Private Passions

From concrete to chocolate and teacups to tennis racquets, it's the everyday stuff of life that fascinates Mark Miodownik. He's Professor of Materials and Society at University College London where he is also Director of the Institute of Making, a research hub for scientists, designers, engineers, artists, architects - and musicians. A passionate communicator about the vital role of science in society, he's written a bestselling book Stuff Matters; he's the scientist in residence on Dara O'Briain's Science Club on BBC2; and he's listed by The Times as one of the 100 most influential scientists in the UK.Mark is fascinated by how materials influence the way music sounds, and talks to Michael Berkeley about brass bands, tuning forks and how love can bloom over playing the saw. His musical choices include Bach, film music by Morricone, Scott Joplin and a little known piece for brass band by Holst.

National Trust Director General Helen Ghosh takes Michael Berkeley on a tour of Leith Hill Place, now a National Trust property but once the childhood home of Ralph Vaughan Williams.She chooses his Fantasia on a Theme by Thomas Tallis, as well as music by Britten, Mozart and Schubert. And her choice of Ravel reveals the alternative career she almost had - as a ballet dancer.

Miles Jupp burst onto the comedy scene when he won the 'So You Think You're Funny' contest at the Edinburgh Festival at the age of just twenty-one. He'd already, as an undergraduate, won the part of Archie the Inventor in the hugely popular children's television show Balamory, but he eventually tired of wearing a pink kilt. Since then he has established himself on the comedy circuit, and on radio and television in panel shows including Have I Got News for You, and comedies such as The Thick of It and Rev, where he plays Nigel, the disapproving lay reader, who thinks he should be running the church. He is usually to be found sending himself up as a tweedy, middle class young fogey. As he joked on a chatshow: "I'm privileged. Not just to be here but in general."Miles talks to Michael Berkeley about the joys of cricket, the pleasures of belting out a good tune and the legacy of an intensely musical childhood, reflected in his choices of music by Geoffrey Burgon, Chopin and Verdi.Produced by Jane Greenwood. A Loftus production for BBC Radio 3.To hear previous episodes of Private Passions, please visit http://www.bbc.co.uk/podcasts/series/r3pp/all.

Stephen Grosz waited until he was 60 to publish his first book, 'The Examined Life'. It was a huge overnight success - a bestseller here in Britain and translated into more than 20 languages across the world. It's a distillation of the lifetime he has spent as a psychoanalyst, tens of thousands of hours listening to people in hospitals, forensic clinics and in private practice. It reads like a collection of short stories, full of vignettes of memorable characters: the man who faked his own death, the pathological liar, the lovesick middle-aged woman who meets a man at a party - and turns up at his house the next week with a removals van to move in with him.In Private Passions, in conversation with Michael Berkeley, Stephen Grosz tells his own story: his childhood in Chicago, the son of immigrants who ran a grocery store; student days in radical Berkeley; and now, settled in Britain, how he's facing the challenges of fatherhood and ageing. Music has played an important part right from the beginning, and Grosz admits that his choice of music is very psychologically revealing.His musical choices include Scarlatti, Aaron Copland, Brahms's 3rd Symphony, gospel singer Bessie Jones, Schubert's Piano Sonata no 20, Bob Dylan - and a hilarious Alberta Hunter song about sex, My Handy Man Ain't Handy No More.Produced by Elizabeth Burke. A Loftus production for BBC Radio 3.First broadcast 03/08/2014To hear previous episodes of Private Passions, please visit http://www.bbc.co.uk/podcasts/series/r3pp/all.

Phyllida Law burst onto the stage in the mid 1950s and since then her career has spanned everything from the first British production of The Crucible, to musicals such as La Cage aux Folles and television including Dixon of Dock Green and Rumpole, not to mention a list of films as long as your arm, The Time Machine and The Winter Guest being just two.Alongside all that she's somehow managed to fit in bringing up her two highly successful daughters Emma and Sophie Thompson, both of whom have followed in her footsteps. Recently she's turned her hand to writing, and she talks to Michael Berkeley about her moving and funny memoirs of the years she spent looking after her mother and mother-in-law in their old age.Her music choices include Glenn Gould playing Bach, Schubert's Fantasia in F Minor and a joyous Malinese song introduced to her by her grandson which always gets her up and dancing.First broadcast 27/07/2014.

Biographer Richard Holmes shares his musical passions with Michael Berkeley, and his fascination with opium dreams, telescopes and balloons.Best known for his biographies of the Romantics - most notably Shelley and Coleridge - Richard Holmes has won just about every literary prize going.In recent years he has moved towards the history of science with his book The Age of Wonder, which was hailed widely as 'the non-fiction book of the year'.And his most recent book, Falling Upwards, all about the daring and frequently terrifying adventures of the pioneers of hot air ballooning, is just coming out in paperback.Richard's musical choices range from 13th century Gregorian chant and French pastoral songs to Bernstein by way of composer and astronomer William Herschel.Producer: Jane GreenwoodA Loftus production for BBC Radio 3.

As part of Radio 3's 'Music in the Great War' season, Michael Berkeley's guest is John Keane, who was appointed the official British War Artist during the first Gulf War. The job involved travelling with the British forces - a task he approached with enthusiasm, but also considerable apprehension. The paintings that came out of that conflict are now part of the permanent collection at the Imperial War Museum, along with an array of paintings from The First World War by artists including Paul Nash and Christopher R. W Nevinson.John talks to Michael about the role of the war artist and how it has changed since The First World War. He describes his experience of working on conflict zones, not just in The Middle East, but in Northern Ireland, Nicaragua and Angola too. What is it that a war artist can communicate that we can't see in photographs? His music choices include Bach, Beethoven and Britten, and the famous rendition of Star Spangled Banner by Jimi Hendrix at Woodstock in 1969, which uses amplifier feedback to convey the sounds of war. John also chooses 'the music they'll play in heaven', which for him is Dance IX from Philip Glass's In The Upper Room.Producer: Jo CoombsA Loftus Production for BBC Radio 3.

Holocaust survivor Eva Schloss shares her extraordinary life story with Michael Berkeley and reveals the music that has brought her comfort, that conjures memories, and that brings her joy.Eva Schloss was born into a happy middle-class Jewish family in Vienna in 1929, but her childhood came to an abrupt end when she was nine and had to flee with her parents and older brother to escape the Nazis.Before going into hiding in Amsterdam Eva's family befriended Anne Frank's family, and after the war, the Frank legacy was to play a large part in her life - Eva's mother married Otto Frank and Eva and her mother worked tirelessly to promote Anne Frank's legacy through her diary.Like the Franks, Eva's family was betrayed, and she and her mother were captured by the Gestapo on her 15th birthday and transported to the Birkenau concentration camp. They were two of only a few prisoners still alive when the camp was liberated in January 1945. Her beloved brother and father did not survive the neighbouring camp of Auschwitz.Somehow Eva learned to live alongside the memories of those terrible years and after the war rebuilt her life in England. Now in her 80s she tours the world spreading her message of reconciliation and hope, and in 2012 she received an MBE for her work with the Anne Frank Trust and other Holocaust charities.Eva's choices of music include Beethoven, Mendelssohn and Strauss, who take her back to her happy Viennese childhood, as well as music by Mahler through which she recalls the pain of her teenage years.Produced by Jane Greenwood.A Loftus production for BBC Radio 3.

Nitin Sawhney is a multi award-winning musician, producer and composer. With nine studio albums to his credit, he has collaborated with the likes of Paul McCartney, Joss Stone, Sting and Nelson Mandela, and has composed over 40 film and television scores, including for the BBC series Human Planet. In his own work he combines the musical traditions of East and West, and composes for a wide variety of different art forms. He has collaborated with the legendary theatre company Complicite, the dancer and choreographer Akram Khan and more recently has written scores for video games. His passion for diversity is reflected in his musical choices which include Ravi Shankar's Kafi Holi, flamenco guitarist Paco de Lucia's Guajiras de Lucia and Debussy's ground-breaking Prélude à l'après-midi d'un faune. As well as being a composer, Nitin is a virtuoso performer on both guitar and piano and we hear the pieces he practises every morning, including Chopin's Fantaisie Impromptu and Bach's Keyboard Concerto No.1 in D minor. This year Nitin Sawhney turns 50 and after a period of personal loss, including the death of Ravi Shankar, he discusses the impact this has had on his life and work.Producer: Hilary Dunn.

Assyriologist Irving Finkel talks to Michael Berkeley about his passion for clay tablets, chamber music, and Jimi Hendrix.Irving Finkel is one of the world's leading experts in the world's oldest, and most impenetrable, system of writing - cuneiform.Because the scribes of Ancient Mesopotamia imprinted cuneiform with a stylus into clay tablets, lots of it has survived, and indeed Irving Finkel has spent the past 45 years delighting in the company of more than 130,000 cuneiform tablets at the British Museum. But one day a member of the public brought in a clay tablet which changed his life - it was a 4000-year-old blueprint for Noah's Ark - a thousand years older than the story in the Bible.Irving is also passionate about music - particularly old recordings - and his choices include string quartets by Schubert and Dvorak, 1930s blues and a blast of Jimi Hendrix.Producer: Jane Greenwood.

Nearly 30 years ago Emma Bridgewater, a young English graduate, went shopping for a cup and saucer for her mother's birthday present. She couldn't find anything she liked - so she designed one herself, and enjoyed the process so much that she installed a kiln in her London flat. That small kiln has grown into a company with an annual turnover of 11 million pounds - and has revitalised the old potteries industry of Stoke-on-Trent. Her teapots and mugs covered in polka dots, hens, dogs and birds have become a staple of the middle class kitchen, symbols of cosiness and comfort.In Private Passions, Emma Bridgewater talks to Michael Berkeley about our yearning for home - all the more intense as working lives become overwhelmingly demanding. She reveals the tragedy at the heart of her life - her mother's riding accident, which left her gravely brain-damaged but still alive, for 22 years. Under the pressure of that sorrow, Emma Bridgewater describes how work became a marvellous escape. She chooses music to remind her of her mother, and which consoled her after her mother's death last Christmas. She talks too about the adventure of setting up her business in Stoke-on-Trent, bringing derelict factories back to life - but missing her four children as she spent hour upon hour on the road.Her music choices include Pergolesi, Purcell, Kurt Weill, Boccherini, a carol by Benjamin Britten - and the UK Theme Tune, which used to start the day on Radio 4 as she was getting up early to begin work.Produced by Elizabeth Burke. A Loftus production, for BBC Radio 3.

Lady Hale is a trailblazer. 30 years ago, she was the first woman to be appointed to the Law Commission (and the youngest person there); 10 years ago, she was the first female judge to be appointed to the Appellate Committee of the House of Lords (as Baroness Hale of Richmond) and there hasn't been another woman appointed since. Last year she was appointed as the Deputy President of the Supreme Court. Where she is still the only woman! Her judgments have changed family and equality law in this country; and despite her eminent role she remains outspoken about domestic violence, women in prison, and the rights of children.In Private Passions, she talks about her upbringing in Yorkshire, one of three daughters ? and about being in such a minority when she began to study law. Lady Hale chooses music which connects with her professional life: operas about crime, punishment and injustice (Beethoven's Fidelio and Britten's Billy Budd). She talks about how she'd like to change the law on divorce, and why she loves Mozart's The Marriage of Figaro. She discusses the conflict between reason and emotion in her work, and reveals that she is haunted by certain cases from the past. And she reflects on the way her judicial role has revealed the worst ? but also the best ? of human nature. Finally, during this season of exam stress, she reveals her revision tip: march up and down the room, reciting the textbook and listening to Strauss.Produced by Elizabeth Burke, for Loftus.First broadcast 11/05/2014.

Writer and broadcaster Jonathan Meades's fascination with architecture began on a school trip to Marsh Court in Stockbridge, Hampshire - designed by that great architect of English Country Houses Edwin Lutyens. Subsequently, in a broadcasting career which spans 40 years, he has written and performed in more than 50 television shows on a wide range of topographical subjects: from shacks to garden cities, to buildings associated with vertigo; from beer and pigs, to the architecture of Hitler and Stalin. He was also a food critic for 15 years, winning the coveted Glenfiddich Award in 1999, and has written three novels and a memoir: "Encyclopedia of Myself". His latest television series, "Bunkers, Brutalism and Bloody-mindedness", was screened on BBC 4 in February.He now lives in the iconic Corbusier building, Cité Radieuse in Marseille - and his musical choices reflect his adopted country's love of chanson: French singer / songwriter Barbara's "Ma Plus Belle Histoire d'Amour" features, as does Jacques Brel's Mijn Vlakke Land. Film was not only Jonathan Meades's chosen career; his love of cinema also provided him with a rich musical education. Among his musical choices are Hans Werner Henze's soundtrack to the Alain Resnais film Muriel, and The Aquarium, from Saint-Saëns's Carnival of the Animals, which Terence Malick used in his ground breaking film Days of Heaven.

For this special Easter edition of Private Passions, Michael Berkeley is given a backstage tour of the National Gallery by its Director, the distinguished art historian Nicholas Penny. For this programme he selects paintings on an Easter theme of death and rebirth, with music which accompanies and illuminates them. The painters include his great passion, Titian, with a visit to the Gallery's Restoration Lab, where a painting of the Resurrection is being brought back to life. Nicholas Penny talks about the way in which such paintings change their meaning over time, and about what to look for when we try to read 14th-century depictions of the Crucifixion. His musical choices include Rossini's Stabat Mater, Strauss's Ariadne auf Naxos, Handel's Messiah, Britten's A Midsummer Night's Dream, William Walton's Façade, a reading of James Joyce's story 'The Dead' - and the sound of English blackbirds singing in spring.

Charlotte Mendelson's novels are in danger of making you laugh out loud: the absurdities of family life, the excruciating embarrassment of being young, or clumsy, or not quite English enough. There are four prize-winning novels thus far, and the latest, Almost English - which has been longlisted both for the Booker Prize and for the Baileys Women's Prize for Fiction - comes out in paperback this spring.In this edition of Private Passions, Charlotte Mendelson talks entertainingly about embarrassment - her own embarrassment, and why she inflicts it on her fictional characters. Embarrassment, she claims, is the most under-reported emotion - because we just can't bear to think about it. She explores too the legacy of her Eastern European family, and the feeling of never being English, of never fitting in, and how that fuels her writing. And she reveals why her music teacher gave up trying to teach her the piano and settled for the can-can instead.Charlotte Mendelson's music choices include Bach, Schubert, Chopin, the country singer Gillian Welch, and Ella Fitzgerald singing Cole Porter's 'Always True to You in my Fashion' - a song which she claims has the best lyrics in the world.Produced by Elizabeth Burke for Loftus.

There's a huge revival in British craftsmanship going on at the moment, with a new generation keen to learn how to make beautiful things. For 40 years now, Theo Fennell has been one of the country's most distinctive and witty jewellers. His intricate and beautifully crafted designs take you into a strange dream-world: miniature skulls with jewelled snakes twisting from their eyes; bees cast in gold; dragonflies trailing amethysts; salamanders studded with diamonds. Perhaps not surprising that his jewellery has decorated rock stars such as Elton John, Lady Gaga and Freddie Mercury.In Private Passions, Theo Fennell reveals the music that inspires him when he's working - dreaming up those strange and beautiful new creatures. Music is what helps him, he says, when confronted by a blank sheet of paper. He also reveals that as a young art student he worked as a busker, and even bought a one-man band. He discusses the erotic power of jewellery, with a vivid story from his own experience. And during the recording, he sketches continuously, and has agreed to put some of his drawings on the Private Passions webpage.Theo Fennell's choices include Dvorak's Cello Concerto, Offenbach's opera 'The Tales of Hoffmann', Yehudi Menuhin playing Saint-Saëns's Violin Concerto No. 3 in B minor, and a Charles Trenet song from 1937. And his great patron, Elton John.A Loftus production produced by Elizabeth Burke.

Craig Brown has been described by The Sunday Times as "our greatest living satirist". He invented the conservative Spectator columnist Wallace Arnold, and Bel Littlejohn, the long-standing Guardian columnist who many Guardian readers took to be real. Brown is a kind of satirical ventriloquist: impersonating the voices of politicians and celebrities, mocking them week after week in Private Eye and The Daily Mail, mimicking thousands of different voices. This year he celebrates his 25th anniversary of parodying the rich and the famous on Private Eye.In this edition of Private Passions Craig Brown talks to Michael Berkeley about how he does it ? and why he does it. Does he find the whole world ridiculous? Brown reveals that before embarking on a parody he has to feel the creative germ of irritation, which he then attempts to transform into comedy. Parody, as he reveals, is a delightfully libel-free method of pricking the bubble of self-obsession in celebrity culture.For Private Passions, Brown reveals the music he finds inspiring, moving and funny. Some of his choices are surprising: gospel songs, for instance, are top of his list. He celebrates the Irish composer John Field, and enjoys both Satie and a plangent lament from Kathleen Ferrier. But he also chooses humorous pieces: Kenneth Williams reading Edward Lear, and Harry Belafonte singing 'There's a Hole in my Bucket'. He talks about living in a musical family; his wife, son and daughter are all gifted musicians, while he can't sing in tune, and has no sense of rhythm at all.The programme is recorded with an audience at the Radio 3 pop-up studio at Royal Festival Hall, as part of Radio 3's residency at London's Southbank Centre.

John Finnemore is one of our most successful comedy writers and performers. A star turn in Miranda as the doting husband Chris, he writes and stars in the award-winning Radio 4 sitcom Cabin Pressure, and he's made two series of the Radio 4 sketch show Souvenir Programme. He regularly appears on The Now Show, The Unbelievable Truth and The News Quiz. And apart from his own shows, he also writes for other comedians such as Mitchell and Webb.John reveals to Michael Berkeley his secret of comedy inspiration, his love of performing, and his struggle with insomnia. His choices include Beethoven, Flanders and Swann, and Chopin: the music that means most to him, the music that makes him laugh - and the music that helps him sleep.Producer: Jane Greenwood.

If you should happen to be walking through the House of Commons, and hear loud Wagner blasting out along those corridors of power ? you know you're heading for the office of Kwasi Kwarteng. He's been there since 2010, when he was elected MP for Spelthorne in Surrey. Before going into Parliament, he'd already established a reputation as a historian; his new book 'War and Gold' comes out later this spring, following 'Ghosts of Empire', a fascinating study of the legacy of the British Empire around the world. All this and he's not yet 40.In Private Passions, he talks to Michael Berkeley about his own background: his parents came here from Ghana as students in the 1960s, and he says that thanks to them, 'the British Empire has always been with me'. His music choices include Wagner (naturally), Gilbert and Sullivan, Chopin, Schubert, Haydn, and Smokey Robinson ? he discovered Motown on an unforgettable American jukebox. He also includes a vintage recording of John Gielgud reading Shelley's 'Ozymandias', a poem which is a salutary warning for a politician about the transience of power. And he reveals that his ambition is to own a piano; he even chooses the ragtime piece he wants to play ? Scott Joplin's Elite Syncopations.

When Joan Armatrading's mother bought a piano 'as a piece of furniture' little did she know what she was starting. The fourteen-year-old Joan taught herself to play it, then to play the guitar too and twelve years later she burst onto the music scene with her hit song Love and Affection. In a career spanning forty years, she has made 20 acclaimed studio albums as well as undertaking an international touring schedule which makes me feel tired just thinking about it. She's received three Grammy and two Brit Award nominations, she's the winner of the Ivor Novello Award, and she's the first female UK artist ever to debut at number 1 in the American Billboard Blues chart. And to cap it all, she has an MBE for services to music.In this programme Joan shares her love of classical music with Michael Berkeley and chooses pieces by Beethoven, Vivaldi, Tavener and Bach. She talks about her childhood as the daughter of immigrant parents in Birmingham, discusses how she managed to study for a degree while on the road, and reveals whether this year's tour really will be her last.First broadcast in February 2014.

Michael Horovitz is one of the last surviving Beatniks, 'the big daddy of the British Beat Movement'. In the 1950s, he founded a ground-breaking magazine which was the first to publish new work by Samuel Becket and William Burroughs, including passages from Naked Lunch which had been banned for obscenity in America. At 78 he's still performing his poems in pubs, and still playing his 'anglosaxophone', a kind of exuberant kazoo.In conversation with Michael Berkeley, Horovitz talks about the poetic revolution that began in the 50s, and about his friendship with Stan Tracey, who died recently. He tells the story of how his family were forced to flee Nazi Germany in the 1930s, where his father was a lawyer.His music choices include Beethoven, Mendelsohn and Stan Tracey, as well as a rare Charlie Parker jazz improvisation from 1945 (which includes one of the few recordings of Charlie Parker's voice). He includes too a moving recording of his wife, the poet Frances Horovitz, reading a poem she wrote when she was dying, and a recent 'jazz poem' of his own, where Horovitz plays alongside Damon Albarn and Paul Weller. Plus a few blasts on his 'anglosaxophone'...

Michael Sheen is famous for playing real people on screen - from Tony Blair and Kenneth Williams to Brian Clough and David Frost. And it was playing another real person - but this time on stage - that formed a turning point in his relationship with classical music. This person was Mozart, in the play Amadeus, and Michael has chosen part of Mozart's Requiem, used in that production.His other choices include music by Lisa Gerrard and Arvo Pärt and Jeff Wayne's War of the Worlds starring Richard Burton, who shares a home town with Michael. He tells Michael Berkeley about his recent return home to Port Talbot to work for three years on a marathon staging of The Passion, which lasted for 72 hours and involved a cast of 1000, mostly local, people.

Lewis Wolpert is a distinguished scientist -and a familiar lanky figure on his bicycle, cycling through the Bloomsbury traffic to University College London where he is Emeritus Professor of Biology.His scientific research has been into the early development of the embryo, but he's a man with many other interests ? he's written books about depression, and recently a book about getting old ? and he's currently bravely embarking on a book about the biological differences between the brains of men and women.He talks to Michael Berkeley about the happiness he feels in his eighties, and about his early life, and his decision to leave South Africa where he was brought up to be a 'nice Jewish boy'. His choices are wide-ranging: from Noel Coward and Frank Sinatra to a late Beethoven Quartet and Wagner.Producer: Elizabeth Burke.

Writer Pat Barker is fascinated by the First World War; for twenty years now, her award-winning novels have returned again and again to the trauma and grief and erotic intensity of wartime. Her novels draw on the experiences of real people: Siegfried Sassoon, Wilfred Owen, and in particular the army doctor W.H. Rivers, a pioneering psychiatrist who treated victims of shell shock. As this centenary year opens, with all its commemorations of the First World War, Pat Barker talks about why and how we should remember War - and about the power of fiction to tell historical truth.She reveals that her fascination with war began as a child; she was brought up by her grandparents, and her grandfather had a bayonet wound which she saw every time he washed at the kitchen sink. 'Through my grandfather and my stepfather, I have a direct link through to the world before the war - for me it's not simply reading history.' Pat Barker herself was a war baby - born in 1943 after her mother, a Wren, had a one-night stand with a man in the RAF. She never traced her father, and that central mystery in her life, 'half my identity missing', was part of what drove her to write. She talks about the stigma her mother faced as an unmarried mother, and in a moving section of the interview she wishes she could speak to her mother now to tell her 'It doesn't matter'.Pat Barker's music choices include her grandfather's favourite music hall song - his party piece as a boy in the 1890s; Anton Lesser reading two poems by Wilfred Owen, and Benjamin Britten's setting of Wilfred Owen in his 'Nocturne'; Butterworth's 'The Banks of Green Willow'; original cast recordings from Joan Littlewood's 'Oh What a Lovely War'; and Elgar's Cello Concerto, in the famous recording by Jacqueline du Pré.First broadcast 05/01/2014.

Hugh Masekela is a jazz legend. Brought up in South Africa during Apartheid, he left the country at 21, and spent the next 30 years in exile, releasing album after album - 43 to date - and performing alongside all the other great musicians of our era: Jimi Hendrix, Janis Joplin, Stevie Wonder, The Who ... He's still making music and touring the world at 74, and Private Passions was lucky enough to catch him on a visit to London.He talks to Michael Berkeley about his passion for performing, which began when Bishop Trevor Huddleston gave him money to go to buy his first trumpet. Masekela describes vividly the musical culture he grew up in: the townships were awash with music, he says, and there was a competing cacophony of sound. As a child he began piano lessons at four, begging his father to play records before he had the strength to turn the handle of the gramophone. Music took over and he says he's been 'bewitched' ever since. He tells the moving story of how as a teenager he played truant from school and instead spent his days playing with other musicians in recording studios; his father found out and beat him severely, and Hugh ran away from home. But a few weeks later his father visited the studio and heard him play the trumpet. Realising that this was his future, his father forgave him and welcomed him back into the family.Masekela also talks about his relationship with Nelson Mandela, and how Mandela smuggled a letter out of prison to him, inspiring his anthem (and worldwide hit) 'Bring Him Back Home'. He reveals the disillusionment he feels about South Africa now, and reflects on what would have happened had he stayed there - 'I would have died very young'.Hugh Masekela's choices include Louis Armstrong, Frank Sinatra, J S Bach, Billie Holliday and Ravel.First broadcast in December 2013.

The Archbishop of Canterbury, Justin Welby, talks to Michael Berkeley about his favourite music and the meaning of Christmas. His choices include Christmas music from Bach and Britten, and music Justin Welby loves from the late medieval period.He talks to Michael about his career in the oil industry, his relatively late ordination, and his meteoric rise to the top of the Anglican Church, and the music that has accompanied him on that journey.Michael asks him how he finds time for prayer and contemplation amid the pressure of heading the Anglican community, and what role music plays in his relationship with God. And he asks how he plans to spend his first Christmas as Archbishop.

Somehow Tom Hooper has cracked the secret of making films which audiences really love. Whether you count Oscars and Baftas or box office takings he is, at 41, right up there as one of Britain's top film directors. The King's Speech won him four Oscars, including Best Picture and Best Director, and earlier this year his film of Les Miserables won three more Oscars. The box office takings for Les Mis stand at an eyewatering 441.8 million dollars - it's been a hit across the globe, with reports of audiences crying their eyes out in cinemas from Sydney to Japan.Tom Hooper doesn't often give personal interviews, but in Private Passions he talks to Michael Berkeley about his childhood, and about the anxieties and influences which have made him such a successful film director. He reveals that The King's Speech is in fact autobiographical: Tom's mother is Australian and his father is English, and growing up he was very aware that it was his mother's task - and his - to release his father from a particular kind of English inhibition and shyness. Tom Hooper decided to be a film director at 12; he talks entertainingly about his first film, about a runaway dog, and about singing in school musicals, where he discovered a passion for stage lighting, hanging high up above the school auditorium. He loves kit: camera lenses, microphones - he describes the excitement of finding the original microphones used by George V during his wartime broadcasts, and how he used them to record Beethoven for the soundtrack of The King's Speech. He explains too why he made the very brave decision to have all the actors in Les Miserables sing live for the camera.Music choices include Beethoven, Handel, The Beggar's Opera, Janacek, and the Damned.

Laura Mvula is more than just a pop star; before she had a best-selling album and industry awards she studied composition at the Birmingham Conservatoire. In an in-depth interview in Private Passions, she reveals how she went from classical music student to chart-topping singer.In this warm and funny interview, Mvula talks to Michael Berkeley about her musical upbringing and about how church music, piano and violin lessons and performances for her aunt's a cappella group, Black Voices, initially went hand in hand with a crippling stage fright. At ten, she was so scared of performing that she howled on stage when the applause started and had to be rescued by her parents. She also talks about how as a student she began going to hear English choral music, but she had an ulterior motive: she fancied one of her fellow-students, a classical baritone, so she went to see him every time she could. It worked, they're now married; and she fell in love with choral composers like Eric Whitacre at the same time. And Laura reveals how at first she didn't quite at appreciate her big break from producer Steve Brown (she was too busy eating a banana).Following her appearance at this summer's Urban Prom, Laura Mvula explains why she doesn't believe in separating music into genres and why she remains a passionate listener to - and advocate for - classical music.In this programme she reveals how she still finds inspiration in classical composers for her own work. She plays a piece of Debussy and talks about how it inspired one of her own songs, 'Make Me Lovely'; she also chooses Elgar, Michael Tippett, William Walton, and 'Lush and Bluesy', a string piece by her teacher at the Conservatoire, Joe Cutler. Other musical choices include William Walton, Nina Simone and Miles Davis.

As part of Radio 3's Britten Centenary weekend, Michael Berkeley travels to Aldeburgh beach to meet the artist Maggi Hambling at her controversial memorial to Britten in the form of two giant interlocking scallop shells.Michael also visits her nearby studio to see her paintings inspired by the Suffolk sea and to talk about the effect of Britten's music on her painting and sculpture.She tells Michael about her fascination with drawing and painting people she's loved after they've died; the importance of drawing; and her love of feeling rooted in Suffolk.Maggi's music choices include music from Peter Grimes and the War Requiem, as well as Schubert, a song by her friend George Melly and some surprising music which sums up how she relaxes in the rare moments when she's not working.

Martin Gayford has a passion for painting and music, and has spent his career writing about artists - Constable, Van Gogh, David Hockney, Lucian Freud - and thinking about the connection between art and music. His new biography of Michelangelo is published in this month, and in this edition of Private Passions he explores the musical worlds of some of our greatest painters. He begins with the choir that Michelangelo heard as he lay high up on the scaffolding, painting the Sistine Ceiling - there were complaints he banged around too much, interfering with the music.Martin Gayford then moves on to talk about the painter Constable as a musician (he was a flautist) and to tell the story of Van Gogh's attempt to learn the piano - in order to experience synaesthesia, and paint the music he played in bright colours.Apart from his biographies of great artists, Martin Gayford is famous because his portrait was painted by Lucian Freud ('Man in a Blue Scarf'), a process that took 18 months. During that time they visited jazz clubs together, and the programme includes some of Freud's favourite music. There's also a food theme running through the programme - Gayford is a keen cook - and the programme ends with one of Toulouse Lautrec's favourite recipes, designed to be bright orange. As always Michael Berkeley's programme is perfect timing for cooking Sunday Lunch.Music choices include: Debussy, Duke Ellington, Haydn, Arcadelt, Thelonius Monk, Stravinsky's 'Rake's Progress' and Billie Holliday.

It was a band called The Commitments that first brought Roddy Doyle fame 25 years ago - not a real group of musicians, but a comic novel about a group of Dublin teenagers who get together and form a soul band. The book and its sequels became successful films. Roddy Doyle gave up his job as a teacher and has gone on to write nine more novels set in Dublin, where he grew up and still lives.One of them, Paddy Clarke Ha Ha Ha, won the Booker Prize and is a memorable tour de force told entirely in the voice of a ten-year-old Dublin boy. Roddy Doyle has also written for children, for the theatre and the cinema, and now, after 25 years, he's back where he started - he's turned The Commitments into a musical which has just opened in London's West End.Roddy's music choices range from the richness of Pergolesi and Mozart to the sparse modernism of Steve Reich and Brian Eno, with a touching love song to end the programme.He talks to Michael Berkeley about music while you work, the pleasures of Dublin dialogue, and the joy of taking up the trumpet in middle age.First broadcast November 2013.

Private Passions makes its first visit to Radio 3's Free Thinking Festival of ideas. Michael Berkeley talks to Chris Mullin, former MP, thriller writer and one of the sharpest political diarists of our age. He's certainly a free thinker: in three volumes of political diaries he's given us a devastating and very funny account of the workings of Westminster, from his vantage point as Labour MP for Sunderland South.Chris Mullin retired in 2010 after 23 years in Parliament; Michael asks him whether he was too free-thinking to get to the top â€" or perhaps his sense of humour was the problem. But there's more to Chris Mullin than his political career, as this programme reveals. He looks back to perhaps the greatest achievement of his life, when he campaigned successfully for the release of the Birmingham Six in the 1980s - innocent men imprisoned as a result of a miscarriage of justice. He talks too about his friendship with the Dalai Lama and how his travels in the Far East have given him a different perspective, and about finding love and raising a family later in life.Chris Mullin's musical choices include Handel's 'Messiah', sung by the Parliament Choir; a Chopin Nocturne; Tibetan, Vietnamese and African music and Mozart's C Minor Mass. He also includes music by Northumbrian musician Kathryn Tickell, celebrating his deep love of the North East and the rich life he has lived there.BBC Radio 3's Free Thinking Festival takes place at Sage Gateshead 25-27 October and is broadcast for three weeks on Radio 3 from Friday 25 October.

Michael Berkeley's guest is the actor Rory Kinnear.Rory Kinnear is in danger of becoming a national treasure. Audiences across the world know him thanks to two Bond movies, where he plays M15 officer Bill Tanner. He was the journalist in the TV thriller Southcliffe, he was Denis Thatcher in the Margaret Thatcher TV biopic, he's the straight man to Count Arthur Strong... And he's established a reputation as one of our finest Shakespearean actors - his performance as Hamlet at the National Theatre was screened across the UK as part of the National's 50th anniversary celebrations. This summer he played an unforgettably chilling Iago to Adrian Lester's Othello, again at the National. And he's just turned playwright - his first play, The Herd, directed by Howard Davies, has opened in London.He's a difficult actor to pin down. But in conversation with Michael Berkeley he reveals the man behind the theatrical mask. He talks movingly about his father, the actor Roy Kinnear, who was killed during a film stunt, and how he kept sane after the accident by playing the piano. Rory still plays in rehearsal rooms across the world, grabbing his chance at the piano while the other actors eat lunch. He reveals too that music is the key to his relationship with his sister, who was born with profound disabilities; Rory composes music for her, and plays songs as a way of communicating with her. He works increasingly with musicians, at the Proms last year, and in recordings. And, be warned, every morning he walks across London listening to music on his huge headphones - and singing along at the top of his voice.Music choices include Mark Padmore singing Bach, Haydn's Trumpet Concerto, a Beethoven violin sonata, Erroll Garner, and Big Rock Candy Mountain.First broadcast 13/10/2013.

Greg Doran is one of those lucky people who seem to have found his perfect place in life. From the age of 13, when his mother first took him to the theatre in Stratford, Shakespeare's been his passion; as a boy he dedicated himself to seeing every single Shakespeare play - sometimes managing to watch three Macbeths in a day.So - what better job than Artistic Director of our great national Shakespeare company, a role he took on 18 months ago. His production of Richard II with David Tennant in the lead opens on 10 October, and he's directing Henry IV next year with his partner Anthony Sher playing Falstaff.Doran doesn't come from a theatrical background - his father ran a nuclear power station. But his passion for music began early, thanks to a concert in the local village hall in Lancashire. A friend of his mother's, Mrs Sidebottom, got up on stage and sang 'Blow the Wind Southerly'. And young Greg was hooked. That haunting folk song begins his choice of music - sung in this case by Kathleen Ferrier. Other choices include Duke Ellington, a song by Cervantes, and a Vivaldi Concerto which changed Doran's life when he heard it in Paris. It was a low point - a love affair had ended, his ambition to be an actor was foundering. And the music spoke to him, and gave him a new direction.In Private Passions, he talks to Michael Berkeley about his passion for Shakespeare, and about his relationship with Antony Sher. Its foundations are a shared life in theatre, but also a love of food: when Anthony's depressed, Greg cooks for him the comfort food he ate as a child in South Africa. He's even learned how to make a special lamb stew - and he gives us the recipe: "I believe there is a Jewish saying that food is love. For me, tomato bredie is an expression of love."First broadcast in October 2013.

Beeban Kidron is a rare and very unpredictable film-maker. A woman in a man's world, she's made highly successful dramas such as the BAFTA-winning Oranges Are Not the Only Fruit, and the blockbusting rom-com Bridget Jones: The Edge of Reason. But she also makes documentaries which come straight from her heart: films about sex workers in New York, the women of Greenham Common, the sculptor Antony Gormley, and a highly-acclaimed film about girls sold into religious prostitution in India. And her latest film In Real Life is a documentary about teenagers and the internet.She talks to Michael Berkeley about the power of music in films, the pleasures of building relationships with composers, the joy of telling stories, and the sheer determination needed to make the films she feels so passionately about.Her choices include music from her film Swept from the Sea and her BAFTA-winning television series Oranges Are Not the Only Fruit; the music of her childhood; the piece which changed her ideas about love; and the scariest film music ever written.Producer: Jane Greenwood. A Loftus production for BBC Radio 3.

It's quite possible that Philip French has seen more films than anyone else on the planet. Obsessed with cinema since the age of four, he has been reviewing films for the Observer for the past fifty years, as well as writing for many other papers and publishing several critically acclaimed books about cinema.He talks to Michael Berkeley about the role of the composer in the cinema, his late flowering love of Beethoven string quartets, his lifelong delight in the singing of Ruth Etting; and his greatest film music memories.His music choices are all associated with film ? from Disney's Fantasia; through The Ride of the Valkyries used so memorably in Apocalypse Now; to Miles Davis and avant garde composer Harry Partch.Philip French sees at least nine films a week ? that's getting on for 20,000 over his career. Michael Berkeley asks him, how important is music in making a film stick in the mind?Producer: Jane Greenwood. A Loftus production for BBC Radio 3.

Angie Hobbs is no ordinary philosopher. Her job takes her to places as varied as cathedrals, airforce bases and merchant banks, as well as frequently to our radio and TV screens. As our first ever Professor of the Public Understanding of Philosophy, based at Sheffield University, she's determined to ensure that philosophy doesn't remain exclusively in the hands of academics - she wants it to inspire us all to explore the big questions in our lives.Angie talks to Michael Berkeley about music in Greek philosophy, and about music as solace, as well as a celebration of life and the memory of people and places she has loved. Her choices include a Beethoven movement she considers to be the most beautiful music ever written, a Latin carol and an unusual arrangement of Rodrigo's Concierto de Aranjuez, as well as music by Bach, Vaughan Williams and Emmylou Harris.Producer: Jane Greenwood A Loftus production for BBC Radio 3.

Gillian Lynne is best known as the choreographer of Cats and Phantom of the Opera, among other West End hits. She received a lifetime Olivier Award earlier this year. But her career began more than seven decades ago, when she was spotted as a dancer by Ninette de Valois. She danced during the War, with doodlebugs falling around her and just two pianos in the pit - no orchestras, as all the men were away fighting. She danced in the first night at Covent Garden after the War, when audiences dusted off their evening clothes. She then moved into movies, playing a gypsy temptress in The Master of Ballantrae opposite Errol Flynn. The sexual chemistry wasn't confined to the screen - she and Flynn had an affair, though his drink problem meant 'He wasn't a great lover. At the end of the day, he couldn't... But he was a beautiful man.'As she developed as a choreographer, Gillian Lynne worked with the leading composers of the day, including Sir Michael Tippett. In fact she asked him to make changes in his Ritual Dances (from The Midsummer Marriage) so it would become a bit clearer what on earth was going on. 'I said to Colin Davis, I don't know what this is about. But I think it's about orgasms. He said, "Quite right, dear girl. Quite right!"'Now 87, Lynne talks frankly about her career, and people she has worked with, like Frederick Ashton and Dudley Moore. She is still working - 'If I didn't I'd keel over' - and thanks to her daily workout, she is still enviably fit. She tells the story of finding love for the first time when she was in her 50s - with a man 27 years younger than herself. She's naughty, irreverent, and fun; this is also priceless social history.Music choices include Fauré, Walton, Vaughan Williams, Tippett and Errol Garner.First broadcast in September 2013.

The Chief Medical Officer, Sally Davies, is on our TV screens almost every week as the authority we appeal to in every health scare: horsemeat in burgers, antibiotic resistance, three-parent babies. She is clearly a person of tremendous power and influence, in charge of the National Institute of Health Research with a budget of £1 billion ? voted by Woman's Hour recently one of the top ten most powerful women in the UK.Sally Davies talks to Michael Berkeley about her private life. She tells him about the death of her second husband from leukaemia less than a year after they were married, and how this has changed her as a doctor. (She scandalised her medical colleagues on a hospital ward round by putting her arms around a dying patient.) She discusses the breakdown of her first marriage, as well as the happiness she has found with her third husband and daughters.She also reveals that she believes drugs are a medical issue rather than a criminal one.Sally Davies is humorous, and fun ? she admits she loves wine, for instance. She is deeply musical ? she played in the Midlands Youth Orchestra as a girl and turns to music to relieve stress. Music includes: Mozart, Brahms, Wagner, Vaughan Williams, Rossini's Stabat Mater, Beethoven's Fidelio - and Queen.

Adam Nicolson has the privilege, and the burden, of an extraordinary inheritance: Sissinghurst, that quintessentially English house and garden created by his grandparents Harold Nicolson and Vita Sackville-West. In his own right, he's the author of a series of highly esteemed history books and television series, about the making of the King James Bible, about the English gentry, and most recently about 17th-century writers. But it's that Sissinghurst connection which fascinates us all: growing up with bohemian writers and artists, there must have been music going on there all the time? Not at all - Adam reveals that his family were musical philistines. His father hated music because it moved him, and made him emotional ? so for an Englishman of that generation and class it was deeply suspect. It's only in middle age that Adam is discovering music, and he admits cheerfully that his musical taste is 'dreadful'. He also talks about walking 6000 miles round Europe, about his love for the Hebrides, and about his disastrous 'open' marriage. Adam and his wife had a deal ? they were allowed to have two affairs a year, as long as they were abroad. This too was the legacy of Sissinghurst, and a father who urged him to have as many affairs as possible. What followed was predictable, and messy, but with a happy ending - as Adam's choice of music reveals.A light-hearted programme, which includes music by Mozart, Mendelssohn, Eric Whitacre, Prokofiev, Roberta Flack, and a reading by Alec Guinness of T.S.Eliot's 'Little Gidding'.

The astrophysicist Jocelyn Bell Burnell changed the way we see the universe. At the age of only 24, as a Phd student, she discovered a totally new kind of star, a pulsar. Her older male colleagues got the Nobel Prize for the discovery ? her name being unfairly, and in the view of many scientists, outrageously, left off. But many honours have followed, and Jocelyn Bell Burnell is currently Visiting Professor of Astrophysics at Oxford University.In Private Passions she talks to Michael Berkeley about the sexism she's fought all her life as a woman in science: the jeering and catcalls she encountered in lectures at Glasgow university, and the fight as a young girl to be allowed to study science at all. She reflects on what it was like to be denied the Nobel Prize so unfairly ? and why she doesn't feel bitterness. She evokes the exhilaration of scientific discovery, and talks too about the darker times in her life, when she had a very sick child and her marriage failed. Her musical passions include Haydn, Verdi, Smetana, Sibelius, Rachmaninov and Arvo Pärt.

Lord Sacks ends his twenty-year tenure as Britain's Chief Rabbi this coming autumn. At his retirement dinner (24 June) Prince Charles described him as "a light unto this nation" and praised him for promoting the principle of tolerance, expressing mounting anxiety at the apparent rise in anti-Semitism, along with other poisonous and debilitating forms of intolerance. In this programme, Lord Sacks looks back at his life and career, and talks to Michael Berkeley about both the joyous and the sad music which has accompanied him during his time as Chief Rabbi. From the moment his father took the young Jonathan (as a reluctant teenager) to a concert at the Albert Hall he has been passionate about the power of music. But he has also been concerned about the lack of music written for the Jewish people. Composers from Mendelssohn and Mahler to Irving Berlin and George Gershwin have composed for other faiths and other peoples. He feels this is part of the reason why Jewish music needs invigorating - it needs an injection of joyousness. He also talks about composers whose music he feels augurs the nineteenth- and twentieth- century tragedies suffered by the Jewish people, as well as the music which he feels represents the possibility of national and religious reconciliation. His choices include Mahler, Beethoven, Stravinsky, Simon and Garfunkel and Bach. He is a thoughtful but also an ebullient speaker who loves jokes.

Robert Macfarlane is a writer and scholar who has spent years exploring the wild spaces of the world. In this location edition of Private Passions, he takes Michael Berkeley to an uninhabited island off the coast of Suffolk, Orfordness. It was a place used for military testing right up to the 1950s, and it's littered with abandoned rusty machinery and ruined observation towers; the wind scrapes across the debris and makes a kind of unearthly music. It's the perfect setting, then, to listen to music about wild spaces and bird calls: Mussorgsky's Night on a Bare Mountain and Messiaen's Abime des Oiseaux among them. Robert Macfarlane talks about feeling that he is walking with ghosts, particularly the ghost of poet Edward Thomas who died in the First World War. He introduces the music that Thomas listened to at the Front, Chopin's Berceuse (or Lullaby). The programme also includes a rare recording made in the 1950s on a rock far out into the Atlantic, of a group of Hebridean islanders singing psalms. Macfarlane is a Cambridge scholar and award-winning writer, as well as a climber, walker, and wild swimmer. He is extraordinarily eloquent when he introduces this atmospheric selection of music.First broadcast in July 2013.

Ruth Rogers has become one of our most celebrated cooks and best-selling food writers since she and her friend the late Rose Gray opened a modest cafe in West London more than twenty five years ago. Their modest ambition was to make the River Cafe the best Italian restaurant in the world. Since then Ruth Rogers has been instrumental in changing the way we think about Italian food in Britain.Ruth reveals how her musical passions bring together her love of Italy, food, family, and the human voice. Her choices of music include the joyous ode to wine from Don Giovanni; a contemporary opera chosen for her husband, the architect Richard Rogers; a moving piano tribute to her late son; and a Bob Dylan song which recalls the time, growing up in Woodstock, when she turned down his invitation to watch him rehearse.

Canadian-American singer-songwriter Rufus Wainwright can justifiably be described as a member of folk royalty. The son of Loudon Wainwright 3rd and the late Kate McGarrigle, he is also the nephew of Anna McGarrigle and brother of Martha Wainwright, all accomplished musicians in their own right. He describes about how he spent the first few weeks of his life sleeping in a guitar-case, sang with his family from an early age, and depended on them during the difficult periods of his life. His teenage years and his twenties heralded difficulties coming to terms with his sexuality and with drug addiction, but he continued to perform and write music throughout the hard times. Now married to artistic director Jorn Wiesbrodt, he is also a father of Lorca, whose mother is the daughter of Leonard Cohen. Obsessed with Verdi, he has composed his own opera, set Shakespeare sonnets to music and composed for the ballet.His choices include Verdi, Massenet, Messiaen, Nina Simone, Kurt Weill, Manuel de Falla, Berlioz and Judy Garland.

As part of British music season on Radio 3, poets from across the country talk about their musical passions with Michael Berkeley.Paul Muldoon, born and raised in Northern Ireland, is one of our most distinguished poets, having won the Pulitzer, TS Eliot and Irish Times Prizes. In this programme he celebrates his Northern Irish roots in music and poetry, and discusses his fascination with the place where popular and serious music meet.For five years he was professor of poetry at Oxford, and he now teaches at Princeton University in the USA, where he is writing libretti and goes to as many rock gigs as possible.Paul's choices include Lou Reed singing Kurt Weill, music from Stravinsky, Mark-Anthony Turnage and Irish composer Donnacha Dennehy, and a Metallica song played on four cellos.

As part of the British music season on Radio 3, poets from across the UK reveal their favourite music.Sean O'Brien is a perfect choice for Private Passions because his poems capture the musical soundscapes of the north-east of England where he lives: the cries of gulls, the wash of the sea, the rumble of trains. In fact he's obsessed by trains, and for O'Brien, like many other poets, journeys by train are an inspiration and a form of meditation. So one of his choices is Steve Reich's hypnotic work Different Trains, in which the composer mixes fragments of train whistles and announcements. Sean O'Brien's other choices include Little Feat, Schubert, Vaughan Williams, Debussy's La Mer, and Prokofiev's film music for Eisenstein's Alexander Nevsky, a film he first saw when skiving off games as a 16-year-old. He used to be a drummer in a rock band and likes to listen to everything very loud, so Miles Davies is the perfect soundtrack to Sunday mornings ... Michael Berkeley's guest Sean O'Brien reveals his Private Passions.

As part of British music season on Radio 3, poets from across the country reveal the music which inspires them. Welsh poet Gwyneth Lewis has the unusual distinction of having written the largest poem in the world, and it's about music. The words are six feet tall, inscribed over the entrance to the Millennium Centre in Cardiff, the music venue designed by Zaha Hadid: 'In these stones horizons sing'. Gwyneth has a passion for opera and the human voice, a passion which began early when her father played his favourite operas on every car journey - the whole family would sing along. As a child she sang in her school choir, singing opera in Welsh. Gwyneth talks very movingly about the depression she has suffered throughout her life; it was music - and particularly a Brahms choral work (the Alto Rhapsody) which she says 'saved my life'. She reads a poem inspired by listening to opera singers, The Voice. And although she is Welsh through and through and she was for a time National Poet of Wales - she reveals that she doesn't have much time for Welsh music. Choices include Verdi, Poulenc, Brahms, Mozart, Bach, a French chanson - and one haunting Welsh folk song.Producer Elizabeth Burke First broadcast 02/06/2013.