New Books in Literary Studies

What makes one sentence easy to read and another a slog that demands re-reading? Where do you put information you want readers to recall? Drawing on cognitive neuroscience, psychology and psycholinguistics, Writing for the Reader’s Brain (Cambridge University Press, 2025) provides a practical, how-to guide on how to write for your reader. It introduces the five 'Cs' of writing - clarity, continuity, coherence, concision, and cadence - and demonstrates how to use these to bring your writing to life. Dr. Yellowlees Douglas is the founder of ReadersBrain Academy and has spent over twenty-five years teaching writing to everyone from professors to freshmen. This interview was conducted by Renee Hale, who holds a Ph.D. in Chemical Engineering and works in R&D for the food and beverage industry. She is the author of The Nightstorm Files, a voracious reader, and enjoys sharing the joy of new perspectives with listeners. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this podcast interview, Richard Lucas hosts Ben Bradbury, founder of Reading Rhythms, to discuss the back story leading to founding Ben's his unique reading-themed events. Ben sharing his entrepreneurial journey, including early influences and the inspiration behind Reading Rhythms, which aims to reduce loneliness through shared reading experiences. We learn about the early role model and nudges Ben had from his mother and uncle, his first steps in entrepreneurship and work as a teenager. We hear about the positive and importantly negative lessons he learned from those experiences. We hear how Reading Rhythms emerged from Ben solving a problem he had in his own life, of finding time to read, and making connections with other readers in New York, and their “breakthrough moment when the New York Times published an article about what Reading Rhythms/ Richard and Ben explore the operational aspects of the business, highlighting its growth, revenue model, and the implementation of a management structure to address coordination challenges across multiple chapters, and work on efficiency and processes. We learn about their use of the Clifton Strengths assessment process, their rigorous and demanding approach to taking on and supporting new Group leaders and Ambassadors, and discuss similarities between Reading Rhythms, the TED-TEDx network and the NBN. The NBN as an organisation and Richard as the host of this channel, and very aligned with what RR is doing, and their enthusiasm is clear for the tone of the podcast Links: 3 steps to turn everyday get-togethers into transformative gatherings - Priya Parker Mark McKergow Host Leadership - book Host Leadership - why "hosting" is an important type of leadership | Mark McKergow How Village-in-the-City builds micro-local communities worldwide | Mark McKergow Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

18: Jewish Stories Translated from 18 Languages (Cherry Orchard, 2023) is the first anthology of translated multilingual Jewish fiction in 25 years: a collection of 18 splendid stories, each translated into English from a different language: Albanian, Croatian, Czech, Danish, French, German, Greek, Hebrew, Hungarian, Italian, Ladino, Polish, Portuguese, Romanian, Russian, Spanish, Turkish, and Yiddish. These compelling, humorous, and moving stories, written by eminent authors that include Shmuel Yosef Agnon, Isaac Babel, and Lili Berger, reflect both the diversities and the commonalities within Jewish culture, and will make you laugh, cry, and think. This beautiful book is easily accessible and enjoyable not only for Jewish readers, but for story-lovers of all backgrounds. Authors (in the order they appear in the book) include: Elie Wiesel, Varda Fiszbein, S. Y. Agnon, Gábor T. Szántó, Jasminka Domaš, Augusto Segre, Lili Berger, Peter Sichrovsky, Maciej Płaza, Entela Kasi, Norman Manea, Luize Valente, Eliya Karmona, Birte Kont, Michel Fais, Irena Dousková, Mario Levi, and Isaac Babel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Care at the End of the World: Dreaming of Infrastructure in Crip-Of-Color Writing (Duke UP, 2025), Jina B. Kim develops what she calls crip-of-color critique, bringing a disability lens to bear on feminist- and queer-of-color literature in the aftermath of 1996 US welfare reform and the subsequent evisceration of social safety nets. She examines literature by contemporary feminist, queer, and disabled writers of color such as Jesmyn Ward, Octavia Butler, Karen Tei Yamashita, Samuel Delany, and Aurora Levins Morales, who each bring disability and dependency to the forefront of their literary freedom dreaming. Kim shows that in their writing, liberation does not take the shape of the unfettered individual or hinge on achieving independence. Instead, liberation emerges by recuperating dependency, cultivating radical interdependency, and recognizing the numerous support systems upon which survival depends. At the same time, Kim demonstrates how theories and narratives of disability can intervene into state-authored myths of resource parasitism, such as the welfare queen. In so doing, she highlights the alternate structures of care these writers envision and their dreams of life organized around reciprocity and mutual support. Duke University Press Scholars of Color First Book Award Jina B. Kim is Assistant Professor of English and the Study of Women, Gender, and Sexuality at Smith College. Kim is a scholar, writer, and educator of feminist disability studies, queer-of-color critique, and contemporary multi-ethnic U.S. literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

It’s the UConn Popcast, and on the 100th anniversary of F. Scott Fitzgerald’s classic novel, we explore what The Great Gatsby means in America today. In this deep-dive we ask: What did Gatsby mean in 1925, and how have those meanings changed in 2025? What mythologies of America does Gatsby circulate, and challenge? How does Gatsby read to a Brit who never read it in high school, and to an American who only encountered it as an adult? Is Nick Carraway right that Gatsby is the only pure soul in the story? Can we rescue utopian imaginings from this dystopic picture of America? Is there a hidden story of race submerged beneath Gatsby’s overt story of class? Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Who are you, how are you supposed to live, and what about happiness? Answers to age-old questions are offered in classic myths about heroes, gods, and monsters, and at the ballgame. In The Ancient Wisdom of Baseball (Greenleaf, 2025), author Christian Sheppard interweaves Homer’s epics with glorious stories from the green fields of America’s pastime, celebrating Achilles’ courage and Odysseus’ cunning along with the virtues of Hall of Fame players such as Jackie Robinson and Babe Ruth and of great teams such as the 2004 Red Sox and the 2016 Cubs. Along the way, Sheppard humorously recollects trying to raise his baby daughter true to the teachings of ancient myth and his beloved game. The result is an endearing, insightful, and inspiring guide to cultivating virtue and becoming the hero of your own life’s odyssey. Christian Sheppard holds a PhD in Religion and Literature from the University of Chicago where he taught the “Great Books” for over a decade. He is presently a professor of liberal arts at the School of the Art Institute of Chicago. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What work can genre do today? And can the genre system become more than a method of reductive containment and market segmentation—can it be a generative source of imaginative chaos? Few are as qualified to address these questions as Lauren Beukes, whose simultaneous embrace of genres from science fiction to crime to horror and refusal to abide within their borders—what she calls her “Big Fuck You Energy”—has rendered her, by her own account, “basically un-shelve-able.” Beukes is joined by crime fiction scholar (and novelist) Andrew Pepper of Queen’s University Belfast for a conversation that dances across her oeuvre’s many genres. They delve into how Beukes first encountered genre through the allegories that writers used to navigate the apartheid state of South Africa; how Beukes’ experiences of femicidal violence and police apathy inspired her work in genre-bent crime (“At least in novels I get to have justice,” she tells us); the inflection of dystopia from different global perspectives; and the role of speculative fiction in helping clarify political enemies in an age of obfuscation. Pepper and Beukes also think about genre in more practical terms, from the logistics of keeping track of plotlines when crafting time travel or multiverse novels to what it means to be a “high concept” author in a market designed for distracted audiences. Mentioned in this Episode Lauren Beukes, Moxyland, Zoo City, The Shining Girls (and AppleTV adaptation), Broken Monsters, Bridge Margaret Atwood and speculative fiction China Miéville and the New Weird Kazuo Ishiguro Lauren Berlant Ivy Pochoda, These Women Danya Kukafka, Notes on an Execution Hannibal Lecter Crooked and Obscene Bret Easton Ellis, American Psycho Charles Dickens, Great Expectations Rick and Morty Spider-Man: Into the Spider-Verse Everything Everywhere All At Once E.L. Doctorow Plotters vs. Pantsers Severance Nnedi Okorafor Rebecca Solnit, Hope in the Dark A.K. Blakemore, The Glutton Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The beguiling ruins of Rome have a long history of allure. They first engaged the attention of later mediaeval tourists, just as they do today. The interest of travellers was captured in the Renaissance by artists, architects, topographers, antiquarians, archaeologists and writers. Once the ruins were seen to appeal to visitors, and to matter for their aesthetic quality, their protection and attractive presentation became imperative. Rome's ruins were the first to be the object of preservation orders, and novel measures were devised for their conservation in innovative archaeological parks. The city's remains provided models for souvenirs; paintings of them decorated the walls of eighteenth-century English country houses; and picturesque sham Roman ruins sprang up in landscape gardens across Europe. Writers responded in various ways to their emotional appeal. Roland Mayer's The Ruins of Rome: A Cultural History (Cambridge UP, 2025) will delight all those interested in the remarkable survival and preservation of a unique urban environment. ROLAND MAYER is Emeritus Professor of Classics at King's College London. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The itinerary of Faithfully Seeking Franz comprises an irregular quest for dead mentor, modernist author Franz Kafka--in places he lived, worked, vacationed and convalesced, and in the body of work he left: fiction, diaries, notebooks, and correspondence. The search for the man inside the writer is both a personal journey and a joint venture of two in the field: E. and M. in pursuit of K. The story might even be said to unfold as a love note to triangulation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Written by a self-taught grammarian, A Few Words About Words (Beaufort Books, 2021) offers an accessible and engaging guide to mastering the English language. A simple mistake, like writing your instead of you’re or there instead of they’re, can make the difference between winning or losing an opportunity. A missing comma can spark a PR disaster, while a well-crafted sentence can be remembered for generations. However, even native English speakers often struggle with the language. Based on Joe Diorio’s widely circulated and beloved newsletter of the same title, A Few Words About Words distills over 30 years of witty, insightful observations on the common—and not-so-common—grammar mistakes we all make. If you’ve ever wondered whether also should come before or after a verb, debated preventive vs. preventative, or questioned the true importance of the Oxford comma, this book offers clarity and reassurance. In this episode, Ibrahim Fawzy interviews Joe Diorio about writing and grammar. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Transpatial Modernity: Chinese Cultural Encounters with Russia Via Japan (1880-1930) (Harvard Asia Center, 2024) offers the first detailed account of the complex cultural, literary and intellectual relationships between Russia, Japan and China in the modern era. In this wide-ranging interview, author Xiaolu Ma reflects on the remarkable process of Russian culture reaching China through the prism of Japan and Japanese. What happens when translation takes place through an intermediary language? How did Russian literature and ideas get reimagined in the two-step exchange to Japanese and Chinese? This interview begins with the Professor Ma’s personal reflections on the experience of studying Russian literature in China, before turning to a broad overview of China’s encounter with Russia via Japan. The interview then zooms in on a few of the examples explored in Transpatial Modernity, bringing to life a network of cultural exchange, including such celebrated names as Pushkin, Lu Xun, and the Russian nihilists. Transpatial Modernity is recommended for anyone interested in processes of cultural exchange and translation, as well as for those with interest in China, Japan and Russia during the extraordinary half-century between the 1880s and 1930s. Mark Baker is lecturer (assistant professor) in East Asian history at the University of Manchester, UK. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

African Literature and US Empire Postcolonial Optimism in Nigerian and South African Writing (Edinburgh UP, 2024) demonstrates how African literature grapples with the enforced optimism of US empire that circulates in postcolonial nations: Unsettles chronologies that chart a growing disillusionment with the postcolonial nation and national development across the twentieth and twenty-first centuries Brings together African literary studies, affect studies, and U.S. empire studies Diagnoses and critiques how U.S. empire is sustained through cycles of optimism and disappointment Includes chapters on both classic postcolonial fiction by writers such as Buchi Emecheta and Miriam Tlali and recent anglophone African novels by Chimamanda Ngozi Adichie and Ekow Duker Postcolonialism has long been associated with post-nationalism. Yet, the persistence of nation-oriented literatures from within the African postcolony and its diasporas registers how dreams of national becoming endure. In this fascinating new study, Hallemeier brings together African literary studies, affect studies and US empire studies, to challenge chronologies that chart a growing disillusionment with the postcolonial nation and national development across the twentieth and twenty-first centuries. The Nigerian and South African writings in African Literature and US Empire, while often attuned to the trans- and extra- national, repeatedly scrutinize why visions of national exceptionalism, signified by a ‘pan-African’ Nigeria and ‘new’ South Africa, remain stubbornly affecting, despite decades of disillusionment with national governments beholden to a neocolonial global order. In these fictions, optimistic forms of nationalism cannot be reduced to easily critiqued state-sanctioned discourses of renewal and development. They are also circulated through experiences of embodied need, quotidian aspiration and transnational, pan-African relationship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Louise Lowe is a theatre and performance director, writer, choreographer, dramaturge, and, more recently, a television director and short film writer/director, working in Ireland and internationally. She is the Co-Artistic Director of ANU Productions, established with Owen Boss in Dublin in 2009. Lowe is known for facilitating and creating moments of interior reckoning for audiences through immersive performance techniques. These techniques engage spectators in affectively realised moments of understanding that the stories unfolding through performance reflect living histories in need of greater socio-political engagement and intervention. The Theatre of Louise Lowe (Cambridge UP, 2025) assesses Lowe's creative practice and production history since her days as a drama facilitator in women's prisons and resource centres in Dublin, paying particular attention to the economic struggle of Dublin's north inner-city, the markings of which are potently visible in the work she makes, and how she makes it. This title is also available as Open Access on Cambridge Core. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Poems by and biographies of inmates of the Dachau Concentration Camp, testimonies to the persistence of the humanity and creativity of the individual in the face of extreme suffering. The concentration camp at Dachau was the first established by the Nazis, opened shortly after Hitler came to power in 1933. It first held political prisoners, but later also forced laborers, Soviet POWs, Jews, and other "undesirables." More than 30,000 deaths were documented there, with many more unrecorded. In the midst of the horror, some inmates turned to poetry to provide comfort, to preserve their sense of humanity, or to document their experiences. Some were or would later become established poets; others were prominent politicians or theologians; still others were ordinary men and women. My Shadow in Dachau: Poems (Camden House, 2014) contains 68 poems by 32 inmates of Dachau, in 10 different original languages and facing-page English translation, along with short biographies. A foreword by Walter Jens and an introduction by Dorothea Heiser from the original German edition are joined here by a foreword by Stuart Taberner of theUniversity of Leeds. All the poems, having arisen in the experience or memory of extreme human suffering, are testimonies to the persistence of the humanity and creativity of the individual. They are also a warning not to forget the darkest chapter of history and a challenge to the future not to allow it to be repeated. Dorothea Heiser holds an MA from the University of Freiburg. Stuart Taberner is Professor of Contemporary German Literature, Culture, and Society at the University of Leeds. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Asian/Other: Life, Poems, and the Problem of Memoir was published in January 2025 by Icon Books. The book considers the political and psychological dimensions of diasporic identity as Ravinthiran leaps imaginatively between memoir and criticism—understanding his life through poetry, and vice versa. Ranging from Andrew Marvell to Divya Victor, Ravinthiran writes both about and through poems, discussing Sri Lanka, experiences of racism and resilience, and pandemic parenting to name a few. Vidyan Ravinthiran is the Gardner Cowles Associate Professor of the Humanities at Harvard University and teaches in the Department of English there. Born in Leeds to Sri Lankan Tamils, Ravinthiran completed his education at the Universities of Oxford and Cambridge, before moving to the US five years ago. His publications include Elizabeth Bishop’s Prosaic (2015), Worlds Woven Together: Essays on Poetry and Poetics (2022) and Spontaneity and Form in Modern Prose (2022). Aside from his literary criticism, which has been published in numerous journals, he is also well known as a poet. His collections explore the tensions that arise between being and becoming in diasporic imaginaries. The Million-Petalled Flower of Being Here published by Bloodaxe in 2019 was the winner of the Northern Writers Award, awarded Poetry Book Society Recommendation and was shortlisted for the Forward Prize. An earlier collection, Gru-Tu-Molani published in 2014 was shortlisted for the Forward Prize for Best First Collection, the Seamus Heaney Centre Poetry Prizeand the 2015 Michael Murphy Memorial Prize. This interview was hosted by Zana Mody, an English DPhil student at the University of Oxford, who works on postcolonial Indian literature and art. X: @mody_zana Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Abu Bakr al-Suli was an Abbasid polymath and table companion, as well as a legendary chess player. He was perhaps best known for his work on poetry and chancery, which would have a long-lasting influence on Arabic literature. His decades of service at the court of at least three caliphs give him a unique perspective as an historian of his own time, although he is often valued as an observer rather than an interpreter of events for posterity. In History and Memory in the Abbasid Caliphate: Writing the Past in Medieval Arabic Literature (I. B. Tauris, 2024), Letizia Osti provides the first full-length English-language study devoted to al-Suli, illustrating how investigating the life, times and works of such a complex individual can serve as a fil rouge for tackling broader, contested concepts, such as biography, autobiography, court culture, and written culture. The result is an exploration of the ways in which the Abbasid court made sense of the past and, in general, of what 'historiography' means in a medieval Arabic context. Letizia Osti is Professor of Arabic Literature and Language at the University of Milan, where she has taught since 2007. She earned her PhD in Arabic Studies from the University of St. Andrews, and is a member of the School of Abbasid Studies and other scholarly societies. Her research has been published widely in journals such as the Journal of Abbasid Studies, the Journal of Arabic and Islamic Studies and Middle Eastern Literatures, and she is the co-author of the 2013 study Crisis and Continuity at the Abbasid Court. Samuel Thrope is Curator of the Islam and Middle East Collection at the National Library of Israel. He earned his PhD at the University of California, Berkeley in 2012. He is the translator of Iranian author Jalal Al-e Ahmad’s 1963 Israel travelogue The Israeli Republic (Restless Books, 2017) and, with Dr. Domenico Agostini, of the ancient Iranian Bundahišn: The Zoroastrian Book of Creation (Oxford University Press, 2021). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Hasidism, Haskalah, Zionism (U Pennsylvania Press, 2023) reveals how political and literary dialogues and conflicts between the Hebrew literature of the Hasidism, the Jewish Enlightenment, and Zionism interacted with each other in the nineteenth century. Hannan Hever uses postcolonial theories and theories of nationality to analyze how Jews used literature to make sense of hostility directed toward Jews from their European “host” countries and to set forth their own ideas and preferences regarding their status, control, and treatment. In doing so, Hever theorizes the Enlightenment’s intellectual aims and cultural influences, tracking how the models of integration crucial to Haskalah gave way to Jewish nationalism in the twentieth century. The readings in this book are theoretically informed, setting forward novel claims based on detailed textual analyses of hasidic tales, Haskalah satires, and Zionist narratives. Thus, this book tackles a major interpretative problem visible at the core of modern Hebrew literature—its radical difficulty in distinguishing between the theological components of modern Jewish discourse and its national identity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Throw Yourself Away: Writing and Masochism (Cambridge University Press, 2024), Julia Jarcho proposes that the desire to write is inextricably bound up with masochistic desires. In a series of readings that engage American and European works of fiction, drama, and theory from the late nineteenth through the early twenty-first centuries, Jarcho tests the limits of masochism as a pleasure-making economy. Reading Henry James, Henrik Ibsen, Mary Gaitskill, and Adrienne Kennedy alongside Sigmund Freud, Gilles Deleuze, Eve Kosofsky Sedgwick, Leo Bersani and others, Jarcho investigates the ways in which masochism rewrites and reinvigorates failures of desire, which critics have otherwise thought of as dead-ending masochism. Jarcho asks particularly difficult questions of masochism as a response to injurious social structures, which yield less uniformly white, searching, and uneasy views of both masochism and authorship. Throw Yourself Away reconsiders how writing and subjects are undone by the excesses and recesses of masochistic desire, which keeps the prospect of pleasure so painfully, so deliciously at bay. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Monsters are central to how we think about the human condition. Join award-winning historian of science in Humans: A Monstrous History (University of California Press, 2025) by Dr. Surekha Davies as she reveals how people have defined the human in relation to everything from apes to zombies, and how they invented race, gender, and nations along the way. With rich, evocative storytelling that braids together ancient gods and generative AI, Frankenstein's monster and E.T., Humans: A Monstrous History shows how monster-making is about control: it defines who gets to count as normal. In an age when corporations increasingly see people as obstacles to profits, this book traces the long, volatile history of monster-making and charts a better path for the future. The result is a profound, effervescent, empowering retelling of the history of the world for anyone who wants to reverse rising inequality and polarization. This is not a history of monsters, but a history through monsters. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

It’s a bit surprising to hear a writer known for building worlds that incorporate deep historical research and elaborate technological details extol the virtues of play, but Ken Liu tells critic Rose Casey and host Sarah Wasserman that if “your idea of heaven doesn’t include play, then I’m not sure it’s a heaven people want to go to.” It turns out that Ken—acclaimed translator and author of the “silkpunk” epic fantasy series Dandelion Dynasty and the award-winning short story collection The Paper Menagerie—is deeply serious about play. Speaking about play as the key to technological progress, Ken and Rose discuss the importance of whimsy and the inextricable relationship between imagination and usefulness. For Ken, whose Dandelion Dynasty makes heroes of engineers instead of wizards or knights, precise machinery and innovative gadgets are born, like novels, of imagination. Ken himself might be best described as a meticulous, dedicated tinkerer—a writer playing with the materials and stories of the past to help us encounter new worlds in the present. So even if trying to explain his craft is “like asking fish how they swim,” Ken jumps in and discusses how he writes at such different lengths (hint: the longer the book, the more elephantine) and what he makes of different genre labels, from fantasy to historical fiction. We also learn why Ken is a fan of Brat Summer and still thinking about the Roman Empire. Mentioned in this episode: Ken Liu, Speaking Bones (2022), The Veiled Throne (2021), The Wall of Storms (2017), The Grace of Kings (2016), The Paper Menagerie and Other Stories (2016) Cixin Liu, The Three-Body Problem (2014) Rose Casey, Jessica Wilkerson, Johanna Winant, “An Open Letter from Faculty at West Virginia University” (2023) Rose Casey, “In Defense of Higher Education” (2024) Ursula K. LeGuin, “The Ones Who Walk Away from Omelas” (1973) Homer, The Odyssey Virgil, The Aeneid John Milton, Paradise Lost A.M. Turing, “Computing Machinery and Intelligence” (1950) Brat Summer Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Imprisoning a Revolution: Writings from Egypt’s Incarcerated (U California Press, 2025), edited by Collective Antigone, is a groundbreaking collection of writings by political prisoners in Egypt. It offers a unique lens on the global rise of authoritarianism during the last decade. This book contains letters, poetry, and art produced by Egypt’s incarcerated from the eruption of the January 25, 2011, uprising. Some are by journalists, lawyers, activists, and artists imprisoned for expressing their opposition to Egypt’s authoritarian order; others are by ordinary citizens caught up in the zeal to silence any hint of challenge to state power, including bystanders whose only crime was to be near a police sweep. Together, the contributors raise profound questions about the nature of politics in both authoritarian regimes and their “democratic” allies, who continue to enable and support such violence. This collection offers few answers and even less consolation, but it does offer voices from behind the prison walls that remind readers of our collective obligation not to look away or remain silent. With a foreword by acclaimed Egyptian novelist Ahmed Naji and an afterword with Kenyan literary giant Ngũgĩ wa Thiong’o, Imprisoning a Revolution holds a mirror not just to Egypt but to the world today, urging us to stop the rampant abuse and denial of fundamental human rights around the globe. In this episode, Ibrahim Fawzy interviews Mark LeVine and Lucia Sorbera about the genesis of the book, the challenges of curating it, struggle against tyranny, resistance, writing, and more. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

From Kensington to the East End, under candlelight, gas lamp and then neon signs, London is both a bustling physical metropolis and a stirring psychic encounter. The most depraved depictions of London in fiction, film, poetry, television and theatre have irrevocably merged with the reality of its dark history, creating a phantasmagoria defined by murder, vice and the unnatural. In this panoptic look at the capital at its most eerie and macabre, Dr. Clive Bloom takes a tour of Gothic London's uncanny literature, arcane events and its infamous and imagined geographies. From David Bowie to T S Eliot, Thomas de Quincey to Aleister Crowley, the prophetess Joanna Southcott to the 'ghosts' of Abba and the worlds of Neil Gaiman and Clive Barker, these are the figures that populate a city lost in fog and blind alleys, where the dead can be raised, the living sacrificed and the clandestine thrive. Suturing together fact and fantasy, London Uncanny: A Gothic Guide to the Capital in Weird History and Fiction (Bloomsbury, 2025) presents the urban landscape of the capital as a space of wonder and madness, haunted by its past and haunting the present. Stalking through disease and degeneracy, death and murder, spiritualism, lunacy and the occult, Bloom crafts a singular, integrated concept of a London where dreams and nightmares meet. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today we present the first episode of a miniseries on audiobooks by getting into the history and theory of the medium. Audiobooks are having a moment—and it only took them over a century to get here. Dr. Matthew Rubery, a Harvard PhD and Professor of Modern Literature at Queen Mary University of London, pioneered the study of the audiobook, its history, and its affordances. Among his other works, Dr. Rubery is the author of The Untold Story of the Talking Book (2016, Harvard University Press). He’s also the editor of Audiobooks, Literature, and Sound Studies (2011, Routledge). Matt’s latest book is titled Reader’s Block: A History of Reading Differences (2022, Stanford University Press). In this fascinating conversation, we discuss the long history of recorded literature; the weird shame around audiobook reading and its cultural roots; the interplay between disability, neurodivergence, and alternate forms of reading; and what an audiobook criticism might look like. And for our patrons, we’ll have our What’s Good segment at the end of the show, where Matt will tell us something good to read, something good to listen to. Something good to do. You can become a patron of the show at patreon.com/phantompower. Today’s show was edited by Mack Hagood. Transcription by Katelyn Phan. Music by Graeme Gibson Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode, our host, Ti-han, invited one of her co-editors, Dr Ian Rowen, to talk about their forthcoming book publication, A Taiwanese Eco-literature Reader, soon to be published by Columbia University Press. This anthology brings together translations of nine compelling stories from Taiwan, examining Taiwan’s most vibrant literary genre and its resonance to the theme of HOME. While this podcast series has featured interviews with some of the anthology’s authors, Ian speaks from the perspective as an editor, showing why it is critical to work on translating Taiwanese eco-literature for global readers. On a personal note, Ian also reflects his own sense of belonging, and the evolving sense of HOME, and how Taiwan has played a key role in that journey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Child Gaze: Narrating Resistance in American Literature (UP of Mississippi, 2024) theorizes the child gaze as a narrative strategy for social critique in twentieth- and twenty-first-century US literature for children and adults. Through a range of texts, including James Baldwin’s Little Man, Little Man, Mildred D. Taylor’s Roll of Thunder, Hear My Cry, Toni Morrison’s The Bluest Eye, Gene Luen Yang’s American Born Chinese, and more, Amanda M. Greenwell focuses on children and their literal acts of looking. Detailing how these acts of looking direct the reader, she posits that the sightlines of children serve as signals to renegotiate hegemonic ideologies of race, ethnicity, creed, class, and gender. In her analysis, Greenwell shows how acts of looking constitute a flexible and effective narrative strategy, capable of operating across multiple points of view, focalizations, audiences, and forms. Weaving together scholarship on the US child, visual culture studies, narrative theory, and other critical traditions, The Child Gaze explores the ways in which child acts of looking compel readers to look at and with a child character, whose gaze encourages critiques of privileged visions of national identity. Chapters investigate how child acts of looking allow texts to redraw circles of inclusion around the locus of the child gaze and mobilize childhood as a site of resistance. The powerful child gaze can thus disrupt dominant scripts of power, widening the lens through which belonging in the US can be understood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

We kick off Season 9: TECH by talking with our very own Aarthi Vadde, the E. Blake Byrne Associate Professor of English at Duke University. Hosts and co-producers Chris Holmes and Emily Hyde ask Aarthi about the role of the novel in relation to the mass writing platforms that dominate our digital lives. Aarthi is at work on a book called We the Platform: Contemporary Literature after Web 2.0, and she explains how the novel can mark the invisible infrastructures of the internet, defamiliarize the “computational surround” of everyday life, and give us new angles on writing with and against bots. Join us to hear about the novelists and critics appearing in Season 9 of Novel Dialogue and to find out what Aarthi's students say when asked: "What would you never automate even if you could?" Mentions -Jennifer Egan: “Black Box” -Teju Cole: Small Fates, Tremor -Lauren Oyler: Fake Accounts -Stewart Home -Tom McCarthy: Satin Island -Yxta Maya Murray: Art Is Everything -Fred Benenson -Xu Bing: Book from the Ground -Rachel Cusk: Transit Naomi Alderman -R.F. Kuang: Yellowface -Sally Rooney: Beautiful World, Where Are You -Sheila Heti, “According to Alice” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The People of the Book and the Camera: Photography in the Hebrew Novel (Syracuse UP, 2022), Amihay offers a pioneering study of the unique nexus between literature and photography in the works of Hebrew authors. Exploring the use of photography--both as a textual element and through the inclusion of actual images-- Amihay shows how the presence of visual elements in a textual work of fiction has a powerful subversive function. Contemporary Hebrew authors have turned to photography as a tool to disrupt narratives and give voice to marginalized sectors in Israel, including women, immigrants, Mizrahi Israelis, LGBTQ+ individuals, second-generation Holocaust survivors, and traumatized army veterans. Amihay discusses standard novels alongside graphic novels, challenging the dominance of the written word in literature. In addition to providing a poetic analysis of imagetext pages, Amihay addresses the social and political issues authors are responding to, including gender roles, Zionism, the ethnic divide in Israel, and its Palestinian minority. In exploring these avant-garde novels and their authors, Amihay elevates their significance and calls for a more expansive definition of canonical Hebrew literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Glorious Bodies: Trans Theology and Renaissance Literature (U Chicago Press, 2024) offers a prehistory of transness that recovers early modern theological resources for trans lifeworlds. In this striking contribution to trans history, Colby Gordon challenges the prevailing assumption that trans life is a byproduct of recent medical innovation by locating a cultural imaginary of transition in the religious writing of the English Renaissance. Marking a major intervention in early modern gender studies, Glorious Bodies insists that transition happened, both socially and surgically, hundreds of years before the nineteenth-century advent of sexology. Pairing literary texts by Shakespeare, Webster, Donne, and Milton with a broad range of primary sources, Gordon examines the religious tropes available to early modern subjects for imagining how gender could change. From George Herbert’s invaginated Jesus and Milton’s gestational Adam to the ungendered “glorious body” of the resurrection, early modern theology offers a rich conceptual reservoir of trans imagery. In uncovering early modern trans theology, Glorious Bodies mounts a critique of the broad consensus that secularism is a necessary precondition for trans life, while also combating contemporary transphobia and the right-wing Christian culture war seeking to criminalize transition. Developing a rehabilitative acco unt of theology’s value for positing trans lifeworlds, this book leverages premodern religion to imagine a postsecular transness in the present. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

While scholars of ancient Mediterranean literature have focused their efforts heavily on explaining why authors would write pseudonymously or anonymously, less time has been spent exploring why an author would write orthonymously (that is, under their own name). The Author in Early Christian Literature (Cambridge UP, 2025) explores how early Christian writers began to care deeply about 'correct' attribution of both Christian and non-Christian literature for their own apologetic purposes, as well as how scholars have overlooked the function that orthonymity plays in some early Christian texts. Orthonymity was not only a decision made by a writer regarding how to attribute one's own writings, but also how to classify other writers' texts based on proper or improper attribution. This Element urges us to examine forms of authorship that are often treated as an unexamined default, as well as to more robustly consider when, how, for whom, and for what purposes an instance of authorial attribution is deemed 'correct. New Books in Late Antiquity is Presented by Ancient Jew Review Chance Bonar is a postdoc at Tufts University. Michael Motia teaches in the classics and religious studies department at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his new book, Nathan K. Hensley describes a mood or a vibe or an intuitive response to the contemporary moment when one feels powerless in the face of collapsing societal systems. Given the entrenched nature of the present crisis, with compulsory happiness being marketed by the culture industry, how does one work within systems from which no true escape is possible? In order to uncover a prehistory of this feeling, he goes back to the nineteenth century - to artists like J.M.W. Turner and writers like Emily Bronte and Christina Rossetti who were thinking about what it means to inhabit a world omnivorously captured by capital. Nathan K. Hensley is the author of Forms of Empire: The Poetics of Victorian Sovereignty (Oxford, 2016), and co-editor, with Philip Steer, of Ecological Form: System and Aesthetics in the Age of Empire (Fordham, 2018). With Devin Garofalo, he is currently coediting a collection of essays that's forthcoming from Northwestern UP, The Barbara Johnson Collective. His new book is Action without Hope: Victorian Literature after Climate Collapse, forthcoming from Chicago UP in April 2025. He was born in Fresno, California and lives in Silver Spring, Maryland. Image: J.M.W. Turner, The Burning of the Houses of Lords and Commons, 1834-35. Public Domain. Original at the Philadelphia Museum of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Exploring twentieth- and twenty-first century texts that wrestle with the Irish domestic interior as a sexualized and commodified space, Body Politics in Contemporary Irish Women’s Fiction: The Literary Legacy of 'Mother Ireland' (Bloomsbury, 2025) provides readings of the power and authority of the feminized body in Ireland. Scheible dissects the ways that 'the woman-as-symbol' remains consistent in Irish literary representations of national experience in Irish fiction and shows how this problematizes the role of women in Ireland by underscoring the oppression of sexuality and gender that characterized Irish culture during the twentieth century. Examining works by Elizabeth Bowen, Pamela Hinkson, Emma Donoghue, Tana French, Sally Rooney and James Joyce, this book demonstrates that the definition of Irish nationhood in our contemporary experience of capitalism and biopolitics is dependent on the intertwining and paradoxical tropes of a traditional, yet equally sexual, feminine identity which has been quelled by violence and reproduction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A moving exploration of the life and work of the celebrated American writer, blending biography and memoir with literary criticism. Since James Baldwin's death in 1987, his writing - including The Fire Next Time, one of the manifestos of the Civil Rights Movement, and Giovanni's Room, a pioneering work of gay fiction - has only grown in relevance. Douglas Field was introduced to Baldwin's essays and novels by his father, who witnessed the writer's debate with William F. Buckley at Cambridge University in 1965. In Walking in the Dark: James Baldwin, My Father and I (Manchester UP, 2024), he embarks on a journey to unravel his life-long fascination and to understand why Baldwin continues to enthral us decades after his death. Tracing Baldwin's footsteps in France, the US and Switzerland, and digging into archives, Field paints an intimate portrait of the writer's life and influence. At the same time, he offers a poignant account of coming to terms with his father's Alzheimer's disease. Interweaving Baldwin's writings on family, illness, memory and place, Walking in the dark is an eloquent testament to the enduring power of great literature to illuminate our paths. Douglas Field is a writer and academic who teaches American literature at the University of Manchester. He has published two books on James Baldwin, the most recent of which is All Those Strangers: The Art and Lives of James Baldwin (2015). His work has been published in Beat Scene, the Big Issue, the Guardian and the Times Literary Supplement, where he has been a regular contributor for twenty years. He is a founding editor of James Baldwin Review. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is the future of reading? In Reading Audio Readers: Book Consumption in the Digital Age (Bloombury, 2024), Karl Berglund, Assistant Professor in Literature at Department of Literature and Rhetoric at Upsala University, examines the rise of audiobooks as a new mode of reading books. The analysis draws on digital humanities methods and a detailed industry case study to show who are the readers of audiobooks, how those readers engage and consume books, what sort of genres are most popular, and crucially how all of this us impacting on the publishing industry. The research also picks up on important themes of continuity and change represented by audiobooks, from ongoing issues of inequalities through to the new forms of writing practice and AI generated narrators. A richly detailed but easily accessible text, the book is essential reading for scholars across academia, as well as anyone interested in reading! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Unruly Tongue: Speech and Violence in Medieval Italy (University of Pennsylvania Press, 2025) by Dr. Melissa Vise, offers a new account of how the power of words changed in Western thought. Despite the association of freedom of speech with the political revolutions of the eighteenth century that ushered in the era of modern democracies, Dr. Vise locates the history of the repression of speech not in Europe’s monarchies but rather in Italy’s republics. Exploring the cultural process through which science and medicine, politics, law, literature, and theology together informed a new political ethics of speech, Dr. Vise uncovers the formation of a moral code where the regulation of the tongue became an integral component of republican values in medieval Europe. The medieval citizens of Italy’s republics understood themselves to be wholly subject to the power of words not because they lived in an age of persecution or doctrinal rigidity, but because words had furnished the grounds for their political freedom. Speech-making was the means for speaking the republic itself into existence against the opposition of aristocracy, empire, and papacy. But because words had power, they could also be deployed as weapons. Speech contained the potential for violence and presented a threat to political and social order, and thus needed to be controlled. Dr. Vise shows how the laws that governed and curtailed speech in medieval Italy represented broader cultural understandings of human susceptibility to speech. Tracing anthropologies of speech from religious to political discourse, from civic courts to ecclesiastical courts, from medical texts to the works of Dante and Boccaccio, The Unruly Tongue demonstrates that the thirteenth century marked a major shift in how people perceived the power, and the threat, of speech: a change in thinking about “what words do.” This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Tahrir Hamdi is a Professor of Resistance Literature at the Arab Open University in Jordan. She is the author of the award-winning Imagining Palestine and serves as an assistant editor of Arab Studies Quarterly. National identities are inherently fluid, shaped as much by collective beliefs and cultural practices as by official borders and territory. For Palestinians, whose national status remains contested, the articulation and imagination of national identity take on particular urgency. Imagining Palestine: Cultures of Exile and National Identity (Bloomsbury, 2022) examines how Palestinian intellectuals, artists, activists, and ordinary citizens envision their homeland, engaging with the works of key figures such as Edward Said, Ghassan Kanafani, Naji al-Ali, Mahmoud Darwish, Mourid Barghouti, Radwa Ashour, Suheir Hammad, and Susan Abulhawa. Drawing on decolonial and resistance concepts—particularly Palestinian sumud—Hamdi argues that the imaginative construction of Palestine is central to the Palestinian struggle. This interdisciplinary study, rooted in critical theory, postcolonial and decolonial studies, and literary analysis, offers valuable insights for students and scholars of Palestine, Middle East studies, and Arabic literature. Imagining Palestine received the Counter Current Award at the 2023 Palestine Book Awards. Bryant Scott is a professor of English and film studies at Hamad Bin Khalifa University and Texas A&M University at Qatar. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

For centuries before its "rebirth" as a spoken language, Hebrew writing was like a magical ship in a bottle that gradually changed design but never voyaged out into the world. Isolated, the ancient Hebrew ship was torpid because the language of the Bible was inadequate to represent modern life in Europe. Early modern speakers of Yiddish and German gave Hebrew the breath of life when they translated dialogues, descriptions, and thought processes from their vernaculars into Hebrew. By narrating tales of pilgrimage and adventure, Jews pulled the ship out of the bottle and sent modern Hebrew into the world. In Travels in Translation: Sea Tales at the Source of Jewish Fiction (Syracuse UP, 2016), Frieden analyzes this emergence of modern Hebrew literature after 1780, a time when Jews were moving beyond their conventional Torah- and Zion-centered worldview. Enlightened authors diverged from pilgrimage narrative traditions and appropriated travel narratives to America, the Pacific, and the Arctic. The effort to translate sea travel stories from European languages—with their nautical terms, wide horizons, and exotic occurrences—made particular demands on Hebrew writers. They had to overcome their tendency to introduce biblical phrases at every turn in order to develop a new, vivid, descriptive language. As Frieden explains through deft linguistic analysis, by 1818, a radically new travel literature in Hebrew had arisen. Authors such as Moses Mendelsohn-Frankfurt and Mendel Lefin published books that charted a new literary path through the world and in European history. Taking a fresh look at the origins of modern Jewish literature, Frieden launches a new approach to literary studies, one that lies at the intersection of translation studies and travel writing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston's two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain't I an Anthropologist (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston's place in American cultural and intellectual life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Trauma, Memory and Silence of the Irish Woman in Contemporary Literature (Routledge, 2023) studies the manifestations of female trauma through the exploration of multiple wounds, inflicted on both body and mind and the soul of Irish women from Northern Ireland and the Republic within a contemporary context, and in literary works written at the turn of the twenty-first century and beyond. These artistic manifestations connect tradition and modernity, debunk myths, break the silence with the exposure of uncomfortable realities, dismantle stereotypes and reflect reality with precision. Women’s issues and female experiences depicted in contemporary fiction may provide an explanation for past and present gender dynamics, revealing a pathway for further renegotiation of gender roles and the achievement of equilibrium and equality between sexes. These works might help to seal and heal wounds both old and new and offer solutions to the quandaries of tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Everyone knows Judy Blume. Her books have garnered her fans of all ages for decades and sold tens of millions of copies. But why were people so drawn to them? And why are we still talking about them now in the 21st century? In The Genius of Judy: How Judy Blume Rewrote Childhood for All of Us (Atria, 2024), her remarkable story is revealed as never before, beginning with her as a mother of two searching for purpose outside of her home in 1960s suburban New Jersey. The books she wrote starred regular children with genuine thoughts and problems. But behind those deceptively simple tales, Blume explored the pillars of the growing women’s rights movement, in which girls and women were entitled to careers, bodily autonomy, fulfilling relationships, and even sexual pleasure. Blume wasn’t trying to be a revolutionary—she just wanted to tell honest stories—but in doing so, she created a cohesive, culture-altering vision of modern adolescence. Blume’s bravery provoked backlash, making her the country’s most-banned author in the mid-1980s. Thankfully, her works withstood those culture wars and it’s no coincidence that Blume has resurfaced as a cultural touchstone now. Young girls are still cat-called, sex education curricula are getting dismissed as pornography, and entire shelves of libraries are being banned. As we face these challenges, it’s only natural we look to Blume, the grand dame of so-called dirty books. This is the story of how a housewife became a groundbreaking artist, and how generations of empowered fans are her legacy, today more than ever. Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at [email protected]. Blusky and IG: @robbyref Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Violence has only increased in Mexico since 2000: 23,000 murders were recorded in 2016, and 29,168 in 2017. The abundance of laws and constitutional amendments that have cropped up in response are mirrored in Mexico's fragmented cultural production of the same period. Contemporary Mexican literature grapples with this splintered reality through non-linear stories from multiple perspectives, often told through shifts in time. The novels, such as Jorge Volpi's Una novela criminal [A Novel Crime] (2018) and Julián Herbert's La casa del dolor ajeno [The House of the Pain of Others] (2015) take multiple perspectives and follow non-linear plotlines; other examples, such as the very short stories in ¡Basta! 100 mujeres contra la violencia de género [Enough! 100 Women against Gender-Based Violence] (2013), present perspectives from multiple authors. Few scholars compare cultural production and legal texts in situations like Mexico, where extreme violence coexists with a high number of human rights laws. Unlawful Violence: Mexican Law and Cultural Production (Vanderbilt UP, 2022) measures fictional accounts of human rights against new laws that include constitutional amendments to reform legal proceedings, laws that protect children, laws that condemn violence against women, and laws that protect migrants and Indigenous peoples. It also explores debates about these laws in the Mexican house of representatives and senate, as well as interactions between the law and the Mexican public. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Russia has a long history of publishers operating from abroad, producing books and periodicals for a Russian-speaking audience. One notable example is The Bell (Kolokol), published by Alexander Herzen, the Russian writer and thinker who emigrated in the mid-19th century. The waves of Russian emigration in the 20th century—beginning with those fleeing the 1917 Bolshevik Revolution—led to the creation of numerous Russian-language publishing ventures, ranging from short-lived projects to long-standing institutions. Among the most well-remembered are the YMCA Press in Paris, Posev and Grani in Germany, and Ardis Publishing, founded in the early 1970s—not by Russians, but by American literary scholars. Exiled Russian publishers not only printed the works of fellow émigré authors but also played a crucial role in tamizdat—smuggling manuscripts deemed ideologically unacceptable by the Soviet regime out of the USSR, publishing them abroad, and then covertly reintroducing them into the country for clandestine distribution. After Russia invaded Ukraine three years ago, prompting the exodus of hundreds of thousands of Russians, it was only a matter of time before new émigré publishing houses emerged. In this conversation, we speak with Feliks Sandalov, co-founder and director of StraightForward, one of the newly established Russian publishing initiatives in exile, about his work and the evolving landscape of Russian publishing abroad. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

One hundred years ago, Gabriel Wells, a New York bookseller, committed a crime against history. He broke up the world’s greatest book, the Gutenberg Bible, and sold it off in individual pages. In 1921, Wells’ audacity scandalized the rare-book world. The Gutenberg was the first substantial book in Europe to have been printed on a printing press. It represented the democratization of knowledge and was the Holy Grail of rare books. In Noble Fragments: The Gripping Story of the Antiquarian Bookseller Who Broke Up a Gutenberg Bible (Scribe, 2024), Michael Visontay describes how Wells’s gamble set off a chain of events that changed his family’s destiny. Interviewee: Michael Visontay is the Commissioning Editor of The Jewish Independent, and has worked as a journalist and senior editor at The Sydney Morning Herald and The Australian. Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Empire of Culture: Neo-Victorian Narratives in the Global Creative Economy (SUNY Press, 2024) by Dr. Waiyee Loh brings together contemporary representations of Victorian Britain to reveal how the nation's imperial past inheres in the ways post-imperial subjects commodify and consume "culture" in the late twentieth and early twenty-first centuries. The globalization of English literature, along with British forms of dress, etiquette, and dining, in the nineteenth century presumed and produced the idea that British culture is a universal standard to which everyone should aspire. Examining neo-Victorian texts and practices from Britain, the United States, Japan, and Singapore—from A. S. Byatt's novel Possession and its Hollywood film adaptation to Japanese Lolita fashion and the Lady Victorian manga series—Dr. Loh argues that the British heritage industry thrives on the persistence of this idea. Yet this industry also competes and collaborates with the US and Japanese cultural industries, as they, too, engage with the legacy of British universalism to carve out their own empires in a global creative economy. Unique in its scope, Empire of Culture centers Britain's engagements with the US and East Asia to illuminate fresh axes of influence and appropriation, and further bring Victorian studies into contact with various sites of literary and cultural fandom. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Cosmological Readings of Contemporary Australian Literature: Unsettling the Anthropocene (Routledge, 2024) presents an innovative and imaginative reading of contemporary Australian literature in the context of unprecedented ecological crisis. The Australian continent has seen significant, rapid changes to its cultures and land-use from the impact of British colonial rule, yet there is a rich history of Indigenous land-ethics and cosmological thought. By using the age-old idea of 'cosmos'--the order of the world--to foreground ideas of a good order and chaos, reciprocity and more-than-human agency, this book interrogates the Anthropocene in Australia, focusing on notions of colonisation, farming, mining, bioethics, technology, environmental justice and sovereignty. It offers 'cosmological readings' of a diverse range of authors--Indigenous and non-Indigenous--as a challenge to the Anthropocene's decline-narrative. As a result, it reactivates 'cosmos' as an ethical vision and a transculturally important counter-concept to the Anthropocene. Kathrin Bartha-Mitchell argues that the arts can help us envision radical cosmologies of being in and with the planet, and to address the very real social and environmental problems of our era. This book will be of particular interest to scholars and students of Ecocriticism, Environmental Humanities, and postcolonial, transcultural and Indigenous studies, with a primary focus on Australian, New Zealand, Oceanic and Pacific area studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

White before Whiteness in the Late Middle Ages (Manchester University Press, 2024) by Dr. Wan-Chuan Kao analyses premodern whiteness as operations of fragility, precarity and racialicity across bodily and nonsomatic figurations. The book argues that while whiteness participates in the history of racialisation in the late medieval West, it does not denote skin tone alone. The 'before' of whiteness, presupposing essence and teleology, is less a retro-futuristic temporisation - one that simultaneously looks backward and faces forward - than a discursive figuration of how white becomes whiteness. Fragility delineates the limits of ruling ideologies in performances of mourning as self-defence against perceived threats to subjectivity and desire; precarity registers the ruptures within normative values by foregrounding the unmarked vulnerability of the body politic and the violence of cultural aestheticisation; and racialicity attends to the politics of recognition and the technologies of enfleshment at the systemic edge of life and nonlife. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The classical Bildungsroman charted an idealized path of human development—the harmonization of individual desires with societal norms in the formation of a well-rounded, liberal subject. But what happens when this Enlightenment blueprint for self-cultivation runs up against the particularities of a colonial society riven by nationalism, revolution, and uneven modernization? The Irish Bildungsroman (Syracuse UP, 2025) provides the first comprehensive study of how this quintessentially bourgeois and European genre was transformed and reinvented by Irish writers from the Act of Union to the present day. Through incisive readings of over two centuries of Irish novels, the volume’s contributors illuminate the diverse narrative strategies Irish authors have employed to depict personal formation within a colonial/postcolonial nation fractured by religion, class, gender, and ethnic divisions. Carefully periodized into three major sections, the book maps the evolution of the Irish Bildungsroman across key historical junctures: the rise of cultural nationalism in the nineteenth century, the revolutionary period and emergence of the postcolonial state in the early twentieth century, and more recent waves of globalization and the reconfiguration of Irish identity. From Maria Edgeworth’s post-Union novels to Sally Rooney’s millennial fictions, The Irish Bildungsroman excavates a rich vein of self-reflexive writing that creatively reworked this genre to expose the fault lines of liberal humanism and imagine new modes of selfhood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Nearly fifty years after the end of the war in Vietnam, American children of Vietnamese refugees continue to process the meanings of the war and its consequences through creative work. Displacing Kinship: The Intimacies of Intergenerational Trauma in Vietnamese American Cultural Production (Temple UP, 2024) examines how Vietnamese American cultural productions register lived experiences of racism in their depictions of family life and marginalization. Second-generation texts illustrate how the children of refugees from Vietnam are haunted by trauma and a violent, ever-present, but mostly unarticulated past. Linh Thủy Nguyễn’s analysis reveals that present experiences of economic insecurity and racism also shape these narratives of familial loss. Developing a theory of intergenerational trauma, Nguyễn rethinks how U.S. imperialism, the discourse of communism, and assimilation impacted families across generations. Through ethnic studies and feminist and queer-of-color critique, Displacing Kinship offers a critical approach for reading family tensions and interpersonal conflict as affective investments informed by the material, structural conditions of white supremacy and racial capitalism. She was recently featured in an interview regarding her monograph with Toward Inclusive Excellence (TIE) of Choice, apublishing unit of the Association of College and Research Libraries. The complete interview is available at www.choice360.org/tie-post/tie-talks-with-linh-thuy-nguyen/. Linh Thủy Nguyễn, PhD, is associate professor of American ethnic studies; adjunct associate professor of gender, women’s, and sexuality studies; and faculty associate in the Center for Southeast Asia and its Diasporas and the Harry Bridges Labor Center at the University of Washington. Her research explores the interpersonal and structural relationships between history, memory, race, war, migration, nation, and family. You can find more at linhthuynguyen.com. Camellia (Linh) Pham is a PhD student in Comparative Literature at Harvard. Her research explores modern Vietnamese literature, literary translation across French, Vietnamese, English, and Chinese, and the literary history of French Indochina. She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan’s nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author’s original notes. Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l’eau, in 1926 and then her first novel, Mazaltob, in 1930. Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l’Ordre des Palmes académiques by the French Ministry of Education. Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture. Mentioned in the podcast: • Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L’Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5. • Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996) • Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In French Mediterraneans, edited by P. Lorcin and T. Shepard (2016) • Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927) • Edward W. Said, Orientalism, 25th anniversary edition (1994) • Female teachers of the Alliance israélite universelle • Jewish figures in the literature of The Tharaud Brothers • Archives of the Alliance israélite universelle (AIU) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Nazis and their collaborators buried over 100,000 victims at Babyn Yar, a ravine in modern-day Ukraine. Most of the individuals were Jewish, making this area one of the most infamous mass murder sites in history. The Ravine of Memory: Babyn Yar Between the Holocaust and the Great Patriotic War (Purdue UP, 2025) starts when the travesty ends, telling the story of the ravine’s memory and forgetting in Soviet literature and culture—in Russian as well as in Yiddish. This book challenges the prevailing binary conceptions of Babyn Yar as exclusively a Holocaust or a “Great Patriotic War” story. It is neither the exclusive product of Soviet censorship nor individual dissidents. Babyn Yar is more than a physical space where untold horrors took place. Symbolically, it is the ultimate meeting point of so many disparate threads of Soviet culture: the state and the artist, the Jew and the non-Jew, and the Holocaust and the Great Patriotic War. Ultimately, it is a place that reveals the frailty and courage of those who bear witness to atrocity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

For over six centuries, Chaucer has epitomized poetic greatness, though more recent treatments of The Canterbury Tales’ lively and often risqué style have made his name more synonymous with bawdy humor. But beyond his poetic achievements, Chaucer assumed various roles including those of royal attendant, soldier, customs official, justice of the peace, and more. In this book, Mary Flannery chronicles Chaucer’s life during one of the most turbulent periods of English history, illuminating how he came to be known not only as the father of English poetry but also as England’s “merry bard.” Mary Flannery is the Swiss National Science Foundation Eccellenza Professorial Fellow at the University of Bern. A regular contributor to the Times Literary Supplement, her publications include Practising Shame: Female Honour in Later Medieval England. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies