New Books in Communications

Marissa J. Moorman's book Powerful Frequencies: Radio, State Power, and the Cold War in Angola, 1931–2002 (Ohio University Press, 2019) narrates Angolan history with the radio at its center. From its 1930s beginnings, radio has been used by actors as disparate as Portuguese settlers, guerrilla liberation movements, African nationalists and the postcolonial state to project and contest power across Angola’s sparsely populated territory. Moorman’s account pays special attention to the immateriality of radio, the clandestine and intimate experience of “listening in” while also attending to the technological—and techno-political—foundations on which that act of imagination relies. Elisa Prosperetti is a Visiting Assistant Professor in African history at Mount Holyoke College. Her research focuses on the connected histories of education and development in postcolonial West Africa. Contact her at here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Bombastic headlines about science and technology are nothing new. To cut through the constant stream of information and misinformation on social media, or grab the attention of investors, or convince governments to take notice, strident headlines or bold claims seem necessary to give complex, nuanced information some wow factor. But hype has a dark side, too. It can mislead. It can distract. It can blinker us from seeing what is actually going on. From AI, quantum computing and brain implants, to cancer drugs, future foods and fusion energy, science and technology journalist Gemma Milne reveals hype to be responsible for fundamentally misdirecting or even derailing crucial progress. Hype can be combated and discounted, though, if you're able to see exactly where, how and why it is being deployed. Smoke and Mirrors: How Hype Obscures the Future and How to See Past It (Robinson, 2021) is your guide to doing just that. Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Can a subject be sovereign in a hegemony? Can creativity be reined in by forces of empire? The Audacious Raconteur: Sovereignty and Storytelling in Colonial India (Cornell UP, 2020) argues that even the most hegemonic circumstances cannot suppress "audacious raconteurs": skilled storytellers who fashion narrative spaces that allow themselves to remain sovereign and beyond subjugation. The book tells the stories of four Indian narrators who lived in colonial India: a Goan Catholic ayah, a Telugu lawyer from the Raju community, a Tamil brahmin archaeologist, and a librarian from the medara (basket-weavers) caste. These four Indian narrators, through their vigorous orality, maverick use of photography, literary ventriloquism, and bilingualism, dismantle the ideological bulwark of colonialism—colonial modernity, history, science, and native knowledge. This book is open access. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Listen to this interview of Elisa De Ranieri, Editor-in-Chief of Nature Communications. We talk about knowing the research you have done, but communicating the message you want said. Interviewer: "When a submission lands on your desk, or better said, you call it up on your screen, what are you pleased to see, what makes your work easier?" Elisa De Ranieri: "Yeah, well, I guess what makes the job easier for an editor is to receive a paper that is well-written and well-constructed and where the authors are so experienced that they know how to pitch their story. It's nice because it, obviously, spares the editor the trouble of having to unpick what's being said. You know, there are papers where––I'm not saying that they're badly written––but they are so dense because it's not a story, it's a dump of facts, so that you have to start unpicking the facts until you've made your own version of the story that the authors are trying to tell, and only then can you assess that story based on your criteria." Daniel Shea, heads Scholarly Communications, a Special Series on the New Books Network. Daniel is Director of the Writing Program at Heidelberg University, Germany. Just write [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Fiction: A Philosophical Analysis (Oxford University Press, 2020), Catharine Abell draws our attention to the character of Emma Woodhouse. She is handsome, clever, and rich. Or, at least, that's what Jane Austen writes about her in her fictional novel Emma. But why should we consider this a work of fiction, if it says true things about 19th century England? And if it's a fiction, how should we understand and interpret its content? Do we need to know what Austen intended to understand what she says about Emma? And how can we judge the truth of claims about a fictional entity? Do these characters need to exist for us to talk about them? Abell answers these questions in a unifying account of the epistemology and metaphysics of fiction which engages with existing and influential theories. Fictions are institutions governed by rules. On this view, we understand the content of fictive utterances by convention, though we can draw inferences to the best explanation about those utterances to a work's interpretive content, such as why Austen wrote the way she did. For Abell, fictional entities exist in the same way that marriages and corporations do, created by utterances which follow institutional rules, so that we can think and talk about Emma's fictionally having lots of money, even if there was no person "Emma" who had lived nearly twenty-one years in the world with very little to distress or vex her. Malcolm Keating is Assistant Professor of Philosophy at Yale-NUS College. His research focuses on Sanskrit philosophy of language and epistemology. He is the author of Language, Meaning, and Use in Indian Philosophy (Bloomsbury Press, 2019) and host of the podcast Sutras (and stuff). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Leigh Thompson is a Professor of Dispute Resolution and Organizations at the Kellogg School of Management, Northwestern University. An acclaimed researcher, author, and speaker, she has developed several online and in-person courses on negotiation, leading teams, creativity, and virtual collaboration. Leigh is a best-selling author of 10 books including Negotiating the Sweet Spot: The Art of Leaving Nothing on the Table (HarperCollins, 2020). This episode covers why dividing the pie and supposedly win/win solutions aren’t good enough. Myths about negotiations successfully are addressed, as well as the differences between scripted and unscripted negotiations. Specific “hacks” or solutions are raised, including The Anger Hack in personal life negotiations and The Dessert Tray hack in business situations. Finally, how virtual negotiations involves their own dynamics is covered, too. Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. To check out his related “Dan Hill’s EQ Spotlight” blog, visit this site. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In their new collection, Monstrous Women in Comics (University Press of Mississippi, 2020), Samantha Langsdale and Elizabeth Rae Coody put together a critical volume on the ways women are made monstrous in popular culture. This edited volume examines the coding of woman as monstrous and how the monster as dangerously evocative of women/femininity/the female is exacerbated by the intersection of gender with sexuality, race, nationality, and disability. The five sections of this book look at the cultural context surrounding varied monstrous voices: embodiment, maternity, childhood, power, and performance. This volume probes into the patriarchal contexts wherein men are assumed to be representative of the normative, universal subject, such that women frequently become monsters. The collection includes contributions by Novia Shih-Shan Chen, Elizabeth Rae Coody, Keri Crist-Wagner, Sara Durazo-DeMoss, Charlotte Johanne Fabricius, Ayanni C. Hanna, Christina M. Knopf, Tomoko Kuribayashi, Samantha Langsdale, Jeannie Ludlow, Marcela Murillo, Sho Ogawa, Pauline J. Reynolds, Stefanie Snider, J. Richard Stevens, Justin Wigard, Daniel F. Yezbick, and Jing Zhang. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. She has written extensively on popular culture in the classroom, youth’s out of school literacy practices, music-based pedagogy, and punk, including her book "Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics" (Peter Lang, 2018). She's a diehard Cubs fan and will miss The Winchester Brothers when they are gone. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Conspiracy theories prove to be popular and widely-spread. As a rule, we do not tend to take them seriously, but it would be wrong to suggest that audiences are not intrigued by them. What can conspiracy theories communicate about those who engage with them and about those who are this way or the other implicated? With Conspiracy Culture: Post-Soviet Paranoia and the Russian Imagination (University of Toronto Press, 2020), Keith A. Livers explores the conspiracy theory on the theoretical and practical levels. The book offers a solid background that helps historicize the conspiracy preoccupations in Russia. By connecting the conspiracy manifestations in Russian culture across the centuries, Livers successfully demonstrates how deeply engrained the conspiracy culture is in Russia. The book analyzes in detail a diverse cultural material that includes, among others, Pelevin’s and Bekmambetov’s works: by combining chronologically diverse material, Livers looks into and dissects the mechanism of the persistent sustainability of conspiracy culture in Russia. An inseparable part of the conspiracy theory is history, which appears to be part of political dimensions: this aspect is extensively commented on by Livers. Conspiracy Culture: Post-Soviet Paranoia and the Russian Imagination complicates the issue of conspiracy culture and brings it to the level of discussion that offers insights into the current position of the Russian Federation on the local and global levels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

On this episode of the New Books Network, Dr. Lee Pierce (s/t) Dr. Dannagal Goldthwaite Young (s/h) about why liberals love satire and conservative love outrage and how the two are merging and diverging in today’s world of media consolidation and political polarization. In Irony and Outrage: The Polarized Landscape of Rage, Fear, and Laughter in the United States (Oxford UP, 2019), Young looks at two distinct genres of communication—irony and outrage—and their respective appeals to liberals and conservatives. Whereas liberal minds lean toward the ambiguity and play of irony, as exemplified in the daily show, conservative minds lean toward certainty and vigilance, as exemplified by Sean Hannity. Young argues that the roles that these two genres play for their viewers are strikingly similar: galvanizing the opinion of the left or the right, mobilizing citizens around certain causes, and expressing a frustration with traditional news coverage while offering alternative sources of information and meaning. One key way in which they differ, however, concludes Young, is in their capacity to be exploited by special interests and political elites. Read Young's article, "The Lincoln Project and the Conservative Aesthetic." We hope you enjoyed listening as much as we enjoyed chatting about this fascinating book. Connect with your host, Lee Pierce, @rhetoriclee on Twitter, Instagram, Facebook and Gmail for interview previews, the best book selfies, and new episode alerts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Today we are joined by Travis Vogan, Associate Professor of Journalism and American Studies at the University of Iowa, and the author of ABC Sports: The Rise and Fall of Network Sports Television (University of California Press, 2018). In our conversation, we discussed the special role that ABC Sports played in the promotion of sports television, the innovations of sports broadcasting executive Roone Arledge, and the collapse of network sport broadcasting in the cable-TV era. In ABC Sports, Vogan traces the cultural impact of ABC Sports rise in the 1950s until its demise in the 1990s. Under the aegis of Roone Arledge, ABC developed a innovative approach to sports programming that changed viewers experiences for the better. They foregrounded narrative, introduced documentary style reporting, developed new film and recording practices. Along the way, the network produced iconic sports programming such as Wide World of Sports and Monday Night Football. They nurtured a range of media personalities including Howard Cosell who helped the network navigate some of the eras most fraught sports coverage including the Munich Olympics Massacre. Their influence revolutionized the aesthetic experience, widening sports TV audiences, transformed the Olympics into a mega-event, introducing new media processes to the fledgling ABC News channel, and propelled ABC from America’s third place network to the top of the charts in the 1970s. Their reliance on costly but glossy production ultimately undid the ABC Sports division. In the 1980s and 1990s, the birth of cable television, especially ESPN, and a hostile takeover of their parent company ended Arledge’s era of sports television innovation but its legacies remain relevant today. Vogan’s work offers insights into the interplay between sports and the media, and it offers insightful ways to think about how the two shaped viewers experiences and provided models for other media enterprises to change the wider media landscape. This book will be of interest to all who study sports and media studies. Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. It will come out with Manchester University Press in 2021. If you have a title to suggest for this podcast, please contact him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Batman and The Joker: Contested Sexuality in Popular Culture (Routledge, 2020), Chris Richardson presents a cultural analysis of the ways gender, identity, and sexuality are negotiated in the rivalry of Batman and The Joker. Richardson's queer reading of the text provides new understandings of Batman and The Joker and the transformations of the Gotham Universe throughout its 80-year existence. In particular, Richardson investigates how artists, writers, and fans engage with, challenge, and interpret gendered and sexual representations of this influential and popular rivalry. Fans of Batman and The Joker will find this work engaging and applicable across a range of scholarly fields and popular interests. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The politics of identity have played center stage in many political debates in the last few years, and is often seen somewhat pejoratively as an epiphenomenal manifestation of the dynamics of capitalism. Some scholars, however, see this as a reductive mistake, not just for any attempt to organize against capitalism, but also as part of a mistaken understanding of what ‘identity’ is. This is one of the animating ideas of Ani Maitra in his new book Identity, Mediation and the Cunning of Capital (Northwestern University Press, 2020). Utilizing the insights of philosophy, psychoanalysis and critical theory, the book looks at radio transmissions and films dispersed through the Algerian revolution and its aftermath; it examines experimental prose and imagery around Asian-American identity produced by neoliberal academic institutions; and it looks at the orientations on display at an LGBTQ+ film festival in an India struggling to join the world market while still maintaining its own distinct identity. The book is a theoretically-informed world tour that scours the globe in search of the various contexts that mediate us, and the contradictory identities that emerge. Ani Maitra is an associate professor of film and media studies at Colgate University. He received his PhD at Brown University, and is the author of a number of book chapters and articles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Listen to this interview of Shyam Sharma, author of Writing Support for International Graduate Students: Enhancing Transition and Success (Routledge, 2020). We talk about international students and rhetoric, international students and confidence, international students and community-based programming, and vision. Interviewer : "Could you give an example for how teachers can foster agency among international students?" Shyam Sharma : "Let's say you walk into a class and you ask, 'How do people greet in a formal academic setting.' If you say, 'How do people greet in a formal academic setting, in your local community' –– Just add that phrase at the end –– what happens is that the Chinese student versus the American student versus the Brazilian student get to share their ideas about how people (in English, of course), about how people greet each other formally. But by giving them a platform where their ideas can be brought in order to explore, that allows many of things, one being to set the terms of engagement which are, then, not my terms and you are the foreigner. Instead, at least it's a starting point. It allows the student to create these different terms of engagement on their own." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Diners, Dudes, and Diets: How Gender and Power Collide in Food Media and Culture (UNC Press, 2020), Emily Contois argues that the figure of The Dude was invented (or perhaps only capitalized on) by marketing and advertising firms to combat “gender contamination” and sell what may be perceived as “feminine” foods to men. Contois suggests that this figure coalesced in response to the 2008 recession and the “gender crisis” that it created. Not only were job losses higher for men during this “mancession,” but struggling companies sought to improve sales by marketing products to men that had previously been targeted exclusively at women including diet sodas and low-calorie yogurts, as well as cookbooks, food television, and weight loss programs. In short, The Dude – represented by Jeff Bridges’s famous character in The Big Lebowski – is a male figure who “resit[s] the demands of manhood like competitiveness and breadwinning” by “simply opt[ing] out of the struggle.” Contois devotes an entire chapter to the figure of Guy Fieri, who embodies the carefully crafted ambivalence of the Dude. Contois explains that while the Dude somehow seems to be breaking gender stereotypes by offering a pathway for defying social expectations and un-gendering products, the Dude only serves to reinforce binary gender and hegemonic masculinities. Contois concludes that most of the marketing campaigns featuring the Dude have essentially failed or changed course. Notably, Coke Zero and Weight Watchers for Men have had design and marketing makeovers to Coca-Cola Zero Sugar and WW. Still others have repurposed the Dude into a gender inclusive message that uncritically accepts not caring about consequences of the food system. Contois’s final word of the book is directed to media strategists and designers, asking them to think more carefully about the role that they play in forming and reforming expectations and performances of gender in the real world. “Advertisers can do better,” Contois asks, “so why aren’t they?” Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Social media has become a crucial avenue for political discourse in Southeast Asia, given its potential as a “liberation technology” in both democratising and authoritarian states. Yet the growing decline in internet freedom and increasingly repressive and manipulative use of social media tools by governments means that social media is now an essential platform for control. “Disinformation” and “fake news” production is growing rapidly, and national governments are creating laws which attempt to address this trend, but often only exacerbate the situation of state control. In this episode, Dr Aim Sinpeng and Dr Ross Tapsell discuss their new book, From Grassroots Activism to Disinformation: Social Media in Southeast Asia (ISEAS Publishing, 2020), with Dr Thushara Dibley, and explore some of the more recent controversies surrounding social media use in Southeast Asia. Aim Sinpeng is a Senior Lecturer in Comparative Politics at the University of Sydney. Her research interests centre on the relationships between digital media, political participation and political regimes in Southeast Asia. Aim is particularly interested in the role of social media in shaping state-society relations and inducing political and social change. Aim received Facebook research grants to study hate speech in the Asia Pacific (with Fiona Martin) and the effectiveness of countering misinformation strategies (with Denis Stukal). Her other scholarly works examine popular movements against democracy in democratising states. She is co-editor of From Grassroots Activism to Disinformation: Social Media in Southeast Asia (ISEAS Publishing, 2020). She is the author of a forthcoming book, Opposing Democracy in the Digital Age: the Yellow Shirts in Thailand (University of Michigan Press). You can follow Aim on Twitter: @aimsinpeng. Ross Tapsell is a Senior Lecturer and researcher at the Australian National University’s College of Asia and the Pacific, specialising in Southeast Asian media. He is the author of Media Power in Indonesia: Oligarchs, Citizens and the Digital Revolution (Rowman & Littlefield, 2017) and co-editor of Digital Indonesia: Connectivity and Divergence (ISEAS Publishing, 2017) and From Grassroots Activism to Disinformation: Social Media in Southeast Asia (ISEAS Publishing, 2020). He has written for The New York Times, The Guardian, VICE and other publications in the Southeast Asian region. Ross is currently Director of the ANU's Malaysia Institute, and is involved in the ANU's Indonesia Project and the academic blog New Mandala. You can follow Ross on Twitter: @RossTapsell. For more information or to browse additional resources, visit the Sydney Southeast Asia Centre’s website here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

While Hollywood’s images present a veneer of fantasy for some, the work to create such images is far from escapism. In Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood (Duke University Press, 2020), anthropologist Vanessa Díaz examines the raced and gendered hierarchies and inequalities that are imbricated within the work of producing celebrity in Los Angeles, CA. Díaz’s ethnography follows reporters and paparazzi to examine their everyday practices of work and labor that bring celebrity images and stories into being on the pages of celebrity magazines. Grounded in media workers’ perspectives and everyday life, this book carefully situates Latino paparazzi and women reporters in relationship to the particular vulnerabilities that they face. For example, Díaz traces a shift in the demographic of the paparazzi from white men to Latino men, and with it a significant shift in the tone of insults levied against them. Women reporters remain vulnerable to sexual harassment and other dangers in carrying out their work. Hollywood presents itself to its audience through its carefully crafted films, images, and stories. Díaz’s work troubles this facade by centering the work and challenges of the everyday laborers who produce it. Vanessa Díaz is an Assistant Professor in the Department of Chicana/o and Latina/o Studies at Loyola Marymount University. Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Conspiracy theories are as old as politics. But conspiracists today have introduced something new—conspiracy without theory. And the new conspiracism has moved from the fringes to the heart of government with the election of Donald Trump. In A Lot of People Are Saying: The New Conspiracism and the Assault on Democracy (Princeton University Press, 2019), Russell Muirhead and Nancy L. Rosenblum show how the new conspiracism differs from classic conspiracy theory, why so few officials speak truth to conspiracy, and what needs to be done to resist it. Classic conspiracy theory insists that things are not what they seem and gathers evidence—especially facts ominously withheld by official sources—to tease out secret machinations. The new conspiracism is different. There is no demand for evidence, no dots revealed to form a pattern, no close examination of shadowy plotters. Dispensing with the burden of explanation, the new conspiracism imposes its own reality through repetition (exemplified by the Trump catchphrase “a lot of people are saying”) and bare assertion (“rigged!”). The new conspiracism targets democratic foundations—political parties and knowledge-producing institutions. It makes it more difficult to argue, persuade, negotiate, compromise, and even to disagree. Ultimately, it delegitimates democracy. Filled with vivid examples, A Lot of People Are Saying diagnoses a defining and disorienting feature of today’s politics and offers a guide to responding to the threat. Marshall Poe is the editor of the New Books Network. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What is the history of equal rights in Hollywood? In A Piece of the Action: Race and Labor in Post–Civil Rights Hollywood (Columbia UP, 2019), Eithne Quinn, a senior lecturer in American Studies at the University of Manchester, explores the transitional years following the civil rights movement of the 1960s, in order to chart the struggle by Black film makers for rights, recognition and representation. The book combines analysis of on-screen representations, with research on both the production and political economy of Hollywood films. Attentive to questions of gender and race, alongside a critical perspective on Hollywood’s myths of equality and diversity, the book will be essential reading across arts, humanities, and social sciences, as well as for anyone interested in understanding why inequality persists in Hollywood today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Conspiracy theories are as old as politics. But conspiracists today have introduced something new—conspiracy without theory. And the new conspiracism has moved from the fringes to the heart of government with the election of Donald Trump. In A Lot of People Are Saying: The New Conspiracism and the Assault on Democracy (Princeton University Press, 2019), Russell Muirhead and Nancy L. Rosenblum show how the new conspiracism differs from classic conspiracy theory, why so few officials speak truth to conspiracy, and what needs to be done to resist it. Classic conspiracy theory insists that things are not what they seem and gathers evidence—especially facts ominously withheld by official sources—to tease out secret machinations. The new conspiracism is different. There is no demand for evidence, no dots revealed to form a pattern, no close examination of shadowy plotters. Dispensing with the burden of explanation, the new conspiracism imposes its own reality through repetition (exemplified by the Trump catchphrase “a lot of people are saying”) and bare assertion (“rigged!”). The new conspiracism targets democratic foundations—political parties and knowledge-producing institutions. It makes it more difficult to argue, persuade, negotiate, compromise, and even to disagree. Ultimately, it delegitimates democracy. Filled with vivid examples, A Lot of People Are Saying diagnoses a defining and disorienting feature of today’s politics and offers a guide to responding to the threat. Marshall Poe is the editor of the New Books Network. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Most people recognize that the internet is growing at an exponential rate. But few have thought as deeply as Laura DeNardis, a Professor and Interim Dean at the School of Communication at American University, about what those changes will mean for privacy, security, human rights, and democracy. In The Internet in Everything: Privacy and Security in a World With No Off Switch (Yale, 2020), Professor DeNardis shows that the policy tools and normative constructs we have built around the internet are outdated. The internet has evolved from a system of communication to one of control—and that demands a new approach to internet governance. On this episode, I talked with Dr. DeNardis about why we need to move beyond an understanding of internet governance as content governance; whether governments can resist exploiting cybersecurity vulnerabilities; and why she thinks ‘internet freedom’ is a “somewhat fetishized ideal.” At one point, Dr. DeNardis’s dog weighs in on the virtues of techno-libertarianism. We wrap up with some predictions for the future of the multi-stakeholder governance model and Dr. DeNardis’s thoughts on 2020. John Sakellariadis is a 2020-2021 Fulbright US Student Research Grantee. He holds a Master’s degree in public policy from the School of International and Public Affairs at Columbia and a Bachelor’s degree in History & Literature from Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What do university presses do? And how do they contributed to public discourse? November 9 is the beginning of University Press Week, and today I had the honor of talking to Niko Pfund, the president of the Association of University Presses and the head of Oxford University Press. In the interview, we discuss the work of university presses and their value to the production of knowledge and a vibrant exchange of ideas. We also talked about the challenges UPs face generally and in the time of COVID. Pfund began his career at Oxford University Press (OUP) in New York in 1987 as an editorial assistant in law and social science before moving to NYU Press as an editor in 1990. He served as editor in chief at NYU before becoming director in 1996 and returned to Oxford in 2000 as its academic publisher. Currently he is responsible for the development of OUP’s acquisitions and editorial program for research books and reference, as well as for the management of the its North American offices. Marshall Poe is the founder and editor of the New Books Network. He can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Sergey Brin, a cofounder of Google, once compared the perfect search engine to “the mind of God.” As the modern face of promiscuous knowledge, however, Google’s divine omniscience traffics in news, maps, weather, and porn indifferently. Promiscuous Knowledge: Information, Image, and Other Truth Games in History (U Chicago Press, 2020), begun by the late Kenneth Cmiel and completed by his close friend John Durham Peters, provides a genealogy of the information age from its early origins up to the reign of Google. It examines how we think about fact, image, and knowledge, centering on the different ways that claims of truth are complicated when they pass to a larger public. To explore these ideas, Cmiel and Peters focus on three main periods—the late nineteenth century, 1925 to 1945, and 1975 to 2000, with constant reference to the present. Cmiel’s original text examines the growing gulf between politics and aesthetics in postmodern architecture, the distancing of images from everyday life in magical realist cinema, the waning support for national betterment through taxation, and the inability of a single presentational strategy to contain the social whole. Peters brings Cmiel’s study into the present moment, providing the backstory to current controversies about the slipperiness of facts in a digital age. A hybrid work from two innovative thinkers, Promiscuous Knowledge enlightens our understanding of the internet and the profuse visual culture of our time. Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Listen to this interview of Kit Nicholls, Director of Cooper Union Center for Writing. We talk about writing, thinking, the university, and what everyone cares about. Interviewer : "That's the key, and the sense that I get from many students, and even also from faculty, when it comes to the point that they're writing up their results––well, it's basically, this is just a necessity, a thing that's just sort of got to be got around, got through. But if you can actually provide them with the view that the writing is the research, that you're doing your research right now as well. Or even if you can get them to drop the 'as well' and say, 'I'm doing my research still.'" Kit Nicholls : "Yeah, it's not like you do sort of all this prior work and then you sit down and write. That's a surefire way to produce some pretty terrible writing. It's much better to write your way through, which is exactly why the Center for Writing offers ongoing sessions, because otherwise students almost automatically come to the assumption that the Center of Writing is a place you come only when you've got an assignment to finish. It sends the message that writing is just a thing you do at the end. But anyone who seriously writes knows that writing is this long, complicated process." The interviewer, Daniel Shea, heads the podcast series Scholarly Communication, where the world of research publishing is brought to your ears. Daniel is Director of the Writing Program at Heidelberg University, Germany. Just write [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

"Few freedoms in the United States are as cherished as freedom of the press." So begins Chapter One of Democracy Without Journalism?: Confronting the Misinformation Society (Oxford University Press, 2020). The book by Victor Pickard, Professor of Media Policy and Political Economy at the Annenberg School for Communication makes it clear, however, that mainstream American news media are not really free at all, but have been pressed into service over more than a century to generate profits for a few rich owners bent on selling eyeballs and ears to advertisers. Dr. Pickard points out that this system of "toxic commercialism” is in crisis as advertisers flee to cheaper social media outfits like Facebook. In this NBN interview, he says the old TV news adage, "If it bleeds it leads," has been supplemented by a new one, "If it's outrageous, it's contagious" as internet platforms profit from misinformation and even outright lies that engage (and enrage) their readers and keep them coming back for more. Democracy Without Journalism? argues that the unexpected victory of Donald Trump in the 2016 presidential election is symptomatic of three core failures that are baked into the structure of American news media: the excessive commercialism that made giving billions of dollars of free publicity to Trump "damn good for CBS"; the tidal waves of misinformation circulating so profitably on social media and, the sharp decline in the number of working journalists. The book points out, for example, that in the last 20 years, print newsrooms have shed more than half of their workers and that local news “deserts” have spread into more and more American communities. Victor Pickard argues that journalism is as essential to democracy as other social goods such as education, libraries and national healthcare. He writes therefore, that journalism should receive substantial public funding just as it does in other western democracies. Dr. Pickard contends that the current crisis in American journalism is an opportunity that "allows us to reimagine what journalism could be." Bruce Wark is a freelance journalist and retired journalism professor based in the Sackville, New Brunswick. Laura Landon is a librarian at Mount Allison University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In this episode of New Books in Literary Studies we speak with Lissette Lopez Szwydky, author of the new book Transmedia Adaptation in the Nineteenth Century (Ohio State UP, 2020) A comprehensive study of adaptation across media, form and genre, this book argues passionately for the importance of adaptation to our understanding of literary texts. For Lopez Szwydky, adaptation does not just constitute the afterlife of the adapted work, but instead it forms part of the dynamic process that brings the work to life. Transmedia Adaptation in the Nineteenth Century explores a range of works by authors such as Mary Shelley, Charles Dickens, Lord Byron, John Keats and many more. Filled with engaging case studies, this book charts the evolution of literary narratives across novels, illustrations, stage plays, chapbooks, commercial merchandise and more. Lissette Lopez Szwydky is Associate Professor of English at the University of Arkansas in Fayetteville where she teaches courses in Nineteenth-Century Literature and Culture, Adaptation Studies, Gender Studies and Career Education. You can follow her work on her website at http://www.lissettesz.com/ Transmedia Adaptation in the Nineteenth Century is now available on the Ohio State University Press website https://ohiostatepress.org/books/titles/9780814214237.html and other online retailers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

When I put down Getting it Published: A Guide for Scholars and Anyone Else Serious about Serious Books (University of Chicago Press, 2016), I looked up and began to wonder. I wondered about the book on gnomic poetry in Medieval Greek I had read over the weekend. I wondered about the PDF conference volume on my desktop between other PDFs downloaded at my university library. Casting an eye to the bookshelves along my wall, I looked at the spines of all the books there, upright and peaceful in their rows, and I wondered just who did the publishing of those books. Who printed the bindings and pages? Who stocked backlisted copies in the warehouse? Who encouraged booksellers to buy? Who adopted the project early stages? Who chauffeured the manuscript through marketing? Which editor oversaw production while which harried professor, between lectures biting into a sandwich, flipped the pages and weighed the arguments and challenged the ideas? Getting It Published opens up the other spaces which are inside of every book. There's quite a lot besides just the research inside those books on our Works Cited lists, and we don't know. Or we don't know enough, anyway. Getting It Published, as the subtitle announces, is the guide to everything a scholar needs to know about where his or her research goes. William Germano, the author, is the guide of the book. A deft hand at elegant and lucid prose, William Germano has the industry experience, the university experience, and the teaching experience to know what writers of research will need when they go to submit their own manuscript, the manuscript that just might become the next book on a shelf or the next PDF on a desktop. Scholarly Communication is the podcast series about how knowledge gets known. Scholarly Communication adheres to the principle that research improves when scholars better understand their role as communicators. Give scholars more opportunities to learn about publishing, and scholars will communicate their research better. The interviewer, Daniel Shea, heads Scholarly Communication, a Special Series on the New Books Network. Daniel is Director of the Writing Program at Heidelberg University, Germany. Just write [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What are the possibilities and what are the inequalities of the digital world? In The Digital Lives of Black Women in Britain (Palgrave, 2020), Francesca Sobande, a lecturer in Digital Media Studies at Cardiff University explores the experiences of Black women as producers and as consumers of digital media. The book offers a rich combination of archival and interview material, along with a theoretical framework crossing boundaries of digital, media, and communication studies, along with feminist and critical race theory. It also thinks through the role of platforms such as Twitter and YouTube, demonstrating how Black women are using digital spaces as alternatives forms of media, whilst still facing discrimination and abuse. At a time when inequalities across media industries are under scrutiny, alongside organisational and institutional responses to Black Lives Matter, the book is essential reading for anyone keen to understand the struggles of Black women in the digital world, alongside the possibilities for resistance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Open Access is spelled with a capital O and a capital A at the Public Library of Science (or PLOS, for short), a nonprofit Open Access publisher. Among PLOS's suite of journals, PLOS One is the nonprofit's largest in number of articles published and its broadest in coverage, ranging as it does over all topics in the natural sciences and medicine, to include, as well, some in the social sciences, too. PLOS One appears only online, a format the staff bring into service to foster Open Access Science, whether they do this through initiatives for Open Citations and Open Abstracts, or through Transparent Peer Review, or also through PLOS One's newest endeavor, registered reports. Since its inception in 2006, PLOS One has been at the forefront of Open Access publishing. And today, against the trend to equate Impact Factors with journal names, PLOS One does not promote their own Impact Factor because the measure has been shown to be, at best, only an approximate indicator of research significance. However, in true PLOS fashion, PLOS One offers an alternative in various Article-Level Metrics. These ALMs (as the abbreviation goes) make a closer, tighter fit between value of research and quantifiable measures. Joerg Heber is Editor-in-Chief of PLOS One. When you track Joerg Heber's career in publishing, you get the sense of a clear mission: (1) provide access to good science and (2) make providing that access not only viable, but enviable. Scholarly Communication is the podcast series about how knowledge gets known. Scholarly Communication adheres to the principle that research improves when scholars better understand their role as communicators. Give scholars more opportunities to learn about publishing, and scholars will communicate their research better. The interviewer, Daniel Shea, heads Scholarly Communication, a Special Series on the New Books Network. Daniel is Director of the Writing Program at Heidelberg University, Germany. Just write [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What are the limitations of relying on logic as an upfront filter in pursuing ideas? Find out as I talk to Rory Sutherland about his new books Alchemy: the Dark Art and Curious Science of Creating Magic in Brands, Business, and Life (William Morrow, 2019) Sutherland is Vice Chairman of Ogilvy, a legendary advertising agency. He’s also a columnist for The Spectator and a past president of the London-based Institute of Practitioners in Advertising (IPA). His TED Talks have been viewed over 6.5 million times. Topics covered in this episode include: What’s to be gained from realizing that evolution likes fitness, not accuracy. Why biology is different from physics, thereby meaning that there will likely never be a Newton of biology, of marketing, or other fields, where universal laws don’t apply. Instead, the focus is on noting the exceptions and finding patterns. Realizing how much people are context-dependent in realizing solutions to problems. Many forms of measurement create more problems than successful outcomes. Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). To check out his “Faces of the Week” blog, visit https://emotionswizard.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How do you keep the cracks in Starry Night from spreading? How do you prevent artworks made of hugs or candies from disappearing? How do you render a fading photograph eternal—or should you attempt it at all? These are some of the questions that conservators, curators, registrars, and exhibition designers dealing with contemporary art face on a daily basis. In Still Life: Ecologies of the Modern Imagination at the Art Museum (University of Chicago Press, 2020), Fernando Domínguez Rubio delves into one of the most important museums of the world, the Museum of Modern Art (MoMA) in New York, to explore the day-to-day dilemmas that museum workers face when the immortal artworks that we see in the exhibition room reveal themselves to be slowly unfolding disasters. Still Life offers a fascinating and detailed ethnographic account of what it takes to prevent these disasters from happening. Going behind the scenes at MoMA, Domínguez Rubio provides a rare view of the vast technological apparatus—from climatic infrastructures and storage facilities, to conservation labs and machine rooms—and teams of workers—from conservators and engineers to guards and couriers—who fight to hold artworks still. As MoMA reopens after a massive expansion and rearranging of its space and collections, Still Life not only offers a much-needed account of the spaces, actors, and forms of labor traditionally left out of the main narratives of art, but it also offers a timely meditation on how far we, as a society, are willing to go to keep the things we value from disappearing into oblivion. This interview is part of an NBN special series on “Mobilities and Methods.” Fernando Domínguez Rubio is an Associate Professor at the Department of Communication at the University of California-San Diego. Alize Arıcan is a PhD candidate in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What is the relationship between race, technology and sound? How can we access the ways that Latin Americans in the 19th and early 20th centuries thought about, and importantly, heard, race? In his book Audible Geographies in Latin America: Sounds of Race and Place (Palgrave Macmillan, 2019), Dylon Robbins approaches this question in a stunning series of chapters that move between Cuba and Brazil just as both nations were moving into post-emancipation and increasingly intense appeals to nationalist ideologies. New media such as the phonograph, as well as changing techniques in medicine and ethnography contributed to the complex entanglements of race, place and voice. Robbins uncovers new sites in which to explore these questions, such as the Experimental Phonetics Laboratory in Havana and revisits more familiar material, such as the work of Alejo Carpentier, with new frameworks. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The implied answer to the titular question of All Bullshit and Lies? (Oxford University Press 2020) is no, it’s not. In this book, subtitled Insincerity, Irresponsibility, and the Judgment of Untruthfulness, Chris Heffer argues that to analyze untruthfulness, we need a framework which goes beyond these two kinds of speech acts, bullshitting and lying. With his TRUST framework (Trust-related Untruthfulness in Situated Text), Heffer analyzes untruthfulness which includes irresponsible attitudes towards truth, like dogma and distortion, as well as manipulations of the putatively true, like withholding information or misleading. He considers not only epistemic responsibility but moral culpability, taking up real-world cases such as presidential tweets and sloganeering. The book draws on work in philosophy of language, linguistics, and epistemology, along with discourse analysis, psychology, and sociology to provide a flexible framework which can help cut through increasing epistemic partisanship, believing for the sake of affiliation rather than reason. Malcolm Keating is Assistant Professor of Philosophy at Yale-NUS College. His research focuses on Sanskrit philosophy of language and epistemology. He is the author of Language, Meaning, and Use in Indian Philosophy (Bloomsbury Press, 2019) and host of the podcast Sutras (and stuff). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

It is 21st century commonsense that India is an “emerging” economy. But how did this common sense itself emerge? How did India’s global image shift from that of a poverty-infested Third World country to that of a frontier of boundless economic opportunity? In her nimbly researched and lucidly narrated new book Brand New Nation: Capitalist Dreams and Nationalist Designs in Twenty-First-Century India (Stanford UP, 2020), Prof. Ravinder Kaur tracks the over two decades of mega-publicity campaigns which have gone into producing “Brand India” as a desirable commodity for global investors. What can government- and corporate-sponsored media campaigns like India Shining in 2004 and Lead India in 2009 tell us about the resounding success of the post-2014 acche din (“good days”) campaign which we are living with to this day? How do cultural nationalism and capitalist growth together produce images of a modern India which is nevertheless rooted in a decisively Hindu antiquity? How does the figure of the aam aadmi or common man, associated with the 2011 anticorruption campaign, become yet another locus from which entrepreneurship and free markets can once again be championed? This book addresses these and many other questions with clarity and insight, and is an important read for all interested in contemporary India, media and cultural studies, and the making of a hegemonic imaginary. Aparna Gopalan is a Ph.D. student at Harvard University with interests in agrarian capitalism in rural Rajasthan. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What are we to make of the year’s first presidential debate? Listen in as John R. Hibbing, Jonathan Weiler and I discuss this question and others surrounding the 2020 presidential race. Hibbing is a Foundation Regents University Professor of political history and psychology at the University of Nebraska-Lincoln. He’s been a Guggenheim Fellow, a NATO Fellow and a Senior Fulbright Fellow. He is the author of Predisposed: Liberals, Conservatives, and the Biology of Political Differences (Routledge, 2014). Weiler is the director of undergraduate studies and a professor of global studies at the University of North Carolina. He is the author of Prius or Pickup? How the Answers to Four Simple Questions Explain America’s Great Divide (Houghton Mifflin Harcourt, 2018) Topics covered in this episode include: • How well did Donald Trump and Joe Biden each do respectively in attracting undecided voters, who might slightly favor either a liberal/fluid or conservative/fixed innate perspective. • The role of disgust in affirming a fixed perspective, given Trump emoting 10x as much disgust as Biden in this debate. • What are the prospects, if any, for the two sides to reconcile in an election that could be decided by the Supreme Court, Congress, or in a matter of speaking through the Street in the form of protests and militia-style violence. Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). To check out his “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Nature is the premier weekly journal of science, the journal where specialists go to read and publish primary research in their fields. But Nature is also a science magazine, a combination unusual in journal publishing because in an issue of Nature, research stands side by side with editorials, news and feature reporting, and opinion articles. In fact, over two-thirds of the pieces Nature publishes are journalism and opinion content. This is the remit of Helen Pearson. Helen Pearson is Chief Magazine Editor of Nature. After her PhD, Helen wanted a "broader view" of science, and so she chose science journalism. Helen has written award-winning journalism, and she is the author of The Life Project, voted 2016's best science book by The Observer and a best book of the year by The Economist. Today, Helen can look back on a distinguished career at Nature, where she continues to make a significant contribution to conversations around and in the scientific communities Nature aims to reach. Scholarly Communications is the podcast series about how knowledge gets known. Scholarly Communications adheres to the principle that research improves when scholars better understand their role as communicators. Give scholars more opportunities to learn about publishing, and scholars will communicate their research better. Daniel Shea, heads Scholarly Communications, a Special Series on the New Books Network. Daniel is Director of the Writing Program at Heidelberg University, Germany. Just write [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

We think that we live in democracies: in fact, we live in mediarchies. Our political regimes are based less on nations or citizens than on audiences shaped by the media. We assume that our social and political destinies are shaped by the will of the people without realizing that ‘the people’ are always produced, both as individuals and as aggregates, by the media: we are all embedded in mediated publics, ‘intra-structured’ by the apparatuses of communication that govern our interactions. In his new book Mediarchy (Polity Press, 2019), Yves Citton maps out the new regime of experience, media and power that he designates by the term “mediarchy.” To understand mediarchy, we need to look both at the effects that the media have on us and also at the new forms of being and experience that they induce in us. We can never entirely escape from the effects of the mediarchies that operate through us but by becoming more aware of their conditioning, we can develop the new forms of political analysis and practice which are essential if we are to rise to the unprecedented challenges of our time. This comprehensive and far-reaching book will be essential reading for students and scholars in media and communications, politics and sociology, and it will be of great interest to anyone concerned about the multiple and complex ways that the media – from newspapers and TV to social media and the internet – shape our social, political and personal lives today. Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How does the music industry work in the modern world? In Selling Out: Culture, Commerce and Popular Music (Bloomsbury, 2020), Bethany Klein, a Professor of Media and Communication at the University of Leeds, explores the relationship between music and money, from the early years of the pop industry to contemporary society’s ‘promotional culture’. The book conceptualises ‘selling out’, and offers a nuanced understanding of how the idea developed and how it might still be important and relevant. Crucially, the book stresses the changing nature of selling out, not only over time but also through thinking critically about key categories such as race and gender. The book is packed with examples from across a range of genres and gives an overview of key theories to help understand the importance of ‘selling out’. The book is essential reading across the humanities and social scientists, as well as for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Selling Antislavery: Abolition and Mass Media in Antebellum America (University of Pennsylvania Press) is a richly illustrated history of the American Anti-Slavery Society and its print, material, and visual artifacts. Beginning with its establishment in the early 1830s, the American Anti-Slavery Society (AASS) recognized the need to reach and consolidate a diverse and increasingly segmented audience. To do so, it produced a wide array of print, material, and visual media: almanacs and slave narratives, pincushions and gift books, broadsides and panoramas. Building on the distinctive practices of British antislavery and evangelical reform movements, the AASS utilized innovative business strategies to market its productions and developed a centralized distribution system to circulate them widely. In Selling Antislavery, Teresa A. Goddu shows how the AASS operated at the forefront of a new culture industry and, by framing its media as cultural commodities, made antislavery sentiments an integral part of an emerging middle-class identity. She contends that, although the AASS's dominance waned after 1840 as the organization splintered, it nevertheless created one of the first national mass markets. Goddu maps this extensive media culture, focusing in particular on the material produced by AASS in the decade of the 1830s. She considers how the dissemination of its texts, objects, and tactics was facilitated by the quasi-corporate and centralized character of the organization during this period and demonstrates how its institutional presence remained important to the progress of the larger movement. Exploring antislavery's vast archive and explicating its messages, she emphasizes both the discursive and material aspects of antislavery's appeal, providing a richly textured history of the movement through its artifacts and the modes of circulation it put into place. Featuring more than seventy-five illustrations, Selling Antislavery offers a thorough case study of the role of reform movements in the rise of mass media and argues for abolition's central importance to the shaping of antebellum middle-class culture. Teresa A. Goddu is Associate Professor of English and American Studies at Vanderbilt University and author of Gothic America: Narrative, History, and Nation. Dr. Christina Gessler’s background is in women’s history, and literature. She specializes in the diaries written by rural American women in the 19th century. In seeking the extraordinary in the ordinary, Gessler writes the histories of largely unknown women, poems about small relatable moments, and takes many, many photos in nature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In this episode, I speak with fellow New Books in Education host, Jonathan Haber, about his book, Critical Thinking (The MIT Press, 2020). This book explains the widely-discussed but often ill-defined concept of critical thinking, including its history and role in a democratic society. We discuss the important role critical thinking plays in making decisions and communicating our ideas to others as well as the most effective ways teachers can help their students become critical thinkers. Haber oversees the projects, Critical Voter, LogicCheck, and Degree of Freedom, and can be reached at [email protected]. His recommended resources included the following: Thank You for Arguing, Fourth Edition: What Aristotle, Lincoln, and Homer Simpson Can Teach Us About the Art of Persuasion by Jay Heinrichs (Broadway Books, 2020) Think Again I: How to Understand Arguments Critical Thinker Academy The Dream of Reason: A History of Western Philosophy from the Greeks to the Renaissance by Anthony Gottlieb (W. W. Norton & Company, 2016) Trevor Mattea is an educational consultant and speaker. His areas of expertise include deeper learning, parent involvement, project-based learning, and technology integration. He can be reached by email at [email protected] or on Twitter at @tsmattea. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In the aftermath of the First World War, many people sought to use the new mass medium of radio as a tool for world peace, believing that it could promote understanding across national boundaries. In his book Wireless Internationalism and Distant Listening: Britain, Propaganda, and the Invention of Global Radio, 1920-1939 (Oxford UP, 2020), Simon J. Potter describes these efforts to use radio to promote global harmony and how they were eclipsed by nationalism and the weaponization of broadcasting as a propaganda tool. As Potter details, the nature of early radio lent itself to this internationalist vision, with listeners often picking up signals and enjoying broadcasts from other countries. By the 1930s, however, a more nationalistic vision for radio took hold, as Germany led the way in using the airwaves to advance nationalistic goals. Though famed today for its global radio services, Britain lagged in response to this, only belatedly employing the British Broadcasting Corporation’s Empire Service as a tool to shore up support for British interests in the United States and elsewhere. Potter shows how this laid the groundwork for the British government’s subsequent propaganda broadcasts during the Second World War and into the postwar era. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How is communicating virtually Is like eating Pringles forever? Find out as I talk to Nick Morgan about his new book Can You Hear Me? How to Connect with People in a Virtual World (Harvard Business Review Press, 2018). Morgan is one of America’s top communication theorists and coaches. He’s written for Fortune 50 CEOs as well as for political and educational leaders, and coached people for events ranging from TED talks to giving testimony to Congress. Topics covered in this episode include: What’s the likeliest way to lose the trust of others during a conference call, and how can you best hope to restore it? Why are most online webinars a disaster and what kind of format improves them best? If powerpoint presentations are no longer the way to go in selling to prospects in online calls, what’s the alternative? Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. To check out his “Faces of the Week” blog, visit https://emotionswizard.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Watching Sympathetic Perpetrators on Italian Television: Gomorrah and Beyond (Palgrave MacMillan, 2019), Dana Renga offers the first comprehensive study of recent, popular Italian television. Building on work in American television studies, audience and reception theory, and masculinity studies, her book examines how and why viewers are positioned to engage emotionally with—and root for—Italian television antiheroes. Italy’s most popular exported series feature alluring and attractive criminal antiheroes, offer fictionalized accounts of historical events or figures, and highlight the routine violence of daily life in the mafia, the police force, and the political sphere. Renga argues that Italian broadcasters have made an international name for themselves by presenting dark and violent subjects in formats that are visually pleasurable and, for many across the globe, highly addictive. Taken as a whole, this book investigates what recent Italian perpetrator television can teach us about television audiences, and our viewing habits and preferences. Giancarlo Lombardi is Professor of Italian and Comparative Literature at the College of Staten Island and at the Graduate Center of the City University of New York. He has published widely on European and North American serial drama, on Italian Film and Cultural Studies, and on cultural representations of Italian terrorism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Not all Christians are anti-science or climate change deniers; on the contrary, the intersection of climate change and Christianity ranges from deniers to bargainers to harmonizers. On this episode of the New Books Network, Dr. Lee Pierce (she/they) interviews Dr. Emma Frances Bloomfield (she) about this intersection and how different segments of Christians talk about climate change and how others can use communication to engage them. While existing studies have discussed environmentalism as a factor within the religious community, Communication Strategies for Engaging Climate Skeptics (Routledge, 2019) positions religion as an important factor in environmentalism and focuses on how identities play a role in environmental conversation. Rather than thinking of religious skeptics as a single unified group, Emma Frances Bloomfield argues that it is essential to recognize there are different types of skeptics so that we can better tailor our communication strategies to engage with them on issues of the environment and climate change. To do so, this work breaks skeptics down into three main types: "separators," "bargainers," and "harmonizers." The book questions monolithic understandings of climate skepticism and considers how competing narratives such as religion, economics, and politics play a large role in climate communication. Considering recent political moves to remove climate change from official records and withdraw from international environmental agreements, it is imperative now more than ever to offer practical solutions to academics, practitioners, and the public to change the conversation. To address these concerns, this book provides both a theoretical examination of the rhetoric of religious climate skeptics and concrete strategies for engaging the religious community in conversations about the environment. We hope you enjoyed listening as much as we enjoyed chatting about this fascinating book. Connect with your host, Lee Pierce, on Twitter, Instagram, and Facebook for interview previews, the best book selfies, and new episode alerts. Thanks to Emma Frances Bloomfield for joining us today on New Books Network. Dr. Bloomfield is an Assistant Professor of Communication Studies at University of Las Vegas Nevada (UNLV) and can be contacted at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The way that we talk about living beings can raise or lower their perceived value. On this episode of the New Books Network, Dr. Lee Pierce (s/t) interviews Dr. Allison L. Rowland (s) about zoetropes and zoerhetorics or ways of talking about living beings that promote (#blacklivesmatter) or demote (“collateral damage”) lives and groups of lives. Zoetropes and the Politics of Humanhood (Ohio State University Press, 2020)looks at a variety of these zoerhetorics and the zoetropes or rhetorical devices those discourses contain, and how they build on the necropolitical concept that we are constantly parsing populations into worthy lives, subhuman lives, and lives sentenced to death. Through a series of case studies, including microbial life (at the American Gut Project), fetal life (at the National Memorial for the Unborn), and vital human life (at two of the nation’s premier fitness centers)—and in conversation with cutting-edge theories of race, gender, sexuality, and disability—this book brings to light the discursive practices that set the terms for inclusion into humanhood and make us who we are. We hope you enjoyed listening as much as we enjoyed chatting about this fascinating book. Connect with your host, Lee Pierce, on Twitter, Instagram, and Facebook for interview previews, the best book selfies, and new episode alerts. Thanks to Allison L. Rowland for joining us today on New Books Network. Dr. Rowland is Maurer Associate Professor of Performance and Communication Arts at St. Lawrence University and invites “arguments, discourses, responses, and feedback” (her words) at [email protected]. Thanks also to artist Sarah Knobel for the book’s cover art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How could a peasant in Shandong in the Qing dynasty come to know enough about a specific law that he felt confident enough to kill his own wife and his lover’s husband and think that he could get away with it? As Ting Zhang’s new book, Circulating the Code: Print Media and Legal Knowledge in Qing China (University of Washington Press, 2020) shows, there was a whole range of ways: he could have read the entire statute himself, in either an official or a commercial edition of the Qing Code, or found a simple explanation of it in a popular legal handbook. He could have heard a community lecture on it, or seen the statute dramatized on stage. The state might have intended or tried to control the popular dissemination of legal information, but thanks to commercial printing and a thriving book market, legal knowledge circulated and disseminated far and wide in the Qing – right down to a peasant with murder on his mind. Circulating the Code is a beautiful combination of legal history and print culture history. Comparing different official and commercial editions of the Qing Code, handbooks for litigation masters, and manuals for community legal lectures, it explores the production, circulation, and reception of legal knowledge in Qing China, shows how the dissemination of legal information transformed law, and challenges assumptions about the state monopolization of accurate legal knowledge in the Qing. Wonderfully detailed, lucidly written, and packed full of fascinating books, this is a must-read for anyone interested in legal history, the history of the book, and in thinking about comparative histories of print culture and commercial publishing. Ting Zhang is assistant professor of history at the University of Maryland. Sarah Bramao-Ramos is a PhD candidate at Harvard University. She works on Manchu books and Manchu translations and loves anything involving a good kesike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Record Cultures: The Transformation of the U.S. Recording Industry (University of Michigan Press, 2020), Kyle Barnett tells the story of the smaller U.S. record labels in the 1920s that created the genres later to be known as blues, country, and jazz. Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry’s challenges in the wake of the Great Depression. Kyle Barnett is Associate Professor of Media Studies in the Department of Communication at Bellarmine University. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “Johnny Rotten, My Mom, and Me.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What does it take to both fit in and yet also prosper and grow as a person in the workplace? In today's interview, I discuss this question and others with noted psychologist Arthur B. Markman. Markman is a professor of Psychology and Marketing at the University of Texas at Austin, where he also runs the university’s Human Dimensions of Organizations program. Besides his books, Art writes blogs for Psychology Today and Fast Company, and has a radio show/podcast called Two Guys on Your Head. Topics covered in this episode include: The emotions that often get exhibited in relation to each of the Big 5 traits of Openness, Conscientiousness, Extraversion, Agreeableness and Neuroticism – as well as how a “dream team” working on a special project will embody a variety of those traits. What it means to be a boss who punishes negligence instead of failure. What are the kinds of signals you should be alert to in a job interview in order to get a grasp on what kind of corporate culture you might be stepping into. Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). To check out his “Faces of the Week” blog, visit https://emotionswizard.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How have we used twentieth- and twenty-first-century sound technologies to carve out sonic space out of the hustle and bustle of contemporary life? In search for an answer, in this episode I speak with Mack Hagood, Blayney Associate Professor of Comparative Media Studies at Miami University, writer, and podcaster about his book, Hush: Media and Sonic Self-Control (Duke University Press, 2011). In Hush, Hagood examines a variety of twentieth- and twenty-first-century technologies of sonic self-control that includes nature recordings, clinical audiometric tools, and “sound conditioners” through to top-selling white noise apps and the noise-canceling headphones offered under the commercially succesfull Bose and Beats brands. What this assortment of tools and technologies have in common, Hagood argues, is that they are all “orphic media”: kinds of media that carry or generate content that is designed to efface itself as such. Orphic media can be understood as tactics and technologies that offer us respite from postmodern conditions of excess and distraction, even if that promise is not always fulfilled. Hagood draws on a variety of sources, including the results of his own ethnographic work, patent documents, and archival material, to develop a critical account of these media that—ironically—fight sound with yet more sound, one that is both grounded in the technical detail of how specific devices do this work and is sensitive to their various use-contexts, both actual and intended. Mack Hagood produces and hosts the Phantom Power podcast, an aural exploration of the sonic arts and humanities that launched in 2018 with the support of the Miami University Humanities Center and The National Endowment for the Humanities, and can be subscribed to wherever you get your podcasts. Eamonn Bell (@_eamonnbell) is a postdoctoral Research Fellow at Trinity College Dublin in the Department of Music. His current research project examines the story of the compact disc from a viewpoint between musicology and media studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How are algorithms shaping our experience of the internet? In Making it Personal: Algorithmic Personalization, Identity, and Everyday Life (Oxford University Press), Tanya Kant, a lecturer in Media And Cultural Studies at the University of Sussex interrogates the rise of algorithmic personalization, in the context of an internet dominated by platform providers and corporate interests. Using detailed empirical case studies, along with a rich and deep theoretical framework, the book shows the negative impact of algorithmic personalization, the nuances and ambivalences in user behaviours, and their modes of resistance. As we increasingly live our lives online, the book is essential reading across the humanities and social sciences, as well as for anyone interested in understanding how algorithms regulate our lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

From the films of Larry Clark to the feminist comedy of Amy Schumer to the fall of Louis C. K., comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated: Mediating the Politics of Pleasure and Violence (Duke University Press, 2020) move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital—empowering for some but oppressive for others. Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga. Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics. Maggie Hennefeld is Assistant Professor of Cultural Studies and Comparative Literature at the University of Minnesota, Twin Cities. Her Twitter handle is @magshenny. Nicholas Sammond is Associate Professor of Cinema Studies at the University of Toronto. Joel Tscherne is an adjunct history general studies professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications