New Books in Women's History

Why do some countries do better than others in advancing women as political leaders and in promoting women’s rights? And what difference does this make to women’s everyday lives? In this episode CEDAR’s Nic Cheeseman talks to Aili Mari Tripp, a world leading researcher of women’s movements, who explains why there are more women in parliament than ever before, and the role that gender quotas have played in this trend. We also discuss why some authoritarian governments gone to greater lengths to promote women’s representation than their democratic counterparts, and whether this is simply a PR exercise or reflects a deeper commitment to equality. Aili Mari Tripp is the Vilas Research Professor of Political Science at the University of Wisconsin-Madison and one of the world’s leading researchers on women’s movements and political representation. She has written seven books and co-edited seven more, many of which have won awards, and all of which have demonstrated the complexities of women’s struggle for equality, especially in sub-Saharan Africa. Her most recent work focusses on women’s representation under authoritarian rule. Nic Cheeseman is the Professor of Democracy and International Development at the University of Birmingham and Founding Director of CEDAR. The People, Power, Politics podcast brings you the latest insights into the factors that are shaping and re-shaping our political world. It is brought to you by the Centre for Elections, Democracy, Accountability and Representation (CEDAR) based at the University of Birmingham, United Kingdom. Join us to better understand the factors that promote and undermine democratic government around the world and follow us on Twitter at @CEDAR_Bham! Learn more about your ad choices. Visit megaphone.fm/adchoices

On mainstream social media platforms, far-right women make extremism relatable. They share Instagram stories about organic foods that help pregnant women propagate the “pure” white race and post behind-the-scenes selfies at antivaccination rallies. These social media personalities model a feminine lifestyle, at once promoting their personal brands and radicalizing their followers. Amid discussions of issues like dating, marriage, and family life, they call on women to become housewives to counteract the corrosive effects of feminism and champion the Great Replacement conspiracy theory, which motivated massacres in Christchurch, El Paso, and Buffalo. Eviane Leidig offers an in-depth look into the world of far-right women influencers, exploring the digital lives they cultivate as they seek new recruits for white nationalism. Going beyond stereotypes of the typical male white supremacist, she uncovers how young, attractive women are playing key roles as propagandists, organizers, fundraisers, and entrepreneurs. Leidig argues that far-right women are marketing themselves as authentic and accessible in order to reach new followers and spread a hateful ideology. This insidious—and highly gendered—strategy takes advantage of the structure of social media platforms, where far-right women influencers’ content is shared with and promoted to mainstream audiences. Providing much-needed expertise on gender and the far right, this timely and accessible book also details online and offline approaches to countering extremism. Rameen Mohammed is a community organizer based in Texas, a fellow for Muslim Counterpublics Lab and a soon-to-be law student. Learn more about your ad choices. Visit megaphone.fm/adchoices

Holly A. Baggett's Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review (Northern Illinois UP, 2023) is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"―Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot―and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review. Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices

The role of mother is often celebrated in the United States as the most important job in the world but Dr. Caitlin Killian argues that American motherhood is increasingly monitored and perilous. From preconception, through pregnancy, and while parenting, she argues that women are held to ever-higher standards and punished – both socially and criminally – for failing to live up to these norms. Using historical accounts, public health pronouncements, social psychological research, and course cases, Failing Moms: Social Condemnation and Criminalization of Mothers (Polity Press, 2023) documents how women of all ethnic backgrounds and socioeconomic statuses have been interrogated, held against their will, and jailed for a rapidly expanding list of offenses such as falling down the stairs while pregnant or letting a child spend time alone in a park, actions that were not considered criminal a generation ago. While poor mothers and moms of color are targeted the most, Dr. Killian argues that all moms are in jeopardy, whether they realize it or not. Women and mothers are disproportionately held accountable compared to men and fathers who do not see their reproduction policed and almost never incur charges for “failure to protect.” The gendered inequality of prosecutions reveals them to be more about controlling women than protecting children. Other books have examined the specific risks to either pregnant or parenting women – but few connect the issues – and that is Dr. Killian’s goal. Using a reproductive justice lens, she analyzes the extent of the crisis and what must change to prevent mass penalization and provide resources to allow people to mother well. Dr. Caitlin Killian is a professor of sociology at Drew University specializing in gender, families, reproduction, and immigration. She has worked as a consultant for the United Nations, developing the module on sexual and reproductive health and rights for UN staff training and co-authoring a UNDP report on Syrian refugee women. Her articles have appeared in Contexts magazine and The Conversation, and she has published in numerous academic journals about adoption, overblown warnings about women’s alcohol consumption during pregnancy, sexual and reproductive health and justice, and immigrant and refugee women. Dr. Killian mentions: Michele Goodwin, Policing the Womb: Invisible Women and the Criminalization of Motherhood Renee Almeling, GUYnecology: The Missing Science of Men’s Reproductive Health Jeanne Flavin, Our Bodies, Our Crimes: The Policing of Women's Reproduction Miranda R. Waggoner, The Zero Trimester: Pre-Pregnancy Care and the Politics of Reproductive Risk Cynthia Daniels, Exposing Men: The Science and Politics of Male Reproduction Kim Brooks, Small Animals: Parenthood in the Age of Fear George Lobis served as the editorial assistant for this podcast. Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoices

Medicine carries the burden of its own troubling history. Over centuries, women’s bodies have been demonised and demeaned until we feared them, felt ashamed of them, were humiliated by them. But as doctors, researchers, campaigners and most of all as patients, women have continuously challenged medical orthodoxy. Medicine’s history has always been, and is still being, rewritten by women’s resistance, strength and incredible courage. In this ground-breaking history Dr. Elinor Cleghorn unpacks the roots of the perpetual misunderstanding, mystification and misdiagnosis of women’s bodies, illness and pain. From the ‘wandering womb’ of ancient Greece to today’s shifting understanding of hormones, menstruation and menopause, Unwell Women: A Journey Through Medicine and Myth in a Man-Made World (Dutton, 2021) is the revolutionary story of women who have suffered, challenged and rewritten medical misogyny. Drawing on Elinor’s own experience as an unwell woman, this is a powerful and timely exposé of the medical world and woman’s place within it. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

As per William Shakespeare, ‘all the world’s a stage’. But what if the human soul was a stage too? What if the stage of the world and the stage of the soul coincided? And what if the soul was also the main character of the play? These questions are at the core of Eugenio Refini's book Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy (Legenda, 2022), which explores pedagogical uses of allegorical drama in Italy in the decades around 1600, with a focus on the place of theatre in the education of female orphans in the hospitals of Venice. The consumption of morality plays is looked at as a form of spiritual practice modeled on long-lasting theatrical metaphors. In this context, tropes such as the theatrum mundi not only regained their literal meaning by being actually staged, but also turned into rhetorical devices able to promote the inner staging of the ‘world’ on the ‘spiritual’ stage of the soul. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the cultures of diplomacy and reception. Email: [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

During British colonial rule in India, the treatment of high-caste Hindu widows became the subject of great controversy. Such women were not permitted to remarry and were offered two options: a life of seclusion and rigorous asceticism or death on the funeral pyre of a deceased husband. Was this a modern development, or did it date from the classical period? In Widows Under Hindu Law (Oxford UP, 2023), David Brick offers an exhaustive history of the treatment and status of widows under classical Hindu law, or Dharmasastra as it is called in Sanskrit, which spanned approximately the third century BCE to the eighteenth-century CE. Under Dharmasastra, Hindu jurists treated at length and at times hotly debated four widow-related issues: widow remarriage and levirate, a widow's right to inherit her husband's estate, widow-asceticism, and sati. Each of the book's chapters examine these issues in depth, concluding with an appendix that addresses a widow's right to adopt a son-a fifth widow-related issue that became the topic of discussion in late Dharmasastra works and was a significant point of legal contentions during the colonial period. When read critically and historically, works of Dharmasastra provide a long and detailed record of the prevailing legal and social norms of high-caste Hindu society. Widows Under Hindu Law uses lengthy English translations of important passages from Hindu legal texts to present a largescale narrative of the treatment of widows under the Hindu legal tradition. This book is available open access here. During British colonial rule in India, the treatment of high-caste Hindu widows became the subject of great controversy. Such women were not permitted to remarry and were offered two options: a life of seclusion and rigorous asceticism or death on the funeral pyre of a deceased husband. Was this a modern development, or did it date from the classical period? Learn more about your ad choices. Visit megaphone.fm/adchoices

Beauty is often dismissed as superfluous and frivolous cultural consumption. In her book, Beauty Regimes: A History of Power and Modern Empire in the Philippines, 1898-1941 (Duke UP, 2023), Genevieve Clutario asks the readers, "what can we gain by taking beauty seriously?" (3) What does it tell us about national identity formation and intimate connections between overlapping empires? Bringing together sartorial styles and women's labor by critically engaging with archival documents ranging from colonial government reports to photograph collections, memoirs, and women’s magazines, Clutario shows how “colonial subjects, like Filipinas, were not only impacted by [nation-building] but also actively shaped [these] ventures within and beyond national borders” (14). Furthermore, her work highlights how the embroidery industry, public schools, and colonial prison systems mobilized the racial idea of dexterous fingers and modernization to discipline Filipina women. However, the imperial rule was contested by Flipina women, as the Manila Carnival Queen contests became a site of negotiating US imperialism through national identity formation. Beauty Regimes is an important read for anyone who is interested in gender, continuities between empires, labor, and critical engagement with the archives. Genevieve Clutario is associate professor of American Studies at Wellesley College and the author of Beauty Regimes: A History of Power and Modern Empire in the Philippines, 1898 - 1941 (Duke University Press, 2023). She is a recipient of the Duke University Press Scholars of Color First Book Award and the Weatherhead East Asian Institute at Columbia University First Book Award. Her other publications include “Pageant Politics: Tensions of Power, Empire, and Nationalism in Manila Carnival Queen Contests,” in Gendering the Trans-Pacific World (Brill Press, 2017) and “World War II and the Promise of Normalcy: Filipina Lives Under Two Empires” in Beyond the Edge of the Nation: Transimperial Histories with a U.S. Angle (Duke University Press, 2020). She is currently pursuing a new project called Power and Allure: Gender, Authoritarianism, and the Promise of Development with interests on topics such as the Cold War, international development, U.S. imperialism, and the making of the Global South. Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jana Byars speaks with Catherine Powell-Warren about Gender and Self-Fashioning at the Intersection of Art and Science: Agnes Block, Botany, and Networks in the Dutch 17th Century (Amsterdam University Press, 2024). The conversation begins by examining the ways modern scholars are radically changing our understanding of the position of early modern women one monograph at a time before dialing in on a book that does just that. At once collector, botanist, reader, artist, and patron, Agnes Block is best described as a cultural producer. A member of an influential network in her lifetime, today she remains a largely obscure figure. The socioeconomic and political barriers faced by early modern women, together with a male-dominated tradition in art history, have meant that too few stories of women's roles in the creation, production, and consumption of art have reached us. This book seeks to write Block and her contributions into the art and cultural history of the seventeenth-century Netherlands, highlighting the need for and advantages of a multifaceted approach to research on early modern women. Examining Block's achievements, relationships, and objects reveals a woman who was independent, knowledgeable, self-aware, and not above self-promotion. Though her gender brought few opportunities and many barriers, Agnes Block succeeded in fashioning herself as Flora Batava, a liefhebber at the intersection of art and science. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chelsea Schields's book Offshore Attachments: Oil and Intimacy in the Caribbean (U California Press, 2023) reveals how the contested management of sex and race transformed the Caribbean into a crucial site in the global oil economy. By the mid-twentieth century, the Dutch islands of Curaçao and Aruba housed the world's largest oil refineries. To bolster this massive industrial experiment, oil corporations and political authorities offshored intimacy, circumventing laws regulating sex, reproduction, and the family in a bid to maximize profits and turn Caribbean subjects into citizens. Historian Chelsea Schields demonstrates how Caribbean people both embraced and challenged efforts to alter intimate behavior in service to the energy economy. Moving from Caribbean oil towns to European metropolises and examining such issues as sex work, contraception, kinship, and the constitution of desire, Schields narrates a surprising story of how racialized concern with sex shaped hydrocarbon industries as the age of oil met the end of empire. Chelsea Schields is Associate Professor of History at the University of California, Irvine. Katie Coldiron is the Outreach Program Manager for the Digital Library of the Caribbean (dLOC) and PhD student in History at Florida International University. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Roman singer, courtesan, and writer Margherita Costa won prominence and fame across the courts of Italy and France during the mid-seventeenth century. She secured a steady stream of elite patrons – including popes, queens, grand dukes, and influential cardinals – while male poets and librettists wrote celebratory poetry on her behalf. In addition to her appearances as a soprano on the opera stage, Costa published a remarkable fourteen full-length texts across an expanse of genres: burlesque comedy, drama, equestrian ballet, pastoral opera, amorous letters, lyric poetry, and history. Margherita Costa, Diva of the Baroque Court (U Toronto Press, 2023) brings together close textual readings of Costa’s numerous publications with archival materials detailing her performance itinerary and social-cultural networks. The book progresses chronologically through her life, geographically along the routes she travelled, and thematically via the genres in which she experimented. Jessica Goethals illuminates how Costa was unafraid to leap over the boundaries of decorum that delimited what women should and did write about. More than merely a literary biography, this book is also a portrait of seventeenth-century courts, their concerns, and their entertainments. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the cultures of diplomacy and reception. Email: [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2007, Japan’s health minister referred to women ages 15-50 as “birthing machines.” The context was a speech about Japan’s declining birthrate and projected population shrinkage. As Sujin Lee shows in Wombs of Empire: Population Discourses and Biopolitics in Modern Japan (Stanford UP, 2023), neither population anxieties nor the idea of women as childbearing devices whose wombs were the property of the state are new. However, when the “population problem” became a public preoccupation for politicians, scientists, and activists in the 1910s, it was an expression of worries about overpopulation and carrying capacity in a “resource-poor” nation and empire. Wombs of Empire traces the trajectory of population discourses and practices from these years through wartime Japan, with particular attention to the ways in which notions of motherhood were constructed hierarchically within the context of empire and war, and how Malthusian population control discourses formulated by leftists, feminists, scientists, and politicians gave way to the natalism of total war. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the late 1970s, Hollywood producers took the published biography of Crystal Lee Sutton, a white southern textile worker, and transformed it into a blockbuster 1979 film, Norma Rae, featuring Sally Field in the title role. This fascinating book reveals how the film and the popular icon it created each worked to efface the labor history that formed the foundation of the film's story. Drawing on an impressive range of sources--union records, industry reports, film scripts, and oral histories--Aimee Loiselle's cutting-edge scholarship shows how gender, race, culture, film, and mythology have reconfigured and often undermined the history of the American working class and their labor activism. While Norma Rae constructed a powerful image of individual defiance by a white working-class woman, Loiselle's Beyond Norma Rae: How Puerto Rican and Southern White Women Fought for a Place in the American Working Class (University of North Carolina Press, 2023) demonstrates that female industrial workers across the country and from diverse racial backgrounds understood the significance of cultural representation and fought to tell their own stories. Loiselle painstakingly reconstructs the underlying histories of working women in this era and makes clear that cultural depictions must be understood as the complicated creations they are. Aimee Loiselle is assistant professor of history at Central Connecticut State University. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the late eighteenth-century, elite British women had an unprecedented opportunity to travel. Taking travel home uncovers the souvenir culture these women developed around the texts and objects they brought back with them to realise their ambitions in the arenas of connoisseurship, friendship and science. Key characters include forty-three-year-old Hester Piozzi (Thrale), who honeymooned in Italy; thirty-one-year-old Anna Miller, who accompanied her husband on a Grand Tour; Dorothy Richardson, who undertook various tours of England from the ages of twelve to fifty-two; and the sisters Katherine and Martha Wilmot, who travelled to Russia in their late twenties. The supreme tourist of the book, the political salon hostess Lady Elizabeth Holland, travelled to many countries with her husband, including Paris, where she met Napoleon, and Spain during the Peninsular War. Using a methodology informed by literary and design theory, art history, material culture studies and tourism studies, Emma Gleadhill's Taking Travel Home: The Souvenir Culture of British Women Tourists, 1750-1830 (Manchester UP, 2022) examines a wide range of objects, from painted fans "of the ruins of Rome for a sequin apiece" and the Pope's "bless'd beads", to lava from Vesuvius and pieces of Stonehenge. It argues that the rise of the souvenir is representative of female agency, as women used their souvenirs to form spaces in which they could create and control their own travel narrative Emma Gleadhill is a Melbourne-based historian and artist Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

From rumps and stays to muffs and handkerchiefs, underwear and accessories were critical components of the 18th-century woman's wardrobe. They not only created her shape, but expressed her character, sociability, fashionability, and even political allegiances. These so-called ephemeral flights of fashion were not peripheral and supplementary, but highly charged artefacts, acting as cultural currency in contemporary society. The Modern Venus: Dress, Underwear and Accessories in the Late 18th-Century Atlantic World (Bloomsbury, 2023) by Dr. Elisabeth Gernerd highlights the significance of these elements of a woman's wardrobe in 1770s and 1780s Britain and the Atlantic World, and shows how they played their part in transforming fashionable dress when this was expanding to new heights and volumes. Dissecting the female silhouette into regions of the body and types of dress and shifting away from a broad-sweeping stylistic evolution, this book explores these potent players within the woman's armoury. Marrying material, archival and visual approaches to dress history, and drawing on a rich range of sources – including painted portraiture, satirical prints, diaries, memoirs – The Modern Venus unpacks dress as a medium and mediator in women's lives. It demonstrates the importance of these overlooked garments in defining not just a woman's silhouette, but also her social and cultural situation, and thereby shapes our understanding of late 18th-century life. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices

A Revolution in Type: Gender and the Making of the American Yiddish Press (NYU Press, 2023) by Dr. Ayelet Brinn offers a fascinating glimpse into the complex and often unexpected ways that women and ideas about women shaped widely read Jewish newspapers. Between the 1880s and 1920s, Yiddish-language newspapers rose from obscurity to become successful institutions integral to American Jewish life. During this period, Yiddish-speaking immigrants came to view newspapers as indispensable parts of their daily lives. For many Jewish immigrants from Eastern Europe, acclimating to America became inextricably intertwined with becoming a devoted reader of the Yiddish periodical press, as the newspapers and their staffs became a fusion of friends, religious and political authorities, tour guides, matchmakers, and social welfare agencies. In A Revolution in Type, Dr. Brinn argues that women were central to the emergence of the Yiddish press as a powerful, influential force in American Jewish culture. Through rhetorical debates about women readers and writers, the producers of the Yiddish press explored how to transform their newspapers to reach a large, diverse audience. The seemingly peripheral status of women’s columns and other newspaper features supposedly aimed at a female audience—but in reality, read with great interest by male and female readers alike—meant that editors and publishers often used these articles as testing grounds for the types of content their newspapers should encompass. The book explores the discovery of previously unknown work by female writers in the Yiddish press, whose contributions most often appeared without attribution; it also examines the work of men who wrote under women’s names in order to break into the press. Brinn shows that instead of framing issues of gender as marginal, we must view them as central to understanding how the American Yiddish press developed into the influential, complex, and diverse publication field it eventually became. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr Pierce Salguero sits down with Amy Langenberg, a scholar of South Asian Buddhism, gender, sexuality, and the body. We focus on Amy’s work on misogyny in Buddhist texts, her book on Buddhist embryology, and her current project on sexual abuse in contemporary Buddhist communities. Along the way we discuss miscarriage, menstruation, and the importance of feminist scholarship . . . and also, what does the Buddha have in common with Michael Phelps? Enjoy the conversation! And remember that not all of our episodes are distributed by NBN, so be sure to subscribe to Blue Beryl! Resources mentioned in this episode: Amy Langenberg, Birth in Buddhism: The Suffering Fetus and Female Freedom (2017) Pierce Salguero, "'This Fathom-Long Body': Bodily Materiality and Ascetic Ideology in Medieval Chinese Buddhist Scriptures" (2018) Amy’s academic papers, free to download on Academia.edu Pierce Salguero (ed.), Buddhism and Medicine: An Anthology of Premodern Sources (2017) Amy Langenberg, "The Buddha Didn’t Teach Consent" (2021) The Buddhist Bodies Collective Ann Gleig and Amy Langenberg, “Survivor-Centered Solutions: #MeToo and Spiritual Abuse” (CBC Radio) Ann Gleig and Amy Langenberg, "Abuse, Sex and the Sangha: A Series of Healing Conversations” (video playlist) Ann Gleig and Amy Langenberg, “Sexual Ethics and Healthy Boundaries in the Wake of Teacher Abuse” (2023) Ann Gleig and Amy Langenberg, “Supporting Survivors of Abuse” (video) Amy Langenberg and Ann Gleig, "Sexual Misconduct And Buddhism - Centering Survivors" (2020) Amy Langenberg, “Late Night Phone Alerts And Other Intrusions: What To Expect When You Write About Sexual Violation In Religion” (2021) Dr. Pierce Salguero is a transdisciplinary scholar of health humanities who is fascinated by historical and contemporary intersections between Buddhism, medicine, and crosscultural exchange. He has a Ph.D. in History of Medicine from the Johns Hopkins School of Medicine (2010), and teaches Asian history, medicine, and religion at Penn State University’s Abington College, located near Philadelphia. www.piercesalguero.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Algerians of the 1920s and 30s imagined the future of their country, women’s liberation was foundational to their vision. From the first generation of French-educated schoolteachers, to urban domestic workers who challenged spatial and economic divisions, to nationalist journalists pushing back against French colonial claims, Sara Rahnama describes how a range of Algerian actors conceived of women’s rights and responded to new developments in their own country and across the Middle East. The Future is Feminist: Women and Social Change in Interwar Algeria (Cornell University Press, 2023) reveals a broad consensus that the advancement of Muslim women was necessary to Algeria’s progress. Rahnama draws on new sources to explain the “ecosystem of intellectual energy devoted to Muslim” that debated girls’ education, women’s employment, voting rights, and women’s and men’s headwear. The book places Algeria in a broader regional conversation, as writers turned to Islamic teachings and history and looked to contemporary changes to women’s political and social opportunities in Egypt, Turkey, Afghanistan, and Palestine to justify needed reforms in Algeria. These discussions in the interwar period sowed seeds that would blossom in the 1950s and 60s as Algerian women joined the nationalist movement, and gained new platforms to contribute their own opinions to these contested issues. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eileen Hunt Botting is Professor of Political Science at Notre Dame and co-editor with Sandrine Berges and Alan Coffee of the anthology The Wollstonecraftian Mind (Routledge, 2019). The collection presents thirty-nine essays from distinguished scholars in philosophy, religion, literature, intellectual history, and other fields who consider the work of the eighteenth-century British philosopher Mary Wollstonecraft. A political and moral thinker and a forerunner to modern feminism she has not received attention on par with the wide breath of her ideas. The collection gives the reader insight into to her life, major works of philosophy and novels, debates with Edmund Burke and Rousseau, and enduring legacy. She commented on religion, liberalism, republicanism, moral virtue, education, women’s place in society and much more. Her ideas were known to women such as Lucretia Mott, Virginia Woolf, and Simone de Beauvoir who found in her a source for building a modern feminist philosophy. Timely and fruitful, The Wollstone-craftian Mind provides a board survey of an erudite thinker and a source for understanding the politics of the modern era. Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current research project is on the intellectual history of feminism seen through the emblematic life and work of Simone de Beauvoir. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1912, at age 24, Georgia O’Keeffe boarded a train in Virginia and headed west, to the prairies of the Texas Panhandle, to take a position as art teacher for the newly organized Amarillo Public Schools. Subsequently she would join the faculty at what was then West Texas State Normal College (now West Texas A&M University). Already a thoroughly independent-minded woman, she maintained an active correspondence with her future husband, photographer Alfred Stieglitz, and other friends back east during the years she lived in Texas. In Georgia O'Keeffe's Wartime Texas Letters (Texas A&M UP, 2020), Amy Von Lintel brings to readers the collected O’Keeffe correspondence and added commentary and analysis, shining fresh light on a period of the artist’s life she characterizes as “some of the least appreciated in the vast O’Keeffe scholarship,” but also as “a time when she discovered her own voice as a young, successful, and independent woman . . . a dedicated faculty member at a brand-new college . . . a vibrant social butterfly . . . a progressive woman who spoke her mind and fought for her beliefs to be heard.” Although selected paintings by O’Keeffe that support the narrative are featured, this work focuses on O’Keeffe’s words. By doing so, Von Lintel aims to allow the artist’s voice to “emerge as a powerful witness of her own life, but also of western America in a pivotal moment of its development.” The result is an important new examination of one of our most beloved artists during a time when she was in the process of discovering her future identity. Amy Von Lintel is the Doris Alexander Endowed Professor of Fine Arts at West Texas A&M University. She is the author of Georgia O’Keeffe: Watercolors and coauthor of Robert Smithson in Texas. She resides in Amarillo, Texas. Kirstin L. Ellsworth is an Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kate Kirkpatrick a lecturer in Religion, Philosophy and Culture at King’s College London and author of Becoming Beauvoir: A Life (Bloomsbury Academic, 2019). Kirkpatrick has given us a biography that addresses the puzzle and contradictions of the life of the philosopher Simone de Beauvoir drawn from never-before-published diaries and letters to tell the fascinating story of how choices shaped her life. Beauvoir, a writer and feminist icon, won prestigious literary prizes and scandalized many with her now classic The Second Sex. She is now celebrated, but during her life she was a controversial figure both by conventional and feminists’ standards. As one who chose to write about lived ideas, both in fiction and essays, rather than build philosophical systems she was easily dismissed as Jean-Paul Sartre’s overly loyal side kick. Kirkpatrick shows how Beauvoir’s thinking evolved as a feminist and a philosopher – labels she was reluctant to embrace. The author reexamines the overemphasis on Beauvoir’s atheism, the extent of her political engagement, and her ethical failures in regard to third parties in the Sartre/Beauvoir relational triads. Beginning with her childhood to her adoption of Sylvie Le Bon, Kirkpatrick focuses on the significant relationships in Beauvoir’s life to expand our understand of how they shaped her thinking about the nature of subjectivity. Becoming Beauvoir demonstrates how the choices we make shape who we become. Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology, (Oxford University Press, 2018). Her current research project is on the intellectual history of feminist thought seen through the emblematic life and work of Simone de Beauvoir. Learn more about your ad choices. Visit megaphone.fm/adchoices

She is benevolent and nurturing, yet fierce and terrible, a warrior and a lover. She creates and gives life, is death personified, and the one who grants eternal salvation. She is the ultimate form of reality, the cosmos. As the Saundaryalahiri says, "Only when Shiva joins with you, O Shakti, can he exert his powers as lord, on his own he has not even the power to stir. You are worshipped by Shiva, Vishnu, Brahma, and other gods. How dare I, meritless mortal, offer you reverence and praise?" The Goddess inspires deep devotion and it is not surprising to see Her being worshipped and revered across homes in India. Nilima Chitgopekar's Shakti (DK Publishing, 2022) will delve into this rich tradition of the Divine Feminine as She is represented across India and the subcontinent. Shakti will be a one-of-a-kind linear exploration of Goddess worship, neither a basic guide nor a dense academic treatise. Instead, it will invite the reader to learn about the Shakta culture, while telling the story of its birth and evolution, the many manifestations of the Goddess and their worship, and the myths, legends, and rituals that make up the tradition. This title will position itself as the first point of entry for anyone interested in the world of the Devi and Her culture. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why did the New York Public Library ban a novel about women’s independence? What was the Human Potential Movement? And who was Claire Myers Owens? Today’s book is: Rivers of Light: The Life of Claire Myers Owens (Syracuse University Press,, 2019) by Miriam Kalman Friedman, which is a biography of Owens, who grew up in a conservative, middle-class family in Texas, but sought adventure and freedom. At twenty years old, she left home and quickly found a community of like-minded free spirits and intellectuals in New York’s Greenwich Village. There Owens wrote novels and short stories, including the controversial novel The Unpredictable Adventure: A Comedy of Woman’s Independence, which was banned by the New York Public Library for its “risqué” content. Drawn to ideals of self-actualization and creative freedom, Owens became a key figure in the Human Potential Movement along with founder Abraham Maslow and Aldous Huxley. In her later years, Owens devoted her life to the practice of Zen Buddhism, and published her final book, Zen and the Lady, at the age of eighty-three. Dr. Friedman’s rediscovery of Owens brings attention to her little known yet extraordinary life and passionate spirit. Drawing upon autobiographies, letters, journals, and novels, Dr. Friedman chronicles Owens’s robust intellect and her tumultuous private life. Our guest is: Dr. Miriam Kalman Friedman, who is a writing coach, editor, and lecturer. She has published multiple books on feminism, women, and women's studies. She is the author of Rivers of Light: The Life of Claire Myers Owens. Our host is: Dr. Christina Gessler, who is the host and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also be interested in: Exploring the Emotional Arc of Turning a Dissertation into A Book Becoming the Writer You Already Are, by Michelle R. Boyd This discussion of the book Becoming the Writer You Already Are Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us here to learn from experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Although Katharine Drexel has been the subject of several biographies, they have tended to treat her as a perfect human being whom the Church later transformed into a saint. Katharine Drexel and the Sisters Who Shared Her Vision (Paulist Press, 2023) moves beyond the story of the heiress’s individual life devoted to God and shines a light on the work she did, assisted by the Sisters of the Blessed Sacrament. Drexel could have lived comfortably, wealthy and privileged, as a Philadelphia philanthropist but chose to found a religious congregation of women dedicated to working within Black and Indigenous communities―without receiving the bulk of the money left by Drexel's father. Katharine Drexel and the Sisters Who Shared Her Vision is a critical biography of this American saint written within the context of the religious order she founded. It ties her sainthood to the Sisters’ ministries to Black and Indigenous communities; Margaret McGuinness's careful examination of the work Katharine Drexel and her Sisters accomplished brings a critical perspective to this important ministry in the Church. It deepens our understanding of these communities and renews our commitment to the difficult, ongoing conversation about race in America. Allison Isidore is a Religious Studies Ph.D. student at the University of Iowa and is the Assistant Director for the American Catholic Historical Association. Her research interest is focused on the twentieth-century American Civil Rights Movement and the Catholic Church’s response to racism and the participation of Catholic clergy, nuns, and laypeople in marches, sit-ins, and kneel-ins during the 1950s and 1960s. She tweets from @AllisonIsidore1. Learn more about your ad choices. Visit megaphone.fm/adchoices

Katherine M. Marino is an assistant professor of history at the University of California, Los Angeles. Feminism for the Americas: The Making of an International Human Rights Movement (University of North Carolina Press, 2019) follows the many Latin American and Caribbean women in the first half of the century who not only championed feminism for the continent but also contributed to defining the meaning of international human rights. They drove a transnational movement for women’s suffrage that included equal work and maternity rights and the self-determination of their nations rejecting U.S. imperialism. Marino draws attention to the enduring contributions of women such as the Brazilian Bertha Lutz, Cuban Clara Gonzales and Chilean Marta Vergara who have yet to receive a significant place in human rights history. The work of Latin American and Caribbean feminist was impeded by internal race and class conflict, insufficient funding, lack of government support and by imperial assumptions of U.S. feminists. Their tenacious efforts through multiple organizations, gatherings, and personal networks led to the inclusion of women’s rights in the global human rights framework and assured that economic and social rights would not be sidelined. The book also illuminates the ideological differences that have plagued the global feminist movement and adds a significant piece to the history of human rights. Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current research project is on the intellectual history of feminism seen through the emblematic life and work of Simone de Beauvoir. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we have John Christopoulos, Assistant Professor of History at the University of British Columbia, to talk about his new book, Abortion in Early Modern Italy (Harvard University Press, 2021) In this authoritative history, John Christopoulos provides a provocative and far-reaching account of abortion in sixteenth- and seventeenth-century Italy. His poignant portraits of women who terminated or were forced to terminate pregnancies offer a corrective to longstanding views: he finds that Italians maintained a fundamental ambivalence about abortion. Italians from all levels of society sought, had, and participated in abortions. Early modern Italy was not an absolute anti-abortion culture, an exemplary Catholic society centered on the “traditional family.” Rather, Christopoulos shows, Italians held many views on abortion, and their responses to its practice varied. Bringing together medical, religious, and legal perspectives alongside a social and cultural history of sexuality, reproduction, and the family, Christopoulos offers a nuanced and convincing account of the meanings Italians ascribed to abortion and shows how prevailing ideas about the practice were spread, modified, and challenged. Christopoulos begins by introducing readers to prevailing ideas about abortion and women’s bodies, describing the widely available purgative medicines and surgeries that various healers and women themselves employed to terminate pregnancies. He then explores how these ideas and practices ran up against and shaped theology, medicine, and law. Catholic understanding of abortion was changing amid religious, legal, and scientific debates concerning the nature of human life, women’s bodies, and sexual politics. Christopoulos examines how ecclesiastical, secular, and medical authorities sought to regulate abortion, and how tribunals investigated and punished its procurers—or did not, even when they could have. Abortion in Early Modern Italy offers a compelling and sensitive study of abortion in a time of dramatic religious, scientific, and social change. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 1890s Australian and New Zealand women became the first in the world to win the vote. Buoyed by their victories, they promised to lead a global struggle for the expansion of women’s electoral rights. Charting the common trajectory of the colonial suffrage campaigns, James Keating's book Distant Sisters: Australasian Women and the International Struggle for the Vote, 1880-1914 (Manchester UP, 2020) uncovers the personal and material networks that transformed feminist organising. Considering intimate and institutional connections, well-connected elites and ordinary women, this book argues developments in Auckland, Sydney, and Adelaide―long considered the peripheries of the feminist world―cannot be separated from its glamourous metropoles. Focusing on Antipodean women, simultaneously insiders and outsiders in the emerging international women’s movement, and documenting the failures of their expansive vision alongside its successes, this book reveals a more contingent history of international organising and challenges celebratory accounts of fin-de-siècle global connection. Learn more about your ad choices. Visit megaphone.fm/adchoices

After the Buddha’s enlightenment, his aunt and adoptive mother, Mahapajapati Gotami, asks him to ordain women and welcome them into his new monastic community. The Buddha declines to fulfill her request. But Mahapajapati Gotami doesn’t give up—accompanied by a large gathering of women, she sets out to ask him again. In her new book, The Gathering: A Story of the First Buddhist Women (Equinox, 2023), scholar Vanessa R. Sasson offers an imaginative retelling of the women’s request for ordination, following the women as they travel through the forest together seeking full access to the Buddha’s teachings. Building on decades of research and drawing from the poems of the Therigatha, the novel explores how the women navigate the paradox of seeking ultimate liberation while still bound by social inequality. In this episode of Tricycle Talks, Tricycle’s editor-in-chief, James Shaheen, sits down with Sasson to discuss what we can learn from the first Buddhist women’s resilience, how contemporary women monastics understand this story, why she first started writing fiction, and the role of mythology and storytelling in the Buddhist world. Tricycle Talks is a monthly podcast featuring prominent voices from within and beyond the Buddhist fold. Listen to more episodes here. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Tina Turner reclaimed her throne as the Queen of Rock 'n' Roll in the 1980s, she attributed her comeback to one thing: the wisdom and power she found in Buddhism. Her spiritual transformation is often overshadowed by the rags-to-riches arc of her life story. But in this groundbreaking biography, Ralph H. Craig III traces Tina's journey from the Black Baptist church to Buddhism and situates her at the vanguard of large-scale movements in religion and pop culture. Paying special attention to the diverse metaphysical beliefs that shaped her spiritual life, Craig untangles Tina's Soka Gakkai Buddhist foundation; her incorporation of New Age ideas popularized in '60s counterculture; and her upbringing in a Black Baptist congregation, alongside the influences of her grandmothers' disciplinary and mystical sensibilities. Through critical engagement with Tina's personal life and public brand, Craig sheds light on how popular culture has been used as a vehicle for authentic religious teaching. Scholars and fans alike will find Dancing in My Dreams: A Spiritual Biography of Tina Turner (Eerdmans, 2023) as enlightening as the iconic singer herself. When Tina Turner reclaimed her throne as the Queen of Rock ‘n’ Roll in the 1980s, she attributed her comeback to one thing: the wisdom and power she found in Buddhism. Her spiritual transformation is often overshadowed by the rags-to-riches arc of her life story. But in this groundbreaking biography, Ralph H. Craig III traces Tina’s journey from the Black Baptist church to Buddhism and situates her at the vanguard of large-scale movements in religion and pop culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Alice Collett’s monograph Lives of Early Buddhist Nuns: Biographies as History (Oxford University Press, 2016) delves into the lives of six of the best-known nuns from the period of early Buddhism: Dhammadinnā, Khemā, Kisāgotamī, Paṭācārā, Bhaddā Kuṇḍalakesā, and Uppalavaṇṇā, all of whom are said to have been direct disciples of the historical Buddha. Collett does the thankless task of sorting through the biographical information scattered throughout the canonical and commentarial literature to present a richly textured account of the these six extraordinary women’s lives. She further analyzes the differences between the various biographical accounts to glean historical information about the position of women and changing gender relations in the early centuries of Buddhism in India. One of the main contributions of her monograph is the finding that women were treated more favorably in the Pāli Canon than is commonly presented. She also gains insight into an impressive number of other themes ranging from notions of beauty and bodily adornment, to family, class, and marriage. This book is sure to be of value to a wide audience, especially those interested in women in Buddhism, early Buddhism and early Indian society. Alex Carroll studies Buddhist Studies at the University of South Wales and is primarily interested in Theravāda and early Buddhism. He lives in Oslo, Norway and can be reached via his website here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Analysing materials from literature and film, this book considers the fates of women who did not or could not buy into the Japanese imperial ideology of "good wives, wise mothers" in support of male empire-building. Although many feminist critics have articulated women's active roles as dutiful collaborators for the Japanese empire, male-dominated narratives of empire-building have been largely supported and rectified. In contrast, the roles of marginalized women, such as sex workers, women entertainers, hostesses, and hibakusha have rarely been analyzed. This book addresses this intellectual lacuna by closely examining memories, (semi-)autobiographical stories, and newspaper articles, grounded or inspired by lived experiences not only in Japan, but also in Shanghai, Manchukuo, colonial Korea, and the Pacific. Chapters further explore the voices of diasporic Korean women (Zainichi Korean woman born in Japan, as well as Korean American woman born in Korea) whose lives were impacted, intervening ethnocentric narratives that were at the heart of the Japanese empire. An appendix presents the first English translation of a memorable statement on comfort women by former Japanese propaganda actress, Ri Kōran / Yamaguchi Yoshiko. Nobuko Ishitate-Okunomiya Yamasaki's book Prostitutes, Hostesses, and Actresses at the Edge of the Japanese Empire (Routledge, 2021) will appeal to students and scholars of Japanese literature and film studies, as well as gender, sexuality and postcolonial studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Women’s college basketball is big business—top teams bring in millions of dollars in revenue for their schools. Women’s NCAA games are broadcast regularly on sports networks, and many of the top players and coaches are household names. Yet these athletes face immense pressure to be more than successful at their sport. They must also conform to expectations about gender, sexuality, and race—expectations that are often in direct contrast to success in the game. They are not supposed to have muscles that are too big, they are not supposed to be too tough, they are not supposed to be too masculine or “look like men,” and they are not supposed to be queer. A former college athlete herself, Michelle J. Manno spent a full season with a highly competitive NCAA Division I women’s basketball program as one of the team’s managers. In vivid detail, she takes us on the court, on the team bus, into the locker room, and to championship games to show the intense dedication that these women give to the game. She found, perhaps unsurprisingly, that these extremely talented women were strictly policed around the presentation of their gender and sexuality, especially the athletes who were Black. They were routinely monitored, banned from engaging in certain activities, and often punished for behavior that put their queerness, Blackness, and masculinity on display. Convincingly conforming to conventional expectations of gender and sexuality—from the clothes they wore to the people they dated—was yet another challenge at which they needed to excel. Importantly, Manno also highlights several well-known contemporary professional athletes—Brittney Griner, Serena Williams, Gabby Douglas, and Caster Semenya, among others—to show that fame and performing at the highest levels in sport does not protect women athletes from having to navigate the conflicting and often contradictory expectations of identity. A riveting portrait of an elite basketball program, Denied: Women, Sports, and the Contradictions of Identity (NYU Press, 2023) will forever change our understanding of women athletes and the sports they play. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices

In the aftermath of the Second World War, the French government cultivated images of sensual and sophisticated white French women in an attempt to reestablish its global image as a great nation. They promoted the beauty, sexual appeal, and general allure of French women, all while shrinking the boundaries of what was considered beautiful. Charm Offensive: Commodifying Femininity in Postwar France (University of Toronto Press, 2023) by Dr. Kelly Colvin explores how this elevation of French femininity created problems on both sides of the equation: the pressure on French women to conform to an exacting physical standard was immense, while the inability of anyone else to access that standard resulted in a sense of failure. Drawing on cultural figures like Air France hostesses, tourism workers, and celebrities such as Brigitte Bardot, Charm Offensive offers an innovative understanding of a tumultuous time of decolonization. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Animal products were used extensively in nineteenth-century Britain. A middle-class Victorian woman might wear a dress made of alpaca wool, drape herself in a sealskin jacket, brush her hair with a tortoiseshell comb, and sport feathers in her hat. She might entertain her friends by playing a piano with ivory keys or own a parrot or monkey as a living fashion accessory. In Victims of Fashion: Animal Commodities in Victorian Britain (Cambridge University Press, 2021), Dr. Helen Cowie examines the role of these animal-based commodities in Britain in the long nineteenth century and traces their rise and fall in popularity in response to changing tastes, availability, and ethical concerns. Focusing on six popular animal products – feathers, sealskin, ivory, alpaca wool, perfumes, and exotic pets – she considers how animal commodities were sourced and processed, how they were marketed and how they were consumed. Dr. Cowie also assesses the ecological impact of nineteenth-century fashion. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Documenting Death: Maternal Mortality and the Ethics of Care in Tanzania (University of California Press, 2020) is a gripping ethnographic account of the deaths of pregnant women in a hospital in a low-resource setting in Tanzania. Through an exploration of everyday ethics and care practices on a local maternity ward, anthropologist Adrienne E. Strong untangles the reasons Tanzania has achieved so little sustainable success in reducing maternal mortality rates, despite global development support. Growing administrative pressures to document good care serve to preclude good care in practice while placing frontline healthcare workers in moral and ethical peril. Maternal health emergencies expose the precarity of hospital social relations and accountability systems, which, together, continue to lead to the deaths of pregnant women. Dr. Nicole Bourbonnais is an Associate Professor of International History and Politics and Co-Director of the Gender Centre at the Graduate Institute of International and Development Studies in Geneva, Switzerland. Her research explores reproductive politics and practice from a transnational historical perspective. More info here. Twitter: @iheid_history and @GC_IHEID Learn more about your ad choices. Visit megaphone.fm/adchoices

In August, Representative Alexandria Ocasio-Cortez took to Twitter to complain about how U.S. regulations are holding local sunscreens back compared to the rest of the world. And while she didn’t name any specific country, the video featured headlines that did name one nation: South Korea. On social media, Korean cosmetics are now viewed as the world’s best. But where did this success come from—and, perhaps, what does it say about South Korea? Elise Hu, during her time in South Korea, tried to find out, researching and reporting on not just the cosmetics industry, but gender politics, the culture of lookism, K-Pop, and cosmetic surgery, all covered in her latest book Flawless: Lessons in Looks and Culture from the K-Beauty Capital (Dutton, 2023) In this interview, Elise and I talk about South Korea, its world-leading cosmetics industry, and what that says about gender and lookism in this buzzing East Asian economy. Elise Hu is a correspondent and host at-large for NPR, the American news network; and since April 2020, the inaugural host of TED Talks Daily, the daily podcast from TED that’s downloaded a million times a day in all countries of the world. For nearly four years, she was the NPR bureau chief responsible for coverage of North Korea, South Korea, and Japan. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Flawless. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by Dr. Lindsay Krasnoff, who is an historian, specializing in global sport, communications and diplomacy. She is also the Director of FranceandUS, and she lectures on sports diplomacy at New York University Tisch Institute of Global Sport. We met to talk about her most recent book: Basketball Empire: France and the Making of a Global NBA and WNBA (Bloomsbury, 2023). In our conversation, we discussed the rise of basketball in France, the differences between French and American basketball, and the way that French basketball stars such as Boris Diaw exemplify the new global “empire” of basketball that incorporates Africa, France and its overseas departments, and the USA. Krasnoff divides Basketball Empire into three parts that together investigate how French basketball developed from a low point in the middle of the 20th century to a global powerhouse contributing players to the NBA and the WNBA almost every year. Krasnoff argues that French basketball’s success hinges on their ability make use of their connections both with the United States and with their former empire. In examining the growth of basketball in France, Krasnoff traces a sporting genealogy that links together players, coaches, and even commentators from around the globe who compete together in France and help produce a distinctive French style of basketball that nevertheless has appeal outside of the hexagon. In Basketball Empire, Krasnoff’s first section takes off from her previous work on French association football, which looked at the development of Les Bleus. In the 1950s and 1960s, French basketball too was in crisis. In response, the French government, the Fédération française de basket-ball (FFBB), and even some sporting associations sought out new ways to improve the quality of play in France. Paris University Club brought in Americans who had played basketball in the NCAA but were now living in France to teach American approaches to the game. Individual players, including one of the earliest female French basketball stars Elisabeth Riffiod, watched film of American professionals like Bill Russell. The government redeveloped a national training centre: the National Institute of Sport, Expertise, and Performance (INSEP.) The French League professionalized in 1987. Since the 1990s, French basketball has enjoyed a rising number of successful EuroBasket and Olympic campaigns, including a men’s silver and a women’s bronze in 2020/21. Basketball Empire’s second section uses micro-biographies to explore the ways that contemporary French players developed their skills, how they made their moves into the NCAA, the NBA or the WNBA, and the challenges and opportunities that these moves provided them as players. In this section in particular, Krasnoff’s ability land and conduct interviews shines. She shows how diverse players, including Boris Diaw, Sandrine Gruda, Nicolas Batum, Marine Johannès, Diandra Tchatchouang, Evan Fournier, Mickaël Gelabale, and Rudy Gobert have become not only basketball stars but also informal diplomats that help build connections and translate between Africa, France and the United States. In the final section, Krasnoff considers why the French have been so successful at producing high quality men’s and women’s basketball players. She credits la formation à la française: the specific French training system that includes a national sports training center (the INSEP) as well as local and regional basketball academies (pôles espoirs). The future looks bright for French basketball and in our interview Krasnoff predicts French and US success in the upcoming Paris 2024 Olympiad. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices

We often narrate the history of women’s rights in the United States by focusing on the fight for suffrage. Yet starting as early as 1835, states expanded married women’s economic rights. How were these statutes passed at a time when women’s political power was severely constrained, including no right to vote in most states? With limited national coordination? In In Her Own Name: The Politics of Women’s Rights Before Suffrage (Columbia UP, 2023), Dr. Sara Chatfield argues that married women’s property rights reform occurred through a two-level process. Within each state, policy developed and cycled through different state-level institutions. Without explicit coordination, these policies spread throughout the states with institutional actors borrowing, copying, and learning from the successes and failures of other states – such that ALL states passed some reform by 1920. Dr. Chatfield’s important contribution to the American political development literature shows how male legislators pursued legislation that served their own interests and how state legislatures and courts interacted to create property reforms essential to changing economics, the project of permanently seizing land from Native people, and protecting slaveholding women and families from economic instability. The reform of property rights included both property as a commodity and also a means of social control and order. Dr. Chatfield’s book furthers our understanding of how gender, federalism, and liberalism interacted in the development of state power. In the podcast, Dr. Chatfield generously cites the works of others including Disenfranchising Democracy: Constructing the Electorate in the United States, the United Kingdom, and France (my NBN interview with Dr. Bateman here), Emily Zackin and Chloe N. Thurston’s The Political Development of American Debt Relief (Chicago), and Alena Wolflink’s Claiming Value:The Politics of Priority from Aristotle to Black Lives Matter (Routledge). Dr. Sara Chatfield is an assistant professor of political science at the University of Denver, where she teaches classes on American politics and law. Her research interests focus on American politics, especially American political development, gender and politics, and methods. Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Katherine Turk tells us about Sisterhood, a familial metaphor used to evoke gendered solidarity in women’s movement of the mid-sixties and seventies, and a utopian ideal of equality within the human family. It’s a universalizing but aspirational concept that helped feminists build a political coalition. Our conversation is based upon Katherine’s new book about the National Organization of Women: The Women of NOW: How Feminists Built an Organization That Transformed America (FSG, 2023). This mainstream feminist organization is often neglected in histories of the period, dismissed as a liberal organization dedicated to incremental change. But NOW was an expansive organization that changed over time, shifted the conversation and legal structures in the US, and left an important historical record that we can learn from in social justice work today. Katherine Turk is an associate professor of History and an adjunct associate professor of Women’s and Gender Studies at UNC Chapel Hill. Her research and teaching focus on women, sex, gender, law, labor, and modern social movements. Her first book Equality on Trial: Gender and Rights in the Modern American Workplace (Politics and Culture in Modern America Series, University of Pennsylvania Press, 2016) studies the history of Title VII of the 1964 US Civil Rights Act, which outlawed workplace discrimination on the basis of such personal attributes as sex, race, and religion. The image for this week was made by Saronik Bosu. It shows Aileen Hernandez, Mary Jean Collins, and Patricia Hill Burnett, leaders of NOW who are the primary subjects of Katherine’s book. Learn more about your ad choices. Visit megaphone.fm/adchoices

Between 2000 and 2010, many contemporary US-American women writers were returning to the private space of the kitchen, writing about their experiences in that space and then publishing their memoirs for the larger public to consume. Season to Taste: Rewriting Kitchen Space in Contemporary Women’s Food Memoirs (U Mississippi Press, 2023) explores women’s food memoirs with recipes in order to consider the ways in which these women are rewriting this kitchen space and renegotiating their relationships with food. Caroline J. Smith begins the book with a historical overview of how the space of the kitchen, and the expectations of women associated with it, have shifted considerably since the 1960s. Better Homes and Gardens, as well as the discourse of the second-wave feminist movement, tended to depict the space as a place of imprisonment. The contemporary popular writers examined in Season to Taste, such as Ruth Reichl, Kim Sunée, Jocelyn Delk Adams, Julie Powell, and Molly Wizenberg, respond to this characterization by instead presenting the kitchen as a place of transformation. In their memoirs and recipes, these authors reinterpret their roles within the private sphere of the home as well as the public sphere of the world of publishing (whether print or digital publication). The authors examined here explode the divide of private/feminine and public/masculine in both content and form and complicate the genres of recipe writing, diary writing, and memoir. These women writers, through the act of preparing and consuming food, encourage readers to reconsider the changing gender politics of the kitchen. Jeannette Cockroft is an associate professor of history and political science at Schreiner University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Since her debut in 1959, Barbie has transcended boundaries and transformed into a global symbol of femininity, capturing the imaginations of girls all around the world. An American Icon in Puerto Rico: Barbie, Girlhood, and Colonialism at Play (Berghahn, 2022) offers a captivating study of that iconic influence by focusing on a group of multigenerational Puerto Rican women and girls. Through personal narratives and insights, author Dr. Emily R. Aguiló-Pérez unveils the emotional attachment that these women and girls have formed with the doll during their formative years. This connection serves as a powerful lens to explore the intricate relationships girls have with their Barbie dolls and the complex role Barbie plays in shaping their identities. Dr. Aguiló-Pérez boldly confronts the challenges and contradictions that arise, offering a compelling analysis of how playing with Barbie dolls can impact a girl's perception of femininity, body image, race, and even national identity. Through these nuanced explorations, she unearths the potential pitfalls of these influences, encouraging readers to reflect on their own relationships with the iconic doll. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1929, Bernardine Szold Fritz left Paris on a train bound for China. She was on her way to her fourth wedding, and her fourth husband: An American investment banker named Chester Fritz, who’d proposed after a whirlwind meeting earlier in Shanghai. Bernardine is then forced to find herself things to do in interwar China–and her husband isn’t helping much. That’s how Susan Blumberg-Kason’s newest book, Bernardine’s Shanghai Salon: The Story of the Doyenne of Old China (‎Post Hill Press: 2023), starts. The book charts Bernardine’s life as she sets up a theater, and makes friends with such illustrious figures like Lin Yutang, Victor Sasoon and Anna May Wong. In this interview, Susan and I talk about Bernardine, her life, and why interwar Shanghai remains such a compelling setting for fiction and nonfiction writers. Susan Blumberg-Kason is also the author of a memoir, Good Chinese Wife: A Love Affair with China Gone Wrong. She is also the co-editor of Hong Kong Noir . Susan is a regular contributor to the Asian Review of Books, Cha: An Asian Literary Review and World Literature Today. Her work has also appeared in the Los Angeles Review of Books, PopMatters, and the South China Morning Post. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bernardine’s Shanghai Salon. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Who dresses the astronauts for flight? Why are the suits orange? And how are they cared for? Sharon Caples McDougle joins us to talk about her work as a modern day hidden figure, a space suit technician responsible for processing the orange launch and re-entry pressure suit assemblies worn by all NASA space shuttle astronauts. She explains how she became one of only two women CEE Suit Technicians, led the first and only all-female suit tech crew, and how she made history when she suited up Dr. Mae Jemison. Our guest is: Sharon Caples McDougle, who began her aerospace career in the Air Force where she served proudly as an Aerospace Physiology Specialist at Beale Air Force Base, in California. She was the first female and first Black Crew Chief in CEE. As Crew Chief she had the honor of leading the first and only all-female suit tech crew. McDougle went on to become the first, and only female, and Black person, to become the Manager of the CEE Processing Department. She managed the team of more than twenty-five employees responsible for the equipment worn by the astronaut crews aboard the space shuttle. This team suited up the astronauts, tested the equipment, strapped the astronauts into the space shuttle before launch, and recovered the crew upon landing. McDougle is a United States Air Force (USAF) veteran, and the author of Suit Up for Launch with Shay. Our host is: Dr. Christina Gessler, who is the host and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also be interested in: Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race, by Margot Lee Shetterly The 100 Year Starship, by Mae Jemison and Dana Meachen Rau Suit Up for Launch with Shay, by Sharon Caples McDougle NASA.gov Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 175+ Academic Life episodes? You’ll find them all archived here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Despite recent research, the 19th-century history of domestic service in empire and its wider implications is underexplored. In the Service of Empire: Domestic Service and Mastery in Metropole and Colony (Bloomsbury, 2022) by Dr. Fae Dussart sheds new light on servants and their masters in the British Empire, and in doing so offers new discourses on the colonial home, imperial society identities and colonial culture. Using a wide range of source material, from private papers to newspaper articles, official papers and court records, Dr. Dussart explores the strategic nature of the relationship, the connection between imperialism, domesticity and a master/servant paradigm that was deployed in different ways by varied actors often neglected in the historical record. Positioned outside the family but inside the private place of the home, 'the domestic servant' was often the foil against which 19th-century contemporaries worked out class, race and gender identities across metropole and colony, creating those places in the process. The role of domestic servants in empire thus lay not only in the labour they undertook, but also in the way the servant-master relationship constituted ground that helped other power relations to be imagined and contested. Dr. Dussart explores the domestic service relationship in 19th-century Britain and India, considering how ideas about servants and their masters and/or mistresses spanned imperial space, and shaped peoples and places within it. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Angela Hume tells us about Self Help, not the neoliberal strategy of self-actualization through consumer choices, but the radical political movement of gynecological self-help, that flourished in the late twentieth century and created a set of portable political tactics based in anarchist feminist philosophy. In the episode, she references Alondra Nelson’s book Body and Soul: The Black Panther Party and the Fight against Medical Discrimination (Minnesota UP, 2013); Michelle Murphy’s Seizing the Means of Reproduction: Entanglements of Feminism, Health, and Technoscience (Duke UP, 2012); and several health activist organizations, including the Women’s Choice Clinic in Oakland, CA; AidAccess which provides mail order medication assisted abortion; and MYA Network, a group of clinicians seeking to expand abortion access in primary care settings. Angela suggested we include three links that everyone should have at their fingertips, PlanC (plancpills.org) which helps people access abortion pills, AidAccess (aidaccess.org) the pill fulfillment service described above, and I Need an A (ineedana.com), a clinic locator. In our longer conversation, she also named the Keep Our Clinics campaign, a fundraising effort to support independent abortion clinics, to which pre-sales of her book contributed. We’re sorry we didn’t get this up early enough for you to participate in the pre-sale! But now the book is out in the world, you can even read a review of it in The Guardian. Our conversation is based Angela’s new book, Deep Care: The Radical Activists Who Provided Abortions, Defied the Law, and Fought to Keep Clinics Open(link is external) (AK Press, 2023). A work of public scholarship and a history of medicine, the book tells a story of Bay Area abortion defense—from feminist clinical practice, to underground abortion provision, to street politics and clinic defense—from the 1970s to 2000s. You can read an excerpt from the book in the Post45 contemporaries collection “Abortion Now, Abortion Forever,” which was the starting point for our conversation on High Theory. Angela Hume is a feminist historian, critic, and poet, who teaches at UC Berkeley. Her creative and expository writing classes address environmental and health justice, working-class and multiethnic American literatures, feminist and queer storytelling, and more. Beyond Deep Care, Angela is co-editor of Ecopoetics: Essays in the Field(link is external) (U of Iowa P, 2018). Her full-length books of poetry include Middle Time(link is external) (Omnidawn, 2016) and Interventions for Women (Omnidawn, 2021). Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s a subject that stirs up plenty of passion: Why do men’s clothes have so many pockets and women’s so few? In her captivating book Pockets: An Intimate History of How We Keep Things Close (Hachette, 2023), Dr. Hannah Carlson, a lecturer in dress history at the Rhode Island School of Design, shows us how we tuck gender politics, security, sexuality, and privilege inside our pockets. In mediaeval Europe, the purse was an almost universal dress feature carried by men and women alike. But when tailors stitched the first pockets into men’s trousers 500 years ago, it ignited controversy and introduced a range of social issues that we continue to wrestle with today, from concealed pistols to gender inequality, as noted in hashtags like #GiveMePocketsOrGiveMeDeath. This abundantly illustrated four-colour book explores much more than who has pockets and why. How is it that putting your hands in your pocket can be seen as a sign of laziness, arrogance, confidence, or perversion? Walt Whitman’s author photograph, hand in pocket, for Leaves of Grass, seemed like an affront to middle class respectability. When W.E.B. DuBois posed for a portrait, his pocketed hands signalled defiant coolness. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Cervical cancer kills almost 350,000 women each year. What's more horrifying, is that millions have died of this disease that's nearly 100% preventable. It's no secret that healthcare is full of inequities, with a severe lack of accessible screening programs. But women's health care is also impeded by cultural, gender, and political barriers, issues that have combined to create devastating consequences. In Enough: Because We Can Stop Cervical Cancer (Cambridge UP, 2024), Dr Linda Eckert takes her years of experience and weaves it together with the voices of the courageous women who use their own experience of cervical cancer to advocate for change. This heart-breaking, yet hopeful, book takes you through the world of cervical cancer with evidence-based information, personal stories and actionable outcomes. Society flourishes when women have access to safe and affordable healthcare. Together we can make this need a reality and eliminate the world's most preventable cancer. Learn more about your ad choices. Visit megaphone.fm/adchoices

It has been decades since Michel Foucault urged us to rethink "the repressive hypothesis" and see new forms of sexual discourse as coming into being in the nineteenth century, yet the term "Victorian" still has largely negative connotations. LGBT Victorians: Sexuality and Gender in the Nineteenth-Century Archives (Oxford UP, 2022) argues for re-visiting the period's thinking about gender and sexual identity at a time when our queer alliances are fraying. We think of those whose primary self-definition is in terms of sexuality (lesbians, gay men, bisexuals) and those for whom it is gender identity (intersex and transgender people, genderqueers) as simultaneously in coalition and distinct from each other, on the assumption that gender and sexuality are independent aspects of self-identification. Re-examining how the Victorians considered such identity categories to have produced and shaped each other can ground a more durable basis for strengthening our present LGBTQ+ coalition. LGBT Victorians draws on scholarship reconsidering the significance of sexology and efforts to retrospectively discover transgender people in historical archives, particularly in the gap between what the nineteenth century termed the sodomite and the hermaphrodite. It highlights a broad range of individuals (including Anne Lister, and the defendants in the "Fanny and Stella" trial of the 1870s), key thinkers and activists (including Karl-Heinrich Ulrichs and Edward Carpenter), and writers such as Walt Whitman and John Addington Symonds to map the complicated landscape of gender and sexuality in the Victorian period. In the process, it decenters Oscar Wilde and his imprisonment from our historical understanding of sexual and gender nonconformity. Simon Joyce is Professor of English, College of William and Mary. He holds a BA and MA from the University of Sussex and a PhD from the University of Buffalo. He is a Professor of English at the College of William and Mary in Virginia, where he teaches Victorian and modernist literature from Britain and Ireland and LGBTQI+ Studies. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

In How the News Feels: The Empathic Power of Literary Journalists (University of Massachusetts Press, 2023), Jonathan D. Fitzgerald examines a mode of journalistic storytelling dating back nearly two centuries. Literary journalism arose in the decades before the U.S. Civil War alongside the era's sentimental literature. Combining fact-based reporting with the sentimentality of popular fiction, literary journalism encouraged readers to empathize with subjects by presenting more nuanced and engaging stories than typical news coverage. While women writers were central to the formation and ongoing significance of the genre, literary journalism scholarship has largely ignored their contributions. How the News Feels re-centers the work of a range of writers who were active from the 1830s until today, including Catharine Williams, Margaret Fuller, Nellie Bly, Winifred Black, Zora Neale Hurston, Joan Didion, Adrian Nicole LeBlanc, and Alexis Okeowo. Offering intimate access to their subjects' thoughts, motivations, and yearnings, these journalists encouraged readers to empathize with society's outcasts, from asylum inmates and murder suspects to "fallen women" and the working poor. As this carefully researched study shows, these writers succeeded in defining and developing the genre of literary journalism, with stories that inspire action, engender empathy, and narrow the gap between writer, subject, and audience. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices