New Books in Technology

In Dark Star: A New History of the Space Shuttle (MIT Press, 2023), Dr. Matthew Hersch challenges the existing narrative of the most significant human space program of the last 50 years, NASA's space shuttle. He begins with the origins of the space shuttle: a century-long effort to develop a low-cost, reusable, rocket-powered airplane to militarize and commercialize space travel, which Hersch explains was built the wrong way, at the wrong time, and for all the wrong reasons. Describing the unique circumstances that led to the space shuttle's creation by President Richard Nixon's administration in 1972 and its subsequent flights from 1981 through 2011, Dr. Hersch illustrates how the space shuttle was doomed from the start. While most historians have accepted the view that the space shuttle's fatal accidents—including the 1986 Challenger explosion—resulted from deficiencies in NASA's management culture that lulled engineers into a false confidence in the craft, Dark Star reveals the widespread understanding that the shuttle was predestined for failure as a technology demonstrator. The vehicle was intended only to give the United States the appearance of a viable human spaceflight program until funds became available to eliminate its obvious flaws. Hersch's work seeks to answer the perilous questions of technological choice that confront every generation, and it is a critical read for anyone interested in how we can create a better world through the things we build. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Robert Willim's new book Mundania: How and Where Technologies Are Made Ordinary (Bristol University Press, 2024), takes the reader on a journey through the realm of Mundania, a realm that is both familiar and incomprehensible, banal and uncanny. Mundania is the realm in which technology, which seemed unspeakable before its arrival in our world, becomes an everyday fixture of life, and, more specifically, mundane. Jeff Adler is an ex-linguist and occasional contributor to New Books Network! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

The fascinating, untold story of how the Chinese language overcame unparalleled challenges and revolutionized the world of computing. A standard QWERTY keyboard has a few dozen keys. How can Chinese—a language with tens of thousands of characters and no alphabet—be input on such a device? In The Chinese Computer: A Global History of the Information Age (MIT Press, 2024), Thomas Mullaney sets out to resolve this paradox, and in doing so, discovers that the key to this seemingly impossible riddle has given rise to a new epoch in the history of writing—a form of writing he calls “hypography.” Based on fifteen years of research, this pathbreaking history of the Chinese language charts the beginnings of electronic Chinese technology in the wake of World War II up through to its many iterations in the present day. Mullaney takes the reader back through the history and evolution of Chinese language computing technology, showing the development of electronic Chinese input methods—software programs that enable Chinese characters to be produced using alphanumeric symbols—and the profound impact they have had on the way Chinese is written. Along the way, Mullaney introduces a cast of brilliant and eccentric personalities drawn from the ranks of IBM, MIT, the CIA, the Pentagon, the Taiwanese military, and the highest rungs of mainland Chinese establishment, to name a few, and the unexpected roles they played in developing Chinese language computing. Finally, he shows how China and the non-Western world—because of the hypographic technologies they had to invent in order to join the personal computing revolution—“saved” the Western computer from its deep biases, enabling it to achieve a meaningful presence in markets outside of the Americas and Europe. An eminently engaging and artfully told history, The Chinese Computer is a must-read for anyone interested in how culture informs computing and how computing, in turn, shapes culture. Thomas S. Mullaney is Professor of Chinese History at Stanford University and a Guggenheim Fellow. Caleb Zakarin is Editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Our privacy is besieged by tech companies. Companies can do this because our laws are built on outdated ideas that trap lawmakers, regulators, and courts into wrong assumptions about privacy, resulting in ineffective legal remedies to one of the most pressing concerns of our generation. Drawing on behavioral science, sociology, and economics, Ignacio Cofone challenges existing laws and reform proposals and dispels enduring misconceptions about data-driven interactions. This exploration offers readers a holistic view of why current laws and regulations fail to protect us against corporate digital harms, particularly those created by AI. Cofone then proposes a better response: meaningful accountability for the consequences of corporate data practices, which ultimately entails creating a new type of liability that recognizes the value of privacy. Jake Chanenson is a computer science Ph.D. student and law student at the University of Chicago. Broadly, Jake is interested in topics relating to HCI, privacy, and tech policy. Jake’s work has been published in top venues such as ACM’s CHI Conference on Human Factors in Computing Systems. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Global adoption of the Internet has exploded, yet we are only beginning to understand the Internet's profound political consequences. Authoritarian states are digitally catching up with their democratic counterparts, and both are showing a growing interest in the use of cyber controls--online censorship and surveillance technologies--that allow governments to exercise control over the Internet. Under what conditions does a digitally connected society actually help states target their enemies? Why do repressive governments sometimes shut down the Internet when faced with uprisings? And how have cyber controls become a dependable tool in the weapons arsenal that states use in civil conflict? In Repression in the Digital Age: Surveillance, Censorship, and the Dynamics of State Violence (Oxford University Press, 2023), Dr. Anita R. Gohdes addresses these questions, and provides an original and in-depth look into the relationship between digital technologies and state violence. Drawing on large-scale analyses of fine-grained data on the Syrian conflict, qualitative case evidence from Iran, and the first global comparative analysis on Internet outages and state repression, Dr. Gohdes makes the case that digital infrastructure supports security forces in their use of violent state repression. More specifically, she argues that mass access to the Internet presents governments who fear for their political survival with a set of response options. When faced with a political threat, they can either temporarily restrict or block online public access or they can expand mass access to online information and monitor it to their own advantage. Surveillance allows security forces to target opponents of the state more selectively, while extreme forms of censorship or shutdowns of the Internet occur in conjunction with larger and more indiscriminate repression. As digital communication has become a bedrock of modern opposition and protest movements, Repression in the Digital Age breaks new ground in examining state repression in the information age. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

In this episode of International Horizons, RBI director John Torpey interviews Gabriele Mazzini, a lawyer and officer of the European Commission and expert in AI regulation. Mazzini discusses the means through which European countries have found agreement on the definition of AI and how to regulate it. Moreover, Mazzini stresses that the fears of an apocalyptic AI revolution taking over humankind are not well-grounded. He also comments on the United States case and how it differs from Europe when it comes to regulating AI, acknowledging that there's been big progress in legislation in this area. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Object Lessons is a series of concise, collectable, beautifully designed books about the hidden lives of ordinary things. Each book starts from a specific inspiration: an historical event, a literary passage, a personal narrative, a technological innovation—and from that starting point explores the object of the title, gleaning a singular lesson or multiple lessons along the way. This interview discusses the series with one of the two editors of the series, Dr. Christopher Schaberg. Featuring contributions from writers, artists, scholars, journalists, and others, the emphasis throughout is lucid writing, imagination, and brevity. Object Lessons paints a picture of the world around us, and tells the story of how we got here, one object at a time. Many Object Lessons books have been interviewed on the New Books Network to date, including: Trench Coat, Mushroom, Ok, Grave, Wine, Magazine, Stroller, Barcode, Recipe, Hyphen, Pregnancy Test, Gitter, Relic, Pencil, Air Conditioning, and Swimming Pool. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Peoples & Things host Lee Vinsel talks with writer and editor John Warner, who taught writing at the college level for more than twenty years. Warner is the author of at least three - or four depending on whether you count a work of parody - books on writing and higher education, and today he is perhaps best known for his Substack, The Biblioracle Recommends. Vinsel and Warner talk about how teaching writing will need to shift after the arrival of ChatGPT and other generative AI tools, but only after discussing a deeper truth: Teaching writing and thinking at the college level has had big problems for years, problems that AI tools simply exacerbate. The pair talk about Warner’s experiences and his approach to teaching writing as well as about a book he is writing about teaching writing in the age of generative AI. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

