New Books in Critical Theory

After more than a century of genocides and in the midst of a global pandemic, Lesley Higgins and Marie-Christine Leps' book Heterotopic World Fiction: Thinking Beyond Biopolitics with Woolf, Foucault, Ondaatje (Academic Studies Press, 2023) focuses on the critique of biopolitics (the government of life through individuals and the general population) and the counterdevelopment of biopoetics (an aesthetics of life elaborating a self as a practice of freedom) realized in texts by Virginia Woolf, Michel Foucault, and Michael Ondaatje. Their world fiction produces transhistorical, transnational experiences offered to the reader for collective responsibility in these critical times. Their books function as heterotopias: spaces and processes that recall and confront regimes of recognized truths to dismantle fixed identities and actualize possibilities for becoming other. Higgins and Leps define and explore a slant, biopoetic perspective that is feminist, materialist, anti-racist, and anti-war. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Contemporary popular culture is riddled with references to Mexican drug cartels, narcos, and drug trafficking. In the United States, documentary filmmakers, journalists, academics, and politicians have taken note of the increasing threats to our security coming from a subculture that appears to feed on murder and brutality while being fed by a romanticism about power and capital. Carlos Alberto Sánchez uses Mexican narco-culture as a point of departure for thinking about the nature and limits of violence, culture, and personhood. A Sense of Brutality. Philosophy after Narco-Culture (Amherst College Press, 2020) argues that violent cultural modalities, of which narco-culture is but one, call into question our understanding of "violence" as a concept. The reality of narco-violence suggests that "violence" itself is insufficient to capture it, that we need to redeploy and reconceptualize "brutality" as a concept that better captures this reality. Brutality is more than violence, other to cruelty, and distinct from horror and terror--all concepts that are normally used interchangeably with brutality, but which, as the analysis suggests, ought not to be. In narco-culture, the normalization of brutality into everyday life is a condition upon which the absolute erasure or derealization of people is made possible This book is available open access here. Host Pamela Fuentes historian and editor of New Books Network en español. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Efficiency has moved from a technique for measuring machines to a widely held moral value. But at what cost? Guests Jennifer Alexander, Associate Professor at the University of Minnesota and author of The Mantra of Efficiency: From Waterwheel to Social Control Tom Hodgkinson, founder and editor of The Idler Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Vanessa A. Bee is a consumer protection lawyer with a freelancing habit. Primarily interested in inequality, corporate power, the American Left, and Washington D.C. She also loves a good meandering essay. Book Recommendations: Joshua Cohen, The Netanyahus Hernan Diaz, Trust Jonathan Escoffery, If I Survive You Knut Hamsun, Growth of the Soil Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The last several decades have seen a mass consolidation of wealth among a few, the rest of the world left to various degrees of dispossession. On top of this, the revolutionary movements that characterized much of the 19th and 20th centuries have generally disappeared or retreated, reform being the name of the game for most progressives. In spite of this, revolutionary movements and events have actually increased in the last few decades. This seeming contradiction is one of the animating ideas of the new essay anthology Revolutionary Rehearsals in the Neoliberal Age: Struggling to Be Born? (Haymarket Books, 2021). A sort of spiritual sequel to the 1987 collection Revolutionary Rehearsals, this book contains several essays on revolutionary movements of the neoliberal era, bookended by more theoretical chapters on the nature of social and political movements. International in scope, the essays start with struggles in Eastern Europe at the end of the Cold War and end with the Arab uprisings in Egypt. In between are essays on South and Sub-Saharan Africa, Indonesia, Bolivia, Argentina and Latin American Pink Tide movements. The bookending essays deal with theoretical questions; the nature of political movements, contexts in which those movements arise and how change can actually be brought about. Grounded in the reality of our dire political situation but animated by the hope that change is always nevertheless a real possibility, the essays here will provide excellent starting points for activists to think critically about their own situations and how they might rise to meet them. Gareth Dale is Associate Head of the Department of Social and Political Sciences at Brunel University in London. His recent books include Karl Polanyi: A Life on the Left and Reconstructing Karl Polanyi: Excavation and Critique. Colin Barker was a lifelong activist and author. His many publications included Revolutionary Rehearsals (1987) and Marxism and Social Movements. Neil Davidson was a lecturer in sociology and political science. His many publications included How Revolutionary Were the Bourgeois Revolutions? and Discovering the Scottish Revolution. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The loss of lesbian spaces, as well as ideas of the lesbian as anachronistic, has called into question the place of lesbian identity within our current culture. In Lesbian Death: Desire and Danger Between Feminist and Queer (U Minnesota Press, 2022), Mairead Sullivan probes the perception that lesbian status is in retreat, exploring the political promises—and especially the failures—of lesbian feminism and its usefulness today. Lesbian Death reads how lesbian is conceptualized in relation to death from the 1970s onward to argue that lesbian offers disruptive potential. Lesbian Death examines the rise of lesbian breast cancer activism in San Francisco in conversation with ACT UP, the lesbian separatist manifestos “The C.L.I.T. Papers,” the enduring specter of lesbian bed death, and the weaponization of lesbian identity against trans lives. By situating the lesbian as a border figure between feminist and queer, Lesbian Death offers a fresh perspective on the value of lesbian for both feminist and queer projects, even if her value is her death. Cover alt text: Background covered entirely by yellow text, quoting the reasons the author wrote this book; the main title in black follows the block of text Mairead Sullivan is Associate Professor of Women’s and Gender Studies at Loyola Marymount University. Sohini Chatterjee is a PhD Candidate and Vanier Scholar in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In the 1990s, a network of twenty Soros Centres for Contemporary Art sprung up across Eastern Europe: Almaty, Belgrade, Budapest, Kiev, Ljubljana, Prague, Riga, Sarajevo, Tallinn, Warsaw, and Zagreb among them. These centres, funded as their name suggests by Geroge Soros’ Open Society Foundation, had as their mission the cataloguing of dissident pre-1989 art and the introduction of new forms of artistic practice to the art scenes of post-Eastern Block states. Within a decade, the centres wound up their operation and their histories have been forgotten but not because they made a mark on Eastern European art and societies. The Influencing Machine, Aaron Moulton’s exhibition and book traces the network’s history and evaluates its outsized impact on its host societies. Through the use of template annual exhibitions and synchronised open calls, the Centres pioneered forms of socially engaged practice that preceded the form’s development in Western art capitals and gave artists access to unprecedented production budgets, international networking opportunities, and access to new media technologies. Moulton proposes that the Centres played an underappreciated role in orienting artists ideologically in pro-Western and pro-neoliberal directions, a that the extent of their influence has been underappreciated. In societies making the transition from socialism to free-reign capitalism, the actions of a single NGO which habitually outspent all other funders appear to have been glossed over if not outright expunged from memory. The book invites a conversation about the global art world, the role of activism in art, and the power of institutional critique. Its proposals should be a warning to anyone attempting to understand the role of capital in forming cultural consciousness today. If a single NGO could be credited with creating the cultural values of a whole region without once being called to account, what other ideologies is contemporary art producing and on whose orders? Aaron Moulton speaks to Pierre d’Alancaisez about the legacy of the Soros Centers of Contemporary Art Network, gonzo anthropology and conspiratorial theorising as methods for writing art history from neglected vantage points, and the antisemitic, bogeyman tropes which appear along the way. Aaron Multon trained at the RCA, London and was the editor of Flash Art International and a curator at Gagosian Gallery. He founded the Berlin exhibition space Feinkost. The Influencing Machine exhibition at CCA Ujazdowski Castle Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

By any reasonable metric, prisons as they exist in the United States and in many other countries are normatively unacceptable. What is the proper moral response to this? Can prisons and the practices surrounding incarceration feasibly be reformed, or should the entire enterprise be abolished? If the latter, then what? If the former, what are the necessary reforms? In The Idea of Prison Abolition (Princeton UP, 2022), Tommie Shelby undertakes a systematic and critical examination of the arguments in favor of prison abolition. Although he ultimately rejects abolitionism as a philosophical position, he builds from the abolitionist program’s crucial insights a positive view of what it would take to create a prison and incarceration system that is consistent with justice. Robert Talisse is the W. Alton Jones Professor of Philosophy at Vanderbilt University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The marginalisation of Black voices from the academy is a problem in the Western world. But Black Studies, where it exists, is a powerful, boundary-pushing discipline, grown out of struggle and community action. In The Future of Black Studies (Pluto Press, 2022), Abdul Alkalimat, one of the founders of Black Studies in the US, presents a reimagining of the future trends in the study of the Black experience. Taking Marxism and Black Experientialism, Afro-Futurist and Diaspora frameworks, he projects a radical future for the discipline at this time of social crisis. Choosing cornerstones of culture, such as the music of Sun Ra, the movie Black Panther and the writer Octavia Butler, he looks at the trajectory of Black liberation thought since slavery, including new research on the rise in the comparative study of Black people all over the world. Turning to look at how digital tools enhance the study of the discipline, this book is a powerful read that will inform and inspire students and activists. Amanda Joyce Hall is a postdoctoral fellow at Northwestern University in the Department of African American Studies. She's on Twitter @amandajoycehall. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

At thirteen, Ed Cohen was diagnosed with Crohn’s disease—a chronic, incurable condition that nearly killed him in his early twenties. At his diagnosis, his doctors told him that the best he could hope for would be periods of remission. Unfortunately, doctors never mentioned healing as a possibility. In On Learning to Heal or, What Medicine Doesn't Know (Duke UP, 2022), Cohen draws on fifty years of living with Crohn’s to consider how Western medicine’s turn from an “art of healing” toward a “science of medicine” deeply affects both medical practitioners and their patients. He demonstrates that although medicine can now offer many seemingly miraculous therapies, medicine is not and has never been the only way to enhance healing. Exploring his own path to healing, he argues that learning to heal requires us to desire and value healing as a vital possibility. With this book, Cohen advocates reviving healing’s role for all those whose lives are touched by illness. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

For some, automation will usher in a labor-free utopia; for others, it signals a disastrous age-to-come. Yet whether seen as dream or nightmare, automation, argues Munn, is ultimately a fable that rests on a set of triple fictions. There is the myth of full autonomy, claiming that machines will take over production and supplant humans. But far from being self-acting, technical solutions are piecemeal; their support and maintenance reveals the immense human labor behind "autonomous" processes. There is the myth of universal automation, with technologies framed as a desituated force sweeping the globe. But this fiction ignores the social, cultural, and geographical forces that shape technologies at a local level. And, there is the myth of automating everyone, the generic figure of "the human" at the heart of automation claims. But labor is socially stratified and so automation's fallout will be highly uneven, falling heavier on some (immigrants, people of color, women) than others. In Automation Is a Myth (Stanford UP, 2022), Munn moves from machine minders in China to warehouse pickers in the United States to explore the ways that new technologies do (and don't) reconfigure labor. Combining this rich array of human stories with insights from media and cultural studies, Munn points to a more nuanced, localized, and racialized understanding of the "future of work." Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

"The Partially Examined Life" is a philosophy podcast by some guys who were at one point set on doing philosophy for a living but then thought better of it." In this interview, I chat with PEL host, Wes Alwan, about creating one of the longest-running philosophy podcasts. Wes discusses the personal value he's gotten from participating in publically-available debates and discussions. We also talk about the relevance of philosophy today and how to deal with controversial subjects. Wes Alwan ([email protected]) also co-hosts the literature and film podcast Subtext, and has a Substack newsletter at wesalwan.com. In graduate school, he focused on ancient philosophy, Kant, and Nietzsche. For his undergraduate degree he attended a small "great books" school in Annapolis, Maryland called St. John's college. Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Green Academia: Towards Eco-Friendly Education Systems (Routledge, 2022) can be read as a systemic long-term counter-intervention strategy against any form of impending pandemics in the post-COVID era and beyond. It argues that anti-nature and capitalistic knowledge systems have contributed to the evolution and growth of COVID-19 across the globe and emphasises the merits of reinstating nature-based and environment-friendly pedagogical and curricular infrastructures in mainstream educational institutions. The volume also explores possible ways of weaving ecology and the environment as a habitual practice of teaching and learning in an intersectional manner with Science and Technology Studies. With detailed case studies of the green schools in Bhutan and similar practices in India, Kenya, and New Zealand, the book argues for different forms of eco-friendly education systems and the possibilities of expanding these local practices to a global stage. This book will be an essential read for scholars and researchers of sociology, cultural studies, decolonial studies, education, ecology, public policy social anthropology, sustainable development, sociology of education, and political sociology. Rituparna Patgiri is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Part 3 of 3. In the spring of 1942, James P. Cannon, the founder of American Trotskyism, gave a series of lectures in New York on the first decade of the movement. The challenges, the setbacks, the accomplishments and the lessons learned were recounted with Cannon’s trademark style that managed to be accessible while also maintaining the revolutionary militancy he was trying to carry on. The lectures would eventually become a book, The History of American Trotskyism, 1928-38: Report of a Participant. In a short editorial note, Joseph Hansen remarked “Historians of the future, writing the definitive history of American and world Trotskyism, will undoubtedly round out Cannon's history with additional material delved from original sources; but, while there is no pretension to exhaustive research or extensive documentation in this work, future historians utilizing it as source material will find that they must likewise depend heavily upon it as a guidepost.” This little remark has been proven correct by several later books on labor in the depression, but it now appears almost prophetic with the arrival of Bryan Palmer’s latest work, James P. Cannon and the Emergence of Trotskyism, 1928-38 (Brill, 2021). Published as part of the Historical Materialism book series, it starts off right where it’s sequel, James P. Cannon and the Origins of the Revolutionary Left, 1890-1928, left off, with Cannon and several other comrades expelled from the Communist Party. With hardly a penny to their name, but an urgent political mission, they set about forming an oppositional faction, one that could both challenge the political degeneration emanating from a Moscow that was succumbing to Stalinism while also working to revitalize an American labor movement that was rediscovering it’s own fighting spirit. Through Cannon and his comrades, Palmer is able to tell a story of class struggle that shows what even a small group can do when political militancy and clarity are brought to life, even in the face of obstacles that appear insurmountable. Clocking in at 1200 pages, the book is brimming with detail about both the day-to-day minutiae of class struggle in the period, but also spends a fair amount of time giving international and other historical context. Palmer’s capacity to wander through vast archives of material is matched by his storytelling abilities, turning a huge mass of information into a highly readable and compelling narrative. While reading it cover-to-cover will be richly rewarding for those who do, it will also be an excellent resource for those who read it’s chapters more selectively, whether looking to learn about the Minneapolis truckers strike of 1934, the Trotskyists entry into the Socialist Party or Trotsky’s trial in which he defended himself against accusations emanating from Moscow. It deserves to be on the shelf of anyone interested in labor history and radical politics, and anyone who feels the realm of political possibility to be dire. This book itself is not the revolution, but it will provide lessons and inspiration for those who are hoping to bring it about. As an entry in the Historical Materialism book series, the book was originally published in hardcover by Brill, with the paperback made available by Haymarket. Bryan D. Palmer is Professor Emeritus and former Canada Research Chair of Canadian Studies at Trent University. He is a Fellow of the Royal Canadian Society, former editor of Labour/Le Travail, and has published widely on the history of labour and the revolutionary left. His numerous books include Marxism and Historical Practice, Revolutionary Teamsters, Cultures of Darkness and Descent into Discourse. He is also the co-editor with Paul LeBlanc and Thomas Bias of the 3-volume document collection US Trotskyism, 1928-65. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Pedro Lebrón Ortiz's book The Philosophy of Marronage (Filosofía del cimarronaje) theorizes the broader context behind the notion of "cimarronaje," marronage. Usually conceived of as enslaved peoples' flight from the plantation during colonial times, cimarronaje is an expansive term referring to the mentality of living beyond oppressive societal norms. Lebrón Ortiz synthesizes philosophical notions behind cimarronaje to argue that we can see evidence of cimarronaje that continue today. Other praise: "Comenzar por la experiencia de quienes no pueden librarse de nada –y mucho menos detener otra voluntad que no sea con los recursos de su propia fuerza– es partir de una experiencia totalmente distinta a la descrita habitualmente en los libros de filosofía política. Se trata de comenzar a pensar la libertad desde la perspectiva de quien experimenta el mundo como una molienda y del que no tiene más vínculos con el poder que una cita pautada con la muerte. Para el esclavizado, la libertad está en salir de esa condición impuesta que lo define todo. Es el camino a otro sitio. Una puerta que se abre cuando menos se espera." -Anayra O. Santory Jorge "La filosofía del cimarronaje que se elabora en este texto apunta a la necesidad de pensar la filosofía, no a la manera de admiración desinteresada con respecto a las simplicidades y misterios del mundo, sino como escándalo ante las violencias genocidas y las contradicciones profundas del mundo moderno/colonial." -Nelson Maldonado-Torres Anna E. Lindner is a doctoral candidate in the Department of Communication at Wayne State University in Detroit, Michigan. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The long and pernicious relationship between fast food restaurants and the African American community. Today, fast food is disproportionately located in Black neighborhoods and marketed to Black Americans through targeted advertising. But throughout much of the twentieth century, fast food was developed specifically for White urban and suburban customers, purposefully avoiding Black spaces. In White Burgers, Black Cash: Fast Food from Black Exclusion to Exploitation (U Minnesota Press, 2023), Naa Oyo A. Kwate traces the evolution in fast food from the early 1900s to the present, from its long history of racist exclusion to its current damaging embrace of urban Black communities. Fast food has historically been tied to the country's self-image as the land of opportunity and is marketed as one of life's simple pleasures, but a more insidious history lies at the industry's core. White Burgers, Black Cash investigates the complex trajectory of restaurant locations from a decided commitment to Whiteness to the disproportionate densities that characterize Black communities today. Kwate expansively charts fast food's racial and spatial transformation and centers the cities of Chicago, New York City, and Washington, D.C., in a national examination of the biggest brands of today, including White Castle, KFC, Burger King, McDonald's, and more. Deeply researched, grippingly told, and brimming with surprising details, White Burgers, Black Cash reveals the inequalities embedded in the closest thing Americans have to a national meal. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Part 2 of 3. In the spring of 1942, James P. Cannon, the founder of American Trotskyism, gave a series of lectures in New York on the first decade of the movement. The challenges, the setbacks, the accomplishments and the lessons learned were recounted with Cannon’s trademark style that managed to be accessible while also maintaining the revolutionary militancy he was trying to carry on. The lectures would eventually become a book, The History of American Trotskyism, 1928-38: Report of a Participant. In a short editorial note, Joseph Hansen remarked “Historians of the future, writing the definitive history of American and world Trotskyism, will undoubtedly round out Cannon's history with additional material delved from original sources; but, while there is no pretension to exhaustive research or extensive documentation in this work, future historians utilizing it as source material will find that they must likewise depend heavily upon it as a guidepost.” This little remark has been proven correct by several later books on labor in the depression, but it now appears almost prophetic with the arrival of Bryan Palmer’s latest work, James P. Cannon and the Emergence of Trotskyism, 1928-38 (Brill, 2021). Published as part of the Historical Materialism book series, it starts off right where it’s sequel, James P. Cannon and the Origins of the Revolutionary Left, 1890-1928, left off, with Cannon and several other comrades expelled from the Communist Party. With hardly a penny to their name, but an urgent political mission, they set about forming an oppositional faction, one that could both challenge the political degeneration emanating from a Moscow that was succumbing to Stalinism while also working to revitalize an American labor movement that was rediscovering it’s own fighting spirit. Through Cannon and his comrades, Palmer is able to tell a story of class struggle that shows what even a small group can do when political militancy and clarity are brought to life, even in the face of obstacles that appear insurmountable. Clocking in at 1200 pages, the book is brimming with detail about both the day-to-day minutiae of class struggle in the period, but also spends a fair amount of time giving international and other historical context. Palmer’s capacity to wander through vast archives of material is matched by his storytelling abilities, turning a huge mass of information into a highly readable and compelling narrative. While reading it cover-to-cover will be richly rewarding for those who do, it will also be an excellent resource for those who read it’s chapters more selectively, whether looking to learn about the Minneapolis truckers strike of 1934, the Trotskyists entry into the Socialist Party or Trotsky’s trial in which he defended himself against accusations emanating from Moscow. It deserves to be on the shelf of anyone interested in labor history and radical politics, and anyone who feels the realm of political possibility to be dire. This book itself is not the revolution, but it will provide lessons and inspiration for those who are hoping to bring it about. As an entry in the Historical Materialism book series, the book was originally published in hardcover by Brill, with the paperback made available by Haymarket. Bryan D. Palmer is Professor Emeritus and former Canada Research Chair of Canadian Studies at Trent University. He is a Fellow of the Royal Canadian Society, former editor of Labour/Le Travail, and has published widely on the history of labour and the revolutionary left. His numerous books include Marxism and Historical Practice, Revolutionary Teamsters, Cultures of Darkness and Descent into Discourse. He is also the co-editor with Paul LeBlanc and Thomas Bias of the 3-volume document collection US Trotskyism, 1928-65. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Arya Aryan's The Post-War Novel and the Death of the Author (Palgrave Macmillan, 2021) not only discloses and examines different functions and concepts of authorship in fiction and theory from the 1950s and 1960s to the present but it also reveals, at least implicitly, a trajectory of some of the modes and functions of the novel as a genre in the last few decades. It argues that the explicit terms of much of the theoretical and philosophical debate surrounding the concept of authorship in the moment of High Theory in the 1980s had already been engaged, albeit often more implicitly, in literary fictions by writers themselves. This book examines the fortunes of the authorship debate and the conceptualisations and functions of authorship before, during, and after the Death of the Author came to prominence as one of the key foci for the moment of High Theory in the 1980s. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Part 1 of 3. In the spring of 1942, James P. Cannon, the founder of American Trotskyism, gave a series of lectures in New York on the first decade of the movement. The challenges, the setbacks, the accomplishments and the lessons learned were recounted with Cannon’s trademark style that managed to be accessible while also maintaining the revolutionary militancy he was trying to carry on. The lectures would eventually become a book, The History of American Trotskyism, 1928-38: Report of a Participant. In a short editorial note, Joseph Hansen remarked “Historians of the future, writing the definitive history of American and world Trotskyism, will undoubtedly round out Cannon's history with additional material delved from original sources; but, while there is no pretension to exhaustive research or extensive documentation in this work, future historians utilizing it as source material will find that they must likewise depend heavily upon it as a guidepost.” This little remark has been proven correct by several later books on labor in the depression, but it now appears almost prophetic with the arrival of Bryan Palmer’s latest work, James P. Cannon and the Emergence of Trotskyism, 1928-38 (Brill, 2021). Published as part of the Historical Materialism book series, it starts off right where it’s sequel, James P. Cannon and the Origins of the Revolutionary Left, 1890-1928, left off, with Cannon and several other comrades expelled from the Communist Party. With hardly a penny to their name, but an urgent political mission, they set about forming an oppositional faction, one that could both challenge the political degeneration emanating from a Moscow that was succumbing to Stalinism while also working to revitalize an American labor movement that was rediscovering it’s own fighting spirit. Through Cannon and his comrades, Palmer is able to tell a story of class struggle that shows what even a small group can do when political militancy and clarity are brought to life, even in the face of obstacles that appear insurmountable. Clocking in at 1200 pages, the book is brimming with detail about both the day-to-day minutiae of class struggle in the period, but also spends a fair amount of time giving international and other historical context. Palmer’s capacity to wander through vast archives of material is matched by his storytelling abilities, turning a huge mass of information into a highly readable and compelling narrative. While reading it cover-to-cover will be richly rewarding for those who do, it will also be an excellent resource for those who read it’s chapters more selectively, whether looking to learn about the Minneapolis truckers strike of 1934, the Trotskyists entry into the Socialist Party or Trotsky’s trial in which he defended himself against accusations emanating from Moscow. It deserves to be on the shelf of anyone interested in labor history and radical politics, and anyone who feels the realm of political possibility to be dire. This book itself is not the revolution, but it will provide lessons and inspiration for those who are hoping to bring it about. As an entry in the Historical Materialism book series, the book was originally published in hardcover by Brill, with the paperback made available by Haymarket. Bryan D. Palmer is Professor Emeritus and former Canada Research Chair of Canadian Studies at Trent University. He is a Fellow of the Royal Canadian Society, former editor of Labour/Le Travail, and has published widely on the history of labour and the revolutionary left. His numerous books include Marxism and Historical Practice, Revolutionary Teamsters, Cultures of Darkness and Descent into Discourse. He is also the co-editor with Paul LeBlanc and Thomas Bias of the 3-volume document collection US Trotskyism, 1928-65. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Why is the internet making us so unhappy? Why is it in capital’s interests to cultivate populations that are depressed and desperate rather than driven by the same irrational exuberance that moves money? Sadness is now a design problem. The highs and lows of melancholy are coded into social media platforms. After all the clicking, browsing, swiping and liking, all we are left with is the flat and empty aftermath of time lost to the app. Sad by Design: On Platform Nihilism (Pluto Press, 2019) by Geert Lovink offers a critical analysis of the controversies which drive our online media behaviours. Lovink calls for us to embrace the engineered intimacy of social media, messenger apps and selfies because boredom is the first stage of overcoming ‘platform nihilism’. Geert Lovink speaks to Pierre d'Alancaisez about the frustrations of studying the internet as it evolves from networks to platforms, the politically-contingent notions of online 'communities', and cycles of ideological production and capture. Geert Lovink is a media theorist and internet critic who has chronicled the development of internet and network cultures as they came of age alongside him. He is the author of Zero Comments, Networks Without a Cause, Social Media Abyss, and most recently Struck on the Platform. He is the founder of the Institute of Network Cultures. Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In The New Freedom and the Radicals: Woodrow Wilson, Progressive Views of Radicalism, and the Origins of Repressive Tolerance (Temple University Press, 2015), Jacob Kramer examines how progressivism emerged at a time of critical transformation in American life. Kramer presents a study of Wilsonian-era politics to convey an understanding of the progressives’ views on radical America. Jacob Kramer is an Associate Professor of History at Borough of Manhattan Community College. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Oceania is a vast sea of islands, large scale political struggles and immensely significant historical phenomena. Pasifika Black: Oceania, Anti-Colonialism, and the African World (NYU Press, 2022) is a compelling history of understudied anti-colonial movements in this region, exploring how indigenous Oceanic activists intentionally forged international connections with the African world in their fights for liberation. Drawing from research conducted across Fiji, Australia, Vanuatu, Papua New Guinea, Britain, and the United States, Quito Swan shows how liberation struggles in Oceania actively engaged Black internationalism in their diverse battles against colonial rule. Pasifika Black features as its protagonists Oceania's many playwrights, organizers, religious leaders, scholars, Black Power advocates, musicians, environmental justice activists, feminists, and revolutionaries who carried the banners of Black liberation across the globe. It puts artists like Aboriginal poet Oodgeroo Noonuccal and her 1976 call for a Black Pacific into an extended conversation with Nigeria's Wole Soyinka, the Nuclear Free and Independent Pacific's Amelia Rokotuivuna, Samoa's Albert Wendt, African American anthropologist Angela Gilliam, the NAACP's Roy Wilkins, West Papua's Ben Tanggahma, New Caledonia's Déwé Gorodey, and Polynesian Panther Will 'Ilolahia. In so doing, Swan displays the links Oceanic activists consciously and painstakingly formed in order to connect Black metropoles across the Atlantic, Pacific, and Indian Oceans. In a world grappling with the global significance of Black Lives Matter and state-sanctioned violence against Black and Brown bodies, Pasifika Black is a both triumphant history and tragic reminder of the ongoing quests for decolonization in Oceania, the African world, and the Global South. Amanda Joyce Hall is a postdoctoral fellow at Northwestern University in the Department of African American Studies. She's on Twitter @amandajoycehall. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Many of the creative industries look like an hourglass. On the one side, you have creators; on the other, the rest of us. In the middle, Rebecca Giblin and Cory Doctorow say there's often a 'chokepoint.' Corporate behemoths -- be they streaming apps, publishers, tech giants, or others -- put on the squeeze, exploiting their market power to extract rents, push down wages, and push up costs. But Cory and Rebecca have solutions to break the stranglehold, and in this episode of Darts and Letters Cory helps Jay explore various chokepoints, from concert tickets to audiobooks, and how we can open up the industries and get workers paid. SUPPORT THE SHOW You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button. If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too. ABOUT THE SHOW For a full list of credits, contact information, and more, visit our about page. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

A groundbreaking examination of austerity’s dark intellectual origins. For more than a century, governments facing financial crisis have resorted to the economic policies of austerity—cuts to wages, fiscal spending, and public benefits—as a path to solvency. While these policies have been successful in appeasing creditors, they’ve had devastating effects on social and economic welfare in countries all over the world. Today, as austerity remains a favored policy among troubled states, an important question remains: What if solvency was never really the goal? In The Capital Order: How Economists Invented Austerity and Paved the Way to Fascism (University of Chicago Press, 2022), political economist Clara E. Mattei explores the intellectual origins of austerity to uncover its originating motives: the protection of capital—and indeed capitalism—in times of social upheaval from below. Mattei traces modern austerity to its origins in interwar Britain and Italy, revealing how the threat of working-class power in the years after World War I animated a set of top-down economic policies that elevated owners, smothered workers, and imposed a rigid economic hierarchy across their societies. Where these policies “succeeded,” relatively speaking, was in their enrichment of certain parties, including employers and foreign-trade interests, who accumulated power and capital at the expense of labor. Here, Mattei argues, is where the true value of austerity can be observed: its insulation of entrenched privilege and its elimination of all alternatives to capitalism. Drawing on newly uncovered archival material from Britain and Italy, much of it translated for the first time, The Capital Order offers a damning and essential new account of the rise of austerity—and of modern economics—at the levers of contemporary political power. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What does Prehistory mean to us now? In Back to the Stone Age: Race and Prehistory in Contemporary Culture (McGill-Queen's UP, 2022), Ben Pitcher, a Reader in Sociology at the University of Westminster, uses cultural studies to explore both the human past and our contemporary life. The book examines how ideas of the prehistoric speak to contemporary anxieties, political projects, and even diets and food choices. Moreover, many of these versions of the past are the basis for regressive political projects that use Prehistory as part of racist and sexist agendas, agendas that need to be resisted and countered with the ideas discussed in the analysis. Engaging with a huge range of cultural and social theory, as well as examples from museums and heritage sites, archaeology, and even scientific hoaxes, the book is essential reading across the arts, humanities, and social sciences, as well as for anyone interested in understanding the society today. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Arguing that we have become culturally obsessed with healing trauma, Sexuality Beyond Consent: Risk, Race, Traumatophilia (NYU Press, 2023) calls attention to what traumatized subjects do with their pain. The erotics of racism offers a paradigmatic example of how what is proximal to violation may become an unexpected site of flourishing. Central to the transformational possibilities of trauma is a queer form of consent, limit consent, that is not about guarding the self but about risking experience. Saketopoulou thereby shows why sexualities beyond consent may be worth risking-and how risk can solicit the future. Moving between clinical and cultural case studies, Saketopoulou takes up theatrical and cinematic works such as Slave Play and The Night Porter, to chart how trauma and sexuality join forces to surge through the aesthetic domain. Putting the psychoanalytic theory of Jean Laplanche in conversation with queer of color critique, performance studies, and philosophy, Sexuality Beyond Consent proposes that enduring the strange in ourselves, not to master trauma but to rub up against it, can open us up to encounters with opacity. The book concludes by theorizing currents of sadism that, when pursued ethically, can animate unique forms of interpersonal and social care. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

For decades, scholars have been calling into question the universality of disciplinary objects and categories. The coherence of defined autonomous categories—such as religion, science, and art—has collapsed under the weight of postmodern critiques, calling into question the possibility of progress and even the value of knowledge. Jason Ānanda Josephson Storm aims to radicalize and move beyond these deconstructive projects to offer a path forward for the humanities and social sciences using a new model for theory he calls metamodernism. Metamodernism: The Future of Theory (U Chicago Press, 2021) works through the postmodern critiques and uncovers the mechanisms that produce and maintain concepts and social categories. In so doing, Storm provides a new, radical account of society’s ever-changing nature—what he calls a “Process Social Ontology”—and its materialization in temporary zones of stability or “social kinds.” Storm then formulates a fresh approach to philosophy of language by looking beyond the typical theorizing that focuses solely on human language production, showing us instead how our own sign-making is actually on a continuum with animal and plant communication. Storm also considers fundamental issues of the relationship between knowledge and value, promoting a turn toward humble, emancipatory knowledge that recognizes the existence of multiple modes of the real. Metamodernism is a revolutionary manifesto for research in the human sciences that offers a new way through postmodern skepticism to envision a more inclusive future of theory in which new forms of both progress and knowledge can be realized. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Novels of Displacement: Fiction in the Age of Global Capital (Ohio State UP, 2020), Marco Codebò assesses the state of fiction in our time, an age defined by the combined hegemony of global capital and software. Codebò argues that present-day displacement originates in the dualism of power that pervades our polarized society and in the sweeping deterritorialization that is affecting people, objects, and signs. As the ties between subjectivity and territory break, being in the world means being displaced. Rather than narrating how subjectivity can mark a place, novels of displacement convey the crisis of subjectivity’s connection to place. Using four works as case studies—Bernardo Carvalho’s Nove noites, Daniel Sada’s Porque parece mentira la verdad nunca se sabe, Zadie Smith’s White Teeth, and Mathias Énard’s Zone—Codebò investigates how globalization, displacement, and technology inform our understanding of subjectivity and one’s place in the world. Coming from different literary traditions—Brazilian-Portuguese, Spanish, English, and French— Novels of Displacement traces the development of displacement caused by organized crime, migration, and war. Ultimately what emerges from this study is evidence of how cultures of untruth damage but do not destroy human agency. Iqra Shagufta Cheema writes and teaches in the areas of digital cultures, postcolonial literatures, transnational digital feminisms, gender and sexuality studies, and global south film studies. Follow them on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The Ontario Coalition Against Poverty (OCAP) has been one of the leading organizations in the struggle for social justice within Canada for several decades. In the brilliant Fight to Win: Inside Poor People's Organizing (Fernwood Publishing, 2021), author AJ Withers draws on their own experience as an organizer, on interviews with the people with whom OCAP campaigned and with City bureaucrats alike, and on Freedom of Information requests to map the ‘social relations of struggle’ that contour poor people’s organizing in Toronto across a number of campaigns. Offering incisive interventions into theories of the state and bureaucracies, and detailing the work of poor people struggling for epistemic and material justice, Withers’ book is a must-read for those who are interested in what it takes to fight to win. Phil Henderson is a SSHRC Postdoctoral Research Fellow at Carleton University’s Institute of Political Economy where his research interests focus on the interrelations between Indigenous land/water defenders and organized labour in what’s presently known as Canada. More information can be found at his personal website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

We are all citizens of the Biomedical Empire, though few of us know it, and even fewer understand the extent of its power. In this book, Barbara Katz Rothman clarifies that critiques of biopower and the "medical industrial complex" have not gone far enough, and asserts that the medical industry is nothing short of an imperial power. Factors as fundamental as one's citizenship and sex identity—drivers of our access to basic goods and services—rely on approval and legitimation by biomedicine. Moreover, a vast and powerful global market has risen up around the empire, making it one of the largest economic forces in the world. In The Biomedical Empire: Lessons Learned from the COVID Pandemic (Stanford UP, 2021), Katz Rothman shows that biomedicine has the key elements of an imperial power: economic leverage, the faith of its citizens, and governmental rule. She investigates the Western colonial underpinnings of the empire and its rapid intrusion into everyday life, focusing on the realms of birth and death. This provides her with a powerful vantage point from which to critically examine the current moment, when the COVID-19 pandemic has exposed the power structures of the empire in unprecedented ways while sparking the most visible resistance it has ever seen. Barbara Katz Rothman is Professor of Sociology, at the City University of New York. She has served as President of Sociologists for Women in Society; the Society for the Study of Social Problems, and the Eastern Sociological Society. Her awards include the Jesse Bernard Award of the American Sociological Association, and an award for "Midwifing the Movement" from the Midwives Alliance of North America, and a distinguished Chair in Health Sciences from the Fulbright Association. She is the author of numerous books, most recently A Bun in the Oven: How the Food and Birth Movements Resist Industrialization (2016). Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is the author of Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington, 2022). His general area of study is on media representations of people and place at festivals and celebrations. He is currently working on his next book where he conducted research on an annual canoeing and kayaking event that takes place on the Upper Mississippi River. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Visions of utopia – some hopeful, others fearful – have become increasingly prevalent in recent times. In No Other Planet: Utopian Visions for a Climate-changed World (Cambridge UP, 2021), Mathias Thaler examines expressions of the utopian imagination, with a focus on the pressing challenge of how to inhabit a climate-changed world. Forms of social dreaming are tracked across two domains: political theory and speculative fiction. The analysis aims to both uncover the key utopian and dystopian tendencies in contemporary debates around the Anthropocene; as well as to develop a political theory of radical transformation that avoids not only debilitating fatalism but also wishful thinking. This book juxtaposes theoretical interventions, from Bruno Latour to the members of the Dark Mountain collective, with fantasy and science fiction texts by N. K. Jemisin, Kim Stanley Robinson and Margaret Atwood, debating viable futures for a world that will look and feel very different from the one we live in right now. Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Palm oil is a commodity like no other. Found in half of supermarket products, from food to cosmetics to plastics, it has shaped the world in which we live. In Palm Oil: The Grease of Empire (Pluto Press, 2022), Max Haiven tells a sweeping story that touches on everything from empire to art, from war to food, and from climate change to racial capitalism. By tracing the global history of this ubiquitous elixir we see how capitalism creates surplus populations: people made dependent on capitalist wages but denied the opportunity to earn them - a proportion of humanity that is growing in our age of racialized and neo-colonial dispossession. Inspired by revolutionary writers like Eduardo Galeano, Saidiya Hartman, C.L.R. James and Rebecca Solnit, this kaleidoscopic and experimental book seeks to weave a story of the past in the present and the present in the past. Max Haiven is Canada Research Chair in Culture, Media and Social Justice at Lakehead University in Northwest Ontario and director of the Reimagining Value Action Lab (RiVAL). He writes articles for both academic and general audiences and is the author of the books Crises of Imagination, Crises of Power: Capitalism, Creativity and the Commons, The Radical Imagination: Social Movement Research in the Age of Austerity (with Alex Khasnabish) and Cultures of Financialization: Fictitious Capital in Popular Culture and Everyday Life. He is currently working on a book titled Art after Money, Money after Art: Creative Strategies Against Financialization. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Bodies Out of Place: Theorizing Anti-Blackness in U.S. Society (U Georgia Press, 2022) asserts that anti-Black racism is not better than it used to be; it is just performed in more-nuanced ways. Barbara Harris Combs argues that racism is dynamic, so new theories are needed to help expose it. The Bodies-out-of-Place (BOP) theory she advances in the book offers such a corrective lens. Interrogating several recent racialized events—the Central Park birding incident, the killing of Ahmaud Arbery, sleeping while Black occurrences, and others—Combs demonstrates how the underlying belief that undergirds each encounter is a false presumption that Black bodies in certain contexts are out of place. Within these examples she illustrates how, even amid professions to color-blindness, fixed attitudes about where Black bodies belong, in what positions, at what time, and with whom still predominate. Combs describes a long historical pattern of White pushback against Black advancement and illuminates how each of the various forms of pushback is aimed at social control and regulation of Black bodies. She describes overt and covert attempts to push Black bodies back into their presumed place in U.S. society. While the pushback takes many forms, each works to paint a narrative to justify, rationalize, and excuse continuing violence against Black bodies. Equally important, Combs celebrates the resilient Black agency that has resisted this subjugation. Omari Averette-Phillips is a graduate student in the department of history at UC Davis. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Women played an essential role in the international struggle against fascism during the interwar period, though their work has been neglected in broader historiography. In Anti-Fascism, Gender, and International Communism (Routledge, 2022), Jasmine Calver provides a comprehensive history of the Comité mondial des femmes contre la guerre et le fascisme (the International Committee of Women Against War and Fascism, or CMF), an international women's organization concerned with confronting the impact of fascism on women and children across the globe. Examining the CMF's key figures and campaigns during its short 1934-41 tenure, Calver reveals its place at the forefront of global debates about the threat posed by fascism and imperialism. This book explores how the professional women activists and the working-class women who populated the organization developed a committee which advocated for women on a global scale. CMF campaigns around the Spanish Civil War, rising Nazism in Germany, the Sino-Japanese War, and the Italian invasion of Ethiopia show its international ambitions. Using newly-available sources to assess CMF congresses, correspondence, travels, and publications, Calver uncovers the complexities of its links to the Communist International, and its status as an early Popular Front organization. The book comes at an important time to reevaluate the successes and failures of historical efforts to combat rising fascist movements. Rebecca Turkington is a PhD Candidate in History at Cambridge University studying transnational women’s networks. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Comedy is so frequently the topic of cultural dialogue, but it is rarely taken seriously as an object of study. Comedy Against Work: Utopian Longing in Dystopian Times (Common Notions, 2022) offers a major contribution to theorizing comedy but also thinking about the particular politics of the genre today. Work is a joke and often the butt of our jokes. Madeline Lane-McKinley argues that in comedy, we find ways to endure and cope with the world of work, but also to question the conditions of capitalist life. When work is slowly killing us and destroying the planet and, at the same time, something impossible to imagine life without, Lane-McKinley considers the possibility of comedy as a revolutionary practice. By appealing to laughter we can counteract many of our shared miseries under capitalism, including our relationship to work. But to think through these revolutionary aspects of comedy, as a practice, also involves troubling comedy's relationship to the global right turn of the last decade. Stand-up comedy's claims to the artistic freedom of hate speech in comedy represent a fascistic current of our world today, blurring the boundaries between left and "alt" right. Against this current, Comedy Against Work draws from a tradition of feminist critical utopianism, Marxist-feminism, and contemporary cultural criticism to reflect on an anti-fascist poetics of comedy, grounded in a critique of work. In this conversation with host Annie Berke, Dr. Lane-McKinley discusses the origins of her project, her decision to include her own story and life in her academic analysis, and the comedic virtuosity of the feminist killjoy. Madeline Lane-McKinley is a writer, professor, and Marxist-feminist with a PhD in Literature from the University of California, Santa Cruz. She is a founding member of Blind Field: A Journal of Cultural Inquiry. Her writing has appeared in publications such as Los Angeles Review of Books, Boston Review, The New Inquiry, Entropy, GUTS, and Cultural Politics. She is also the author of the chapbook Dear Z and a contributor to The Museum of Capitalism. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, The A.V. Club, and The Washington Post. She earned her PhD in Film/Media and America Studies from Yale University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Dealing with the colonial archive entails acknowledging the inability to know everything, accounting for the archive’s limited and incomplete condition. Dealing with the colonial archive is not merely about stories of the past but also about the history of the present, and how it is interrupted by the past. — Irene Hilden, in conversation with New Books Network. With a firm commitment to postcolonial scholarship, Absent Presences in the Colonial Archive: Dealing with the Berlin Sound Archive's Acoustic Legacies (Leuven University Press, 2022) presents a historical ethnography of a metropolitan institution that participated in the production and preservation of colonial structures of power and knowledge. This book examines sound objects and listening practices that render the coloniality of knowledge fragile and inconsistent, revealing the absent presences of colonial subjects who are given little or no place in established national narratives and collective memories. Based on research at the Berlin Sound Archive (Lautarchiv), which consists of an extensive collection of sound recordings compiled for scientific purposes in the first half of the 20th century, Irene Hilden engages with the archive by focusing on recordings produced under colonial conditions. This publication is available as a free ebook at OAPEN Library, JSTOR, Project Muse, and Open Research Library. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Unpayable Debt (Sternberg Press, 2022) examines the relationships among coloniality, raciality, and global capital from a black feminist “poethical” perspective. Inspired by Octavia E. Butler's 1979 sci-fi novel Kindred, in which an African-American writer is transported back in time to the antebellum South to save her owner-ancestor, Unpayable Debt relates the notion of value to coloniality—both economic and ethical. Focusing on the philosophy behind value, Denise Ferreira da Silva exposes capital as the juridical architecture and ethical grammar of the world. Here, raciality—a symbol of coloniality—justifies deployments of total violence to enable expropriation and land extraction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How can billionaires justify the endless accumulation of wealth? Effective altruism. An almost religious philosophical belief. Sam Bankman-Fried, the former CEO and founder of collapsed crypto exchange FTX is a major proponent, as is Elon Musk. Now, SBF and many in Effective Altruism have also embraced longtermism, a strand of extreme utilitarian thinking that tells us we should worry about the interests of future people -- trillions of future people, 1000s of years into the future, and in planets far away. We examine the complicated moral math of longtermism with Émile P. Torres, a former longtermist who is now one of the movement's sharpest apostates. SUPPORT THE SHOW You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button. If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too. ABOUT THE SHOW For a full list of credits, contact information, and more, visit our about page. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In 1925, on the French occupied island of Martinique, one of the most prominent voices in post colonial theory was born, Frantz Fanon. He was born to parents of both African and French descent, and was brought up in the ways of French culture. For most of Fanon’s life, he identified with French nationality. He even fought for France in WWII. But despite his initial loyalty to France, the French colonizers didn’t see Fanon as equal. In his early adulthood, Fanon began to see colonialism for what it really was. He became a vocal critic of colonialism. In his 1961 text The Wretched of the Earth, Fanon wrote about the psychological effects of colonialism, and the psychological hurdles of decolonization. Manan Ahmed is a historian and associate professor at Columbia University. He is the author of A Book of Conquest: The Chachnama and Muslim Origins in South Asia See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Over the past twenty years, DNA ancestry testing has morphed from a niche market into a booming international industry that encourages members of the public to answer difficult questions about their identity by looking to the genome. At a time of intensified interest in issues of race and racism, the burgeoning influence of corporations like AncestryDNA and 23andMe has sparked debates about the commodification of identity, the antiracist potential of genetic science, and the promises and pitfalls of using DNA as a source of "objective" knowledge about the past. Permanent Markers: Race, Ancestry, and the Body After the Genome (University of North Carolina Press, 2021) engages these debates by looking at the ways genomic ancestry testing has been used in Brazil and the United States to address the histories and legacies of slavery, from personal genealogical projects to collective racial politics. Reckoning with the struggles of science versus capitalism, "race-blind" versus "race-positive" public policies, and identity fluidity versus embodied experiences of racism, Permanent Markers seeks to explain why those of us in societies that have broadly embraced the social construction of race continue to search for, and find, evidence that our bodies are marked permanently by the past. Sarah Abel is British Academy Postdoctoral Fellow at the University of Cambridge's Centre of Latin American Studies. Reighan Gillam is Associate Professor in the Department of Anthropology at University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Indexicalism: The Metaphysics of Paradox (Edinburgh UP, 2021), Hilan Bensusan clarifies the logic and structure of an essentially situated and indexical metaphysics that is paradoxical and can also be regarded as a chapter in the critique of metaphysics. Bensusan articulates a metaphysical view of the other – both human and non-human, in what Meillassoux calls 'the great outdoors' – that can never be totalised into a single or univocal whole. He develops an innovative account of perception, as a matter of our irreducibly situated relationship to this non-totalisable outdoors. In the book's coda, Bensusan underscores the social-political implications of this radical metaphysics in a postcolonial context in a meditation on the sites of Potosi in the Andes and Yasuni National Park in the Ecuadorian Amazon. Equally at home with analytic and continental philosophy, Bensusan enlists Levinas, Whitehead, Heidegger, Kripke, Deleuze, Derrida, Benso, Harman, Garcia, Cogburn, McDowell and Haraway. He does so in a way that proves to be transformative for crucial aspects of their work, for contemporary approaches to thinking about what it means to be in our world, and for reckoning with the responsibilities that press upon us from the outside. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What is the best way to achieve societal harmony in a place in which groups of people with different identities are living together. Should minority groups be given exemptions from general policies and laws or is it better to say majority privilege should be removed by finding solutions in which the law applies equally to the minority and the majority. Owen Bennett Jones was joined by co-authors Peter Balint and Patti Lenard who have discussed these issues in Debating Multiculturalism: Should There be Minority Rights? (Oxford UP, 2022). Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Cistem Failure: Essays on Blackness and Cisgender (Duke UP, 2022), Marquis Bey meditates on the antagonistic relationship between blackness and cisgender. Bey asks, What does it mean to have a gender that “matches” one’s sex---that is, to be cisgender---when decades of feminist theory have destroyed the belief that there is some natural way to be a sex? Moving from the The Powerpuff Girls to the greeting “How ya mama’n’em?” to their own gender identity, Bey finds that cisgender is too flat as a category to hold the myriad ways that people who may or may not have undergone gender-affirmative interventions depart from gender alignment. At the same time, blackness, they contend, strikes at the heart of cisgender’s invariable coding as white: just as transness names a non-cis space, blackness implies a non-cis space. By showing how blackness opens up a way to subvert the hegemonic power of the gender binary, Bey makes a case for an antiracist gender abolition project that rejects cisgender as a regulatory apparatus. Marquis Bey is Assistant Professor of African American Studies and English at Northwestern University and author of several books, most recently Black Trans Feminism, also published by Duke University Press. Sohini Chatterjee is a PhD Candidate in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Corporate concentration has breached the stratosphere, as have corporate profits. An ever-expanding constellation of industries are now monopolies (where sellers have excessive power over buyers) or monopsonies (where buyers hold the whip hand over sellers)—or both. In Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back (Beacon, 2022), scholar Dr. Rebecca Giblin and writer and activist Cory Doctorow argue we’re in a new era of “chokepoint capitalism,” with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. All workers are weakened by this, but the problem is especially well-illustrated by the plight of creative workers. From Amazon’s use of digital rights management and bundling to radically change the economics of book publishing, to Google and Facebook’s siphoning away of ad revenues from news media, and the Big Three record labels’ use of inordinately long contracts to up their own margins at the cost of artists, chokepoints are everywhere. By analyzing book publishing and news, live music and music streaming, screenwriting, radio and more, Giblin and Doctorow deftly show how powerful corporations construct “anti-competitive flywheels” designed to lock in users and suppliers, make their markets hostile to new entrants, and then force workers and suppliers to accept unfairly low prices. In the book’s second half, Giblin and Doctorow then explain how to batter through those chokepoints, with tools ranging from transparency rights to collective action and ownership, radical interoperability, contract terminations, job guarantees, and minimum wages for creative work. Chokepoint Capitalism is a call to workers of all sectors to unite to help smash these chokepoints and take back the power and profit that’s being heisted away—before it’s too late. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

We moderns often tell ourselves a story that goes something like this: The past was barbaric, especially when it came to punishing criminals or persecuting minorities. Legal punishment used to include hanging, chopping off a head, burning at the stake, quartering, stoning, drowning, and crushing. Eventually, we tell ourselves, we learned to be more humane. But the 20th century French philosopher Michel Foucault didn’t believe this story modern people told themselves. He didn’t accept that modern punishment was any more humane than it used to be. In his 1975 text Discipline and Punish, Foucault makes his point by tracing the evolution of punishment and power through history. Camille Robcis is associate professor of French and history at Columbia University. She is the author of The Law of Kinship: Anthropology, Psychoanalysis, and the Family in France. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What if family were not the only place you might hope to feel safe, loved, cared for and accepted? What if we could do better than the family? We need to talk about the family. For those who are lucky, families can be filled with love and care, but for many they are sites of pain: from abandonment and neglect, to abuse and violence. Nobody is more likely to harm you than your family. Even in so-called happy families, the unpaid, unacknowledged work that it takes to raise children and care for each other is endless and exhausting. It could be otherwise: in this urgent, incisive polemic, leading feminist critic Sophie Lewis makes the case for family abolition. Abolish the Family: A Manifesto for Care and Liberation: A Manifesto for Care and Liberation (Verso, 2022) traces the history of family abolitionist demands, beginning with nineteenth century utopian socialist and sex radical Charles Fourier, the Communist Manifesto and early-twentieth century Russian family abolitionist Alexandra Kollontai. Turning her attention to the 1960s, Lewis reminds us of the anti-family politics of radical feminists like Shulamith Firestone and the gay liberationists, a tradition she traces to the queer marxists bringing family abolition to the twenty-first century. This exhilarating essay looks at historic rightwing panic about Black families and the violent imposition of the family on indigenous communities, and insists: only by thinking beyond the family can we begin to imagine what might come after. Sophie Lewis is a freelance writer living in Philadelphia, teaching courses for the Brooklyn Institute for Social Research. Her first book was Full Surrogacy Now: Feminism Against Family, and her essays have appeared in the New York Times, Harper’s, Boston Review, n+1, the London Review of Books and Salvage. Sophie studied English, Politics, Environment and Geography at Oxford, the New School, and Manchester University, and is now an unpaid visiting scholar at the Feminist, Queer and Transgender Studies Center at the University of Pennsylvania. Oana Uiorean is a Romanian writer and translator. She writes and thinks about communism and feminism while raising children and organising women’s strikes. She curates the book series Bread&Roses on feminist theory and practice for the publisher frACTalia. Her debut novel is Aporia.Dezbărații (frACTalia, 2019). A pamphlet on socialist revolutionary feminism is forthcoming, as well as a book for our comrades the children. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Emancipation's Daughters: Re-Imagining Black Femininity and the National Body (Duke UP, 2020), Riché Richardson examines iconic black women leaders who have contested racial stereotypes and constructed new national narratives of black womanhood in the United States. Drawing on literary texts and cultural representations, Richardson shows how five emblematic black women—Mary McLeod Bethune, Rosa Parks, Condoleezza Rice, Michelle Obama, and Beyoncé—have challenged white-centered definitions of American identity. By using the rhetoric of motherhood and focusing on families and children, these leaders have defied racist images of black women, such as the mammy or the welfare queen, and rewritten scripts of femininity designed to exclude black women from civic participation. Richardson shows that these women's status as national icons was central to reconstructing black womanhood in ways that moved beyond dominant stereotypes. However, these formulations are often premised on heteronormativity and exclude black queer and trans women. Throughout Emancipation's Daughters, Richardson reveals new possibilities for inclusive models of blackness, national femininity, and democracy. Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at [email protected] and on twitter @MickellCarter Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Hatred of Sex (U Nebraska Press, 2022) links Jacques Rancière’s political philosophy of the constitutive disorder of democracy with Jean Laplanche’s identification of a fundamental perturbation at the heart of human sexuality. Sex is hated as well as desired, Oliver Davis and Tim Dean contend, because sexual intensity impedes coherent selfhood and undermines identity, rendering us all a little more deplorable than we might wish. Davis and Dean explore the consequences of this conflicted dynamic across a range of fields and institutions, including queer studies, attachment theory, the #MeToo movement, and “traumatology,” demonstrating how hatred of sex has been optimized and exploited by neoliberalism. Advancing strong claims about sex, pleasure, power, intersectionality, therapy, and governance, Davis and Dean shed new light on enduring questions of equality at a historical moment when democracy appears ever more precarious. Matthew Pieknik is a psychoanalyst in private practice in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Can we make the finance industry fair? In Highly Discriminating: Why the City Isn’t Fair and Diversity Doesn’t Work (Bristol UP, 2022), Louise Ashley, Associate Professor and IHSS Fellow at Queen Mary University of London’s School of Business and Management, explores the history and practice of social mobility into one of Britain’s key professions. The book offers a history of the City and its evolution from a closed world of gentlemen to a seemingly open meritocracy. At the same time, the book destroys the myth of merit, demonstrating how where people went to school, the place they did a degree, who they know, and how they present themselves still determine who is a success. Offering a critique of the City’s superficial attempts to increase its class, race, and gender diversity, the book is essential reading across the social sciences, as well as for anyone wishing to understand how inequalities continue in contemporary society. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Frantz Fanon wrote in 1961 that 'Decolonisation is always a violent phenomenon,' meaning that the violence of colonialism can only be counteracted in kind. As colonial legacies linger today, what are the ways in which we can disentangle literary translation from its roots in imperial violence? In Violent Phenomena: 21 Essays on Translation (Tilted Axis Press, 2022), twenty-four writers and translators from across the world share their ideas and practices for disrupting and decolonising translation. Gargi Binju is a researcher at the University of Tübingen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory