Scene Weekly

This week on Scene Weekly, Jonathan and Stephen are handing out their own Oscars — and yes, things get a little weird.Looking back at the best films of the past year, the guys make their picks for the classic categories like Best Picture, Actor, and Director… but they also invent a few awards of their own along the way. Expect passionate defenses, questionable logic, and at least one category the Academy would absolutely never approve.The red carpet is imaginary — the opinions are not. Press play.

"Scene Weekly" Jonathan and Stephen head backstage with Blue Moon (2025), Richard Linklater’s intimate drama starring Ethan Hawke as lyricist Lorenz Hart on the night his former partner’s Oklahoma! premieres without him. It’s one long, boozy evening of ego, envy, and artistic legacy — with Hawke delivering a sharp, aching performance as a genius watching the spotlight drift away.

"Scene Weekly" Everyone decided Joker: Folie à Deux was a disaster—almost immediately. But what if that reaction missed the point? We revisit the most divisive sequel in recent memory, unpack its bold musical swing, bleak humor, and intentional discomfort, and make the case that Folie à Deux deserves way more respect than it got.

"Scene Weekly" Step back into your dreams—and your nightmares—as Jonathan and Stephen take a fun, deep dive into A Nightmare on Elm Street. This week, the hosts slice into the legacy of Freddy Krueger, exploring what makes this horror classic so iconic, terrifying, and endlessly rewatchable. From Wes Craven’s razor-sharp concept to the film’s unforgettable kills and dream logic, they break down the scares, the themes, and the cultural impact—with plenty of laughs along the way.

"Scene Weekly" - Jonathan and Stephen revisit the all-out chaos of Rat Race, breaking down its stacked cast, nonstop slapstick, and anything-goes early-2000s comedy energy. Does the madness still hold up—or is it just gloriously unhinged?

"Scene Weekly" This week Jonathan and Stephen break down Guillermo del Toro’s stunning new adaptation of Frankenstein. They highlight its gothic visuals, standout performances, and why this version may be the most emotionally rich take yet. Tune in for sharp insights, fun banter, and a fresh look at a classic monster reborn.

"Scene Weekly" - This week Jonathan and Stephen discuss the new film by Paul Thomas Anderson. They’ll break down standout sequences (hello, that car chase) and highlight the film’s tonal swings, visual flourishes, and Jonny Greenwood’s electric score. With perspectives both reverent and skeptical, they’ll debate whether One Battle After Another is Anderson’s most accessible film—or his most unhinged yet.

"Scene Weekly" - This week, Jonathan and Stephen dive into Judd Apatow’s The 40-Year-Old Virgin — a heartfelt comedy, a time capsule of mid-2000s awkwardness, and, according to Jonathan, a gripping documentary about Stephen’s life. We break down Steve Carell’s lovable cluelessness, the power of guy friendships, and why this movie still hits harder (and waxes smoother) than it should.

"Scene Weekly" Get ready for a cinematic showdown! Stephen and Jonathan dive headfirst into the world of Hollywood's biggest misfires: films with absolutely brilliant concepts that were completely wasted on a terrible execution. We each bring our OWN Top 10 list of the worst movies that deserve a second chance. Will we agree? Absolutely not. Get ready for hot takes, fierce debates, and maybe even a few spoilers...

"Scene Weekly" - This week on Scene Weekly, we’re diving into Twilight (2008) — full of brooding stares, dramatic pauses, and a love story that defined a generation.Jonathan and Stephen (two middle-aged guys rediscovering the saga) are joined by Olivia, who grew up with Twilight and helps us unpack why it hit so hard back then — and whether it still holds up today.

"Scene Weekly" - This week on Scene Weekly, Jonathan and Stephen suit up to make the case for Men in Black as the ultimate ‘90s movie. From Will Smith’s peak charisma to Vincent D’Onofrio’s legendary bug performance, we’re breaking down everything that makes this sci-fi comedy a blockbuster masterpiece. We’re talking iconic theme songs, practical effects, fashion choices (hello, black suits), and why Men in Black might just define the decade better than any other film.

"Scene Weekly" Heyyy you guysss! This week we discuss the 80's childhood classic The Goonies. Join us as Jonathan delves into why this is a top contender for his favorite movies, while Stephen pirate dives into a first watch. We have the treasure map, a pint of our favorite ice cream, and yearning desire to discuss this classic film.

"Scene Weekly" Jonathan & Stephen beam down to dissect K-PAX—the 2001 sci-fi head-trip where Kevin Spacey either a) perfected method acting as an extraterrestrial, or b) just really committed to trolling Jeff Bridges for two hours. Was Prot from K-PAX? Was Bridges a good doctor? And why does this movie make us think twice before eating a banana again?

"Scene Weekly" - Jonathan and Stephen dive into the gripping and darkly comedic world of Conclave, the papal thriller that feels eerily timely. As cardinals gather in secrecy to elect a new pope, political intrigue, divine ambition, and unexpected twists unfold. Is this the Catholic House of Cards or more of a satirical take on faith and corruption? They’ll break down the film’s tense atmosphere, standout performances, and whether it accidentally predicted current Vatican drama.

"Scene Weekly" - This week, we're plugging quarters into 2015's Pixels - the movie that asks "what if video games attacked Earth?" This movie is a neon-soaked nostalgia grenade that forgets to take itself seriously - and honestly, we're kinda here for it.

This week, your two least-qualified salesmen (and podcast hosts) attempt to always be closing with Glengarry Glen Ross—a movie where men yell about real estate and their own failures.David Mamet’s masterpiece of machismo, desperation, and real estate agents screaming about leads. Grab your sad desk coffee and join us—because second prize is steak knives, but third prize is this podcast.

"Scene Weekly" For our 60th episode, we’re trying something new: focusing on one iconic film—Brian De Palma’s Mission: Impossible (1996). We break down Tom Cruise’s star-making turn as Ethan Hunt, the legendary CIA heist, and how this franchise-starter balanced suspense with blockbuster spectacle. Does it hold up? Is it the best M:I? Press play and find out!

"Scene Weekly" - This week Jonathan and Stephen dive into the exhilarating world of USA underdog stories, comparing two iconic films that define heart, determination, and against-all-odds victories. On one side, there’s Miracle (2004), the gripping true story of Herb Brooks and the 1980 U.S. Olympic hockey team’s miraculous defeat of the Soviet Union. On the other, Rocky (1976), the timeless classic about a small-time boxer who gets his "one shot" at glory.

"Scene Weekly" This week on Scene Weekly, Jonathan and Stephen dive into "For You Films," where each host assigns the other a movie they've never seen before. The challenge? Find unexpected connections and argue for their film’s unique brilliance!Jonathan brings The Gods Must Be Crazy (1980), a wildly inventive South African comedy that turns a simple Coca-Cola bottle into a cultural clash of epic proportions. Meanwhile, Stephen counters with Ghost Dog: The Way of the Samurai (1999), Jim Jarmusch’s meditative crime drama about an enigmatic hitman living by the samurai code.From slapstick to stoicism, chaos to contemplation—how do these two wildly different films stack up? And which one wins the week? Tune in as we debate, discuss, and maybe even change each other’s minds.