A vivid, thoughtful examination of how technological innovation—especially AI—is shaping the tensions between democracy and autocracy during the new Cold War. So much of what we hear about China and Russia today likens the relationship between these two autocracies and the West to a “rivalry” or a “great-power competition.” Some might consider it alarmist to say we are in the midst of a second Cold War, but that may be the only responsible way to describe today’s state of affairs. What’s more, we have come a long way from Mao Zedong’s infamous observation that “political power grows out of the barrel of a gun.” Now we live in an age more aptly described by Vladimir Putin’s cryptic prophecy that “artificial intelligence is the future not only of Russia, but of all mankind, and whoever becomes the leader in this sphere will become ruler of the world.” George S. Takach’s incisive and meticulously researched new volume, Cold War 2.0: Artificial Intelligence in the New Battle between China, Russia, and America (Pegasus Book, 2024), is the book we need to thoroughly understand these frightening and perilous times. In the geopolitical sphere, there are no more pressing issues than the appalling mechanizations of a surveillance state in China, Russia’s brazen attempt to assert its autocratic model in Ukraine, and China’s increasingly likely plans to do the same in Taiwan. But the key here, Takach argues, is that our new Cold War is not only ideological but technological: the side that prevails in Cold War 2.0 will be the one that bests the other in mastering the greatest innovations of our time. Artificial intelligence sits in our pockets every day—but what about AI that coordinates military operations and missile defense systems? Or the highly sophisticated semiconductor chips and quantum computers that power those missiles and a host of other weapons? And, where recently we have seen remarkable feats of bio-engineering to produce vaccines at record speed, shouldn’t we be concerned how catastrophic it would be if bio-engineering were co-opted for nefarious purposes? Takach thoroughly examines how each of these innovations will shape the tension between democracy and autocracy, and how each will play a central role in this second Cold War. Finally, he crafts a precise blueprint for how Western democracies should handle these innovations to respond to the looming threat of autocracy—and ultimately prevail over it. AJ Woodhams hosts the "War Books" podcast. You can subscribe on Apple here and on Spotify here. War Books is on YouTube, Facebook and Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

The first critical examination of death and remembrance in the digital age—and an invitation to imagine Black digital sovereignty in life and death. In Resurrecting the Black Body: Race and the Digital Afterlife (U California Press, 2023), Tonia Sutherland considers the consequences of digitally raising the dead. Attending to the violent deaths of Black Americans—and the records that document them—from slavery through the social media age, Sutherland explores media evidence, digital acts of remembering, and the right and desire to be forgotten. From the popular image of Gordon (also known as "Whipped Peter") to photographs of the lynching of Jesse Washington to the video of George Floyd's murder, from DNA to holograms to posthumous communication, this book traces the commodification of Black bodies and lives across time. Through the lens of (anti-)Blackness in the United States, Sutherland interrogates the intersections of life, death, personal data, and human autonomy in the era of Google, Twitter, and Facebook, and presents a critique of digital resurrection technologies. If the Black digital afterlife is rooted in bigotry and inspires new forms of racialized aggression, Resurrecting the Black Body asks what other visions of life and remembrance are possible, illuminating the unique ways that Black cultures have fought against erasure and oblivion. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Listen to Episode No.9 of All We Mean, a Special Focus of this podcast. All We Mean is an ongoing discussion and debate about how we mean and why. The guests on today's episode are Bill Cope and Mary Kalantzis, professors at the University of Illinois; and joining us, as well, is James Gee, Regents Professor and Mary Lou Fulton Presidential Professor of Literacy Studies at Arizona State University. In this episode of the Focus, our topic is the generativity of machines. James Gee : "I fundamentally believe that humans are a screwed-up species — one of the few species that will put themselves out of business in a shorter evolutionary time than any species that has lived on Earth. So, something must be wrong with us. And I think what's wrong with us is, we don't understand what sort of animal we are. That's why our schools are no good — we don't understand how humans really learn. We don't understand what a human really is. We have an elevated view of our own rationality, of our own intelligence, and the consequence is, we are depleting the world. So, the biggest attempt we can still make now is to use everything we can (including Chat) to retheorize who we are as a being before we put ourselves out of existence." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

In the mid-2010s, a passionate community of Los Angeles-based storytellers, media artists, and tech innovators formed around virtual reality (VR), believing that it could remedy society’s ills. Lisa Messeri offers an ethnographic exploration of this community, which conceptualized VR as an “empathy machine” that could provide glimpses into diverse social realities. She outlines how, in the aftermath of #MeToo, the backlash against Silicon Valley, and the turmoil of the Trump administration, it was imagined that VR—if led by women and other marginalized voices—could bring about a better world. Messeri delves into the fantasies that allowed this vision to flourish, exposing the paradox of attempting to use a singular VR experience to mend a fractured reality full of multiple, conflicting social truths. She theorizes this dynamic as unreal, noting how dreams of empathy collide with reality’s irreducibility to a “common” good. With In the Land of the Unreal: Virtual and Other Realities in Los Angeles (Duke UP, 2024), Messeri navigates the intersection of place, technology, and social change to show that technology alone cannot upend systemic forces attached to gender and race. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

The Graphic User Interface, or GUI, is the adhesive centre of today’s screen entertainment web. From films and television to apps and videogames, it holds together a multitude of media and shapes the way they are accessed, organised, created, consumed, and manipulated. However, it does not do so without leaving viscous traces, and Gooey Media: Screen Entertainment and the Graphic User Interface (Edinburgh University Press, 2023) by Dr. Nick Jones examines this residue and its consequences, revealing how the GUI exerts a powerful influence on contemporary media. Focusing on aesthetics and adopting a media agnostic approach, Dr. Jones explores cinema, streaming platforms, television, user-generated content, videogames, apps, virtual reality, VFX, design software, and more in order to show how they cross-pollinate with one another and with our desktop interfaces. The result is a new approach for analysing convergent media in the digital era. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

How abstract design decisions in 2D platform games create rich worlds of meaning for players. Since the 1980s, 2D platform games have captivated their audiences. Whether the player scrambles up the ladders in Donkey Kong or leaps atop an impossibly tall pipe in Super Mario Bros., this deceptively simple visual language has persisted in our cultural imagination of video games. In Run and Jump: The Meaning of the 2D Platformer (MIT Press, 2024), Peter McDonald surveys the legacy of 2D platform games and examines how abstract and formal design choices have kept players playing. McDonald argues that there is a rich layer of meaning underneath, say, the quality of an avatar’s movement, the pacing and rhythm of level design, the personalities expressed by different enemies, and the emotion elicited by collecting a coin. To understand these games, McDonald draws on technical discussions by game designers as well as theoretical work about the nature of signs from structuralist semiotics. Interspersed throughout are design exercises that show how critical interpretation can become a tool for game designers to communicate with their players. With examples drawn from over forty years of game history, and from games made by artists, hobbyists, iconic designers, and industry studios, Run and Jump presents a comprehensive—and engaging—vision of this slice of game history. Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Are you into the end of the world? Well, have we got the guest for you. In this episode, Peoples & Things host Lee Vinsel interviews Zachary Loeb, assistant professor of history at Purdue University, about his work. On his faculty page, Loeb describes himself as “interested in the idea that humanity’s romance with technology has the species (and the planet) on a course that may lead to catastrophe.” Vinsel and Loeb talk about this idea and its history before turning to a discussion of Loeb’s dissertation and forthcoming book, a history of Y2K. The pair also discuss potential future directions of Loeb’s research. Peoples & Things has a new newsletter, where you can learn behind the scenes details about the podcast and much more. Check it out here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

"Luddite" has become an insult and Brain Merchant wants to change that. Blood in the Machine: The Origins of the Rebellion Against Big Tech (Little, Brown, 2023) tells the story of when machines starting taking human jobs, when an underground network of 19th century rebels, the Luddites, took up arms against the industrialists that were automating their work--and how it explains the power, threat, and toll of big tech today. Two hundred years ago in rural England, working men and women rose up en masse rather than starve at the hands of the factory owners who were using machines to erase and degrade their livelihoods. Under the banner of a mythical General Loud, they organized guerrilla raids, smashed specific machines, and threatened wealthy machine owners. Luddites won the support of Lord Byron, inspired Mary Shelley, and enraged the louche Prince Regent and his bloodthirsty government. Before it was over, much blood would be spilled--of rich and poor, of the invisible and of the powerful. This deeply misunderstood class struggle nearly brought 19th century England to its knees. Currently many fear that big tech is dominating our lives and machines replacing human labor run high. We worry that technology imperils millions of jobs, robots are ousting workers from factories, and artificial intelligence will soon remove drivers from cars. Saving the movement from what E. P. Thompson called "the enormous condescension of posterity", Merchant finds inspiration in Luddism for our current crises. Brian Merchant is the author of The One Device: The Secret History of the iPhone (2017, Little, Brown). His work has appeared in a variety of places including Wired and The Atlantic. He is a founder of VICE’s speculative fiction outlet Terraform and was the technology columnist at the Los Angeles Times. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Air conditioning aspires to be unnoticed. Yet, by manipulating the air around us, it quietly conditions the baseline conditions of our physical, mental, and emotional experience. From offices and libraries to contemporary art museums and shopping malls, climate control systems shore up the fantasy of a comfortable, self-contained body that does not have to reckon with temperature. At the same time that air conditioning makes temperature a non-issue in (some) people's daily lives, thermoception-or the sensory perception of temperature-is being carefully studied and exploited as a tool of marketing, social control, and labour management. Yet air conditioning isn't for everybody: its reliance on carbon fuels divides the world into habitable, climate-controlled bubbles and increasingly uninhabitable environments where AC is unavailable. Hsuan Hsu's Air Conditioning (Bloomsbury, 2024) explores questions about culture, ethics, ecology, and social justice raised by the history and uneven distribution of climate controlling technologies. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

In this episode, Peoples & Thing host Lee Vinsel interviews engineer, businessman, consultant, author, contributing editor at IEEE Magazine, and former P&T guest Bob Charette about his research method. Charette really excels at finding great and telling numbers for his pieces on technology, business, and public policy, including in his 12-part IEEE Magazine article series and now ebook, The EV Transition Explained. Vinsel and Charette use Bob's June 2023 IEEE Magazine article, “EV Chargers for ALL,” to talk about how Bob uncovers these numbers. In this episode, you'll also hear from graduate students in Lee's Fall 2023 grad seminar Communicating Academic Ideas to Non-Academic Audiences. We were so glad to have them on the show! ICYMI, Peoples & Things has a new newsletter, where you can learn behind the scenes details about the podcast and much more. Check it out here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Artificial intelligence may be the most transformative technology of our time. As AI's power grows, so does the need to figure out what--and who--this technology is really for. AI Needs You argues that it is critical for society to take the lead in answering this urgent question and ensuring that AI fulfills its promise. Verity Harding draws inspiring lessons from the histories of three twentieth-century tech revolutions--the space race, in vitro fertilization, and the internet--to empower each of us to join the conversation about AI and its possible futures. Sharing her perspective as a leading insider in technology and politics, she rejects the dominant narrative, which often likens AI's advent to that of the atomic bomb. History points the way to an achievable future in which democratically determined values guide AI to be peaceful in its intent; to embrace limitations; to serve purpose, not profit; and to be firmly rooted in societal trust. AI Needs You: How We Can Change AI's Future and Save Our Own (Princeton UP, 2024) gives us hope that we, the people, can imbue AI with a deep intentionality that reflects our best values, ideals, and interests, and that serves the public good. AI will permeate our lives in unforeseeable ways, but it is clear that the shape of AI's future--and of our own--cannot be left only to those building it. It is up to us to guide this technology away from our worst fears and toward a future that we can trust and believe in. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

A cylinder of baked graphite and clay in a wood case, the pencil creates as it is being destroyed. To love a pencil is to use it, to sharpen it, and to essentially destroy it. Pencils were used to sketch civilization's greatest works of art. Pencils were there marking the choices in the earliest democratic elections. Even when used haphazardly to mark out where a saw's blade should make a cut, a pencil is creating. Pencil offers a deep look at this common, almost ubiquitous, object. Pencils are a simple device that are deceptively difficult to manufacture. At a time when many use cellphones as banking branches and instructors reach students online throughout the world, pencil use has not waned, with tens of millions being made and used annually. In Pencil (Bloomsbury, 2024) Carol Beggy sketches out how the lowly pencil is still a mighty useful tool. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

In Technofeudalism: What Killed Capitalism (Melville House, 2023), Yanis Varoufakis argues that capitalism is dead and a new economic era has begun. Insane sums of money that were supposed to re-float our economies in the wake of the financial crisis and the pandemic have ended up supercharging big tech's hold over every aspect of the economy. Capitalism's twin pillars - markets and profit - have been replaced with big tech's platforms and rents. Meanwhile, with every click and scroll, we labour like serfs to increase its power. Welcome to technofeudalism. Drawing on stories from Greek Myth and pop culture, from Homer to ​Mad Men, Varoufakis explains this revolutionary transformation: how it enslaves our minds, how it rewrites the rules of global power and ultimately what it will take overthrow it. Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

An award-winning defense expert tells the story of today’s great power rivalry―the struggle to control artificial intelligence. A new industrial revolution has begun. Like mechanization or electricity before it, artificial intelligence will touch every aspect of our lives―and cause profound disruptions in the balance of global power, especially among the AI superpowers: China, the United States, and Europe. Autonomous weapons expert Paul Scharre takes readers inside the fierce competition to develop and implement this game-changing technology and dominate the future. Four Battlegrounds: Power in the Age of Artificial Intelligence (Norton, 2023) argues that four key elements define this struggle: data, computing power, talent, and institutions. Data is a vital resource like coal or oil, but it must be collected and refined. Advanced computer chips are the essence of computing power―control over chip supply chains grants leverage over rivals. Talent is about people: which country attracts the best researchers and most advanced technology companies? The fourth “battlefield” is maybe the most critical: the ultimate global leader in AI will have institutions that effectively incorporate AI into their economy, society, and especially their military. Scharre’s account surges with futuristic technology. He explores the ways AI systems are already discovering new strategies via millions of war-game simulations, developing combat tactics better than any human, tracking billions of people using biometrics, and subtly controlling information with secret algorithms. He visits China’s “National Team” of leading AI companies to show the chilling synergy between China’s government, private sector, and surveillance state. He interviews Pentagon leadership and tours U.S. Defense Department offices in Silicon Valley, revealing deep tensions between the military and tech giants who control data, chips, and talent. Yet he concludes that those tensions, inherent to our democratic system, create resilience and resistance to autocracy in the face of overwhelmingly powerful technology. Engaging and direct, Four Battlegrounds offers a vivid picture of how AI is transforming warfare, global security, and the future of human freedom―and what it will take for democracies to remain at the forefront of the world order. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Listen to Episode No.8 of All We Mean, a Special Focus of this podcast. All We Mean is an ongoing discussion and debate about how we mean and why. The guests on today's episode are Bill Cope and Mary Kalantzis, professors at the University of Illinois. Today we welcome, too, Duane Searsmith, E-Learning Technical Specialist, Information Trust Institute, also at the University of Illinois. In this episode of the Focus, our topic is the meaning of generation by machine. It's stunning what Generative AI can produce, but what exactly is it there that is being produced? What does it mean, and what do we do with it? And actually, more important, what do we do with the AI that's doing the producing? AI in our lives now and will continue infiltrating and embedding only more as each day passes and each new update and redesign is released. Therefore, we are the responsible parties in this — we, us, the users. We are the ones we must ask: What does AI mean to us? Because what AI just means, itself... well, that is still only whatever we can mean, ourselves. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

In Visions of a Digital Nation: Market and Monopoly in British Telecommunications (MIT Press, 2024), Jacob Ward explains why the privatization of British Telecom signaled a pivotal moment in the rise of neoliberalism, and how it was shaped by the longer development and digitalization of Britain’s telecommunications infrastructure. When Margaret Thatcher sold British Telecom for £3.6 billion in 1984, it became not only, at the time, the largest stock flotation in history, but also a watershed moment in the rise of neoliberalism and deregulation. In Visions of a Digital Nation, Ward offers an incisive interdisciplinary perspective on how technology prefigured this pivot. Giving due consideration to the politicians, engineers, and managers who paved the way for this historic moment, Ward illustrates how the decision validated the privatization of public utilities and tied digital technology to free market rationales. In this examination of the national and, at times, global history of technology, Ward’s approach is sweeping. Utilizing infrastructure studies, environmental history, and urban and local history, Ward explores Britain’s nationalist and welfarist plans for a digital information utility and shows how these projects contested and adapted to the “market turn” under Margaret Thatcher. Ultimately, Visions of a Digital Nation compellingly argues that politicians did not impose neoliberalism top-down, but that technology, engineers, and managers shaped these politics from the bottom up. Jacob Ward is Assistant Professor in the History Department and Science, Technology and Society Studies Research Program at the Faculty of Arts and Social Sciences at Maastricht University. He is coeditor of Histories of Technology, the Environment and Modern Britain. Filippo De Chirico is a PhD student in History and Politics of Energy at Roma Tre University (Italy). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

How can we build a more equal economy? In Innovation for the Masses: How to Share the Benefits of the High-Tech Economy (U California Press, 2024), Neil Lee, a Professor of Economic Geography at the London School of Economics, explores the question of how societies have fostered and supported innovation. The book challenges conventional assumptions that innovative economies must be unequal. Drawing on 4 detailed, and critical, case studies- Switzerland, Austria, Taiwan and Sweden, the book shows how Europe has good models of innovation; how the state matters; and how innovation and shared prosperity policies are mutually reinforcing. Accessible and clearly written, the book will be essential reading across social sciences and public policy, as well as anyone wanting a blueprint for equitable economic development, Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

In the 1950s, an obsessive firearms designer named Eugene Stoner invented the AR-15 rifle in a California garage. High-minded and patriotic, Stoner sought to devise a lightweight, easy-to-use weapon that could replace the M1s touted by soldiers in World War II. What he did create was a lethal handheld icon of the American century. In American Gun: The True Story of the AR-15 (FSG, 2023), the veteran Wall Street Journal reporters Cameron McWhirter and Zusha Elinson track the AR-15 from inception to ubiquity. How did the same gun represent the essence of freedom to millions of Americans and the essence of evil to millions more? To answer this question, McWhirter and Elinson follow Stoner--the American Kalashnikov--as he struggled mightily to win support for his invention, which under the name M16 would become standard equipment in Vietnam. Shunned by gun owners at first, the rifle's popularity would take off thanks to a renegade band of small-time gun makers. And in the 2000s, it would become the weapon of choice for mass shooters, prompting widespread calls for proscription even as the gun industry embraced it as a financial savior. Writing with fairness and compassion, McWhirter and Elinson explore America's gun culture, revealing the deep appeal of the AR-15, the awful havoc it wreaks, and the politics of reducing its toll. The result is a moral history of contemporary America's love affair with technology, freedom, and weaponry. Cameron McWhirter is a national reporter for The Wall Street Journal, based in Atlanta. He has covered mass shootings, violent protests and natural disasters across the South. He is also the author of Red Summer: The Summer of 1919 and the Awakening of Black America. Previously, he reported for other publications in the U.S., as well as Bosnia, Iraq, and Ethiopia. Zusha Elinson is a national reporter, writing about guns and violence for the Wall Street Journal. Based in California, he has also written for the Center for Investigative Reporting and the New York Times Bay Area section. Recommended Books: Robert Caro, The Path to Power William Shawcross, Sideshow Dexter Filkins, The Forever War Adam Winkler, Gun Fight Tim Mak, Misfire Doug Stanton, Horse Solidiers Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

With the avalanche of information we get every day, closing down our minds and hearts seems to be the only way to survive. We close down to our inner experience by compulsively checking our devices. We close down to others by getting caught in echo chambers of outrage. But what if there's another way? What if being more open to life is actually what brings us sanity and happiness? In this climate of distraction and division, Nate Klemp's Open: Living with an Expansive Mind in a Distracted World (Sounds True, 2024) offers a path back to a way of living that is expansive, creative, and filled with wonder. Drawing on new science, age-old practices, and personal stories, Klemp examines why we close down when faced with stressors or threats, then reveals how we can train ourselves to open up to the fullness that life offers--even when frightened, outraged, or heartbroken. Nate Klemp, PhD, is a philosopher, writer, and mindfulness entrepreneur. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Screens are ubiquitous today. Yet contemporary screen media eliminate the presence of the screen and diminish the visibility of its boundaries. As the image becomes indistinguishable from the viewer’s surroundings, this unsettling prompts re.examination of how screen boundaries demarcate. Through readings of three media forms – Virtual Reality; holograms; and light projections – The Post-Screen Through Virtual Reality, Holograms and Light Projections: Where Screen Boundaries Lie (University of Amsterdam Press, 2021) by Dr. Jenna Ng develops new theories of the surfaces on and spaces in which images are displayed. Interrogating contemporary contestations of reality against illusion, this open-access book argues that the disappearance of difference reflects shifted conditions of actuality and virtuality in understanding the human condition. These shifts further connect to the current state of politics by way of their distorted truth values, corrupted terms of information, and internalizations of difference. The Post.Screen Through Virtual Reality, Holograms and Light Projections thus thinks anew the image’s borders and delineations, evoking the screen boundary as an instrumentation of today’s intense virtualizations which do not tell the truth. In the process, a new imagination for images emerges for a gluttony of the virtual; for new conceptualizations of object and representation, materiality and energies, media and histories, real and unreal; for new understandings of appearances, dis-appearances, replacement and re.placement – the post-screen. This book is available open access here. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

The Server: A Media History from the Present to the Baroque (Yale UP, 2018) is a cutting–edge media history on a perennially fascinating topic that attempts to answer the crucial question: Who is in charge, the servant or the master? Though classic servants like the butler or the governess have largely vanished, the Internet is filled with servers: web, ftp, mail, and others perform their daily drudgery, going about their business noiselessly and unnoticed. Why then are current–day digital drudges called servers? Markus Krajewski explores this question by going from the present back to the Baroque to study historical aspects of service through various perspectives, be it the servants’ relationship to architecture or their function in literary or scientific contexts. At the intersection of media studies, cultural history, and literature, this work recounts the gradual transition of agency from human to nonhuman actors to show how the concept of the digital server stems from the classic role of the servant. Markus Krajewski is professor of media history at the University of Basel, Switzerland. He is the author of numerous articles and several books, including Paper Machines: About Cards and Catalogs, 1548–1929 and World Projects: Global Information Before World War I, which was awarded the 2007 Prize of the German Society for the History of Medicine, Science and Technology. He also works as a software developer and maintainer of his bibliography software Synapsen: A Hypertextual Card Index (www.synapsen.ch). Ilinca Iurascu is assistant professor of German at the University of British Columbia, specializing in nineteenth-century cultural studies and media theory. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Today, the concept of noise is employed to characterize random fluctuations in general. Before the twentieth century, however, noise only meant disturbing sounds. In the 1900s-50s, noise underwent a conceptual transformation from unwanted sounds that needed to be domesticated into a synonym for errors and deviations to be now used as all kinds of signals and information. Transforming Noise examines the historical origin of modern attempts to understand, control, and use noise. Its history sheds light on the interactions between physics, mathematics, mechanical technology, electrical engineering, and information and data sciences in the twentieth century. This book explores the process of engineers and physicists turning noise into an informational concept, starting from the rise of sound reproduction technologies such as the phonograph, telephone, and radio in the 1900s-20s until the theory of Brownian motions for random fluctuations and its application in thermionic tubes of telecommunication systems. These processes produced different theoretical treatments of noise in the 1920s-30s, such as statistical physicists' studies of Brownian fluctuations' temporal evolution, radio engineers' spectral analysis of atmospheric disturbances, and mathematicians' measure-theoretic formulation. Finally, it discusses the period during and after World War II and how researchers have worked on military projects of radar, gunfire control, and secret communications and converted the interwar theoretical studies of noise into tools for statistical detection, estimation, prediction, and information transmission. To physicists, mathematicians, electrical engineers, and computer scientists, this book offers a historical perspective on themes highly relevant in today's science and technology, ranging from Wi-Fi and big data to quantum information and self-organization. This book also appeals to environmental and art historians to modern music scholars as the history of noise constitutes a unique angle to study sound and society. Finally, to researchers in media studies and digital cultures, Transforming Noise demonstrates the deep technoscientific historicity of certain notions - information, channel, noise, equivocation - they have invoked to understand modern media and communication. Interview by Pamela Fuentes historian and editor of New Books Network en español Communications officer- Institute for the History and Philosophy of Science and Technology, University of Toronto Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Throughout much of the 21st century thus far, the common argument among military pundits was that war has or will soon be radically changed in manners that exist beyond imagination. The main catalyst for such extraordinary changes would be new advancements in technology and weaponry. With the on-going war in Ukraine, one fundamental surprise that has stunned many military analysts is that in spite of major technological advancements such as drones and open-source intelligence (OSINT) via social media, the main character of the conflict seems more akin to World War I (1914-1918) style trench warfare. What can explain this perplexing paradox? Peter Roberts and Paddy Walker explain in their co-authored book War's Changed Landscape?: A Primer on Conflict's Forms and Norms (Howgate Publishing Limited, 2023) that all change in war is often outweighed by continuity in military history. Even when change does occur, it is often a slow evolution of norms rather than a sudden rupture. The role of technology in such is often grossly exaggerated in the popular media. Peter Roberts is a Senior Associate Fellow for the Royal United Services Institute (RUSI), having been Director of Military Sciences there between January 2014 and November 2021. Paddy Walker is Managing Director of the Leon Group, a senior research Fellow in Modern War Studies at The University of Buckingham, an Associate Fellow at RUSI and previously London chair of NGO Human Rights Watch. Stephen Satkiewicz is an independent scholar whose research areas are related to Civilizational Analysis, Social Complexity, Big History, Historical Sociology, military history, War studies, International Relations, Geopolitics, as well as Russian and East European history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Listen to Episode No.5 of All We Mean, a Special Focus of this podcast. All We Mean is an ongoing discussion and debate about how we mean and why. The guests on today's episode are Bill Cope and Mary Kalantzis, professors at the University of Illinois, and also Gang Wang, Associate Professor in the Department of Computer Science, University of Illinois. In this episode of the Focus, our topic is what decision means. Decision is no simple matter, whether the decider in question is human or machine. In a sense, both are black boxes to us, and yet the urgency today to open the lid on A.I. is heightened because of how human-like the machine seems to be able to do decision. This is why, across disciplines, we need to convene and discuss and decide together on how to understand and use A.I. The alternative is grisly: Everyone using a tool that no one fully understands — no one using the tool in full understanding or for that matter, in any understanding at all. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

This remarkably clearly written and timely critical evaluation of core issues in the study and application of interactive digital narrative (IDN) untangles the range of theories and arguments that have developed around IDN over the past three decades. Looking back over the past 30 years of theorizing around interactivity, storytelling, and the digital across the fields of game design/game studies, media studies, and narratology, as well as interactive documentary and other emerging forms, Hartmut Koenitz's book Understanding Interactive Digital Narrative: Immersive Expressions for a Complex Time (Routledge, 2023) offers important and insightful correctives to common misunderstandings that pervade the field. This book also changes the perspective on IDN by introducing a comprehensive conceptual framework influenced by cybernetics and cognitive narratology, addressing limitations of perspectives originally developed for legacy media forms. Applying its framework, the book analyzes successful works and lays out concrete design advice, providing instructors, students, and practitioners with a more precise and specific understanding of IDN. Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Governments and consumers expect internet platform companies to regulate their users to prevent fraud, stop misinformation, and avoid violence. Yet, so far, they've failed to do so. The inability of platforms like Facebook, Google, and Amazon to govern their users has led to stolen elections, refused vaccines, counterfeit N95s in a pandemic, and even genocide. Such failures stem from these companies' inability to manage the complexity of their userbases, products, and their own incentives under the eyes of internal and external constituencies. In The Networked Leviathan: For Democratic Platforms (Cambridge UP, 2023), Paul Gowder argues that countries should adapt the institutional tools developed in political science for platform governance to democratize major platforms. Democratic institutions allow knowledgeable actors to freely share and apply their understanding of the problems they face while leaders more readily recruit third parties to help manage their decision-making capacity. This book is also available open access on Cambridge Core. Paul Gowder is Professor of Law and Associate Dean of Research and Intellectual Life at Northwestern University's Pritzker School of Law and a Founding Fellow of the Integrity Institute. He is the author of The Rule of Law in the Real World and The Rule of Law in the United States: An Unfinished Project of Black Liberation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

In Nautilus to Columbia: 70 Years of the US Navy's Nuclear Submarines (Osprey, 2023), James C. Goodall covers the origins, design and development of the US Navy's fleet of nuclear-powered submarines. This program was developed under the command of Hiram G. Rickover, the "Father of the Nuclear Navy" who oversaw the commissioning of the very first nuclear-powered attack submarine, the USS Nautilus (SSN 571) in 1952. This was a truly revolutionary design. Until the advent of nuclear power, the world's submarine fleets traveled on the surface at night to charge their batteries, and only dove below the surface when enemy ships or planes were spotted. With the development of the USS Nautilus, the US Navy now had the ability to stay submerged for not just hours or days, but to hide out of harm's way for weeks or months at a time This highly illustrated book covers all of the 220+ submarine hulls built and delivered to the US Navy from the USS Nautilus through to the Navy's newest class of submarine, the Columbia class SSBNs. The story of the Nuclear Navy from its origins up to the present day is told through more than 1,300 images from official and archive sources, as well as the author's own personal collection, some of which have never been published before. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Listen to Episode No.4 of All We Mean, a Special Focus of this podcast. All We Mean is an ongoing discussion and debate about how we mean and why. The guests on today's episode are Bill Cope and Mary Kalantzis, professors at the University of Illinois. In this episode of the Focus, our topic is whether A.I. can mean. The short answer is yes, A.I. can mean... whatever we make it mean. For instance, ChatGPT does has access to text on certain kinds of subject matter, like, for example, the assembly of explosives or specifications on suicide. This kind of stuff is on the web, so ChatGPT has “read it” these subjects into its corpus. However, human programmers have applied filters telling the A.I. not to speak about these things. Nonetheless, you may be able to get to what it “thinks” about these things with some clever prompts, called “jailbreaks” in the hacker trade. But does the A.I. really think, as we humans would associate with the act of thinking? Not really, because an A.I. like ChatGPT does not think about bombs or self-destruction. It just has words about these subjects which it doesn’t itself “understand.” And on top of that, its human-programmer masters have told it not to repeat them. But whose purpose is meant to be served here, the A.I.'s or our own? In our discussion in this instalment of All We Mean, we argue, of course, for the A.I. serving the purposes of us humans. But there the questions immediately arises, which of us humans will be served? It may be that only the big stakeholders in the large Internet companies get served, and who knows what purposes they have. Perhaps they're quite content to see A.I. create the illusion of fact and consciousness, if for no other reason than to increase profits. We, on the opposite side of that, say that the technology has tremendous potential for everyone, if used in everyone's interests. For example, people who want to learn can use A.I. technologies to improve their own performance, just as people who want to discover can use A.I. technologies to communicate their findings more effectively. These are the sorts of purpose we believe A.I. can be used to accomplish, by anyone, for everyone. But, we wonder, will purposes such as these also count when the technology rests firmly in the hands of the very few, because what if they don't really care what the rest of us want? Read Bill's and Mary's multimodal grammar of A.I. And read their work on using A.I. in education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

We see notebooks everywhere we go. But where did this simple invention come from? How did they revolutionise our lives, and why are they such powerful tools for creativity? And how can using a notebook help you change the way you think? In The Notebook: A History of Thinking on Paper (Profile Books, 2023), Roland Allen reveals all the answers. Ranging from the bustling markets of mediaeval Florence to the quiet studies of our greatest thinkers, he follows a trail of dazzling ideas, revealing how the notebook became our most dependable and versatile tool for creative thinking. He tells the notebook stories of artists like Leonardo and Frida Kahlo, scientists from Isaac Newton to Marie Curie, and writers from Chaucer to Henry James. We watch Darwin developing his theory of evolution in tiny pocketbooks, see Agatha Christie plotting a hundred murders in scrappy exercise books, and learn how Bruce Chatwin unwittingly inspired the creation of the Moleskine. On the way we meet a host of cooks, kings, sailors, fishermen, musicians, engineers, politicians, adventurers and mathematicians, who all used their notebooks as a space for thinking and to shape the modern world. In an age of AI and digital overload, the humble notebook is more relevant than ever. Allen shows how bullet points can combat ADHD, journals can ease PTSD, and patient diaries soften the trauma of reawakening from coma. The everyday act of moving a pen across paper can have profound consequences, changing the way we think and feel: making us more creative, more productive - and happier. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

A century ago, the emergence of radio, along with organized systems of broadcasting, sparked a global fascination with the 'wonder' of sound transmission and reception. The thrilling experience of tuning in to the live sounds of this new medium prompted strong affective responses in its listeners. This book introduces a new concept of "radiophilia," defined as the attachment to, or even a love of radio. Treating radiophilia as a dynamic cultural phenomenon, it unpacks the various pleasures associated with radio and its sounds, the desire to discover and learn new things via radio, and efforts to record, re-experience, and share radio. Surveying 100 years of radio from early wireless through to digital audio formats like podcasting, Carolyn Birdsall's Radiophilia (Bloomsbury Press, 2023) engages in debates about fandom, audience participation, listening experience, material culture, and how media relate to affect and emotions. Alejandra Bronfman is Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Social media platforms hold vast amounts of biographical data about our lives. They repackage our past content as ‘memories’ and deliver them back to us. But how does that change the way we remember? Drawing on original qualitative research as well as industry documents and reports, Social Media and the Automatic Production of Memory: Classification, Ranking and the Sorting of the Past (Bristol University Press, 2021) by Dr. Ben Jacobsen and Dr. David Beer critically explores the process behind this new form of memory making. In asking how social media are beginning to change the way we remember, it will be essential reading for scholars and students who are interested in understanding the algorithmically defined spaces of our lives. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

John D. Hosler's book Seven Myths of Military History (Hackett Publishing, 2022) "offers snapshots of seven pernicious myths in military history that have been perpetrated on unsuspecting students, readers, moviegoers, game players, and politicians. It promotes awareness of how myths are created by 'the spurious misuse and ignorance of history' and how misleading ideas about a military problem, as in asymmetric warfare, can lead to misguided solutions. Both scholarly and engaging, this book is an ideal addition to military history and historical methodology courses. In fact, it could be fruitfully used in any course that teaches critical thinking skills, including courses outside the discipline of history. Military history has a broad appeal to students, and there’s something here for everyone. From the so-called 'Western Way of War' to its sister-myth, technological determinism, to the ‘academic party game’ of once-faddish ‘Military Revolutions,’ the book shows that while myths about history may be fun, myth busting is the most fun of all." —Reina Pennington, Norwich University Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Key Changes: The Ten Times Technology Transformed the Music Industry (Oxford University Press, 2023) by Howie Singer and Bill Rosenblatt tells a new story about the history of the music business and the ten technological advances that disrupted it over the last century. In recent years, narratives about the music industry tend to hew to a common theme: it was humming along for decades until the Internet and Napster came along and disrupted it. Key Changes shows that this view is incorrect: the industry was actually shaken up not once in the 1990s, but ten times over more than 100 years. These ten disruptions came with the introduction of new formats for enjoying recorded music: starting with the cylinders and discs played on early phonographs; then moving through radio, LPs, tapes, CDs, television, digital downloads, streaming, and streaming video; and then into Artificial Intelligence (AI), which enables a wide range of new capabilities with profound impacts upon the business. This book devotes a chapter to each of these formats, illustrating how such innovations beget shifts in creativity, consumer behavior, economics, and law. Each of the technological innovations covered in this book not only disrupted the music business, but also fundamentally altered the industry's character. And while the technologies themselves have evolved in unique and varied ways over the decades, the changes within the business follow a clear pattern. Veteran music industry professionals and music technology experts Howie Singer and Bill Rosenblatt illuminate this pattern through a framework they term "the 6 Cs": cutting edge technology, channels of distribution, creators, consumers, cash, copyright. This framework provides insight into how such disparate innovations similarly disrupted and transformed the music business in each era. Extensively researched and supplemented by interviews with Grammy-winning artists, producers and executives, the book provides an insightful perspective on the ways technology has fundamentally altered the music industry, throughout history and into the present era. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

How are geographies of communication changing with contemporary digital media and data infrastructure? What is ‘geomedia’ and ‘transmedia’? Where are the possibilities for human agency to emerge in the increasingly digitally mediated world? André Jansson, Professor at the Department of Geography, Media and Communication, Karlstad University, Sweden, introduces his latest book, Rethinking Communication Geographies: Geomedia, Digital Logistics and the Human Condition (Edward Elgar, 2022). In a conversation with Joanne Kuai, André speaks about how he uses a humanistic and interdisciplinary approach to the study of communication geographies, introducing the framework for understanding ‘geomedia’ as an environmental regime that shapes human subjectivity. The book explores the human condition under digital capitalism, depicting an environment in which digital logistics have taken centre stage in day-to-day life. It argues that human activities are accommodated to sustain the circulation of digital data. André Jansson is director of the Centre for Geomedia Studies. His research is oriented towards questions of media use, identity and power from an interdisciplinary perspective. His work links various theoretical strands from social phenomenology, human geography and sociology of culture. A particular interest regards the relationship between mediatization processes and the production of social space. He is currently leading the project Hot Desks in Cool Places: Coworking Spaces as Post-Digital Industry and Movement (with Karin Fast), which studies the ‘future of work’ and struggles over this future in relation to so-called coworking spaces in urban settings. Joanne Kuai is a PhD Candidate at Karlstad University, Sweden, with a research project on Journalism as an Institution in the Age of AI. She is also an affiliated PhD student with the Graduate School of Asian Studies at Lund University and with the Nordic Institute of Asian Studies at the University of Copenhagen. Her research interests center around data and AI for media, computational journalism, and the social implications of automation and algorithms. Find her on LinkedIn or on X @JoanneKuai. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

A provocative investigation of the future of photography and human perception in the age of AI. We are constantly photographing and being photographed while feeding machine learning databases with our data, which in turn is used to generate new images. Analyzing the transformation of photography by computation—and the transformation of human perception by algorithmically driven images, from CGI to AI—The Perception Machine: Our Photographic Future between the Eye and AI (MIT Press, 2023) investigates what it means for us to live surrounded by image flows and machine eyes. In an astute and engaging argument, Joanna Zylinska brings together media theory and neuroscience in a Vilém Flusser–Paul Virilio remix. Her “perception machine” names a technical universe of images and their infrastructures. But it also refers to a sociopolitical condition resulting from today's automation of vision, imaging—and imagination. Written by a theorist-practitioner, the book incorporates Zylinska's own art projects, some of which have been co-created with AI. The photographs, collages, films, and installations available as part of the book (and its companion website) provide a different mode of thinking about our technological futures, at a local as well as a planetary level. Offering provocative concepts such as eco-eco-punk, AUTO-FOTO-KINO, planetary micro-vision, loser images, and sensography, the book outlines an existential philosophy of messy media for a time when our practices of imaging and self-imaging are being radically redesigned. Importantly, it also offers a new vision of our future. Joanna Zylinska is Professor of Media Philosophy + Critical Digital Practice at King's College London. The author of Nonhuman Photography (MIT Press) and many other books on art, technology, and ethics, she is also an artist and curator. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Laila Shereen Sakr's book Arabic Glitch: Technoculture, Data Bodies, and Archives (Stanford UP, 2023) explores an alternative origin story of twenty-first century technological innovation in digital politics—one centered on the Middle East and the 2011 Arab uprisings. Developed from an archive of social media data collected over the decades following the 2003 U.S. invasion of Iraq, this book interrogates how the logic of programming technology influences and shapes social movements. Engaging revolutionary politics, Arab media, and digital practice in form, method, and content, Laila Shereen Sakr formulates a media theory that advances the concept of the glitch as a disruptive media affordance. She employs data analytics to analyze tweets, posts, and blogs to describe the political culture of social media, and performs the results under the guise of the Arabic-speaking cyborg VJ Um Amel. Playing with multiple voices that span across the virtual and the real, Sakr argues that there is no longer a divide between the virtual and embodied: both bodies and data are physically, socially, and energetically actual. Are we cyborgs or citizens—or both? This book teaches us how a region under transformation became a vanguard for new thinking about digital systems: the records they keep, the lives they impact, and how to create change from within. Laila Shereen Sakr is Assistant Professor of Media Theory and Practice at the University of California, Santa Barbara. Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Forensic genetic technologies are popularly conceptualized and revered as important tools of justice. The research and development of these technologies, however, has been accomplished through the capture of various Indigenous Peoples' genetic material and a subsequent ongoing genetic servitude. In Forensic Colonialism: Genetics and the Capture of Indigenous Peoples (McGill-Queen's UP, 2023), Mark Munsterhjelm explores how controversial studies of Indigenous Peoples have been used to develop racializing forensic technologies. Making moral and political claims about defending the public from criminals and terrorists, international networks of scientists, police, and security agencies have developed forensic genetic technologies firmly embedded in hierarchies that target and exploit many Indigenous Peoples without their consent. Collections began under the guise of the highly controversial Human Genome Diversity Project and related efforts, including the 1987 sampling of Brazilian Indigenous Peoples as they recovered from near genocide. After 9/11, War on Terror rhetoric began to be used to justify research on ancestry estimation and physical appearance (phenotyping) markers, and since 2019, international research cooperation networks' use of genetic data from thousands of Uyghurs and other Indigenous Peoples from Xinjiang and Tibet has contributed to a series of controversies. Munsterhjelm concludes that technologies produced by forensic genetics advance the biopolitical security only of privileged populations, and that this depends on imposing race-based divisions between who lives and who dies. Meticulously researched, Forensic Colonialism adds to growing debates over racial categories, their roots in colonialism, and the political hierarchies inherent to forensic genetics. Melek Firat Altay is a neuroscientist, biologist and musician. Her research focuses on deciphering the molecular and cellular mechanisms of neurodegenerative and neurodevelopmental disorders. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Predictive algorithms are changing the world – that is the claim of Christopher E. Mason who has co-authored (with Igor Tulchinsky) the book The Age of Prediction: Algorithms, AI, and the Shifting Shadows of Risk (MIT Press, 2023). Listen to him in conversation with Owen Bennett Jones. Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Who dresses the astronauts for flight? Why are the suits orange? And how are they cared for? Sharon Caples McDougle joins us to talk about her work as a modern day hidden figure, a space suit technician responsible for processing the orange launch and re-entry pressure suit assemblies worn by all NASA space shuttle astronauts. She explains how she became one of only two women CEE Suit Technicians, led the first and only all-female suit tech crew, and how she made history when she suited up Dr. Mae Jemison. Our guest is: Sharon Caples McDougle, who began her aerospace career in the Air Force where she served proudly as an Aerospace Physiology Specialist at Beale Air Force Base, in California. She was the first female and first Black Crew Chief in CEE. As Crew Chief she had the honor of leading the first and only all-female suit tech crew. McDougle went on to become the first, and only female, and Black person, to become the Manager of the CEE Processing Department. She managed the team of more than twenty-five employees responsible for the equipment worn by the astronaut crews aboard the space shuttle. This team suited up the astronauts, tested the equipment, strapped the astronauts into the space shuttle before launch, and recovered the crew upon landing. McDougle is a United States Air Force (USAF) veteran, and the author of Suit Up for Launch with Shay. Our host is: Dr. Christina Gessler, who is the host and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also be interested in: Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race, by Margot Lee Shetterly The 100 Year Starship, by Mae Jemison and Dana Meachen Rau Suit Up for Launch with Shay, by Sharon Caples McDougle NASA.gov Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 175+ Academic Life episodes? You’ll find them all archived here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

In Episode 4 of "Practical History" I talk to Larry McGrath, a user researcher at Amazon (and author of Making Spirit Matter Neurology, Psychology, and Selfhood in Modern France (University of Chicago Press, 2020). Larry earned his PhD in the history of science, briefly taught at a university, and then decided to move into the consulting and tech industries. We discuss Larry's experiences of translating his historical skills and expertise into UX research, a burgeoning field focused on discovering the needs of product users. We talk about what it means to be a historian in UX and what historical methods / concepts / habits are useful in helping companies in these domains solve problems. Larry shares concrete examples of challenges he solved using the historian's toolbox while working for a medical consultancy and then at Facebok/Meta and Amazon Sports. We also discuss why it is so important for those eager to apply their skills in business and tech to focus on the value that they could offer to companies. Patryk Babiracki is a historian, researcher and writer; professor & MA student advisor at the University of Texas at Arlington. PhD from Johns Hopkins. Promoter of #AppliedHistory: using historical concepts, frameworks, and methodologies to solve real-world organizational problems. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

The end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity—industrialization, racialization, and capitalism—were quickly reshaping the world. The Unintended: Photography, Property, and the Aesthetics of Racial Capitalism (NYU Press, 2023) slows down the moment in which the technology of photography seemed to speed itself—and so the history of racial capitalism—up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century. Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership. The book pulls together an archive that encompasses the histories of performance and portraiture alongside the legal, pursuing the logics by which property rights involving photographs are affirmed (or denied) in precedent-setting court cases and legal texts. Emphasizing the making of “expression” into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control’s absence are central to the practice and idea of property-making. The Unintended proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. Ultimately, its unique historical reading practice offers a historically-specific vantage on the everyday workings of racial capitalism and the inheritances of white supremacy that structure so much of our lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

The United States has more guns than people – a condition that is “unprecedented in world history.” Scholars often focus on gun culture, the Second Amendment, or the history of gun safety, duties, and rights. Often, people assume that the number of guns is a natural state – the guns were always there. But were the guns always there? What caused the drastic boom in firearms, and when did it happen? In Gun Country: Gun Capitalism, Culture, and Control in Cold War America (UNC Press, 2023), Dr. Andrew McKevitt investigates how and when the guns arrived – and why so many people bought them. McKevitt argues that what Americans refer to as “gun culture” in the 21st century “emerged out of the intersections of the Cold War and consumer capitalism in the 1950s and 1960s.” A booming consumer market following World War II coupled with a surplus of cheap firearms readily available for American entrepreneurs to resell to citizens laid the groundwork for rampant firearm distribution in the country. War made the United States into a “gun country” but US gun politics – “interwoven with struggles over race and gender” cannot be detached from consumer politics. Gun safety and gun rights organizations both demand consumer regulation and protection. Dr. Andrew C. McKevitt is the John D. Winters Endowed Professor of History at Louisiana Tech University. His previous book, Consuming Japan: Popular Culture and the Globalizing of 1980s America (2017) was published by the University of North Carolina Press and he received the Stuart L. Bernath Scholarly Article Prize from the Society for Historians of American Foreign Relations. George Lobis served as the editorial assistant for this podcast. Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology