Something About the Beatles

It may be beyond argument that the two most successful and influential pop/rock acts of the 1960s were The Beatles and Bob Dylan: one, an English ensemble from Liverpool who turned out evergreen standards and evolved seemingly without effort; the other an American from the upper midwest, initially cast as a vagabond folkie who constantly reinvented himself as he was anointed spokesman for a generation. For the most part, one could easily imagine the two acts operating in separate lanes, but Dylan and The Beatles had a much more significant and profound influence on each other that ran deeper than previously believed. Author Jim Windolf presents the results of his extensive research in Where The Music Had To Go: How Bob Dylan and The Beatles Changed The World - And Each Other. Even if you have read everything, there's plenty to learn when these two chronologies are presented side by side, revealing the ongoing dialogue between artists that shaped the cultural landscape ever onward. Learn more about your ad choices. Visit megaphone.fm/adchoices

The cinematic treatment of the 2022 Mark Lewisohn lectures on the first year of The Beatles' recording career has been given a terrific cinematic treatment (see it on Amazon Prime). This episode features my conversation with the film's director, Chris Purcell, and its producer, Simon Weitzman. BOTH filmmakers have produced other Beatle-themed films, including Miss O'Dell, A Love Letter To The Beatles, The Beatles and Us, and Why Don't We Do It In The Road?, as well as other non-Beatle projects. We discuss ALL of it (and the Dementia Choir as well) in this talk. Learn more about your ad choices. Visit megaphone.fm/adchoices

One doesn't immediately connect The Beatles with the world of comic books but there's plenty there. Besides musical references to Captain Marvel and "Magneto and Titanium Man," the group themselves have been regularly represented in the pages of comic books, beginning in 1964; sometimes as plot figures. Then we also have graphic novels and latter-day accounts of their history.To lead *me* in a discussion, SATB welcomes two award-winners from the world of comics, both of whom once worked for Marvel. Emmy-winning cartoonist Stephen DeStefano has been connected with works ranging from Popeye to Cuphead as well as his own 'Mazing Man and Hero Hotline. He also hosts a conversation show on YouTube: https://www.youtube.com/@S.DeStefano Glenn Greenberg (a previous guest) is a writer associated with Spider Man, Silver Surfer and Hulk, among others. He has also penned works for the Star Trek book series. He also has written several Beatles-related bookazines, with a new one about to be published. Together, they make the case for the affinity for this art form the Beatles demonstrably had, as well as how well (or not) they have been represented in works ranging from Marvel's 1978 The Beatles' Story to the more recent Fifth Beatle and Fab4Mania. Learn more about your ad choices. Visit megaphone.fm/adchoices

This month George Harrison would've turned 83. The "quiet Beatle" holds the record for THE most streamed Beatles song, his 1969 composition, "Here Comes The Sun," but to the general public (and not the hardcores), he may remain in the shadow of Lennon and McCartney, despite his key contributions to songs bearing their names. Musician/podcaster Sam Popkin (Gear, There and Everywhere) joins the conversation for an examination/appreciation of what George brought to The Beatles, as well as his singular solo work. Sam also details the guitars and gear that facilitated George's evolution from a young rockabilly to a pioneer of world music and unique slide guitarist. This episode is brought to you by DistroKid and Magical Mystery Camp. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Beatles' Olympiad series of shows is nearing its end point, with Gary Wenstrup and myself assessing their final group project for Olympic honors. Where will the bronze, silver and gold land among the 17 tracks? You'll have to tune in to find out (and discover some unexpected developments). Learn more about your ad choices. Visit megaphone.fm/adchoices

If you don't know the name then you certainly know his work: writer/director Oliver Murray was responsible for giving us that twelve-minute making of "Now and Then" video in 2023 that got everyone up to speed (and teary) about the "last" Beatles song. In 2025, he wrote and directed the 9th episode of the re-launched Beatles Anthology documentary series, quickly followed by the short film, "Free As A Bird" - A Song Reborn. But Oliver has also directed a number of other music videos and documentaries you may have seen, among them The Quiet One (2019), Ronnie's (2020), They All Came Out To Montreux (2023), and The Story of Band Aid (2024). I was privileged to have a talk with an insider to discuss the presenting of The Beatles' story and the delicate balancing act between educating new fans while satisfying the old ones. Learn more about your ad choices. Visit megaphone.fm/adchoices

Returning to the show today is the RPM School trio: Walter Everett (The Beatles As Musicians book series) - Cameron Greider - Jack Petruzzelli. They run the Beatles-centric online school which will be launching the winter 2026 semester with a deep dive into The Beatles' fifth long player, released in the summer of 1965. In this conversation, we focus on some of the innovations, influences and production techniques representing the group's evolving artistry as a studio band and as songwriters. Visit rpm-school.com for details on the upcoming class and magicalmysterycamp.com for information on this year's event in the Catskills. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beatles proteges Badfinger released six studio albums between 1970 and 1974. Two of their hits were produced by Beatles ("Come and Get It" by Paul, "Day After Day" by George) and another by The Beatles' road manager ("No Matter What" was produced by Mal Evans). But their catalog is filled with rich, tuneful pop/rock for anyone who hasn't already explored it. ALL FOUR members (Pete Ham - Tom Evans - Mike Gibbins - Joey Molland) were accomplished songwriters and since their demise, an astonishing array of releases has been pouring out, including several demo collections from Pete. Additionally, their earlier pre-Joey iteration as The Iveys has seen the commencement of five Anthology collections of demos and live material surface, including the newest, Miniskirts and Rainbows. 2024 saw the long-awaited issue of the final Badfinger album from 1974, Head First, featuring Pete, Tom and Mike with Bob Jackson. For this conversation, I spoke with Mark Strothmann, who's part of team that's been working on getting these treasures to the public, as well as curating several YouTube channels featuring music and videos of The Iveys and Badfinger. It's an overview of the ongoing labor of love keeping the group alive in the wake of Joey's passing last year. Learn more about your ad choices. Visit megaphone.fm/adchoices

316: Anthology 2025Presented here is an analysis of the current streaming version of the Beatles documentary first produced 30 years ago. This is less a discussion comparing a cut by cut A/B comparison so much as an overview of some changes that HAVE been made, and much discussion into what the intent behind the new presentation may be, who it is made for, what the strategy is (if any) behind some of the changes and where there is room to go forward in presenting the group's history. SATB welcomes two new additions to the Beatles podcasting pool: Mike Vaccaro and Jesse Pollack, who host All You Need Is Pod. You can find it on Apple podcasts and follow them on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sir Paul McCartney, 1t 63, has just completed his Got Back tour of North America. But at the 60th anniversary of Rubber Soul, it's good to look back at how that album marked a turning point in his approach to his primary instrument: the bass. Paul was an innovator, taking its use where no one in pop/rock had ever gone before. With bass historian/musicologist Rob Collier (www.beatlesbasslines.com), we thoroughly examine HOW and WHY Paul was so exceptional, and what influenced him. Providing color commentary: veteran musician/bassist Arion Salazar (ex Fungo Mungo and Third Eye Blind). Learn more about your ad choices. Visit megaphone.fm/adchoices

Thirty years after the first Anthology collection was released, several years after the Special Deluxe Edition (SDEs) series commemorating individual albums became a thing, and on the eve of an unexpected 4th Anthology series installment, we take stock. Are The Beatles (or Apple or otherwise those overseeing these re-packages) doing as good a job as they can be? There are plenty voices in the world of Beatle "authorities" that insist that we should be grateful for anything we are given - they don't owe us anything. But at SATB, we take a different position: no one is above criticism and that once upon a time, The Beatles were simultaneously the cutting edge and the gold standard in what they produced. Those days are long gone and we now find ourselves in a world where many an artist with a fraction of their following is showing how it's done. So in the name of hashing this out, I invited a couple of returning guests who are the world authorities on what exists in the vaults, on tape: Beatles scholars Doug Sulpy and Chip Madinger. Between the two of them, they have been going deep for years on the contents of the proverbial Beatle (and solo) vaults and are therefore in position to not only suggest where things could be done better but what kind of material is sitting around, awaiting the day the official curators deem it time to go public with these treasures. Hopefully, some of us are still around. You can find Doug's writings (books like Drugs, Divorce and a Slipping Image and informational newsletters) at dougsulpy.com Chip Madinger's works (which include Eight Arms To Hold You and Lennonology: Strange Days Indeed - A Scrapbook of Madness) can be found at lennonology.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of Badfinger is bookended with The Iveys as prequel and the Head First album on the other end, months before the tragic suicide of Pete Ham. We explored the latter with Bob Jackson earlier this year (https://podcasts.apple.com/us/podcast/304-badfingers-head-first-with-bob-jackson/id1483392342?i=1000706620569 ) but this time it's the pre-history we examine, with Ron Griffiths, bassist and vocalist. He was recruited by Pete Ham and in turn was responsible for the addition of drummer Mike Gibbins. Tom Evans joined in 1967 and within a year, they were signed to Apple. Ron was there as a witness to the band's development, and interactions with Ray Davies of The Kinks, Jimi Hendrix, and The Beatles' Mal Evans, who led them to the start-up label. It was directly because of Ron that Paul offered them "Come and Get It" as what became the first Badfinger single and a worldwide smash, but Griffiths did not make the transition to Badfinger. He remains a lucid witness to their history even after being sidelined, and his connections remain to the present day and performances with Bob Jackson and the current Iveys reissue program. Tune in and hear his unique perspective on the triumphs and tragedies of this mightily talented band. Episode playlist: https://youtube.com/playlist?list=PLWJwXBl8_fsfzV0dB-9cLPbUZC9_Js0rD&si=Oh_KxNaVUZJn5qK9 Learn more about your ad choices. Visit megaphone.fm/adchoices

Back in May 2025, two hardcore Beatle historians haling from down under came on the show for an analysis of the conventional wisdom regarding Beatles instrumental credits and how, in certain instances, it was found to be lacking. They're back again, and this time we examine: "Long Tall Sally" "I Don't Want To Spoil The Party" "Michelle" "We Can Work It Out""Paperback Writer"/"Rain" "Sgt. Pepper (reprise)" "Piggies" "Don't Pass Me By" "Not Guilty" Marcus Phelan and Andrew Shakespeare have been studying the recordings for decades, as fans and as musicians themselves. The sources critiqued included: Ian McDonald's Revolution in the Head Mark Lewisohn's The Beatles Recording Sessions Kevin Howlett's liner notes to The Beatles special deluxe editions The public pronouncements of Giles Martin Learn more about your ad choices. Visit megaphone.fm/adchoices

311: Dear Beatle People with Sara Schmidt and Allison Bumsted Most Beatles fans are generally familiar with the story of their UK fan club, managed by Freda Kelly and depicted throughout the 2013 documentary, Good Ol' Freda. But the story of their North American fan clubs is, if anything, even more fascinating: their set-up was treated nearly as an afterthought upon the group's 1964 arrival here, and as they fumbled their way forward, hundreds of unofficial Beatles fan clubs sprang up, many of them doing a far better job of creating community and supporting the band than the official one did. (And then there were the sub-groups set up to police the other fans and protect The Beatles from their out-of-control fervor.)Beatles historian Sara Schmidt has chronicled this heretofore untold history in her book, Dear Beatle People: The Story of The Beatles North American Fan Club. Rich with tons of ephemera, photos and correspondence, Sara brings to life the immediacy of '60s American fandom and the unsuspected drama that went along with it. She spoke with hundreds of 1st-gen fans, collecting and preserving their stories of encounters with The Beatles, as well as the stories around the regional clubs around the country that weren't just limited to "Beatles." (There were, for instance, associated clubs for Beatle wives, actor Victor Spinetti, and a Beatle sister.) Beatles fandom is an area of study only recently starting to get its due as an illuminating aspect of the phenomena. Joining Sara and I for the talk is rock scholar Allison Bumsted (TeenSet, Teen Fan Magazines and Rock Journalism) as we discuss the history of American Beatles fans in their efforts to put their devotion to purpose.Be sure to also check out Sara's Beatle photo blog, https://www.meetthebeatlesforreal.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Why are we still talking about these guys? Does a band that stopped recording together over half a century ago have any relevance in the 21st century? Have we reached the bottom of the barrel yet in terms of exploring every aspect of their story? If you answered yes and no respectively to the last two questions, press on, because in this conversation with author Sean Murphy, we dive into the continued appeal and inspiration that The Beatles gave us, as potent in 2025 as it was in the '60s. Check out Sean's work here: Twitter & Insta = bullmurph FB = / authorseanmurphy LinkedIn = / sean-murphy-4986b41 Substack = seanmurphy.live / https://murphlaw.substack.com Learn more about your ad choices. Visit megaphone.fm/adchoices

