RA Exchange

The Irish veteran talks about his prolific output, making music beyond the drum & bass canon and his forthcoming album, Tricklemore Sea.Dominick Martin—AKA Calibre—has spent the last three decades carving out one of the most singular paths in electronic music. Known to many as a cornerstone of drum & bass, the Northern Irish artist's work has always defied easy categorisation. His vast output spans house, techno, ambient and even folk. What unifies it all is a sense of what he calls "inner space," which has cemented him as one of the underground's most respected figures.In this week's Exchange, Martin speaks about his creative philosophy, his "three-tunes-a-day" workflow and a recent turn towards abstract downtempo with RA's international content writer, Tom Gledhill. The new album, Tricklemore Sea, arrives on his Signature Records imprint on May 1st, marking a move away from the rigid protocols of the DJ booth toward a space that is deeply melancholic, personal and profoundly poetic. Listen to the episode in full. Hosted on Acast. See acast.com/privacy for more information.

The Dutch phenomenon unpacks the myth of overnight success and the story behind his debut album, Lost, Found & Forgotten.They say it takes ten years to become an overnight success, and in the case of this week's guest, that math almost checks out. Born in Leiden, Chris Stussy has been sharpening his tools for over a decade, and in the years since the pandemic, the world has caught onto his sleek, relentlessly groovy strain of house music.  It's been a stratospheric rise for Stussy, culminating in sold-out shows of iconic venues like London's Alexandra Palace, where tickets were gone in a matter of minutes. But if you look past the viral TikTok clips and the fandom that follows him from Ibiza to Coachella, you'll find a dedicated student of the craft—someone who spent his formative years absorbing the grit of the Utrecht underground as well as the foundations of Chicago and New York house.RA editor Gabriel Szatan caught up with Stussy during a rare moment of reflection. His long-awaited debut album, Lost, Found & Forgotten, which officially lands April 3 on his own Up The Stuss imprint, and it stands as his most expansive and personal statement to date. The project is divided into three interconnected chapters: 'Lost' breathes new life into sketches he started earlier in his production career; 'Found' captures contemporary inspirations; and 'Forgotten' nods to the heads and diggers, focusing on deeper cuts that reward patient listening. Stussy also traces the arc of his early releases to his current status as a torchbearer for a new generation of clubbers, and considers how club culture has changed along the way. Listen to the episode in full. Hosted on Acast. See acast.com/privacy for more information.

Electroclash icon Tiga talks about the manosphere, the currency of cool and his first album in 10 years, HOTLIFE.Canadian producer Tiga—born Tiga Sontag—has navigated the peaks and valleys of electronic music for over three decades. A key architect of the electroclash explosion in the early 2000s, Sontag reigned supreme over the indie sleaze era of the dance floor during the 2010s.But eventually, that momentum stalled. Sontag, one of the scene's most charismatic figures, found himself contemplating retirement while battling a health crisis that threatened to derail his career entirely. In this rare interview, Sontag talks to RA editor Gabriel Szatan about those lost years.Rather than retracing his anthemic hits ("You Gonna Want Me," "Sunglasses At Night"), the pair discuss why, after stepping back from the public eye for over a decade, Tiga is entering a new chapter he describes as "all answers, no questions." His upcoming LP, HOTLIFE, unpacks personal demons alongside his takes on everything from Elon Musk and the manosphere to the "pornographic" repetition of the music industry's relentless churn. It's out April 17th via Turbo Recordings and Secret City Records, and features contributions from Boys Noize, Maara and Priori and more. Listen to the episode in full. Hosted on Acast. See acast.com/privacy for more information.

The London artist talks about self-doubt, overcoming creative blocks and her forthcoming album on Hyperdub.Today's guest has spent the last decade proving that electronic music is an insufficient label for what she does. Since her landmark Hyperdub debut, For You and I, in 2019, Loraine James has moved through the world of IDM, glitch and ambient with a rare kind of emotional transparency. Whether producing club music under her own name or making ambient soundscapes under her experimental alias, Whatever The Weather, her work often feels like a diary—not just of her life, but of her creative evolution.But as any artist will tell you, the path from one album to the next is rarely a straight line. Following the success and personal pride of 2023's Gentle Confrontation, James found herself at a crossroads. In this Exchange, she sits down with RA's multimedia editor, Bella Aquilina, to discuss the difficult second act of her career—a process marked by self-doubt, creative blocks and the surprising freedom found in the word "pop."James talks about the "11-degree" sound; why the grey, undecided London weather shapes her sonic palette; how she navigated imposter syndrome after a popular record; her "failed" stint as a DJ; her love for Venue MOT and Corsica Studios; and why she's finally ready to leave the bedroom and return to the dance floor. Her forthcoming album on Hyperdub, Detached From The Rest of You, is out on May 8th. Listen to the episode in full.  Hosted on Acast. See acast.com/privacy for more information.