Something About the Beatles

In the latest effort in a line of works presenting his side of his own history (which include Many Years From Now, Wingspan, the McCartney 3 2 1 docuseries as well as Anthology), Paul McCartney published The Lyrics: 1956 to the Present in 2021. It was in collaboration with Irish poet Paul Muldoon, an as-told-to project where he got deep into his recollections about a selection of his works, pre, during and post-Beatles. But the book is deeper than that: his observations detailing his entire life from boyhood in Liverpool onward were sparked by the 25 hours of conversations he and Muldoon had. My guest is Terry Zobeck: a first-generation Beatles fan and collector who reviewed the book for Doug Sulpy's 910 newsletter. The most recent issues also feature the first two parts of his three-part critique of The Beatles Get Back docuseries. All of Doug's writings, including the indispensable Drugs, Divorce and a Slipping Image (revised edition) can be found at www.dougsulpy.com Learn more about your ad choices. Visit megaphone.fm/adchoices

After shows post-Get Back with guests representing American musicians, multi-generation female fans, and the film's maker (Peter Jackson), conspicuously missing from the SATB conversation to this point has been the POV of British fans/musicians. No longer: today's guests are drawn from the UK music scene and ALL have a deep fandom for The Fabs - some have even worked with one or more. Producer John Leckie first came to SATB in late 2020 to discuss his experiences working on John and Yoko's 1970 Plastic Ono Band albums; thereafter, he appeared at Fab4ConJam to recall working on All Things Must Pass. Afterward, his career during the '80s and beyond included working as producer for some top UK talent, including, Stone Roses, XTC, Radiohead...and Simple Minds. By sheer happenstance, John has worked with BOTH of his co-guests, who are new to SATB: bassist Derek Forbes worked with a number of Scottish acts, including The Subs, Simple Minds, Big Country, etc, while Ian McNabb fronted The Icicle Works: "Birds Fly (Whisper to a Scream)." ALL are hardcore Beatle fans going back a ways, and each fully immersed themselves in the 8 hours of Get Back. But the conversation ran far broader, covering their fandom during the 70s, working with an ex-Beatle, the Liverpool scene post-Beatles, Stiff records, musical influences, Dan Richter, Mickie Most, Wings, and a lot more. It's a freewheeling conversation and you haven't heard the last of these guys on the Something About The Beatles podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Long on the list of my coveted guests has been singer-songwriter Sam Brown. The daughter of Joe Brown - an early UK rock legend - and Vicki Brown - an astonishingly gifted singer herself - Sam's career as an artist kicked off in 1988 with Stop!, the first of seven albums. (The first letter of the titles spell out her name - the 8th installment, titled Number 8 is due out this year.) Sam is also known for singing with Pink Floyd and David Gilmour, as well as on television and on tour with Jools Holland. It was with Jools that Sam took center stage at the 2002 Concert for George, stealing the show with her reading of George's last recorded composition, "Horse To The Water." She has remained active as a performer and a recording artist, despite tragically losing her ability to sing in 2007, following surgery. The mysterious condition forced a re-think of her career and led to her establishing a decade-long running school empowering folks to take up ukulele. In this conversation, we discuss her career and the struggles of being an artist - her friendship with the Harrisons and working with George - the concert - and how she's managed the challenging events that followed. Sam is resourceful and an artist whose rich catalog is worth exploring. You can check out her work here: https://open.spotify.com/playlist/37i9dQZF1DZ06evO1Tns40 Vicki Brown's farewell to fans: https://youtu.be/b0SCoEu_9oM Joe Brown sharing a 1964 stage with The Beatles: https://youtu.be/GjNB-2Bq6ag Sam at Concert for George: https://tinyurl.com/34un27f6 "Stop!" live: https://youtu.be/WROOE-0IfjE "Valentine Moon" - fixed: https://tinyurl.com/548b7ssb Learn more about your ad choices. Visit megaphone.fm/adchoices

The conclusion of the discussion Gary Wenstrup and I had in rating individual tracks on the albums named here, as well as the 1966 Capitol release, "Yesterday"...and Today. I think, is so overlooked, both message-wise and musical construction-wise. It's one of those songs, first of all, musically, based on piano. Not a lot of guitar, except those little stabbing, which was a 1965 sound in other people's records that year. Nice block harmonies. Then John breaking out his own for the verses, starting this implicitly spiritual song, the first words out of his mouth of the verse in the beginning. Nice touch. That's beautiful. It's this precursor to certainly, All You Need is Love and Give Peace A Chance. It's him. It's messianic John for the first time, really wanting to use his platform to promote something good. They'd said that they're all potheads at this point. I mean, they'd taken acid a couple of times at this point, but not the full immersion by the time of Revolver. That has to be what's informing his wanting to evangelize on behalf of love at this point. It's interesting that they didn't use this one for Yellow Submarine, because that whole love thing at the end in pepper land, in the face of the mayonnaise, it seems like it would be enmeshed right in there. I guess, they had All You Need Is Love. That was what they went with. I think, it's a great message, a great performance, nice arrangement. I love that organ. Then there's that whole musical, we're going to build a song around one note and it's got that drone throughout it, so you've got that musical experimentation going on at the same time. Not a song that got a lot of airplay. I don't know if anybody ever covered it. One, they never seemed to look back at it, but it's an early clue to the new direction. It's just this forerunner of lots of things that would come and they just pull it off. They don't sound like you're being preached to. It works as a pop ditty, but also, it's like, wow, it's got a really good message to it, that's bigger than boy-girl relationships. Learn more about your ad choices. Visit megaphone.fm/adchoices

In which Gary Wenstrup and I return where we left off in offering our picks in ranking Bronze, Silver and Gold tracks off of The Beatles' 1965 releases, as well as a little beyond. This show represents the first hour of our conversation - part two coming next. Loyal SATB fans: we are asking for you to take a minute to fill in this survey https://tinyurl.com/y2y3crxm First 50 respondents get a SATB bumper magnet (US only) but all are encouraged to help us get sponsors on board - thank you! We commence Beatles Olympiad 2, where we left off, which was starting with their fifth album released in the summer of 1965, Help! Got two albums out of them that year, one being a soundtrack, more or less. It certainly was in the States and Capitol. Then the year ended with a bang, with Rubber Soul; two versions of that. Then in the next year, we got only one new album of material out of them, Revolver. In the States, it being the States, we got another one of those Capitol-only issues, which I think we will talk about today. Because I don't know if we're going to talk about Oldies, which came out on Parlophone, the end of ’66, while they were working on Strawberry Fields, but we'll see what we feel like. For the show, I think we can talk about the UK Help!, both Rubber Souls and Yesterday and Today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Given Beatles author and historian Erin Weber's recently announced sabbatical from Beatling these days, I wanted to share with SATB listeners the Q&A we held last year for Fab4ConJam, where she fielded questions on the Beatles' literary canon. Authors covered included: Lewisohn (of course) Michael Braun Peter McCabe Barry Miles Mark Hertsgaard And much more... Also revealed: her favorite Beatles music - favorite Beatle - and why she detests "Jet." Erin's website: https://beatlebioreview.wordpress.com/ Erin's podcast: https://anchor.fm/karen-hooper/episodes/All-Together-Now-A-different-approach-to-Beatle-Podcasting-e14v3rc Learn more about your ad choices. Visit megaphone.fm/adchoices

"Every aspect of what they put out there just became so attractive to people who encountered it, whether it was in the 60s, (when) it was all new, or later generations interfacing with that material, and still being dazzled by all the aspects of it. Not just the music, but the evolving style that they had. Again, as Brian Epstein said so beautifully, he was overwhelmed by their personal charm. Everybody is overwhelmed by The Beatles’ personal charm. Everybody." The concluding hour of my conversation of Dr. Christine Feldman-Barrett (A Woman's History of The Beatles) covers The role of women in setting examples for The Beatles when they were young. The effects that The Beatles had on the women who enjoyed watching them. Perspectives on screaming at concerts and what it expressed. How The Beatles held themselves played a role in changing cultural norms for women. How The Beatles have helped people to see the beauty in everyday life. Learn more about your ad choices. Visit megaphone.fm/adchoices

A new phase SATB episode: audio with full video accompaniment! My guests are returning musician Jack Petruzzelli (Fab Faux, Joan Osborne, Patti Smith), joined by Cameron Greider (Freedy Johnston, Sean Lennon, Rufus Wainwright), who in the past year developed a series of online Beatles classes. For the latest, The Beatles and You, they are joined by musicologist Walter Everett (The Beatles As Musicians: The Quarry Men to Rubber Soul and The Beatles As Musicians: Revolver to Anthology). RPM School is presenting a holistic approach to getting inside Beatles music, combining lecture and discussion, music instruction and recording and performance sessions, geared to your individual level. Their approach is unique and individualized, as shown with the demonstration here on George's "Something." Learn the influences that informed its construction (and where else they were used), as well as the technique utilized to capture the song as we know it. As this is an interactive presentation, you can see ALL of the conversation here. Check out Walter's lecture here. (password: SATB ) His slides here. Sign up for The Beatles And You here. RPM School site Also discussed: their take on Peter Jackson's Get Back Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest today is Dr. Christine Feldman-Barrett, author of A Women's History of The Beatles - an essential new work exploring the group's story through the lens of the women they interacted with and influenced, as well as how they were received and experienced by female fandom. Christine was also once a musician herself, and listen as she describes both her journey as well as what was experienced by young women and girls during the group's lifetime. Christine's site: https://experts.griffith.edu.au/7865-christine-barrett Learn more about your ad choices. Visit megaphone.fm/adchoices

In this continuation of the conversation with Debbie Gendler (1st US Beatles fan) and cartoonist/author Carol Tyler (Fab 4 Mania), Dr. Allison Bumsted and I explore the 1st generation fan's perspectives on: Supporting players in Get Back Mal Evans and Billy Preston How Get Back may influence future generations The life-changing force of The Beatles Carol's missing original albums www.debbiegendler.com https://www.fantagraphics.com/collections/carol-tyler www.allisonbumsted.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In the latest of the SATB series examining Peter Jackson's Get Back, we bring on returning guests Debbie Gendler (first in heard in 121: New York Stories); the first US Beatles fan, plus cartoonist/author Carol Tyler (first heard in 146: Fab 4 Mania). In so doing, we present a first generation fan perspective and reaction to the documentary. My special guest co-host: Dr. Allison Bumsted, who herself previously guested in 2019 in 176A and 176B: Critiquing The Critics: A Case Study with Wings Learn more about your ad choices. Visit megaphone.fm/adchoices

In this concluding hour of the conversation with Dennis Diken (The Smithereens), Pat Sansone (Wilco), Arion Salazar (ex-Third Eye Blind) and Luther Russell (Those Pretty Wrongs), we discuss: The Get Back film as therapy for fans (and the world) Billy Preston Ringo and Paul observations Jamming with Heather Learn more about your ad choices. Visit megaphone.fm/adchoices

Our panel of Pat, Arion, Luther and Dennis continues their conversation on Peter Jackson's Get Back documentary. Among the topics: The rooftop performance The "Flowerpot conversation" Bass stuff The road to Abbey Road Let It Be - the film Partial transcript of the "Flowerpot Conversation" here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Any analysis of the Get Back documentary would be remiss in not factoring in insights gleaned from those who've followed in The Beatles' professional footsteps: working musicians. To that end, I assembled a panel of some illustrious pros who also happen to be hardcore fans. Three are returning guests; one is new to SATB: Luther Russell: (Those Pretty Wrongs) - multi-instrumentalist Currently performing as one half of the duo Those Pretty Wrongs alongside ex-Big Star Jody Stephens, Luther has become a semi-regular on the podcast. As a singer-songwriter and multi-instrumentalist/producer, he has discussed The Beatles' recording techniques, work as a collaborative, and the magic of Ringo's drumming. The first two albums from Those Pretty Wrongs are being reissued as a double album set, while a third is due out this year. He will also have a new solo set out as well. Arion Salazar: (ex-Third Eye Blind) - bass In his first appearance on SATB, he discussed Paul McCartney as an innovator, impacting generations beyond the 1960s. It was Arion who offered up the back cover design of Third Eye Blind's multi-platinum 1997 debut ("Semi-Charmed Life") which evoked the back cover of The Beatles' 1966 Revolver album. In early 2021, the bassist put together ensembles of musicians from bands including Smash Mouth, Smashing Pumpkins, Stevie Wonder and Testament, among others, to perform heartfelt covers of Beatle-related material for the first Fab4ConJam. He recently recorded with Flipsyde in Muscle Shoals for a pending release this year. Pat Sansone: (Wilco) - multi-instrumentalist He waxed eloquently for over two hours on the Sgt. Pepper album on a 2021 episode of SATB. Pat's radio show: Baroque Down Palace - a 2 hour show every month that centers on Rock, Pop, Soul, Folk music of the 1960s and 1970s that feature symphonic embellishments, or influence in some way from the classical music world:https://wyxr.org/baroque-down-palace/ Pat has released a 7" vinyl single ; a book of his photography, 100 Polaroids, was recently reissued. New to the show (but not The Beatles): drummer Dennis Diken, founding member of The Smithereens. In addition to their work over the course of several gold and platinum releases, he and his band recorded a pair of studio albums and one live one honoring The Beatles. They currently continue to perform live, alternately fronted by Gin Blossoms vocalist Robin Wilson and recording artist Marshall Crenshaw (also a previous SATB guest), in place of the late Pat DiNizio. He also records with Bell Sound, whose critically acclaimed album Late Music was released in 2009. Look for new material from both bands in '22. Dennis's radio show: Denny's Den airs weekly on Wednesday at 2-4pm Eastern Standard Time. Go to wfmu.org and hover over "LISTEN" then go down to "ROCK 'n' SOUL RADIO", slide to the right and click on "ROCK 'n' SOUL RADIO HOMEPAGE" to access archives and the weekly broadcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In which returning guest Gary Wenstrup and I continue our ranking conversation of faves, discussing A Hard Day's Night and Beatles For Sale. Along the way, we analyze their vocals and blendings, as well as what personal experiences may inform the writing. Learn more about your ad choices. Visit megaphone.fm/adchoices

In which we pull away from the Get Back film for a while and converse about something completely different. Returning guest Gary Wenstrup and I conduct a conversation going through the first four Beatles albums, selecting our picks for Gold, Silver and Bronze status. Along the way we examine our criteria for what constitutes "favorite" songs, and how the criteria is fluid and evolving. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the third and final hour, Dan Rivkin (They May be Parted blog) and I explore more of the Get Back project with its director. Among the subjects discussed: ~ Coordination between the Get Back book, the Let It Be album reissue and this film (hint: none) ~ Directives from the Beatle heirs and Apple (hint: none) ~ Michael Lindsay-Hogg’s original draft of Let It Be ~ The missing Nagra audio ~ An extended cut? Be sure to check out party one and two, as well as the write up in Forbes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dan Rivkin (They May Be Parted blog) and I continue our conversation with director Peter Jackson about the innovation used to create the film - some technique used to advance the story - and a number of other observations gleaned from viewing so many hours of footage, both in and outside of the final cut. The history of the Get Back project is at last coming into focus, challenging a number of previously held assumptions. Learn more about your ad choices. Visit megaphone.fm/adchoices

Well, it's finally here. Worth the wait? Oh, we think so! But before we get into discussions on SATB about what we thought about it, we thought it would be worthwhile to discuss the making of it - the intent behind it; the goals; the challenges; the nuts-and-bolts - with someone who worked on it. To that end, a listener in New Zealand offered himself up as a guest who could offer an insight or two. My co-host for this one is Dan Rivkin (They May Be Parted), who of course is one of the leading scholars on this material, presented on his blog. Normally, Dr. Duncan Driver would be part of the discussion too, but he had beg off on short notice. (We'll have him back next time...) Meanwhile, we hope that this - presented in the grand tradition of Peter Jackson - in three parts - will suffice. Learn more about your ad choices. Visit megaphone.fm/adchoices

We have all made compilations of Beatles solo material, but within this large group, a smaller group has imagined taking some of this material and arranging it as The Beatles might have, had they recorded this material and issued it as "Beatles," the collective. There's actor Ethan Hawke's famous Black Album; Spencer Leigh's Finishing School, as well as any number of other efforts out there. Then, there are the ones created by myself and my guest, Glenn Greenberg. You can find his list here, or else listen to the show and hear our choices and justifications, which are every bit as good as anything you listeners can come up with. See what you think - we can talk about this stuff endlessly! Learn more about your ad choices. Visit megaphone.fm/adchoices

SATB has touched on the Sgt. Pepper album in the past, but never like this. My guests, Pat Sansone (of Wilco and The Autumn Defense) and Luther Russell (Those Pretty Wrongs) are each accomplished singer-songwriter/multi-instrumentalists/performers/producers/engineers AND hardcore Beatle geeks. This album became a touchstone for both of them during their formative years, and it is with decades of insight that we discussed the magic and mystique of the landmark release. Luther has been working on the third album by Those Pretty Wrongs with Jody Stephens this year, while Pat has a book of his photography coming out soon: https://www.flickr.com/photos/michaelraso/galleries/72157624760590414/ Wilco has just began a string of live dates around the US but extending into Mexico, the UK and Spain next year. See https://wilcoworld.net/ for details. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1969, Bill Rotari was Regional Managing Director with Capitol Records in Quebec when he received word that John and Yoko were coming. As label rep, it was his job to see to it that John's needs were met; ultimately this included securing recording gear for tracking the first Plastic Ono Band record, "Give Peace A Chance." Bill has led an interesting life; as record company executive, recording artist...and minor league pitching prospect for the Atlanta Braves. His group, The Favorites, recorded for London during the 1950s, and later, as Managing Director of CBS/Sony Records in Montreal, he was directly responsible for signing Celine Dion and getting her first English language recordings produced. Bill tells all about the Montreal Bed-In, as well as his life and career in music (encompassing Paul and George, the Rolling Stones, Petula Clark, Pink Floyd, Leonard Cohen, Tony Bennett and others). Learn more about your ad choices. Visit megaphone.fm/adchoices

In June and again in July, the director of the upcoming The Beatles: Get Back series gave interviews - in Vanity Fair and in GQ - holding forth on what to expect from his re-tooling of the Beatles Let It Be project. Though there was a certain amount of rehashing what had already been said, there were also things that provided much to discuss and analyze as we approach the countdown to broadcast. I therefore reconvened Dr Duncan Driver and Dan Rivkin (They May Be Parted blog) for a discussion on the latest and how what Peter Jackson had to say - and didn't say - suggests where the project is going and what to expect. Learn more about your ad choices. Visit megaphone.fm/adchoices

In late summer 2020, my guest Kyle Driscoll penned this wonderful analysis of the three 1970 releases by three artists whose paths had intertwined and who, as it happened, all found themselves at similar crossroads at the time. You can read it here (which I strongly urge you do) and then listen to the deeper discussion we had on these artists and their impact on each other's work. Learn more about your ad choices. Visit megaphone.fm/adchoices

You may recall my returning guest from his first appearance in late 2020: Mike Pachelli is an accomplished jazz guitarist and recording/performing artist, as well as a major Beatles fan. His series of popular Youtube videos deconstruct Beatle songs and show each guitar and vocal component. He's back now with a new release: 16 Beatles songs performed instrumentally, Beatles on Guitar. In this conversation, he details his insights into the challenges of selecting and presenting their music and doing it justice without vocals. Learn more about your ad choices. Visit megaphone.fm/adchoices

Back in 2018, I had a conversation with Dr. Robert Hieronimus and Laura Cortner, authors of Inside the Yellow Submarine: The Making of the Beatles' Animated Classic - the definitive history of the 1968 film. But they are back with a sequel, delving deeper into the story: profiling others who made the vision a reality as well as exploring the greater context of the times and the deeper meanings to be gleaned from the film in It's All In The Mind: Inside The Beatles' Yellow Submarine. This newly-published follow-up is richly illustrated in full color and presents new stories from the creative minds who made the project a reality, despite considerable odds. It also illustrates how what shouldn't have worked did, and what meanings can be found, drawing upon classic myth. Learn more about your ad choices. Visit megaphone.fm/adchoices

There's been loads of speculation as to the exact nature of the friendship between John Lennon and Paul McCartney; during and after The Beatles. And when I say "loads," it runs the gamut from former bandmates who recalled each other fondly from a distance to something encompassing a physical nature. What does seem clear is that between the two of them, while Paul's descriptions of their relationship stayed pretty constant, John's went from demonizing Paul in print and song to describing him as his best (male) friend. Somewhere in there lies a truth, and to help unearth it, my guest today is journalist and author Glenn Greenberg, who recently penned an 80th birthday magabook on John. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this discussion, Dr. Duncan Driver (SATB 205, Fab4ConJam, One Sweet Dream podcast) springboard off of the title Paul McCartney quote, in which he asserted that each Beatle was as important as another to the group's success. We explore the shifting power dynamics within the group and the question of leadership; we also discuss Duncan's thesis of the four distinctive elements of the Beatles collective identity: live performers - singles makers - album makers - songwriters. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we examine the process of a song becoming a record, as heard through the ears of those in the producer's chair. Luther Russell, previous SATB guest and Fab4ConJam star, has operated as a composer, performer, collaborator, engineer and producer and is therefore more than qualified to offer his insights as a musical idea gets transformed into a production and how creative decisions are made along the way. Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest Tim English (Sounds Like Teen Spirit, Popology) discuss his newest book, examining the artists that John was listening to in the last few years of his life and how certain artists and records influenced the recordings he (and Yoko) made during the summer of 1980. Some of the acts we've known about for awhile (B-52s, Lene Lovich, etc) but many others were less obvious (The Selecter, Christopher Cross, The Doobie Brothers). John Lennon: 1980 Playlist is out now. Learn more about your ad choices. Visit megaphone.fm/adchoices

Back in SATB 205, Dr. Duncan Driver (showcased 2+xs at Fab4ConJam) and discussed his article on the timeline to The Beatles break-up. In this episode, returning guest Gary Wenstrup and I dissect the subject further: when exactly did The Beatles - or individual members within - decide they were quits exactly? The answer - like so much else in Fab history - is not as straightforward as you might think. Learn more about your ad choices. Visit megaphone.fm/adchoices

It was in 1968 that a young Canadian filmmaker, seeking solace in TM for a broken heart, was befriended by The Beatles in Rishikesh during their immersive study with Maharishi Mahesh Yogi. In 2000, Paul Saltzman published his wonderfully immediate photos in a book (The Beatles in Rishikesh), later augmented and re-published as The Beatles in India in 2018. 2020 saw the release of his documentary, Meeting The Beatles in India - a film that brings together others who were there (Pattie and Jenny Boyd) as well as the real "Bungalow Bill," Beatles historian Mark Lewisohn and filmmaker David Lynch, a major booster of TM. You can check out Paul's website here, and see the film as well as participate in a Q&A with Paul at the first Fab4ConJam on February 21, 2021. Details: fab4conjam.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Big things take much time to execute: both this episode and the long-awaited event I've been teasing for the last few months.... First: the new show. SATB 210 features n guests and no host; instead, it depicts in rigid but scaled down time, the unfolding of their career from the October 5, 1962 issue of "Love Me Do" to the May 1970 issue of "The Long and Winding Road" as a final US single. What lies between is the sounds of their hectic pace, with interviews, shows, projects, radio, film and TV populating their days. There is no greater way to get the context of their hard work and success than experiencing it in context. (Want to hear a version, Beatles only? Click here . ) Next: the really big show - welcome to the first Fab4ConJam, coming February 20-21, 2021. It's two days of global community, featuring speakers, panels and music celebrating the world's greatest unifying force. Check out the site now for details as they unfold. Learn more about your ad choices. Visit megaphone.fm/adchoices

In which Luther Russell and myself detail our picks for the things in the vault known to exist, group and solo, that we one day hope for Apple to release, in well-presented packages. This episode was the live round-the-world broadcast we did from Chicago back in September 2020, powered by in.live (thanks David Simon!) and that is why you get to hear a bit of the city in the background, along with loads of rare audio detailing what we're talking about. Happy Holidays to all and onward and upward in 2021! Learn more about your ad choices. Visit megaphone.fm/adchoices

If you aren't already aware of this veteran jazz/blues guitarist's Youtube channel with loads of deconstructions of their music, by all means, check it out. Mike has been performing and recording for decades (18 solo albums), as well as with artists ranging from Phil Keaggy to Micky Dolenz. Like so many others, his life was changed on the evening of February 9th, 1964. Much of the what he absorbed beginning then became the basis for his career, which he now shares in the form of informative videos. In this discussion, he offers his insights into what The Beatles' primary guitar players were up to and the basis of their brilliance. Check out MikePachelli.com, and his most recent project - High Standards - which features Tony Levin and Danny Gottleib. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode features a conversation between Luther Russell and I with producer John Leckie - if you aren't familiar with his name, you may be with the acts he's worked with (working backwards chronologically): My Morning Jacket - New Order - Radiohead - Robyn Hitchcock and The Egyptians - The Posies - Stone Roses - XTC - Dukes of Stratosphear - Human League - Simple Minds - Magazine - Be Bop Deluxe - Wizzard - Mott The Hoople - Barclay James Harvest - Syd Barrett - Pink Floyd - Roy Harper - Paul McCartney and Wings. For the purposes of our discussion, we focus on three key albums he worked on at the onset of his career: the pair of Plastic Ono Band releases by John and Yoko, and All Things Must Pass. It's those first two that we examine in detail, fifty years on (well, a little Pink Floyd too). John has the stories and the insights - it was our honor to host him (and keep him from his dinner). Learn more about your ad choices. Visit megaphone.fm/adchoices

