Reel Notes w/ CineMasai

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guest this week is Swedish producer and DJ Sebb Bash. We spoke about The Thing, Undertone, the Evil Dead movies, Brazil, Beat Street, his early fascination with music, moving from DJing to producing, his early years producing for Big Noyd and Alchemist, stories for a handful of his songs, his general creative process, and the process behind the creation of he and E L U C I D’s album I Guess U Had To Be There. Come fuck with us. I Guess U Had To Be There is available wherever music is sold, streamed, or stolen. Consider copping directly off E L U C I D's Bandcamp. Follow Sebb Bash on Instagram (@sebb_bash) and Twitter (@sebbmode). Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all social platforms.

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guests this week are Houston-based and Nigerian-born rapper-producer Heavensouls and Atlanta-based rapper-producer Stickerbush, also known as The Sidepeices. We spoke about the bad politics of Tyler Perry movies, Coonskin, the filmography of David Lynch, their respective nomadic lifestyles, being Black in the alternative rap and IDM scenes, and the creative process behind their three recent group efforts—Darkskin Niggas With Lightskin Problems, Lightskin Niggas With Darkskin Problems, and Darklight—and the Nigerian history and pride behind Heavensoul’s most recent solo project westside trapped. Come fuck with us. Darkskin Niggas With Lightskin Problems, Lightskin Niggas With Darkskin Problems, and Darklight are all available wherever music is sold, streamed, or stolen. Consider buying the trio on CD via Caperflower's Bandcamp. westside trapped is also available wherever music is sold, streamed, or stolen, especially via Bandcamp. Follow Heavensouls on Twitter (@Trinidad6000) and Instagram (@whitegirldragggggggggd). Follow Stickerbush on Twitter (@sentientlever) and Instagram (@stickerbushh). Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all social platforms.

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guest this week is South Carolina-born singer, instrumentalist, producer, and creative technologist, JAIYN. We spoke about Reasonable Doubt, Irma Vep, being raised in South Carolina and coming to New York, picking up guitar and singing, the intersection of music and tech, working with zayALLCAPS and his Autotune Karaoke label, and the creative process behind 2023’s Kissing the Machine and her self-titled EP from the top of this year. Come fuck with us. !JAIYN is available wherever music is sold, streamed, or stolen. Consider copping directly from her Bandcamp page. Follow JAIYN on Instagram: @imjaiyn Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all social platforms.

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guest this week is Florida-based activist, talent booker, and co-founder of How Bazar, Dion Dia Records, and Big Culture and Arts Festival, Laila Fakoury. We spoke about the soundtracks of insecure and Atlanta, Scream, the documentary 5 Broken Cameras, the uptick in awareness for the fight for Palestine, nurturing the artistic community in Florida, and the process behind bringing Big Culture and Arts Festival to life for what’s shaping up to be its biggest year yet. Come fuck with us. Big Culture and Arts Festival is happening in Gainesville, FL from April 10-12, 2026. If you're hankering for a festival lineup featuring the finest in indie rap and music from around the world, buy your tickets here. Follow Laila on Instagram (@lailoosha) and follow BigCAF, Dion Dia Records (@diondiarecs), and How Bazar (@the.how.bazar) on Instagram to stay tapped in with the latest. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all social platforms.

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guest this week is New York-via-Atlanta rapper, producer, fashion designer, archivist, curator, and one part of PTP, See the Lieutenant. We spoke about Coonskin, Curious George, Chicken Little, and the power of animation, some favorite music videos, moving from Atlanta to New York, academia vs. grassroots organizing, her multimodal cultural production Operation (L), and the creative process behind her latest mixtape WhatsReallyGood. Come fuck with us. WhatsReallyGood. is available exclusively on Bandcamp. Buy it there to support the artist. Follow See The Lieutenant on Instagram (@seethelieutenant) and Twitter (@SeeTheLT), and follow Operation (L) on Instagram and Substack for more updates. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all social platforms.

f you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guest this week is Bronx-based DJ, writer, photographer, educator, radio host, and founder of HangTime Magazine and Hangtime Radio Flwrshrk. We spoke about Send Help, Finding Nemo, growing up around entertainers, melding together all her practices, the mark of a good DJ, running HangTime, and more stories and anecdotes than I could keep track of. Come fuck with us. Visit the HangTime Magazine and tune into HangTime Radio every Friday morning from 9-11AM on Newtown Radio. Listen to my episode of HangTime Radio here. Follow Flwrshrk on Instagram and TikTok: @flwrshrk Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all social platforms.

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guest this week is Singaporean rapper-producer Mary Sue. We spoke about Bugonia, No Other Choice, the Singaporean movie theater experience, the work of Stephen Chow, Kanye West, and Earl Sweatshirt, how his time in the army led to him making music in earnest, honoring his heritage and putting his own spin on hip-hop, and the creative process behind several of his project, particularly Porcelain Shield, Paper Sword and the bloomcycle-produced EP Unintended Self Expressions From Selling Reflections On The Internet. Come fuck with us. Porcelain Shield, Paper Sword is available wherever music is sold, streamed, or stolen. Unintended Self Expressions From Selling Reflections On The Internet is available exclusively on Bandcamp. Head to Sue's Bandcamp page to cop both. Follow Mary Sue on Instagram (@sweetmarysue) and Twitter (@marysueraps). Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all social platforms.

Reel Talk #10 is happening on Saturday, February 21. If you're in the New York area, join me and North Carolina rapper Lord Jah-Monte Ogbon for a screening of the T.I.-starring classic ATL, followed by an interview and audience Q&A. Doors at 6, film starts at 7. Tickets are $15 and can be purchased here via Posh or at the door the day-of. This iteration of Reel Talk operates on sliding scale admission, so if price is an issue, please message me directly and we can figure it out. If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guest this week is Chicago rapper-producer Chris Crack. We spoke about the 1993 survival movie Alive, Toy Story, Friday, Collateral, falling in love with R&B, growing up between Chicago and Mississippi, being inspired by standup comedy, getting more serious about producing, his outrageous song titles, and the creative process behind several of his albums, particularly Too Late To Start Following The Rules Now, out now via Fools Gold. Come fuck with us. Too Late To Start Following The Rules Now is available wherever music is sold, streamed, or stolen. Consider copping directly from Chris's Bandcamp page. Follow Chris Crack on Instagram, Twitter, and TikTok (@ChrisCrackNDC). Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all social platforms.

Reel Talk #10 is happening on Saturday, February 21. If you're in the New York area, join me and North Carolina rapper Lord Jah-Monte Ogbon for a screening of the T.I.-starring classic ATL, followed by an interview and audience Q&A. Doors at 6, film starts at 7. Tickets are $15 and can be purchased here via Posh or at the door the day-of. This iteration of Reel Talk operates on sliding scale admission, so if price is an issue, please message me directly and we can figure it out. If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guest for the season 6 premiere is DC rapper, producer, and visual artist Obii Say. We spoke about The Platform, Menace II Society, rewatching hood classics once you get older, Willy Wonka & The Chocolate Factory, his love-hate relationship with making music over a nearly 20-year career, how working in visual art inspires his raps and beats, forging a relationship with Chuck Strangers, and the creative process behind his latest album Public Access Television, available now exclusively on Bandcamp. Come fuck with us. Public Access Television is available exclusively on Obii's Bandcamp. Follow Obii on Twitter and Instagram (@obiisay) and check out his artwork on the Loudmouth website. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all social platforms.

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (BUY IT THROUGH A WEB BROWSER OR THE PATREON ANDROID APP, NOT VIA THE PATREON iOS APP. YOU'LL GET CHARGED EXTRA MONEY AND IT WILL TAKE LONGER TO PROCESS.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk movie night archives, and more! My guest for the season five finale is D.C. rapper and model El Cousteau. We spoke about The Godfather series, The Sopranos, The Wood, The Best Man, putting on for Black cinema, coming up in the D.C. rap scene, his modeling career, his connections to A$AP Rocky and MIKE and his 10k Global label, solidifying his sound, and the creative process behind his last two projects—Merci, Non Merci and this past summer’s Dirty Harry 2. Thank y’all so much for a fantastic season 5, now for the last time this year, come fuck with us. Dirty Harry 2 is available now wherever music is sold, streamed, or stolen. Follow Cousteau on Instagram, Twitter, and TikTok: @elcousteau Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all social platforms. Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (BUY IT THROUGH A WEB BROWSER OR THE PATREON ANDROID APP, NOT VIA THE PATREON iOS APP. YOU'LL GET CHARGED EXTRA MONEY AND IT WILL TAKE LONGER TO PROCESS.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk movie night archives, and more! My guests this week are Baltimore rapper, producer, and podcaster Height Keech and New York rapper-producer Nosaj of New Kingdom, who together are known as Wave Generators. We spoke about One Battle After Another, Yorgos Lanthimos’s Bugonia, various observations about the surveillance state, the mechanics and economics of indie rap, a brief retrospective on their early careers, how Wave Generators has introduced them to new audiences, and the creative process behind their latest album Run Away With A Wild And A Rare One. Come fuck with us. Run Away With A Wild And A Rare One is available now wherever music is sold, streamed, or stolen. Consider copping directly from their Bandcamp page. Follow Wave Generators on Instagram and Twitter: @wavegenerators. Follow Height on Instagram (@height_keech) and Twitter (@HeightKeech). Follow Nosaj on Instagram: @jasonfurlow23 My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all social platforms. Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (BUY IT THROUGH A WEB BROWSER OR THE PATREON ANDROID APP, NOT VIA THE PATREON iOS APP. YOU'LL GET CHARGED EXTRA MONEY AND IT WILL TAKE LONGER TO PROCESS.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk movie night archives, and more! My guest this week is New York journalist and author, Thomas Golianopoulos. We spoke about watching movies on cable, the virtues of the movie theater experience, a handful of moments from his career as a journalist for outlets like Complex, Pitchfork, and Grantland, all things John Singleton—from his films to his personal life and as much as we could fit into this conversation—and the creative process behind Golianopoulos’s debut book, The Life of Singleton: From Boyz N The Hood to Snowfall, out now via AndScape Books and Penguin House Publishing. Come fuck with us. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all platforms. Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (BUY IT THROUGH A WEB BROWSER OR THE PATREON ANDROID APP, NOT VIA THE PATREON iOS APP. YOU'LL GET CHARGED EXTRA MONEY AND IT WILL TAKE LONGER TO PROCESS.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk movie night archives, and more! My guest this week is Brooklyn-via-Jersey City rapper-producer Merkeba. We spoke about Hard Boiled and the works of John Woo, the art of making food, Elmo in Grouchland, growing up between JC and Atlanta, how his love for spoken word poetry and film led him to rap, performing pain in music, and the creative process behind his debut EP Mandolin and his debut album a Metal Snake. Come fuck with us. Mandolin and a Metal Snake are available wherever music is sold, streamed, or stolen. Consider copping both off of Merkeba's Bandcamp. Follow Merkeba on Instagram (@merkeba_) and Twitter (@merkeba201) My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all platforms. Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (BUY IT THROUGH A WEB BROWSER OR THE PATREON ANDROID APP, NOT VIA THE PATREON iOS APP. YOU'LL GET CHARGED EXTRA MONEY AND IT WILL TAKE LONGER TO PROCESS.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk movie night archives, and more! My guest this week is New York rapper Salimata. We spoke about Frankenstein, the Puppet Master movies, The Departed, why she prefers movies that have bad or sad endings to happy endings, how she’s come to appreciate French film since she’s moved to France, starting rapping in the Tumblr era, linking with MIKE and 10k, refining her style, and the creative process behind her latest album The Happening, out now on 10k Global. Come fuck with us. The Happening is available wherever music is sold, streamed, or stolen. Consider copping directly from Salimata's Bandcamp. Follow Salimata on Instagram (@eet_it_off_me) and Twitter (@eat_it_offme). My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all platforms. Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (BUY IT THROUGH A WEB BROWSER OR THE PATREON ANDROID APP, NOT VIA THE PATREON iOS APP. YOU'LL GET CHARGED EXTRA MONEY AND IT WILL TAKE LONGER TO PROCESS.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk movie night archives, and more! My guest this week is Maryland rapper Heno. We spoke about Monk, Bored to Death, and several other detective shows, Sinners, the MCU, growing up in an Ethiopian-Eritrean household in the DMV, rap keeping him out of trouble, being a nomad, touring Europe this past spring with Oddisee, building his connection with Oddisee and producer Mad Keys, and the creative process behind his latest projects Healing Out Loud, produced entirely by Mad Keys, and the upcoming Now That’s What I Call Heno!, Vol. 1. Come fuck with us. Healing Out Loud is available wherever music is sold, streamed, or stolen. Consider copping directly from Mad Keys's Bandcamp page. Now That's What I Call Heno! Vol. 1 will be available wherever music is sold, streamed, or stolen soon. Follow Heno. on Instagram and Twitter (@mynameisheno) and TikTok (@henoismyname). Follow Mad Keys on Twitter (@madkeys__), Instagram and TikTok (@madkeys_). My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all platforms. Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (BUY IT THROUGH A WEB BROWSER OR THE PATREON ANDROID APP, NOT VIA THE PATREON iOS APP. YOU'LL GET CHARGED EXTRA MONEY AND IT WILL TAKE LONGER TO PROCESS.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk movie night archives, and more! My guest this week is South African rapper Rap Man Gavin. We spoke about Perfect Blue, The French Dispatch, Richard Linklater’s Before trilogy, The Blair Witch Project, how Lil Wayne and Wiz Khalifa helped him fall in love with rap, finding his voice in South Africa, making a mark in the American indie rap scene, and the creative process behind his latest album Scrolling Through The Doom, produced entirely by LU! Come fuck with us. Scrolling Through The Doom is available now wherever music is sold, streamed, or stolen. Consider copping directly from Gavin's Bandcamp page. Follow Gavin on Instagram and Twitter: @gaaavie My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all platforms. Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (BUY IT THROUGH A WEB BROWSER OR THE PATREON ANDROID APP, NOT VIA THE PATREON iOS APP. YOU'LL GET CHARGED EXTRA MONEY AND IT WILL TAKE LONGER TO PROCESS.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk movie night archives, and more! My guest this week is Canadian rapper and host of Hip-Hop Evolution, Shad. We spoke about Highest 2 Lowest and the works of Spike Lee, An American Tale, Welcome to The Dollhouse and the works of Todd Solondz, his work on Hip-Hop Evolution, the 20th anniversary of his debut album When This Is Over, balancing having a message with having fun, the overarching narrative of his last three albums, A Short Story About a War, TAO, and the creative process behind the third, and his latest, album, Start Anew. Come fuck with us. Start Anew is available now wherever music is sold, streamed, or stolen. Consider copping it directly from Shad's Bandcamp. Follow Shad on Instagram and Twitter: @shadkmusic My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all platforms. Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (BUY IT THROUGH A WEB BROWSER OR THE PATREON ANDROID APP, NOT VIA THE PATREON iOS APP. YOU'LL GET CHARGED EXTRA MONEY AND IT WILL TAKE LONGER TO PROCESS.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk movie night archives, and more! My guests this week are New York-via-DC rapper billy woods and Queens rapper-producer E L U C I D, otherwise known as Armand Hammer. In their Take Two episode, we spoke about One Battle After Another, the relationship between Hollywood and the state, the Zambian dark comedy On Becoming A Guinea Fowl, the Anthony Hopkins-starring Magic, their recent LA release show, and the creative process behind their latest album Mercy. Come fuck with us. Mercy will be available wherever music is sold, streamed, or stolen on Friday, November 7. Pre-order the album via Bandcamp or the Backwoodz Studioz website now. Follow Armand Hammer on Instagram and Twitter: @ArmandHammerNYC. Follow E L U C I D on Instagram (@cobratoof) and Twitter (@elucidwho). Follow woods on Instagram (@backwoodzstudioz) and Twitter (@BackwoodzHipHop). Read my profile of Backwoodz, How billy woods's Backwoodz Studioz Became New York's Best Underground Rap Label, via Pitchfork. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (BUY IT THROUGH A WEB BROWSER OR THE PATREON ANDROID APP, NOT VIA THE PATREON iOS APP. YOU'LL GET CHARGED EXTRA MONEY AND IT WILL TAKE LONGER TO PROCESS.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk movie night archives, and more! My guests this week are New Orelans-via-Philadelphia producer Wino Willy and Philadelphia rapper FOHDH Matthew. We spoke about One Battle After Another, Fantastic Four: First Steps, Power Rangers, Bad Boys, Belly, their respective paths through hip-hop and Philly, mixing the fly with the thoughtful and Black liberation theology, working with Backwoodz, and the creative process behind their collaborative album Matthew Gets Sick Of Cheap Wine and Prefers Gruaud-Larose 1945. Come fuck with us. Matthew Gets Sick Of Cheap Wine and Prefers Gruaud-Larose 1945 is available wherever music is sold, streamed, or stolen. Consider copping it directly via the Grilchy Party Bandcamp. Follow Wino Willy on Instagram (@winowilly), Twitter (@winowilly_), and TikTok (@winovision). Follow Matthew on Instagram: @fohdhmatthew. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all platforms. Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (BUY IT THROUGH A WEB BROWSER OR THE PATREON ANDROID APP, NOT VIA THE PATREON iOS APP. YOU'LL GET CHARGED EXTRA MONEY AND IT WILL TAKE LONGER TO PROCESS.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk movie night archives, and more! My guest this week is California-via-Philly rapper, producer, and graphic designer, Dewey Bryan. We spoke about the Devo documentary on Netflix, Teenage Mutant Ninja Turtles, Good Boy, Point Break, several other 90s movies, his affinity for east coast and west coast rap, his career in indie rap, his illustrious graphic design career, especially his work with Anderson .Paak, and the creative process behind he and producer Earoh’s album Beach Burners. Come fuck with us. Beach Burners is available wherever music is sold, streamed, or stolen. Follow Dewey on Instagram and Twitter (@deweysaunders) or TikTok (@officialdeweybryan), and be sure to check out beachburners.com for all things Beach Burners. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all platforms Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (BUY IT THROUGH A WEB BROWSER OR THE PATREON ANDROID APP, NOT VIA THE PATREON iOS APP. YOU'LL GET CHARGED EXTRA MONEY AND IT WILL TAKE LONGER TO PROCESS.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk movie night archives, and more! My guest this week is Portland, Oregon rapper and co-host of the Good Talk podcast, Milc. We spoke about Highest 2 Lowest, One Battle After Another, The Fish That Saved Pittsburgh, the filmography of Will Smith, embracing rap and basketball from a young age, working as a rapper and podcaster, and the creative processes behind three of his projects: The Fish That Saved Portland, produced by Televangel, Affordable Luxuries, produced by Chuck Strangers under the duo name Bad Tofu, and Run for the Arts, produced by Spinitch. Come fuck with us. Run for the Arts is available wherever music is sold, streamed, or stolen. Consider copping directly from Three Dollar Pistol's Bandcamp page. Follow Milc on Instagram, Twitter, and TikTok (@milcmane). My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all platforms Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (BUY IT THROUGH A WEB BROWSER OR THE PATREON ANDROID APP, NOT VIA THE PATREON iOS APP. YOU'LL GET CHARGED EXTRA MONEY AND IT WILL TAKE LONGER TO PROCESS.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk movie night archives, and more! My guest this week is New Jersey-based playlist curator, Assistant Music Programmer for R&B and Lead Music Programmer for African & Caribbean music at Pandora, and co-creator and co-host of the Reasonable Dialogue podcast, Tatiana “Yan” Snead. We spoke about The Summer I Turned Pretty, the art of rewatching old movies, growing up in Jersey, her journey from aspiring singer to playlist curator to radio programmer, the music industry, and the creative process behind Reasonable Dialogue and her new solo podcast Raw Form. Come fuck with us. Reasonable Dialogue, featuring co-hosts DJ Miss Millan and Jazmine Kind, is available wherever you get your podcasts. Follow Reasonable Dialogue on Twitter (@RsnbleDialogue) and Instagram (@reasonabledialogue). Raw Form is available exclusively on Spotify. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all platforms Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (BUY IT THROUGH A WEB BROWSER OR THE PATREON ANDROID APP, NOT VIA THE PATREON iOS APP. YOU'LL GET CHARGED EXTRA MONEY AND IT WILL TAKE LONGER TO PROCESS.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk movie night archives, and more! My guest this week is Virginia producer and former rapper Ohbliv. We spoke about Spike Lee’s Highest 2 Lowest, the video for Michael Jackson’s Thriller, being inspired by Wild Style and Krush Groove, his work with Fly Anakin, being cosigned by Madlib, his love for the SP-404 MKII, and the creative process behind the beats for ShrapKnel’s Armature. If you’re in Richmond, make sure to check out his debut solo collage exhibition, Oblivious Utopias, at the Southside Contemporary Art Gallery until this Friday, October 4. Come fuck with us. ShrapKnel's Armature is available wherever music is sold, streamed, or stolen. Consider copping directly from the Fused Arrow Bandcamp page. Check out Bliv's last solo project, SLACK, wherever music is sold, streamed, or stolen. Follow Ohbliv on Instagram and Twitter: @ohbliv Read Dash Lewis's profile on Ohbliv for Bandcamp, and check out Ohbliv's extensive catalog of music while you're at it. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all platforms Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (BUY IT THROUGH A WEB BROWSER OR THE PATREON ANDROID APP, NOT VIA THE PATREON iOS APP. YOU'LL GET CHARGED EXTRA MONEY AND IT WILL TAKE LONGER TO PROCESS.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk movie night archives, and more! My guests this week are Florida rapper Denzel Curry and British producer, composer, and multi-instrumentalist Bobby Krlic AKA The Haxan Cloak. We spoke about Nightcrawler, Collateral, their mutual appreciation for Takashi Miike, their respective paths through music, the power of being yourself, and the creative process behind Bobby’s score for the new horror film HIM and Denzel’s contribution to the soundtrack’s titular song. Come fuck with us. HIM (Original Motion Picture Soundtrack) is available wherever music is sold, streamed, or stolen. Follow Denzel on Instagram (@denzelcurryph), Twitter (@denzelcurry), and TikTok (@denzelxcurry). Follow Bobby on Instagram: @thehaxancloak My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all platforms Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (BUY IT THROUGH A WEB BROWSER, NOT VIA THE PATREON iOS APP. YOU'LL GET CHARGED EXTRA MONEY AND IT WILL TAKE LONGER TO PROCESS.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk movie night archives, and more! My guests this week are Colorado rapper-producer Teller Bank$ and producers Killer Kane, q no rap name, and Philth Spector. We spoke about the Nichola Winding Refn movie Drive, Sinners, The Toxic Avenger, concept albums as short films, honing their crafts in Colorado, Philadelphia, and California, a brief history of Flip A Beat Club, and the extensive creative process behind their collaborative album Drug$$$. Come fuck with us. Drug$$$ is available wherever music is sold, streamed, or stolen. Consider copping directly from Teller's Bandcamp page. Follow Teller on Instagram (@teller_banks) and Twitter (@Teller_Banks357). Follow Killer Kane on Instagram (@ourleaderkane) and Twitter (@killerkanebeats). Follow q no rap name on Instagram (@qnorapname) and Twitter (@qnorapname_). Follow Philth Spector on Instagram and Twitter (@philth_spector) My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all platforms Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guest this week is Bronx-based rapper, singer, producer, co-host of Victory Light with The Kid Mero, and tattoo artist Rainey Ovalle. We spoke about the shadiness of the music industry and Spotify numbers, the Japanese crime thriller Battles Without Honor & Humanity, Tarzan, Sinners, listening to Raekwon’s Only Built 4 Cuban Linx for the first time on 9/11, evolving from slam poetry to rap music, his love for reggaeton and darkwave music, his feud with Alchemist, and the creative process behind his latest album Cigarettes With Dead Men and his latest single “Malona.” Come fuck with us. Cigarettes With Dead Men and "Malona" are available wherever music is sold, streamed, or stolen. Follow Rainey on Instagram, Twitter, and TikTok: @RaineyOvalle. Listen to Victory Light on YouTube or wherever else you get your podcasts. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday! Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green. Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guest this week is New York-based rapper, producer, director, and visual artist SOO DO KOO. We spoke about The Simpsons, the buddy-cop movie Running Scared, Pink Floyd’s The Wall, This is Spinal Tap, our favorite bits of stop-motion animation, being exhaustively prolific as a beatmaker and rapper, working with August Fanon and andrew, cultivating community outside of New York City, and the creative process behind two his latest projects: Meals on Wheels and Fuzzy Dunlop, a collab with the rapper andrew. Come fuck with us. Meals on Wheels and Fuzzy Dunlop are both available exclusively on SOO DO KOO's Bandcamp. Go check out the archives and buy something! Follow SOO DO KOO on Instagram (@soo.do.koo) and Twitter (@SOODOKOO). My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday! Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green. Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guest this week is New Jersey-born rapper, producer, director, and humanitarian, GDP. We spoke about Clive Barker’s Nightbreed, the magic of independent movie theaters, Solaris, Highest 2 Lowest, Kids, coming up as a rapper and skater in New Jersey, navigating the blog era, looking back on his old music, reflecting on his decade-long break, co-directing a documentary about rapper Tame One, and the creative process behind he and Fatboi Sharif’s EP Endocrine, out now via Fused Arrow Records. Come fuck with us. Endocrine is available wherever music is sold, streamed, or stolen. Consider copping directly from GDP's Bandcamp. Follow GDP on Instagram and Twitter: @g6d6p6. Follow Fused Arrow Records on Instagram and Twitter: @fusedarrowrecs My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday! Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green. Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guest this week is Toronto-based music journalist, critic, tastemaker, and filmmaker Elsie Ahachi. We spoke about Tyler Perry’s Straw, War of The Worlds, Weapons, Sinners, the work of Spike Lee, how she went from studying computer science to music content creation, the music journalism landscape, the difference between a journalist, influencer, and content creator, and the creative process behind her debut documentary, Toronto’s Best Kept Secret: Meet Dylan Sinclair, available to watch now on YouTube. Come fuck with us. Toronto’s Best Kept Secret: Meet Dylan Sinclair is out now on YouTube. Follow Elsie on Instagram, Twitter, and TikTok: @elsienotelise My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday! Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green. Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guest this week is New York singer, songwriter, producer, composer, rapper, and multidisciplinary artist, Cleo Reed. We spoke about local independent movie theaters, Sinners, the French-Canadian drama Incendies, the documentaries Ascension and Time, making their debut album Root Cause, evolving into a multidisciplinary artist, traditions of Black American folk, country, blues, and R&B, and the creative process behind their latest album Cuntry. Come fuck with us. Cuntry is available wherever music is sold, streamed, or stolen. Consider copping directly from Cleo's Bandcamp page. Follow Cleo on Instagram, Twitter, and TikTok: @cleoforshort Read my Vinyl Me Please Rising profile of Cleo at the link. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday! Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green. Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guests this week are Dan-O and Keith Rollins, the co-hosts of Freemusicempire’s State of The Game podcast. We spoke about the Billy Joel documentary, Fantastic Four: First Steps, Superman, Megalopolis, Terminator, Ikaru, how Dan-O built Freemusicempire into a blog, meeting Keith and developing State of The Game, their growth, being a part of the indie rap podcast community, their creative process, and their upcoming New York showcase, happening at Young Ethel’s in Brooklyn on Friday, August 15. Come fuck with us. Meet Freemusicempire live in New York at their debut showcase, featuring Nappy Nina, SKECH185, August Fanon, shemar, & more. Tickets are $10 and are available at the door of Young Ethel's in Brooklyn the day-of starting at 8:30PM. Listen to State of The Game wherever you get your podcasts, and join the Freemusicempire Patreon for access to exclusive articles and episodes about all things music. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday! Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green. Support the show

Join me and special guest Navy Blue on Saturday, August 30 at Loudmouth in Brooklyn, for the ninth iteration of Reel Talk, a Reel Notes movie night. We'll be screening the 1999 animated sci-fi drama The Iron Giant and talking about his latest album, Memoirs in Armour. Tickets and more info here. If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! This week’s episode is a bit different than usual: it’s a playback of my conversation with California visual artist Brian Kwon held during the opening week of Genius Loci, his first-ever art exhibit. We spoke about his upbringing, musical tastes, entrance to the world of indie rap, the process of drawing rap shows in real-time, and a handful of the pieces that lined the walls that night, including work featuring billy woods, ShrapKnel, Conductor Williams, and more. Brian and I will be recording a more traditional episode of Reel Notes sometime down the line, but for now, come fuck with us. Follow Brian on Instagram (@beekay.art), subscribe to his Substack, and check out his Linktree to stay tapped in with all things Brian. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday! Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green. Support the show

Join me and special guest Navy Blue on Saturday, August 30 at Loudmouth in Brooklyn, for the ninth iteration of Reel Talk, a Reel Notes movie night. We'll be screening the 1999 animated sci-fi drama The Iron Giant and talking about his latest album, Memoirs in Armour. Tickets and more info here. If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guest this week is Virginia rapper and co-founder of Divine Council, $ilkmoney. We spoke on his 29th birthday about our mutual love for Black sitcoms like The Wayans Bros., The Parkers, and Living Single, the legacy of Bernie Mac, Cam’ron’s roles in Paid In Full and Killa Season, not feeling pressure from Andre 3000 and Tyler, The Creator cosigns, and the creative process behind his latest album Who Waters The Wilting Giving Tree Once The Leaves Dry Up And Fruits No Longer Bear?, out now via Lex Records. Come fuck with us. Who Waters The Wilting Giving Tree is out now wherever music is sold, streamed, or stolen. Consider copping directly from $ilk's Bandcamp. Follow $ilkmoney on Instagram (@silkbooty), Twitter (@CUUMMONEY), and TikTok (@silkmunyun). Read my Best New Music review of $ilk's last album, I Don't Give A Fuck About This Rap Shit, Imma Just Drop Until I Don't Feel Like It Anymore, on Pitchfork. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday! Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd ( Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guest this week is California rapper, producer, one-third of Dilated Peoples, and head of Bigger Picture Recordings, Evidence. We spoke about the phenomenon of watching whatever’s on TV at the moment, The Godfather Part II, White Chicks, the romantic sports coming-of-age movie Lucas, movie theaters as cultural hubs, growing up before and during the rise of hip-hop, his love for producing and photography, moving on from the Weatherman character, and the creative process behind his upcoming album Unlearning Vol. 2, out August 15 on Rhymesayers. Come fuck with us. Unlearning Vol. 2 is out August 15 on Rhymesayers. Pre-order now on Bandcamp and the Rhymesayers site. Follow Evidence on Instagram and Twitter: @Evidence Read my review of Domo Genesis and Evidence's album, Intros, Outros, & Interludes, on Pitchfork. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday! Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green. Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guest for the 200th episode of Reel Notes is California-via-Chicago rapper, producer, writer, creator of The New Negroes, founder of Auto Reverse Records and Stony Island Audio—Open Mike Eagle. We spoke about the pros and cons of independent music and journalism, the films of Ari Aster, Spike Lee, Wes Anderson, Paul Thomas Anderson, and the MCU, how Nirvana and Ol’ Dirty Bastard kicked off his deep dive into music, finding himself in Project Blowed, surviving and thriving in a do-it-yourself world, and the creative process behind his latest album Neighborhood Gods Unlimited. Thank y’all so much for fuckin’ with us for 200 episodes. Hope you enjoy :) Neighborhood Gods Unlimited will be out everywhere music is sold, streamed, or stolen on Friday July 11. Consider buying it on Mike's Bandcamp. Follow Mike on Instagram (@open_mike_eagle), Twitter (@mike_eagle), TikTok (@openmikeeagle0), and Twitch (@open_mike_eagle). My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday! Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green. Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guest this week is New York rapper-singer-songwriter Sumaya Nazar. We spoke about Love Island, The Princess and The Frog and all things Disney, the animated films Muhammad: The Last Prophet and Persepolis, growing up in a Haitian-Tunisian household in Washington Heights, how spending time in Tunisia and the United Arab Emirates changed her perspective, recently embracing Islam, finding her voice as an artist, and the creative process behind her latest EP 1446. Come fuck with us. 1446 is available wherever music is sold, streamed, or stolen. Follow Sumaya on Instagram (@sumaya.nazar777) and TikTok (@sumayanazar) My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday! Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green. Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guest this week is Chicago-via-Maryland-via-Virgnia rapper, producer, and animator McKinley Dixon. We spoke about the Scream and Final Destination franchises, our definitions of what makes a scream queen, Snow Dogs, Tekkonkinkreet, being inspired by Toni Morrison and the late Japanese director Satoshi Kon, the pros and cons of live-band hip-hop, and the creative process behind his latest album Magic, Alive! Come fuck with us. Magic, Alive! is available wherever music is sold, streamed, or stolen. Consider copping directly from from Bandcamp page. Follow McKinley on Instagram (@freemckinley), Twitter (@mckinleydixon), and TikTok (@mckinleydixonn) Read my review of Magic, Alive! over at Bandcamp Daily. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday! Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green. Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guest this week is South African rapper Yugen Blakrok. We spoke about Severance, Black Mirror, Eternal Sunshine of The Spotless Mind, our mutual fascination with horror, martial arts, and samurai films, making a name for herself as a rapper in South Africa, recording her guest verse for Black Panther The Album, her relationship with longtime producer Kanif The Jhatmaster, and the creative process behind her latest album The Illusion of Being. Come fuck with us. The Illusion of Being is out now wherever music is sold, streamed, or stolen. Consider copping it directly from her Bandcamp. Follow Yugen on Instagram and Twitter: @yugenblakrok My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday! Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green. Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guest this week is Chicago-via-Detroit rapper, producer, singer, and songwriter Imani Nichele. We spoke about Babygirl, The Wiz, our current tolerance for musicals, the Temptations, Ray Charles, New Edition, and N.W.A. biopics, being a poet laureate, moving from Detroit to Chicago, fine-tuning her sound, working with Detroit rapper-producer Nolan The Ninja, the idea of jesters and clowns, trusting her artistic vision, and the creative process behind her debut project MERRY&RUE. Come fuck with us. MERRY&RUE is available wherever music is sold, streamed, or stolen. Consider copping directly from her Bandcamp page. Follow Imani on Instagram (@imaninichele_) and Twitter (@maniduhmixer). My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday! Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green. Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guests this week are New York rapper and engineer blackchai and Tennessee-via-North Carolina rapper, producer, and engineer Illohim, who record together at the duo Pathfinders. We spoke about The Rehearsal, Peacemaker, Friendship, Jet Li’s Fearless, their respective solo careers up to this point, meeting as members of the collective No Clue, their chemistry, and the creative process behind their self-titled debut. Come fuck with us. Pathfinders is available wherever music is sold, streamed, or stolen. Consider buying directly from blackchai's Bandcamp. Follow blackchai on Instagram (@blackchai19) and Twitter (@blkchai). Follow Illohim on Instagram (@illohimshymns) and Twitter (@illohim). My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday! Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green. Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guest this week is New York producer and engineer Tony Seltzer. We spoke about Twin Peaks: Fire Walk With Me and the legacy of David Lynch, Harriet the Spy, Little Figuitive, growing up loving metal and hip-hop, transitioning from drumming to producing, why he’s become well-known for the drums in his beats, his impact on underground rap, drifting into A&R, the creative process behind he and MIKE’s Pinball album series, his compilation album Hey Tony, and a handful of his greatest beats for artists like Wiki, WifiGawd, Key!, & more. Come fuck with us. Pinball 2 is available wherever music is sold, streamed, or stolen. Consider copping directly from MIKE's Bandcamp. Follow Tony Seltzer on Instagram and Twitter (@tonyseltzer) and follow Tony's Brooklyn-based studio, Noc Noc Studios, on Instagram (@nocnocstudios) to book a session with the man himself. Read Lei Takahashi's review of Pinball II at Pitchfork My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday! Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green. Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guest this week is Montreal-via-Zambia rapper, producer, and composer Backxwash. We spoke about Sinners, Nigerian cinema, our respective histories with horror movies, moving from Zambia to Canada, how Cassidy mixtapes, Common’s Be, and Lupe Fiasco’s Food & Liquor informed her rap style, the timeless appeal of Memphis rap, mixing rap with doom metal, having fun while making music about trauma, and the creative process behind her latest album Only Dust Remains. Come fuck with us. Only Dust Remains is available wherever music is sold, streamed, or stolen. Consider copping off Backxwash's Bandcamp. Follow Backxwash on Instagram, Twitter, and TikTok: @backxwash Read my piece, What Sinners and Chelsea Reject Taught Me About The Power of Black Cultural Memory, for Hearing Things. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday! Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green. Support the show

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guest this week is Vermont-via-Chicago producer, multiinstrumentalist, and record shop owner Greg Davis, also known by his beatmaking alias, Asterisk. We spoke about Perfect Days, the Star Wars franchise, particularly Revenge of the Sith, Legend of Ochi, A Clockwork Orange, falling in love with hip-hop, how studying music in college set him up to expand his vision, running a record store, bridging the gaps between the old and the new, and the creative process behind No School, his return to the world of hip-hop beatmaking. Come fuck with us. No School is currently available exclusively on Greg's Bandcamp. Find it on all other DSPs starting June 6. Follow Greg on Instagram (@gregorytylerdavis) and Twitter (@asterisk_802), follow his record store, Autumn Records, on Instagram, and check them out if you're in the Vermont area. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday! Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green. Support the show

Join me and special guest billy woods on Saturday, May 10 at Loudmouth in Brooklyn, for the eighth iteration of Reel Talk, a Reel Notes movie night. We'll be screening the 1997 psychological horror film Cure and talking about his latest album, Golliwog. Tickets and more info here. If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guest this week is Baton Rouge rapper Jireh. We spoke about Richard Pryor’s Which Way Is Up, the magic of video rentals, talking leftist ideology with family, Malibu’s Most Wanted, eventually turning his own life into a movie, making the transition to becoming a full-time rapper, working his way back from a personal low point, and the creative process behind his last three projects—A Guide 2 Recognizing Your Saints, B-Sides, and last year’s Perfect Circle. Come fuck with us. Perfect Circle is available wherever music is sold, streamed, or stolen. Follow Jireh on Instagram, Twitter, and TikTok: @jirehpc My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday! Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green. Support the show

Join me and special guest billy woods on Saturday, May 10 at Loudmouth in Brooklyn, for the eighth iteration of Reel Talk, a Reel Notes movie night. We'll be screening the 1997 psychological horror film Cure and talking about his latest album, Golliwog. Tickets and more info here. If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guest this week is Camden, New Jersey-based rapper Sol ChYld. We spoke about Severance, The Ring, Halloween, It, Jordan Peele’s Nope, the importance of neo-soul and gospel music, making music in her mother’s basement, the art of constructive criticism, misogynoir in the music industry, what New Jersey brings to rap culture, and the creative process behind her latest EP Bad Bitches Can Be Conscious Rappers Too. Come fuck with us. Bad Bitches Can Be Conscious Rappers Too is available wherever music is sold, streamed, or stolen. Follow Sol ChYld on Instagram (@sol.chyld), Twitter (@thesolchyld), and TikTok (@solchyld). My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday! Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green. Support the show