Reel Notes w/ CineMasai

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more! My guest this week is Swedish producer and DJ Sebb Bash. We spoke about The Thing, Undertone, the Evil Dead movies, Brazil, Beat Street, his early fascination with music, moving from DJing to producing, his early years producing for Big Noyd and Alchemist, stories for a handful of his songs, his general creative process, and the process behind the creation of he and E L U C I D’s album I Guess U Had To Be There. Come fuck with us. I Guess U Had To Be There is available wherever music is sold, streamed, or stolen. Consider copping directly off E L U C I D's Bandcamp. Follow Sebb Bash on Instagram (@sebb_bash) and Twitter (@sebbmode). Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green. Follow Hearing Things at hearingthings.co or @hearingthingsco on all social platforms.