PAST 10s: A Top 10 Time Machine - Music of the 70s, 80s and More

Dave and Milt fire up the Top 10 Time Machine and land squarely in April 3, 1982—a week where the Falklands War is just getting started, Space Shuttle Columbia is touching down in the desert like it missed its exit, Michael Jordan is hitting that NCAA shot, and America is somehow supporting both Porky's and Chariots of Fire at the same time. A simpler, weirder time. The boys break down a Top 10 that is equal parts iconic and “wait… really?”—from Key Largo (featuring a sidebar into Bertie Higgins’ unexpected second act as a political hype man), to Pac-Man Fever (because yes, we once made hit songs about video games and no one stopped us), to Rick Springfield doing Rick Springfield things—plus a completely unnecessary but deeply committed detour into French lyrics in pop music. Elsewhere, the The J. Geils Band bring the camera clicks with “Freeze-Frame,” Vangelis makes jogging feel important with “Chariots of Fire,” and Olivia Newton-John sneaks in with a perfectly fine song riding the coattails of her other perfectly fine global takeover. Then it gets serious: Stevie Wonder shows up with “That Girl,” the The Go-Go’s officially announce their arrival with “We Got the Beat” (your winner of the week, because of course), Journey slow-dance their way into prom history with “Open Arms” (plus a quick check-in on Mariah Carey absolutely oversinging it years later), and Joan Jett closes the whole thing out by grabbing rock ‘n roll by the collar and not asking permission. Meanwhile, a listener drops a Long Distance Defecation™ on a serial grocery-store-aisle-blocker, set to Move It On Over by George Thorogood—because nothing says passive-aggressive rage like a blues-rock classic. Final verdict: the chart earns a C (some heavy hitters, some absolute nonsense), “We Got the Beat” takes the crown, and the guys tease an upcoming all-substitutions episode—listener-voted, because democracy occasionally works. ⏱️ Timecodes (aka Organized Chaos) 00:00 Cold Open Chaos 00:25 Show Premise Introductions 00:53 Two Tired Hosts Banter 01:45 Bruce Lyric Debate 03:37 Callbacks and Listener Shoutouts 05:12 Time Machine Set to 1982 06:17 Week in History Rundown 14:05 Countdown Begins (#10) 14:52 “Key Largo” Breakdown 19:22 “Do the Donald” Detour (…yep) 23:22 “Pac-Man Fever” + Arcade Nostalgia 31:19 Donkey Kong, Copyright Theft, and Wreck-It Ralph 35:14 Rick Springfield Hour (Featuring French??) 48:14 “Freeze-Frame” Debate 57:01 “Chariots of Fire” Hits Different 01:01:34 Long Distance Defecation™ 01:10:13 Olivia’s Victory Lap 01:15:15 Stevie Wonder Chart Oddities 01:22:35 Go-Go’s Breakthrough Moment 01:23:39 “We Got the Beat” Deep Dive (Winner) 01:30:56 “Open Arms” and Camp Slow Dances 01:34:29 Journey → Mariah Pipeline 01:39:04 Joan Jett Owns #1 01:46:22 Recap and Picks 01:49:18 Substitution Episode Tease 01:52:11 Ratings and Sign-Off

Dave and Milt are doing what they do best: arguing about music like it matters (because it does). This time, they’re counting down their favorite opening lines from 1970s songs — with Milt, naturally, gravitating toward lines that drop you immediately into a vibe, a scene, or a full-blown attitude problem. They go back and forth like two guys at a bar who won’t let the other finish a sentence, firing off picks like “Life in the Fast Lane,” “Renegade,” “Won’t Get Fooled Again,” “He’s Misstra Know-It-All,” “Easy,” “Funeral for a Friend/Love Lies Bleeding,” “It’s Only Rock ’n Roll,” “I Shot the Sheriff,” “Kodachrome,” “Stayin’ Alive,” and “Thunder Road.” Dave lands the plane with his #1 — “Dream On” — because of course he does. Meanwhile, Milt zigged where no one zagged, crowning “Rapper’s Delight” as his top dog, because subtlety is overrated. Plus: a Playdate quiz fueled by listener suggestions, featuring killer openings like “Werewolves of London,” “Sir Duke,” and “Is She Really Going Out With Him?” — because nothing says “fun” like being put on the spot about lyrics you definitely thought you knew. Topics 01:03 Listener Shoutout Joe 03:48 New Segment and Emails 04:47 Proud Dad: Adrian Sings 06:46 Countdown Setup Seventies Openers 07:30 How We Picked Lyrics 11:20 Number 10 Picks Eagles and Styx 19:48 Number 9 Picks The Who and Stevie 28:07 Number 8 Picks Billy Joel and Lionel 36:43 Pump It Up Meaning 38:03 Elvis Costello Lyrics 40:28 Podcast Banter Break 42:06 Elton John Epic Medley 47:07 Stones vs Critics 50:32 I Shot the Sheriff 54:00 Play Date Quiz 01:02:50 Joy to the World 01:05:36 Steely Dan Story 01:09:58 Kodachrome Kickoff 01:10:38 Nostalgia Parody Talk 01:12:20 April Fools Banter 01:13:12 Staying Alive Breakdown 01:16:28 Cheese Jokes And TikTok 01:19:10 Radar Love Rush 01:21:45 Black Dog Pure Rock 01:25:26 Forever In Blue Jeans 01:29:40 Thunder Road Scene Setting 01:35:00 Dream On Reflection 01:38:45 Rappers Delight Finale 01:42:47 Wrap Up And Listener Mail

Dave and Milt ride the Past 10s time machine to the week ending March 19, 1977, riffing on questionable water-park hygiene, a 44‑hour hijacking, FDA rules for “mixed nuts,” the Mary Tyler Moore finale giving birth to Three’s Company and Eight Is Enough, and the cultural moment of Annie Hall, M*A*S*H, Trinity, and Roots. They count down Billboard’s Top 10, spotlighting Fleetwood Mac’s first Top 10 hit “Go Your Own Way,” Thelma Houston’s Motown disco breakthrough “Don’t Leave Me This Way,” and Bob Seger’s “Night Moves” (plus its later video cameo and a “night cheese” riff). They groan through softer fare like David Soul, Mary McGregor, and Kenny Nolan, then debut a new listener segment, the “long distance defecation,” featuring Joe Mason’s Philly heartbreak and a Rolling Stones “Get Off My Cloud” dedication. Topics 00:23 Past Tens Intro 00:55 Big Arch Burger Debate 02:17 New Segment Tease 03:31 Arriving in 1977 04:29 Week in History Rundown 08:28 Mixed Nuts and Chex Mix 10:35 TV Birthdays and Annie Hall 14:27 Number 10 Fleetwood Mac 19:34 Demos Ads and Music Immortality 24:45 Number 9 Thelma Houston 31:07 ChatGPT Fail and Threads Talk 34:04 Number 8 David Soul 37:42 David Soul Aftermath 38:24 Cigarettes Then and Now 39:49 Torn Between Two Lovers 43:44 Meatballs Soundtrack Detour 46:35 Made for TV Movie Promo 48:15 I Like Dreaming Roast 51:42 Kenny Nolan Secret Hits 54:12 Long Distance Defecation 58:22 Get Off My Cloud Storytime 01:05:42 Dancing Queen Still Rules 01:11:42 Night Moves Deep Dive 01:20:05 Night Cheese and Copyright 01:22:22 Comedy Song Rights 01:23:43 Seeger Bar Challenge 01:27:13 Rich Girl Breakdown 01:30:10 Calling Oates Hotline 01:33:56 Grinch Girl Parody 01:35:17 Lake Street Dive Cover 01:37:08 Fly Like an Eagle Deep Dive 01:44:22 Evergreen At Number One 01:47:56 Winners And Substitutions 01:58:48 Time Machine Rating 02:02:55 Long Distance Dedication

Dave and Milt (the Chart Meister, not the Chart Master) celebrate what might be their 300th episode—give or take a few missed weeks and some lazy counting—by ditching the usual Billboard time-travel format and revisiting excerpts from their very first Past Tens episode from June 2019. They roast their early scripted, nervous energy, debate why certain catchphrases and categories stuck (Bad Remake, What the Fuck Were We Thinking, Never Heard Of It), and reminisce about recording in a Boston studio before switching to Zoom during COVID. Along the way they revisit early obsessions with Casey Kasem, grim “long distance dedication” letters, the terrifying TV movie Special Bulletin, awful and unnecessary covers, forgotten chart oddities, and beloved surprise discoveries like the Osmonds’ “Down by the Lazy River.” They close with a nostalgia debate, a fake monetization pitch, and promises of “300 more.” Topics 02:00 Is This Episode 300? 02:52 Origin Story Enemy Lines 03:49 Anniversary Format Explained 06:02 Podcast Bits And Signposts 07:13 Replaying Episode One Intro 09:04 Early Nerves And No Scripts 12:42 Influences Hit Parade Rewatchables 15:16 Chartmeister Origins 17:46 Casey Kasem Dedication Clip 22:20 Pop Culture Flashback Special Bulletin 27:59 Bad Remakes Return 31:50 Guns N Roses Covers 32:59 Madonna Cover Disaster 33:44 Early Podcast Tech Chaos 35:55 Worst Hits Hall of Shame 40:53 Never Heard Of Gems 44:46 Osmonds Lazy River Surprise 46:48 Variety Show Flashback 51:24 Wild Trivia and Song Stories 56:17 Happy Days Nostalgia Theory 01:02:59 Anniversary Wrap and Goodbye

Dave and Milt jump into the Billboard Rock Tracks chart for the week ending March 10, 1984. They set the scene with Splash, Dallas, and Ed Koch’s Mayor, then count down the rock top 10: Yes “Leave It,” Van Halen “Panama,” Eurythmics “Here Comes the Rain Again,” Pretenders “Middle of the Road,” John Lennon “Nobody Told Me,” 38 Special “Back Where You Belong,” Kenny Loggins “Footloose,” Manfred Mann’s Earth Band “Runner,” Christine McVie “Got a Hold on Me,” and Van Halen “Jump.” They debate best song (leaning “Panama”), run a “back” title lightning quiz, and do substitutions: Milt swaps out “Runner” for Genesis “It’s Gonna Get Better,” while Dave replaces 38 Special with Genesis “Illegal Alien,” noting its later embarrassment. Topics 00:00 Cold Open Chaos 00:22 Welcome To Past Tens 00:48 McDonalds CEO Big Arch 02:51 Listener Shoutouts 05:42 Susanna Hoffs Meetup 08:04 Time Jump To 1984 08:50 Rock Charts Explained 10:21 Spinal Tap And Oscars 13:27 This Week In 1984 16:16 Number 10 Yes Leave It 21:31 A Cappella Tangent 26:07 Number 9 Van Halen Panama 30:34 DLR Aging And Legacy 36:58 Number 8 Eurythmics 39:59 Crude Banter Reset 40:49 Here Comes the Rain Again 42:06 Depression and Meaning 43:04 Middle of the Road 45:05 Pretenders Backstory 51:19 Lennon Nobody Told Me 54:54 AI Hallucination Rant 56:43 Pluribus Turkish Cover 01:00:00 38 Special Back Where 01:05:54 Back Title Quiz 01:14:17 Footloose Hall Debate 01:18:01 Genre Wars and Prince 01:18:57 Kenny Loggins Case 01:20:30 Footloose Fame Burden 01:22:24 Runner Eighties Excess 01:26:55 Christine McVie Spotlight 01:32:20 Jump and Van Halen 01:37:18 Triple Jump Mashup 01:39:17 Winners and Recap 01:41:49 Substitution and Wilhelm 01:43:46 Genesis Deep Cuts 01:47:30 Illegal Alien Debate 01:52:50 Time Machine Verdict 01:54:51 Wrap Up and Farewell

Dave and Milt open with shout-outs to a five-star review from the mysterious “BeanieGirl6” and an email from listener Jack (now in Houston) defending Edward Bear and sharing trivia about Roberta Flack’s inspiration. They then rank the 2025 Rock and Roll Hall of Fame’s 17 nominees by “worthiness,” focusing on their top 10 while also predicting who will be inducted, using athlete analogies and ChatGPT-generated sandwich comps. Their top 10 includes Iron Maiden (#10, their biggest disagreement), Joy Division/New Order, Billy Idol, Pink, Oasis, Wu-Tang Clan, Black Crowes, INXS, Phil Collins (solo), and Mariah Carey. They briefly discuss the seven left out—Jeff Buckley, New Edition, Melissa Etheridge, Lauryn Hill, Shakira, Luther Vandross, and Sade—debating genre boundaries and noting snubs like the B-52s, Coldplay, and Devo. Topics 00:52 Listener Reviews Mailbag 05:28 Rock Hall Premise 08:08 Take Us to the Iron Maiden 16:19 Old Band, New Order 22:59 Idle Thoughts on Billy 29:51 ‘P!nk,’ We Exclaim! 36:35 Water, Water Everywhere, but an Oasis? 42:05 Wu-Tang: Not Your Grandparents’ Clan 47:18 Back in Black Crowes 51:22 Peak Value And Sandwich Talk 53:55 Hey Hall, What You Need is INXS 01:00:34 Phil Collins: I Don’t Care Anymore. Or do I? 01:06:03 Also Rans Quick Hits 01:06:21 Jeff Buckley? Hallelujah! New Edition? WTF? 01:09:52 Melissa And Lauryn’s Mild Adventure 01:14:18 Shakira Don’t Lie; Luther Doesn’t Play, All the Marquis Love Sade 01:22:39 Hello, Diva! Mariah Carey 01:29:15 Wrap Up And Snubs. And Cheese.

Dave and the Chartmeister Michael “Milt” Wolfe review the Billboard Top 10 for the week ending March 10, 1973, after chatting about Milt’s trip to Savannah, snow in Massachusetts, and assorted pop-culture tangents. They cover period context including Dark Side of the Moon’s U.S. release, the “Great Michigan pizza funeral,” KISS’s first makeup show, and the death of Grateful Dead member Pigpen. The countdown includes Jermaine Jackson’s “Daddy’s Home,” John Denver’s “Rocky Mountain High,” Dr. Hook’s “Cover of the Rolling Stone,” Elton John’s “Crocodile Rock,” Deodato’s “Also Sprach Zarathustra (2001),” the O’Jays’ “Love Train,” the Spinners’ “Could It Be I’m Falling in Love,” Edward Bear’s “Last Song,” “Dueling Banjos,” and Roberta Flack’s “Killing Me Softly.” They pick weekly winners, swap out songs for Steely Dan’s “Reelin’ in the Years” and the Moody Blues’ “I’m Just a Singer (In a Rock and Roll Band),” run a train-themed riddle game, grade the week a B, and preview a Rock & Roll Hall of Fame nominees episode. Topics 00:26 Hosts Return And Updates 02:24 Savannah Vs Snow Talk 05:09 Time Machine To 1973 06:40 Week In History Highlights 10:59 Pop Culture Backdrop 15:06 Top 10 Begins Number 10 23:46 John Denver Rocky Mountain High 29:16 Dr Hook Cover Of Rolling Stone 37:39 Elton John Crocodile Rock 40:24 Silly Song Breakdown 41:34 Funky 2001 Theme 45:59 Walk On Music Talk 51:03 Love Train Origins 53:32 Love Train In Pop Culture 57:06 Train Riddle Playdate 01:10:39 Spinners Philly Soul 01:14:32 Paul Stanley Soul Covers 01:17:52 Kiss Makeup Debate 01:19:29 Edward Bear Deep Dive 01:23:55 Dueling Banjos Origins 01:32:45 Roberta Flack Breakdown 01:38:53 Recap and Awards 01:41:33 Substitutions and Swaps 01:50:55 Week Grade and Wrap 01:54:34 Next Week Tease

Dave records an episode of the Past Tens: Top 10 Time Machine podcast without co-host Milt (who is away on a winter trip or something) and brings on his brother Adam Yas as guest co-host. Each present a personal top 10 list of the greatest opening lines of 1980s songs, alternating picks and briefly discussing why each first line stands out. Adam explains his criteria: lyrical quality, vocal delivery, the artistic statement/arrival moment for the artist, and whether the line opens a great song. They discuss and play clips of selections including Wall of Voodoo’s “Mexican Radio” (Adam’s #10), De La Soul’s “Me Myself and I” (Dave’s #10), Madonna’s “Like a Virgin” (Adam’s #9), ’Til Tuesday’s “Voices Carry” (Dave’s #9, with Dave recalling seeing Amy Mann perform in Boston), Motörhead’s “Ace of Spades” (Adam’s #8, discovered via The Young Ones), Dennis DeYoung’s “Desert Moon” (Dave’s #8), Duran Duran’s “Rio” (Adam’s #7, including discussion of Patrick Nagel’s cover art and the band’s image), Elton John’s “Kiss the Bride” (Dave’s #7), Guns N’ Roses’ “Welcome to the Jungle” (Adam’s #6, framed as a major cultural turning point), Neneh Cherry’s “Buffalo Stance” (Dave’s #6, with background on her family), Run-DMC’s “King of Rock” (Adam’s #5, plus Adam’s middle-school lip-sync story), Poison’s “Fallen Angel” (Dave’s #5), Jane’s Addiction’s “Mountain Song” (Adam’s #4, with Perry Farrell’s impact and Lollapalooza mentioned), Foreigner’s “Jukebox Hero” (Dave’s #4), The Ramones’ “I Wanna Be Sedated” (Adam’s #3, noting their late-’70s origin but US soundtrack release in 1980), Kim Carnes’ “Bette Davis Eyes” (Dave’s #3, with Dave clarifying “Harlow gold” and dedicating it to their late father), David Bowie’s “Let’s Dance” (Adam’s #2, highlighting Bowie’s reinvention with Nile Rodgers and Stevie Ray Vaughan), AC/DC’s “You Shook Me All Night Long” (Dave’s #2), Prince’s “When Doves Cry” (Adam’s #1), and The Outfield’s “Your Love” (Dave’s #1, including the connection to Adam’s own song character named Josie). They also touch on music history and influence (e.g., Guns N’ Roses and Nirvana, Run-DMC bridging rap and rock, Lemmy’s documentary and WWII memorabilia, and Amy Mann’s Magnolia-era acclaim). Adam plugs his work (adamyas.com, album Gender of the Holy Spirit, and Leather Feather on Spotify, including “Evolve”). Before leaving, Adam lists honorable mentions: Tears for Fears’ “Everybody Wants to Rule the World,” Michael Jackson’s “Billie Jean,” The Smiths’ “How Soon Is Now?,” Def Leppard’s “Rock of Ages,” Bonnie Tyler’s “Total Eclipse of the Heart” (noting Jim Steinman), and Dexys Midnight Runners’ “Come On Eileen.” Email us at [email protected] Visit www.timemachinepod.com www.adamyas.com Leather Feather on Spotify: https://open.spotify.com/artist/6S7jPIPY15GXpdyqAXSVpZ Topics 00:00 Welcome to Past Tens + Adam Yas Fills In for Milt 02:03 Today’s Topic: Greatest First Lines of ’80s Songs (Rules & Criteria) 05:26 #10 Picks: Wall of Voodoo “Mexican Radio” vs De La Soul “Me, Myself and I” 12:04 #9 Picks: Madonna “Like a Virgin” vs ’Til Tuesday “Voices Carry” 20:44 #8 Picks: Motörhead “Ace of Spades” vs Dennis DeYoung “Desert Moon” 30:16 Ballads, Heartstrings & What Makes a Line Work 33:31 #7 Picks: Duran Duran “Rio” vs Elton John “Kiss the Bride” 44:29 #6 Pick: Guns N’ Roses “Welcome to the Jungle” and Changing Rock’s Direction 53:01 Neneh Cherry’s “Buffalo Stance” — forgotten hip-hop gem & iconic first line 56:33 Adam’s #5: Run-DMC “King of Rock” — rap vs rock, plus the lip-sync contest story 01:04:54 Dave’s #5: Poison “Fallen Angel” — hair metal story-song guilty pleasure 01:08:26 Adam’s #4: Jane’s Addiction “Mountain Song” — danger, artistry, and Perry Farrell’s impact 01:13:57 Dave’s #4: Foreigner “Jukebox Hero” — painting the picture of teenage rock dreams 01:16:27 Adam’s #3: Ramones “I Wanna Be Sedated” — punk history & what makes a great frontman 01:21:15 Dave’s #3: Kim Carnes “Bette Davis Eyes” — decoding “Harlow gold” & a tribute to Dad 01:23:37 Adam’s #2: David Bowie “Let’s Dance” — reinvention, Nile Rodgers, and pop perfection 01:28:05 Dave’s #2: AC/DC “You Shook Me All Night Long” — the ultimate sing-along opener 01:31:55 #1s & wrap-up: Prince “When Doves Cry” vs The Outfield “Your Love,” honorable mentions, and sign-off

This week on Past Tens: A Top 10 Time Machine, Milt and Dave crank the amps, lace up the shell-tops, and dive headfirst into one of the great musical collisions of the last 50 years: when rock and hip hop stopped flirting… and started throwing punches together. Our guest is Steven Blush — rock journalist, historian, and author of When Rock Met Hip Hop. The guy knows this terrain cold. We’re talking real-deal moments where guitars and 808s didn’t just coexist — they rewired the culture. We start with Rapture by Blondie — because yes, Debbie Harry walked so a lot of crossovers could run. Then we move into Rock Box by Run-DMC, which basically kicked the studio door off its hinges. From there? Chaos. Beautiful chaos. We hit the Def Jam Recordings origin story. The Beastie Boys pivot from punk brats to rap juggernauts with No Sleep Till Brooklyn. Rick Rubin running dual sessions like a mad scientist. Guitars. Regrets. Comebacks. We get into Walk This Way and how it resurrected Aerosmith. Then the volume somehow goes even higher with Anthrax and Public Enemy, Biohazard and Onyx, the rise of nu metal via Faith No More, and the politically explosive force of Rage Against the Machine. And yes — we land the plane (or maybe stage-dive it) with Jump Around by House of Pain, a song that has probably caused more minor arena injuries than any other track of the ’90s. Blush brings the receipts — stories, context, perspective — and we do what we always do: connect the dots, argue about legacy, and try not to blow out the speakers. Because this wasn’t just a genre mashup. It was a cultural jailbreak. Plug in. Turn it up. And come time-travel with us. GET THE BOOK: https://a.co/d/0gARAtdT Topics 00:44 Special Guest: Steven Blush 02:32 Steven Blush's Musical Journey 08:11 The Evolution of Rock and Hip Hop 29:56 The Birth of Def Jam 33:53 Beastie Boys' Breakthrough 38:02 Rick Rubin's Dual Studio Sessions 38:18 Guitar Contributions and Regrets 39:23 Beastie Boys' Rock Appeal 39:54 The Evolution of Beastie Boys 42:07 The Impact of 'Walk This Way' 43:40 Aerosmith's Comeback 50:43 Anthrax and Public Enemy Collaboration 55:10 Biohazard and Onyx Fusion 57:43 Faith No More and the Rise of Nu Metal 01:02:16 Rage Against the Machine's Influence 01:06:12 House of Pain's 'Jump Around' 01:10:48 Conclusion and Final Thoughts

Dave and Milt take a nostalgic trip back to the 1970s, evaluating and re-evaluating the Grammy winners for Record of the Year. From the soulful sounds of Simon & Garfunkel to the infectious disco beats of the Bee Gees, they discuss, debate, and sometimes disagree with the original Grammy choices, offering their own takes on who should have taken home the iconic golden gramophone. The duo also touches on nostalgic personal anecdotes, Oscar trivia, and future podcast plans. Topics 01:53 Listener Mail and Music Trivia 03:31 Grammy Awards Recap 05:59 1970 Grammy Redo 14:52 1971 Grammy Redo 21:31 1972 Grammy Redo 27:40 1973 Grammy Redo 33:42 1974 Grammy Redo 41:10 Oscar Snubs Quiz 46:40 Discussing Movie Snubs and Tom Hanks' Performances 49:02 Scorsese's Goodfellas vs. Dances with Wolves 49:55 Amy Adams' Oscar Nominations and Brokeback Mountain 52:45 1975 Grammy Redo 59:06 1976 Grammy Redo 01:10:44 1978 Grammy Redo 01:18:43 1979 Grammy Redo 01:26:26 Upcoming Special Pod

Dave and Milt hop back into the Past Tens time machine and land in February 1965—a time when the Billboard Top 10 didn’t mess around. This is peak-era stuff: songs you know, artists you trust, and records that somehow still sound better than half the things clogging your algorithm today. As always, the guys do more than just count them down. They break apart the songs, talk about where they hit in their own musical DNA, and wander into side streets involving movies, memories, and the occasional “how did we get here?” tangent. The chart itself is loaded: Sam Cooke, Marvin Gaye, The Temptations, The Righteous Brothers, The Kinks—basically a greatest-hits album disguised as a single week in ’65. Somewhere along the way, a perfectly reasonable discussion turns into a full-blown “sweet” song playdate, because once you open that door, you’re not closing it quietly. The episode wraps with debates about longevity, covers that worked (and didn’t), and the usual Past Tens soul-searching about which songs are truly immortal—and which ones just had a really good run. Topics 00:00 – Welcome to Past Tens (set your dials accordingly) 01:17 – Listener Feedback & Shoutouts 04:09 – Time Machine Locked In: February 1965 05:30 – What 1965 Looked Like Outside the Radio 15:55 – Countdown Begins (no wasted notes) 34:06 – Sweet Talkin’ Woman – ELO 39:45 – My Girl – The Temptations (yes, that moment) 48:35 – All Day and All of the Night – The Kinks 57:24 – Love Potion No. 9 – The Searchers 01:06:07 – Hold What You’ve Got – Joe Tex 01:11:31 – This Diamond Ring – Gary Lewis & The Playboys 01:13:21 – The Ed Sullivan Show Question 01:14:02 – Gary Lewis’ Chart Run 01:14:55 – Al Kooper’s Vision for This Diamond Ring 01:16:49 – The Name Game – Shirley Ellis 01:24:12 – Petula Clark Takes Us Downtown 01:30:12 – The Righteous Brothers and That Vocal 01:36:11 – Covers, Substitutions, and Tough Calls 01:38:47 – Final Thoughts, Personal Stories, and Why 1965 Still Wins

We took Past Tens on the road for the first-ever Animated Movie Draft, recorded from a friend’s house in Vermont—which immediately set the tone: cozy, loud, slightly unhinged, and absolutely competitive. Four teams entered, rules were explained (and immediately bent), and chaos followed. The teams: No Capes (Andy and David), How to Train Your Landau (Addie and Dylan), Ka-rin & Stumpy (Milt and Karen), and Everything’s Fein (Michael and Nicole). The mission: draft the greatest animated movies of all time while filling specific categories—pre-1980s, franchise films, musicals, and wildcards—without completely losing your mind or your credibility. What follows is exactly what you’d expect: big swings, loud objections, wildly personal logic, and a whole lot of “HOW was that still available?” Along the way we veer into childhood crushes, Disney World ride hot takes, Pixar debates, Broadway adaptations, and the eternal question of whether nostalgia is doing way too much heavy lifting. The draft board fills up with absolute heavyweights—Toy Story, Shrek, The Little Mermaid, Beauty and the Beast, Charlotte’s Web—plus a few picks that inspire stunned silence and/or yelling. Somehow, through all of it, one team quietly puts together a monster draft and walks away with a surprise win that no one fully saw coming (including them). It’s loud. It’s nostalgic. It’s opinionated. It’s friends arguing about cartoons like it matters—which, obviously, it does. Topics 00:14 Recording on Location in Vermont 00:51 Drafting the Greatest Animated Movies 03:19 Team Introductions and Draft Rules 09:51 First Round Picks 15:58 Second Round Picks 28:40 Third Round Picks 36:40 Peter Pan and Childhood Crushes 37:58 Disney World Ride Experiences 39:12 Drafting Disney and Pixar Films 40:37 Ratatouille and Modern Disney Rides 42:39 Musicals and Broadway Adaptations 45:39 Final Draft Picks 49:53 Honorable Mentions 01:01:03 Judging and Announcing the Winner

Dave and Milt crack open the Billboard Top 10 from January 14, 1984 — a chart absolutely stacked with heavy hitters like Lionel Richie, Michael Jackson, Duran Duran, Culture Club, Elton John, and more. It’s pop perfection, power ballads, synth hooks, and at least one harmonica discussion that gets wildly out of hand. Along the way, the guys dig into the songs, the lyrics, and the cultural moment — plus listener emails, high-school flashbacks, and a true story of Dave weaponizing song lyrics. There’s serious love for classics like “Owner of a Lonely Heart” and “Say Say Say,” plus some healthy debate when Milt swaps out “Break My Stride” for Chaka Khan’s “Ain’t Nobody,” and Dave pulls an audible by replacing “Talking in Your Sleep” with early-era U2. Expect deep dives, dumb tangents (baseball makes a surprise appearance), TikTok-era song revivals, harmonica legends, and the usual combination of nostalgia, nitpicking, and laughs that probably goes on five minutes longer than planned — as it should. Chapters: 01:59 Listener Mail 09:43 Back to 1984 14:21 The Countdown Begins 35:56 Harmonica Jealousy (Yes, Really) 37:40 Elton John Gets the Blues 42:55 “Break My Stride” (or Does It?) 45:33 Songs That Refuse to Die on TikTok 55:21 Olivia Newton-John Curveball 01:01:46 Duran Duran Era Begins 01:19:22 “Owner of a Lonely Heart” 01:25:54 McCartney + MJ 01:34:12 The Substitution Chaos 01:44:51 Final Thoughts & What’s Next

Dave and Milt fire up the DeLorean and head straight for the 1980s—specifically, the Grammy Awards’ Record of the Year decisions, many of which now feel… let’s say debatable. With equal parts reverence and side-eye, the guys re-litigate whether the Grammys nailed it, blew it, or flat-out whiffed. Spirited debates, personal memories, a few “wait—that won??” moments, and plenty of good-natured sniping as each year gets put back on trial. Along the way, there are trivia detours, surprise segments, and the occasional musical sacred cow being gently (or not so gently) tipped over. It’s nostalgia with receipts—and just enough wisdom earned the hard way. Topics 01:27 Listener love, Spotify Wrapped, and setting the mood 03:07 The Grammys do-over: ground rules and grievances 04:14 1980 Record of the Year on the stand 13:43 1981: justice served… or appealed 21:34 1982: vibes vs. legacy 28:50 1983: hits, hindsight, and head-scratching 35:37 1984: peak ’80s energy 41:29 Playdate: Grammy trivia chaos 48:05 1985: the year that wouldn’t behave 48:57 Nominees under the microscope 50:09 Tina Turner reminds everyone who’s boss 51:28 Iconic ’80s hits and cultural whiplash 54:43 1986: the nominees speak for themselves 57:55 USA for Africa takes the trophy 01:06:30 1987: a crowded field 01:08:14 Steve Winwood’s surprise victory lap 01:14:41 1988: tough calls and tougher opinions 01:16:36 Graceland and the controversy that won’t die 01:21:56 1989: joy, confusion, and whistling 01:23:23 Bobby McFerrin sparks debate 01:26:29 Michael Jackson vs. Tracy Chapman (and why this is hard) 01:33:56 Final verdicts, revised history, and closing arguments