The Incomparable Mothership

It’s one of the best things on television right now. It’s “What We Do in the Shadows,” a show that honors vampire lore while placing them in ridiculous mundane situations. A mockumentary sitcom featuring vampires might seem like an entry from TV Mad Libs, but this show (based on an indie feature film also by Jemaine Clement and Taika Waititi) uses its stellar cast and sharp writing to create a bizarre world of energy vampires, complaining familiars, new-age witches, and—the horror—local politics.

Football is life! But even if you don’t care about sports, you should still watch “Ted Lasso” on Apple TV+. It’s a very funny show that’s also full of empathy and respect for its characters, which never goes for the cheap joke, and takes the tropes of every sports movie you’ve seen and uses them in ways you’re not expecting. And we’ve left plenty of space before the Spoiler Horn for our cross-Atlantic panel to explain why you should watch it and why we love this fusion of American and English sensibilities. We believe in Ted Lasso, and you will too.

Duck into the prone position and aim your bow, because it’s time for us to talk about “The Last of Us Part II”, the sequel to a beloved apocalyptic video game. We follow the characters on their pursuit of cross-country revenge, filled with flashbacks and the infected. But on this journey, as we trade our adrenaline for tears, we learn that we were the last of us all along.

It’s time to play the music It’s time to light the lights It’s time to draft the Muppets On the Incomparable tonight

Once more unto the breach, dear friends! This episode kicks off a new recurring feature, Shakespeare Club. Our first subject is “Henry V.” We watch Kenneth Branagh’s 1989 film and discuss Shakespeare’s Expanded Henry Universe, tennis balls, d’elbow, and what a jerk young Harry actually is.

Our Old Movie Club takes on two Billy Wilder comedies from 1939 and 1959, to see if they still hold up 81 and 61 years later. Erika Ensign’s selection is “Midnight,” starring Claudette Colbert and Don Ameche, and Philip Michaels counters with “Some Like It Hot,” starring Jack Lemmon, Tony Curtis, and Marilyn Monroe. Both films are about people pretending to be something they aren’t. And then the fun begins… hopefully!

Launch the Photon Torpedoes! In this episode we’re drafting mostly obscure characters from all of Star Trek lore, and creating our own TV series pitches with the results. If you think our drafts have gone off the rails before, you haven’t seen anything yet!

Grab a shotgun, climb on a stolen motorcycle, and get out your 90s slang phrasebook, because it’s time to watch one of the definitive summer blockbusters, “Terminator 2: Judgment Day.” We marvel at Arnold Schwarzenegger’s perfectly robotic demeanor, Robert Patrick’s steely stare and creepy walk, and Linda Hamilton’s—well, pretty much everything. Hasta la vista, baby.

Hop a flight piloted by a Dodo and leave behind the world you know! Animal Crossing: New Horizons is the perfect escape. Journey to a deserted island to do digital equivalents of chores you’re avoiding doing in the real world! One of the most subjective experiences in all of gaming turned out to be just what millions of us needed this summer. Guest host Moisés Chiullán and his six panelists are proof that “the friends you make along the way” really is the whole point after all. Well, that and draft-format podcasts.

Grab a wad of counterfeit cash and get ready to swim up a waterfall! Our Miyazaki Club goes back to the beginning, to the great animation director’s first feature, “The Castle of Cagliostro.” It’s a franchise work-for-hire being executed by a budding genius, which is a fascinating combination. The film mixes cartoony action and heist-movie tropes with clouds and landscapes and flying machines that come straight from Miyazaki’s brain.

Ten years ago today, The Incomparable began. To celebrate a decade of whatever this is, Jason gathered a dozen of the podcast’s top panelists for a round of toasts.

Inflate your pool floaties, prepare a wedding speech, and whatever you do, don’t go in the glowing red cave, because we’re discussing the delightful film “Palm Springs,” starring Andy Samberg, Cristin Milioti, and J.K. Simmons, and currently available (to Americans, anyway) on Hulu. It’s the kind of movie we’ve seen before, but with so many interesting twists on the concept that it always feels fresh. In addition to pointing out what makes the movie work, we’ve got a bunch of nerdy questions about its premise, the multiverse, where you can find C4 and a policeman’s uniform on short notice, and the ultimate disposition of one very strange goat.

Want to pick up a comic book or graphic novel and don’t know where to start? Our panel has a bunch of very different ideas for you to choose from! We’ve made a list of nearly two dozen for you to try—all available in collections, all ready to pick up without knowing anything about history or backstory or continuity or anything.

