The Book Review

Jennifer Haigh’s new novel, “Mercy Street” — which Richard Russo calls “extraordinary” in his review — is about a woman named Claudia who works at a women’s clinic in Boston. It’s also about the protesters outside. On this week’s podcast, Haigh says the novel was inspired in part by her own time working on a clinic’s hotline.“Obviously I am strongly pro-choice or I wouldn’t have been volunteering at this clinic,” Haigh says. “But until this experience, I knew very little about what abortion actually means in a person’s life. And I think that’s true for many people who have strong convictions about abortions. Most people don’t know very much about it. It’s ironic when you consider, this is such a common experience, right? We know that about one in four American women will at some point have an abortion. And yet there’s such a climate of secrecy around this procedure that most of them don’t feel free to talk about it honestly. And many never tell anyone that they’ve done this. The result being that the average person knows very, very little about this experience.”Megan Walsh visits the podcast to talk about her new book, “The Subplot: What China Is Reading and Why It Matters.”And why does it matter? “We tend to think about China in quite binary terms these days, as friend or foe,” Walsh says. “If we do properly pay attention to what people are genuinely trying to process and think about in China — which is peculiar, diverse, strange, innovative, some of it’s terrible, some of it’s amazing — I feel like we get an alternative way of understanding the complexities at the heart of a country which we are defining ourselves against, and we have an opportunity to also understand without seeing it as a sort of monolith.”Also on this week’s episode, Elizabeth Harris has news from the publishing world, and Jennifer Szalai and Molly Young talk about books they’ve recently reviewed. Pamela Paul is the host.Here are the books discussed by The Times’s critics this week:“The Power Law” by Sebastian Mallaby“Eating to Extinction” by Dan SaladinoWe would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected]. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Harley Rustad’s new book, “Lost in the Valley of Death,” is about an American adventurer named Justin Alexander Shetler, who went on a quest in the Himalayas that ended in his disappearance. One of Shetler’s heroes was Christopher McCandless, whose story was told in Jon Krakauer’s “Into the Wild.” On this week’s podcast, Rustad discusses Shetler’s life, including his use of social media and how that dovetailed — and didn’t — with his spiritual journey.“He was a very good-looking guy. He’s somebody that could be potentially quite easy to roll your eyes at and write off. There are a fair amount of shirtless selfies on his Instagram account,” Rustad says. But that curated image, the author says, doesn’t necessarily reflect the full truth. Rustad continues: “I think there was something that he was deeply trying to search for. And his social media accounts, while they gave him a platform to potentially inspire people — something that he really, really longed for and struggled with was solitude. And right now it’s almost impossible to achieve that true solitude in this world of deep, profound connectivity. And so as much as he validated and found value in that platform, it also was impossible; it created this barrier for him to achieve something pure.”Jessamine Chan visits the podcast to discuss her debut novel, “The School for Good Mothers,” which imagines a future where parents (mostly women) get sent to government-run reform school.“The standards in the book are purposefully set up to be impossible,” Chan says, “to draw attention to the way that our culture and society and government sets up such punishing standards for moms. So if the moms do succeed, it’s really by chance.”Also on this week’s episode, Alexandra Alter has news from the publishing world, and Gregory Cowles and John Williams talk about what they’ve been reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“Mercy Street” by Jennifer Haigh“After Me Comes the Flood” by Sarah Perry“Our Mutual Friend” by Charles DickensWe would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected]. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Ruta Sepetys writes Y.A. historical fiction that draws plenty of adult readers as well. Her new novel, “I Must Betray You,” is about a Romanian teenager who is blackmailed to become an informer for a Communist regime. On this week’s podcast, Sepetys talks about why she turned her focus to the epochal events of 1989, and about what she wants readers to see in them.“What I want to get across is the strength and fortitude of the Romanian people, particularly the young people,” Sepetys says. “Oftentimes what we don’t think about is that these authoritarian regimes or totalitarian regimes, they often are disassembled from within. And that’s what happened here. And it was the young people, on Dec. 21, who took to the streets, completely unarmed, and in some cases were attacking tanks with their bare hands. They put themselves in harm’s way. The courage, it blows my mind. And the leader gunned them down, until the military switched sides and sided with the people.” The novelist Jami Attenberg visits the podcast to talk about her first memoir, “I Came All This Way to Meet You: Writing Myself Home.” Having written about fictional characters for so long, Attenberg says it was initially a challenge to make herself the central figure.“It was really hard at first because I couldn’t see myself in that way,” she says. “At some point I did have to make a decision of which version of myself I was going to show to the world, because there are so many versions that are possible.”Also on this week’s episode, Elizabeth Harris has news from the publishing world, and Gregory Cowles and John Williams talk about what they’ve been reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“The Black Prince” by Iris Murdoch“Drive Your Plow Over the Bones of the Dead” by Olga Tokarczuk“Death Be Not Proud” by John GuntherWe would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected]. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Imani Perry’s new book, “South to America,” joins a tradition of books that travel the South to find keys to the United States: its foundations, its changes and its tensions. Perry, who was born in Alabama, approaches the task from a variety of angles, and discusses some of them on this week’s podcast.“It includes personal stories,” Perry says. “It is a book about encounters. It is a book about the encounter with history but also with human beings. And as part of it, self-discovery, to try to understand why a Southern identity is so centrally important to me, and why it’s so centrally important to the formation of this country.”Oliver Roeder visits the podcast to discuss his new book, “Seven Games,” a history of checkers, backgammon, chess, Go, poker, Scrabble and bridge that also asks why we play.“The simplest answer is, they’re fun,” Roeder says. “We enjoy playing them as a pastime. Another answer is, they’re practice. Games are very simplified, distilled models of the real world in which we live. So for example, a game like poker allows us to practice dealing with uncertainty and hidden information. We don’t know our opponents’ cards. And of course, we see situations like that in real life all the time.”Also on this week’s episode, Alexandra Alter has news from the publishing world, and Dwight Garner and Alexandra Jacobs talk about books they’ve recently reviewed. Pamela Paul is the host.Here are the books discussed by The Times’s critics this week:“The Betrayal of Anne Frank” by Rosemary Sullivan“Devil House” by John DarnielleWe would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected]. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jing Tsu’s new book, “Kingdom of Characters,” is about the long and concerted efforts of linguists, activists and others to adapt Chinese writing to the modern world, so that it could be used in everything from typewriters and telegraphs to artificial intelligence and automation. On this week’s podcast, Tsu talks about that revolution, from its roots to the present day.“The story of the Chinese script revolution and how it came to modernize is really a story about China and the west,” she says. “Because without the Jesuit missionaries first coming to China in the 16th century, and trying to understand what the Chinese language was — the Chinese didn’t really see their language any differently than the way they’ve always seen it. So what happened was, as these Western technologies came in, along with imperialism and colonial dominance, China had to confront that it had to either play the game or be completely shut out. So this was a long process, an arduous process, of how to get itself into the infrastructure of global communication technology.”Kathryn Schulz visits the podcast to talk about “Lost and Found,” her new memoir about losing her father and falling in love.“It is, I think, the closest I could come to the book I wanted to write,” Schulz says. “The gap between what you want to do and what you are able to do is always enormous, and the struggle for writers is to close it to the best of your abilities. But kind of unusually for me, I did have a very clear sense of this book from the beginning.”Also on this week’s episode, Elizabeth Harris has news from the publishing world; and Gregory Cowles and John Williams talk about what they’ve been reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“Small Things Like These” by Claire Keegan“2666” by Roberto Bolaño“The Anomaly” by Hervé Le TellierWe would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected]. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The writer and editor Robert Gottlieb does double duty on this week’s podcast. He talks about the life and career of Sinclair Lewis, on the occasion of the 100th anniversary of “Babbitt,” Lewis’s best-selling novel about the narrow-mindedness and conformity of middle-class America in the first half of the 20th century. But first, he talks about his own new book, “Garbo,” a biography of the movie star Greta Garbo, whose impact on the culture was matched by the sense of mystery that surrounded her.“I understood the power of the impact, but I didn’t really understand — because I hadn’t been seeing her movies, I was too young — I didn’t really understand what she was on the screen and how she got to the screen in the first place. So as usual, it was curiosity that led me to write about her,” Gottlieb says. “No one had ever seemed like her before, and no one has ever seemed like her since. So to trace what those qualities were became the subject of the book.Carl Bernstein visits the podcast to discuss his new memoir, “Chasing History.” The book is about a time before Bernstein and Bob Woodward became household names for their Watergate reporting. Subtitled “A Kid in the Newsroom,” Bernstein’s memoir focuses on the years 1960 to 1965, when he worked at The Evening Star in Washington, then the chief rival of The Washington Post. He was first hired as a copyboy when he was only 16.“I was spending a lot of time at the pool hall,” Bernstein says of his life before he got the job. “I was getting terrible grades in school. I was working Saturdays at a low-rent department store in a bad part of town.” At the newspaper, he saw a clearer future. “The greatest reporters of their time, many of them were in this newsroom. And I saw what they were doing, and I studied what they were doing and I knew that’s what I wanted to do.”Also on this week’s episode, Elizabeth Harris has news from the publishing world; and Jennifer Szalai and Molly Young talk about the books they’ve recently reviewed. Pamela Paul is the host.Here are the books discussed by The Times’s critics this week:Books about Stoicism“How Civil Wars Start” by Barbara F. WalterWe would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected]. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Throughout the year, we hear from many of you, and are always glad when we do. From time to time, we try to answer some of your questions on the podcast. This week, for the second time, we dedicate an entire episode to doing just that. Some of the many questions addressed this week:Who are literature’s one-hit wonders?What are some of our favorite biographies?What are empowering novels about women in midlife?How do we assign books to reviewers?Who are writers that deserve more attention?How does the practice of discounted books work?Providing the answers are the book critic Dwight Garner, the editors Lauren Christensen, MJ Franklin and John Williams, and the reporters Alexandra Alter and Elizabeth Harris. Pamela Paul is the host.We mention many more books than usual on this episode. Here’s a list for reference:“A Confederacy of Dunces,” by John Kennedy Toole“Gilead,” by Marilynne Robinson“The Master and Margarita,” by Mikhail Bulgakov“The Goldfinch,” by Donna Tartt“The Secret History,” by Donna Tartt“Natural Opium,” by Diane Johnson“In Trouble Again,” by Redmond O’Hanlon“Into the Heart of Borneo,” by Redmond O’Hanlon“Venice,” by Jan Morris“On the Road,” by Jack Kerouac“Minor Characters,” by Joyce Johnson“The Life of Samuel Johnson,” by James Boswell“William James,” by Robert D. Richardson“Last Train to Memphis: The Rise of Elvis Presley,” by Peter Guralnick“Careless Love: The Unmaking of Elvis Presley,” by Peter Guralnick“Samuel Pepys,” by Claire Tomalin“No One Here Gets Out Alive,” by Jerry Hopkins“The Life You Save May Be Your Own,” by Paul Elie“Virginia Woolf,” by Hermione Lee“The Stone Angel,” by Margaret Laurence“Memento Mori,” by Muriel Spark“The Friend,” by Sigrid Nunez“What Are You Going Through,” by Sigrid Nunez“The Journals of John Cheever”“A Manual for Cleaning Women,” by Lucia Berlin“The Blood of the Lamb,” by Peter De Vries“Go Tell It on the Mountain,” by James Baldwin“Sula,” by Toni Morrison“Lot,” by Bryan Washington“Little Fires Everywhere,” by Celeste Ng“The Yellow House,” by Sarah M. Broom“Sing, Unburied, Sing,” by Jesmyn Ward“The Topeka School,” by Ben Lerner“Modern Lovers,” by Emma StraubThe fiction of Randall Kenan“Popisho,” by Leone Ross“Detransition, Baby” by Torrey Peters“The Magician,” by Colm Toibin“When We Cease to Understand the World,” by Benjamín Labatut“Say Nothing,” by Patrick Radden Keefe“Empire of Pain,” by Patrick Radden Keefe“Bad Blood,” by John CarreyrouThe poetry of Emily DickinsonThe poetry of Ada Limón“Piranesi,” by Susanna Clarke“Klara and the Sun,” by Kazuo IshiguroWe would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected]. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

David Sedaris’s second volume of diaries, “A Carnival of Snackery,” covers the years 2003 to 2020. On this week's podcast, he talks about the diaries, and about being on the road again — we caught him in Montana, a stop on his sprawling reading and signing tour.“I’ve been surprised by what people are willing to — ‘You want us to show proof of vaccination? OK, we’ll do it. You want us to wear a mask the entire time? OK, we’ll do it,’” Sedaris says. “And then the book signings have lasted as long as they always did, so people are still willing to wait in line. I’ve really been touched by that. And I’m willing to make whatever sacrifices I need to.” He added: “I’m just so grateful to be out again.”The poet Paul Muldoon visits the podcast to talk about his work editing Paul McCartney’s two-volume collection “The Lyrics.” He says becoming involved with the project was an easy choice.“Through his career, as a Beatle, of course, and then with Wings and his solo career, he’s been a force in my life and certainly in the lives of many people who were even vaguely sentient through the 1960s and since,” Muldoon says of McCartney. “What’s fascinating about his career with the Beatles is that they were, of course, very much of their moment, they were defined by their moment — including, at the risk of sounding a bit banal — the optimism that was associated in the U.K. with the postwar period. But of course, extraordinarily, they went on to influence their moment also; they came to define their moment, and to define the rest of us, actually. It was a very interesting phenomenon. So yeah, I was thrilled to be involved, and continue to be thrilled to be involved.”Muldoon also talks about, and reads from, his new poetry collection, “Howdie-Skelp.”Also on this week’s episode, Gregory Cowles and John Williams talk about what they’ve been reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“Middlemarch” by George Eliot“Less” by Andrew Sean Greer“The Corrections” by Jonathan FranzenWe would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected]. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In 2007, Debby Applegate won a Pulitzer Prize for “The Most Famous Man in America,” her biography of the 19th-century preacher and abolitionist Henry Ward Beecher. Applegate’s new book, “Madam,” is another biography, of a very different subject: Polly Adler, who ran a brothel and had many famous friends during the Jazz Age in New York City. On this week’s podcast, Applegate describes the challenges of running a business in the underworld.“You have to depend on your reputation,” Applegate says. “You can’t advertise, you can’t sell your product in a normal market square. So you have to cultivate your own kind of word of mouth and your own kind of notoriety. Polly worked out of small but luxurious apartments that were hidden away and constantly moving, so she could stay one step ahead of the cops or other crooks. What Polly did was use that small town but big city of Manhattan, which was really thriving in those years between World War I and World War II, and she became a critical player — a ‘big shot,’ as the gossip columnists called her.”Matthew Pearl visits the podcast to discuss his new book, “The Taking of Jemima Boone,” about the kidnapping of Daniel Boone’s daughter in 1776. Pearl is well known as a novelist, and he says that this work of nonfiction has many of the elements he looks for in any good story.“Jemima is such a strong and incredible character to work with,” he says. She was one of the Boones’ 10 children, though “not all of them survived into childhood or adulthood, and Jemima was one who was very close with her father, in particular, and she had really her father’s spirit of persistence and independence.”Also on this week’s episode, Elizabeth Harris has news from the publishing world, and Dwight Garner and Jennifer Szalai talk about books they’ve recently reviewed. Pamela Paul is the host.Here are the books discussed by The Times’s critics this week:“The Oxford Companion to Spirits and Cocktails”“Accidental Gods” by Anna Della SubinWe would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected]. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

James Andrew Miller has written a series of oral histories about some our biggest cultural institutions: “Saturday Night Live,” Creative Artists Agency and ESPN. His new book, “Tinderbox,” follows HBO from its start in 1972 through its transformative “Sopranos” years and up to the present day.“One of the things that struck me was just how emotional people were,” Miller says on this week’s podcast. “First of all, HBO was a place that people didn’t date, they married. There were people that were there for 20 years, 25 years, 30, 35 years. They stayed there for their careers, and they were very, very wedded to it. I’m not bragging about this, but there were at least — more than — a dozen people who cried during interviews, who called me back the next day and said, ‘Now I have PTSD revisiting some of what I went through.’” He says he learned that “this was not just a place that people checked in on a time clock and left; it was like a tsunami that washed over their lives.”Mayukh Sen visits the podcast to talk about his new book, “Taste Makers: Seven Immigrant Women Who Revolutionized Food in America.”“Five of the seven women whom I focus on in this book are no longer with us,” Sen says, “and in the absence of their presence I really wanted to understand how they spoke and how they wanted to present themselves to the world. And I really wanted to find them speaking in their own words. So the way I sought that out was to find their memoirs, or cookbooks with memoiristic passages or any interviews they gave throughout their lifetime that really presented them speaking without that kind of filter.”Also on this week’s episode, Gregory Cowles and John Williams talk about what they’ve been reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“Now Beacon, Now Sea” by Christopher Sorrentino“A Gentleman in Moscow” by Amor Towles“Ghost Light” by Frank Rich“Fairyland” by Alysia Abbott“Life Inside” by Mindy Lewis Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Earlier this week, several editors at The New York Times got together (virtually) for a live taping of the podcast to discuss the Book Review’s list of the year’s 10 Best Books. (If you haven’t seen the list yet and don’t want spoilers before listening, the choices are revealed one by one on the podcast.)In addition to the 10 Best Books, the editors discuss on this episode some of their favorite works from the year that didn’t make the list. Here are those additional books the editors discuss:“The Magician” by Thomas Mann“Klara and the Sun” by Kazuo Ishiguro“Razorblade Tears” by S.A. Cosby“Wayward” by Dana Spiotta“Dirty Work” by Eyal Press“Beautiful World, Where Are You” by Sally Rooney“The Life of the Mind” by Christine Smallwood“Crossroads” by Jonathan Franzen“The Prophets” by Robert Jones Jr.“Our Country Friends” by Gary Shteyngart Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The novelist and Nashville bookstore owner Ann Patchett’s latest book is a collection of essays, “These Precious Days.” It’s anchored by the long title piece, which originally appeared in Harper’s Magazine, about her intimate friendship with a woman who moved to Nashville for cancer treatment just as the coronavirus pandemic started. On this week’s podcast, Patchett talks about the collection, and about where writing essays fits into her creative life.“I write essays while I’m writing novels too sometimes, but it’s wonderful to have something you can finish,” she says. “I can start a novel and it will take me three years sometimes to finish it, and no one reads it as I’m writing it. So if I write an essay, it’s almost like sending up a flare saying: I’m still here, I’m still alive. I’m a very project-oriented person, and somehow writing an essay feels closer to, say, making Thanksgiving dinner than it does writing a novel. It’s like, I’m going to do this and it’s going to take me a couple of days. But it’s not going to take me years.”Corey Brettschneider, a professor of political science at Brown University, visits the podcast to talk about the Penguin Liberty series, a group of books he’s editing about modern issues in liberty and constitutional rights. He says he wants the project to be used in schools, but also hopes it will find a much broader audience as well.“I certainly would hope that professors would use this, but really I think if we’re going to continue on as a democracy — and I don’t think that, as we learn about Jan. 6, that this is hyperbole, I think that we are under threat when it comes to a very different idea of what government is supposed to look like that’s prevailing in much of the public right now. And how are we to combat it?” he says. “I think in order to really take seriously the idea that we’re going to defend liberty in any defensible, robust sense, we have to know what it is, and that means that citizens have to think about these things.”Also on this week’s episode, Alexandra Alter has news from the publishing world; and Dwight Garner and Alexandra Jacobs talk about books they’ve recently reviewed. Pamela Paul is the host.Here are the books discussed by the Times’s critics this week:“Patricia Highsmith: Her Diaries and Notebooks, 1941-1995” edited by Anna von Planta“On Consolation” by Michael Ignatieff Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The New York Times columnist Ross Douthat is used to writing about politics and ideas at play in the broader world, but with his new book, “The Deep Places,” he has written a memoir about his own harrowing experience with Lyme disease. Given the mysteries surrounding the disease, Douthat’s story is also very much about his interactions with — and outside of — the medical establishment.“I was relatively open-minded at an intellectual level to the possibility that there are diseases that existing medical science doesn’t know how to treat,” Douthat says on this week’s podcast. “What I was not prepared for was actually just how bad these diseases could be, and also just how extreme, when you have something like this, you can be willing to get. Eventually I followed what is the outsider medical approach to treating chronic Lyme.”Elisabeth Egan, an editor at the Book Review, visits the podcast to discuss her latest pick for our Group Text, “O Beautiful,” by Jung Yun. The novel is about a Korean American woman who has traded a modeling career for journalism. She inherits an assignment in the oil fields of North Dakota from a former teacher and love interest.“She gets there and quickly discovers that what Richard, her professor, has set up for her isn’t really the story that she wants to tell,” Egan says. “And she starts to unravel her own story, and it becomes a novel about insiders and outsiders, and about this town that’s completely ill equipped for this influx of somewhat desperate people who are there to work and live in really, really unpleasant and sometimes dangerous conditions.”Also on this week’s episode, Elizabeth Harris has news from the publishing world; and Gregory Cowles and Andrew Lavallee talk about what people are reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“Resuscitation of a Hanged Man” by Denis Johnson“Our Country Friends” by Gary Shteyngart“The Overstory” by Richard Powers Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The actor and author Alan Cumming was happily surprised that his best-selling first memoir, “Not My Father’s Son,” inspired many readers who had suffered their own childhood traumas. But he was disappointed, he says on this week’s podcast, when people characterized him as having “triumphed” or “overcome” his adversity. “I haven’t, I haven’t, I absolutely haven’t,” he says. And he stresses that point in his new memoir, “Baggage.”“We all have baggage, we all have trauma, we all have something,” he says. “But the worst thing to do is to pretend it hasn’t happened. to deny it or to think that you’re over it. And that’s what I felt was in danger of happening with the way that my first book was reacted to. So in this I’m trying to say: You never get over it, it’s with you all the time.” He adds: “You have to be very vigilant about your trauma. If you deny it, it will come back and bite you in the bum.”Allen C. Guelzo visits the podcast to discuss “Robert E. Lee: A Life,” his new biography of the Confederate leader.“Since it had been at least 25 years since another serious biography of Lee had been published — this was by Emory Thomas, in 1995 — it seemed to me that the time was right to begin a re-evaluation of Lee, and especially to ask questions about Lee from someone like myself coming from what was, quite frankly, a Northern perspective,” Guelzo says. “After all, all the books I’ve written up to this point have been about Abraham Lincoln and the Union cause in the war, and I thought it might be productive to look at Robert E. Lee through the other end of the telescope.”Also on this week’s episode, Alexandra Alter has news from the publishing world; and Alexandra Jacobs and Molly Young talk about books they’ve recently reviewed. Pamela Paul is the host.Here are the books discussed by the Times’s critics this week:“Our Country Friends” by Gary Shteyngart“Solid Ivory” by James Ivory Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In her new memoir, “Both/And: A Life in Many Worlds,” Huma Abedin writes about her Muslim faith, her years working alongside Hillary Clinton and, of course, her relationship with her estranged husband, the former Democratic Representative Anthony Weiner. On this week’s podcast, Abedin says that writing the book was “the most therapeutic thing I could have possibly done,” and that writing about her marriage and its time in the tabloids gave her perspective.“Now that I am on the other side, I can say with confidence: I don’t think what I went through is all that singular,” she says. “What’s different is that I had to go through it on the front page of the news. So I know there is a sisterhood and brotherhood of people out there in the world that have had to endure betrayal and have had to figure out how to move on with their lives. And these are the conversations that I still am called into; the people who stop me on the street and ask me a simple question: ‘When does it stop hurting?’ ‘Should I stay?’ ‘When do I leave?’”Gary Shteyngart visits the podcast to discuss his new novel, “Our Country Friends,” about seven friends (and one nemesis) spending time together in one Hudson Valley property during the early months of the pandemic. The novel’s drama, Shteyngart says, comes from people confronting their “deepest selves,” as Chekhov’s characters did when they left Moscow for rural surroundings.“When you’re stuck in the countryside, no matter where you are, life just goes so much slower than it does in the city, and you’re able to really begin to think about your place in the world,” Shteyngart says. “There’s definitely a feeling of time slowing down and you’re able to ascertain your true relationships. If you love someone, you love them more in the country. If you hate them, you hate them more in the country. Everything is turned up to 11.”Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Elizabeth Harris has news from the publishing world; and Dave Kim and Sarah Lyall talk about what they’re reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“Man in the Holocene” by Max Frisch“A Wrinkle in Time” by Madeleine L’Engle“Perfect Little Children” by Sophie Hannah“The Flight Attendant” by Chris Bohjalian Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In her new memoir, “Going There,” Katie Couric writes about her career as a host of “Today and the first woman to anchor the “CBS Evening News” solo. She also, as the title suggests, writes about difficult personal subjects, including the deaths of her father and of her first husband. On this week’s podcast, she says the most difficult part of the book to write was about her former “Today” colleague Matt Lauer and his downfall over allegations of sexual misconduct.“My feelings were so complicated, and they definitely evolved over time,” Couric says. “I felt like I was almost doing my own therapy sessions. I did original reporting — which sounds so pretentious — but I actually revisited some people who were affected by his behavior, and it was really, really helpful. And I talked to a lot of experts about this. I reached out to people who had written extensively about men in power. This was at the time it happened, because I was really trying to make sense of it in my head. I talked to gender studies people, I talked to lawyers who have represented victims. It was a real mission for me, and a lot of soul-searching honestly.”John McWhorter visits the podcast to discuss his new book, “Woke Racism: How a New Religion Has Betrayed Black America.”“I think that there is a certain kind of woke person who is caught in a frame of mind where the idea is that how you show that you’re a good person is by showing that you are woke — that you’re aware, for example, that racism exists, and it’s not just the N-word and people burning crosses on people’s lawns,” McWhorter says. “You want to show that you’re aware of this. But it’s narrowed to the point where a certain kind of person thinks that showing one’s awareness of that is the key, regardless of what you prescribe’s effects upon actual Black people. So although it’s the last thing these people would suspect about themselves, They do not think of Black people as more important than their own showing that they are not racist. That is a woke racist, as far as I’m concerned.”Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Alexandra Alter has news from the publishing world; and Dwight Garner and Jennifer Szalai talk about books they’ve recently reviewed. Pamela Paul is the host.Here are the books discussed this week by The Times’s critics:“The End of Bias” by Jessica Nordell“Colorization” by Wil Haygood Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In “American Made,” Farah Stockman writes about the downfall of manufacturing employment in the United States by focusing on the lives of workers at one Indianapolis factory that was relocated to Mexico. Stockman, a member of The New York Times editorial board, talks about the book on this week’s podcast.“I really think we’ve seen unions in a death spiral,” she says. “And part of the reason is globalization. You had so many people who fought for these manufacturing jobs to be good-paying jobs, and decent jobs that you could raise a family on. They didn’t used to be, but they were after the labor movement had a long struggle and a long fight. And as soon as we start seeing pensions and health care and decent wages, and as soon as Blacks and women start getting that stuff, now factories can move away. They can go to other countries. And it really undercut unions’ ability to demand things and to strike. And you saw a lot less appetite among workers for asking for stuff like that, because now everybody just has to beg those factories to stay.”Benjamín Labatut visits the podcast to discuss his book “When We Cease to Understand the World,” a combination of fact and fiction about some of the most ground-shifting discoveries in physics. Labatut explains why he gave himself license to imagine the lives and thoughts of some of the scientists featured — Einstein, Schrödinger and Heisenberg among them.“What I’m trying to do is for people to understand just how mad these ideas seemed at the time to the very people who discovered them,” Labatut says. “And I had to use these characters for people to get a sense of how brutal the beauty was that these men were seeing for the first time.”Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Elizabeth Harris has news from the publishing world; and Gal Beckerman and Lauren Christensen talk about what people are reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“Dirty Work” by Eyal Press“Invisible Child” by Andrea Elliott“Beautiful World, Where Are You” by Sally Rooney Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jonathan Franzen’s new novel, “Crossroads,” has generated a lot of discussion, as his work tends to do. The novelist and critic Thomas Mallon, who reviewed “Crossroads” for us, is on the podcast this week to talk about the book and to place it in the context of Franzen’s entire career.“He is fundamentally a social novelist, and his basic unit of society is the family,” Mallon says. “Always families are important in Franzen, and we move outward from the family into the business, into the town, into whatever the larger units are. His novels are likely to remain as indicators of what the world was like at the time he was writing. This new novel is a little bit different in that he’s going back 50 years. The Nixon era is now, definitely, historical novel material.”Joshua Ferris visits the podcast to talk about his new novel, “A Calling for Charlie Barnes.”“It’s basically about a guy who has floundered all his life until the moment that he gets pancreatic cancer,” Ferris says. “His diagnosis is a little back and forth, he’s not really being honest with too many people in his life about what’s going on. But eventually this rather thundering and life-changing disease happens to him. He’s got to deal with it, he’s got to get an operation and go through chemo and all the rest of it. And he changes his life. That’s sort of the plot of the book, I suppose. But it’s narrated by a tricky fellow who is related to him and determines the narrative as much as Charlie himself.”Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Alexandra Alter has news from the publishing world; and our new book critics, Molly Young and Alexandra Jacobs, introduce themselves and talk about their approaches to literary criticism. Pamela Paul is the host.We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected]. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In 2013, the front page of The New York Times devoted five straight days to the story of Dasani, an 11-year-old Black girl who lived in a homeless shelter in Brooklyn. Now, Andrea Elliott, the reporter of that series, has published her first book, “Invisible Child,” which tells the full story of Dasani and her family up to the present day. On this week’s podcast, Elliott discusses how she came to focus her reporting on Dasani.“I’ve always believed as a journalist that the story shows itself to you, and you just have to do the work of being there and being present for as long as possible until it becomes more clear,” Elliott says. “In the very beginning, I had three families I was following at that shelter. And I had this approach that a lot of journalists take, that you need to capture three different families to give a sense of the spectrum of experience. But what I think becomes more important to the reader is to be able to identify deeply with one story, one protagonist, and follow that person.” Dasani became that person, in part, Elliott says, because “she was somebody who, at a very young age, could articulate in a moving and profound way her experience. And that’s a rare trait even in adults.”The stand-up comedian, actress, producer and publisher Phoebe Robinson visits the podcast to discuss her new book of essays, “Please Don’t Sit on My Bed in Your Outside Clothes.”“Book writing is a completely different style of writing than stand-up,” Robinson says. “Stand-up, there’s a rhythm and you’re aware of the laughs and how they’re hitting. With a book you can really have more flavor with it; you can be vulnerable, you can slow it down, have some down beats, you could be really funny. I wouldn’t say it’s difficult to write stand-up versus book writing. They both have their challenges.”Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Elizabeth Harris has news from the publishing world; and Gregory Cowles and John Williams talk about what they’ve been reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“The Diary of a Country Priest” by Georges Bernanos“The Magician” by Colm Toibin“The Outlaw Ocean” by Ian Urbina Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In “Bewilderment,” Richard Powers’s first novel since he won a Pulitzer Prize for “The Overstory,” an astrobiologist named Theo Byrne looks for life on other planets while struggling to raise his highly sensitive 9-year-old son, Robin. On this week’s podcast, Powers compares Theo’s work in the galaxy with his relationship on the ground.“If there are all of these millions of exoplanets out there are and they are all subject to radically different conditions, what would life look like in these conditions that are so very different from Earth?” Power says that a similar question “is also the preoccupation of most literature. Books themselves are empathy machines and travels to other planets. They’re ways that we have of participating in sensibilities that are not ours. So when Robin asks this question — which is bigger, outer space or inner? — that question of where are we going, who are we, why are we the way we are, gets turned inward, to this question of how do I understand someone who’s so profoundly different from myself? And in that way, travel to other planets always becomes travel to other people.”Honorée Fanonne Jeffers visits the podcast to discuss her best-selling debut novel, “The Love Songs of W.E.B. Du Bois.” Among other subjects, Jeffers talks about why the book’s main character, Ailey Pearl Garfield, who comes from a long family line of physicians, becomes a historian herself.“It’s a gesture to the way that I grew up learning about African American history,” she says. “I’m an English professor, a creative writing professor, but when I was a little girl I would sit up underneath the old people. I never really was a child that liked to play with other children. I would sort of scoot into a corner so I wouldn’t be noticed and I would listen to the old people talk about the way they grew up, growing up in segregation, growing up in Jim Crow, and then some of the stories that they remembered from the old people who had been born into slavery, like my great grandma Mandy Napier, so it had a great impact on me, and I think that’s why I made Ailey an eventual historian.”Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; and Gregory Cowles and John Williams talk about what they’ve been reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“When We Cease to Understand the World” by Benjamín Labatut“On Juneteenth” by Annette Gordon-Reed“Congratulations, by the Way” by George Saunders“A Motor-Flight Through France” by Edith Wharton Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Harvard law professor Randall Kennedy’s new book, “Say It Loud!,” collects 29 of his essays. Kennedy’s opinions about the subjects listed in the book’s subtitle — race, law, history and culture — tend to be complex, and he’s not afraid to change his mind. He says on the podcast that there’s “no shame” in admitting you’re wrong, and that he does just that in the book when he finds it appropriate.“I thought that the United States was much further down the road to racial decency than it is,” Kennedy says. “Donald Trump obviously trafficked in racial resentment, racial prejudice in a way that I thought was securely locked in the past. This has had a big influence on me. I used to be a quite confident racial optimist. I am not any longer. I’m still in the optimistic camp — I do think that we shall overcome — but I’m uneasy. I’m uneasy in a way that was simply not the case, let’s say, 10 years ago.”Mary Roach visits the podcast to discuss her new book, “Fuzz: When Nature Breaks the Law.” It’s impossible to choose just one moment to highlight from this interview, which includes but is not limited to the following subjects: caterpillars called into court, moose crash test dummies, and how to distinguish (and why you would want to) between a real and fake tiger penis.Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Elizabeth Harris has news from the publishing world; and Jennifer Szalai and John Williams talk about books they’ve recently reviewed. Pamela Paul is the host.Here are the books discussed by the critics this week:“The Contrarian” by Max Chafkin“Peril” by Bob Woodward and Robert Costa Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Colson Whitehead’s new novel, “Harlem Shuffle,” revolves around Ray Carney, a furniture retailer in Harlem in the 1960s with a sideline in crime. It’s a relatively lighthearted novel, certainly compared to “The Underground Railroad” and “The Nickel Boys,” Whitehead’s two previous novels, each of which won the Pulitzer Prize.“I usually do a lighter book, then a heavier book, but I felt compelled to write ‘The Nickel Boys’ at the time that I did,” Whitehead says on this week’s podcast. “I knew that in the crime genre, there’s more room for jokes. There’s just a lot more room for play. So I could exercise my humor muscle again. And then immediately, Carney … I wanted him to win, as soon as he appeared on the page. He was someone who was not as determined by circumstances — slavery, Jim Crow — as the characters in those previous two novels. And he pulls off some capers. And I think we — or at least I was rooting for him. So immediately the tone was different, and I gave myself to it.”Colm Toibin visits the podcast to talk about his new novel, “The Magician,” based on the life of the great German writer Thomas Mann. Toibin says that the book is not an attempt to “inhabit” Mann, or to fully understand him, which is impossible with such a complex person.“It’s not an attempt to pin him down, so that by the end of the book you really know him,” Toibin says. “I’m as interested in his unknowability as I am in attempting to draw a very clear portrait of him. I think it’s an important question. I often hear novelists saying, ‘I felt I really knew my character.’ And I often feel the opposite. I often feel my character has become even more evasive the further attempts I have made to enter their spirit.”Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Alexandra Alter has news from the publishing world; and Gregory Cowles and John Williams talk about what they’ve been reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“A Time of Gifts” by Patrick Leigh Fermor“Latecomers” by Anita Brookner“The Makioka Sisters” by Junichiro Tanizaki Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The novelist Brandon Taylor, who has generated his own buzz with his debut novel, “Real Life,” and a collection of stories, “Filthy Animals,” visits the podcast to discuss the much-discussed work of Sally Rooney. Taylor recently reviewed her third novel, “Beautiful World, Where Are You.” On the podcast, he describes Rooney’s writing as an “intense, melancholic tractor beam.”“She has this really great, tactile metaphorical sense, but it’s never overworked,” he says. “Her style is so clean. That is the word I come to most often in describing her style. It is so clean, so pristine.” Like her two previous books, this one is fueled by the vexations of intimate relationships. “Ultimately, if you’re a Sally Rooney fan, I think you’ll love this novel,” Taylor says. “And if you’re a Sally Rooney skeptic, I think she will acknowledge your concerns but maybe not answer them in full.”Another Rooney, David Rooney, visits the podcast to discuss his new book, “About Time: A History of Civilization in Twelve Clocks.”“There’s something about clocks and watches,” he says.” They have more meaning to many people than other artifacts. I wasn’t quite sure why. I was trying to get behind the faces of clocks and watches, to understand not so much how they work — although that’s fascinating — but what they mean, and what they’ve always meant, through history, across cultures.”Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Alexandra Alter has news from the publishing world; and Jennifer Szalai and John Williams talk about books that have been recently reviewed. Pamela Paul is the host.Here are the books discussed by the Times’s critics this week:“The Failed Promise” by Robert S. Levine“The War for Gloria” by Atticus Lish“The Magician” by Colm Toibin Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

“Out on a Limb” is a selection of Andrew Sullivan’s essays from the past 32 years of American history. On this week’s podcast, Sullivan talks about the book and his feelings about some of the very contentious public arguments in which he’s been involved.“You’re never at a moment of finality in politics or intellectual life. You’re always just about to be proven wrong again,” Sullivan says. “I have developed a very thick skin. You have to. I was very controversial in the gay rights movement very early on. The case for marriage equality was bitterly opposed by some gay activists, and I was targeted and picketed by gay people sometimes, for my first book. So I’ve always accepted that that’s part of the price. I am a sensitive person and it does hurt my feelings, obviously, but I think my answer is that it doesn’t matter what they say about you as long as it isn’t true. And if it’s true, hear it, take it in, try and figure out what insight they have about you and change. If it isn’t, forget it.”Leila Slimani’s new novel, “In the Country of Others,” is the first installment of a planned trilogy loosely based on the lives of the author’s grandparents. On this episode of the podcast, Slimani talks about why she’s writing the autobiographical material as fiction.“Imagination is a great power that we have,” she says. “Even if my family is interesting in certain ways, it’s not as interesting as I wanted. So I need to add other things, and I need to feel completely free. I don’t really want to tell about reality but about what fascinates me.”Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Alexandra Alter has news from the publishing world; and Lauren Christensen, Andrew Lavallee and John Williams talk about what they’ve been reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“Intimacies” by Katie Kitamura“A Visitation of Spirits” by Randall Kenan“Loop” by Brenda Lozano Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A.O. Scott, The Times’s co-chief film critic, returns to the Book Review’s podcast this week to discuss the work of William Maxwell, the latest subject in Scott’s essay series The Americans, about writers who give a sense of the country’s complex identity. In his novels and stories, Maxwell frequently returned to small-town Illinois, and to, as Scott describes it, the “particular civilization and culture and society that he knew growing up.”“In so many of these books,” Scott says, “he was trying in a sense to figure out himself by figuring how where he had come from. It was inexhaustible. The thing that’s really remarkable about his revisiting his family, his family’s story and the town where they lived is just how many layers are there. In what seems like a simple, small, provincial place, just how much depth and complexity and comedy and pathos live there.”Eyal Press visits the podcast to discuss his new book, “Dirty Work,” about the lives of workers in slaughterhouses, correctional facilities and other morally fraught places. Press says that the people who do this work make inequality one of the book’s primary themes.“One of the messages of the book is that it’s very rarely the privileged and the powerful,” Press says. “It’s more likely to be people at the bottom of the social ladder, people with fewer choices and opportunities, who are thrust into these ethically troubling roles that they carry out in a sense on society’s behalf and in our name.”Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Alexandra Alter has news from the publishing world; and Dwight Garner and Jennifer Szalai discuss books they’ve recently reviewed. Pamela Paul is the host.Here are the books discussed by the Times’s critics this week:“Reign of Terror” by Spencer Ackerman“Playlist for the Apocalypse” by Rita Dove Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In her new book, “The Brilliant Abyss,” Helen Scales writes about the largely unseen realm of the deepest parts of the ocean. On this week’s podcast, she talks about the life down there — and how long it took us to realize there was any at all.“It wasn’t so long ago, maybe 200 years ago, that most people — scientists, the brightest minds we had — assumed that life only went down as far as sunlight reaches, so the first 600 feet or so,” Scales says. “But what’s so fascinating is that life does go all the way to the very, very bottom; down to seven miles, which is the deepest point, just about. And there are ways in which life has found adaptations to all of these crazy, extreme conditions in the deep, and that’s what we’re really doing a lot of the time, as marine biologists working in the deepest, is finding that stuff and asking the question: ‘How are you here?’”Rebecca Donner visits the podcast to discuss her new book, “All the Frequent Troubles of Our Days,” which recounts the story of Mildred Harnack, Donner’s great-great-aunt, an American woman executed in 1943 for being a member of the German resistance to the Nazis during World War II.“She most definitely saw herself as a resistance fighter, and she certainly did not see herself as a spy,” Donner says. “She engaged in acts of espionage in order to undermine the Nazi regime, but she never met with a control officer, she never accepted money. She worked in an unofficial capacity.”Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Elizabeth Harris has news from the publishing world; and Gal Beckerman and John Williams talk about what they’re reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“Four Thousand Weeks” by Oliver Burkeman“Ghettoside” by Jill Leovy“Last Best Hope” by George Packer Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In Dana Spiotta’s new novel, “Wayward,” a woman named Sam buys a dilapidated house in a neglected neighborhood in Syracuse, leaving her husband and her daughter in order to face down big midlife questions.“She is what we used to call a housewife, a stay-at-home mom,” Spiotta says on this week’s podcast, describing her protagonist. “She has one daughter, she’s married to a lawyer. It’s not an unhappy marriage. I wanted to avoid a lot of clichés with her. I didn’t want it to be an unhappy marriage that was the problem. And I didn’t want him to leave her for a younger woman. I didn’t want her to be worried about her looks. She never thinks about wrinkles or her looks very much in the book. She doesn’t even look in the mirror anymore. She’s not concerned about that.”What she’s concerned about is living a more honest and purposeful life, and the novel follows her efforts to do that.Ash Davidson visits the podcast to discuss her debut novel, “Damnation Spring,” set in a tightknit logging community in Northern California in the late 1970s. Davidson describes how the book was partly inspired by her parents’ memories of living in the area.“I grew up listening to my parents’ stories of this place, and it is the most beautiful place they have ever lived, and that beauty is also the source of its own destruction,” she says. “So those stories became almost like a mythology of my childhood, and I think I always kept a folder of them in my head, where I was filing them away. I used a lot of them as scaffolding for the novel, in the early years of writing it. Gradually, as time went on and the story got strong enough to stand on its own, I was able to strip away that scaffolding of their stories and let the fictional narrative shine through.”Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Alexandra Alter has news from the publishing world; and Elisabeth Egan and John Williams talk about what they’re reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“Emerson” by Robert D. Richardson Jr.“Transcendent Kingdom” by Yaa Gyasi“The Post-Birthday World” by Lionel Shriver Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The slightly directionless, unnamed narrator of Katie Kitamura’s fourth novel, “Intimacies,” takes a job as a translator at an international criminal court. On this week’s podcast, Kitamura talks about the novel, including her realization about the book’s title.“‘Intimacy’ as a word is something that we think of as desirable, and something that we seek out, in our relationships in particular, but also in our friendships and in all the people that we care about,” Kitamura says. “But I think it’s a plural for a reason, which is that there’s a lot of different kinds of intimacies in the novel, and a lot of them are not desired, they’re imposed on the narrator. It was only when I finished writing the novel that I realized that there are multiple incidents of sexual harassment, sexual intimidation in it, sprinkled throughout. Afterward, I understood it, because a novel is really about power, and sexual harassment is of course about power, rather than desire. So it made sense that there would be these little negotiations and these trespasses and these forced forms of intimacy.”The acclaimed writer and director James Lapine visits the podcast to talk about “Putting It Together,” his new mix of memoir and oral history about his first collaboration Stephen Sondheim, creating the musical “Sunday in the Park With George.”“Part of the pleasure in writing the book was rediscovering who I was at the time, because you’re so involved in something — you’re not outside of it — and maybe it takes 35 years to look back at it to realize what was actually going on,” Lapine says. Writing the book was “an excavation of sorts, both of the show and the creative process and what it’s like for someone in my position, as a writer and a director, to do his first Broadway show.”Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Elizabeth Harris has news from the publishing world; and Dwight Garner and Jennifer Szalai talk about books they’ve recently reviewed. Pamela Paul is the host.Here are the books discussed by the Times’s critics this week:“Until Proven Safe” by Geoff Manaugh and Nicola Twilley“Afterparties” by Anthony Veasna So Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Omar El Akkad’s new novel, “What Strange Paradise,” uses some fablelike techniques to comment on the migrant crisis caused by war in the Middle East. El Akkad explains that he thinks of the novel as a reinterpretation of the story of Peter Pan, told as the story of a contemporary child refugee.“There’s this thing Borges once said about how all literature is tricks, and no matter how clever your tricks are, they eventually get discovered,” El Akkad says. “My tricks are not particularly clever. I lean very hard on inversion. I wanted to take a comforting story that Westerners have been telling their kids for the last hundred years, and I wanted to invert it, to tell a different kind of story.” He continues: “At its core, it’s a book about dueling fantasies: the fantasies of people who want to come to the West because they think it’s a cure for all ills, and the fantasies of people who exist in the West and think of those people as barbarians at the gate. The book takes place at the collision of those two fantasies.”Sheera Frenkel and Cecilia Kang, two reporters at The Times, visit the podcast this week to discuss their new book, “An Ugly Truth: Inside Facebook’s Battle for Domination,” including how the company makes many of its strategic decisions.“A lot of people think that a company like this, that’s so sophisticated, that has so many people who have come in with such incredible pedigrees, that they have a plan in mind,” Kang says. “They’re actually, in many cases, doing this on the fly. They’re making a lot of ad hoc decisions.”Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Alexandra Alter has news from the publishing world; and Emily Eakin and MJ Franklin talk about what they’ve been reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“How the Word Is Passed” by Clint Smith“Red Comet” by Heather Clark“Lenin” by Victor Sebestyen Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The latest pick for Group Text, our monthly column for readers and book clubs, is Esther Freud's “I Couldn’t Love You More,” a novel about three generations of women grappling with secrets, shame and an inexorable bond. Elisabeth Egan, an editor at the Book Review and the brains behind Group Text, talks about the novel on this week’s podcast.“It’s this incredibly powerful story about mothers and daughters,” Egan says, “and also an interesting and really heartbreaking look at what was happening in Ireland at the time that really went on for about 100 years, where the Catholic church ran the — they were like prisons — for women who were in trouble in some way. They forced the women to change their names and to give up their babies.”Philip D’Anieri visits the podcast to discuss his new book, “The Appalachian Trail: A Biography,” including what drew him to the sprawling subject.“It’s a place that gives us an opportunity to examine the intersection of the built and the natural,” D’Anieri says. “It’s a place that we think of as natural — it’s the outdoors, you can hike, you can connect with the natural world — but it also had to be built: It needed shelters built, a route had to be determined, the land has to be owned. That tension is something that has always interested me.”Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Alexandra Alter has news from the publishing world; and Gregory Cowles and Lauren Christensen talk about what they’ve been reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“Empire of Pain” by Patrick Radden Keefe“Intimacies” by Katie Kitamura“Razorblade Tears” by S.A. Cosby“The Plot” by Jean Hanff Korelitz Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this week’s podcast, S.A. Cosby says that a writer friend once told him: “I think you’re like the bard of broken men.” In Cosby’s new novel, “Razorblade Tears,” the fathers of two married gay men who have just been murdered team up to track down the killers. Cosby says that the fathers — Ike, who’s Black, and Buddy Lee, who’s white — are familiar to him.“I grew up with men like Ike and Buddy Lee,” he says. “Maybe not necessarily violent men, but men who were emotionally closed off, who were unable to articulate or communicate their frailties, their feelings. I grew up in an environment where masculinity was all about presentation, was about being ‘tough,’ whatever that means. So when I started out writing the book, I started with these two characters, because the people that I think need to read the book the most are the people like that that I know, the people like that who surround me every day. But even more than that, I fell in love with Ike and Buddy Lee because if these two men can change, then change is possible for anyone.”Dean Jobb visits the podcast to talk about his new book, “The Case of the Murderous Dr. Cream: The Hunt for a Victorian Era Serial Killer.” The book recounts the crimes of Thomas Neill Cream, a Canadian obstetrician who killed an unknown number of people between the 1870s and 1892, most of them women from marginalized backgrounds.“There was a lot of madness in what he did, but also some calculating method,” Jobb says. “He never claimed insanity at any of his trials, so there was never any professional assessment of him. He almost seems to have bought into the idea, as one of his medical instructors said, that doctors are godlike; they stand between the living and the dead. And he just seems to have decided that his godlike powers, given to him as a doctor, would be used to decide who would live and who would die.”Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Elizabeth Harris has news from the publishing world; and Dwight Garner and Jennifer Szalai talk about books they’ve recently reviewed. Pamela Paul is the host.Here are the books discussed by the Times’s critics this week:“Dear Miss Metropolitan” by Carolyn Ferrell“Democracy Rules” by Jan-Werner Müller Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The subtitle of Jonathan Balcombe’s new book, “Super Fly: The Unexpected Lives of the World’s Most Successful Insects” leads to the first question on this week’s podcast. Why “successful”?“Their diversity, for one,” Balcombe says. “There’s over 160,000 described species — and it’s important to add that qualifier, ‘described,’ because it’s estimated there may be about five times that many that are undescribed. Insects make up 80 percent of all animal species on the planet, so that says something right there about how incredibly successful they are, and flies are arguably the most species-rich subset of insects. It’s estimated there’s about 20 million flies on earth at any moment for every human who’s on the earth. And they occupy all seven continents.”Marjorie Ingall visits the podcast this week to discuss her essay about why she finds it troubling that children’s literature focuses so relentlessly on the Holocaust.“Just as Black kids deserve more than books about slavery and suffering — they deserve books about Black joy and Black excellence — so too do Jewish kids deserve books that reflect the incredible diversity and often happiness of their lives,” Ingall says. “And I think sometimes we push the Holocaust because we want to tell kids: ‘Look where you come from; look how important it is to be Jewish; look how people died because they were Jewish.’ When we’re talking about children’s books, that is not a way to make kids feel a connection.”Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; and Elisabeth Egan and Joumana Khatib talk about what they’ve been reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“A Tale for the Time Being” by Ruth Ozeki“The Lost Child of Philomena Lee” by Martin Sixsmith“My Family and Other Animals” by Gerald Durrell Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The actress and thriller writer Catherine Steadman visits the podcast this week to talk about “The Disappearing Act,” her new suspense novel about the absurdities of Hollywood. Steadman was drawn to the idea of setting a story during pilot season, when actors from all over the world descend on Los Angeles once a year and compete for lead roles in new TV series.“It’s a sort of competitive world where friendships are made really quickly, and people will find their nemesis — someone who looks just like them who keeps snatching away parts from them,” she says. “It’s a very strange atmosphere but it’s very fun. It’s kind of like the Vegas of the acting world. You go there, you cash your chips and you have a roll on the table and see what happens. There’s all these strangers with the same desires and goals, in the same environment, and they really are up against each other. It’s kind of a ‘Hunger Games’ situation.”Michael Dobbs visits the podcast to talk about his new book, “King Richard,” which finds fresh things to say about President Richard Nixon and Watergate. Dobbs discusses writing about a story that’s been told many times, all in the shadow of perhaps the best-known Watergate book, “All the President’s Men,” by Bob Woodward and Carl Bernstein.“That’s the story of two reporters pursing this scandal into the White House and trying to figure out what was going on in the White House,” Dobbs says. “And now 50 years later — because we have access to these extraordinary materials, particularly Nixon’s own tape-recorded conversations — one can tell the story from the inside rather than the outside. We’re never again going to get such an intimate look at a president facing an existential crisis, as it’s possible to get with Richard Nixon.”Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary, Alexandra Alter has news from the publishing world, and Parul Sehgal and Jennifer Szalai talk about books they’ve recently reviewed. Pamela Paul is the host.Here are the books discussed by the Times’s critics this week:“Wayward” by Dana Spiotta“Nightmare Scenario: Inside the Trump Administration’s Response to the Pandemic That Changed History” by Yasmeen Abutaleb and Damian Paletta Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Clint Smith’s “How the Word Is Passed” is about how places in the United States reckon with — or fail to reckon with — their relationship to the history of slavery. On this week’s podcast, Smith says that one thing that inspired the book was his realization that “there were more homages to enslavers than to enslaved people” in New Orleans, where he grew up.“Symbols and names and iconography aren’t just symbols, they’re reflective of stories that people tell, and those stories shape the narratives that societies carry, and those narratives shape public policy, and public policy shapes the material conditions of people’s lives,” Smith says. “Which isn’t to say that taking down a statue of Robert E. Lee is going to erase the racial wealth gap, but it is to say that it’s part of a larger ecosystem of stories and ideas that shape how we understand what has happened to communities and what communities need or deserve.”Julian Rubinstein visits the podcast to discuss his new book, “The Holly,” an extensively reported look at the social and historical forces that led to a 2013 shooting in Denver.“It’s a multigenerational story, and in many ways I think it’s a story of activism and thwarted activism over the decades,” Rubinstein says, “including the connections between gangs and activism, which goes all the way back to the civil rights movement.”Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Elizabeth Harris has news from the publishing world; and Gregory Cowles and John Williams talk about what they’ve been reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“The Collected Essays of Elizabeth Hardwick”“Early Work” by Andrew Martin“The Copenhagen Trilogy” by Tove Ditlevsen“No One Is Talking About This” by Patricia Lockwood Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In his new book, “Last Best Hope,” George Packer describes “Four Americas,” and the tensions that exist between these different visions of the country. He calls them “Free America” (essentially libertarian), “Real America” (personified by Sarah Palin), “Smart America” (the professional class) and “Just America” (identity politics). On this week’s podcast, Packer says that though he was raised and lives in “Smart America,” he thinks no one of the four paints the whole picture.“I see the appeal and the persuasiveness of all of them,” he says. “I don’t accept any of them as having the answers. I think they all lead to hierarchy, in some ways to more inequality, to division. We are desperately polarized, and there’s no way around that. I’m not saying if we would all just drop our preconceptions, we could get along. Because we can’t. There are these fundamental clashes of values in this country that are expressed in politics, and that’s not going away. But I think we’ve lost the sense of a common American identity, which I do think still exists, even though it’s been buried.”Suzanne Simard visits the podcast this week to talk about her new book, “Finding the Mother Tree: Discovering Wisdom in the Forest,” and the remarkable relationships maintained between trees.“Trees, I call them mother trees, these big old trees, can discern which seedlings are their own and which ones are not, and they actually can favor those seedlings by shuttling them more carbon,” Simard says. “It’s a very sophisticated communication that involves a lot of information going back and forth, below ground, even as you’re walking through the forest.”Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; and Dwight Garner and Jennifer Szalai talk about books they’ve recently reviewed. Pamela Paul is the host.Here are the books discussed by the Times’s critics this week:“The Great Dissenter” by Peter S. Canellos“Where You Are Is Not Who You Are” by Ursula M. Burns Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

“The Engagement,” by Sasha Issenberg, recounts the complex and chaotic chain reaction that thrust same-sex marriage from the realm of conservative conjecture to the top of the gay political agenda and, eventually, to the halls of the Supreme Court. On this week’s podcast, Issenberg talks about the deeply researched book, which covers 25 years of legal and cultural history.“What they have done, ultimately,” he says of those who won the victory, “is helped to enshrine, both in the legal process and in American culture, a sense that marriage is a unique institution. And the language they used to talk about it — about love and commitment — is so particular, I think, to the dynamic between two people that in a certain respect marriage is a more central institution in American life now than it was 30 years ago, because we went through this political fight over it.”J. Hoberman visits the podcast to discuss his piece about 10 books that, taken together, tell the story of Hollywood. He talks, among other subjects, about why the only celebrity memoir on his list is “Lulu in Hollywood,” by Louise Brooks, who acted in the 1920s and ’30s and published her memoir much later in life.“She was a remarkably cleareyed observer of what was going on,” Hoberman says, “and embarked on the whole star-making thing with a healthy degree of ambivalence. So she’s able to write about herself and about the conditions under which movies were made and the people she met in Hollywood and so on, in a way that’s both personal and detached. There aren’t too many other memoirs like this.”Also on this week’s episode, Alexandra Alter has news from the publishing world; Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; and Elisabeth Egan and Andrew LaVallee talk about what they’ve been reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“Libertie” by Kaitlyn Greenidge“Malibu Rising” by Taylor Jenkins Reid“On Juneteenth” by Annette Gordon-Reed Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Francis Spufford’s new novel, “Light Perpetual,” is rooted in a real event: the rocket attack on a Woolworth’s in London, killing 168 people, toward the end of World War II. Spufford fictionalizes the tragedy and invents five children who survive it, trailing them through the ensuing decades to discover all they might have done and seen if they had lived. On this week’s podcast, Spufford says that he settled on this real-life incident for intentionally arbitrary reasons.“The ordinariness is kind of the point,” he says. “I wanted something that was terrible but not exceptional. Something which was one tree in a wartime forest of bad things happening, which I could select out and then follow out the long-term consequences of through time.”Egill Bjarnason visits the podcast to talk about “How Iceland Changed the World: The Big History of a Small Island.”“The title is maybe the opposite of humble,” he says, “but I went into this project wanting to write about the history of Iceland. I have always found that really compelling, because unlike other European nations, we can tell our history almost from the beginning. But I figured that people who don’t have high stakes in that story may not be so interested. So I wanted to tell the history of Iceland through our impact on the outside world, by looking at where we have shaped events in some way or another.”Also on this week’s episode, Alexandra Alter has news from the publishing world; Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary this year; and Dwight Garner and Parul Sehgal talk about books they’ve recently reviewed. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“A Ghost in the Throat” by Doireann Ni Ghriofa“Languages of Truth” by Salman Rushdie Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jake Bonner, the protagonist of Jean Hanff Korelitz’s “The Plot,” writes a novel based on someone else’s idea. The book becomes a big hit, but Jake has a hard time enjoying it because he’s worried about getting caught. On this week’s podcast, Korelitz says that Jake’s more general anxieties about his career as a writer are relatable, despite her own success (this is her seventh novel).“Jake is all of us,” Korelitz says. “I used to regard other people’s literary careers with great curiosity. I used to have this little private parlor game: Would I want that person’s career? Would I want that person’s career? And those names have changed over the years as careers have faltered, disappeared. I’ve been publishing for a very long time, and my contemporaries in the 1990s were people with massive successes who have not been heard of now for 10, 15 years. So it’s very much a tortoise and hare kind of thing, in my own case.”Elizabeth Hinton visits the podcast to discuss her new book, “America on Fire,” a history of racial protest and police violence that reframes the civil rights struggle between the assassination of Dr. Martin Luther King Jr. in 1968 and the widespread demonstrations after the murder of George Floyd in 2020. Hinton writes about major uprisings, but also focuses on lesser-known examples of systemic violence against Black communities in places like York, Pa., and Cairo, Ill.“Part of the reason why the violence in both of those cities was so extreme was the deep entanglement between white vigilante groups and white power groups and the police department and political and economic elites in both cities,” Hinton says. “So in many ways, what happened, in Cairo especially, is a warning to all of us about what the consequences are when officials decide to use the police to manage the material consequences of socioeconomic exclusion and poverty.”Also on this week’s episode, Elizabeth Harris has news from the publishing world; Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary this year; and Gregory Cowles and John Williams talk about what they’ve been reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“Dispatches” by Michael Herr“The Emigrants” by W.G. Sebald“Lenin” by Victor Sebestyen Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Maggie O’Farrell’s “Hamnet,” one of last year’s most widely acclaimed novels, imagines the life of William Shakespeare, his wife, Anne (or Agnes) Hathaway, and the couple’s son Hamnet, who died at 11 years old in 1596. On this week’s podcast, O’Farrell says she always planned for the novel to have the ensemble cast it does, but that her deepest motivation was the desire to capture a sense of the young boy at its center.“The engine behind the book for me was always the fact that I think Hamnet has been overlooked and underwritten by history,” she says. “I think he’s been consigned to a literary footnote. And I believe, quite strongly, that without him — without his tragically short life — we wouldn’t have the play ‘Hamlet.’ We probably wouldn’t have ‘Twelfth Night.’ As an audience, we are enormously in debt to him.”Judith Shulevitz visits the podcast to discuss Rachel Cusk’s new novel, “Second Place,” and to analyze Cusk’s literary style.“In this review, I quote Isaac Babel: ‘No iron spike can pierce a human heart as icily as a period in the right place.’ There’s this kind of clinical accuracy to her writing,” Shulevitz says, “that she brings to bear on both the physical world and on the emotional world that is almost scary. Which is what I like.”Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary this year; Alexandra Alter has news from the publishing world; and Dwight Garner and Jennifer Szalai talk about books they’ve recently reviewed. Pamela Paul is the host.Here are the books discussed by the Times’s critics this week:“The Life She Wished to Live” by Ann McCutchan“Dedicated” by Pete Davis Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Louis Menand’s new book, “The Free World: Art and Thought in the Cold War,” covers the interchange of arts and ideas between the United States and Europe in the decades following World War II. On this week’s podcast, Menand talks about the book, including why he chose to frame his telling from the end of the war until 1965.“What I didn’t get right away was the extent to which, what happened in American culture, both at the level of avant-garde art, like John Cage’s music, and at the level of Hollywood movies, was influenced by countries around the world,” Menand says. “When American culture comes into its own — because before 1945, I think, nobody really thought of America as a central player in world culture; that changes in the ’60s — but when that happens, culture becomes global, becomes international.”Phillip Lopate has edited many acclaimed anthologies throughout his career, but his latest project might be his most ambitious: three volumes of American essays from colonial times to the present day. “The Glorious American Essay” was published last year; “The Golden Age of the American Essay” arrived last month; and “The Contemporary American Essay” will be available this summer.“I’m really trying to expand the notion of what an essay is,” Lopate says on the podcast. “So I’ve included essays that are in the form of letters, like Frederick Douglass’s letter to his master; I’ve included essays in the form of sermons, like Jonathan Edwards, the Puritan preacher; I’ve included essays in the form of rants. I’m just trying to get people to see the essay as occurring in many, many different forms.”Also on this week’s episode, Tina Jordan looks back at Book Review history during this year of its 125th anniversary; Elizabeth Harris has news from the publishing world; and Gal Beckerman and Gregory Cowles talk about what they’re reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“The Committed” by Viet Thanh Nguyen“The Big Sleep” by Raymond Chandler“Beijing Payback” by Daniel Nieh“Yoga” by Emmanuel Carrère Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In 2018, Michael Lewis published “The Fifth Risk,” which argued, in short, that the federal government was underprepared for a variety of disaster scenarios. Guess what his new book is about? Lewis visits the podcast this week to discuss “The Premonition,” which recounts the initial response to the coronavirus pandemic.“It wasn’t just Trump,” Lewis says. “Trump made everything worse. But there had ben changes in the American government, and changes in particular at the C.D.C., that made them less and less capable of actually controlling disease and more and more like a fine academic institution that came in after the battle and tried to assess what had happened; but not equipped for actual battlefield command. The book doesn’t get to the pandemic until Page 160. The back story tells you how the story is going to play out.”The historian Annette Gordon-Reed visits the podcast to talk about her new book, “On Juneteenth,” which combines history about slavery in Texas with more personal, essayistic writing about her own family and childhood.“This is a departure for me, but it is actually the kind of writing that I always thought that I would be doing when I was growing up, dreaming about being a writer,” Gordon-Reed says. “I’ve always been a great admirer of James Baldwin, and Gore Vidal’s essays I thought were wonderful, better than the novels, and that’s the kind of thing that I wanted to do. So it was sort of a dream come true for me to be able to take this form and talk about some things that were very important to me.”Also on this week’s episode, Tina Jordan looks back at Book Review history during this year of its 125th anniversary; Alexandra Alter has news from the publishing world; and Parul Sehgal and John Williams talk about the latest in literary criticism. Pamela Paul is the host.Here are the books discussed by the critics this week:“The Secret to Superhuman Strength” by Alison Bechdel“Jackpot” by Michael Mechanic Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In her new book, “Antitrust,” Senator Amy Klobuchar of Minnesota explores the history of fighting monopoly power in this country, and argues that the digital age calls for a renewed effort.“I think the best way to do this right now is to have our laws be as sophisticated as the companies that we’re dealing with,” Klobuchar says on this week’s podcast. To her, that means “switching the burden for the big, big mergers or for the big exclusionary conducts of the companies that are the largest, and say, ‘Instead of the government having to prove that it hurts competition, you guys have to prove that it doesn’t hurt competition.’” She continues: “You’ve got to look backwards, just like they did with AT&T or some of the big cases — Standard Oil — they looked backwards and said, ‘Wait a minute, this has gotten out of hand.’ It doesn’t mean that we’re going to make this company go away. The chairman of AT&T, after the breakup, said they got stronger because they had to compete.”Andrew Solomon visits the podcast to talk about Katie Booth’s “The Invention of Miracles: Language, Power, and Alexander Graham Bell’s Quest to End Deafness.” Bell was a proponent of oralism, a theory that pressured deaf people to learn speech and, more important, not to learn sign language.“He thought that sign language was a secondary, second-rate thing,” Solomon says of Bell. “He learned it very fluently, and could use it very well, but he didn’t find any beauty in it, and he didn’t really recognize it as another language of equal validity. His underlying belief was that if you could be someone who passed for hearing, you were doing well, and that was what he was trying to teach people. And of course, the deaf politics movement, which had already begun in his day, though it had not reached the strength it’s reached now, said that actually, while it was nice to be able to interact with people who were hearing, and convenient and helpful, that there was a great beauty in sign.”Also on this week’s episode, Tina Jordan looks back at Book Review history during this year of its 125th anniversary; Elizabeth Harris has news from the publishing world; and Gregory Cowles and John Williams talk about what they’re reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“Despair” by Vladimir Nabokov“A Fan’s Notes” by Frederick Exley“So Much for That” by Lionel Shriver“How Beautiful We Were” by Imbolo Mbue Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Patrick Radden Keefe’s new book, “Empire of Pain,” is a history of the Sacklers, the family behind Purdue Pharma, the creator of the powerful painkiller OxyContin, which became the root of the opioid crisis in the United States. One of the subjects covered in Keefe’s investigative work is what the company knew, and when, as the crisis began to unfold.“One thing I was able to establish very definitively in the book is that, in fact, there is this paper trail, really starting in 1997, so just a year after the drug is released, of sales reps sending messages back saying, ‘Hey, we’ve got a problem here. People are abusing this drug,’” Keefe says. “And there’s very high-level discussion by senior executives at the company, some of whom subsequently testified under oath that they didn’t know anything about this until early 2000. In terms of the timeline, it’s very hard to reconcile what they have always said publicly and what I was able to substantiate with internal documents.”Elisabeth Egan, an editor at the Book Review, is on the podcast this week to discuss “What Comes After,” by JoAnne Tompkins, the latest pick for Group Text, our monthly column for readers and book clubs. The novel starts with the deaths of two high school students, and becomes a mystery when we meet Evangeline McKensey, a pregnant 16-year-old with a connection to the dead boys.“I am the mother of three teenagers, and I’m constantly looking for the book that makes me feel a little better about how little I know about what’s running through my kids’ heads at any given time,” Egan says. “There was something about this book that felt reassuring to me, as strange as that sounds because it begins with this terrible tragedy. But it’s really, actually a book about life.”Also on this week’s episode, Tina Jordan looks back at Book Review history during this year of its 125th anniversary, and Lauren Christensen and John Williams talk about what they’ve been reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“Crusoe’s Daughter” by Jane Gardam“The Secret Lives of Church Ladies” by Deesha Philyaw“True Grit” by Charles Portis“Klara and the Sun” by Kazuo Ishiguro Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We’ve been in celebration mode all week as the Book Review’s podcast turns 15 years old. Pamela Paul shared 15 of her favorite episodes since she began hosting in 2013. We chose 10 other memorable conversations from the show’s full archives, and did a bit of digging to tell the story of the podcast’s earliest days.Now, appropriately, we cap things off with a new episode dedicated to the milestone. This week, Paul speaks with Sam Tanenahus, her predecessor and the founding host, and Dwight Garner, now a critic for The Times who came up with the idea to do the podcast when he was the senior editor at the Book Review. Jocelyn Gonzales, a former producer of the show, and Pedro Rosado, its current maestro, talk about their favorite and unusual memories from over the years. (Did one guest really call in from a submarine? It’s uncertain.) And Paul answers questions about what it’s been like to host the show, sharing a few clips of Robert Caro and others discussing their work.We also conduct some business as usual this week, with Tina Jordan looking back at Book Review history during this year of its 125th anniversary and Alexandra Alter discussing news from the publishing world. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Blake Bailey’s long-awaited biography of Philip Roth has generated renewed conversation about the life and work of the towering American novelist who died at 85 in 2018. Bailey visits the podcast this week to take part in that conversation himself.“Most of Philip’s life was spent in this little cottage in the woods of Connecticut, standing at a desk and living inside his head 12 hours a day,” Bailey says. “This is not unique to Philip. This is a phenomenon that I experienced vis-à-vis my other subjects, too. They don’t see people very clearly. They sort of see themselves projected out, they see what they want to see. And Philip needed to understand that — though I was very fond of him, I was — I had a job to do. So our relationship was constantly teetering on the cusp between professional and friendship, and that could be an awkward dynamic. But for the most part I was extremely fond of Philip.”Julia Sweig visits the podcast to discuss her new book, “Lady Bird Johnson: Hiding in Plain Sight.”“I wanted to write a book about women and power,” Sweig says. “And to be truthful, I didn’t have a subject when I got into this, and discovered that Lady Bird had kept this immense record of her time in the White House. And of course, Lady Bird Johnson is married to the American president of the 20th century perhaps most associated with the word ‘power.’ So the doors, once they opened, just showed a huge opportunity to discover somebody who I thought I had some feel for, but really did not.”Also on this week’s episode, Tina Jordan looks back at Book Review history during this year of its 125th anniversary; Alexandra Alter has news from the publishing world; and Dwight Garner and Parul Sehgal talk about books they’ve recently reviewed. Pamela Paul is the host.Here are the books discussed by The Times’s critics this week:“Places of Mind: A Life of Edward Said” by Timothy Brennan“Francis Bacon: Revelations” by Mark Stevens and Annalyn Swan Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In his new book, “Life’s Edge,” Carl Zimmer asks the modest questions: What is life? How did it begin? And by what criteria can we define things as “living”? On this week’s podcast, Zimmer, a science columnist for The Times, talks about just how difficult it can be to find answers.“There are actually philosophers who have argued that maybe we should just try not to define life at all, in fact; that maybe we’re getting ourselves into trouble,” Zimmer says. “If you look for a definition of life from scientists, you will find hundreds of them; hundreds of published definitions that are different from each other. And every year a new one comes out, or maybe two, and they just keep going. there was a paper I read not too long ago that said that there are probably as many definitions of life as people who are trying to define life.”Paulina Bren visits the podcast to discuss her new book, “The Barbizon,” an account of the storied hotel for women that first opened in 1928.“It went through all sorts of incarnations,” Bren says. “This hotel really follows in so many ways not just the history of women in the 20th century, but truly the ups and downs, the history, of New York.”Also on this week’s episode, Elisabeth Egan and John Williams talk about what people are reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“Visitors” by Anita Brookner“Firekeeper’s Daughter” by Angeline Boulley“I Am, I Am, I Am” by Maggie O’Farrell Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A.O. Scott, The Times’s co-chief film critic, returns to the Book Review’s podcast this week to discuss the work of Tillie Olsen, the latest subject in his essay series The Americans, about writers who give a sense of the country’s complex identity. Olsen, who died in 2007 at 94, was known best as the author of “Tell Me a Riddle,” a collection of three short stories and a novella published in 1961. She also wrote rigorous depictions of working-class families, conveying the costs of living for burdened mothers, wives and daughters.“I think people should read her now for a few different reasons,” Scott says. “I was really drawn to this idea of the difficulty of writing, and the ways that our other responsibilities and the fatigue of living can make it hard to write. I think I related to this very much in this year. One of the themes in her stories is tiredness, is just the physical and mental fatigue of being alive and how hard that can make it to create anything.”Wendy Lower visits the podcast to discuss “The Ravine: A Family, a Photograph, a Holocaust Massacre Revealed.” In the book, Lower, a historian of the Holocaust, considers a photograph taken in October 1941 that shows several men shooting a woman who holds the hand of a small boy.“Most people think that we know all there is to know about the Holocaust,” Lower says, “and this is an important example of how these records are just being declassified now from various countries that were involved in the Holocaust or occupied by the Nazis.”Also on this week’s episode, Tina Jordan looks back at Book Review history during this year of its 125th anniversary; Alexandra Alter has news from the publishing world; and Parul Sehgal and Jennifer Szalai talk about books they’ve recently reviewed. Pamela Paul is the host.Here are the books discussed by The Times’s critics this week:“100 Boyfriends” by Brontez Purnell“Until Justice Be Done” by Kate Masur Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

There’s nothing wrong with your eyes: The title of Thomas Dyja’s new book is “New York, New York, New York.” (The triplicate is inspired by the urbanist Holly Whyte’s answer when he was asked to name his three favorite American cities.) On this week’s podcast, Dyja discusses how he went about organizing this sweeping look at the past four decades in the city’s history.“I love timelines,” Dyja says. “I make huge charts to take themes through, so this had an eight-foot-long thing on my wall that basically took certain themes and wove them through all those years.” With all that material, “having to make tough choices was just basic," and "there are things that are on the cutting room floor that I kind of miss. But at the end of the day, I think it conveys that subway-express-train-blasting-along-from-stop-to-stop experience of New York.”The magician, writer and theatrical performer Derek DelGaudio visits the podcast to talk about his new book, “Amoralman: A True Story and Other Lies,” which is told in two parts: The first covers his childhood in Colorado, and the second the time he spent doing a very unusual job.“When I was in my 20s, I worked as what’s known as a bust-out dealer, which is a professional card cheat hired by the house to cheat its customers,” DelGaudio says. “And what I experienced at that house, and what I recognized, I thought was something worth sharing.”Also on this week’s episode, Tina Jordan looks back at Book Review history during this year of its 125th anniversary; Alexandra Alter has news from the publishing world; and Gal Beckerman and Dave Kim talk about what people are reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“An Empire of Their Own” by Neal Gabler“My Heart” by Semezdin Mehmedinovic“Le Freak” by Nile Rodgers Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Imbolo Mbue first began writing her new novel, “How Beautiful We Were,” in 2002. The book concerns the impact of an American oil company’s presence on a fictional African village. She eventually put the idea aside to work on what turned into her acclaimed debut novel, “Behold the Dreamers.” When she began working again on the earlier idea, it was 2016. On this week’s podcast, she says that returning to the novel at that moment changed the way she approached writing it.“Flint, Michigan, had happened, and Sandy Hook had happened a few years before,” she says. “So I was thinking a lot about children. I was thinking a lot about what it means to be a child growing up in a world in which you don’t understand why things are happening and nobody is doing something about it. And that was what gave me the inspiration to tell the story mostly from the point of the view of the children. That definitely changed a huge part of the story.”Annalee Newitz visits the podcast to discuss “Four Lost Cities: A Secret History of the Urban Age.” In the book, Newitz gleans lessons about urban living from four cities that no longer exist: Pompeii; Angkor, a metropolis of medieval Cambodia; Cahokia, an urban sanctuary that sprawled across both sides of the Mississippi River a thousand years ago; and Catalhoyuk, a city that existed 9,000 years ago above the plains of south-central Turkey.“It’s a tragedy because for us now, in the present day, looking back, a lot of us would love to know more about what life was like in these places and be able to visit them in their prime,” Newitz says. “So it’s sad because we can’t go and see them alive. But I also think that in many cases, people left these cities for good reason. The abandonment, it’s a rejection of something that’s gone wrong, and I think it’s good that we have these examples.”Also on this week’s episode, Alexandra Alter has news from the publishing world; and Dwight Garner and Jennifer Szalai talk about books they’ve recently reviewed. Pamela Paul is the host.Here are the books discussed by the Times’s critics this week:“Lucky: How Joe Biden Barely Won the Presidency” by Jonathan Allen and Amie Parnes“The Empathy Diaries” by Sherry Turkle Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Kazuo Ishigruo’s eighth novel, “Klara and the Sun,” is his first since he won the Nobel Prize for Literature in 2017. It’s narrated by Klara, an Artificial Friend — a humanoid machine who acts as a companion for a 14-year-old child. Radhika Jones, the editor of Vanity Fair, talks about the novel and where it fits into Ishiguro’s august body of work on this week’s podcast.“How human can Klara be? What are the limits of humanity, in terms of transferring it into machinery? It’s one of the many questions that animate this book,” Jones says. “It’s not something that’s oversimplified, but I do think it’s very poignant because the truth is that Klara is our narrator. So as far as we’re concerned, she’s the person whose inner life we come to understand. And the question of what limits there are on that, for a being that is artificial, is interesting.”Mark Harris visits the podcast to discuss “Mike Nichols: A Life,” his new biography of the writer, director and performer whose many credits included “The Graduate” and “Who’s Afraid of Virginia Woolf?” “He was remarkably open,” Harris says of his subject. “There are few bigger success stories for a director to look back on than ‘The Graduate,’ and I was asking Mike about it 40 years and probably 40,000 questions after it happened. But I was so impressed by his willingness to come at it from new angles, to re-examine things that he hadn’t thought about for a while, to tell stories that were frankly not flattering to him. I’ve never heard harsher stories about Mike’s behavior over the years than I heard from Mike himself. He was an extraordinary interview subject.”Also on this week’s episode, Alexandra Alter has news from the publishing world; and Gregory Cowles and John Williams talk about what people are reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“No One Is Talking About This” by Patricia Lockwood“The View From Castle Rock” by Alice Munro“The Turn of the Screw and Other Ghost Stories” by Henry James Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.