Songwriter Theory Podcast: Learn Songwriting And Write Meaningful Lyrics and Songs

🎵Take The Start & Finish A Song In 5 Days Challenge https://www.songwritertheory.com/saf-song-challenge

🎵Take The Start & Finish A Song In 5 Days Challenge https://www.songwritertheory.com/saf-song-challenge

🎵Take The Start & Finish A Song In 5 Days Challenge https://www.songwritertheory.com/saf-song-challenge Check out Dana here: https://www.youtube.com/@danaandrewsmusic  

🎵Take The Start & Finish A Song In 5 Days Challenge https://www.songwritertheory.com/saf-song-challenge

We're talking about the only songwriting tip that ultimately matters and an important announcement. ►► Download the 20 Ways To Start Writing A Song Cheat Sheet here: http://songwritertheory.com/freeguide/

►► Download the 6-Step Lyric Writing Checklist here: https://songwritertheory.com/lyricchecklist/ In this episode of the Songwriter Theory Podcast, we talk about the power of parallelism in your lyrics, why bridges are the perfect song section to start utilizing modes and borrowed chords, the art of subtly different song structure in our songs, non-lazy songwriting, and more! We're going off of the great song 100 Years by Five for Fighting for this episode. 0:00 Intro 2:51 The Power of Parallelism In Lyrics 12:59 Where To Use Modes and Borrowed Chords In Your Songs 35:32 Changing Up Song Song Structure 50:00 The Art of Non-Lazy Songwriting 1:08:36 Should We Have Our Song Title In The First Line? #SongwriterTheory #JosephVadala

►► Download the 20 Ways To Start Writing A Song Cheat Sheet here: http://songwritertheory.com/freeguide/   In this episode of the new format of the Songwriter Theory Podcast, we're learning about Hook Writing, 3rd Verses, Wordplay, and more off of the song Everything You Want by my favorite artist,  @VerticalHorizonMusic  . We'll be covering what we can learn about hook writing, lyric writing, song structure, and more in this episode. Let's talk about it!

►► Download the 20 Ways To Start Writing A Song Cheat Sheet here: http://songwritertheory.com/freeguide/

►► Download the 20 Ways To Start Writing A Song Cheat Sheet here: http://songwritertheory.com/freeguide/

►► Download the 20 Ways To Start Writing A Song Cheat Sheet here: http://songwritertheory.com/freeguide/

►► Download the 20 Ways To Start Writing A Song Cheat Sheet here: http://songwritertheory.com/freeguide/ In this bonus episode of the Songwriter Theory Podcast, we're talking about your biggest songwriting struggles. We're going to talk through and attempt to give the solution or some advice as to how to get past the struggles you're having in your songwriting. Transcript: We're back with another bonus episode of the Songwriter Theory podcast. It's going to be part eight of addressing your biggest songwriting struggles. No, I didn't forget about this series. Just didn't have time for a hot second, but we're back. We're going to finish out responding to these, not necessarily in this episode, unless actually, almost certainly we're not going to finish in this episode. No, it's not important to have watched the other ones. If you're thinking, Oh my goodness, part eight, do I have to go watch the other ones? No, they're all self-contained. Each one is me addressing different of your responses to this survey that I sent out. And whether you are somebody that actually responded to this and you're waiting to hear specifically what I have to say about your songwriting struggle and maybe the advice I give or whatever it might be. But also you might be somebody who shares a struggle with another songwriter out there. In fact, in going through these, I've realized, wow, there are a lot of themes that come up over and over. So there might be something in here to help you as well. Let's talk about it. Hello, friend. Welcome to another episode of the songwriter theory podcast. Another bonus episode talking about your biggest songwriting struggles. If you haven't already, be sure to grab my free guide. 20 different ways to start writing a song, starting songs and finishing songs or some of the recurring themes that come up here. And this free guide will help you with starting songs. It's a cheat sheet now. It's much shorter. It's very easy, practical to apply. Great way to stay creatively fresh. And just it's good to have a variety instead of being stuck in one way to start a song, especially because sometimes the one way to start a song isn't actually what's best for us. Maybe you've always started a song writing lyrics first and you haven't even contemplated that maybe an easier way to write songs for you is actually starting on the music side. Maybe something specific like a bass line or a guitar riff or chord progression. Regardless, it's a great way to mix things up. Songwritertheory.com slash free guide. Let's dive into question or feedback, I guess. Response. There's the word. Number one, lately I've been having trouble getting into the flow and starting a project and or staying focused. It's a big problem in today's society. Yes, yes, it is. Also, I have trouble finishing projects and following through and letting them out into the world. I'm not very experienced at the mixing process, but I know what sounds good, at least to me. I know I can figure out how to use the mixing tools in Ableton Live 11 Suite, which I recently acquired. Not an EDM artist, however, Ableton is perfect for the kind of music I want to play and I'm playing with all of its tweakable sounds and effects and features. But I feel like my music is so far removed from the mainstream that there's no point in putting it out there because A, no one is going to like it or listen to it. And B, I want people to hear it. But that's not the most important thing.(...) I like I make music because it's what I've always done. I'm originally a singer songwriter and trying new things with Ableton on keyboard guitars, bass drums. Do I need an attitude adjustment? Should I go back to busking on 9th Street with my classical guitar in harmonica? What do you think? 0:00 Intro 3:26 I Have Trouble Getting Into a Songwriting Flow! 8:41 I Have Trouble Staying Focused On Songwriting! 16:44 Who Will Even Care About My Music? 24:19 I Struggle Writing Melodies! 33:06 I Struggle with Metaphors In My Lyrics!

►► Download the 4 Pillars of Music Theory For Songwriters Guide here: http://songwritertheory.com/musictheoryguide/ In this episode of the Songwriter Theory Podcast, we're talking about how I'd learn songwriting if I had to start over. After writing songs and continuing to learn for around 20 years, I'd certainly do things differently if I had the chance to do it all again. So, in this podcast I'm going to walk you through exactly what I would do in what order if I had to learn songwriting from scratch. What I'd do if I wanted to learn songwriting but had never written a single song before. The ultimate "songwriting for beginners" guide if you will. So, let's talk about how I would learn songwriting if I had to start from the beginning.

►► Download the 20 Ways To Start Writing A Song Cheat Sheet here: http://songwritertheory.com/freeguide/ In this bonus episode of the Songwriter Theory Podcast, we're continuing to respond to your biggest songwriting struggles. I asked you all what your #1 biggest songwriting struggle is, and you answered! And now I'm going through each of your responses to try and help you out! So, let's talk about your biggest songwriting struggles and how you might overcome them!

►► Download the 20 Ways To Start Writing A Song Cheat Sheet here: http://songwritertheory.com/freeguide/ In this episode of the Songwriter Theory Podcast, we're talking about another factor leading to or signpost indicating how good a song is. This time we're talking about honesty. A song doesn't have to be literally true, but it definitely should be communicating truth. Often, our songs are touching on themes and exploring different stories to try to glean some meaning from life. Our songs, like any other art, should represent reality. Again, not literal reality, but the reality of the nature of the world and creatures with free will. Just as Tolkien used fantasy characters to explore core human truths, so should we be writing with core human truths in mind. Are you characters consistent? Do your stories represent what is likely to happen in the real world? Do your characters seem like they would or could be real people? A part of what makes art great is the illusion of the lack of the hand of the artist- but yet art is completely created by an artist. But if the art feels honest and real, we don't see the hand of the artist. We do see the hand of the artist when the artist makes characters do things out of character so the rest of the plot can happen, or when they present a world that bears no resemblance to what we know of the reality around us. So let's talk about honesty as a factor leading to great songs! Transcript: In this episode, we are continuing our conversation about what makes a song great. It's a difficult conversation to have. It's not something that is super easy. It's not something that can just be made into a simple math equation. But we all have this sense that there is such a thing as one piece of art or one song being better than another. We all think, "How do I make my song better?" Which implies the existence of better. So, it's important to talk about what are the factors that lead to that. When I say that I want to make my second verse lyric better, what are some of the underlying principles or factors that go into making it better versus maybe making it worse? And we can apply that to all different parts of any given song. So, we're going to talk about things philosophically today, but we're talking about what makes a song great. But to... Hello, friend. Welcome to another episode of the Songwriting Theory Podcast. I'm your host, as always, Joseph Adala. I'm honored that you would take some time out of your busy day to talk songwriting with me. I could be listening to Rogan, but instead, you are here. And I'm sure that Joe Rogan is more entertaining than I am, given that, well, we are talking about things that are largely informational. So, as entertaining as I may or may not be as a human being, this podcast is no Joe Rogan show. Joe Rogan experience, I'm sorry. What's wrong with me? Goodness. That being said, I know that, you know, probably we have time for one, two, maybe three podcasts to actually keep up on in the fact that any podcast talking about songwriting, the craft of songwriting, and learning more about songwriting makes the cut for you, means that songwriting as a craft is really important to you. And that pumps me up, because it's important to me. That's why I do this. That's why we're 251 episodes in, something like that. I care about the craft of songwriting, and the fact that there's anybody out there listening at all, of course, means that other people care about the craft, too, which is the best. So, thank you for being here. I appreciate that. If you haven't already, be sure to grab my free guide. I always do always to start writing a song. We're talking philosophical today. So, makes sense to offer you something for free. That is purely practical, basically. It is, if you want to start a song, do this, or this, or this. And it's not a comprehensive list. But I think too many of us just kind of default to one way to start writing a song and never even entertain the idea that there's a bunch of different ways to start a song that can inspire us in different directions creatively, or can get us out of our creative rut. Too many times, I think we think that, "Oh, the muse hasn't visited me," or, "My creativity's just run out. I just can't write a song right now." But it's not because our creativity ran out. It's because our creativity with that specific thing has run out. Maybe right now, if I were to try to come up with a piano riff, I've just kind of run out for now, because I've done too many in the last several months. And I just need to go try to start a song with a bass line, or start a song with an interesting drum part, or perhaps start with a song title instead, something on the lyrical side. Start with what I think is a compelling story, and then figure out, "Okay, how do I tell that story via song?" So if any of that seems interesting to you, be sure to check out that guide, songartethery.com, slash, free guide. We guide 20 different ways to starting a

►► Download the 20 Ways To Start Writing A Song Cheat Sheet here: http://songwritertheory.com/freeguide/ In this episode of the Songwriter Theory Podcast, we're talking about 1 factor that seems to be one of the factors contributing to a song actually being good. We're talking about how every part of the song working together to communicate what the song is about - aka the COHESION of the song. If your lyrics are about something tragic, but the melody sounds playful and the harmony sounds like a grand romantic piece, is that any good? No. The song may be made of different parts and song sections, but it also is a singular song. So let's discuss the COHESION or..... I'll say it, synergy of songs. Transcript: As songwriters who are seeking to constantly improve at the craft of songwriting and write better and better songs, I think we are constantly on this quest where we're asking ourselves, "How do I write a better song? How do I write a better chorus? How do I write better melodies? How do I write a bridge that's more emotionally resonant?" And yet sometimes we don't actually take the time to think about, "Well, wait a second. When I say better chorus, when I say a better song, what does that even mean? What are the things that we're looking at? What are some of the factors that lead into this idea of something being better in any piece of art?" This is a difficult thing for us to tackle, but as I mentioned in last week's episode, we're going to try. And I realized very quickly that this probably would take more than one episode to even begin to do this justice and not have it be multiple hours long. So this is going to be part one in our Who Knows How Long series about trying to tackle what actually makes a song great or what are some of the common factors to what sort of leads to a good song. Let's talk about it. Hello, friend. Welcome to another episode of the Songwriter Theory Podcast. I'm your host as always, Joseph Vidal. I know that you would take some time out of your busy day, your busy week to talk songwriting with me. If you're listening to anything and instead you're listening to something that you're hoping is going to help you and hopefully me talking about it will also help me become better songwriters so that we can all become better songwriters together, at least be striving in that direction so that hopefully both you and I are better songwriters next year than we were this year and much better five years from now than now and etc. So on, so forth. Don't want to bore you. It's just going through random numbers. I think you understand. So that's the goal. But in today's episode, we're tackling something heavy. Not heavy, maybe emotionally, but something that I feel like most people aren't even willing to start to discuss. But I think it's important to discuss because if we can't define or talk about here are some factors that seem to lead to a song being better or more good or great, then, you know, how can we possibly talk about here's how to make your lyrics better? Like we'll define better if we can't have some idea of some of the factors that go into an element of the song or the song as a whole being better, then we can't actually answer the question what would make this better. So I think it's an important thing to discuss. I think it's something that artists in general don't talk about enough. And it's just one of those things that I think it's a net negative for all of us. Yes, it's a hard discussion, but that doesn't mean it's not one worth having. Most important discussions are difficult and don't have clear answers, but that doesn't make them not important to have. So we're going to do that. It's going to be part one because I realized there's no shot that I could even begin to do justice to this in one part. So we're breaking it up. Let me know in the comments down below if you're on YouTube what some of your ideas are and please back them up. Don't just be like, "I think a great song is X and you have no reasoning as to Y." I mean, you can, but it's kind of hard to... it's not really making a point if you just list a thing and don't justify why it's a thing. But that being said, I am very curious what other people think is meant to be a discussion. I again do not pretend to have the answers. I have spent a lot of time thinking about this pretty much throughout my life, but that doesn't mean that I'm right. It doesn't mean that I'm right. But hopefully it's at least well thought out and has some merit to talking about, hopefully. But I guess that's up to you to decide. So if you haven't already, be sure to grab my free guide. 20 different ways to start writing a song, especially if you're like, "All right, we're talking philosophy and getting real deep into what makes something good today." But where's my hard just go do this songwriting advice? There it is, songwritertheory.com slash free guide. It gives you 20 different ways to start writing a song because I'm personally of th

►► Download the 20 Ways To Start Writing A Song Cheat Sheet here: http://songwritertheory.com/freeguide/ In this Bonus episode of the Songwriter Theory Podcast, we're continuing to address your biggest songwriting struggles directly by responding to more of your responses to my survey. We'll be discussing struggles such as: - I Can't Get My Rhythm + Rhyme Right! - I Struggle To Write Lyrics That All Work Together - Opinion: Songs Shouldn't Have A "Message" - I Struggle To Connect Verses + Choruses - I Struggle To Pick The Right Chords For The Right Feels - How Do I Start A Song? - How Do Intentionally Write Songs With Certain Emotions? - What Kind of Songs Should I Write First?   Transcript: This is part seven of responding to your answer to my question of what your number one biggest songwriting struggle or challenge is. Let's talk about it. Hello friend, welcome to another episode of the Songwriter Theory Podcast. I'm your host as always, Joseph Galla. Honored that you would take some time out of your busy day, your busy week to talk songwriting with me. And welcome again to another bonus episode of the Songwriter Theory Podcast where we are talking about your answers to the question of what your biggest songwriting struggle is. If you haven't already, be sure to grab my free guide, 20 Different Ways to Start Writing a Song. This is a struggle that comes up. We might get to this question today actually, but somebody asks about, "Hey, I struggled figuring out where to start with songs." Not sure if we'll get to it in today's episode or not, but whether you're just somebody that sometimes wants to get out of your creative box a little bit more or you're somebody who struggles to actually start writing songs and not even just being original with starting songs but just starting in general, this is the guide for you to kick writer's block to the curb because writer's block sometimes comes from staring at a blank page, staring at your instrument and just being like, "I don't know. I don't know what to do next." But starting our songs in different ways can be a great way to overcome that, and this free cheat sheet gives you 20 different ways to start writing a song. SongwriterTheory.com slash free guide. First response for this bonus episode. Dear Joseph, songwriting is a very excellent form of literature and philosophy. I agree. As a result, I enjoy English literature such as short stories and memoirs. Songwriting is very special to me and my friends. The tricky part is the rhythm and rhyme. So let's address that first. So when it comes to...so with rhythm and rhyme, because you paired them together, I'm mostly going to assume that you're talking about the rhythm specifically of words and or the melody, aka meter. So the tricky part is meter and rhyme. First thing on that, because I've seen enough lyrics and had enough questions where I know that I think I need to say this, probably more often than I do, but your lyrics should not exist or not be made to serve an arbitrary rhyme scheme. Your lyrics do not serve a rhyme. Your rhyming or lack of rhyming should service and serve your lyrics. So you should never be, for instance, let's say you decide on a rhyme scheme that is A-B-A-B. You should never be significantly altering your lyrics or using corny words you don't really want to use. I'll pick on Night and Light. I've used it in one of my songs. There's nothing wrong with Night and Light. I've used it at some point, but you don't want that to be a constant go-to. If every single one of your songs has Night and Light, it's like, all right, come on. So if you've picked that as a rhyme scheme, A-B-A-B, and you're significantly changing what you actually want to say just in order to fit that arbitrary rhyme scheme, I think we've lost the plot when that happens. Because ultimately, nobody gives a rip whether your song rhymes or not. Just in general. I would argue in the scheme of all things lyrics, rhyme is towards the bottom of what's important. So to your tricky part is the rhythm and rhyme. Worry way more about rhythm, aka meter, than rhyme. Because to take it to the extreme, which is a good way to test any form of logic, but to take it to the extreme, if you had a song where every single, you did not rhyme at all, or a poem where you did not rhyme at all, not a single thing rhymes, not even family rhymes, or consonants rhymes, no rhymes at all, but you paid attention to meter, you could have a great lyric. You could have great lyrics. But if you reverse that and pay no attention at all to meter, your meter is just all over the place. But your rhyme scheme is perfect. Nobody will notice or care that your rhyme scheme is perfect because nobody will be able to see past or hear past the fact that your meter is all over the place. Now when I say meter is all over the place, I don't mean that you have some slight alterations in places. I don't mean that your syllable counts aren't exact, even though your emphas

►► Download the 20 Ways To Start Writing A Song Guide here: http://songwritertheory.com/freeguide/ In this episode of the Songwriter Theory Podcast, we're asking if this perspective on art is holding your songwriting back.   I constantly hear people, including songwriters and musicians, say "Music is just all subjective", "Art is subjective", "There is no good or bad, art is purely subjective". Not only is that unequivocally wrong, I think it's an actively destructive view that doesn't leave any room for us to "get better" at lyric writing, music composition, or anything else songwriting because, by definition of music being entirely subjective, there literally is no such thing as "better" lyrics or music or songs. So why spend time trying to make our songs better? How could we even begin to have a discussion on how to write better lyrics or improve our chorus? If it's all completely subjective any of that would be a total waste of time.   So, in this episode of the Songwriter Theory Podcast that absolutely no one asked for, we're going to talk about why this view is wrong and why it also is destructive to us and our future as songwriters.   Transcript: So there's a certain perspective or opinion or just something that people say, especially artists of any kind, seemingly, and certainly songwriters. It seems like songwriters are constantly saying this and I think it's both destructive and just completely wrong. So because of that, we're gonna talk about it in this episode of the Songwriter Theory Podcast.  Hello, friend, welcome to another episode of the Songwriter Theory Podcast. I'm your host, as always, Joe Svedala. Honored that you would take some time out of your busy day to talk songwriting with me. Extra honored that you would take some time to listen to this podcast where we are, this is a podcast for being honest. Nobody asked for me to talk about this. The vast majority of subjects we talk about is something that either is inspired by what I think some of you would want me to talk about if you did tell me, and then a lot of it is off of what you do tell me. So a lot of the content recently, the last several months, has been inspired very directly by your feedback when I asked what your number one songwriting struggle was. Most of the content has been pretty directly off of that, some more directly maybe than others.   And I still need to finish that series as well, which we'll get back to. I have not forgotten.   But this is one of those episodes where we are talking about something that nobody asked for, but I still think is important to talk about.   And I've wanted to talk about it for a while,   and then just realized it's a good podcast episode. I think it's an important thing to discuss, because you may not end up agreeing with me,   but hopefully I can at least get you to consider that instead of what seems to happen, which a lot of people just kinda,   I wanna say mindlessly kind of repeat this thing, I think it's a cop-out answer, and I think it's not true, or at least there's an argument, I would argue a very compelling argument, that it's clearly not true.   But regardless, hopefully you at least reconsider the repercussions of this view of this perspective, and also maybe consider that maybe it's just not true.   If you haven't already, be sure to grab my free guide, 20 Different Ways to Start Writing a Song. It's a cheat sheet, it's shorter, it's better than it used to be, and has double the ways to start writing a song. It's a great way to go, especially for somebody who is struggling with your song sounding the same, or you feel like you're uninspired. One of my favorite things to do, because my bread and butter way of starting a song is starting with a piano riff or something at the keyboard. But whenever I feel like, I just don't have any piano riffs in my fingers right now, I feel like I've written them all, which obviously I haven't, right? But just, you know, if you write a piano riff   two a day for five days, by the sixth day, you're kind of like, I just, I don't even know, like I've done every key of it, I just don't know where to start. But just doing something as simple as, I'm gonna go grab a stock funk beat and improvise to that, or I'm gonna do a bass line, or I'm gonna start with an interesting symbol or song title instead, or I'm gonna think of an interesting character or an interesting story to tell. Those can be all great ways to start a song that will refresh us creatively, so that we don't get into writer's block.   So anyway, be sure to check that out, songrithury.com slash free guide. So what is this perspective that I'm wanting to talk about that I think is super prevalent and ultimately pretty destructive and just not true, just wrong?   It is that art is completely subjective, or art is totally subjective, or art is just subjective, all the different versions of that quo