Returning guest Jack Petruzzelli of The Fab Faux has been playing Beatles music onstage all over the world since 1998. In this conversation, he goes into detail about what goes into the effort to replicate heavily-produced music not necessarily intended for live performance, by a core of five members. Given the current conditions, the band is on hold, but Jack can be seen performing online on his Facebook page ("Thursday night service"November 19th 8pm ET), as well as his interactive Beatle class: https://www.gowanusmusicclub.com/beatles-101 Thanks to Joe Chinnici for recording the Fab Faux in New York for the Sirius XM Beatles Channel. Learn more about your ad choices. Visit megaphone.fm/adchoices

I got something to say that won't cause you pain... Contact Learn more about your ad choices. Visit megaphone.fm/adchoices

With so many conflicting accounts and blame laid for the series of events that led to The Beatles' split, it's hard to detect a coherent narrative that, fifty years on, makes any sense as to exactly what went down and how. But Dr. Duncan Driver, in an article published earlier this year in Beatlefan magazine, has laid out a timeline detailing the sequence of events, from which some measure of patterns emerge. You can (and should) read the full-length piece here. We discuss the direction that things were moving in during the last years of the group (and past that point, too), toward a greater understanding of how events played out, maybe not exactly as we'd been led to believe. Learn more about your ad choices. Visit megaphone.fm/adchoices

Back in May 2020, my guest Gary Wenstrup and I presented the first half of our conversation, where we offered up our respective lists of what people in Beatle world we would like to be able to sit down and interview: insiders who knew The Beatles well - worked with and for them - and essentially operated as part of the infrastructure; people who haven't been tapped out as interview subjects. Here are more names we came up with of folks still among the living that may end up on the show yet - time will tell. Gary is a lecturer and adjunct professor at College of DuPage, specializing in Beatles and classic rock. PS: Guess who's on an upcoming episode of the Fans on the Run podcast? Ethan Alexanian and I just had a lengthy sit down. Also, remember Luther Russell evoking the Yesterday and Today podcast? He and I both contributed to their upcoming 100th episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

As you may recall: back in July, SATB featured the first part of a conversation covering The Beatles in the studio in 1968, during the White Album sessions and just before. Here's the continuation, featuring SATB semi-regular Luther Russell (singer-songwriter/producer/performing artist). As always, the talk goes where it goes, covering a lot of Beatle ground. Jerry's volume 5 of The Beatles Recording Reference Manual series will be out later this year; it covers all of the 1969 recordings, including the Let It Be sessions, the Yellow Submarine soundtrack and Abbey Road. Luther's music here: https://lutherrussell.bandcamp.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Coming on what would've been the 80th anniversary of his birth, this collection of Lennon material - Beatles and solo - is being presented by a number of artists associated with Beatles music, among them The Weeklings and The Gripweeds. Consider this one a "new phase" SATB show - the first to feature a guest host: Tom Frangione. You may know him from his writings in Beatlefan magazine - his role twice annually at The Fest for Beatles Fans, or as one of the three hosts heard on the Sirius XM Beatles channel program, Fab Fourum. His guests on this episode are JEM Records' president Marty Scott; veteran musician Glen Burtnik (Beatlemania, Styx, The Orchestra) of The Weeklings, and Kurt Reil (The Gripweeds). They discuss the process of putting this collection together, including song selection as well as the process of arranging such familiar material into something fresh. http://www.jemrecordings.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

You may know her as the award-winning veteran rock journalist (Creem, Kerrang!, Mojo, and so forth) who also penned the best-selling biography of Leonard Cohen: I'm Your Man: The Life of Leonard Cohen (2011), as well as Debbie Harry's memoir, Face It (2019). But as a music-stricken child growing up in London during the 1960s, she became what she'd describe later as "Beatle damaged" at an early age. Here, Sylvie recounts that backdrop when music was absolutely everything; so much so that, starting in 2014 and after a successful career as one of rock's most thoughtful scribes, she became a recording artist: first with Sylvie and now - six years later - Blue on Blue. Her musical endeavors have won her further praise, but on this show, she offers up her perspective and insights on the Beatles as a group and solo, through the eyes (and ears) of a journalist and fan. Her books, archive and interviews can be found here: http://sylviesimmons.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

In which this returning SATB fave (The Beatles and The Historians) and I expand from previous discussions focusing on books to cover the media specifically around the time of the break-up, and how the nonsensical "John vs Paul - who was the greater genius?" discussion got fueled and put forth into the world. The role of Allen Klein in their break-up is also discussed, in this two-hour conversation that drills deep into the dynamic between these two and hour the world viewed it. Learn more about your ad choices. Visit megaphone.fm/adchoices

For SATB's 200th episode (more or less), we're doing something special: returning with guest photographer/writer Ethan Russell, one of this most storied individuals in rock history through his iconic visual documentation of The Beatles, the Rolling Stones and The Who, to name three (scores more as well). Ethan was the official rock photographer of the Rock 'n' Roll Circus, the Let It Be sessions, the final Beatles group photo shoot, as well as behind tons of other classic images, most of which have been gathered up and published in his latest book, Photographs - a singular monograph of superlative visuals presented in stunning quality. It's available only at his website: www.ethanrussell.com I spoke with Ethan last year and this follow on covers more details of his work with the Fabs: his impressions of them individually - of Yoko - of the Let It Be project and Michael Lindsay-Hogg, as well as of Peter Jackson (of whose upcoming work Ethan got a peek). Ethan came of age in San Francisco and went to London in 1967 - within a year he was in the orbit of the top British acts of the day. As a chronicler of the times, his work and observations are impeccable. Learn more about your ad choices. Visit megaphone.fm/adchoices

In which my returning guest and I discuss this: what if The Beatles' songwriting credits were more accurately apportioned to reflect actual significant contributions from not-credited bandmates? Their recording career began with a singular "McCartney-Harrison" credit for "In Spite of All The Danger" - one can make the case (and we do) that their career was book-ended by "I Me Mine," which might have rightfully have bore the same credit. Anyway, as always, it leads down many rabbit holes... Learn more about your ad choices. Visit megaphone.fm/adchoices

Presented as forerunner of the inevitable show revisiting John Lennon/Plastic Ono Band to come later this year as part of the 50th anniversary, returning guest Chip Madinger (Eight Arms To Hold You, Lennonology) and I discuss some of the assorted odds and sods produced (or proposed) by John Lennon under the Plastic Ono Band brand circa 1969/1970. The POB debut year gave us the singles "Give Peace A Chance" and "Cold Turkey," but what about the other announced releases? ("Laughing"/"Whispers"; "You Know My Name"/"What's The New Mary Jane," and the mysterious instrumental, "Rock Peace"). Chip knows the work and chronology better than anyone when it comes to the solo Beatles and John Lennon in particular. He presents some astonishing information about what was originally planned for 1970 (and about the original form of "How Do You Sleep"). This one's a treasure trove for Lennononistas... Check out his work at https://www.lennonology.com/ (including the current special). Learn more about your ad choices. Visit megaphone.fm/adchoices

Previous guest Russ Lease returns with stories from the world of top end collecting: vehicles (including the Magical Mystery Tour bus), attire (shoes, boots, jackets), paper (a Brian Epstein contract) and vinyl. Russ was the founder of Beatles Suits, the go-to resource for Fab tailoring; he was also the auctions columnist for Beatleology magazine. Lastly: he is a partner in Fab Four Exhibitions, the traveling Beatles museum of artifacts. Russ has a lot to say about the back story on a lot of familiar Beatle items that have come up for auction. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his return to the show, we discuss 1968 and the making of the "White Album" (mostly), as explored in his most recent work, The Beatles' Recording Reference Manual Volume 4. Joining us is another returning guest, recording artist/performer/producer Luther Russell (Those Pretty Wrongs, The Freewheelers, solo). Because we covered so much ground, I am presenting the conversation spread over two parts (the conclusion to follow later....) Check out Jerry's work here. Learn more about your ad choices. Visit megaphone.fm/adchoices

It seems particularly fitting at the time we find ourselves in to be discussing the art and career of rock pioneer Little Richard, who passed recently at 87. He represented a marginalized group in society, and his breakthrough, as unlikely as it was, carried with it resonance relevant to the present day. Add to that his absolutely key role in the development of The Beatles - going back to The Quarry Men days, really - and you can see why he is a subject worthy of a deep discussion. But the springboard for this show is the article published online at Vulture just after Richard's passing; it was written by returning guest, journalist Bill Wyman and really is essential reading: https://www.vulture.com/2020/05/little-richard-put-wild-sex-into-the-top-40-for- good.html The salacious aspects of Little Richard's life must be discussed in any thorough conversation about his life, but there's much more to the story. And as this is SATB, you can count on any number of other topics coming up, including Motown - touring - Elton John - David Bowie - the record industry - even The Replacements and The Ramones. (We also sneak in a word or two about The Beatles...) Learn more about your ad choices. Visit megaphone.fm/adchoices