The Book Review

Salman Rushdie's "Knife: Meditations After an Attempted Murder," has been nominated in the nonfiction category as part of this year's National Book Awards, which will take place in mid-November. This week, we are running Rushdie's conversation with Ezra Klein from earlier this year. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The actor-director-producer Stanley Tucci is also, famously, an avid eater, who has explored his enthusiasm for food through his travel show “Searching for Italy” and through two books: “Taste,” in 2021, and now a food diary, “What I Ate in One Year." In this week’s episode, Tucci discusses his new book with host Gilbert Cruz and talks about bad meals, his food idol and his path to tracking a year’s worth of eating.“The people at Simon & Schuster wanted me to write another book after ‘Taste,’ and I really didn’t know what to write,” Tucci says. “My wife said, Just write what you eat. So I did, because I do everything she says. And it actually ended up being such a pleasure to write. It just flowed very easily. As you start to write about the mundane, you start to mine all this stuff that you didn’t know you were thinking about, or that was happening. And that’s what the book is. It’s, in essence, the passage of time through the prism of food.”Also on this week’s episode, Gilbert chats with Joumana Khatib about the National Book Award finalists in fiction and nonfiction. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In 2021, the novelist Jean Hanff Korelitz had a hit with “The Plot,” a book that was partly a mystery, partly a thriller and entirely a delicious sendup of the publishing industry. It told the tale of a once-promising writer, Jacob, who steals somebody else’s story idea and reaches undreamed-of levels of success before things go very badly for him.Korelitz’s new novel, “The Sequel,” is — yes — a sequel to “The Plot.” It follows Jacob’s widow, Anna, who has unexpectedly become a writer herself, only to be confronted with her own dark secrets. On this week’s episode, Korelitz talks with the host Gilbert Cruz about the writing life, the shape of her career and her decision to write a sequel to “The Plot.”We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected]. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jo Hamya’s novel “The Hypocrite” follows a famous English novelist as he watches a new play by his daughter, Sophia, in London. The lights go down in the theater, and immediately the novelist realizes: The play is about him, the vacation he took with Sophia a decade earlier and the sins he committed while they were away.The novel is an art monster story and a dysfunctional family saga that explores the ethics of creating work inspired by real life. In this week’s episode, the Book Review’s MJ Franklin discusses the book with editors Joumana Khatib and Lauren Christensen. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This weekend marks the official start of autumn, so what better time to take a peek at the fall books we’re most excited to read? On this week’s episode, Gilbert Cruz chats with Joumana Khatib and Anna Dubenko about the upcoming season of reading and the books on the horizon that they’re looking forward to most eagerly.Books mentioned in this week’s episode:“Intermezzo,” by Sally Rooney“Playground,” by Richard Powers“Sonny Boy: A Memoir,” by Al Pacino“Cher: The Memoir, Part One,” by Cher“The Sequel,” by Jean Hanff Korelitz“Be Ready When the Luck Happens,” by Ina Garten“We Solve Murders,” by Richard Osman“Creation Lake,” by Rachel Kushner“V13: Chronicle of a Trial,” by Emmanuel Carrère“Absolution,” by Jeff VanderMeer“Lazarus Man,” by Richard Price“Rejection,” by Tony Tulathimutte“Colored Television,” by Danzy Senna“Health and Safety,” by Emily Witt“Patriot: A Memoir,” by Alexei Navalny“The Message,” by Ta-Nehisi Coates“The Serviceberry,” by Robin Wall Kimmerer“Revenge of the Tipping Point,” by Malcolm Gladwell“From Here to the Great Unknown,” by Lisa Marie Presley“The City and Its Uncertain Walls,” by Haruki Murakami Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Robert Caro’s 1974 biography “The Power Broker” is a book befitting its subject, Robert Moses — the unelected parochial technocrat who used a series of appointed positions to entirely reshape New York City and its surrounding environment for generations to come. Like Moses, Caro’s book has exerted an enduring and outsize influence. This week, Caro joins the podcast and tells the host Gilbert Cruz how he accounts for its enduring legacy.“People are interested in power,” Caro says. “This is a particular kind of power. Robert Moses’ power was unchecked power. We all live in a democracy where we think that power comes from our votes at the ballot box. He was a man who was never elected to anything and he held on to power for 44 years, almost half a century. And with the power, this man who wasn’t elected to anything shaped New York and its surrounding suburbs. So I think, if you’re interested in government, you have to say, as I said maybe 55 years ago when I started this, How did he do it? What happened here?” Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The British writer Kate Atkinson has had a rich and varied career since her debut novel, “Behind the Scenes at the Museum,” won the Whitbread Book of the Year award in 1996; her 14 subsequent books have included story collections, historical fiction and an inventive speculative novel, “Life After Life,” that landed on the Book Review’s recent survey of the 100 Best Books of the 21st Century.But she may be best known for her Jackson Brodie series of crime novels, which began with “Case Histories” in 2004 and was later adapted into a British television show. The sixth book in the series, “Death at the Sign of the Rook,” has just been released, and from the title to the plot to the cast of characters it pays winking homage to the golden age of English cozy mysteries. Atkinson visits the podcast this week to discuss her new novel, and tells The Times’s Sarah Lyall how she approached her tribute to an earlier era. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

As part of its recent "100 Best Books of the 21st Century" project, The New York Times Book Review is interviewing some of the authors whose books appeared on the list. This week, Isabel Wilkerson joins host Gilbert Cruz to discuss "The Warmth of Other Suns," her sweeping history of the movement of Black Americans from the south to points north over the course of the 20th century. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This July, The New York Times Book Review published a list of The 100 Best Books of the 21st Century. The top choice was “My Brilliant Friend,” by Elena Ferrante, translated by Ann Goldstein.The book is the first novel in Ferrante’s so-called Neapolitan quartet, which tracks the lifelong friendship between Lenù and Lila, two women from a rough neighborhood in Naples, Italy, even as family, relationships and work pull their lives in different directions.In this week’s episode, MJ Franklin discusses the book with fellow editors Joumana Khatib, Emily Eakin and Gregory Cowles. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

As part of its recent 100 Best Books of the 21st Century project, The New York Times Book Review is interviewing some of the authors whose books appeared on the list. This week, Jennifer Egan joins host Gilbert Cruz to discuss her Pulitzer-winning novel about the music industry, “A Visit From the Goon Squad,” and talks, among other things, about the early challenges it faced in finding an audience, the meaning of its title and her initial reluctance to decide whether the book was a novel or a story collection. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A summer camp in the Adirondacks. A rich girl gone missing, 14 years after her older brother also disappeared. A prominent local family harboring dark secrets. Liz Moore’s new novel, “The God in the Woods,” turns these elements into a complex and suspenseful meditation on parenting and social class and the rituals of summer friendship.On this week’s podcast, Liz Moore chats with Gilbert Cruz about her new novel. (Spoiler alert: the last 10 or so minutes address the book's ending.) Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It’s August, which means that Labor Day and back-to-school are just around the corner. The vacation that seemed so leisurely a month ago suddenly feels a little more frantic. But there’s still time to squeeze in a last batch of summer reading. On this week’s episode, host Gilbert Cruz chats with his colleagues Joumana Khatib and Anna Dubenko about the books that have been occupying their attention this season.Books mentioned on this episode:"Talk," by Linda Rosencrantz"Crossroads," by Jonathan Franzen"You Like It Darker," by Stephen King"Transactions in a Foreign Currency," by Deborah Eisenberg"Veronica," by Mary Gaitskill"The Bright Sword," by Lev Grossman"Asymmetry," by Lisa Halliday"Out," by Natsuo Kirino"The God of the Woods," by Liz Moore"The Devil's Grip," by Lina Wolff"Those Who Leave and Those Who Stay," by Elena Ferrante"Spy Hook," by Len Deighton"All Fours," by Miranda July Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

As part of its recent "100 Best Books of the 21st Century" project, The New York Times Book Review is interviewing some of the authors whose books appeared on the list. This week, George Saunders — who had three books on the list, including his short story collections "Pastoralia" and "Tenth of December" — joins host Gilbert Cruz to discuss his novel "Lincoln in the Bardo." Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Sarah Jessica Parker has been a familiar presence on TV, movie screens and Broadway stages for five decades. But since 2016 she has also been a force in the book world, initially at the helm of the fiction imprint SJP for Hogarth and for the past two years with SJP Lit, an imprint at the independent publisher Zando.Parker visits the podcast this week to chat with the host Gilbert Cruz about her lifelong love of reading, the kinds of books that excite her most and her entry into the publishing business, among other topics.“I just keep learning,” Parker says. “And I think, every time I feel ill equipped, I just recommit to the idea of what books have meant to me since, well, my entire life, literally my entire life, and how I can help an author. … Every year we do this whistlestop of going to literary agents’ offices and just reminding them of the imprint and what we've published and who we're about to publish and the mission of our particular imprint. Because I think people have every right to assume those ideas — ‘dilettante,’ ‘not deserving’ or, like I said, ‘ill equipped.’ People have spent, you know, their whole lives in higher education, and then they come out and pursue this dream of being in publishing in a variety of jobs. And I didn't. And I was very concerned about perception, but also my own concerns for myself about taking care of a writer.” Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

As part of its recent "100 Best Books of the 21st Century" project, The New York Times Book Review is interviewing some of the authors whose books appeared on the list. This week, Min Jin Lee joins host Gilbert Cruz to discuss her novel, as well as the book she's read the most times — George Eliot's "Middlemarch."“I’m willing to say it’s the best English language novel, period. Without question,” Lee says. “George Eliot is probably the smartest girl in the room ever as a novelist. She really was a great thinker, a great logician, a great empathizer and also a great psychologist. She was all of those things. And she was also political. She understood so many aspects of the human mind and the way we interact with each other. And then above all, I think she has a great heart.” Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Patricia Highsmith’s 1955 thriller “The Talented Mr. Ripley” follows a young, down-on-his-luck scammer, Tom Ripley, who is looking to reverse his fortunes. When he receives a job offer to go to Italy and retrieve Dickie Greenleaf, a rich socialite on an endless holiday, Tom finds the perfect opportunity to work his way into the upper crust. But as he becomes more and more obsessed with Dickie and Dickie’s life, the breezy getaway turns into something much more sinister, sending them down a dangerous path.In this week’s episode, the Book Review’s MJ Franklin discusses the book with his colleagues Tina Jordan, Sadie Stein and Sarah Lyall, our thrillers columnist. Caution: Spoilers abound. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

As part of its recent "100 Best Books of the 21st Century" project, The New York Times Book Review is interviewing some of the authors whose books appeared on the list. This week, two-time Pulitzer Prize winner Colson Whitehead joins host Gilbert Cruz to discuss his 2016 novel. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Lev Grossman, author of fantasy novel "The Magicians" and its two sequels, joins host Gilbert Cruz to talk about writing his version of Camelot in "The Bright Sword: A Novel of King Arthur." Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week The New York Times Book Review rolled out the results of an ambitious survey it conducted to determine the best books of the 21st century so far. On this week’s episode, Gilbert Cruz chats with fellow editors Tina Jordan, Scott Heller and Joumana Khatib about the results of that survey and about the project itself, including the willingness of some participants to let us share their ballots with the public. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Rita Bullwinkel’s impressive debut novel, “Headshot,” follows eight teenagers fighting in the Daughters of America Cup, a youth women’s boxing tournament staged in a dilapidated gym in Reno. Each chapter details a match between fighters, bout after bout, until finally a champion is declared.We are thrown into the high-octane theater of each fight, as the boxers work to defeat their opponents. But we also explore each girl’s life, with flashes into the past and the future and into the girls’ minds as they reckon with their intense desires to make something of themselves.In this week’s episode, the Book Review’s MJ Franklin discusses the book with his colleagues Joumana Khatib and Lauren Christensen. Caution: Spoilers abound. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Every family has its stories, and every family has its drama — and some families, like the one the actor and director Griffin Dunne was born into, have an excess of both. His uncle was the writer John Gregory Dunne, his aunt was Joan Didion and his father was Dominick Dunne, who became famous for his Vanity Fair dispatches from the trial of the man who killed his daughter (and Griffin’s sister) Dominique.On this week’s episode of the Book Review podcast, Dunne talks about his book, “The Friday Afternoon Club: A Family Memoir.” Of waiting to write it until his father, uncle and aunt had died, Dunne said he needed the distance: “I had the perspective on just how remarkable those three were as writers, what an influence they had on my life.” Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Summer is upon us and you're going to need a few books to read. Book Review editors Elisabeth Egan and Joumana Khatib join host Gilbert Cruz to talk through a few titles they're looking forward to over the next several months.Books discussed in this episode:"Farewell, Amethystine," by Walter Mosley"The Cliffs," by J. Courtney Sullivan"Horror Movie," by Paul Tremblay"Liars," by Sarah Manguso"The God of the Woods," by Liz Moore"The Bright Sword," by Lev Grossman"Pearl," by Sian Hughes"Sandwich," by Catherine Newman"The Future Was Now," by Christopher Nashawaty"An Honest Woman: A Memoir of Love and Sex Work," by Charlotte Shane Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

For many years now, Elin Hilderbrand has published a novel every summer set on the island of Nantucket. With her 30th book, 'Swan Song,' the bestselling author says she will step off that hamster wheel and try something new. On this week's episode, she and host Gilbert Cruz talk about her career, what she's reading, and what's next. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The broad outlines of "James" will be immediately familiar to anyone with even a basic knowledge of American literature: A boy named Huckleberry Finn and an enslaved man named Jim are fleeing down the Mississippi River together, each in search of his own kind of freedom.But where Mark Twain’s “Adventures of Huckleberry Finn” treated Jim as a secondary character, a figure of pity and a target of fun, Percival Everett makes him the star of the show: a dignified, complicated, fully formed man capable of love and wit and rage in equal measure.In this week’s episode, the Book Review’s MJ Franklin discusses the book with his colleagues Joumana Khatib and Gregory Cowles. Caution: Spoilers abound. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The year 1986 was notable for two big disasters, both of them attributable to human error and bureaucratic negligence at competing super powers: the Chernobyl nuclear accident in the Soviet Union and the explosion of the Space Shuttle Challenger in the United States.The journalist Adam Higginbotham wrote about Chernobyl in his 2019 book, “Midnight in Chernobyl.” Now he’s back, with a look at the American side of the ledger, in his new book, “Challenger: A True Story of Heroism and Disaster on the Edge of Space.” On this week’s episode, Higginbotham tells host Gilbert Cruz why he was drawn to both disasters, and what the Challenger explosion revealed about weaknesses in America’s space program.“There was certainly a lot of hubris and complacency that led into this accident,” Higginbotham says. “In complex decision-making processes like those leading to the Chernobyl accident and the Challenger disaster, those concerned with making the decisions start off with a series of extremely carefully governed and defined practices for what constitutes acceptable risk and normal behavior. And then gradually over time, they subtly and almost unconsciously expand what they deem to be acceptable without even realizing it." Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In the world of fantasy fiction, Leigh Bardugo is royalty: Her Grishaverse novels are mainstays on the young adult best-seller list, her “Shadow and Bone” trilogy has been adapted for a Netflix series and her adult novels “Ninth House” and “Hell Bent” established her as a force to reckon with in the subgenre known as dark academia.Now Bardugo is back with a new fantasy novel, “The Familiar,” and it’s also her first work of historical fiction: Set during the Inquisition in 16th-century Spain, it deals with literal royalty (King Philip II of Spain) through the story of a young scullery maid who happens to possess some magical abilities. This week on the podcast, Gilbert Cruz talks with Bardugo about her career, her writing process and her decision to write a historical novel Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Colm Tóibín’s 2009 novel “Brooklyn” told the story of a meek young Irishwoman, Eilis Lacey, who emigrates to New York in the 1950s out of a sense of familial obligation and slowly, diligently begins building a new life for herself. A New York Times best seller, the book was also adapted into an Oscar-nominated movie starring Saoirse Ronan — and now, 15 years after its publication, Tóibín has surprised himself by writing a sequel.“Long Island,” his new novel, finds Eilis relocated to the suburbs and, in the opening scene, confronting a sudden crisis in her marriage. On this week’s podcast, Tóibín talks to Sarah Lyall about the book and how he came to write it. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

How to explain the British writer Dolly Alderton to an American audience? It might be best to let her work speak for itself — it certainly does! — but Alderton is such a cultural phenomenon in her native England that some context is probably helpful: “Like Nora Ephron, With a British Twist” is the way The New York Times Book Review put it when we reviewed her latest novel, “Good Material,” earlier this year.“Good Material” tells the story of a down-on-his-luck stand-up comic dealing with a broken heart, and it has won Alderton enthusiastic fans in America. In this week’s episode, the Book Review’s MJ Franklin discusses the book with his colleagues Emily Eakin and Leah Greenblatt. Caution: Spoilers abound! Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Simon & Schuster is not growing old quietly.The venerable publishing house — one of the industry’s so-called Big 5 — is celebrating its 100th birthday this month after a period of tumult that saw it put up for sale by its previous owner, pursued by its rival Penguin Random House in an acquisition bid that fell apart after the Justice Department won an antitrust suit, then bought for $1.62 billion last fall by the private equity firm KKR.With conditions seemingly stabilized since then, the company is turning 100 at an auspicious time to celebrate its roots and look to its future. On this week’s episode, Gilbert is joined by Simon & Schuster’s publisher and chief executive, Jonathan Karp, to talk about the centennial and what it means.“It was a startup 100 years ago,” Karp says. “It was two guys in their 20s. Richard Simon and Max Schuster. They were just a couple of guys who loved books. And they made a decision that they wanted to read every book they published. … The first book was a crossword puzzle book. It was a monster success. They’d actually raised $50,000 from their friends and family. They didn’t need it. They returned the money. And the company was up and running.”We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected]. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This month marks the 50th anniversary of the publication of Stephen King’s first novel, “Carrie.” In the decades since, King has experimented with length, genre and style, but has always maintained his position as one of America’s most famous writers.On this week’s episode, host Gilbert Cruz talks to the novelist Grady Hendrix, who read and re-read many of King’s books over several years, writing an essay on each as well as King superfan Damon Lindelof, the TV showrunner behind shows such as “Lost” and “The Leftovers.”Some of the books discussed in this episode: "Carrie," "Cujo," "Duma Key," "From a Buick 8," "The Tommyknockers," "The Stand," and "The Long Walk."Some of the articles referenced:Grady Hendrix's Stephen King essaysWhen Damon Lindelof, Carlton Cuse and J.J. Abrams met Stephen KingStephen King reviews Tom Perrotta's "The Leftovers" Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Earlier this month, the Book Review’s staff critics — Dwight Garner, Alexandra Jacobs and Jennifer Szalai — released a list of 22 novels they have found reliably funny since Joseph Heller’s landmark comic novel “Catch-22” came out in 1961. On this week’s episode, they tell Gilbert Cruz why “Catch-22” was their starting point, and explain a bit about their process: how they think about humor, how they made their choices, what books they left off and what books led to fights along the way. (“American Psycho” turns out to be as contentious now as it was when it was first published.)“There are only a very few number of books in my lifetime that have made me laugh out loud,” Jacobs says. “And some of them no longer make me laugh out loud, because the thing about humor is it’s like this giant shifting cloud, this shape-shifting thing that changes over the course of our lives and also the life of the culture.”We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected]. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

If you're familiar with Tana French, it's likely for her Dublin Murder Squad series of crime novels that kicked off in 2007 with "In the Woods." But her new book, "The Hunter," a sequel to 2020's "The Searcher," takes place outside of that series.In this episode of the podcast, speaking to Sarah Lyall about her shift to new characters, French said, "I wasn't comfortable with sticking to the detective's perspective anymore. I think from the perspective of a detective, a murder investigation is a very specific thing. It's a source of power and control. It's a way that you can retrieve order after the disruption that murder has caused. But I kept thinking there are so many other perspectives within that investigation for whom this investigation is not a source of power or control or truth and justice. It's the opposite. It's something that just barrels into your life and upends it and can cause permanent damage." Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Frank Herbert’s epic novel “Dune” and its successors have been entrenched in the science fiction and fantasy canon for almost six decades, a rite of passage for proudly nerdy readers across the generations. But “Dune” is experiencing a broader cultural resurgence at the moment thanks to Denis Villeneuve’s recent film adaptations starring Timothée Chalamet. (Part 2 is in theaters now.)This week on the podcast, Gilbert Cruz talks to The Times’s critic Alissa Wilkinson, who covers movies, culture and religion, about Herbert’s novel, Villeneuve’s films and the enduring hold of Fremen lore on the audience’s imagination.“There’s a couple things that I think are really unsettling in ‘Dune,’” Wilkinson says. “One is, the vision of Frank Herbert was, I believe, to basically write a book that questioned authoritarians and hero mythology genuinely, across the board. Any kind of a hero figure he is proposing will always have things and people come up alongside that hero figure that distort their influence. Even if they intend well, if they’re benevolent, there’s still all of this really awful stuff that comes along with it. So Paul is a messiah figure — we believe he wants good things for most of the book — and then he turns on a dime or it feels like he might be turning on a dime. You can never quite tell where anyone stands in this book. And I think that is unsettling, especially because so many of the other kinds of things that we watch — the superhero movies, “Star Wars,” whatever — there’s a clear-cut good and evil fight going on. Good and evil don’t really exist in ‘Dune.’”We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected]. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It’s not often that the Academy Awards give the publishing world any gristle to chew on. But at this year’s Oscars ceremony — taking place on Sunday evening — one of the Best Picture contenders is all about book publishing: Cord Jefferson’s “American Fiction” is adapted from the 2001 novel “Erasure,” by Percival Everett, and it amounts to a scathing, satirical indictment of publishers, readers and the insidious biases that the marketplace can impose in determining who tells what stories.Obviously, we recommend the movie. But even more, we recommend Everett’s novel. In this week’s episode, the Book Review’s MJ Franklin discusses the book with his colleagues Joumana Khatib, also from the Book Review, and Reggie Ugwu, a pop culture reporter at The Times. Caution: Spoilers abound for both the book and the movie.Have you read “Erasure” or seen “American Fiction,” or both? We’d love to know what you thought. Share your reactions in the comments and we’ll try to join the conversation.We’ll get you started:Joumana Khatib: “I’d read Percival Everett before. I love watching his mind on the page. He’s funny, he's irreverent, he’s sarcastic. There’s nobody that writes like him. And I have to tell you that ‘Erasure’ totally blew me away, just because of the sheer number of textures in this book. … It’s obviously a parodical novel. It’s obviously unbelievably satirical and it’s just outrageous enough that it keeps the momentum without feeling schlocky or shticky.” …Reggie Ugwu: “He has a great sense of pace, like he never wastes time. … You can tell that it’s the work of a very sophisticated and mature writer who knows exactly what to leave on the page and exactly what he can cut. There are some moments where I marveled when he would just leap the plot forward in a few lines.”Send your feedback about this episode, and about the Book Review’s podcast in general, to [email protected]. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Tommy Orange’s acclaimed debut novel, “There There” — one of the Book Review’s 10 Best Books of 2018 — centered on a group of characters who all converge on an Indigenous powwow in modern-day Oakland, Calif. His follow-up, “Wandering Stars,” is both a prequel and a sequel to that book, focusing specifically on the character Orvil Red Feather and tracing several generations of his family through the decades before and after the events of “There There.” This week, Orange visits the podcast to discuss “Wandering Stars” as well as the book he has read most in his life, Clarice Lispector's "The Hour of the Star." Orange explained how he decided to write a historical novel while sticking with the characters and story line from his earlier book.“I got drawn in by this part of history because it was so specific to my tribe,” Orange says. “I don’t necessarily love reading historical fiction, but if it’s driven from the interior and it’s character driven, it’s compelling to me. So figuring out the types of humans they might have been or things they might have thought or felt, that was a way for me to try to figure out how to make them real. and that’s sometimes on a sentence level and sometimes on a, like, what are their motivations or what are they doing in their day-to-day lives? What do they want?” Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Tricia Romano’s new book, “The Freaks Came Out to Write,” is an oral history of New York’s late, great alternative weekly newspaper The Village Voice, where she worked for eight years as the nightlife columnist. Our critic Dwight Garner reviewed the book recently — he loved it — and he visits the podcast this week to chat with Gilbert Cruz about oral histories in general and the gritty glamour of The Village Voice in particular.“You would pick it up and it was so prickly,” Garner says. “The whole thing just felt like this production that someone had really thought through, from the great cartoons to the great photographs to the crazy hard news in the front to the different voices in back. It all came together into a package. And there are still great writers out there, but it doesn’t feel the same anymore. No one has really taken over, to my point of view. ... There’s no one-stop shopping to find the great listings at every club and every major theater, just a great rundown of what one might be interested in doing.”We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected]. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Barbara Kingsolver’s novel “Demon Copperhead,” a riff on “David Copperfield” that moves Charles Dickens’s story to contemporary Appalachia and grapples engagingly with topics from poverty to ambition to opioid addiction, was one of the Book Review’s 10 Best Books of 2022. And — unlike an actual copperhead — “Demon Copperhead” has legs: Many readers have told us it was their favorite book in 2023 as well.In this week’s spoiler-filled episode, MJ Franklin talks with Elisabeth Egan (an editor at the Book Review) and Anna Dubenko, the Times’s newsroom audience director, about their reactions to Kingsolver’s novel and why it has exerted such a lasting appeal. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The early part of a year can mean new books to read, or it can mean catching up on older ones we haven’t gotten to yet. This week, Gilbert Cruz chats with the Book Review’s Sarah Lyall and Sadie Stein about titles from both categories that have held their interest lately, including a 2022 biography of John Donne, a book about female artists who nurtured an interest in the supernatural, and the history of a Jim Crow-era mental asylum, along with a gripping new novel by Janice Hallett.“It’s just so deft,” Stein says of Hallett’s new thriller, “The Mysterious Case of the Alperton Angels.” “It’s so funny. It seems like she’s having a lot of fun. One thing I would say, and I don’t think this is spoiling it, is, if there comes a moment when you think you might want to stop, keep going and trust her. I think it’s rare to be able to say that with that level of confidence.”Here are the books discussed in this week’s episode:“Super-Infinite: The Transformations of John Donne,” by Katherine Rundell“The Other Side: A Story of Women in Art and the Spirit World,” by Jennifer Higgie“The Mysterious Case of the Alperton Angels,” by Janice Hallett“Madness: Race and Insanity in a Jim Crow Asylum,” by Antonia Hylton(Briefly mentioned: "You Dreamed of Empires," by Álvaro Enrigue, "Beautyland," by Marie-Helene Bertino, and "Martyr!" by Kaveh Akbar.) Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Former New York Times film critic A.O. Scott joins to talk both David Grann's "Killers of the Flower Moon," which continues to sit near the top of the bestseller list, and Martin Scorsese's Oscar-nominated film adaptation. Spoilers abound for both versions. (Also, for history.) Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Molly Roden Winter and her husband, Stewart, have been married for 24 years. But since 2008, by mutual agreement, they have also dated other people — an arrangement that Winter details in her new memoir, “More: A Memoir of Open Marriage.”In this week’s episode, The Times’s Sarah Lyall chats with Winter about her book, her marriage and why she decided to go public.“I didn’t see any representations of either people who were still successfully married after having opened it up or people who were honest about how hard it was,” Winter says. “The stories that were coming out were either, ‘Oh, we tried it. It didn’t work,’ or ‘We’re born polyamorous and it’s just the best and I just feel love pouring out of me 24/7.’ Neither of those things was true for me. I felt like I had learned something really profound through this journey of opening my marriage, and I wanted to share it." Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It's gonna be a busy spring! On this week’s episode, Gilbert Cruz talks with Tina Jordan and Joumana Khatib about some of the upcoming books they’re anticipating most keenly over the next several months.Books discussed in this week’s episode:“Knife,” by Salman Rushdie“James,” by Percival Everett“The Book of Love,” by Kelly Link“Martyr,” by Kaveh Akbar“The Demon of Unrest,” by Erik Larson“The Hunter,” by Tana French“Wandering Stars,” by Tommy Orange“Anita de Monte Laughs Last,” by Xochitl Gonzalez“Splinters,” by Leslie Jamison“Neighbors and Other Stories,” by Diane Oliver“Funny Story,” by Emily Henry“Table for Two,” by Amor Towles“Grief Is for People,” by Sloane Crosley“One Way Back: A Memoir,” by Christine Blasey Ford“The House of Hidden Meanings: A Memoir,” by RuPaul Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Every January on his website Extension765.com, the prolific director Steven Soderbergh looks back at the previous year and posts a day-by-day account of every movie and TV series watched, every play attended and every book read. In 2023, Soderbergh tackled more than 80 (!) books, and on this week's episode, he and the host Gilbert Cruz talk about some of his highlights. Here are the books discussed on this week’s episode:"How to Live: A Life of Montaigne," by Sarah Bakewell"Stanley Kubrick's 'The Shining,'" by Lee Unkrich and J.W. Rinzler"Cocktails with George and Martha," by Philip GefterThe work of Donald E. Westlake"Americanah," by Chimamanda Ngozi Adichie"Pictures From an Institution," by Randall Jarrell"Determined: A Science of Life Without Free Will," by Robert M. Sapolsky Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

James McBride’s novel “The Heaven & Earth Grocery Store” was one of the most celebrated books of 2023 — a critical darling and a New York Times best seller. In their piece for the Book Review, Danez Smith called it “a murder mystery locked inside a Great American Novel” and praised its “precision, magnitude and necessary messiness.”On this week’s episode, the Book Review editors MJ Franklin, Joumana Khatib and Elisabeth Egan convene for a discussion about the book, McBride, and what you might want to read next. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

John Vaillant’s book “Fire Weather: A True Story From a Hotter World” takes readers to the petroleum boomtown of Fort McMurray in Alberta, Canada, in May 2016, when a wildfire that started in the surrounding boreal forest grew faster than expected and tore through the city, destroying entire neighborhoods in a rampage that lasted for days.On this week’s episode, Vaillant (whose book was one of our 10 Best for 2023) calls it a “bellwether,” and tells the host Gilbert Cruz how he decided to put the fire itself at the center of his story rather than choosing a human character to lead his audience through the narrative.“It was a bit of a leap," he says. "It was a risk. But it also felt like, given the role that fire is increasingly playing in our world now, it really deserved to be focused on, on its own merit, from its own point of view, if you will.” Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Times’s staff book critics — Dwight Garner, Jennifer Szalai and Alexandra Jacobs — do a lot of reading over the course of any given year, but not everything they read stays with them equally. On this week’s podcast, Gilbert Cruz chats with the critics about the books that did: the novels and story collections and works of nonfiction that made an impression in 2023 and defined their year in reading, including one that Garner says caught him by surprise.“Eleanor Catton’s ‘Birnam Wood’ is in some ways my novel of the year,” Garner says. “And it’s not really my kind of book. This is going to sound stupid or snobby, but I’m not the biggest plot reader. I’m just not. I like sort of thorny, funny, earthy fiction, and if there’s no plot I’m fine with that. But this has a plot like a dream. It just takes right off. And she’s such a funny, generous writer that I was just happy from the first time I picked it up.”Here are the books discussed on this week’s episode:“Be Mine,” by Richard Ford“Onlookers,” by Ann Beattie“I Am Homeless if This Ia Not My Home,” by Lorrie Moore“People Collide,” by Isle McElroy“Birnam Wood,” by Eleanor Catton“Biography of X,” by Catherine Lacey“Madonna: A Rebel Life,” by Mary Gabriel“The Sullivanians: Sex, Psychotherapy, and the Wild Life of an American Commune,” by Alexander Stille“The Best Minds: A Story of Friendship, Madness, and the Tragedy of Good Intentions,” by Jonathan Rosen“Bottoms Up and the Devil Laughs: A Journey Through the Deep State,” by Kerry Howley“The Country of the Blind: A Memoir at the End of Sight,” by Andrew Leland“Fatherland: A Memoir of War, Conscience, and Family Secrets,” by Burkhard Bilger“King: A Life,” Jonathan Eig“Larry McMurtry: A Life,” Tracy Daugherty“Biography of a Phantom: A Robert Johnson Blues Odyssey,” by Robert “Mack” McCormick“Roald Dahl, Teller of the Unexpected: A Biography,” by Matthew Dennison“The Rigor of Angels: Borges, Heisenberg, Kant, and the Ultimate Nature of Reality,” by William Egginton“Doppelganger: A Trip Into the Mirror World,” by Naomi Klein“The Notebooks and Diaries of Edmund Wilson”“Zero at the Bone: Fifty Entries Against Despair,” by Christian Wiman“Four Thousand Weeks: Time Management for Mortals,” by Oliver BurkemanWe would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected]. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It’s that time of year: After months of reading, arguing and (sometimes) happily agreeing, the Book Review’s editors have come up with their picks for the 10 Best Books of 2023. On this week’s podcast, Gilbert Cruz reveals the chosen titles — five fiction, five nonfiction — and talks with some of the editors who participated in the process.Here are the books discussed on this week’s episode:“The Bee Sting,” by Paul Murray“Chain-Gang All-Stars,” by Nana Kwame Adjei-Brenyah“Eastbound,” by Maylis de Kerangal“The Fraud,” by Zadie Smith“North Woods,” by Daniel Mason“The Best Minds,” by Jonathan Rosen“Bottoms Up and the Devil Laughs,” by Kerry Howley“Fire Weather,” by John Vaillant“Master Slave Husband Wife,” by Ilyon Woo“Some People Need Killing,” by Patricia EvangelistaWe would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected]. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Book Review reporter Alexandra Alter discusses two of her recent pieces. The first is about Georgette Heyer, the "queen of Regency romance," and recent attempts to posthumously revise one of her most famous works in order to remove stereotypical language. The second looks at Rebecca Yarros, author of one of this year's most surprising and persistent bestsellers: the "romantasy" novel "Fourth Wing." Then, staff critic Alexandra Jacobs joins Book Review editor Gilbert Cruz to discuss her review of Barbra Streisand's epic memoir, "My Name is Barbra." Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In 1623, seven years after William Shakespeare died, two of his friends and fellow actors led an effort to publish a single volume containing 36 of the plays he had written, half of which had never been officially published before. Now known as the First Folio, that volume has become a lodestone of Shakespeare scholarship over the centuries, offering the most definitive versions of his work along with clues to his process and plenty of disputes about authorship and intention.In honor of its 400th anniversary, the British Library recently released a facsimile version of the First Folio. On this week’s episode, The Times’s critic at large Sarah Lyall talks with Adrian Edwards, head of the library’s Printed Heritage Collections, about Shakespeare’s work, the library’s holdings and the cultural significance of that original volume. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

You don’t need Halloween to justify reading scary books, any more than you need sand to justify reading a beach novel. But the holiday does give editors here a handy excuse to talk about some of their favorite spooky reads. On this week’s episode, the host Gilbert Cruz talks with his colleagues Tina Jordan and Sadie Stein about the enduring appeal of ghost stories, Gothic novels and other scary books.Titles discussed:“Ghost Hunters: William James and the Search for Scientific Proof of Life After Death,” by Deborah Blum“Something Wicked This Way Comes,” by Ray Bradbury“Rebecca,” by Daphne du Maurier“Don’t Look Now: And Other Stories,” by Daphne du Maurier“The Exorcist,” by William Peter Blatty“Scary Stories to Tell in the Dark,” by Alvin Schwartz“Ghosts,” by Edith Wharton“Eight Ghosts: The English Heritage Book of Ghost Stories,” by various“Oh, Whistle, and I’ll Come to You, My Lad,” by M.R. James“The Hunger,” by Alma Katsu“The Terror,” by Dan Simmons“The Little Stranger,” by Sarah Waters“Affinity,” by Sarah Waters“The Paying Guests,” by Sarah Waters“The Haunting of Hill House,” by Shirley Jackson“Hell House,” by Richard Matheson“House of Leaves,” by Mark Z. Danielewski“A Haunting on the Hill,” by Elizabeth Hand“The Virago Book of Ghost Stories,” edited by Richard Dalby“The Turn of the Screw,” by Henry James Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In 2008 — the same year that Robert Downey Jr. appeared in the action comedy “Tropic Thunder,” for which he would earn his second Oscar nomination — he also appeared as the billionaire inventor and unlikely superhero Tony Stark in “Iron Man,” the debut feature from the upstart Marvel Studios.Downey lost the Oscar (to Heath Ledger in “The Dark Knight”), but Marvel won the day. In the 15 years since “Iron Man” came out, the Marvel Cinematic Universe has expanded to 32 films that have earned a staggering $26 billion and changed the world of moviemaking for a generation. In a new book, “MCU: The Reign of Marvel Studios,” the writers Joanna Robinson, Dave Gonzales and Gavin Edwards explore the company’s scrappy beginnings, phenomenal success and uncertain hold on the future, with lots of dish along the way.On this week’s episode, Gonzales and Robinson join the host Gilbert Cruz to talk all things Marvel. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.