil now! Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

What do large studios, “run and gun” filmmakers, and project stakeholders all have in common? They lack humility. In this episode, we talk about… Talent Development Programs being mandated by the DGA TikTok creators becoming show runners for NBC Universal Studios being desperate for larger audiences Getting arrested for “running and gunning” How to prepare for a “run and gun” and what to do if you are caught Fuji’s new box lens with crazy zoom ranges and vibration reduction Fuji’s X-H2s camera joins the Cloud Using Davinci Resolve on the new iPad Pro Memorable Quotes “It feels like a true disconnect and a flashy name grab.” [7:59] “Don’t force someone doing something interesting, to do something stale because you’re the powerful powerbroker.” [15:52] I feel very strangely about the future of film. I feel very strangely about the future of traditional storytelling with a camera. I think it’s gonna change and I think we gotta be ready for it.” [23: 52] Mentioned in the episode: Fuji Box Lens for Filmmakers Fuji X-H2s shoots files to the Cloud New iPad Pro Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Josh Gordon and Will Speck are the directing duo behind the film, Lyle, Lyle, Crocodile. This duo explains the complex process of adapting a well-loved, children’s book to the big screen. In this episode, we talk about… How Josh and Will first met and what inspired them to direct projects together Dividing the directing responsibilities between them Their unique approach to producing such a complex film Why they chose to adapt this particular story into a performance-based musical How they convinced the IP owners to give them permission for the project Honoring the artwork from the book in the making of the film Memorable Quotes “Something about otherness and about acceptance of things that don’t appear the way that you want them to.” [15:30] “There’s something about what you have to impose on these characters, or creatures, in the absence of them speaking...and it also makes them more soulful.” [23:42] “There’s nothing more complicated than a human-being. A human being is unpredictable.” [27:59] Mentioned in the episode: Lyle Lyle Crocodile is in theaters Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Why is there such a weird fixation on the box office numbers from the first three days of film’s release? We don’t think a film’s success should be determined this way. In this episode, we talk about… How some films that did poorly the first few days at the box office, became popular afterward Putting too much pressure on the box office release How to pitch a film that is similar to another movie that previously flopped When pitching, remember the phrase “similar but different” Challenges that actors have to endure The top four pieces of editing software for film Why DaVinci Resolve is the best overall editing software Memorable Quotes “It’s insane what can be produced from something that had a crummy first three days.” [6:02] “They really really really seem to put all their eggs in the box office basket.” [8:52] “The thing that broke my heart…is that most of the videos don’t even get a view.” [29:57] “Auditions are the worst. The Worst. Everything about it sucks…The experience is miserable.” [31:33] Mentioned in the episode: DaVinci Resolve Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Preparation, preparation, preparation. Director Halina Reijn shares why it is important to prepare before filming and how that process (and No Film School!) helped her on Bodies Bodies Bodies. In this episode, we talk about… How Halina started as an actress before becoming a director Implementing ideas from theater into the filmmaking process Leading with a vision and accepting collaborative ideas Having a flexible storyboard in order to make changes intuitively Rehearsing camera work before rehearsing with actors An economic and efficient way to do table readings Focusing on the wellbeing of actors on the set of Bodies Bodies Bodies Memorable Quotes “When I direct I love everybody to learn their lines like little machines, like little robots.” [09:32] “We’re all equal and we’re going to build this building together and you are as much responsible for getting it up in the air as I am.” [13:08] “Time is so expensive…Every fucking second counts. Your preparation is everything.” [14:35] “Acting is the most embarrassing profession of all time.” [23:04] Mentioned in the episode: Bodies Bodies Bodies Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Your brain is part of your body. The way you eat on set will affect how you think on set. In this episode, we talk about… How audiences will draw connections from vague story explanations Charles’ theory on a recent tech mishap on Episode 7 of House of The Dragon Changing the factory settings on your television Ideas on how to improve the superhero genre Why characters don’t always have to be going through an intense internal conflict Easy and healthy alternatives to the unhealthy food on set Being aware of how food will affect your brain and body while you are working Preventing decision fatigue Memorable Quotes “There’s such an invaluable lesson about the power of an audience’s imagination and brain that gets disrespected left and right by people thinking they have to spell out the entire equation. You can just put ‘two plus two’ on the board; you don’t have to put ‘equals four.’ ” [08:19] “These characters are the human experience on a test drive…as a crash test dummy. We’re putting them through extremes of what can be endured, of what can be solved, of what can be experienced.” [32:19] “If I am at the Craft service table, I am getting a bag of skittles. So I just don’t go to the Craft Service Table. I avoid it.” [47:14] Mentioned in the episode: House of The Dragon Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever wondered how you can make your niche documentary appealing to a wider audience? Jon Weinbach, a sports documentary filmmaker, shares his techniques on how to do that very thing. In this episode, we talk about… What influenced Jon to pursue documentary filmmaking His background as a journalist for the Wall Street Journal Jon’s journey with sports docs such as 30 for 30 and The Last Dance The Redeem Team, a film about the 2008 U.S. Olympic Men's Basketball team Developing a deeper narrative to the basketball film Interview techniques - be authentic and ask new questions Pitching the documentary to the Netflix executives Mentioned in the episode: The Redeem Team on Netflix 30 for 30 The Last Dance Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Your confidence is low and so is your bank account. You are lacking work opportunities and need consistent work. In this episode, we discuss the steps you need to take to overcome this common struggle. In this episode, we talk about… Using A.I. voice generators for iconic characters instead of going for a fresh take Weird casting traditions on TV shows of the past Tom Hanks’ debut novel, The Making of Another Motion Picture Masterpiece What we think Hanks’ best films are Being a movie slut - loving movies so much you can’t choose the “best” one Maintaining the wide-eyed excitement for movies Eliminating shame and self-judgment Memorable Quotes “It is interesting to think about the negotiation process of turning yourself over to a specific corporate entity.” [10:58] “Movies are like pizza, you can find something delicious in almost every one of them.” [40:15] “All of us forever, forever, at all levels, are just taking whatever work we can get and hoping to do cool shit next.” [41:28] Mentioned in the episode: Hanks announced the release of his upcoming novel Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Today’s guest is Greg Mottola, director of Superbad, Adventureland, and new film Confess,Fletch. Greg discusses how to navigate gatekeepers, his experiences working with great comedic talent, and today’s challenges within the film industry. In this episode, we talk about… Greg’s experience working on various television series, such as Arrested Development Staying confident when projects do not catch up in the mainstream How artists can survive financially and mentally in this tough industry The streaming industry and how it has changed the financial model Directing the films Superbad and Adventureland The differences between the original Fletch and Confess, Fletch Sneaking social commentary into comedy movies Mentioned in the episode: Confess, Fletch - Available streaming and in theaters Fletch - Original 1985 film Superbad Adventureland Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Are sex scenes a necessary part of the plot in your projects? If so, then there are ways to be intentional when filming these parts. Everyone will feel comfortable and you will get a great scene in the process. In this episode, we talk about… The premiere of The People’s Joker at the Toronto International Film Festival Classic indie films versus the “out there” indie films Intimacy Coordinators and the benefits to having one on set Being intentional and mindful in shooting sex scenes Feeling overwhelmed by infinite possibilities when starting a new project Not following the trend when developing your next project Being committed to the hard parts of a project means you will see it through to completion Mentioned in the episode: The People’s Joker Los Angeles Plays Itself House of the Dragon Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Filmmakers want to present our craft to the world, and that craft is made with a particular vision. Sometimes sticking to this vision means we will lose out on other opportunities. Comedian and filmmaker, Jerrod Carmichael, explains why he is willing to take that risk. In this episode, we talk about… Stand-up comedy and how it is an immediate art form Developing thick skin from being a stand-up comedian Getting the plug pulled on a major project How his film, On the Count of Three, melds comedy with darkness and honesty Jerrod’s perspective on what a film’s premise should be Protecting the main idea of a film - Keep the idea intact His multiple roles on the set of his film The premiere of his film at the 2021 Sundance Film Festival Mentioned in the episode: On the Count of Three Licorice Pizza Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Just because something is different doesn’t mean it is wrong. Sometimes “breaking the rules” is precisely what makes films so great. In this episode, we talk about… Famous French-Swiss filmmaker, Jean-Luc Godard The unique perspective French filmmakers brought to the industry in the mid-1900s Jean-Luc Godard and his malicious compliance to “the rules” in filmmaking Being careful in the edit room - Don’t fall in love with the temp score A list of Godard films to watch for those who are unfamiliar with his work How one needs to consider context when crossing the line in film The problem with flat fee distributors Mentioned in the episode: Jean-Luc Godard Contempt Alphaville Weekend Masculin Feminin 2 or 3 Things I Know About Her Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Visit https://nordvpn.com/nofilmschool Learn more about your ad choices. Visit megaphone.fm/adchoices

Most filmmakers don’t have the resources to make a film turn out exactly the way we plan, but if we can apply the “Judo-style of Filmmaking,” we can still create wonderful projects. Filmmaker Petr Jakl explains how he applied this approach to the new film, Medieval, starring Ben Foster and Michael Caine. In this episode, we talk about… What made Petr decide to make the film about famous Czech military leader - Jan Žižka Re-writing the script and getting the script to big actors such as Ben Foster and Michael Caine Working with Caine and developing friendship with the actor Trying to have no big expectations for the film’s release How shooting the film was “the most brutal experience” of Petr’s life The various challenges that arose during specific battle scenes How Petr’s Judo training helped him overcome the challenges of filming Mentioned in the episode: Medieval Jan Žižka Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Visit https://nordvpn.com/nofilmschool Learn more about your ad choices. Visit megaphone.fm/adchoices

For those working in the entertainment industry, it is important to learn how to: hire, manage, and fire. In this episode, we talk about… Looking to collaborate with people who can properly deliver on projects When evaluating potential hires, ask yourself these questions: Is their type of work the right work for THIS project? Is their work style the right work style for ME ? Hiring slowly and firing quickly Giving feedback and asking for feedback Having the right attitude - Be willing to learn and improve Comparing the new Fuji X-H2 and the Fuji X-H2S that released earlier this year The affordable anamorphic lens set by Atlas Lens Co Mentioned in the episode: Fujifilm X-H2 camera Atlas Mercury 1.5X Anamorphic Lenses Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Visit https://nordvpn.com/nofilmschool Learn more about your ad choices. Visit megaphone.fm/adchoices

We are joined by Jessica Thompson whose feature film, The Light of the Moon, won the Audience Award for Best Narrative Film at the SXSW Film Festival in 2017. Thompson explains how she got started in the film industry and shares her approach to choosing projects to work on. In this episode, we talk about… Being influenced by her favorite filmmakers - She decided to start her career as an editor Moving from Australia to New York City for better opportunities in the film industry Thompson’s approach to projects - She only does projects she is truly passionate about Managing nerves before pitching for a script and dealing with disappointment if the pitch is rejected How Thompson pitched five times before getting hired to direct the film The Invitation Taking acting classes to help her better understand and communicate with the actors she works with What specific approach Thompson applies during rehearsal time Mentioned in the episode: Jessica M Thompson - Filmography Film: The Invitation Film: The Light of the Moon The Four Agreements Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Vist https://nordvpn.com/nofilmschool Learn more about your ad choices. Visit megaphone.fm/adchoices

We are joined by legendary filmmaker, Joe Dante, who directed movies like Gremlins, The Howling, and Innerspace. A true cinephile, Joe shares his experiences of working with great collaborators such as Spielberg and Corman. He also explains that while filmmaking has changed since he started, newer filmmakers still have the opportunity to create great films. In this episode, we talk about… Working for Roger Corman at the beginning of Joe’s career How Joe first became a “film nut” The influence cartoons had on his films Adding his naturally fragmented personality to each of his films When working on studio films, it can be difficult to be expressive Exposing more people to great films that are underappreciated or underseen New filmmakers can accomplish a lot, even with little financial resources Mentioned in the episode: Trailers from Hell Joe’s Podcast - The Movies That Made Me Joe’s Curated List of Monstrous Mayhem - September 3 on Shout Factory TV Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Vist https://nordvpn.com/nofilmschool Learn more about your ad choices. Visit megaphone.fm/adchoices

When thinking of making a big career swing, we have all asked ourselves the question, “What’s the right move here?” Making big swings can be tricky since there is no way to know what the outcome will be and if we are making the right decision. Charles, Todd, GG, and George give their insight into this tricky situation. In this episode, we talk about… Changes happening at Warner Bros and how their branding approach seems like a bad idea Should filmmakers put themselves in a box by self identifying as a certain “brand” of creator Making project decisions based on cash flow or based on ambition Incrementalism and how any progress toward the larger goal is good Realizing there are large factors outside of our control Not expecting a specific outcome when deciding to take the big career swing Aiming back at the center of the target every time you get pushed off course How the editing process is just like cooking Mentioned in the episode: Warner Bros. Discovery's Agenda Is Now Clear... and It's Not Pretty HBO 1983 Intro Theodore Roosevelt's "The Man in the Arena" Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Vist https://nordvpn.com/nofilmschool Learn more about your ad choices. Visit megaphone.fm/adchoices

Unfortunately it seems that many filmmakers are holding back from making comedy films. Comedy is a necessary genre and thankfully we still have some filmmakers who are producing hilarious films that meet audience needs. John Hamburg, from Meet the Parents and Zoolander, shares his process for creating great comedies. In this episode, we talk about… Me Time, John’s latest film that is now available on Netflix John’s opinion on why there are less comedies on the big screen Finding out what needs improvement by the feedback given in test screenings John’s experience writing for Meet the Parents and Zoolander Plot based comedies versus joke based comedies and which strategy John implements in his films Why John never directs actors to “be funny” The first step to writing a comedy film - Developing a character Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Vist https://nordvpn.com/nofilmschool Learn more about your ad choices. Visit megaphone.fm/adchoices

Do you think the success of a film should be measured on how many markets it reaches and how much money it generates? The average filmmaker needs to remember that they do not have to appeal to everyone in order to be successful. In this episode, we talk about… MoviePass returning with tiered platform prices How you can watch ads to earn movie credits by allowing the app to track your eye movement China’s request for movies that are catered to their culture, customs, and audience The two choices filmmakers have in response to territory-specific movie demands: Keep the film and plot as is and risk not being distributed in certain territories and markets Offer different versions of the film that will be acceptable to all territories Measuring the success of a film by considering many factors, not only the box office stats Why filmmakers should define success by their own individual values How filmmakers like Michael Mann, are influenced by others, like Jean-Pierre Melville, to continue evolving film into wonderful works of art Links to Resources: MoviePass Le Samouraï - film by Jean-Pierre Melville Army of Shadows - film by Jean-Pierre Melville Thief - film by Michael Mann Heat - film by Michael Mann Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Vist https://nordvpn.com/nofilmschool Learn more about your ad choices. Visit megaphone.fm/adchoices

Filmmaker, actor, & writer Cherien Dabis shares how navigating clashing cultures and embracing multiple perspectives expanded her voice and helped grow her career… In this episode, we talk about… How dangerous stereotypes inspired Cherien to become a storyteller Embracing the outsider perspective in both Arab and American cultures Transitioning from festivals to working with comedy legends Seizing opportunities to learn and a reminder to not take yourself too seriously Advice for managing the waiting game between gigs Staying true to yourself and knowing the people who want your voice will find you Honoring the choice to say no and being responsible about what you create Links to Resources: Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Sign up for NordVPN here: https://nordvpn.com/nofilmschool Learn more about your ad choices. Visit megaphone.fm/adchoices

Reacting to Sydney Sweeney’s hot take about income struggles…shedding light on the litany of inequalities of the film industry, and tech news about Aputure’s latest tube lighting… In this episode, we talk about… Context of Sydney Sweeney’s life and making rich people problems relative How residual payouts for actors has changed due to streaming Recognizing the impact of wealth and family connections in the film industry Acknowledging income, housing, and information inequality The benefits of when privileged people speak out against inequalities Aputure’s new MT Pro’s impressive pixel feature Understanding professional vs. consumer pricing models for film gear Links to Resources: https://nofilmschool.com/hollywood-income-gap-for-poor-or-middle-class-people Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Purple Hearts director Elizabeth Allen Rosenbaum reflects on her journey from underexposed dailies in film school to directing a Netflix feature that has come under heavy fire for it's political stance. In this episode, we talk about… The necessity of being a student of film in every way possible Creating a sense of scarcity and leveraging lunchtime screenings Befriending TA gatekeepers and finding a new writing partner How saying what you want can lead to work like Purple Hearts Managing the delicate balance of trusting your audience vs. being heavy-handed Threading the needle of fantasy while telling the story you want to tell The challenge of ensuring all characters’ perspectives are valid and balanced Links to Resources: Walter Murch episode: https://megaphone.link/NNLLC3056218334 Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Will bots get an unreleased cut of “Bat Girl”? Can women even pay attention to a TV show? A moment of silence for HBO Max employees…and why you need to see the movie “Nope”... In this episode, we talk about… Merger-specific math and tax benefits of not releasing “Bat Girl” A sexist breakdown of viewership for HBO Max vs. Discovery Plus What the merger means for the future of HBO Max and the people who love it How the right hand doesn’t know what the left hand is doing in the film industry Jordan Peele’s nod to the history of cinema and power of the camera in “Nope” Using a 3D camera rig to capture day for night scenes Recognizing the incredible evolution of sound design in film Links to Resources: Nope: https://nofilmschool.com/jordan-peele-nope-imax Nope Cameras https://nofilmschool.com/Large-Format-Cinematography-Goes-Giant-with-New-IMAX-Film-Cameras Warner Brothers: https://nofilmschool.com/warner-bros-cancelled-supehero-movies https://nofilmschool.com/what-exactly-going-warner-bros-discovery Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

“Nope” Editor Nicholas Monsour sheds light on cutting scenes with Jordan Peele and finding the balance between ambiguity and intention… In this episode, we talk about… Communicating with Jordan Peele without breaking the bubble of what he’s creating Approaching a script both intuitively and analytically as an editor Creating intentional perspectives and a specific language for the film Why reaching an elevated level means not forcing footage to be something it isn’t Learning what to keep vs. what to toss and understanding the rhythm of a film The intentionality behind Jordan’s films and drawing attention to Black cinema Recognizing how much blockbusters have changed over the past 20 years Links to Resources: https://nofilmschool.com/nope-movie-explained Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

How do you maintain perspective as an editor? Can you really do nothing to get ahead? Have you experienced the runner’s high of editing? Plus DaVinci Resolve 18 and killer new cloud tools… In this episode, we talk about… What editorial perspective entails and the emotional rollercoaster of editing Suggestions for gut-checking yourself in the editing process Recognizing if you’re truly listening to feedback vs. looking for a gold star Why it’s okay to be picky about who gives you notes The philosophy behind “Do nothing, stay ahead” and what Napoleon’s inbox would look like today Why it’s time to make the switch to Blackmagic Design’s DaVinci Resolve 18 Links to Resources: Walter Murch Interview on Editing - https://podcasts.apple.com/nz/podcast/cinematic-legend-walter-murch-on-editing-sound-design/id1078804724?i=1000491356114 Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

Filmmakers creating trolly news cycles and buying bots to gain online attention… Hollywood myth about keeping your project a secret to prevent it from being stolen... latest cloud storage tools by Blackmagic. In this episode, we talk about… The phenomenon of creating a trolley news cycle by filmmakers Filmmakers are buying bots to gain attention on social media Soft skills you can develop to be a good filmmaker The idea of putting your vision on the market Debunking the myth that you shouldn't talk about your project with anyone. Not getting worried about your idea being stolen — it's much cheaper to buy it from you than to steal it. WGA arbitration to save your projects from plagiarism Blackmagic's latest cloud tools —Cloud Pod, Cloud Store Mini, and Proxy Generator Links to Resources: Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices