New Books in Women's History

Before email, when long distance telephone calls were difficult and expensive, people wrote letters, often several each day. Today, those letters provide an intimate and revealing look at the lives and loves of the people who wrote them. When the author is a brilliant writer who lived an exciting, eventful life, the letters are especially interesting. Martha Gellhorn was a strong-willed, self-made, modern woman whose journalism, and life, were widely influential at the time and cleared a path for women who came after her. An ardent anti-fascist, she abhorred "objectivity shit" and wrote about real people doing real things with intelligence and passion. She is most famous, to her enduring exasperation, as Ernest Hemingway's third wife. Long after their divorce, her short tenure as "Mrs. Hemingway" from 1940 to 1945 invariably eclipsed her writing and, consequently, she never received her full due. Gellhorn's work and personal life attracted a disparate cadre of political and celebrity friends, among them, Sylvia Beach, Ingrid Bergman, Leonard Bernstein, Norman Bethune, Robert Capa, Charlie Chaplin, Chiang Kai-shek, Madame Chiang, Colette, Gary Cooper, John Dos Passos, Dorothy Parker, Maxwell Perkins, Eleanor and Franklin D. Roosevelt, Antoine de Saint-Exupéry, Orson Welles, H.G. Wells -- the people who made history in her time and beyond. Yours, for Probably Always: Martha Gellhorn's Letters of Love and War 1930-1949 (Firefly Books, 2022) is a curated collection of letters between Gellhorn and the extraordinary personalities that were her correspondents in the most interesting time of her life. Through these letters and the author's contextual narrative, the book covers Gellhorn's life and work, including her time reporting for Harry Hopkins and America's Federal Emergency Relief Administration in the 1930s, her newspaper and magazine reportage during the Spanish Civil War, World War II and the Vietnam War, and her relationships with Hemingway and General James M. Gavin late in the war, and her many lovers and affairs. Gellhorn's fiction of the time sold well: The Trouble I've Seen (1936) -- her Depression-Era stories based on the FERA activities, with an introduction by H.G. Wells; A Stricken Field (1940) -- a novel inspired by the German-Jewish refugee crisis and set in 1938 Czechoslovakia; The Heart of Another (1941) -- stories edited by Maxwell Perkins; and The Wine of Astonishment (1948) -- her novel about the liberation of Dachau, which she reported for Collier's. Gellhorn's life, reportage, fiction and correspondence reveal her passionate advocacy of social justice and her need to tell the stories of "the people who were the sufferers of history." Renewed interest in her life makes this new collection, packed with newly discovered letters and pictures, fascinating reading. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Rewriting Eve: Rescuing Women’s Stories from the Bible and Reclaiming Them as Our Own (She Writes Press, 2023), Ronna Detrick invites us into the presence and power of ten sacred, biblical women, revealing the endlessly relevant ways in which they speak today and showing how they can heal, embolden, and transform our stories. Trapped in patriarchy and theological argument, dismissed as irrelevant, or viewed as unchangeable even as times change, these women’s voices, desires, and hearts have too often been silenced through misunderstanding and neglect. When they are reimagined, deconstructed, disentangled from doctrine and dogma, and heard on their own terms, these stories become a powerful inspiration and a source of discernment that reconnects us to a feminine lineage and a sovereign sense of self we’ve never known to call on or trust. Detrick has combined her love of writing with a diverse and winding career that has included coaching, spiritual direction, professional development training, corporate leadership, and entrepreneurship. She shocked and delighted her audience in a provocative TEDx Talk, Redeeming Eve – Reimagining Everything, on an Eve who inspires and empowers women instead of shaming and silencing them. Ronna Detrick holds both a Master of Divinity degree and a Certificate in Spiritual Direction from The Seattle School of Theology and Psychology and a Bachelor of Arts in Business and Communications from Whitworth University. Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing interests include books and reading in popular culture, the public history of women's fiction, and women in Greco-Roman mythology. Learn more about your ad choices. Visit megaphone.fm/adchoices

Drawing on letters, personal testimony, works of art, novels, and historic Black newspapers, this book is an interdisciplinary exploration of Black women’s contributions to the intellectual life of nineteenth-century America. Rebecca J Fraser's book Black Female Intellectuals in 19th Century America: Born to Bloom Unseen? (Routledge, 2022) reconceptualizes the idea of what the term "intellectual" means through its discussions of both familiar and often forgotten Black women, including Edmonia Lewis, Harriet Powers, Sojourner Truth, and Harriet Tubman, amongst others. This re-envisioning brings those who have previously been excluded from the scholarship of Black intellectualism more generally, and Black female intellectuals specifically, into the center of the debate. Importantly, it also situates the histories of Black women participating in the intellectual cultures of the United States much earlier than most previous scholarship. This book will be of interest to both undergraduate and postgraduate specialists and students in the fields of African American history, women’s and gender history, and American studies, as well as general readers interested in historical and biographical works. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rachel Elior's book The Unknown History of Jewish Women: On Learning and Illiteracy, On Slavery and Liberty (de Gruyter, 2023) is a comprehensive study on the history of Jewish women, which discusses their absence from the Jewish Hebrew library of the "People of the Book" and interprets their social condition in relation to their imposed ignorance and exclusion from public literacy. The book begins with a chapter on communal education for Jewish boys, which was compulsory and free of charge for the first ten years in all traditional Jewish communities. The discussion continues with the striking absence of any communal Jewish education for girls until the late nineteenth and early twentieth century, and the implications of this fact for twentieth-century immigration to Israel (1949-1959). The following chapters discuss the social, cultural and legal contexts of this reality of female illiteracy in the Jewish community-a community that placed a supreme value on male education. The discussion focuses on the patriarchal order and the postulations, rules, norms, sanctions and mythologies that, in antiquity and the Middle Ages, laid the religious foundations of this discriminatory reality. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 1970s, the invention of the home pregnancy test changed what it means to be pregnant. For the first time, women could use a technology in the privacy of their own homes that gave them a yes or no answer. That answer had the power to change the course of their reproductive lives, and it chipped away at a paternalistic culture that gave gynecologists-the majority of whom were men-control over information about women's bodies. However, while science so often promises clear-cut answers, the reality of pregnancy is often much messier. Pregnancy Test (Bloomsbury, 2023) explores how the pregnancy test has not always lived up to the fantasy that more information equals more knowledge. Karen Weingarten examines the history and cultural representation of the pregnancy test to show how this object radically changed sex and pregnancy in the late 20th and early 21st centuries. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sarah Parker Remond (1826–1894) left the free black community of Salem, Massachusetts, where she was born, to become one of the first women to travel on extensive lecture tours across the United Kingdom. Remond eventually moved to Florence, Italy, where she earned a degree at one of Europe's most prestigious medical schools. Her language skills enabled her to join elite salons in Florence and Rome, where she entertained high society with musical soirees even while maintaining connections to European emancipation movements. Remond's extensive travels and diverse acquaintances demonstrate that the nineteenth-century grand tour of Europe was not exclusively the privilege of white intellectuals but included African American travelers, among them women. Sirpa Salenius' book An Abolitionist Abroad: Sarah Parker Remond in Cosmopolitan Europe (U Massachusetts Press, 2016), based on international archival research, tells the fascinating story of how Remond forged a radical path, establishing relationships with fellow activists, artists, and intellectuals across Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jessica Lowell Mason and Nicole Crevar's Madwomen in Social Justice Movements, Literatures, and Art (Vernon Press, 2023) boldly reasserts the importance of the Madwoman more than four decades after the publication of Sandra Gilbert and Susan Gubar's seminal work in feminist literary criticism, 'The Madwoman in the Attic'. Since Gilbert and Gubar's work was published, the Madwoman has reemerged to do important work, rock the academic boat, and ignite social justice agency inside and outside of academic spaces, moving beyond the literary context that defined the Madwoman in the late 20th century. In this dynamic collection of essays, scholars, creative writers, and Mad activists come together to (re)define the Madwoman in pluralistic and expansive ways and to realize new potential in Mad agency. This collection blazes new directions of thinking through Madness as a gendered category, comprised of a combination of creative works that (re)imagine the figure of the Madwoman, speeches in which Mad-identifying artists and writers reclaim the label of "Madwoman," and scholarly essays that articulate ambitious theories of the Madwoman. The collection is an interdisciplinary scholarly resource that will appeal to multiple academic fields, including literary studies, disability studies, feminist studies, and Mad studies. Additionally, the work contributes to the countermovement against colonial, sanist, patriarchal, and institutional social practices that continue to silence women and confine them to the metaphorical attic. Appealing to a broad audience of readers, 'Madwomen in Social Justice Movements, Literatures, and Art' is a cutting-edge inquiry into the implications of Madness as a theoretical tool in which dissenting, deviant, and abnormal women and gender non-conforming writers, artists, and activists open the door to Mad futurities. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sexual violence is a significant problem within many Western militaries. Despite international attention to the issue and global #MeToo and #TimesUp movements highlighting the impact of sexual violence, rates of sexual violence are going up in many militaries. Good Soldiers Don't Rape: The Stories We Tell About Military Sexual Violence (Cambridge University Press, 2023) by Dr. Megan MacKenzie uses feminist theories of 'rape culture' and institutional gaslighting to identify the key stories, myths, and misconceptions about military sexual violence that have obstructed addressing and preventing it. The book is a landmark study that considers nearly thirty years of media coverage of military sexual violence in three case countries – the US, Canada and Australia. Dr. MacKenzie’s findings have implications not only for those seeking to address, reduce, and prevent sexual violence in militaries, but also for those hoping to understanding rape culture and how patriarchy operates more broadly. It will appeal to students, scholars and general readers interested in gender, feminism and the military. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

From Asia to Africa to the Middle East, #MeToo has inspired local movements and hashtag trends like #AnaKaman and transnational collective hashtags like #MosqueMeToo. Yet, most Western scholarly and popular treatment of the movement assumes it is a primarily Western phenomenon. To attend to the revolutionary international impact of #MeToo, Iqra Shagufta Cheema brings together contributions from scholars and scholar activists that look at specific iterations of the #MeToo movement across multiple communities, cultures, and countries in the Global South. Going beyond gender, this comprehensive study focuses on the intersectional assemblage of ethnicity, religion, race, class, and politics that informs #MeToo and its place in local and transnational feminisms. By doing so, The Other #MeToos (Oxford UP, 2023) highlights the adaptation, translation, and impact of #MeToo in non-Western, postcolonial, minoritized, and othered locales to explore its wider scope and possibilities. Learn more about your ad choices. Visit megaphone.fm/adchoices

Middle-Class Dharma: Gender, Aspiration, and the Making of Contemporary Hinduism (Oxford UP, 2023) is a contemporary ethnography of class mobility among Hindus in Udaipur, Rajasthan, India. Focusing on women in Pulan, an emerging middle-class neighborhood of Udaipur, Jennifer D. Ortegren argues that upward class mobility is not just a socio-economic process, but also a religious one. Central to Hindu women's upward class mobility is negotiating dharma, the moral and ethical groundings of Hindu worlds. As women experiment with middle-class consumer and lifestyle practices, they navigate tensions around what is possible and what is appropriate--that is, what is dharmic--as middle-class Hindu women. Ortegren shows how these women strategically align emerging middle-class desires with more traditional religious obligations in ways that enable them to generate new dharmic boundaries and religious selfhoods in the middle classes. Such transitions can be as joyful as they are difficult and disorienting. Middle-Class Dharma explores how contemporary Hindu women's everyday practices reimagine and reshape Hindu traditions. By developing dharma as an analytical category and class as a dharmic category, Ortegren pushes for expanding definitions of religion in academia, both within and beyond the study of Hinduism in South Asia. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Foremost among the images of the Armenian Genocide is the specter of tattooed Islamized Armenian women. Blue tribal tattoos that covered face and body signified assimilation into Muslim Bedouin and Kurdish households. Among Armenians, the tattooed survivor was seen as a living ethnomartyr or, alternatively, a national stain, and the bodies of women and children figured centrally within the Armenian communal memory and humanitarian imaginary. In Remnants: Embodied Archives of the Armenian Genocide (Stanford UP, 2023), these tattooed and scar-bearing bodies reveal a larger history, as the lived trauma of genocide is understood through bodies, skin, and-in what remains of those lives a century afterward-bones. With this book, Elyse Semerdjian offers a feminist reading of the Armenian Genocide. She explores how the Ottoman Armenian communal body was dis-membered, disfigured, and later re-membered by the survivor community. Gathering individual memories and archival fragments, she writes a deeply personal history, and issues a call to break open the archival record in order to embrace affect and memory. Traces of women and children rescued during and after the war are reconstructed to center the quietest voices in the historical record. This daring work embraces physical and archival remnants, the imprinted negatives of once living bodies, as a space of radical possibility within Armenian prosthetic memory and a necessary way to recognize the absence that remains. Learn more about your ad choices. Visit megaphone.fm/adchoices

Between 1907 and 1937, thirty-two states legalized the sterilization of more than 63,000 Americans. In Fixing the Poor: Eugenic Sterilization and Child Welfare in the Twentieth Century (Johns Hopkins UP, 2020), Molly Ladd-Taylor tells the story of these state-run eugenic sterilization programs. She focuses on one such program in Minnesota, where surgical sterilization was legally voluntary and administered within a progressive child welfare system. Tracing Minnesota's eugenics program from its conceptual origins in the 1880s to its official end in the 1970s, Ladd-Taylor argues that state sterilization policies reflected a wider variety of worldviews and political agendas than previously understood. She describes how, after 1920, people endorsed sterilization and its alternative, institutionalization, as the best way to aid dependent children without helping the "undeserving" poor. She also sheds new light on how the policy gained acceptance and why coerced sterilizations persisted long after eugenics lost its prestige. In Ladd-Taylor's provocative study, eugenic sterilization appears less like a deliberate effort to improve the gene pool than a complicated but sadly familiar tale of troubled families, fiscal and administrative politics, and deep-felt cultural attitudes about disability, dependency, sexuality, and gender. Drawing on institutional and medical records, court cases, newspapers, and professional journals, Ladd-Taylor reconstructs the tragic stories of the welfare-dependent, sexually delinquent, and disabled people who were labeled "feebleminded" and targeted for sterilization. She chronicles the routine operation of Minnesota's three-step policy of eugenic commitment, institutionalization, and sterilization in the 1920s and 1930s and shows how surgery became the "price of freedom" from a state institution. Combining innovative political analysis with a compelling social history of those caught up in Minnesota's welfare system, Fixing the Poor is a powerful reinterpretation of eugenic sterilization. Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio. On Twitter: @slissw. Learn more about your ad choices. Visit megaphone.fm/adchoices

New York City, 1929. A sanatorium, a deadly disease, and a dire nursing shortage. In the pre-antibiotic days when tuber­culosis stirred people’s darkest fears, killing one in seven, white nurses at Sea View, New York’s largest municipal hospital, began quitting en masse. Desperate to avert a public health crisis, city officials summoned Black southern nurses, luring them with promises of good pay, a career, and an escape from the stric­tures of Jim Crow. But after arriving, they found themselves on an isolated hilltop in the remote borough of Staten Island, yet again confronting racism and consigned to a woefully understaffed sanatorium, dubbed “the pest house,” where it was said that “no one left alive.” Spanning the Great Depression and moving through World War II and beyond, this remarkable true story follows the intrepid young women known by their patients as the “Black Angels.” For twenty years, they risked their lives work­ing under appalling conditions while caring for New York’s poorest residents, who languished in wards, waiting to die, or became guinea pigs for experimental surgeries and often deadly drugs. But despite their major role in desegregating the New York City hospital system—and their vital work in helping to find the cure for tuberculo­sis at Sea View—these nurses were completely erased from history. Maria Smilios' book The Black Angels: The Untold Story of the Nurses Who Helped Cure Tuberculosis (G.P. Putnam's Sons, 2023) recovers the voices of these extraordinary women and puts them at the center of this riveting story, celebrating their legacy and spirit of survival. New York City, 1929. A sanatorium, a deadly disease, and a dire nursing shortage. In the pre-antibiotic days when tuber­culosis stirred people’s darkest fears, killing one in seven, white nurses at Sea View, New York’s largest municipal hospital, began quitting en masse. Desperate to avert a public health crisis, city officials summoned Black southern nurses, luring them with promises of good pay, a career, and an escape from the stric­tures of Jim Crow. But after arriving, they found themselves on an isolated hilltop in the remote borough of Staten Island, yet again confronting racism and consigned to a woefully understaffed sanatorium, dubbed “the pest house,” where it was said that “no one left alive.” Spanning the Great Depression and moving through World War II and beyond, this remarkable true story follows the intrepid young women known by their patients as the “Black Angels.” For twenty years, they risked their lives work­ing under appalling conditions while caring for New York’s poorest residents, who languished in wards, waiting to die, or became guinea pigs for experimental surgeries and often deadly drugs. But despite their major role in desegregating the New York City hospital system—and their vital work in helping to find the cure for tuberculo­sis at Sea View—these nurses were completely erased from history. The Black Angels recovers the voices of these extraordinary women and puts them at the center of this riveting story, celebrating their legacy and spirit of survival. Learn more about your ad choices. Visit megaphone.fm/adchoices

Deanne Williams's newest book, Girl Culture in the Middle Ages and Renaissance: Performance and Pedagogy (Bloombury, 2023), is a groundbreaking study of the girl actor in the medieval and early modern world, demonstrating the existence of the girl performer in England long before the Restoration. Challenging existing academic assumptions about the supposed male dominance of the early modern stage, this book reveals girls' participation in a host of areas, from medieval religious drama to pageants and royal entries under the Tudors, country house entertainments, and Jacobean masques. Williams situates her historical study of the girl actor within the wider contexts of 'girl culture', including singing, translating, and writing. By examining the impact of the girl actor in Shakespeare's various constructions of girlhood– those girl characters which play upon the precedent of the performing girl in the medieval world– Girl Culture in the Middle Ages and Renaissance argues that girls' actively shaped culture in the middle ages and Renaissance through their various performances. Interweaving her study of literary texts with the lives of girls who wrote, collected, and performed them—people like Hroswitha of Gandersheim, Anne Boleyn, Jane Lumely, the Russell sisters, and Elizabeth Carey—Williams centers the lived reality of girl children as they interacted with dramatic culture. Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices

In In Visible Archives: Queer and Feminist Visual Culture in the 1980s (U Minnesota Press, 2023), Margaret Galvan explores a number of feminist and cultural touchstones—the feminist sex wars, the HIV/AIDS crisis, the women in print movement, and countercultural grassroots periodical networks—and examines how visual culture interacts with these pivotal moments. She goes deep into the records to bring together a decade’s worth of research in grassroots and university archives that include comics, collages, photographs, drawings, and other image-text media produced by women, including Hannah Alderfer, Beth Jaker, Marybeth Nelson, Roberta Gregory, Lee Marrs, Alison Bechdel, Gloria Anzaldúa, and Nan Goldin. Through all of this, Galvan documents the community networks that produced visual culture, analyzing how this material provided a vital space for women artists to theorize and visualize their own bodies and sexualities. The art highlighted in In Visible Archives demonstrates how women represented their bodies and sexualities on their own terms and created visibility for new, diverse identities, thus serving as blueprints for future activism and advocacy—work that is urgent now more than ever as LGBTQ+ and women’s rights face challenges and restrictions across the nation. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Golden Voice: The Ballad of Cambodian Rock's Lost Queen (Life Drawn, 2023) is very well-reseraech graphic novel based on the life of beloved Cambodian singer Ros Serey Sothea, whose “Golden Voice” helped define Cambodia’s Golden Age of music until her mysterious disappearance in the killing fields of Pol Pot’s Khmer Rouge. Developed in partnership with Sothea’s family. There is a saying in Cambodia: Music is the soul of a nation. Perhaps no one embodied that spirit more than Ros Serey Sothea, a young woman who would forever change the landscape of Cambodian music as the Queen with the Golden Voice. From a humble rice farmer to nationally recognized singer, Sothea’s success captured the hearts of the Khmer people. Throughout her career, she recorded over 500 songs, her signature angelic voice soaring over genres from traditional ballads to psychedelic rock and beyond. As the Cambodian civil war raged, Sothea's singing career continued to flourish, even when she served in the army as one of the country's first female paratroopers. After years of bloody conflict, the communist Khmer Rouge seized control, murdering artists and destroying their music, bringing Cambodia's golden age into a dark era of silence. Sothea’s fate is unknown. Ros Serey Sothea's golden voice lives on in the popular music of Cambodia to this very day. Gone but not forgotten, her legacy continues to inspire. The Golden Voice tells the story of Sothea’s life, developed alongside the surviving family who knew her, and accompanied by an interactive soundtrack. Gregory Cahill is an Emmy Award winning television producer for the CBS entertainment talk show The Talk. His previous TV credits include 24, Mad Men, and Medium. In 2006, Cahill wrote and directed a short film titled The Golden Voice, depicting Ros Serey Sothea's final days under Khmer Rouge. After years of research, he began work on a graphic novel also titled The Golden Voice, depicting Ros Serey Sothea's life story. The Golden Voice: The Ballad of Cambodian Rock's Lost Queen is his first book. Kat Baumann is an illustrator and comics creator from Southern Minnesota who graduated from the Visual Arts department of the Perpich Center for Arts Education in 2009, received my bachelor’s in Studio Art in 2013 and interned at Helioscope (formerly Periscope) Studio in 2014. She decided to become a comic artist at a young age when she was heavily influenced by Japanese manga and South Korean manhwa. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sister Mary Josefa of the Eucharist is a Benedictine nun in Missouri; she and the sisters of her community recently wrote a charming children’s book, Brides of Christ (Sophia Institute Press, 2023), which invites the reader into the rhythms of their contemplative life through the course of the day and cycle of the year. She talks about this life with me and also the discernment that drew her into it. We also discuss the late Sister Wilhelmina Lancaster who founded their community who drew the attention of the world earlier this year when her exhumed body was miraculously not corrupted four years after death, nor her garments (though the fabric of her coffin was completely rotted away). Finally, we discuss the special charism and Marian consecration of this Benedictine community who emulate the quiet, loving role of the Mother of God in the years between the Ascension of Jesus and her own Assumption, supporting the Early Church. The Benedictines of Mary, Queen of Apostles website The new book, Brides of Christ, from Sophia Institute Press Articles about Sr Wilhelmina Lancaster’s uncorrupted remains: in the New York Times, in the Catholic News Agency, and in the Catholic Review. Krzysztof Odyniec is a historian of Medieval and Early Modern Europe; he is also the host of the 'Almost Good Catholics' podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

The idea that women are dangerous - individually or collectively - runs throughout history and across cultures. Behind this label lies a significant set of questions about the dynamics, conflicts, identities and power relations with which women live today. The Art of Being Dangerous: Exploring Women and Danger through Creative Expression (Leuven UP, 2021) offers many different images of women, some humorous, some challenging, some well-known, some forgotten, but all unique. In a dazzling variety of creative forms, artists and writers of diverse identities explore what it means to be a dangerous woman. With almost 100 evocative images, this collection showcases an array of contemporary art that highlights the staggering breadth of talent among today's female artists. It offers an unparalleled gallery of feminist creativity, ranging from emerging visual artists from the UK to multi-award-winning writers and translators from the Global South. This book emerges from the Dangerous Women Project. For more information, visit dangerouswomenproject.org Learn more about your ad choices. Visit megaphone.fm/adchoices

Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities. Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Disney Princesses are a billion-dollar industry, known and loved by children across the globe. In The Disney Princess Phenomenon: A Feminist Analysis (Bristol University Press, 2023) Dr. Robyn Muir provides an exploratory and holistic examination of this worldwide commercial and cultural phenomenon in its key representations: films, merchandising and marketing, and park experiences. Muir highlights the messages and images of femininity found within the Disney Princess canon and provides a rigorous and innovative methodology for analysing gender in media. Including an in-depth examination of each princess film from the last 83 years, the book provides a lens through which to view and understand how Disney Princesses have contributed to the depiction of femininity within popular culture. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Does it ever feel like you have no free time? You come home after work and instead of finding a space of rest and relaxation, you're confronted by a pile of new tasks to complete – cooking, cleaning, looking after the kids, and so on. In After Work: A History of the Home and the Fight for Free Time (Verso, 2023), Dr. Helen Hester and Dr. Nick Srnicek lay out how unpaid work in our homes has come to take up an ever-increasing portion of our lives – how the vacuum of free time has been taken up by vacuuming. Examining the history of the home over the past century – from running water to white goods to smart homes – they show how repeated efforts to reduce the burden of this work have faced a variety of barriers, challenges, and reversals. Charting the trajectory of our domestic spaces over the past century, Dr. Hester and Dr. Srnicek consider new possibilities for the future, uncovering the abandoned ideas of anti-housework visionaries and sketching out a path towards real free time for all, where everyone is at liberty to pursue their passions, or do nothing at all. It will require rethinking our living arrangements, our expectations and our cities. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

On September 1, 1967, one of the Third Reich's most infamous figures hanged herself in her cell after nearly twenty-four years in prison. Known as the "Bitch of Buchenwald," Ilse Koch was singularly notorious, having been accused of owning lampshades fabricated from skins of murdered camp inmates and engaging in "bestial" sexual behavior. These allegations fueled a public fascination that turned Koch into a household name and the foremost symbol of Nazi savagery. Her subsequent prosecution resulted in a scandal that prompted US Senate hearings and even the intervention of President Truman. Yet the most sensational atrocities attributed to Koch were apocryphal or unproven. In this authoritative reappraisal, Tomaz Jardim shows that, while Koch was guilty of heinous crimes, she also became a scapegoat for postwar Germans eager to distance themselves from the Nazi past. The popular condemnation of Koch--and the particularly perverse crimes attributed to her by prosecutors, the media, and the public at large--diverted attention from the far more consequential but less sensational complicity of millions of ordinary Germans in the Third Reich's crimes. Ilse Koch on Trial: Making the 'Bitch of Buchenwald' (Harvard UP, 2023) reveals how gendered perceptions of violence and culpability drove Koch's zealous prosecution at a time when male Nazi perpetrators responsible for greater crimes often escaped punishment or received lighter sentences. Both in the international press and during her three criminal trials, Koch was condemned for her violation of accepted gender norms and "good womanly behavior." Koch's "sexual barbarism," though treated as an emblem of the Third Reich's depravity, ultimately obscured the bureaucratized terror of the Nazi state and hampered understanding of the Holocaust. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why Mariah Carey Matters (University of Texas Press, 2023) examines the creative and complicated evolution of the musical artist. In the 1990s, Carey perfected blending pop, hip-hop, and R&B and drew from her turbulent personal life to create introspective, sonically sound masterpieces like “Vision of Love,” “Make it Happen,” and “Butterfly.” There is no doubt about Carey’s star power, as she has sold over 220 million albums globally and has the most Billboard chart-topping singles of any solo artist. Although a pioneering songwriter and producer, Carey’s musicianship and influence are still insufficiently appreciated. Andrew Chan looks beyond Carey’s glamorous persona to explore her experience as a biracial Black woman in the music business, her adventurous forays into house music and gospel, and her appeal to multiple generations of queer audiences. He also reckons with the transcendent ideal of the voice that Carey represents, showing how this international icon taught artists worldwide to sing with soul-shaking intensity and a spirit of innovation. Andrew Chan writes regularly about music, film, and books. His work has been published by the Criterion Collection, Film Comment, NPR, the New Yorker, and Reverse Shot. Latoya Johnson is an editor, writer, and bibliophile with a master’s in Humanities. Her research and writing interests include popular culture, the public history of women’s fiction, and women in Greco-Roman mythology. Learn more about your ad choices. Visit megaphone.fm/adchoices

At five years old, Kristal Brent Zook sat on the steps of a Venice Beach, California, motel trying to make sense of her white father’s abandonment, which left her feeling unworthy of a man’s love and of white protection. Raised by her working-class African American mother and grandmother, Zook was taught not to count on anyone, especially men. Men leave. Men disappoint. In adulthood she became a feminist, activist, and “race woman” journalist in New York City. Despite her professional success, something was missing. Coming to terms with her identity was a constant challenge. The Girl in the Yellow Poncho: A Memoir (Duke UP, 2023) is Zook’s coming-of-age tale about what it means to be biracial in America. Throughout, she grapples with in-betweenness while also facing childhood sexual assault, economic insecurity, and multigenerational alcoholism and substance abuse on both the Black and white sides of her family. Her story is one of strong Black women—herself, her cousin, her mother, and her grandmother—and the generational cycles of oppression and survival that seemingly defined their lives. Setting out on an inner journey that takes her across oceans and continents, Zook tells the story of a little girl who never gives up on love, even long after it seems to have been destroyed. In the end she triumphs, reconciling with her father and mother to create the family of her dreams through forgiveness and sheer force of will. A testament to the power of settling into one’s authentic identity, this book tells a story of a daughter’s lifelong yearning, a mother’s rediscovery of lost love, and the profound power of atonement and faith to heal a broken family. Katrina Anderson is a doctoral candidate at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Among Women across Worlds: North Korea in the Global Cold War (Cornell University Press, 2023), Suzy Kim follows Korean women’s engagement in a broader international women’s movement from the beginnings of the Korean War in the 1940s until International Women’s Year in 1975. Obscured by layers of “cascading erasures,” the communist women of North Korea have been overlooked in traditional narratives of Asian and feminist history. By tracing their participation in global networks like the Women’s International Democratic Federation, Kim excavates their ideas about work and family, war and peace, and imperialism and capitalism. Turning to women’s magazines, traditional dance, socialist films, and the archives of international organizations, the book resurrects figures like Pak Chong-ae and the Korean Democratic Women’s Union and the transnational circulation of their political, economic, and cultural contributions. Many of their ideas remain strikingly contemporary—from the equitable distribution of domestic labor to an intersectional understanding of justice—and presage debates that feminists continue to grapple with today. Rebecca Turkington is a PhD Candidate in History at Cambridge University studying transnational women’s networks. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Jewish Women in Comics: Bodies and Borders (Syracuse UP, 2022), contributors draw upon a rich treasure trove of Jewish women’s comics to explore the representation of Jewish women’s bodies and bodily experiences in pictorial narratives. Spanning national, cultural, and artistic borders, the essays shine a light on the significant contributions of Jewish women to comics. The volume features established figures including Emil Ferris, Amy Kurzweil, Miriam Libicki, Trina Robbins, Sharon Rudahl, and Ilana Zeffren, alongside works by artists translated for the first time into English, such as artist Rona Mor. Exploring topics of family, motherhood, miscarriages, queerness, gender and Judaism, illness, war, Haredi and Orthodox family life, and the lingering impact of the Holocaust, the contributors present unique, at times intensely personal, insights into how Jewishness intersects with other forms of identity and identification. In doing so, the volume deepens our understanding of Jewish women’s experiences. Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at [email protected]. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices

In A Queer Way of Feeling: Girl Fans and Personal Archives of Early Hollywood (University of California Press, 2023), Diana W. Anselmo queers the earliest development of the "fangirl." Gathering an unexplored archive of fan-made scrapbooks, letters, diaries, and photographs, A Queer Way of Feeling explores how, in the 1910s, girls coming of age in the United States used cinema to forge a foundational language of female nonconformity, intimacy, and kinship. Pasting cross-dressed photos on personal scrapbooks and making love to movie actresses in epistolary writing, adolescent girls from all walks of life stitched together established homoerotic conventions with an emergent syntax of film stardom to make sense of mental states, actions, and proclivities self-described as "queer" or "different from the norm." Material testimonies of a forgotten audience, these autobiographical artifacts show how early movie-loving girls engendered terminologies, communities, and creative practices that would become cornerstones of media fan reception and queer belonging. Links Mentioned in the Episode English and comparative literature professor Saidiya Hartman's website Archivist Dorothy Berry's website Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research. Learn more about your ad choices. Visit megaphone.fm/adchoices

Creatures like Lilith, the seductive first wife of Adam, and mermaids, who lured sailors to their death, are familiar figures in the genre of monstrous temptresses who use their charms to entice men to their doom. But if we go back 4,000 years, the roots of these demons lie in horrific creatures like Lamashtu, a lion-headed Mesopotamian demon who strangled infants and murdered pregnant women, and Gello, a virgin ghost of ancient Greece who killed expectant mothers and babies out of jealousy. Far from enticing men into danger and destruction, these monsters were part of women's ritual practices surrounding childbirth and pregnancy. So how did their mythology evolve into one focused on the seduction of men? In Women's Lore: 4,000 Years of Sirens, Serpents, and Succubi (Apollo, 2023) Dr. Sarah Clegg takes us on an absorbing and witty journey from ancient Mesopotamia to the present day, encountering a multitude of serpentine succubi, a child-eating wolf-monster of ancient Greece, the Queen of Sheba and a host of vampires. Dr. Clegg shows how these demons were appropriated by male-centred societies, before they were eventually recast as symbols of women's liberation, offering new insights into attitudes towards womanhood, sexuality and women's rights. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this interview, I speak with Marion Holmes Katz about her latest book Wives and Work: Islamic Law and Ethics Before Modernity (Columbia UP, 2022). This fascinating book explores the question of wives’ domestic responsibilities from a Sunni Islamic legal perspective, covering scholarship from the ninth to the fourteenth centuries. The book addresses questions such as, does the wife have the obligation to provide housework? What counts as housework? And if it is true that the wife is not obligated to perform any household labor, as many western Muslims believe, how did the Muslim tradition reconcile this ruling with the anecdote involving Fatima’s request to the Prophet Muhammad for help with household work because she is overworked? And how did Muslim scholars reconcile this idea with what they understood to be morally, culturally, or religiously correct behavior from a woman? If the wife does choose to perform housework, is she entitled to compensation from her husband? For most Muslim scholars historically, answers to these questions involved distinguishing between ethical ideals and legal claims. Katz shows, for instance, that the discourse on women’s household labor evolves with time, context, geographical location, such that, for example, in the formative period, it was widely accepted that wives are not obligated to perform any household chores, but by the time we get to the 14th century, this doctrine is challenged. Overall, then, not only do scholarly views expectedly disagree with each other, but also, scholars are less interested in providing a set of generic rules about wifely duties and more in encouraging the fulfillment of duties as they’re understood in one’s own social location. In our conversation today, we discuss the book’s main contributions and its origins; a hadith report describing an incident about Fatima’s request to Muhammad for domestic help; what exactly domestic service means and who is required or obligated to provide it—and what that obligation means; what exactly is so ethical about household work, since this discourse is rooted in ethics for Muslim scholars; and how male scholars have historically treated domestic service. We end with some thoughts on discussions about Islamic law and domestic service from a class perspective; for example, where do poor men and poor wives fit into this discussion? What are their rights? Learn more about your ad choices. Visit megaphone.fm/adchoices

While there is little doubt that women were active participants in medieval musical culture, their role has nevertheless been variously obfuscated, undermined, and overlooked, in large part because of the relative absence of named women composers. Work from recent decades has sought to re-insert women into our music-historical narratives, often by broadening their scopes and shifting away from strictly author-focused surveys. Female-Voice Song and Women's Musical Agency in the Middle Ages (Brill, 2022) brings together seventeen essays, each of which newly identifies contributions to musical culture made by women before 1500 across Europe. Encompassing not only medieval French, English, and Italian culture, but also stretching to Iceland and the Islamicite courts, this volume speaks to the various ways in which we can hear women’s voices through history. Prof. Lisa Colton and Dr. Anna Kathryn Grau jointly edited this collection, in addition to contributing chapters to it. In this episode, they speak with Áine Palmer about the study of women’s participation in medieval musical culture, the process of putting together an edited volume such as this, and share insights on their own analyses of 13th-century French motets. Further Reading and Listening: For those interested, you can here performer’s renditions of some of the songs and motets mentioned in Anna’s chapter here, here, and here, and a rendition of the motet Lisa’s chapter focuses on can be found here. Those interested in Bahktinian approaches to early music should also read Helen Dell, Desire by Gender and Genre in Trouvère Song (Woodbridge: Suffolk, 2008), particularly chapters 5 and 6, and Anna Kathryn Grau ‘Hearing Voices: Heteroglossia, Homoglossia, and the Old French Motet’ in Musica Disciplina 58 (2013), pp. 73-100. Prof. Lisa Colton can be found on Twitter at @elsie33, and you can find Dr. Anna Kathryn Grau at @AnnaKathrynGrau. Aine Palmer is a PhD candidate in the Music Department at Yale. Learn more about your ad choices. Visit megaphone.fm/adchoices

With the US Supreme Court confirmation of Ketanji Brown Jackson, “it makes sense to revisit the life and work of another Black woman who profoundly shaped the law: Constance Baker Motley” (CNN). Born to an aspirational blue-collar family during the Great Depression, Constance Baker Motley was expected to find herself a good career as a hairdresser. Instead, she became the first black woman to argue a case in front of the Supreme Court, the first of ten she would eventually argue. The only black woman member in the legal team at the NAACP’s Inc. Fund at the time, she defended Martin Luther King in Birmingham, helped to argue in Brown vs. The Board of Education, and played a critical role in vanquishing Jim Crow laws throughout the South. She was the first black woman elected to the state Senate in New York, the first woman elected Manhattan Borough President, and the first black woman appointed to the federal judiciary. Civil Rights Queen: Constance Baker Motley and the Struggle for Equality (Knopf Doubleday, 2023) captures the story of a remarkable American life, a figure who remade law and inspired the imaginations of African Americans across the country. Burnished with an extraordinary wealth of research, award-winning, esteemed Civil Rights and legal historian and dean of the Harvard Radcliffe Institute, Tomiko Brown-Nagin brings Motley to life in these pages. Brown-Nagin compels us to ponder some of our most timeless and urgent questions–how do the historically marginalized access the corridors of power? What is the price of the ticket? How does access to power shape individuals committed to social justice? In Civil Rights Queen, she dramatically fills out the picture of some of the most profound judicial and societal change made in twentieth-century America. Learn more about your ad choices. Visit megaphone.fm/adchoices

A concise overview of fertility technology—its history, practical applications, and ethical and social implications around the world. In the late 1850s, a physician in New York City used a syringe and glass tube to inject half a drop of sperm into a woman’s uterus, marking the first recorded instance of artificial insemination. From that day forward, doctors and scientists have turned to technology in ever more innovative ways to facilitate conception. Fertility Technology (MIT Press, 2023) surveys this history in all its medical, practical, and ethical complexity, and offers a look at state-of-the-art fertility technology in various social and political contexts around the world. Donna J. Drucker’s concise and eminently readable account introduces the five principal types of fertility technologies used in human reproduction—artificial insemination; ovulation timing; sperm, egg, and embryo freezing; in vitro fertilization; and IVF in uterine transplants—discussing the development, manufacture, dispersion, and use of each. Geographically, it focuses on countries where innovations have emerged and countries where these technologies most profoundly affect individuals and population policies. Drucker’s wide-ranging perspective reveals how these technologies, used for birth control as well as conception in many cases, have been critical in shaping the moral, practical, and political meaning of human life, kinship, and family in different nations and cultures since the mid-nineteenth century. Donna J. Drucker is Assistant Director of Scholarship and Research Development at the Columbia University School of Nursing. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thy Power, O Liberty, make strong the weak, And (wond’rous instinct) Ethiopians speak. At the age of 19, Phillis Wheatley published the first book in English by a person of African descent and the third book of poetry by a North American Woman. She was a poet but also a political actor and celebrity – the most famous African in North America and Europe during the era of the American Revolution. George Washington wrote to her. Thomas Jefferson ridiculed her. In The Odyssey of Phillis Wheatley: A Poet's Journeys Through American Slavery and Independence (FSG, 2023) – a joint exercise in history and literary criticism, Dr. David Waldstreicher writes that Wheatley is “Homer and Odysseus and the slaves and the women they knew or imagined. She aimed for the universal without forgetting who was suffering most and why.” Reading Wheatley’s poetry in historical context reveals the extent to which the American Revolution both strengthened and limited black slavery – and also how Wheatley herself affected the debates about American slavery and independence. Mastering the Bible, Greek and Latin translations, and the works of Pope and Milton, Wheatley composed elegies for local elites, celebrated political events, and praised warriors. Despite her skill, knowledge, and fame, she often had to write indirectly about subjects that mattered deeply to her – race, slavery, and discontent with British rule. During a period in which writing was central to political conversation, she used her verse to lampoon, question, and assert the injustice of her enslaved condition. As Waldstreicher demonstrates, Wheatley wrote about events and people – turning what was available and acceptable for a person in her position into poetry that could be read for its art – but also subversively for its political ideas. He concludes that her work proves that the story of the American revolution and Phillis Wheatley are inextricably joined – and that story is one of “resilience and creativity, of antislavery and antiracist possibilities, and of backlash and loss, dreams dashed and deferred.” Dr. David Waldstreicher is distinguished professor of history, American Studies, and Africana Studies at the Graduate Center of the City University of New York. His research interests include U.S. cultural and political history, colonial and early US, African American history, slaver, and antislavery. He is the author of Slavery’s Constitution: From Revolution to Ratification (Hill and Wang) and Runaway American: Benjamin Franklin, Slavery, and the American Revolution (Farrar, Strauss & Giroux). His public facing writing includes contributions to The New York Times Book Review, the Boston Review, and The Atlantic. Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoices

First introduced in the pages of X-Men, Storm is probably the most recognized Black female superhero. She is also one of the most powerful characters in the Marvel Universe, with abilities that allow her to control the weather itself. Yet that power is almost always deployed in the service of White characters, and Storm is rarely treated as an authority figure. Hero Me Not: The Containment of the Most Powerful Black, Female Superhero (Rutgers UP, 2023) offers an in-depth look at this fascinating yet often frustrating character through all her manifestations in comics, animation, and films. Chesya Burke examines the coding of Storm as racially “exotic,” an African woman who nonetheless has bright white hair and blue eyes and was portrayed onscreen by biracial actresses Halle Berry and Alexandra Shipp. She shows how Storm, created by White writers and artists, was an amalgam of various Black stereotypes, from the Mammy and the Jezebel to the Magical Negro, resulting in a new stereotype she terms the Negro Spiritual Woman. With chapters focusing on the history, transmedia representation, and racial politics of Storm, Burke offers a very personal account of what it means to be a Black female comics fan searching popular culture for positive images of powerful women who look like you. Katrina Anderson is a doctoral candidate at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today’s episode of POSTSCRIPT explores and examines director Greta Gerwig’s film, Barbie. This Warner Brothers’ movie has been in theaters for under a month but has crossed the $1 billion dollar mark during that time, breaking all kinds of box office records and making Gerwig the first solo female director to enter this rarified realm. Barbie is now Warner Brothers’ most successful film, surpassing Christopher Nolan’s The Dark Knight, which had held that position at Warner Brothers. Barbie has hit a kind of cultural and cinematic sweet spot—with a marketing campaign around the movie establishing pink as the new black, bringing in Barbie-connected products across almost all consumer platforms, from Barbie-themed furniture to holiday home rentals, from lunchboxes and tee-shirts to new Mattel Barbies reflecting characters in the film. Barbie has also received positive reviews in the United States and globally, with audience members attending the film in pink clothing and accessories, often accompanied by friends and family members. Thus, Barbie is more than a summer tent-pole release, though it certainly has fulfilled that particular role. Barbie is more of an event—driving theater attendance, conversations, and in-person community experiences. In this episode, I am joined by four scholars and experts to discuss “all things Barbie” as we examine the narrative of the film itself, the questions of gender and feminism, patriarchy, and sexuality. We also dive into the marketing campaign, the tensions between capitalism, neoliberalism, postfeminism, and an original intellectual property based on a consumer product. Dr. Linda Beail (Point Loma Nazarene University), Dr. Shuchi Kapila (Grinnell College), Dr. Danielle Hanley (Clark University), and Dr. Susan Liebell (St. Joseph University and co-host of the New Books in Political Science podcast) take up all these dimensions of this brightly colored film as we explore our thinking about this movie event that has landed in the post-Covid landscape of 2023. We all found the experience of seeing Barbie, in a movie theater, to be one filled with joy and fun, for ourselves, and among those in the theater with us. Join in our conversation about Barbie, since this is both a delightful cinematic experience and a film with something to say to its audience and the world around us. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices

Public-Private Partnerships (PPPs) have gained a renewed momentum in recent years, and have come to be viewed by governments and funders alike as a silver bullet for infrastructure development and public service provision. Critiques of the corporate capture of development are well established, yet until now the urgent question of the impacts of PPPs on women's human rights around the world has remained under-explored. Corina Rodríguez Enríquez and Masaya Llavaneras Blanco's book Corporate Capture of Development: Public-Private Partnerships, Women’s Human Rights, and Global Resistance (Bloomsbury, 2023) aims to fill the gap, providing new insights from a set of case studies from across the Global South. Bringing an intersectional feminist approach to PPPs, these cases enable analysis that can inform advocacy and activism, whilst challenging dominant narratives and resisting the negative impacts of PPPs on women and historically marginalized communities' human rights. Widely advocating for stronger regulatory frameworks and institutions, and indicating how changes could be implemented, the examples analysed cover a range of sectors including health, energy, and infrastructure from countries including Ethiopia, Peru, India and Fiji. The eBook editions of this book are available open access under a CC BY-NC-ND 4.0 licence here. Open access was funded by Development Alternatives with Women for a New Era (DAWN). Learn more about your ad choices. Visit megaphone.fm/adchoices

Family history is one of the most widely practiced forms of public history around the globe, especially in settler migrant nations like Australia and Canada. It empowers millions of researchers, linking the past to the present in powerful ways, transforming individuals' understandings of themselves and the world. Family History, Historical Consciousness and Citizenship: A New Social History (Bloomsbury, 2021) by Dr. Tanya Evans examines the practice, meanings and impact of undertaking family history research for individuals and society more broadly. Dr. Evans shows how family history fosters inter-generational and cross-cultural, religious and ethnic knowledge, how it shapes historical empathy and consciousness and combats social exclusion, producing active citizens. Evans draws on her extensive research on family history, including survey data, oral history interviews and focus groups undertaken with family historians in Australia, England and Canada collected since 2016. The book reveals that family historians collect and analyse varied historical sources, including oral testimony, archival documents, pictures and objects of material culture. This book reveals how people are thinking historically outside academia, what historical skills they are using to produce historical knowledge, what knowledge is being produced and what impact that can have on them, their communities and scholars. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jamila Rodrigues's new book Sufi Women, Embodiment and the “Self”: Gender in Islamic Ritual (Routledge 2023) uses her dance and performance studies background to study women’s hadra or zikr experiences of a Naqshbandi Sufi community in Cape Town, South Africa. This ritual includes engagement with sacred texts, music, and bodily movement with the aim of reaching union with Allah. This focused study on women’s bodily movement during zikr and women’s understanding of the mind and soul provides fascinating insights of what constitutes the “self” via ritual and performance studies. Rodrigues also uses auto-ethnography to situate some of this discussion on embodiment. The book will be of interest to anthropologists, Sufi studies scholars, and performance studies scholars. Shobhana Xavier is an Associate Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here and here. She may be reached at [email protected]. You can follow her on Twitter via @shobhanaxavier. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1686 in Geneva, a single mother named Jeanne Catherine Thomasset is charged with poisoning two young children: her own illegitimate daughter and the son of a rural wet nurse. So begins a harrowing criminal trial during which authorities interrogate Jeanne Catherine several times, sometimes with torture, to determine the truth. Sara Beam's The Trial of Jeanne Catherine: Infanticide in Early Modern Geneva (University of Toronto Press, 2021) is a suspenseful historical mystery that offers students the opportunity to learn about motherhood, child rearing, gender, religion, local politics, and the practice of criminal justice in early modern Europe. This edition provides the complete trial transcript as well as the deliberations of the Genevan authorities and relevant correspondence. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices

Credited with popularizing the label "ex-wife" in 1929, Ursula Parrott wrote provocatively about divorcées, career women, single mothers, work-life balance, and a host of new challenges facing modern women. Her best sellers, Hollywood film deals, marriages and divorces, and run-ins with the law made her a household name. Part biography, part cultural history, Becoming the Ex-Wife: The Unconventional Life and Forgotten Writings of Ursula Parrott (U California Press, 2023) establishes Parrott's rightful place in twentieth-century American culture, uncovering her neglected work and keen insights into American women's lives during a period of immense social change. Although she was frequently dismissed as a "woman's writer," reading Parrott's writing today makes it clear that she was a trenchant philosopher of modernity--her work was prescient, anticipating issues not widely raised until decades after her decline into obscurity. With elegant wit and a deft command of the archive, Marsha Gordon tells a timely story about the life of a woman on the front lines of a culture war that is still raging today. Learn more about your ad choices. Visit megaphone.fm/adchoices

This book examines the Pan-Africanism of Mary McLeod Bethune through her work, which internationalized the scope of Black women's organizations to create solidarity among Africans throughout the diaspora. Broadening the familiar view of Bethune as an advocate for racial and gender equality within the United States, Ashley Preston argues that Bethune consistently sought to unify African descendants around the world with her writings, through travel, and as an advisor. Preston shows how Bethune's early involvement with Black women's organizations created personal connections across Cuba, Haiti, India, and Africa and shaped her global vision. Bethune founded and led the National Council of Negro Women, which strengthened coalitions with women across the diaspora to address issues in their local communities. Bethune served as director of the Division of Negro Affairs for the Franklin D. Roosevelt administration and later as associate consultant for the United Nations alongside W.E.B. DuBois and Walter White, using her influence to address diversity in the military, decolonization, suffrage, and imperialism. Ashley Robertson Preston's book Mary Mcleod Bethune the Pan-Africanist (UP of Florida, 2023) provides a fuller, more accurate understanding of Bethune's work, illustrating the perspective and activism behind Bethune's much-quoted words: "For I am my mother's daughter, and the drums of Africa still beat in my heart." Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities. Learn more about your ad choices. Visit megaphone.fm/adchoices

What if prisoners were to write the history of their own prison? What might that tell them--and all of us--about the roots of the system that incarcerates so many millions of Americans? In Besides, Who Would Believe a Prisoner?: Indiana Women's Carceral Institutions, 1848-1920 (New Press, 2023), a group of incarcerated women at the Indiana Women's Prison have assembled a chronicle of what was originally known as the Indiana Reformatory Institute for Women and Girls, founded in 1873 as the first totally separate prison for women in the United States. In an effort that has already made the national news, and which was awarded the Indiana History Outstanding Project for 2016 by the Indiana Historical Society, the Indiana Women's Prison History Project worked under conditions of sometimes-extreme duress, excavating documents, navigating draconian limitations on what information incarcerated scholars could see or access, and grappling with the unprecedented challenges stemming from co-authors living on either side of the prison walls. With contributions from ten incarcerated or formerly incarcerated women, the result is like nothing ever produced in the historical literature: a document that is at once a shocking revelation of the roots of America's first prison for women, and also a meditation on incarceration itself. "Besides, Who Would Believe a Prisoner?" is a book that will be read and studied for years to come as the nation continues to grapple with the crisis of mass incarceration. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. Learn more about your ad choices. Visit megaphone.fm/adchoices

This book tells the untold story of the Married Women's Association. Unlike more conventional histories of family law, which focus on legal actors, it highlights the little-known yet indispensable work of a dedicated group of life-long activists. Formed in 1938, the Married Women's Association took reform of family property law as its chief focus. The name is deceptively innocuous, suggesting tea parties and charity fundraisers, but in fact the MWA was often involved in dramatic confrontations with politicians, civil servants, and Law Commissioners. The Association boasted powerful public figures, including MP Edith Summerskill, authors Vera Brittain and Dora Russell, and barrister Helena Normanton. They campaigned on matters that are still being debated in family law today. Sharon Thompson's Quiet Revolutionaries: The Married Women's Association and Family Law (Hart Publishing, 2022) sheds new light upon legal reform then and now by challenging longstanding assumptions, showing that piecemeal legislation can be an effective stepping stone to comprehensive reform and highlighting how unsuccessful bills, though often now forgotten, can still be important triggers for change. Drawing upon interviews with members' friends and family, and thousands of archival documents, the book is compulsory reading for lawyers, legal historians, and anyone who wishes to explore histories of law reform from the ground up. Jeannette Cockroft is an associate professor of history and political science at Schreiner University. Learn more about your ad choices. Visit megaphone.fm/adchoices

The nineteenth century witnessed a flurry of evangelical and missionary activity in Europe and North America. This was an era of renewed piety and intense zeal spanning denominations and countries. One area of Protestant flourishing in this period has received scant attention in Anglophone sources, however: the French Réveil. Born of a rich Huguenot heritage but aimed at recovering the religion of the heart, this awakening gave birth to a dynamic missionary movement—and some of its chief agents were women. In Birthing Revival: Women and Mission in Nineteenth-Century France (Baylor UP, 2022), Michèle Sigg sheds light on the seminal role French Protestant women played in launching and sustaining this movement of revival and mission. Out of the concerted efforts of these women arose a holistic mission strategy encompassing the home front and the foreign field. Parisian women, led by Émilie Mallet, established schools to provide infants with food, safety, and religious education. Mallet and her friend Albertine de Broglie led the women’s auxiliary of the Paris Bible Society to design and carry out a strategy for large-scale Bible distribution and fundraising. In 1825 de Broglie pioneered the women’s committee of the Paris Evangelical Mission Society, which used the Bible Society model to promote international missions across their many networks. In meetings, publications, and reports to the annual General Assembly, the women reflected on their calling in the work of mission and fully embraced their identity as "true missionaries." The success of women teachers and their presence as wives and mothers in the Lesotho Mission—exemplified by pioneering missionary wife Elizabeth Lyndall Rolland—proved that married couples serving together as models of Christian living were essential in opening the doors to missionary work in Africa. The story, and these women’s legacies, does not end in the field, however. Sigg demonstrates how the educational work of the missionary wives and their publications that shared good news of growing faith in Lesotho sparked local revivals in France. When the enthusiasm of the Réveil waned in the metropole and divisions mounted among Protestants, a movement of deaconesses emerged to renew the faith of French Protestants. Byung Ho Choi is a Ph.D. candidate in the History and Ecumenics program at Princeton Theological Seminary, concentrating in World Christianity and history of religions. His research focuses on the indigenous expressions of Christianities found in Southeast Asia, particularly Christianity that is practiced in the Muslim-dominant archipelagic nation of Indonesia. More broadly, he is interested in history and the anthropology of Christianity, complexities of religious conversion and social identity, inter-religious dialogue, ecumenism, and World Christianity. Sun Yong Lee is a Ph.D. candidate in the Department of History and Ecumenics, studying World Christianity and the history of religions at Princeton Theological Seminary. Her research interests center on the history of Christianity in East Asia and Protestant missions. She is especially interested in women’s experiences in their mission encounters and their participation in the formation of Christianity and social changes. Her research expands to social theory of religion, church-state relations, and politics of religion. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Unruly Women: Race, Neocolonialism, and the Hijab (Oxford UP, 2022), Falguni Sheth explores the multiple ways that liberalism is understood and exploited, and liberalism’s origin as a project of British colonialism and as a legacy of settler colonialism in the U.S. The “unruly women” in the author’s title are, in liberalism, women who do not conform or who are not “suitably feminist”—like Muslim women who veil or Black women who, really, simply exist. Falguni argues that certain key terms, such as professionalism, dismissiveness, excruciation, ontopolitics, and address are crucial to our understanding of the ways that women of color are treated in legal cases and in the broader culture as well as our understanding of the psychic violence that liberalism and colonialism perpetuate on women of color. In our interview today, we discuss liberalism as a problem in theory, too, and not just in practice and its connections to the prejudice and discrimination faced by different groups of women of color. We also talk about the ways that feminism is defined by liberal and radical western feminists, the limitations of such understandings; specific supreme court and other legal cases involving discrimination against Muslim women; and the author explains the significance of political theory, liberal feminist theory, and theories of power to her arguments in the book overall. Shehnaz Haqqani is an Assistant Professor of Religion at Mercer University. She earned her PhD in Islamic Studies with a focus on gender from the University of Texas at Austin in 2018. Her dissertation research explored questions of change and tradition, specifically in the context of gender and sexuality, in Islam. She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

In examining how the veterans' movement inscribed martial citizenship onto American law, politics, and culture, A Nation of Veterans: War, Citizenship, and the Welfare State in Modern America (University of Pennsylvania Press, 2022) offers a new history of the U.S. welfare state that highlights its longstanding connection with warfare. It shows how a predominantly white and male group such as military veterans was at the center of social policy debates in the interwar and postwar period and how women and veterans of color were often discriminated against or denied access to their benefits. It moves beyond the traditional focus on the 1944 G.I. Bill to examine other important benefits like pensions, civil service preference, and hospitals. The book also examines multiple generations of veterans, by shedding light on how former service members from both World Wars as well as Korea and the Cold War interacted with each other. Olivier Burtin is Associate Professor of U.S. History and Civilization at the University of Amiens, France. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Childfree and Happy: Transforming the Rhetoric of Womens' Reproductive Choices (Utah State University Press, 2023) examines how millennia of reproductive beliefs (or doxa) have positioned women who choose not to have children as deviant or outside the norm. Considering affect and emotion alongside the lived experiences of women who have chosen not to have children, Courtney Adams Wooten offers a new theoretical lens to feminist rhetorical scholars’ examinations of reproductive rhetorics and how they circulate through women’s lives by paying attention not just to spoken or written beliefs but also to affectual circulations of reproductive doxa. Through interviews with thirty-four childfree women and analysis of childfree rhetorics circulating in historical and contemporary texts and events, this book demonstrates how childfree women individually and collectively try to speak back to common beliefs about their reproductive experiences, even as they struggle to make their identities legible in a sociocultural context that centers motherhood. Childfree and Happy theorizes how affect and rhetoric work together to circulate reproductive doxa by using Sara Ahmed’s theories of gendered happiness scripts to analyze what reproductive doxa is embedded in those scripts and how they influence rhetoric by, about, and around childfree women. Delving into how childfree women position their decision not to have children and the different types of interactions they have with others about this choice, including family members, friends, colleagues, and medical professionals, Childfree and Happy also explores how communities that make space for alternative happiness scripts form between childfree women and those who support them. It will be of interest to scholars in the fields of the rhetoric of motherhood/mothering, as well as feminist rhetorical studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

This field-defining collection establishes unfinished film projects--abandoned, interrupted, lost, or open-ended--as rich and under-appreciated resources for feminist film and media studies. In deeply researched and creatively conceived chapters, scholars join with film practitioners in approaching the unfinished film as an ideal site for revealing the lived experiences, practical conditions, and institutional realities of women's film production across historical periods and national borders. Alix Beeston and Stefan Solomon's Incomplete: The Feminist Possibilities of the Unfinished Film (U California Press, 2023) recovers projects and practices marginalized in film industries and scholarship alike, while also showing how feminist filmmakers have cultivated incompletion as an aesthetic strategy. Objects of loss and of possibility, incomplete films raise profound historiographical and ethical questions about the always unfinished project of film history, film spectatorship, and film studies. Host Annie Berke sits down with editors Alix Beeston and Stefan Solomon to ask how this project originated, what makes a film "incomplete," and what unfinished work has to tell us about the nature of cinema and art. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices

Padma Desai grew up in the 1930s in the provincial world of Surat, India, where she had a sheltered and strict upbringing in a traditional Gujarati Anavil Brahmin family. Her academic brilliance won her a scholarship to Bombay University, where the first heady taste of freedom in the big city led to tragic consequences—seduction by a fellow student whom she was then compelled to marry. In a failed attempt to end this disastrous first marriage, she converted to Christianity. A scholarship to America in 1955 launched her on her long journey to liberation from the burdens and constraints of her life in India. With a growing self-awareness and transformation at many levels, she made a new life for herself, met and married the celebrated economist Jagdish Bhagwati, became a mother, and rose to academic eminence at Harvard and Columbia. How did she navigate the tumultuous road to assimilation in American society and culture? And what did she retain of her Indian upbringing in the process? This brave and moving memoir—Breaking Out--written with a novelist's skill at evoking personalities, places, and atmosphere, and a scholar's insights into culture and society, community, and family—tells a compelling and thought-provoking human story that will resonate with readers everywhere. Padma Desai is Gladys and Roland Harriman Professor of Comparative Economic Systems and Director, Center for Transition Economies at Columbia University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why do women in contemporary western societies experience contradiction between their autonomous and maternal selves? What are the origins of this contradiction and the associated ‘double shift’ that result in widespread calls to either ‘lean in’ or ‘opt out’? How are some mothers subverting these contradictions and finding meaningful ways of reconciling their autonomous and maternal selves? In Modern Motherhood and Women’s Dual Identities: Rewriting the Sexual Contract (Routledge, 2018), Petra Bueskens argues that western modernisation consigned women to the home and released them from it in historically unprecedented, yet interconnected, ways. Her ground-breaking formulation is that western women are free as ‘individuals’ and constrained as mothers, with the twist that it is the former that produces the latter. Bueskens’ theoretical contribution consists of the identification and analysis of modern women’s duality, drawing on political philosophy, feminist theory and sociology tracking the changing nature of discourses of women, freedom and motherhood across three centuries. While the current literature points to the pervasiveness of contradiction and double-shifts for mothers, very little attention has been paid to how (some) women are subverting contradiction and ‘rewriting the sexual contract’. Bridging this gap, Bueskens’ interviews ten ‘revolving mothers’ to reveal how periodic absence, exceeding the standard work-day, disrupts the default position assigned to mothers in the home, and in turn disrupts the gendered dynamics of household work. Helena Vissing, PsyD, SEP, PMH-C is a Licensed Psychologist practicing in California. She can be reached at [email protected]. She is the author of Somatic Maternal Healing: Psychodynamic and Somatic Treatment of Trauma in the Perinatal Period Learn more about your ad choices. Visit megaphone.fm/adchoices