Private Passions

The poet and singer-songwriter Gwyneth Glyn talks to Michael Berkeley about the music she loves from Wales and around the world. Gwyneth has been described as a poet among singers and a singer among poets. She's also a television script writer, a playwright and a children's author, having won the Crown at the Urdd Eisteddfod aged 18, and going on to be appointed Wales' National Poet Laureate for Children in 2006, the year she also won Best Female Artist in the Radio Cymru Rock and Pop Awards. Brought up in a Welsh speaking household, she's a passionate advocate of the language both within Wales and internationally.Gwyneth talks to Michael about writing a libretto for the first ever Welsh language opera, growing up in a rural Welsh-speaking community, and the pleasures and challenges of passing the language on to the next generation. She chooses music from her collaboration with Indian ghazal singer Tauseef Akhtar, as well as music by Tippett, Welsh folk hero Meredydd Evans, Rimsky Korsakov and Tchaikovsky. Producer: Jane Greenwood A Loftus production for BBC Radio 3.

Richard Flanagan first came to worldwide attention in 2001 with one of the most original titles ever: "Gould's Book of Fish, a Novel in Twelve Fish". It was his third novel, the story of a 19th-century forger sentenced to hard labour off the coast of Van Diemen's Land. Van Diemen's Land, or Tasmania as it's now called, is where Flanagan was brought up, and still lives and writes, publishing every few years a novel that is extraordinarily thought-provoking and original - and very different from all the books before. His last novel, The Narrow Road to the Deep North, about the Death Railway in Burma, won the Booker Prize. Four years on, his new novel First Person is the story of a conman, and it's based on an extraordinary experience of his own. Flanagan dreamed of being a writer but was working as a builder's labourer when he suddenly got a commission: to write the life story of a notorious conman who was facing jail. They spent three weeks together shut up in a publisher's office, and it was frightening to be incarcerated with such a violent murderer. After three weeks the man shot himself, but for Flanagan that trauma was just the beginning of the story - he then had to recreate the criminal's life on the page, making it all up. Flanagan talks to Michael Berkeley about a life lived on the edge, in the wild beauty of Tasmania, and about his admiration for those who live outside the cultural mainstream, often lone voices of dissent. His music choices reflect this: the Polish Australian composer Cezary Skubiszewski, Arvo Part, John Field, Von Westoff, and Jane Birkin. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

In a special edition to mark International Women's Day next week, Michael Berkeley talks to Britain's most decorated female Olympic athlete, the rower Dame Katherine Grainger.Katherine won a silver medal in Rio in 2016 - at the age of 40. It was her fifth medal from five consecutive Olympic Games, including a gold in the double sculls at London 2012. On her return from Rio, she was voted the Olympians' Olympian by her fellow Team GB athletes. The holder of six World Champion titles, she has an MBE and a CBE, was made a dame in 2017 New Year's Honours list, and, since last summer, has been the Chair of UK Sport.On top of her huge sporting achievements, Katherine has a PhD in Criminal Law and is Chancellor of Oxford Brookes University. Katherine tells Michael how music has helped her to cope with the pressure of competing at the highest level, and how music has been an important part of her life since her Scottish childhood. She chooses a Mozart aria to remind her of her grandparents in Aberdeen, and Rachmaninov for her rowing partner Cath Bishop, who is a talented pianist. In celebration of International Women's Day, all but one of her choices - which include Elgar, Chopin and Bach - are performed or conducted by female musicians. Producer: Jane Greenwood A Loftus production for BBC Radio 3.

Singer, multi-instrumentalist, electronic sitar player, performer and DJ, Bishi has performed with everyone from Yoko Ono, Pulp, Goldfrapp, the LSO, and the Kronos Quartet. A glamorous and extravagantly costumed presence on stage, she's influenced by both Eastern and Western classical music as well as electronic dance, glam rock and folk music. Michael Berkeley talks to her about growing up with the music of her mother, Susmita Bhattacharya, a celebrated Indian classical singer who knew Ravi Shankar. Bishi has her own take on the sitar, which she plays like an electric guitar. A talented chorister and pianist as a child, she could have chosen a career in Western classical music, but instead has brought it to bear on her own panoramic musical style.She chooses music from Ravi Shankar's collaboration with Philip Glass, iconic film soundtracks she's used in her work as a DJ, a song she's sung from a Bulgarian choir and pieces from major influences Mica Levi and Meredith Monk.Producer: Jane Greenwood A Loftus production for BBC Radio 3.

Bernard Cornwell is now one of the world's most popular writers of historical fiction. He's famous for his Sharpe series, about a British soldier during the Napoleonic wars, and for his Last Kingdom books, set in 9th-century Britain. Both have become successful television adaptations, with a third season of The Last Kingdom being filmed for Netflix at the moment. The numbers are pretty staggering: 57 books published, worldwide sales of 35 million. But Bernard Cornwell owes his existence as a writer to a very happy accident. It was 1978, he was in an office in Edinburgh, the lift doors opened, and out stepped a blonde. In his own words, he "fell disastrously in love". But Judy, the woman who stepped out of the lift, was American, and, when he moved to America to live with her, he couldn't get a green card. Unemployed, he decided to write a novel. And so the Sharpe series was born. In Private Passions, Bernard Cornwell reveals his extraordinary childhood among a religious sect called the "Peculiar People". He was adopted, and he tells the story of his search for his birth parents. When he found his mother, her shelves were full of his books. The music he loves now is very much influenced by his lifelong rebellion against this ascetic religious upbringing: he loves Requiems and Catholic liturgical settings. Music choices include Faure's Requiem, Mozart's Requiem, Allegri's Miserere, and songs from Shakespeare. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Michael Berkeley talks to the actress Frances Barber about the music and friendships that have inspired her throughout her career. From Cleopatra at the Globe Theatre to the evil Madame Kovarian in Dr Who, from Peter Greenaway to Inspector Morse, and from Chekhov at the Royal Shakespeare Company to playing a seductive barrister in TV's Silk, Frances Barber is one of our most versatile actors. From the moment she won the Olivier Award for the Most Promising Newcomer, her hugely diverse career has spanned theatre, television and film - and every genre from comedy, sci-fi, kitchen sink drama, to theatrical classics and Hollywood.Frances tells Michael how she discovered classical music by working her way through the records in her local library when she was setting out on her acting career; she chooses Chopin to remind her of that time.In a funny and revealing interview, Frances talks about the music that's been part of her work, including Michael Nyman's soundtrack to A Zed and Two Noughts and songs by Brecht and the Pet Shop Boys. And she chooses music that reminds her of people she's loved, including Schubert for her close friend Alan Rickman. Producer: Jane Greenwood A Loftus production for BBC Radio 3.

Eleanor Rosamund Barraclough is steeped in Viking lore. She travels through the icy landscapes of the Far North in the footsteps of those Norse "far travellers" who have left us their wonderful poetic stories of kings and trolls and dragons. She's an Associate Professor at Durham University and an AHRC Radio 3 New Generation Thinker, and her fieldwork has taken her pretty much everywhere the Vikings went: through Greenland, Norway, Iceland, Sweden, and Orkney. Recently she went to stay on the Arctic island of Svalbard, where in 24-hour darkness she encountered a family of polar bears. Eleanor Barraclough's music list full of snow and ice - glittering, shimmering music - from the Norwegian composer Frode Fjellheim and Sibelius's 5th Symphony, through Eriks Esenvalds' "Northern Lights", to Martin Carthy, singing "Lady Franklin's Lament". She ends with music by Geoffrey Burgon that will resonate with anyone growing up at the end of the last century: the theme tune to the BBC dramatization of Narnia. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Alistair Spalding talks about dance with the zeal of the convert. Although he's headed Sadler's Wells since 2004, commissioning new work from leading international choreographers - Akram Khan, Mark Morris, Matthew Bourne, Pina Bausch - he doesn't come from a dance background. He left school at sixteen, and worked in a solicitor's office, aiming to be a lawyer. He then studied linguistics and philosophy and became a primary school teacher. And so, how did he end up becoming Artistic Director and Chief Executive of Sadler's Wells in London, the top British venue for international dance?In Private Passions, Alistair Spalding reveals his route to an unlikely career, beginning with the first dance performance he ever saw: John Cage was in the pit, blowing on a conch shell. He explains his vision of drawing in the best contemporary composers to write for dance, and of widening the repertoire to include older dancers. He discusses too his innovative and highly popular dance afternoons for the over-65s. Music choices include Debussy, Bach, Thomas Adès, Monteverdi, Nick Cave and Joni Mitchell. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

The physicist and broadcaster Helen Czerski talks to Michael Berkeley about her favourite music, inspired by her Polish heritage and her fascination with technology and exploration. Having gained a wonderfully titled PhD in Experimental and Explosive Physics from Cambridge in 2006, Helen worked in the US and Canada, and is now a Research Fellow at University College London where she specialises in the relationship between waves, weather and climate.But apart from her academic research and teaching she has another mission - to make physics accessible to us all. She does this by exploring the connections between the way the world works and our everyday experiences - for example weather patterns can be seen in microcosm when you stir milk into your tea. Hence the title of her highly successful book - Storm in a Teacup.She writes regularly for the Guardian, and has made numerous radio and television programmes about colour, bubbles, the sun, the weather - and the science behind sound and music. Her latest is a three part television series about temperature.She chooses music by Strauss which reminds her of her Polish heritage; music by Dvorak which evokes the long sea voyages she undertakes for her research into ocean bubbles; music by Verdi which celebrates her fascination with technology and industry. And she gives the definitive, scientific answer to that most vital of questions: what's the best shape for a champagne glass?Producer: Jane Greenwood A Loftus production for BBC Radio 3.

Another chance to hear pianist Alfred Brendel in conversation with Michael Berkeley in 2017. Alfred Brendel, one of the greatest musicians of the twentieth and twenty-first centuries, died in June aged 94. He was renowned for his masterly interpretations of the works of Haydn, Mozart, Schubert, Brahms, Liszt and Beethoven. He talks to Michael Berkeley about the composers and musicians he admires, and looks back at his early life. It wasn't a musical childhood; the family had no record player, but his mother used to sing cabaret songs. The Second World War made an unforgettable impression. Brendel reveals too what drew him to live in Britain: the musical culture here, the Third Programme, the Proms, and the flourishing choral tradition. He also talks honestly about how the deafness of his later life affected his love of music, and how he dreamed of music all the time and played it continually in his head.Brendel was too modest to pick any of his own recordings for his Private Passions music selection, so following the 2017 programme Michael Berkeley presents some of his personal favourite Brendel recordings of works by Bach, Mozart and Schubert.Original producer: Elizabeth Burke, a Loftus production for BBC Radio 3 Repeat producer: Graham Rogers

Many Private Passions guests over the years have revealed their passion for Bach. But for some, the great composer has really transformed their lives. The great primatologist Jane Goodall, for instance, describes how she reached such a dark time in her life that she considered giving up altogether. Four of her workers had been kidnapped in Africa, in the chimpanzee sanctuary she'd established. The money for her research had come to an end. At crisis point, she went into Notre Dame Cathedral in Paris, and heard Bach's famous Toccata and Fugue in D minor being played on the organ. Bach gave her hope, and transformed her vision of the world so that she could carry on. "It helped me to understand that I was a small person in a big world. And the world was very beautiful. It caused me to think about the meaning of our lives, and what am amazing thing it is that this little creature can encompass so much. So I came out a different person.""Bach deals with death, but also with transcendence..." - so says architect Daniel Libeskind who reveals how Bach sustained him when he was building the memorial to 9/11 in New York. Alan Bennett describes first hearing the St Matthew Passion in Leeds Parish Church when he was growing up, while Vivienne Westwood discovered Bach's Passions only recently: "I don't believe in God, but the beauty, the hypnotic rhythm lifts you." And tenor Mark Padmore talks about singing the Evangelist in Bach's Passions, how he never tires of the music, and how there's always something more to discover. As Joan Armatrading says at the end of the programme: " This guy Bach - how IS that humanly possible?"Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Jane Birkin came to fame in the swinging 60s, thanks to her wild beauty and daring appearances in avant-garde films such as Blow-up, and thanks also to her tempestuous relationship with Serge Gainsbourg. In 1969 their song "Je t'aime" was banned by the BBC and the rest is history; it became the biggest-selling foreign language record ever. Since then, Jane Birkin has appeared in more than fifty films, been awarded the OBE for services to Anglo-French relations and released thirteen albums. In Private Passions, she remembers Paris in the 1960s, and above all, her beloved Serge Gainsbourg; she describes the night they met in vivid cinematic detail. She talks too about her marriage to the film composer John Barry and chooses music he wrote for the funeral of her daughter. She talks perceptively about getting older, and the strange freedom age brings.Music choices include Stravinsky's The Rite of Spring; Allegri's Miserere; John Barry's music for The Lion in Winter; Mahler's 10th Symphony, and Bernstein's West Side Story. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

The playwright and novelist Michael Frayn shares his musical passions with Michael Berkeley.Michael Frayn is an acute observer of the absurdities and pain of the human condition, and his writing career has spanned journalism, novels, philosophy, Russian translation, and plays both philosophical and farcical. Noises Off, his 1982 farce about a farce, has become one of the twentieth century's best loved and most successful plays and is frequently described as the funniest farce ever written. Equally praised have been his philosophical plays such as Copenhagen and Democracy.He tells Michael about his childhood in Surrey, which partly inspired his award-winning novel Spies, his time in the army learning Russian, and the pain and pleasure of farce - the most technically demanding of all literary forms.And he shares his lifelong love of classical music, choosing pieces by Beethoven, Prokofiev, Mozart, Mahler, and Brahms - and a piece by his late mother-in-law Muriel Herbert. Producer: Jane Greenwood A Loftus production for BBC Radio 3.

Susan Richards, writer and commentator on contemporary Russia, talks to Michael Berkeley about her fascination with the country and her passion for 20th-century Russian music. Susan's first book, Epics of Everyday Life, was about the euphoric period after the collapse of communism. She travelled all over Russia to try to find out how ordinary people were coping with the discovery that they'd been so comprehensively lied to for so long. Her second book, sixteen years in the writing, was Lost and Found in Russia, and it described the collective nervous breakdown that took place after that. Both books are a testimony to her fascination with the lives of ordinary Russians - and a celebration of friendship. They also include hair-raising encounters with the KGB and the Mafia. A Founding Editor of OpenDemocracy, set up in 2001 to encourage democratic debate around the world, Susan is also the co-founder, with her husband the television producer Roger Graef, of Bookaid, which has sent more than a million books to Russian public libraries. Susan's music takes us on a journey from pre-revolutionary Russia to the early 21st century, with pieces by Scriabin, Prokofiev, Shostakovich, Stravinsky, and the contemporary composer Sofia Gubaidulina. And we hear music inspired by a Siberian forest, and a singer Susan first met during a hair-raising encounter with the mafia.Producer: Jane Greenwood A Loftus production for BBC Radio 3.

As part of Radio 3's coverage of the London Jazz Festival, Michael Berkeley talks to the saxophonist and bass clarinettist John Surman, who over a career of dizzying versatility that spans more than fifty years, has shown us just how many different ways jazz can be made. Surman's hundreds of recordings include solos with synthesizers, saxophone trios, trios with voice and drums, with brass bands and big bands. He has made albums with church choirs, duos with church organs and with drums, as well as composing music for saxophone and string quartet.He has worked with most of the jazz greats of the last half century, including Ronnie Scott, Alexis Korner and Gil Evans, and more unusually for a jazz musician he's worked at the Paris Opera, with the Trans4mation Quartet, and on modern reinterpretations of the songs of John Dowland. He's been the recipient of numerous awards including the 2017 Ivor Novello Jazz Award.In Private Passions, John Surman tells Michael how his love for music began in his childhood in Devon, when he was a talented boy treble. He chooses Bach's St Matthew Passion, which he first heard in a Plymouth church, and Beethoven's "Pathétique" sonata (No 8, in C minor), which his father would play on the piano. Surman's love of jazz is entwined with his love of classical music, and among his musical passions Duke Ellington and Miles Davis go hand-in-hand with Bartok's Concerto for Orchestra and the voice of Kathleen Ferrier. Happily based in Norway for the last decade, Surman has chosen a music list to help him through the long dark Scandinavian winters. A Loftus production for BBC Radio 3 Produced by Jane Greenwood.

Simon Sebag Montefiore is a prizewinning writer whose books return again and again to Russia. His latest novel is Red Sky at Noon, the last of his Moscow Trilogy, following Sashenka and One Night in Winter. His most recent history, The Romanovs 1613-1918, tells the story of twenty tsars and tsarinas, some touched by genius, some by madness. It's a world of unlimited power and ruthless empire-building, overshadowed by palace conspiracy, family rivalries, sexual decadence and wild extravagance. Montefiore is also author of the epic history books Catherine the Great and Potemkin; Young Stalin; and Stalin: The Court of the Red Tsar. In Private Passions, Simon Sebag Montefiore tells the story of how his grandparents fled the Russian Revolution, buying tickets to New York. Instead, they were cheated, and landed in Ireland on the coast of Cork. In Ireland they had to flee persecution again - and relocated to Newcastle. He talks too about what he saw first-hand as a war correspondent during the fall of the Soviet Union. He explores the similarities between Putin, Stalin, and the Tsars who came before them. And he reflects on what "Russian Culture" means in a country with such a turbulent history. Produced by Elizabeth Burke A Loftus production by BBC Radio 3.

Ronan Bennett is a novelist and screenwriter whose latest drama series on the BBC, "Gunpowder", dramatizes the story of Guy Fawkes from the point of view of the Catholics, who were persecuted in England at the time. All through his substantial body of work Ronan Bennett has explored the roots of violence and terrorism, something he knows about from personal experience, having grown up as a Catholic in Northern Ireland in the 1970s. He was imprisoned twice as a young man, accused of IRA terrorist offences, but was acquitted both times, not before spending a total of almost three years in prison, sometimes in solitary confinement.After he came out of prison for the second time, Ronan Bennett made the decision to study history at King's College London, and went on to do a PhD on crime and law enforcement in 17th-century England. In Private Passions he talks about how studying history is a way of trying to make sense of his own painful experience. He looks back on his childhood and chooses Berlioz's opera "The Trojans" for his mother; he includes, too, choices for his own children, who have widened his musical tastes, with Chopin and the grime artist Kano. He talks movingly about the death of his wife, the journalist Georgina Henry, and about the music which he listened to as she died - and which then gave him hope. Musical choices include Thomas Tallis, the Chieftains, Jessye Norman singing from Strauss's "Four Last Songs", and Bon Iver.A Loftus production for BBC Radio 3 Produced by Elizabeth Burke.

Thirty years ago, Vesna Goldsworthy fell in love with a young Englishman she met at a summer school in Bulgaria; she moved to England to be with him, much to the disapproval of her parents, arriving in London in 1986. Since then, she's established a reputation as a writer of great wit and originality: with her memoir, Chernobyl Strawberries; with her poetry; and in 2015 with her first novel, Gorsky, which became a best-seller and which was serialized on Radio 4. Vesna Goldsworthy is also a Professor of Creative Writing at the University of East Anglia. In Private Passions, Vesna Goldsworthy talks to Michael Berkeley about being brought up in Belgrade during the Communist regime. The popular idea is of an era which was grey and philistine - but in fact there was a huge amount of classical music around. And when she moved to England, her friends and family were horrified. They asked, "How could you move to a country where there is no music"? She reveals why she started writing a memoir of her Serbian childhood: because her doctors told her she was dying of cancer, and she wanted to leave a record for her son. Happily, the cancer was cured, but it taught her a lifelong lesson: not to take life too seriously. Vesna Goldsworthy's music choices include the Romanian-Serbian composer Ion Iovanovici; an Orthodox address to the Virgin by Divna Ljubojevic; the Sephardic song, "Adio Querida", by Yasmin Levy; and a popular Russian song from the Second World War. She ends with Purcell, a composer she discovered only after she moved to a country "with no music". Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Allan Corduner is an astonishingly versatile actor, equally at home in the West End, on Broadway, in television series such as Homeland, or in films like Yentl, Florence Foster Jenkins, and Mike Leigh's Topsy-Turvy, in which he played the composer Sir Arthur Sullivan, perfect casting for an actor who is also an accomplished pianist. He talks to Michael Berkeley about his favourite music, with pieces by Scriabin, Sibelius, and Bruch that reflect his Russian, Finnish and Jewish heritage. And Allan chooses piano music by Schubert, which he loved playing as a child, and his favourite recording of Bach's Goldberg Variations, with Glenn Gould.Producer: Jane Greenwood A Loftus production for BBC Radio 3.

As part of Radio 3's Why Music? The Key to Memory weekend, Michael Berkeley talks to the psychiatrist Sir Simon Wessely. Professor Sir Simon Wessely is one of our most eminent psychiatrists: until recently the President of the Royal College of Psychiatrists, he is the current president of the Royal Society of Medicine, and Regis Chair of Psychiatry at King's College London. An interest in unexplained symptoms and syndromes has led to many years of research in areas such as Chronic Fatigue and Gulf War Syndrome. Simon talks to Michael about the powerful relationship between music and memory, his decision to study medicine rather than history, and how playing the flute once got him out of a tricky situation at Tel Aviv airport. He chooses violin music by Brahms and Dvorak for his parents, shares his love of opera with music by Puccini and Mozart, and tells Michael about his other passion - musical theatre. Producer: Jane Greenwood A Loftus production for BBC Radio 3.

As part of the BBC's opera season, designer Hildegard Bechtler talks to Michael Berkeley about her favourite music and some of the twenty-seven operas she has worked on all over the world.Hildegard is one of our most prolific and successful theatre and opera designers. Born in Germany, she moved to Britain aged eighteen, and very quickly established herself first in film, then in theatre and opera. Her style combines wit and invention to deliver minimalist style with maximum impact. She has designed for every major theatre and opera company including the Royal Opera, ENO, Glyndebourne, and the Royal National Theatre. And the international nature of her work is typified by one of her most recent productions - Thomas Adès's new opera The Exterminating Angel - staged in Salzburg, Copenhagen, Covent Garden, and the Metropolitan Opera in New York. Hildegard chooses music from two operas she has worked on, The Ring Cycle and The Damnation of Faust; a Burns song which reminds her of her love of Scotland and her husband, the actor Bill Paterson; and a piece by her namesake, Hildegard of Bingen.Producer: Jane Greenwood A Loftus production for BBC Radio 3.

Maurice Riordan is a poet much preoccupied with time - how time suddenly stands still, or speeds up, or loops you back in dreams to childhood - in his case, to the countryside of County Cork where he grew up. It's a theme he's explored in four prize-winning collections of verse, alongside translations and a series of anthologies - including an anthology of very early Irish poetry, scribbled by Irish monks in the margins of Latin texts. In his day job, he's professor of poetry at Sheffield Hallam University and was until recently editor of Poetry Review. In Private Passions, Maurice Riordan talks to Michael Berkeley about his childhood in the "horse-drawn, candle-lit" Irish countryside and the music which inspires him, beginning with the Gregorian Chant he heard as a young altar boy. We hear the haunting unaccompanied voice of the traditional Irish singer Darach Ó Cathain, and of the Traveller and banjo player Margaret Barry. Other choices include Debussy, Piazzola and Samuel Barber. Ian Bostridge sings an aria from Monteverdi's Orfeo, begging the boatman Charon to carry him to the underworld: a metaphor, Riordan believes, for what poets do. They take you, he claims, deep down into the underworld of the unconscious. To illustrate this, he reads "The January Birds", a poem about hearing birds singing in a local cemetery:The birds in Nunhead Cemetery begin Before I've flicked a switch, turned on the gas. There must be some advantage to the light I tell myself, viewing my slackened chin Mirrored in the rain-dark window glass, While from the graveyard's trees, the birds begin...Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Stephen Poliakoff made his mark as a playwright very early; he began writing plays as a schoolboy and got first review in The Times when he was only seventeen. At the age of twenty-four he became writer in residence at the National Theatre and he's also written for the RSC. But it's as a television scriptwriter and director that Poliakoff is now best-known, with series such as "Shooting the Past", "Dancing on the Edge" and recently, "Close to the Enemy". Some of our very greatest actors - Maggie Smith, Lindsey Duncan, Timothy Spall - have queued up to work with him time and again. There have been nineteen television dramas and films to date, broadcast over the last forty years, and though they all have different settings, there's a strong atmosphere in common. Filmed in strange dream-like locations - old train carriages, empty country houses, abandoned ballrooms - they explore how the past haunts the present. And in particular, family secrets. Poliakoff claims that every family has at least three good stories in it; and his certainly has more than its fair share. In Private Passions he tells Michael Berkeley about how his father witnessed the Russian Revolution as a boy, and reflects on the influence of Russian culture on his childhood. He talks too about the importance of trying to observe life with the fresh curiosity of a child, and how his films capture a child's-eye view. Music choices include Mozart's Concerto for Flute and Harp; Bach's Cantata "O Jesu Christ, mein Lebens Licht"; Haydn's Symphony No 49 and Michael Tippett's Concerto for Double String Orchestra. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Sebastian Barry's great-grand-father was a traditional Irish musician, who played on the wooden flute and piccolo. His mother was an actress at the Abbey Theatre in Dublin; his aunt Mary O'Hara had a huge career as a singer and harpist with her own series on the BBC. Little surprise then that Sebastian Barry's writing is musical in the widest sense; full of the rich music of everyday speech. It's an impressive body of work: fourteen plays, two volumes of poetry, and nine novels. Two of his novels, "The Secret Scripture" and the latest, "Days Without End", have won the coveted Costa Book of the Year prize. When he thanked the judges earlier this year, Barry declared: "You have made me crazy happy from the top of my head to my toes in a way that is a little bit improper at sixty-one."In Private Passions, Sebastian Barry talks to Michael Berkeley about the "gaps" in Irish history he has explored in his books: areas which are touchy, taboo, and perhaps deliberately forgotten now, such as the fate of those who were Catholic, but loyal to Britain. He reveals too that his latest novel, a love story between two young soldiers, was inspired by his son coming out as gay. Music choices include Bruch's Violin Concerto; Handel's "Judas Maccabaeus"; Alfred Deller singing "Three Ravens"; Bach's Cello Suites; and his aunt Mary O'Hara singing a song written by Sebastian Barry's own mother. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Michael Craig-Martin is one of our most influential artists, celebrated for his huge black and white wall drawings and intensely coloured paintings of everyday objects, as well as his installations, sculpture, and computer-generated works. A pioneering conceptualist, he's always provoking questions about what we understand to be art.Born in Dublin in 1941, Michael Craig-Martin grew up in the United States but returned to Britain in the 1960s where he's lived and worked ever since. He's had numerous solo exhibitions and his work is in national collections worldwide. He is Emeritus Professor of Fine Art at Goldsmiths, having taught there for over four decades, and he's been nicknamed 'the godfather of the Young British Artists', who include Damien Hirst, Gary Hume and Sarah Lucas.He received a CBE in 2001 and was knighted in 2016.Michael Craig-Martin talks to Michael Berkeley about the parallels between his art and the music he loves, including Satie, Bach, the Dutch composer Simeon ten Holt, and he reveals his long-standing passion for opera. Producer: Jane Greenwood A Loftus production for BBC Radio 3.

Dame Vivien Duffield is one of our leading philanthropists, and her passion for the arts - and particularly opera - is reflected in her giving. Her Foundation, the Clore Duffield Foundation, has supported the Royal Opera House, the Tate, the Royal Ballet, the British Museum, the Natural History Museum, Dulwich Picture Gallery, the Southbank Centre and The National Children's Museum. It all amounts to more than 200 million pounds over the last fifty years. In 2008 the Prince of Wales presented her with one of the first medals for arts philanthropy.In Private Passions Dame Vivien talks to Michael Berkeley about why it's important to give money to the arts in this country, and about the legacy of her extraordinary family. Her father, the businessman Sir Charles Clore, was brought up poor in East London - but ended up a millionaire property developer and owner of Selfridges. Despite his own success, he was determined that his daughter should never go into the business, a job not at all suitable for a woman. But he did take her to concerts and the opera, and ignited Dame Vivien's passion for the arts. Dame Vivien's choices capture key performances she's been lucky enough to see: Edif Piaf, for instance, on the Paris stage, "tiny, in a little black slip dress, virtually carried on to the stage." She saw Callas too, and Placido Domingo, in a disastrous first night at the Royal Opera House when he kept sliding down the vertiginous slate set. Other music choices include Richard Strauss's Alpine Symphony; Wagner's Parsifal; and Ravel's Kaddisch sung by Jessye Norman. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Nick Davies is an expert in the art of deception - as practised by the cuckoo. He has spent his career studying that deceiving, murderous bird, and living in woods and wild gardens, even up in a mountain hut in the Pyrenees. He's a hugely influential scientist: since the late 1970s he's really helped define the field in behavioural ecology, and he's Professor of Behavioural Ecology at the University of Cambridge and a fellow of Pembroke College. But really, as he tells Michael Berkeley, he's happier not sitting in a library, but roaming the fens. In Private Passions, Nick Davies reveals what he's learned about bird behaviour, and how birds use song to compete and, sometimes, collaborate to sing duets. He explains how some birds sing in poetry, some in prose; and why the blackbird in your back garden is a better songster than the nightingale. Music choices reflect his passion for the beauty of the natural world: Beethoven's Pastoral Symphony, for instance, Vaughan Williams's Lark Ascending, and songs by Herbert Howells and Samuel Barber about the transformative power of nature. We also hear the song of larks, nightingales, blackbirds, pink-footed geese - and the croaking of natterjack toads. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

A chance to hear a programme recorded in 2017 with Michael Berkeley talking to the children's author Shirley Hughes, who died in February this year. On her ninetieth birthday, Shirley Hughes, the creator of many of our best-loved and most enduring children's books, talked to Michael Berkeley about her musical passions. In a career spanning nearly 70 years, Shirley wrote as many books and illustrated nearly two hundred. She was the first winner of the Book Trust Lifetime Achievement Award, twice won the Kate Greenaway Medal, and was awarded a CBE for services to literature. Her picture books have an enduring appeal with their sympathetic but unsentimental depiction of the small dramas and joys of family life. Shirley Hughes chose music by Scriabin, Mozart, Beethoven and The Beatles - who reminded her of her roots in Liverpool and share her love of storytelling.Producer: Jane Greenwood A Loftus production for BBC Radio 3.

Dan Pearson discovered his passion for gardens very young, building landscapes for his toy trolls out of stones. He's now one of our most influential landscape designers, with work ranging from private gardens around the world - including Chatsworth - to the 600-acre Tokachi Forest Garden in northern Japan, and gardens in Manchester and London for the Cancer charity Maggie's. He's written five books, presented several television series, and exhibited at Chelsea six times, winning awards each time - last time, for Best in Show. He's known for his painterly naturalistic planting, or to put it more simply, he likes to create landscapes which look wild, and ancient. He says, "the way I garden is to let things go almost to the brink of being lost".In Private Passions, Dan Pearson talks to Michael Berkeley about his love of wild plants, and the influence of a very neglected garden of a house he lived in as a child. He reveals how his gardens for cancer patients and his encounters with the people he's met there have changed his sense of what a garden means. He talks too about the way in which music inspires his landscape designs; he loves music which creates a sense of wide open space. Choices include Estonian composer Arvo Pärt; 12th-century polyphony; Spanish guitar music; the Bulgarian Trio Bulgarka and Moondog. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Lindsey Davis is best known for her series of historical crime stories about a laid-back amateur sleuth called Marcus Didius Falco. Set against the turmoil of the 1st-century Roman Empire, the books are witty, gritty and hugely entertaining. She's also written stand-alone novels about Ancient Rome, and about the English Civil War.The recipient of many awards, including the Crime Writers' Association Diamond Dagger for Lifetime Achievement, Lindsey writes a book a year, but has still found time to be the Chair of the Society of Authors and Honorary President of the Classical Association. Lindsey talks to Michael Berkeley about her introduction to music as a schoolgirl in Birmingham, her passion for symphonic music and her decision to introduce a new, feisty female protagonist to succeed her beloved Falco.Her music includes works by Schubert, Tchaikovsky and Dvorak and - appropriately - Berlioz's Roman Carnival Overture.Producer: Jane Greenwood A Loftus production for BBC Radio 3.

As part of Canada 150, a week of programmes marking the 150th anniversary of the founding of the nation, Michael Berkeley talks to Canadian novelist Madeleine Thien.Born in Vancouver, she is the daughter of Malaysian-Chinese immigrants to Canada and her writing explores the history of the Asian diaspora. She is the author a short story collection 'Simple Recipes' and the novels 'Certainty', 'Dogs at the Perimeter' and 'Do Not Say We Have Nothing' -about musicians studying Western classical music at the Shanghai Conservatory in the 1960s and about the legacy of the 1989 Tiananmen demonstrations. It was shortlisted for the Man Booker Prize and won the Scotiabank Giller Prize 2016 and the Governor General's Award 2016. Her books and stories have been translated into 23 languages.Madeleine talks to Michael about the history of Western of classical music in China and its suppression during the Cultural Revolution. Countless instruments were destroyed, including more than 500 pianos at the Shanghai Conservatory. The bravery of its director, He Luting, a Debussy scholar, in resisting the Red Guards was an inspiration to her as she wrote the book and she chooses a piece of his music.She tells Michael how her love of music was reborn as she listened to Bach whilst writing Do Not Say We Have Nothing, and we hear Bach's music played by the Chinese pianist Zhu Xiao Mei. She also chooses music from fellow Canadians Glenn Gould and Leonard Cohen. Producer: Jane Greenwood A Loftus production for BBC Radio 3CANADA 150: a week of programmes from across Canada, marking the 150th anniversary of the founding of the nation and exploring the range and diversity of Canadian music and arts.

Michael Berkeley talks to Patsy Rodenburg, the most highly acclaimed voice teacher of her generation, about the music she loves. Patsy Rodenburg has worked with pretty much every actor you can name, including Judi Dench, Ian McKellen and Daniel Day Lewis. They all testify to the huge impact she has had on their careers and performances. Among the many companies she's worked with all over the world are the Royal National Theatre and the Royal Shakespeare Company, and she continues to teach drama students, as she has done for more than 20 years, at the Guildhall School of Music and the Michael Howard Studios in New York.Patsy tells Michael about her passion for helping everyone - actors, singers, children, business leaders and even prisoners - find their own natural, strong voice, a frequently moving and liberating experience. Among her choices is music by Sibelius, Strauss, Bach and Philip Glass.Producer: Jane Greenwood A Loftus Production for BBc Radio 3.

Nishat Khan is one of India's finest musicians; born into a dynasty of famous sitar players, he first went on stage with his father and uncle when he was only seven. Since that first appearance in Calcutta in the 1970s, he has performed worldwide, collaborated with all kinds of musicians, from Philip Glass to Gregorian choirs to Django Bates, and composed both for the BBC Proms and for Bollywood films. He's here in Britain to appear at the Aldeburgh Festival this June, fresh from recording the soundtrack to a Bollywood movie. In Private Passions he talks to Michael Berkeley about the musical family he grew up in - he started playing the sitar before he could even walk. He explores too the spiritual meaning of music within this tradition and its power to reveal the voice of God. And he shares his excitement at discovering Western classical music, still very much a minority taste in India. Nishat Khan's choices include Bach's B Minor Mass; Bruckner's 8th Symphony; Mozart, Manuel de Falla; Britten's "Sea Interludes"; and sitar music played by his father and uncle. Produced by Elizabeth Burke A Loftus Production for BBC Radio 3.

Michael Berkeley talks to the award-winning theatre director Ivo van Hove about his musical passions.The director of Amsterdam's prestigious Toneelgroep theatre, Ivo works all over the world, notably with the New York Theatre Workshop and at the Barbican in London. Equally at home with Sophocles, Shakespeare and contemporary American drama, he won huge acclaim for his stripped-back production of Tony Kushner's Angels in America, and his recent A View From The Bridge with the Young Vic won, among many other awards, two Oliviers and two Tonys.Ivo talks to Michael Berkeley about working with David Bowie on his musical Lazarus; about the close working and personal relationship with his partner, the designer Jan Versweyveld; and the dramatic decision he made to leave law school at the age of 20 to pursue a life in theatre. His musical choices reflect the emotional intensity and sparse aesthetic of his directing style, with pieces by Brad Mehldau, Webern and Ligeti, as well as songs by Rufus Wainwright and Joni Mitchell. Producer: Jane Greenwood A Loftus production for BBC Radio 3.

Bettany Hughes talks to Michael Berkeley about the music that's shaped her family life, and the music she's come to love during her travels as a historian.Bettany has more than 50 radio and television documentaries to her name, many about ancient history and she's also a prolific writer, a Research Fellow at King's College London and has been honoured with numerous awards including the Norton Medlicott Medal for History and the Fem 21 International Journalism Award for her 'exceptional contribution to the international coverage of the place of women in societies past and present'.She's the author of three bestselling books, the latest of which is 'Istanbul', a decade in the making and over 800 pages long, which brings to life 3000 years of action-packed history in that great city.She talks to Michael about the importance of visiting the places she writes about and the joy of discovering music such as shepherds' calls in Greece and gypsy music in Istanbul. Bettany's interest in women's history is reflected in music by a 9th-century female Byzantine composer, and Purcell's Dido and Aeneas. And she tells a touching musical story which shaped the history of her own family.Producer: Jane Greenwood A Loftus production for BBC Radio 3.

Jane Goodall was only twenty-four when in she went to live among the chimpanzees of Gombe National Park in Tanzania, and she went on to spend more than 55 years there. She has done more than anyone else to transform our understanding of chimpanzees - and beyond that, her work has raised questions about how we treat these highly intelligent primates, and indeed about the rights of all animals. Now in her early eighties, she's on an extraordinary mission travelling round the world to protect chimpanzees from extinction.During a rare stay in Britain, Jane Goodall talks to Michael Berkeley about her life and ground-breaking discoveries. She reveals that the chimpanzees she lived with also had a darker side, and were sometimes violent, stamping on her. She remembers difficult times after the kidnapping of some of her workers, and the death of her second husband - and how music sustained her, and transformed her view of the world.Music choices include Beethoven, Bach, Schubert, Mendelssohn's Violin Concerto and Richard Burton reading the Dylan Thomas classic "Under Milk Wood'. She also introduces some very excited chimpanzee speech, and speculates about what kind of music chimpanzees enjoy.

Gabriele Finaldi, the Director of the National Gallery, talks to Michael Berkeley about his artistic and musical passions.When Gabriele Finaldi took up his post as Director of the National Gallery in the summer of 2015, one of the first things he did was to install a piano in the corner of his office. He grew up in a musical household in Catford in South East London, the son of a Neapolitan father and half-Polish, half-English mother. Early in his career he was a curator at the National Gallery, specialising in Italian and Spanish paintings and he was involved in major and memorable shows such as Seeing Salvation and Discovering the Italian Baroque. In 2002 he was appointed Deputy Director of the Prado in Madrid, where he worked until his return to the National Gallery. Gabriele takes Michael on a musical and artistic journey though Britain, Italy, France and Spain and chooses music by Ravel, Messiaen, Puccini and Britten, as well as a 17th-century Neapolitan serenade and a spine-tingling piece of flamenco. Producer: Jane Greenwood A Loftus production for BBC Radio 3.

It's not easy starting out to make a living as a writer, and A.L. Kennedy began with one of the most challenging jobs ever: as a puppeteer and clown, chasing children around a field in Fife with a loud horn. Thankfully it didn't take long before she left the day job behind and established her reputation as one of our most original voices, the author of 17 books - novels, short story collections, non-fiction - and talks and plays for stage, radio and television. She's also, on and off, a stand-up comedian - so that early training as a clown wasn't wasted. In Private Passions she tells Michael Berkeley about growing up in Dundee, and discovering that she could escape on the overnight bus to Stratford and the theatre, which made everything in life more bearable, more alive. Glenn Gould is one of Kennedy's heroes, and we hear him playing Bach; but we also hear Gould's speaking voice in a radio documentary about the Canadian North. Other choices include the Venetian baroque composer Franceso Cavalli, and Josquin des Prez. We hear John Adams too, with a yearning love aria, and a commemoration of Auschwitz composed by the New York Jewish composer Osvaldo Golijov. There's Gaelic folk music to end, re-interpreted by a group of contemporary Scottish singers. So, a wonderfully eclectic list of choices, and - we clear up the mystery of her name, and find out why Alison Louise Kennedy became "A.L. Kennedy".Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Over the last 20 years Mark Padmore has established a reputation as one of Britain's most outstanding tenors. His performances combine emotional power with intellectual rigour; and he's not afraid to take risks by appearing in challenging new productions. He travels the world performing repertoire that includes Schubert lieder, Handel and Harrison Birtwistle, and many leading contemporary composers have written pieces especially for his voice. What makes Mark Padmore especially fitting as an Easter guest for Private Passions is his mastery of the role of the Evangelist in Bach's St Matthew and St John Passions. In Private Passions he talks to Michael Berkeley about why there is always something new to discover in Bach's Passions, and reflects on the extraordinary fact that Bach himself only heard the St John Passion four times. He reveals - and sings - his favourite, haunting lines of Schubert. He introduces us too to other composers whose work excites him; we hear songs by John Cage and Ryan Wigglesworth and an exuberant percussion piece by the Serbian composer Nebojsa Zivkovic. And Padmore confesses that if he hadn't been a singer, he would have liked to be ... a thatcher. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Michael Berkeley talks to the director Thomas Ostermeier about his musical passions.Thomas is the outstanding German theatre director of his generation, known for his gritty realism, and for working with a close and consistent ensemble of actors. He's been a champion of young British playwrights such as Sarah Kane and Mark Ravenhill, as well as a radical interpreter of the classics.In 1999 - at the age of only 32 - Thomas was made Director at Berlin's prestigious Schaubühne Theatre, and his productions are staged and celebrated world-wide. He was awarded a Golden Lion for Lifetime Achievement at the 2011 Venice Biennale. In London he's developed a close and productive relationship with The Barbican. No one who has seen it will ever forget his celebrated production of Hamlet, a truly visceral experience, with blood, drunkenness and actors rolling around in - and even eating - the soil that covered the stage.Thomas chooses music by 20th-century composers including Shostakovich, Bartok, John Adams, and John Cage and he talks to Michael about his passion for Shakespeare, how he chooses music for his productions, and how difficult it is to get his actors to keep their clothes on. Producer: Jane Greenwood A Loftus production for BBC Radio 3.

Juliet Nicolson's childhood was dominated by secrets. She spent a lot of time - she now confesses - listening at doors, picking up the telephone and holding her breath so that nobody knew she was there. At one point she even cut a hole in her bedroom floor to spy on her mother. It was certainly a family where there were all sorts of complicated things going on. Juliet's grandmother was Vita Sackville-West; her grandfather Harold Nicolson; and her father, the publisher and writer Nigel Nicolson. Juliet Nicolson herself is the author of two works of history, one about living in the Shadow of the First World War, and the other, a study of the summer of 1911, "The Perfect Summer". She's also written a novel about the abdication of Edward VIII and most recently, a memoir, "A House Full of Daughters".In Private Passions, Juliet Nicolson talks to Michael Berkeley about how her childhood was actually the perfect training for a historian. She reflects on time, and her method as a historian of freezing time, focussing on a single summer for instance. She remembers her grandmother Vita, and discusses her brave decision to be honest about her alcoholism, and how giving up drinking gave her a new sense of clarity, and a second chance at life. Music choices include Bach, Beethoven, Handel, Dory Previn, Gershwin, and Joe Dassin. Produced by Elizabeth Burke. A Loftus production for BBC Radio 3.

Thirty years ago, Vesna Goldsworthy fell in love with a young Englishman she met at a summer school in Bulgaria; she moved to England to be with him, much to the disapproval of her parents, arriving in London in 1986. Since then, she's established a reputation as a writer of great wit and originality: with her memoir, Chernobyl Strawberries; with her poetry; and in 2015 with her first novel, Gorsky, which became a best-seller and which was serialized on Radio 4. Vesna Goldsworthy is also a Professor of Creative Writing at the University of East Anglia. In Private Passions, Vesna Goldsworthy talks to Michael Berkeley about being brought up in Belgrade during the Communist regime. The popular idea is of an era which was grey and philistine - but in fact there was a huge amount of classical music around. And when she moved to England, her friends and family were horrified. They asked, "How could you move to a country where there is no music"? She reveals why she started writing a memoir of her Serbian childhood: because her doctors told her she was dying of cancer, and she wanted to leave a record for her son. Happily, the cancer was cured, but it taught her a lifelong lesson: not to take life too seriously. Vesna Goldsworthy's music choices include the Romanian-Serbian composer Ion Iovanovici; an Orthodox address to the Virgin by Divna Ljubojevic; the Sephardic song, "Adio Querida", by Yasmin Levy; and a popular Russian song from the Second World War. She ends with Purcell, a composer she discovered only after she moved to a country "with no music". Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Petina Gappah grew up in Zimbabwe during segregation, when black girls were not thought worthy of education. Despite this, she became a lawyer and was awarded law degrees from the University of Zimbabwe and then Cambridge, and Graz University in Austria. Moving to Geneva, she fought high-profile international cases. But all the time she had a secret life: she woke at 4am every morning to write. Petina Gappah's first short story was published online when she was 37 - and now, only 8 years later, there are two short-story collections, a novel, "The Book of Memory", several translations, with another novel in the pipeline. From the start there has been a sense of a new voice arriving - Gappah's first book won the Guardian First Book Award. Her stories are set in Zimbabwe, and they're about crime and punishment, love and family, in a deeply corrupt and divided society.In Private Passions, Petina Gappah talks to Michael Berkeley about her childhood and the experiences which gave her such determination and drive. She discusses her determination to translate George Orwell into her first language, Shona, and what "Animal Farm" says to readers in Zimbabwe. She explores too her ambiguous relationship with her homeland, and what she feels about being called "the voice of Zimbabwe". Music choices include Verdi, Bob Dylan, Mahler's Piano Quartet in A Minor, and the Bhundu Boys.Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Crime-writer Peter Robinson tops the best-seller lists year after year, across the world; in fact his detective, DI Banks, is probably even better known than he is. DI Banks is a straight-talking Yorkshire-man with dodgy dress sense and a frustrated love life, and he's been solving murders in Yorkshire for some twenty years now. There are now twenty-three Banks novels, and several series on television with Stephen Tompkinson in the title role. So DI Banks is hugely popular, and central to his character is that he constantly listens to music - in the car, at home, in pubs. There's a memorable line where Robinson says of his detective - "He did his best thinking when he was listening to music and drinking wine." This, Robinson reveals, is autobiographical.In Private Passions, Peter Robinson talks to Michael Berkeley about how music inspires his best thinking and writing, and why he's on a mission to get all his readers listening to the music he loves. He even creates online playlists of the music his detective listens to - including some of the music he chooses in Private Passions. Choices include Poulenc's Sextet for Piano and Wind, Beethoven's String Quartet in C sharp minor, Takemitsu, Miles Davis, and one of Schubert's last piano sonatas. Perhaps it's no surprise that he's drawn to last works - as a crime writer, his books begin with murder. Robinson confesses though that he regrets the increasing violence of the genre, and thinks the TV adaptations of his work go too far. And he reveals why Yorkshire is always the best place to hide a body.Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Sarah Lucas burst onto the art scene in the early 1990s, one of the wildest and most provocative of the Young British Artists. Her work was challenging, bawdy, revolutionary: her first solo show in 1992 was called "Penis Nailed to a Board". She challenged macho culture with sculptures such as "Two Fried Eggs and a Kebab" in which she constructed a naked female body - from a table, two eggs, and a kebab. Lucas makes sculptures from worn-out furniture, stuffed tights, fruit (particularly bananas), and cigarettes - she's a passionate smoker. In 2015 she represented Britain at the Venice Biennale, and the centrepiece with a massive yellow sculpture named after the footballer Maradona - part man, part maypole, with dangling breasts and a nine-foot phallus.In Private Passions, Sarah Lucas looks back on the wild days of the 90s, and her upbringing in North London "a childhood completely without ambition". She talks about leaving school at 16, becoming pregnant, but then deciding not to keep the baby; and how that decision enabled her to know clearly what she wanted to do with her life. She reflects on how the central relationships in her life lead to artistic collaboration - with her partner, the composer Julian Simmons, and with her girlfriends, whose lower bodies she cast in plaster. And Sarah Lucas reveals that the wild London party girl is now happiest in Suffolk, living at the end of a country lane, and listening to Benjamin Britten. How seriously are we supposed to take her work? "Just because you're funny doesn't mean you can't be serious too." Sarah Lucas's music choices include Purcell's King Arthur; songs by Benjamin Britten and Ivor Gurney; and music by her partner Julian Simmons.Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Stephanie Flanders is familiar to most of us from the years she spent as the BBC's Economics Editor, untangling graphs and statistics and treasury policies with great clarity and cheerful common sense. She left the BBC in 2013 and is now chief market strategist for Britain and Europe at JP Morgan Asset Management. But she's also the daughter of the late Michael Flanders, of Flanders and Swann, the writer of so many memorable comic songs - like "Mud, Mud, Glorious Mud".Michael Flanders died when Stephanie was only six, but she remembers the pleasure of pushing him around in the wheelchair he used after catching polio as a student. And because she didn't know him for long, she has spent time researching his life, combing through boxes in the garage, and re-discovering her father through his music. Music choices include some of her father's favourite songs, including a little-known song about gluttony which is a protest against the cruelty of foie gras. She includes too Glenn Gould's recording of a Haydn Piano Sonata which kept her going through long nights in Washington when she was writing speeches for Bill Clinton. The speeches were about impending financial crisis and, as an economist, Stephanie has weathered many financial crises, able to unpick the deepest workings of both the Treasury and the City and explain them to a mass audience. She is not afraid to shake up the status quo: an unmarried mother, she challenged David Cameron on tax breaks for married women, and her blog speaks out about "the over-mathematization of economics at the expense of common sense". The programme ends with a preview of a new recording of Donald Swann's "Bilbo's Last Song", setting words by Tolkien.Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Philippe Sands is a human rights lawyer who recently won the biggest non-fiction prize in the UK, the £30,000 Baillie Gifford Prize, for his book "East West Street: On the Origins of Genocide and Crimes Against Humanity". It's the story of two leading lawyers fighting for justice after the Second World War in the Nuremberg trials - and a third man, Hitler's lawyer, who was personally responsible for the murder of millions. It's a detective story too, in which Sands tries to discover the identity of the mysterious "Miss Tilney" who rescued his mother Ruth as a baby, and managed to smuggle her out of Vienna to safety in London in 1939. In Private Passions, Philippe Sands talks to Michael Berkeley about the strange gaps in his family history, the secrets which impelled him to begin a seven year quest. He reveals the music that kept him going, songs he listened to daily, and how Bach's St Matthew Passion, which he's always loved, became intensely troubling for him to listen to when he discovered that Hitler's lawyer also adored it. Music choices include Mahler's 9th Symphony; Keith Jarrett; Bach's St Matthew Passion; Rachmaninoff; kora music from Senegal; and the Leonard Cohen song with Sands' favourite line: "There is a crack in everything - that's how the light gets in.".

Dr John Sentamu, Archbishop of York, is a special guest for Christmas Day.In Private Passions, he talks to Michael Berkeley about being the middle child of thirteen children, in Uganda. His father had a small gramophone and they all learned to sing Handel's Messiah with great gusto. John Sentamu practised as a lawyer and was a judge in the country's High Court by the age of 25, but when Idi Amin came to power the rule of law collapsed. Sentamu was imprisoned and tortured; "it was not so much a prison as a killing field". He heard his friends being shot. He talks movingly about how his Christian faith never wavered during his imprisonment and miraculous escape. He came to Britain in 1974 and trained as a priest, spending most of his career in some of the most deprived areas of London. Dr Sentamu became Bishop for Stepney and then Bishop for Birmingham; he was appointed Archbishop of York in 2005. Poverty and social inequality has always been at the heart of his Christian mission; he strongly believes he has a political role and a duty to speak out in a divided society. He talks too about his involvement in the campaign against knife crime in Birmingham, and being taken blindfolded to visit gang leaders. Dr Sentamu was Adviser to the Stephen Lawrence Judicial Inquiry and he chaired the Damilola Taylor Murder Review. Archbishop Sentamu reveals the music which has sustained him through an extraordinary and challenging life: Elgar's Cello Concerto, for instance: the Archbishop played the Jacqueline du Pre recording on the hour every hour from 6am to 6pm at York Minster for a week as part of a Vigil of prayers for peace. He introduces music from his local church in Uganda; and the choir of York Minster singing the Archbishop's favourite carol: "Hark the Herald Angels Sing". The programme ends with Ralph Vaughan Williams' Fantasia on Christmas Carols, as John Sentamu reflects on the great pleasures of Christmas - including his love of cooking. If all else fails, his children say, he could always open a restaurant. And his signature dish would be - brussels sproutsProduced by Elizabeth Burke A Loftus production for BBC Radio 3.

Royal Ballet Principal Edward Watson talks to Michael Berkeley about his life in dance and shares the music that has inspired him both professionally and personally.Known for his dramatic flair and astonishing dedication and stamina, he has become one of the Royal Ballet's best-known dancers, and has consistently championed new repertoire, working closely with many contemporary choreographers. Ed talks about his passion for creating new roles and his extraordinary creative partnership with Wayne McGregor, illustrated by music from Max Richter's Infra. His other music choices reflect the diversity of his career in dance - pieces by Schoenberg and Liszt from Macmillan ballets, and songs from Martha Wainwright, Bev Lee Harding and Concha Buika. And no ballet dancer's Christmas is complete without revisiting The Nutcracker. Producer: Jane Greenwood A Loftus Production for BBC Radio 3.

Chris Hadfield has described going into space as 'strapping yourself on top of what is essentially a large bomb'. He is one of the world's most respected astronauts, and his career has included Space Shuttle flights and helping to build the Mir Space Station, as well as serving as Director of NASA's operations in Russia and as Commander of the International Space Station during his final five-month mission. If that wasn't enough he's also a bestselling author and an accomplished musician - indeed he plays in an all-astronaut band. His cover of David Bowie's Space Oddity - which he recorded while orbiting the earth on the Space Station at over 17,000 miles an hour - has had more than 33 million Internet hits. Chris talks to Michael Berkeley about his route to the stars, about overcoming fear and extreme danger - and the difficulties of playing a guitar in zero gravity. He chooses music by Strauss, Rossini and Hans Zimmer, which he associates with particular space missions. He talks about his admiration for William Herschel, the eighteenth-century astronomer and composer. And an astronaut's Private Passions would not be complete without music from Holst's Planets Suite. Producer: Jane Greenwood A Loftus production for BBC Radio 3.