We are now sixty years on from the crest of The Beatles' touring years, if you figure the August 15, 1965 Shea Stadium show that kicked off their second North American tour as "the top of the mountain," as John Lennon once did. Therefore, who better to talk about those three intense years and shows than Chuck Gunderson, author of Some Fun Tonight: The Backstage Story of How The Beatles Rocked America? It was published in 2014 in two slipcased volumes, richly illustrated with many never-before-seen photos of The Fabs onstage, as well as behind the scenes and of period ephemera. Chuck is the expert on those shows, and in this conversation - taped live in front of an audience at the 2025 Rosemont Fest For Beatles Fans - we convened to discuss Shea, Margies Candies, the Chicago mob, segregation, and how Brian handled the demands of sailing into uncharted waters. Check out the book here: https://www.somefuntonight.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

This special episode is, in effect, a part two of episode 308 (The Politics of Beatles), again with Candy Leonard, as an examination of the decision made by Universal Music Group (with the tacit approval - if not agreement - of the Lennon estate) to reissue the 1972 John and Yoko album, Some Time In New York City, as a background component of the Power To The People set, showcasing the pair of One To One concerts and removing the lead off track, "Woman is the Nigger of the World" from both the parent album AND the concerts. We discuss the possible reasoning behind this call and whether this is one statue that needed to be torn down or not. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ribbons of Rust: The Beatles' Recording History in Context is this first installment of a multi-volume series, building out the history of everything The Beatles did in the recording studio to reveal the influences around them and the world they created in. I (Robert Rodriguez) am the author of or contributor to over half a dozen Beatles books, while Jerry Hammack is the creator of the five-volume Beatles Recording Reference Manual series. Both of us are award-winners as well. The book comes in standard mono(chrome) edition, richly illustrated in black and white, as well as the deluxe full colour edition. Both volumes are filed with QR codes, linking readers fo British Pathe newsreels, music and other sights and sounds of the era. The Beatles' times are brought to life thusly for a fully immersive experience. To give a proper assessment of this first joint project, we convened: two 1st-gen fans two Brits two academics two beatles authors one woman one record producer one person who worked with all four ex-Beatles beginning the year of their break-up. This all boiled down to three people: producer John Leckie (Radiohead - XTC - Stone Roses - Simple Minds - Dukes of Stratosphear - many more) Sibbie O'Sullivan (author of My Private Lennon: Explorations for a fan Who Never Screamed) Richard Mills (author of The Beatles and Fandom and the just-published The Beatles and Black Music) We also included some "civilians" who'd read the book as well. Here's what they had to say. For more info (including a "look inside" and book trailer), visit http://www.ribbonsfrust.net Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2014, sociologist Candy Leonard published Beatleness: How the Beatles and Their Fans Remade The World. It was a groundbreaking work, representing a serious exploration into the phenomenon of fandom and the reciprocal relationship between artist and audience, and the impact that all of it had on lives - and the world - that reverberates ever onward even today, sixty years on. Candy has twice been a guest on the show (155: 1968 and 180: "...I buried Paul...") but for this conversation, we focused on the politics of Beatles: not their personal convictions per se but what they meant fresh out of the gate - what they represented and how they were received by fans and the establishment alike. In this talk, we covered hair (as a statement) - drugs - evolution - One to One - Beatles '64 - feminism - Taylor Swift. Check out Candy's site for her essays and more (https://www.candyleonard.com/beatleness ). Learn more about your ad choices. Visit megaphone.fm/adchoices

Director Alan G. Parker's newest film is a personal expression of gratitude toward John Lennon for being a figure that helped him through some difficult years when he was growing up. Borrowed Time: Lennon's Last Decade includes interviews with dozens of figures who knew him; everyone from Aunt Mimi (archival footage) to journalists like Ray Connolly, Chris Charlesworth, and Anthony DeCurtis, plus writers like Philip Norman and Ken Womack and other figures of influence, like Tariq Ali. The result is an impressionistic portrait of John's post-Beatles years, created through the creativity that comes from working without official sanction. Parker's other work includes 2017's It Was Fifty Years Ago Today on Sgt. Pepper, plus other films and books covering punk acts including The Clash and the Sex Pistols. Learn more about your ad choices. Visit megaphone.fm/adchoices

In late May 1969, producer Glyn Johns turned in a draft album, culled from hours of tape recorded in January 1969 during the Get Back/Let It Be sessions. His work reflected the original concept: catching The Beatles as they really were in the studio, with off-the-cuff performances of oldies, warm-ups, false starts and blown takes. It would have made for a fine tie-in with the original cut of the Let It be film, but ultimately, the group rejected the idea, instead moving back to their established productions values, with Abbey Road being the result. The tapes, handed off to Phil Spector, emerged in May 1970 with a new tie-in: the group's break-up. Let It Be, the album, drew the worst reviews of their career, being a neither fish-nor-fowl collection of tunes bearing Spector's worst impulses (choirs and lush orchestration) alongside vestiges of the original concept (studio chat and tossed off improvisations). In this episode, Robert and Olympiad partner Gary Wenstrup re-imagine the group's history - what if Get Back HAD been accepted and released in spring 1969, the missing link between the White Album and Abbey Road? Learn more about your ad choices. Visit megaphone.fm/adchoices

In recent years, the quality of Beatles scholarship has risen considerably, and the old days of accepting and repeating any old data (even coming from sources that should be credible) - without examining it deeper to see if it really stands up - are long gone. With The Beatles, music is always at the heart of their story, and in particular, what they did in the studio. Examining how their recordings were produced tells us a ton about how the group operated, and therefore getting it right is pretty important to understanding what we're hearing. My two guests - Marcus Phelan and Andrew Shakespeare - are 2nd-gen fans, hailing from Australia. Both are musicians who've been playing for decades and have been studying The Beatles' music for just about as long. We selected a group of songs that have been disputed as to who is playing what and how the recordings were constructed for this first installment of Contentious Credits. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beatle proteges Badfinger were an Apple band that simultaneously produced some of the finest pop/rock of their era while beset by management malfeasance leading directly to their decimation by suicide. It was fifty years ago that Pete Ham, their songwriter responsible for "No Matter What," "Day After Day" and "Baby Blue" and co-writer with Tommy Evans of "Without You" took his life at 27. Only a few months before, he and the band recorded one final album (at Apple Studios), Head First. Multi-instrumentalist and singer/songwriter Bob Jackson, the group's newest addition, was fully on board with the project, which went unreleased at the time but through his determination, was tracked down and fully realized in late 2024. In this conversation, Bob discusses his tenure in the band alongside Pete, Tommy, Mike Gibbins and the late Joey Molland, as well as his work with them through the years that followed as well as the lasting impact of the two tragedies. Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest has produced one of those rare books in The Beatles' literary canon not penned by an insider (or by someone named Lewisohn) that has arrived with a tidal wave of press; in advance and since. Ian Leslie, who in the past has written about psychology, has put together a thesis examining the singular personal and professional relationship between Lennon and McCartney, and how it manifested in their art. That's a lot to unpack but we cover a lot of ground in our conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices

On April 10, 2025, the film One To One: John and Yoko was released in US theaters. Gary Wenstrup (SATB Olympiad series) attended a screening, and in this SATB Special, have a discussion on what we saw: what was good - what we thought was less so - what was in it - what was not in it. Learn more about your ad choices. Visit megaphone.fm/adchoices