It’s our annual read of the annual science fiction and fantasy shortlist, the Hugo Awards nominees! Our panelists catch up on the three books that weren’t covered in our Nebula Awards episode, and then Jason and Erika spend a little time on the short fiction nominees. And the raging debate on whether a planet is space or not continues!

Alex Garland has followed up his film “Ex Machina” with another philosophical drama about technology, the miniseries “Devs.” It’s unique, beautiful, thought provoking, and doesn’t remotely stick the landing. We spend a lengthy pre-Spoiler Horn slot discussing why you might want to watch it (and why you might not), and then we break down the strengths and weaknesses of the show overall and the final episode in particular.

It’s time to take a trip back to Vietnam and discuss Spike Lee’s new film, “Da 5 Bloods”! We discuss Netflix’s decision to release the movie right now, the plot’s many twists and turns, and all of the ways Spike Lee incorporates references to other genres and directors. Plus, heaps and heaps of praise for the cast.

They should have sent a poet, but instead we sent ourselves to celebrate the 23rd (it’s a prime number, as any alien would know) anniversary of the Robert Zemeckis film “Contact”, starring Jodie Foster in an adaptation of the novel by Carl Sagan. How do we reconcile the film’s debate about science and religion? Is this really two movies in one? How showy are the film’s set pieces and special effects? We’re ok to go—otherwise this podcast would be an awful waste of space.

Our walkthrough of “Buffy the Vampire Slayer” continues with season 5, in which Buffy inherits a sister with retcon powers, the gang loses someone close to them, and everyone realizes it’s time to grow up. Also, the Big Bad thinks she’s prettier than Buffy, but when you spend all that time around a bunch of gnomish lackeys, your aesthetic sense is bound to get a bit skewed.

It’s not 🧠🧬, it’s 🚀🔪. Emojipedia’s own Jeremy Burge joins our crew to watch the heck out of 2017’s “The Emoji Movie,” a very 💩 movie in which Patrick Stewart plays 💩 and we’re told that 🍆 belongs in the Loser Lounge.

Put on your Sunday clothes and get ready to patrol the trash heap that is Earth, because it’s time to discuss Pixar’s “Wall-E.” We cover the nearly dialogueless first act, whether the broader comedy on the B&L ship Axiom works, Fred Willard (RIP), and the greatness of Ben Burtt. Watch out for rogue robots!

We break down the third season of HBO’s “Westworld”, a show that we may appreciate more for the big swings that it takes rather than the number of times it actually connects. This just-finished season was messy, with one clear through-line and a bunch of other characters who are not served particularly well. We break down the character arcs for Dolores, Bernard, Dolores, Maeve, Dolores, Serac, and Dolores. There’s also praise for Marshawn Lynch (and his shirt), for the show’s continued excellent use of music, and we ponder who the emotional center of the show might actually be.

Old Movie Club takes on two distinctly different Raymond Chandler adaptations: 1946’s “The Big Sleep” (with Humphrey Bogart as Philip Marlowe) and 1973’s “The Long Goodbye” (with Elliott Gould as Marlowe). Both of them have twisty plots that unravel, leaving dead bodies behind. Women throw themselves at Bogie! Elliott Gould needs to buy cat food! Film Boir will never be the same.

We’ve completed our read of this year’s six Nebula Award nominees for best science fiction/fantasy novel of the year, and have returned with our opinions! And this year was a pretty good one, with very few of our readers experiencing the pain of bad books. From space opera to portal fantasy to Mexican mythology, there are almost certainly books on this list that will strike your fancy. Also, we debate the perennial question: Are planets in space?

Just sit right back and you’ll hear a tale A tale of a fateful show We drafted yet more TV themes And the theme song list did grow The guest list was a lengthy one The pickers came prepared If not for the courage of our editor The listeners would be scared So join us on your podcast app You’ll listen till you’re full It’s favorite TV theme songs Here on The Incomparable

Dan Moren joins Jason to discuss what went into writing his new novel, “The Aleph Extraction.” No spoilers for the story, but we do discuss how he builds characters, the optimal length of a novel, how writing a novel under contract is different from having years to write one without a publisher, and why Jason has access to the Galactic Cold War wiki.

This podcast is like a donut hiding inside the hole of another donut. That’s because we’re talking “Knives Out,” Rian Johnson’s twisty and clever murder mystery set in the family of a very rich and very awful family. We discuss the movie’s storytelling choices, debate whether it plays fair with all its flashbacks, ponder which of the family members is the least awful, and laugh about all the jokes. (And yes, if you listen to this episode before watching the movie, you’re a monster.)

Put on your best shaggy flannel, because it’s time to go back to the ’90s for another album draft! In this episode Jason is joined by a decade’s worth of panelists to choose our favorite music albums from the 1990s. And yet, somehow, some of our panelists were born in that very decade! Isn’t it ironic?

The final season of SyFy’s “The Magicians” is in the books, and we’re here to wrap it up, as well as share some overall thoughts on the series as the whole. But before we do that, we spend 17 minutes convincing you that it’s a show that’s absolutely worth watching.

Put on a white vest, climb in your Corvette, and whatever you do, don’t stir the cryo tanks! It’s the 50th anniversary of Apollo 13 and the 25th anniversary of “Apollo 13,” so we’re here to discuss Ron Howard’s film, starring Tom Hanks, Ed Harris and an enormous collection of character actors. The real-life story of Apollo 13 is so unlikely that if they made it into a movie, you’d never believe it—but in 1995 they did, and you will.

Engage! Season one of “Star Trek: Picard” is in the books, and so now it’s time to break it all down. Is Data’s death the overriding theme of the season? Does Picard’s final destination live up to the set-up? How did Hugh and Seven fare? Were the other visits from past cast members cheesy or good? How cool are Romulan warrior nuns? Who’s your favorite synth? And can storytelling ever be described as “lumpy?”

By the end of this episode we will sell several copies of “The Three E.P.s” by The Beta Band. It’s time to put on that horrible Cosby sweater and rearrange your record collection autobiographically. On the 20th anniversary of its release, we’re here to discuss one of our All-Time Top 5 movies featuring Lisa Bonet coming alive like Frampton, “High Fidelity.” Based on Nick Hornby’s novel, this film stars John Cusack as a bad boyfriend with a glimmer of hope at finding a clue, features a career-making performance from Jack Black as a gatekeeper fan with a surprising singing voice, and still resonates with us after two decades.

The Skywalker Saga is over—so what’s next for “Star Wars”? This week we’re suggesting potential directions for the franchise to go, on both the big and small screens. What kinds of movies should come next? Is Disney+ a development platform or the next big thing? Our team of franchise fans has no fiduciary responsibility and plenty of ideas!

This week we review the just-completed season of “Doctor Who.” It’s the second year for showrunner Chris Chibnall and star Jodie Whittaker, and this one felt like a real return to form after a tentative set of episodes in 2018. What do we make of the show’s canon-altering revelations? Which episodes were good and which ones were stinkers? How do you make the Cybermen interesting? How’s the fam holding up? Curl up in a haunted house—or just go sit on a lounge chair for three hours—and listen to this episode, followed by the Master’s TED Talk.

“Counterpart” is one of the best TV series in recent years, and in the U.S. it’s finally available in its entirety on Amazon Prime Video. In this episode, we generally discuss why this show is great and you should watch it, and then after the Spoiler Horn we dive in to discuss the show’s second and final season, how the world(s) come to be, and the meaning of the show’s final scenes.

We love NBC’s “The Good Place” so much, we couldn’t restrain ourselves to a single episode about its final season. Straight from The Medium Place, another group of Incomparable panelists wrap up The Good Place’s four-season run by walking through each season and reminiscing about the characters’ arcs. Plus, how well was the final season paced? Did we need more time to say goodbye to Team Cockroach?

NBC’s “The Good Place” recently completed its fourth and final season. We send off this instant television classic with a discussion of its view of the afterlife, philosophy, and dumb jokes. Did the final season’s shift in perspective work? Did the final episode provide the closure we wanted? Shut up, Glenn!

Make more mutants! Comic Book Club re-forms to discuss “House of X”/”Powers of X”, a paired set of comics miniseries that are an exciting new take on the X-Men. If you’re an old-school mutant fan who has been out of the business for years (like Jason), these 12 issues are a great read. They’re all available in a single collection, and the issues are also now rolling out weekly on Marvel Unlimited, so there are plenty of ways to partake. We discuss the politics of mutant separatism, the wisdom of backing up souls to a hard drive, the difference between Xavier and MLK, the many lives of Moira MacTaggart and how they free us from the burden of continuity, and much more. Finally, Moisés advises us on what to read among the follow-up series that were released in the wake of this book.

Climb aboard your spaceship and prepare your skin to be sparkly, because we’re discussing “To Be Taught, If Fortunate,” a novella from Becky Chambers, a writer we enjoy quite a lot. This is a story about science, adventure, sacrifice, and the difficulty of being away from home for a very, very long time. An interesting crew of characters explores strange, new worlds—while trying to fit in biologically. Sometimes it goes really well, and other times it doesn’t. Also: What are we reading?

On the occasion of our 500th episode, our most prolific panelists of all time draft their favorite episodes of The Incomparable and suggest new drafts for future episodes of the podcast.

Step into the alien architecture and watch out for death slugs, as we discuss season four of Amazon Prime Video’s “The Expanse.” We’re happy to have our characters saved from the clutches of the SyFy channel, but how has the transition to streaming been? Why are alien planets so much like quarries? Why is Avasarala so competent and unelectable? What shenanigans is Bobbie Draper getting into on Mars? Listen, or be spaced.

Grab a tracking fob and saddle up a bluurg, because it’s time to discuss “The Mandalorian,” the first live-action Star Wars TV series. Why is the show’s main character always wearing a mask? How much merchandise money did Disney forego in order to keep Baby Yoda a secret? Is the Mandalorian capable of providing an environment in which Baby Yoda can thrive? Why is serving tea so civilized? We’ve got to get us one of those jet packs.

Hi Bob! We continue our early 2020 survey of late 2019 TV favorites with “For All Mankind”, an Apple TV+ series from Ron Moore about a NASA space program that has taken some dramatic turns since Soviet Cosmonaut Alexei Leonov became the first person to set foot on the moon. We discuss the show’s balancing modern themes with its alt-historical context, how purely fictional and fictionalized historical characters fare, the merits of a weekly episode drop, lunar FaceTime and fax machines, and where it all might be headed in as the show’s second season (perhaps) reaches the 1980s.

There was a lot of great TV released in 2019, but if you ask us, there was none better than HBO’s “Watchmen”, which took a classic comic and tried to match it as a modern TV series. We discuss how the series dealt with race, superheroes, empire, masks, eggs, and legacy. Also: Will there be a second season? Should there be? Nothing ever ends, Adrian, especially if the spin-offs remain profitable. The initial file upload was broken in a spectacular way. Delete and re-download if you experience weird audio after 29 minutes.

Happy New Year! Another year has gone by, but we don’t want to miss the opportunity to take one last look back at 2019, as our most frequent panelists of the year share some of their favorite works and discuss their favorite Incomparable moments while we play some classic 2019 audio clips.

Our trilogy of panels about “The Rise of Skywalker” concludes with a discussion of the film’s themes, how Kylo Ren keeps sliding into Rey’s DMs, whether you can ever have enough “Star Wars”, and how “Star Wars” is a little bit like “Seinfeld.”

Our panel of rebel podcasters, striking again from their hidden base, present another perspective on “The Rise of Skywalker.” Why does James want to see evil droids? Does Liz find Ben Solo or Kylo Ren more intriguing? Can Chip be satisfied with the ending to this generation-defining saga? Why are we in the midst of a global Porg shortage? Guest host Antony Johnston will seek the answers.

The Dead Speak, and so do we! It’s our first panel reviewing “The Rise of Skywalker.” Can this film bear the gravitational pull of the eight previous Skywalker Saga films? Does it provide a proper ending? We discuss Rey’s parentage, Finn’s increasing abilities, Poe’s lessons in leadership, whether Kylo Ren can possibly be redeemed, Zen and the Art of X-Wing Maintenance, how the film balances honoring Carrie Fisher with serving Leia’s character arc, and much more.

Get out your flask of maple syrup, warm up your Lite Brites and Etch-A-Sketches, and check the Clausometer, because it’s time to tell the story of Buddy the Elf. It’s 2003’s “Elf”, the modern Christmas classic starring Will Ferrell. What are the theological implications of the seven levels of the candy cane forest? Why so many “Lord of the Rings” references? How can James Caan and everyone else at the publishing company be so bad at their jobs? Wait a second… this isn’t maple syrup!

Though Disney’s purchase of Fox clears all final hurdles in terms of rights to the original “Star Wars”, there’s still no way for anyone to watch the historic theatrical cuts of any of the original films. Instead, the new Disney+ streaming service now offers a 4K Special Edition with even more changes to the beloved classic. Is this the definitive version of “Star Wars” for the rest of eternity? Does Disney’s assumption of the franchise provide a new hope? Can Disney honor history and give fans what they want without negating George Lucas’s insistence that his Special Editions are the only editions? What is “Star Wars” and what will it be in the future? In this episode, we solve the whole thing. You’re welcome.

Old Movie Club finally takes on the big one, David Lean’s 1962 epic “Lawrence of Arabia.” Sand! Endurance! Men! Camels! Violence! Anticolonialism mixed with racism! Omar Sharif redefines thirst in the desert! The real romance in the movie without romance! This is a movie that builds myths with one hand and undermines them with the other. This episode has no overture, but there will be a brief intermission.