The Incomparable Mothership

Arr, matey! Not only be it days from the equinox, but it be International Talk Like a Pirate Day. What better time to wrap up the Summer of Spielberg with “Hook,” a (misguided?) Peter Pan sequel starring Robin Williams as Peter, Dustin Hoffman as Captain Hook, and Julia Roberts as Tinkerbell, all gallivanting around a very crowded and overlit stage-set version of Neverland. We discuss the movie’s appeal to early-nineties kids, Spielberg’s commercial sensibility as a director, and the film’s many misguided creative decisions. <p>Jason Snell with John McCoy, Kathy Campbell, Moisés Chiullán and Annette Wierstra.</p>

As we prepare to exit the Summer of Spielberg, things have taken a bit of a turn. We’ve taken out our surgical tools to diagnose just what went wrong with “Ready Player One,” in which a director who is much more interested in movies than video games and who himself deeply influenced 80s culture is put in charge of a too-faithful adaptation of a book about video games and 80s culture. We spent a lot of our time imagining a much better movie that could have been made instead of this one. <p>Jason Snell with Brian Hamilton, Erika Ensign, Annette Wierstra, Moisés Chiullán and Chip Sudderth.</p>

Hop on your tripod killing machine and watch out for common cold viruses — if it’s New Jersey, it must be an alien invasion! We cover 2005’s “War of the Worlds,” starring Tom Cruise as a dad who just wants to protect his kids from the end of the world. Well, maybe one of his kids. Screaming! Explosions! Implausible plot points! Not enough Miranda Otto! Maybe too much Tim Robbins! The 9/11 influence is strong in this one. <p>Jason Snell with Shelly Brisbin, Monty Ashley and Jean MacDonald.</p>

Stand up and prepare to operate your computer by waving your hands! The Summer of Spielberg continues with 2002’s “Minority Report,” a sci-fi noirish murder mystery combined with a vision of the future and a dose of social commentary. We discuss the future’s retinal-scanning obsession, Tom Cruise’s security eyes, and the amazing precog named Agatha. Is it now? I’m tired of the future. <p>Jason Snell with Erika Ensign, James Thomson, Monty Ashley and Annette Wierstra.</p>

The Summer of Spielberg turns its eyes to “A.I. Artificial Intelligence,” a project begun by Stanley Kubrick and completed by Steven Spielberg. Whether it works for you may hinge entirely on if you consider it a science-fiction story or a fairy tale. We marvel at some great performances, are frustrated by some creative choices, and in the end find ourselves applauding the boldness of the ending. (Now pass us some tissues, we’re ugly crying.) <p>Jason Snell with Erika Ensign, Cicero Holmes and Monty Ashley.</p>

The Summer of Spielberg continues with what was once the biggest movie of all time, “Jurassic Park.” And you know what? It holds up, though we have an awful lot of questions about John Hammond and his business choices. Unfortunately, we also watched the Spielberg-directed cash-grab sequel, “The Lost World: Jurassic Park.” <p>Jason Snell with Cicero Holmes, Kathy Campbell, Tony Sindelar and Jean MacDonald.</p>

Prepare your mashed-potato sculpture and zip up your red jumpsuit, because we’re about to discuss the 1977 film classic “Close Encounters of the Third Kind.” We discuss why this film is Steven Spielberg’s tapas, French-American UFO projects, “American Graffiti” with flying saucers, and much more. Plus Dan reveals a most unusual location to watch this film for the first time. It’s shaping up to be a real Summer of Spielberg. <p>Jason Snell with Cicero Holmes, Julia Skott, Annette Wierstra and Dan Moren.</p>

Grab a TemPad and step through a Time Door, because we’re discussing “Loki”, Marvel’s Disney+ series about how the god of Mischief met his match and learned to love himself. Along the way we talk about the “Doctor Who” references, the deep-cut comics references, the mighty Richard E. Grant, and the spectacular look and sounds of this outstanding series. <p>Jason Snell with Aleen Simms, Moisés Chiullán, Kathy Campbell and Nathan Alderman.</p>

Put on your catsuit and your tactical vest, because we’re about to talk about Marvel’s “Black Widow,” which some of us saw in theaters. (And some of us didn’t.) This is a movie delayed from pre-COVID times, it’s the first Marvel movie in the Disney+ era, and it’s set during 2016’s “Captain America: Civil War”—conveniently before the main character dies. With all that, it’s also a film that puts its title heroine at the center of a “Mission: Impossible” style story that’s also, strangely, about a couple of particularly messed-up families. <p>Jason Snell with Chip Sudderth, Dan Moren, Kelly Guimont and James Thomson.</p>

Get out your ice skates, baseball bats, kitchen knives, and samurai swords—pretty much any weapon at hand, because we’re watching 2011’s “Attack the Block”! While not officially part of the Cornetto Trilogy, this British alien-invasion film shares a lot of DNA with those movies, and it’s about as close an analog to “Shaun of the Dead” as you’ll find—but with the comedy dial turned down a bit. It features career-making performances by John Boyega and Jodie Whittaker, who went on to become the faces of famous sci-fi franchises. And after the last 10 years, some of the social commentary in this film hits home more than ever. Allow it! <p>Jason Snell with Antony Johnston, Lisa Schmeiser and James Thomson.</p>

Some people read with their eyeballs, and still others talk to their books—we do both! In part two of our three-part survey of novels shortlisted for 2021’s top SF and Fantasy awards, we’re discussing the magic and romance of “The Midnight Bargain” by C.L. Polk, the spooky “Mexican Gothic” by Silvia Moreno-Garcia, and the murderbotiness of “Network Effect” by Martha Wells. Plus, what else are we reading? <p>Jason Snell with Erika Ensign, Scott McNulty and Aleen Simms.</p>

Look, we love the Muppets. But the franchise has been very quiet lately. It’s time to get Muppet movies back on the big screen! And so in this episode, all our panelists pitch new Muppet movies we’d like to see. And along the way they do a bunch of Muppet voices, too, because of course they do. <p>Jason Snell with Philip Michaels, Stephen Hackett, Quinn Rose, Moisés Chiullán, Nathan Alderman, David J. Loehr, Monty Ashley and Kelly Guimont.</p>

Back in 2014, we read Helene Wecker’s novel “The Golem and the Jinni,” and we liked it! Little did we know that she was listening to us… and that she would end up as an Incomparable panelist! Now a sequel, “The Hidden Palace: A Novel of the Golem and the Jinni” has arrived! In this special episode, Jason and Helene discuss the first novel, how real life can intrude on a publishing schedule, the value and temptation of research, and how “The Hidden Palace” ultimately came together. <p>Jason Snell with Helene Wecker.</p>

Put on your capes because we’re flying into superhero action with season one of Prime Video’s “Invincible,” based on Robert Kirkman’s long-running comic. Before the Spoiler Horn, we’ll tell you why this show is worth watching—and warn you about how it mixes its love of brightly colored superhero imagery and storylines with logical but unrestrained violence and gore. Then we break down some of this adaptation’s interesting story choices and ponder where it might be headed in season two and three. <p>Jason Snell with Glenn Fleishman, Moisés Chiullán and James Thomson.</p>

We know there are a lot of superhero movies out there. Sometimes it seems like there are so many, it’s as if a random-number generator just assigned pieces of intellectual property to film directors. But where some might despair at this situation, we looked at it as an opportunity to harness the terrible power of the random-number generator and use our own creativity to assign the right directors to the right comic-book film projects. Now listen to our choices and try to tell us that any currently in-production films are any less ridiculous. <p>Jason Snell with Nathan Alderman, Monty Ashley, Lisa Schmeiser, Philip Michaels, Moisés Chiullán and David J. Loehr.</p>

Olo! It’s time to discuss an underappreciated superhero movie that’s only become more relevant after a decade full of superhero movies. It’s 2010’s “Megamind,” which transcends being an extrusion from the Dreamworks animation factory (well, except for its pop-music soundtrack) to become something greater. With an all-star cast led by Will Ferrell and Tina Fey, this is a great riff on the Superman mythos and the true meaning of destiny and heroism. Code: It’s great. <p>Jason Snell with Chip Sudderth, Annette Wierstra, David J. Loehr and Moisés Chiullán.</p>

Our Book Club returns with a new way to approach this year’s SF novel shortlist: we’re reading all the Hugo and Nebula novels in three batches. First up: “Black Sun,” “The City We Became,” and “Piranesi.” Plus: What are we reading? <p>Jason Snell with Erika Ensign, Scott McNulty and Aleen Simms.</p>

Don your winged jetpack and strap on your cybernetic arm, because it’s time to fight over a shield. Marvel’s second Disney+ series, “The Falcon and the Winter Soldier” picks up the story of two of Captain America’s pals as they confront serious societal issues, the representation of America in the modern age, and a gaggle of super-powered foes. It’s a show that takes some big swings, even if it does get a bit muddled, and we discuss its ambitions, what it gets right, and where it misses the mark. <p>Dan Moren with Kelly Guimont, Lisa Schmeiser, James Thomson and Nathan Alderman.</p>

Drop the camcorder and whatever you do, don’t run toward the bridge! 2008’s “Cloverfield” mixes giant monsters, post-9/11 reactions to urban destruction, rom-com tropes, “Jaws” style monster hiding, and found footage shaky-cam into an incredibly intense movie experience. Does it matter that the main characters are generic, or does it actually help? Is this a slasher film or more of a smasher film? Why did it kick off a nonsensical franchise of unrelated movies? And if it was made today, how would it be different? (Hint: Less shaky-cam!) Find a quiet place to hide somewhere and join us! <p>Jason Snell with Annette Wierstra, Moisés Chiullán, Jean MacDonald and James Thomson.</p>

We have reached the end (for now) of Miyazaki Club. So we gather back together to consider why we’re drawn to Hayao Miyazaki’s work, how we define the differences between films as different as “Ponyo” and “Spirited Away,” a list of the director’s favorite things, subs versus dubs, the music of Joe Hisaishi, and which of Miyazaki’s movies we all prefer. <p>Jason Snell with John Siracusa, Aleen Simms and Steve Lutz.</p>

After years of Monty telling us we should watch it, we’ve given in. It’s time to discuss 1981 South African karate movie “Kill and Kill Again,” a film featuring many middle-aged men kicking people, as well as a James Bond-style plot about a madman who wants to take over the world via an unusual application of potatoes. We cover strange ties to “CSI: Miami” and “The A-Team,” introduce you to the wonders of Hot Dog and his bag of tricks, weigh the movie’s knowing sexism against its unflinching racism, and contemplate Villanous Operations and how they are named. Also, Jason has a tight five about t-shirts.

In space, all warriors are cold warriors! An ecological disaster leads to the breakup of an enemy empire, but in “Star Trek VI: The Undiscovered Country” it’s the Klingon moon Praxis subbing in for the Soviet power station Chernobyl. Kirk and company struggle with their animosity toward the Klingons, but we are more concerned with what graduate school Gorkon’s daughter went to, the Klingon guard who carries a box, the one Klingon who laughed at McCoy’s joke, the importance of gaseous anomalies to Federation politics, and the lack of respect given to the Enterprise court reporter. Discussing this movie must’ve been our lifelong ambition.

Six episodes ago, Jason made Phil mad by suggesting that “Chariots of Fire” and “Amadeus” might not be worthy of their Academy Awards for Best Picture. This episode is Phil’s revenge, as we watch two acclaimed early-80s films and see how well they hold up. They’re both period pieces, but one is set to the electronic sounds of Vangelis and the other to the classical masterpieces of Mozart. Running in slow motion has never looked better, and there’s never been more braying laughter in a film!

Shakespeare Club returns! “The Taming of the Shrew” is a Shakespeare play that’s crying out to be adapted for modern audiences, which is why it keeps being adapted—with varying degrees of success. We discuss the play, the unpleasant Franco Zeffirelli 1967 film starring Richard Burton and Elizabeth Taylor, the film and TV versions of Cole Porter’s “Kiss Me, Kate,” the teen rom-com “10 Things I Hate About You,” and even the 1980s TV adaptation on “Moonlighting,” which might be the best of the bunch? What we’re saying, Shakespeare, is that we’ve got some notes.

It’s a classic sitcom! It’s a Marvel movie! It’s both! It’s the first Disney+ MCU show, “WandaVision.” And it managed to be a walk through television history while simultaneously being an exploration of the stages of grief. Plus, an android in a turtleneck! We break it all down, from where Wanda and Vision go from here to what Monica Rambeau, Darcy Lewis, and Jimmy Woo should be doing next. Tune in, won’t you?

Is this the end of Miyazaki Club? Probably not, but we’ve reached the end of our survey of all the feature films he’s directed with “Porco Rosso,” the story of a pig man, the airplane he loves, the woman he doesn’t feel worthy to love, and the seaplane pirates who terrorize the Adriatic after World War I. There are lots of clouds and planes and boats, as you might expect.

The sixth season of “Buffy the Vampire Slayer” features dark and unpleasant themes, a painful magic-as-heroin allegory, and creative decisions that manage to be cruel to both the show’s characters and its audience. But there’s also a musical!

We discuss the latest season of Amazon’s “The Expanse,” which separates its main characters for storylines all across the solar system. How well does that approach work? How do Amos and Peaches differ? Why should Alex never be a detective? And do we hate Marco Inaros the appropriate amount?

We’re using our powers over space and time to capriciously right wrongs throughout movie history. That’s right, it’s the Bad Best Picture Draft, in which our panelists will select a Best Picture Oscar winner, take its statuette away, and hand it to a more deserving winner.

Miyazaki Club gets weird with “Ponyo,” a story of a fish who gets the taste of human blood, lives in a bucket, can cure all diseases with a lick, and just wants to be human. Also there’s a plot for the sea to sweep away humanity, and the Moon comes perilously close to Earth. But cute!

After a long gap, our Book Club reconvenes, and if they can remember Micaiah Johnson’s “The Space Between Worlds,” they’ll recommend it to you. It’s a story about identity and society set across parallel worlds that are even more similar than they initially appear to be. Also, what else have we read lately? Curl up with a good book and keep an eye out for parallel-universe warlords!

From Canada comes “Letterkenny,” an unlikely comedy series about rural hicks, burnouts, and hockey players that’s hyper-verbal, charmingly prone to a donnybrook, and one of the funniest things we’ve watched recently.

Let’s fly! Our panel discusses the just-completed third season of “Star Trek: Discovery,” including new characters, future technologies, turbolifts that are bigger on the inside, and how Saru is very much like Poochie.

This week we’re discussing Pixar’s “Soul,” a film about the meaning of life, but also occasionally a wacky comedy about a talking cat or a dream pirate! But mostly the meaning of life. Watch out for the great Bug Zapper in the sky!

It’s time for our annual look back at the year gone by, and what a year it was! Still, we managed to watch, read, and listen to some great stuff this year. As is our custom, our panelists and listeners pick favorite Incomparable episodes and moments. This year, a panelist gets stuck inside a clip, and then Jason has to explain the Skeletor Clip Loop to a first-time Clip Show panelist who is not sure it really exists. It does—and 2021 is the year we fight back.

Is this the way? We break down the second season of “The Mandalorian,” which sees our title character struggling with his own identity as a Mandalorian as well as coming to grips with the important task of protecting the child that he’s been caring for. What’s the difference between good and bad fan service? How many different spin-off shows were being set up this season? And we workshop a Baby Yoda sitcom.

The Kilmas season reaches its peak with a fantasy film about a fellowship of people small and large who must journey far at the behest of a wizard, carrying something that may lead to the complete destruction of a kingdom. Except the thing isn’t a ring, it’s a baby. It’s 1988’s “Willow,” a charming movie with swords, sorcery, brownies (the bad kind), love potions, cartoonish snowballs, magic acorns, dangerous dragons, and even a magic trick or two. Merry Kilmas, one and all!

Kilmas rolls on with Val Kilmer’s first screen role, as the Elvis-like Nick Rivers—who is sent to East Germany and falls into a plot to destroy NATO submarines. But don’t sweat it, this is “Top Secret!”, from the same people who made “Airplane!” and “The Naked Gun,” so it’s really all about the jokes. So many jokes. We rave about some, and remain extremely perplexed about others. But you know who makes the whole thing work? Yep, Val Kilmer, that’s who.

Merry Kilmas! We begin our seasonal celebration of actor Val Kilmer with one of his most mysterious works, 1996’s “The Island of Dr. Moreau.” You’ll go in wanting to see Marlon Brando and David Thewlis, but you’ll exit talking about Goat Man and Dog Butler and why the last half hour of the film makes no sense at all. It’s a legendary disaster of a movie, and maybe that’s what Kilmas is all about!

Pick up a baseball bat and climb into the Woodie car that’s bigger on the inside, because it’s time to discuss HBO’s “Lovecraft Country.” This is a breathtakingly ambitious multi-genre anthology series with recurring characters. It’s about race and sex and society and love and hideous supernatural monsters. It’s set in the Jim Crow era, but also the past and the future and other planes of existence. And if you like the genres that we cover on The Incomparable, it’s worth your time.

Happy Life Day! To celebrate this important occasion, The Incomparable hereby presents a commentary track, to be viewed alongside The Star Wars Holiday Special. You’ll need to find the Holiday Special via the usual rebel channels. We watched the version with ads in it, so if you find a different version, pause the show during the ads.

It’s silly draft time! In this episode we’re drafting TV series that only lasted a single season. No, miniseries and unaired pilots and shows that got a second season don’t count! Also, everyone gets “Firefly.”

Game over, man, game over! We return to the world of xenomorphs and Weyland-Yutani Corp. as we discuss 1986’s “Aliens,” James Cameron’s fascinating follow-up to the Ridley Scott original. We discuss space marines, alien-friendly elevators, white milky blood, and subsequent Alien movies that are very much uncanonical.

It’s one of the best things on television right now. It’s “What We Do in the Shadows,” a show that honors vampire lore while placing them in ridiculous mundane situations. A mockumentary sitcom featuring vampires might seem like an entry from TV Mad Libs, but this show (based on an indie feature film also by Jemaine Clement and Taika Waititi) uses its stellar cast and sharp writing to create a bizarre world of energy vampires, complaining familiars, new-age witches, and—the horror—local politics.

Football is life! But even if you don’t care about sports, you should still watch “Ted Lasso” on Apple TV+. It’s a very funny show that’s also full of empathy and respect for its characters, which never goes for the cheap joke, and takes the tropes of every sports movie you’ve seen and uses them in ways you’re not expecting. And we’ve left plenty of space before the Spoiler Horn for our cross-Atlantic panel to explain why you should watch it and why we love this fusion of American and English sensibilities. We believe in Ted Lasso, and you will too.

Duck into the prone position and aim your bow, because it’s time for us to talk about “The Last of Us Part II”, the sequel to a beloved apocalyptic video game. We follow the characters on their pursuit of cross-country revenge, filled with flashbacks and the infected. But on this journey, as we trade our adrenaline for tears, we learn that we were the last of us all along.

It’s time to play the music It’s time to light the lights It’s time to draft the Muppets On the Incomparable tonight

Once more unto the breach, dear friends! This episode kicks off a new recurring feature, Shakespeare Club. Our first subject is “Henry V.” We watch Kenneth Branagh’s 1989 film and discuss Shakespeare’s Expanded Henry Universe, tennis balls, d’elbow, and what a jerk young Harry actually is.

Our Old Movie Club takes on two Billy Wilder comedies from 1939 and 1959, to see if they still hold up 81 and 61 years later. Erika Ensign’s selection is “Midnight,” starring Claudette Colbert and Don Ameche, and Philip Michaels counters with “Some Like It Hot,” starring Jack Lemmon, Tony Curtis, and Marilyn Monroe. Both films are about people pretending to be something they aren’t. And then the fun begins… hopefully!

Launch the Photon Torpedoes! In this episode we’re drafting mostly obscure characters from all of Star Trek lore, and creating our own TV series pitches with the results. If you think our drafts have gone off the rails before, you haven’t seen anything yet!