An important part of understanding both rock history generally and The Beatles' history specifically is contained in a study of the fan magazines produced throughout the 50s and 60s. For the purposes of this discussion, Dr. Allison Bumsted's newly-published TeenSet, Teen Fan Magazines and Rock Journalism: Don't Let The Name Fool You is THE roadmap to understanding the role these journals played in both promoting artists and instilling a sense of community among fans, pre-internet and social media. Allison focuses much of her research on TeenSet, a groundbreaking magazine created by Capitol Records that began as one thing and ended as something else under the guidance of visionary editor Judith Sims. You can check out Allison's research and new articles at www.allisonbumsted.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Returning guests Cameron Greider and Jack Petruzzelli (both of the RPM-School.com) are on hand to discuss more of what The Beatles used in their songcraft: 6th and minor 3rds. If ths sounds like indecipherable music theory, hang on - it isn't and once you become aware of it, you'll recognize it everywhere - how often and how artfully they used it, and to what effect. Also in the conversation: Neil Inness, and the topic of plagiarism. Jack, Cameron and I will all be on hand in upstate New York come June as part of the 3rd annual Magical Mystery Camp, along with Walter Everett and featured guests that include Peter Asher, Joan Osbourne, Steve Forbert, The Fab Faux, Ken Womack, Scott Freiman, and last but not least, Jerry Hammack. A full on days-long music immersion in learning and participating. Details: www.magicalmysterycamp.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

YOU the loyal listeners decided what your fave moments of the show were, and based on your input, SATB runs down moments from the past 7+ years, featuring only a sampling of the many guests we've had on the show. These include (alphabetically): Nancy Lee Andrews Christine Feldman-Barrett Pattie Boyd Allison Bumsted James Campion Laura Cortner Dennis Diken Duncan Driver Elliot Easton Debbie Gendler Glenn Greenberg Cameron Greider Jerry Hammack Robert Hieronimous Terri Hemmert Peter Jackson John Leckie Candy Leonard Ramsey Lewis Ken Mansfield Jeff Martin Richard Mills Chris O'Dell Sibbie O'Sullivan May Pang Jack Petruzzelli Dan Rivkin Ethan Russell Luther Russell Arion Salazar Pat Sansone Sylvie Simmons Susan Shumsky Chris Thomas Carol Tyler Erin Weber Gary Wenstrup Thanks to every one of my guests and to each and every listener. None of this would be possible without you. Learn more about your ad choices. Visit megaphone.fm/adchoices

For most whose lives were changed by The Beatles, it can only remain a dream that they would one day meet one, much less work alongside one and develop a key role in that Beatle's life and develop a friendship. But Buffalo, New York native Gary Astridge was one exceptional fellow, whose passion for percussion, inspired by the 1964 Ed Sullivan Show debut, would impact his life in ways far beyond imagining. He took up drums and was so curious about the details of Ringo's set-up that he made it a lifelong study. Then came the day that Ringo needed him to solve a problem, leading to projects and experiences few could conceive. As Ringo's drum curator and historian, he found himself in non-stop demand in ways no one could have predicted. All of this led to his authorship of a lavish book depicting not only the history of Ringo's drums but also the numerous iconic outfits he wore during The Beatles' career. The results of this research have been published in a new book, Beats and Threads, available through Julien's Auctions. Gary comes to the show sharing the stories of his journey and his one-of-a-kind experiences wit Ringo, at a time when the drummer is experiencing a career renaissance with his Look Up album of country music. Gary's site: www.ringosbeatlekits.com Julien's Auctions: https://store.juliensauctions.com/ShopCatalog?id=220 Learn more about your ad choices. Visit megaphone.fm/adchoices

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Beatles scholar Richard Mills is the author of The Beatles and Fandom: Sex, Death and Progressive Fandom (published by Bloomsbury). We discuss the unique and enduring aspects that of the group's multi-faceted base and how it is that decades later, a good portion of the population is STILL obsessed. Learn more about your ad choices. Visit megaphone.fm/adchoices

Returning guest May Pang has had a busy couple of years, both with the presentation of her story in the acclaimed documentary, The Lost Weekend: A Love Story, as well as her ongoing touring photographic exhibit of her photos taken fifty years ago. In this conversation, we discuss a number of topics outside the doc, including Allan Klein, Dick Cavett, the Imagine film (1972), and the productive period where she was at John's side, facilitating work that included three US chart-topping singles and collaborations with Mick Jagger, Phil Spector, Harry Nilsson, Ringo, David Bowie, Elton John...and almost, Paul. Learn more about your ad choices. Visit megaphone.fm/adchoices

2024 winds down with the merging of two guests that have appeared on the show this year, in a spirited discussion of David Whelan's investigation into John Lennon's murder as presented in Mind Games. Robert Rosen (Nowhere Man) serves as skeptic in a conversation weaving together the bigger picture that converged on December 8, 1980, as well as the sketchy players surrounding the convicted killer both before and after. Joining the conversation is attorney Carole Krohn, presenting her own legal insights into the case. If all of this is a bit heavy for you in general or at this time of year, by all means check out episode 298..... Learn more about your ad choices. Visit megaphone.fm/adchoices

Staten Island is known as the mystifying borough, and it is home to numerous ghosts and eerie tales. The Alice Austin House was once home to a pioneering photographer, but ghostly images of a different sort now appear among the beams. The Moravian Cemetery in New Dorp holds tales of supernatural echoes, while over at the Old Bermuda Inn, the specter of Martha Mersereau, waiting for the return of her dead husband, appears at candlelit windows each evening. On some of the island’s most desolate roads, a spectral hitchhiker appears, vanishing from the car mid-ride, leaving only an eerie chill. Countless travelers have encountered her, a haunting reminder of the thin line between the living and the dead. Local author Marianna Randazzo uncovers the secrets behind Staten Island’s haunted houses, spectral sightings and enduring legends. Purchase the BOOK Learn more about your ad choices. Visit megaphone.fm/adchoices

Many of you have by now seen the new doc, re-presenting the February 1964 footage of The Beatles' two-week jaunt in NYC, Washington and Miami, shot by Albert and David Maysles. As you know, producer Martin Scorsese has a history of music documentaries (including Living on the Material World) but this one is directed by his associate, David Tedeschi and produced by Margaret Bodde, who have worked together many times on on many music films. I got a chance to talk with them about the making of this one and the intent behind it. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Olympiad series picks up again, with music scholar Gary Wenstrup on board, picking up where we left off at episode 276, the Filmtrack Olympiad. Be sure to add your name to the [email protected] Newsletter list to enter the giveaway of the vinyl Beatles '64 Mono Capitol albums. About "(Wild) Honey Pie" Learn more about your ad choices. Visit megaphone.fm/adchoices

Viewed at one level, Paul's 1980's career was bookended by the album triumphs of Tug of War and Flowers In The Dirt. But that would be to overlook the January 1980 Tokyo drug bust, the dissolution of Wings, John's murder, and then a period that may best be described as uneven: duets (of varying quality), the diminishing returns of Pipes of Peace, the lambasting that Give My Regards To Broad Street earned him, the "Frog Chorus," Press To Play, the abandoned Phil Ramone sessions, and the public discord over the Rock and Roll Hall of Fame Beatles induction. Plus litigation aplenty. It was a time that saw his reputation eclipsed by his martyred bandmate and hit records harder to come by, all before he found his feet with a new collaborator (Elvis Costello) that seemed to rejuvenate him, setting the table for a return to world touring. All of this is discussed in my latest conversation with author Glenn Greenberg, where we examine the good and the bad during challenging times. Learn more about your ad choices. Visit megaphone.fm/adchoices

An essential component of The Beatles' appeal was their sense of humour, showcased not only in their two feature films (A Hard Day's Night, Help!) but also their TV appearances, interviews and even their music. TV comedy writer (Late Night with David Letterman, The Simpsons) Jeff Martin returns to the show to discuss how this facet of their talents was not only exceptionally developed, but also an element that set them apart from their peers, as well as key to their enduring legacy. For further reading, check out The Beatles and Humour: Mockers, Funny Paper and Other Play. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 44 years since John Lennon's death, the trauma of that night is still as raw, so much so that, for most people, the facts of what went down are far too painful still to examine closely. But when one does, as returning guest David Whelan has, they depict sometihng far more disturbing and sinister than the story we thought we knew. Whelan's research was presented in his book, Mind Games: The Assassination of John Lennon. Our earlier discussion this year (275) barely scratched the surface on what his research uncovered. Today's discussion goes deeper, and is in part a response to the recent show with Robert Rosen (Nowhere Man), 286. Check out David's YouTube channel here: http://www.youtube.com/@AssassinationOfLennon and his SubStack writings here: https://davidwhelan.substack.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2023, I hosted writer James Campion with Jeff Martin for a discussion of The Beatles' 1968 mega-hit and Apple Records debut. This time, we're drilling down deep for an analysis of the song's composition (as well as possible sources of inspiration) with the musicologists of RPM School: Walter Everett (author of volumes one and two of The Beatles As Musicians) plus working musicians and recording artists Jack Petruzzelli and Cameron Greider. This is where we get deep into the weeds with musical theory and a breakdown of the song's lyrical construction, as well as elements from other pieces of music that may have influenced the principal author, Paul McCartney. RPM's new semester (on Let It Be) begins soon - see their site for details: https://www.rpm-school.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

With The Beatles' film debut turning 60 this summer, the time was right for a deep dive into the cultural and cinematic significance of it all. Joining the conversation are two new guests: Sarah Pleydell and Moya Luckett. Both were born in the UK, one's a first-gen fan, and both are authors and academics with cred particularly suited to the topic. Rounding out the talk are our three fave 1st-gen fans, Sibbie O'Sullivan, Carol Tyler and Debbie Gendler, authors all. Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest, Luca Perasi, first appeared on the show in 2023 (262). He is the McCartney historian based in Italy, whose previous works include Paul McCartney: Music Is Ideas 1970 - 1989 as well as his newest, Paul McCartney and Wings Band On The Run: The Story of A Classic Album. You can check out all his works on his site here. In this conversation, we discuss the tumultuous creation of Paul's post-Beatles breakthrough album, as well as 1974's One Hand Clapping project, just released as an album in 2024 and soon to be in theatres. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the years since Peter Jackson's epic re-imagining of the January 1969 saga landed, SATb has examined it through a number of angles: from Brits - women - musicians - authors - and so forth. But this will be the first time I have actually had a conversation about it with a professional historian, your friend and mine, Erin Weber. This conversation analyzes the film through the prism of (secondary) source material, and brings into focus how the work should be viewed by fans of a more serious scholarly bent. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this conversation, my returning guest (see episodes 189 - 245 - 266) discusses his recent visit to Spain, where a belated Beatlemania is in full swing. He also offers his insights on the recent May Pang documentary, The Lost Weekend: A Love Story, as well as his take on David Whelan's investigation into John Lennon's murder and the latter's preoccupation with "lucid dreaming." Check out Robert's writings at https://www.robertrosennyc.com/index.htm Highlights of his evening in Sevilla (with Mary Lyn Maiscott) can be found here: https://youtu.be/qiin_ZOt9gw?si=65MgdhrGvNOUqsmv Learn more about your ad choices. Visit megaphone.fm/adchoices

As part of the ongoing campaign in 2024 to look back at 1964, we present another conversation with first-gen fans, this time focusing on the Capitol issues as well as US Top 40 radio. Returning guests Elliot Easton and Dennis Diken (The Cars and The Smithereens respectively) are joined by Lee Abrams, radio visionary and co-founder of Sirius XM. We discuss their fandom as it unfolded in real time, the impact and influence of radio, as well as their takes on the US releases (and the Beach Boys too). You can find Lee's writings here: https://www.leeabramsmediavisions.com/blog Something About The Beatles is an Evergreen podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Returning guest (episodes 130 and 174) Ivor Davis is a British journalist who, in 1964, went on tour with The Beatles for the Daily Express, covering their North American dates while ghost-writing a column for George Harrison (having taken over the assignment from Derek Taylor). He did similar duties for the following year, and after which, he settled in California as west coast correspondent. His job saw him cover the Warren Commission findings, the gubernatorial campaign trail for Ronald Reagan (governor) and in 1968, Bobby Kennedy (whose murder Ivor was a witness to). The following year, Ivor was at the center of the Manson Family case when he became the first journalist to visit Spahn ranch, as well as the first writer to publish a book on the Tate-LaBianca murders, Five To Die. (We discussed this in the two previous shows.) Ivor was there when Bob Dylan introduced The Fabs to weed; he was also there when they met Elvis. In short, he's been around. He first published his memoir of The Beatles' experience as The Beatles and Me On Tour ten years ago for the 50th; it's now been expanded and republished for the 60th anniversary. In his conversation, Ivor offers his observations from the current perspective, post Get Back and "Now and Then," as well as inner-circle personas he came to know along the way. He also has a new true crime book out, The Devil in My Friend about a 1980s double murder in Malibu. You can find info on all at his website, https://ivordavisbooks.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices