New Books in Communications

Successful word-coinages--those that stay in currency for a good long time--tend to conceal their beginnings. We take them at face value and rarely when and where they were first minted. Engaging, illuminating, and authoritative, Ralph Keyes's The Hidden History of Coined Words (Oxford University Press, 2021) explores the etymological underworld of terms and expressions and uncovers plenty of hidden gems. He also finds some fascinating patterns, such as that successful neologisms are as likely to be created by chance as by design. A remarkable number of new words were coined whimsically, originally intended to troll or taunt. Knickers, for example, resulted from a hoax; big bang from an insult. Casual wisecracking produced software, crowdsource, and blog. More than a few resulted from happy accidents, such as typos, mistranslations, and mishearing (bigly and buttonhole), or from being taken entirely out of context (robotics). Neologizers (a Thomas Jefferson coinage) include not just scholars and writers but cartoonists, columnists, children's book authors. Wimp originated with a book series, as did goop, and nerd from a book by Dr. Seuss. Coinages are often contested, controversy swirling around such terms as gonzo, mojo, and booty call. Keyes considers all contenders, while also leading us through the fray between new word partisans, and those who resist them strenuously. He concludes with advice about how to make your own successful coinage. The Hidden History of Coined Words will appeal not just to word mavens but history buffs, trivia contesters, and anyone who loves the immersive power of language. Marshall Poe is the founder and editor of the New Books Network. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In an era of increasing social isolation, platforms like Facebook and Twitter are among the most important tools we have to understand each other. We use social media as a mirror to decipher our place in society but, as Christopher A. Bail explains, it functions more like a prism that distorts our identities, empowers status-seeking extremists, and renders moderates all but invisible. Breaking the Social Media Prism: How to Make Our Platforms Less Polarizing (Princeton University Press, 2021) challenges common myths about echo chambers, foreign misinformation campaigns, and radicalizing algorithms, revealing that the solution to political tribalism lies deep inside ourselves. Drawing on innovative online experiments and in-depth interviews with social media users from across the political spectrum, this book explains why stepping outside of our echo chambers can make us more polarized, not less. Bail takes you inside the minds of online extremists through vivid narratives that trace their lives on the platforms and off—detailing how they dominate public discourse at the expense of the moderate majority. Wherever you stand on the spectrum of user behavior and political opinion, he offers fresh solutions to counter political tribalism from the bottom up and the top down. He introduces new apps and bots to help readers avoid misperceptions and engage in better conversations with the other side. Finally, he explores what the virtual public square might look like if we could hit “reset” and redesign social media from scratch through a first-of-its-kind experiment on a new social media platform built for scientific research. Providing data-driven recommendations for strengthening our social media connections, Breaking the Social Media Prism shows how to combat online polarization without deleting our accounts. Marshall Poe is the founder and editor of the New Books Network. He can be reached at [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Listen to this interview of Christopher Thaiss, author of Writing Science in the Twenty-First Century (Broadview Press 2019). We talk about the research article, about writing styles, and about the uses of rhetoric to scientists. Interviewer: "Too many students learning to write in the sciences lack helpful feedback on their writing, and this causes them to experience, quite personally, that disconnect we were talking about, between doing science and writing science." Christopher Thaiss: "Feedback is one of the things I return to again and again in the book. And in my teaching, I think that one of the ways that feedback is used––I think that the most effective way that feedback is used is not so much the feedback that I give students about their writing, although the students will always say, 'We love your feedback!' But what's really important is the feedback that they learn to give and get in peer response workshops. I'm very careful in designing peer response so that students feel that sense of responsibility to give good feedback to one another, but also how to ask for feedback on the work that they're doing themselves. I think that peer response is so important in the scientific context, but it is, you know, in any writing context, and so I really try to foreground that within the course. The way I talk about it in writing in STEM is actually in the context of how research is done and how scientific discoveries and advancements are made: It's through the process of peer review. And if we can teach students early on to become good readers and then careful, conscientious givers of feedback to one another, we have achieved so much in terms of their ability to become contributing members of the scientific community." Daniel Shea, heads Scholarly Communications, a Special Series on the New Books Network. Daniel is Director of the Heidelberg Writing Program, a division of the Language Center at Heidelberg University, Germany. Just write [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

When Trump became president, much of the country was repelled by what they saw as the vulgar spectacle of his ascent, a perversion of the highest office in the land. In his bold, innovative book, Political Perversion: Rhetorical Aberration in the Time of Trumpeteering (University of Chicago Press, 2020), rhetorician Joshua Gunn argues that this “mean-spirited turn” in American politics (of which Trump is the paragon) is best understood as a structural perversion in our common culture, on a continuum with infantile and “gotcha” forms of entertainment meant to engender provocation and sadistic enjoyment. On this episode of the New Books Network, Dr. Lee Pierce (s/t) interviews Dr. Joshua Gunn (h) about lots of things other than Trump, from horror shows to sexting to Pee-Wee Herman, structural perversion, and, yes, some Trump. We are recording this episode as the second impeachment trial for former President Donald Trump begins and the Trump fatigue is real. But this is not exactly a book about Trump. As Gunn puts it, “labeling Trump and his ilk as ‘fascist’ displaces our collective responsibility for their ascent to national power.” In Political Perversion, Gunn argues that “Trump’s rhetoric and person are better understood as replicating a style and genre of political discourse” that has a long history, but Gunn has eloquently re-imagined as what he calls “structural perversion.” Gunn argues that perverse rhetorics dominate not only the political sphere but also our daily interactions with others, in person and online. From sexting to campaign rhetoric, Gunn advances a new way to interpret our contemporary political context that explains why so many of us have difficulty deciphering the appeal of aberrant public figures. In this book, Trump is only the tip of a sinister, rapidly growing iceberg, one to which we ourselves unwittingly contribute on a daily basis. We hope you enjoyed listening as much as we enjoyed chatting about this fascinating book. Connect with your host, Lee Pierce, on Twitter, Instagram, and Facebook for interview previews, the best book selfies, and new episode alerts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Twenty-first century media has increasingly turned to provocative sexual content to generate buzz and stand out within a glut of programming. New distribution technologies enable and amplify these provocations, and encourage the branding of media creators as "provocauteurs" known for challenging sexual conventions and representational norms. While such strategies may at times be no more than a profitable lure, the most probing and powerful instances of sexual provocation serve to illuminate, question, and transform our understanding of sex and sexuality. In Provocauteurs and Provocations: Screening Sex in 21st Century Media (Indiana UP, 2021), award-winning author Maria San Filippo looks at the provocative in films, television series, web series and videos, entertainment industry publicity materials, and social media discourses and explores its potential to create alternative, even radical ways of screening sex. Throughout this edgy volume, San Filippo reassesses troubling texts and divisive figures, examining controversial strategies--from "real sex" scenes to scandalous marketing campaigns to full-frontal nudity--to reveal the critical role that sexual provocation plays as an authorial signature and promotional strategy within the contemporary media landscape. A trailer for the books is available on YouTube. Both of San Filippo's IUP books are 30% off (through May) using code SANFILIPPO at iupress.org Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Technology is breaking politics - what can be done about it? Artificially intelligent "bot" accounts attack politicians and public figures on social media. Conspiracy theorists publish junk news sites to promote their outlandish beliefs. Campaigners create fake dating profiles to attract young voters. We live in a world of technologies that misdirect our attention, poison our political conversations, and jeopardize our democracies. With massive amounts of social media and public polling data, and in-depth interviews with political consultants, bot writers, and journalists, Philip N. Howard offers ways to take these "lie machines" apart. Lie Machines: How to Save Democracy from Troll Armies, Deceitful Robots, Junk News Operations, and Political Operatives (Yale UP, 2020) is full of riveting behind the scenes stories from the world's biggest and most damagingly successful misinformation initiatives--including those used in Brexit and U.S. elections. Howard not only shows how these campaigns evolved from older propaganda operations but also exposes their new powers, gives us insight into their effectiveness, and shows us how to shut them down. As dangerous as things are now, they will only get worse; the enormous flood of data coming from the so-called Internet of Things, along with the growing sophistication of artificial intelligence, will make disinformation easier to generate and disseminate and much harder to spot and remove. Howard tackles the tough task of suggesting the changes that are needed to create a radically redesigned social media ecosystem that would reinforce, rather than erode, democracy. Medha Prasanna is an MA candidate at the Elliott School of International Affairs, George Washington University. Her current research focuses on International Organizations and Human Rights Law. You can learn more about her here or email her [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Since President Nixon coined the phrase, the "War on Drugs" has presented an important change in how people view and discuss criminal justice practices and drug laws. The term evokes images of militarization, punishment, and violence, as well as combat and the potential for victory. It is no surprise then that questions such as whether the "War on Drugs" has "failed" or "can be won" have animated mass media and public debate for the past 40 years. Through analysis of 30 years of newspaper content, Debating the Drug War: Race, Politics, and Media in the War on Drugs Debate (Routledge, 2021) examines the social and cultural contours of this heated debate and explores how proponents and critics of the controversial social issues of drug policy and incarceration frame their arguments in mass media. Additionally, it looks at the contemporary public debate on the "War on Drugs" through an analysis of readers' comments drawn from the comments sections of online news articles. Through a discussion of the findings and their implications, the book illuminates the ways in which ideas about race, politics, society, and crime, and forms of evidence and statistics such as rates of arrest and incarceration or the financial costs of drug policies and incarceration are advanced, interpreted, and contested. Further, the book will bring to light how people form a sense of their racial selves in debates over policy issues tied to racial inequality such as the "War on Drugs" through narratives that connect racial categories to concepts such as innocence, criminality, free will, and fairness. Debating the Drug War offers readers a variety of concepts and theoretical perspectives that they can use to make sense of these vital issues in contemporary society. Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The election of Barack Obama propelled the idea of a post-racial United States, or that the country had moved beyond race as a defining feature of social difference and beyond racism as an everyday reality. Dr. Danielle Fuentes Morgan examines the ways in which African American comedians and cultural producers took aim at such claims through the lens of satire. In her book, Laughing to Keep from Dying: African American Satire in the Twenty First Century (University of Illinois Press, 2020), Morgan demonstrates and argues for satire’s capacity for social justice through its expression of Black interiority and individuality that troubles simplistic renderings of Black people. Morgan examines texts such as Insecure, Get Out, and comedy by Chris Rock and Dave Chapelle, to show how African American satire fulfills or stymies possibilities for liberation. In expressing Black interiority, satire not only provokes revolutionary laughter but aids in African American psychic and physical survival. During the interview we discussed the main concepts in the book, a range of satirical texts, and Dr. Morgan’s approach to teaching and writing about African American satire. Laughing to Keep from Dying probes satire’s potential for liberation and survival embedded within Black laughter, giving new meaning to the term seriously funny. Danielle Fuentes Morgan is an Assistant Professor in the Department of English at Santa Clara University. Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

During the middle decades of the twentieth century, the production of America’s consumer culture was centralized in New York to an extent unparalleled in the history of the United States. Every day tens of thousands of writers, editors, artists, performers, technicians, and secretaries made advertisements, produced media content, and designed the shape and feel of the consumer economy. While this centre of creativity has often been portrayed as a smoothly running machine, within these offices many white-collar workers challenged the managers and executives who directed their labours. Shannan Clark. author of The Making of the American Creative Class: New York's Culture Workers and 20th-Century Consumer Capitalism (Oxford UP, 2020), speaks with Pierre d’Alancaisez about the origins of the creative class, their labour union struggles and successes, the role of the Works Projects Administration, and institutions like the Design Laboratory and Consumer Union which foretell the experiences of today’s culture workers. Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Millennials Killed the Video Star: MTV’s Transition to Reality Programming (Duke University Press, 2021), Dr. Amanda Ann Klein examines the historical, cultural, and industrial factors leading to MTV's shift away from music videos to reality programming in the early 2000s and 2010s. Drawing on interviews with industry workers from programs such as The Real World and Teen Mom, Klein demonstrates how MTV generated a coherent discourse on youth and identity by intentionally leveraging stereotypes about race, ethnicity, gender, and class. Klein explores how this production cycle, which showcased a variety of ways of being in the world, has played a role in identity construction in contemporary youth culture—ultimately shaping the ways in which Millennial audiences of the 2000s thought about, talked about, and embraced a variety of identities. Dr. Amanda Ann Klein is associate professor in the Department of English at East Carolina University. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What role did culture play in the British Empire? In Imperial Encore: The Cultural Project of the Late British Empire Caroline Ritter, an Assistant Professor of History at Texas State University, explores the importance of culture in maintaining Imperial domination, and then in supporting post-Imperial British influence. Using core case studies of key institutions- the British Council, the BBC, and Oxford University Press- the book shows the ongoing legacy of the Imperial cultural project, even if, on the surface, all three institutions have radically changed since the formal end of the British Empire. Rich in historical detail, as well as contemporary relevance, the book will be essential reading across the humanities and social sciences, as well a for anyone interested in the current, and historical, politics of culture. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Listen to this interview of Joan Turner, author of On Writtenness: The Cultural Politics of Academic Writing (Bloomsbury Academic 2018). We talk about writers, writing, writers writing, unwritten subtexts, and written text. Interviewer: "What do you see as the step which writing practitioners can take in the direction of their discipline-based colleagues, and what's the step that researchers can take toward writing practice?" Joan Turner: "Well, obviously, it has to be something that has to be ongoing, and in many respects, it comes down to individuals. There are a lot of well-meaning researchers who value collaboration with writing practitioners, as there are many who don't. And I think is it probably incumbent upon the writing practitioners to kind of put themselves forward more, to kind of slough off the sense of inferiority that might surround them because of how institutions position writing development, and they just have to attempt to begin the conversation. I think that often, when they do, on an individual level, it works. Although often, another problem that occurs with that, is, if you're actually making contact with a particular department where you've got a lot of students, then you might make contact with a particular individual, who then leaves that institution or goes on to a different role in the institution, and is no longer collaborating with the writing center, and then you have to begin again with another one. So, it can be an uphill struggle, but I do have some optimism that things will get better." Daniel Shea, heads Scholarly Communications, a Special Series on the New Books Network. Daniel is Director of the Heidelberg Writing Program, a division of the Language Center at Heidelberg University, Germany. Just write [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

After decades of criticism about perhaps the most famous director in history, it seems that nothing is left to be said. But maybe critics just haven’t been willing to be surprised by the films they have watched again and again. On this episode of New Books Network, Dr. Lee Pierce (s/t) interviews famed literary critic Dr. D.A. Miller (h) about ropes, shoes, desserts, stains, and the other surprising little touches that characterize Hitchcock’s surplus style. In Hidden Hitchcock (University of Chicago Press, 2016), D. A. Miller does what seems impossible: he discovers what has remained unseen in Hitchcock’s movies, a secret style that imbues his films with a radical duplicity. Focusing on three films—Strangers on a Train, Rope, and The Wrong Man—Miller shows how Hitchcock anticipates, even demands a “Too-Close Viewer.” Dwelling within us all and vigilant even when everything appears to be in good order, this Too-Close Viewer attempts to see more than the director points out, to expand the space of the film and the duration of the viewing experience. And, thanks to Hidden Hitchcock, that obsessive attention is rewarded. In Hitchcock’s visual puns, his so-called continuity errors, and his hidden appearances (not to be confused with his cameos), Miller finds wellsprings of enigma. Hidden Hitchcock is a revelatory work that not only shows how little we know this best known of filmmakers, but also how near such too-close viewing comes to cinephilic madness. Works by D.A. Miller mentioned in this interview: “My Lockdown with ‘Death in Venice,’” LA Review of Books Second Time Around: From Art House to DVD We hope you enjoyed listening as much as we enjoyed chatting about this fascinating book. Connect with your host, Lee Pierce, on Twitter, Instagram, and Facebook for interview previews, the best book selfies, and new episode alerts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Contemporary media leads us more than ever to an ‘acting at a distance,’ an acting entangled with the materiality of communication and the mediality of transmission. Action at a Distance (Meson Press, 2020) this crucial phenomenon thereby introducing urgent questions of human interaction, the binding and breaking of time and space, and the entanglement of the material and the immaterial. Three vivid inquiries deal with histories and theories of mediality and materiality: John Durham Peters looks at episodes of simultaneity and synchronization. Christina Vagt discusses the agency of computer models against the backdrop of aesthetic theories by Henri Bergson and Hans Blumenberg, and Florian Sprenger discusses early electrical transmissions through copper wire and the temporality of instantaneity. Marci Mazzarotto is an Assistant Professor and Program Coordinator of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice often with a focus on film and television studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In the seventeenth century, Japanese popular prose flourished as waves of newly literate readers gained access to the printed word. Commercial publishers released vast numbers of titles in response to readers’ hunger for books that promised them potent knowledge. However, traditional literary histories of this period position the writings of Ihara Saikaku at center stage, largely neglecting the breadth of popular prose. In Pleasure in Profit: Popular Prose in Seventeenth-Century Japan (Cambridge UP, 2020), Laura Moretti investigates the vibrant world of vernacular popular literature. She marshals new data on the magnitude of the seventeenth-century publishing business and highlights the diversity and porosity of its publishing genres. Moretti explores how booksellers sparked interest among readers across the spectrum of literacies and demonstrates how they tantalized consumers with vital ethical, religious, societal, and interpersonal knowledge. She recasts books as tools for knowledge making, arguing that popular prose engaged its audience cognitively as well as aesthetically and emotionally to satisfy a burgeoning curiosity about the world. Crucially, Moretti shows, readers experienced entertainment within the didactic, finding pleasure in the profit gained from acquiring knowledge by interacting with transformative literature. Drawing on a rich variety of archival materials to present a vivid portrait of seventeenth-century Japanese publishing, Pleasure in Profit also speaks to broader conversations about the category of the literary by offering a new view of popular prose that celebrates plurality. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In 2015, the Islamic State released a video of men smashing sculptures in Iraq’s Mosul Museum as part of a mission to cleanse the world of idolatry. The Idols of ISIS: From Assyria to the Internet (University of Chicago Press, 2020) unpacks three key facets of that event: the status and power of images, the political importance of museums, and the efficacy of videos in furthering an ideological agenda through the internet. Beginning with the Islamic State’s claim that the smashed objects were idols of the “age of ignorance,” Aaron Tugendhaft questions whether there can be any political life without idolatry. He then explores the various roles Mesopotamian sculpture has played in European imperial competition, the development of artistic modernism, and the formation of Iraqi national identity, showing how this history reverberates in the choice of the Mosul Museum as performance stage. Finally, he compares the Islamic State’s production of images to the ways in which images circulated in ancient Assyria and asks how digitization has transformed politics in the age of social media. An elegant and accessibly written introduction to the complexities of such events, The Idols of ISIS is ideal for students and readers seeking a richer cultural perspective than the media usually provides. Marci Mazzarotto is an Assistant Professor and Program Coordinator of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice often with a focus on film and television studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Has 'migrant' become an unshakeable identity for some people? How does this happen and what role does the media play in classifying individuals as 'migrants' rather than people? How Media and Conflicts Make Migrants (Manchester UP, 2020) challenges the idea of the 'migrant', pointing instead to the array of systems and processes that force this identity on individuals, shaping their interactions with the state and with others. Kirsten Folkert, Gargi Bhattacharyya, and Janna Graham speak to Pierre d'Alancaisez about their research carried out in the United Kingdom and Italy and examine how media representations construct global conflicts in a climate of changing media habits, widespread mistrust, and fake news. Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Sophia Rosenfeld is Walter H. Annenberg Professor of History at the University of Pennsylvania. She is the author of Democracy and Truth: A Short History. The "Why We Argue" podcast is produced by the Humanities Institute at the University of Connecticut as part of the Future of Truth project. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Religious people have a range of new media in which they can share their beliefs and reflect on what it means to believe, to act, and to be members of their religious communities. In Talk about Faith: How Debate and Conversation Shape Belief (Cambridge UP, 2021), Stephen Pihlaja investigates how Christians and Muslims interact with each other through debates broadcast online, podcasts, and YouTube videos. He explores the way in which they present themselves and their faiths and how they situate their ideas in relationship to each other and to their perceived audiences Pihlaja argues that people position themselves and others differently depending on conversational contexts and topic, generalizing about themselves in relationship to a range of already-existing storylines, whether they're talking about biblical inerrancy, the nature of Islam, to homosexuality and interracial dating. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How did telecommunications shape Victorian London? In Serving a Wired World London's Telecommunications Workers and the Making of an Information Capital Katie Hindmarch-Watson, an Assistant Professor in history at Johns Hopkins University, tells the history of London through the lenses of technology, gender, class, and sexuality. The book offers a rethinking of liberal subjectivity and the city at the end of the nineteenth century, showing how the Victorian obsessions with privacy and respectability intersected with technology to create the urban and social fabric of London. The book also draws on queer history, demonstrating the importance of sex scandals in the Victorian and Edwardian eras for understanding urban, technology, and gender histories. A fascinating read, the book will be an essential text across the humanities and social sciences. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What is the relationship between print culture, religious identity, and formations of social consciousness in the modern period? In her brilliant new book, Print and the Urdu Public: Muslims, Newspapers, and Urban Life (Oxford UP, 2020), Megan Robb explores this question through a vigorous and exciting micro-history of a major 20th-century Urdu newspaper Madinah that was at the center of critical political, theological, and sociological currents in Muslim South Asia. The distinguishing feature of this book lies in its focus on the place and space of the qasbah, or small towns, as fascinating and often overlooked theaters of individual and communal identity formation and contestation. What competing notions of Islam, politics, and time emerge in a marketplace of ideas animated and engine by the technology and materiality of print culture, especially, the newspaper? Robb examines this question through a probing analysis that brings together vivid portraits of social and intellectual life in early 20th-century Northern India, with productive theoretical interventions on conceptualizing the interaction of print, religion, and politics in colonial modernity. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His book Defending Muhammad in Modernity (University of Notre Dame Press, 2020) received the American Institute of Pakistan Studies 2020 Book Prize. His other academic publications are available here. He can be reached at [email protected]. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Listen to this interview of Bill Cope and Mary Kalantzis, creators of the website newlearningonline.com and also professors at the College of Education, University of Illinois. We talk about monastic instruction in the sixth century, we talk about textbook learning in the sixteenth century, and we talk about cybersecurity education in the twenty-first century, but overall we talk about imbalances in self agency. Interviewer: "Could you describe one pedagogical affordance of the technology on your learning platform CGScholar?" Bill Cope: "So, what we're doing is we're using big data and learning analytics as an alternative feedback system. So, what we say, then, is, okay, well: 'The test is dead! Long live assessment!' We have so much data from CGScholar. Why would you create a little sample of an arrow or two at the end of a course, when we can from day one be data mining every single thing you do? And by the way, by the end of the course, we have these literally millions of data points and for every student. Now, the other thing, as well, is, our argument is––and we call this recursive feedback––is that every little data point is a piece of actionable feedback. Someone makes a comment on what you do, you get a score from somebody on your work against a Likert scale...so what we're doing is, we have this idea of complete data transparency, but also, we're not going to make any judgments for you or about you, or the system's not going to do it, without that feedback being actionable, so that you can then improve your work. It feeds into your work. So, the difference is, instead of assessment being retrospective and judgmental, what we're doing is making micro-judgments which are prospective and constructive and going towards your learning." Visit the Learning Design and Leadership Program here and visit CGScholar here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Ronald Deibert is a professor of Political Science at the University of Toronto and the Director of The Citizen Lab, a public interest research organization that uncovers privacy and human rights abuses on the internet. In his latest book, Reset: Reclaiming the Internet for Civil Society (House of Anansi Press, 2020), Deibert unites a growing corpus of academic literature on the perils of surveillance capitalism to show how today’s data-hungry communications technologies have poisoned our political institutions, our minds, and even our environment. Deibert believes that it is not too late to rescue our politics from our technology, and he argues that the answer lies not in silicon or code but age-old political principles. Look to Montesquieu, not Zuckerberg, Deibert tells us, if you want to find a stable framework for digital governance in the 21st century. On this episode, in addition to all the above, Professor Deibert and I explore the economic engines of surveillance capitalism, the dangers of ritualistic privacy policies, the internet’s immense carbon footprint, and the importance of data privacy law, among other topics. John Sakellariadis is a 2020-2021 Fulbright US Student Research Grantee. He holds a Master’s degree in public policy from the School of International and Public Affairs at Columbia and a Bachelor’s degree in History & Literature from Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Digital dualism, or a sharp division between online and offline activity as "virtual" or "real" has long been a feature of liturgical studies and discussions around worship gatherings for theorists and practitioners alike. Teresa Berger's new book @Worship: Liturgical Practices in Digital Worlds (Routledge, 2017) provides a manifesto for more nuanced thinking about digital mediation, materiality, ecclesial gathering, and sacramental presence in our digitally suffused world. While this book was published several years before the COVID-19 pandemic, the careful thinking Berger presents here can certainly guide church leaders and participants in present and future conversations as worshiping communities find themselves facing prolonged seasons of online gatherings and digital devotion. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In 1935, the writer Baburao Patel writes the following about Bombay’s film industry: “In India, with financing conditions still precarious, the professional film distributor thrives. . . . He comes with a fortune made in share and cotton gambling, advances money to the producer at a killing rate of interest plus a big slice of royalty and recovers his investment by blackmailing the exhibitors into giving heavy and uneconomic minimum guarantees. His only aim in life is to multiply his rupee and in prosecuting this aim he does not worry about the future of the industry or about the existence of the producer or exhibitor.” It’s a hectic time for India’s film industry, as it is for films everywhere, as the silent era becomes the talking era. Debashree Mukherjee’s Bombay Hustle: Making Movies in a Colonial City (Columbia University Press: 2020) examines this key period of India’s film industry, from finance and casting to screenwriting and production, and brings into view the experiences of the marginalised film workers and forgotten film studios that made up this early period of industry. In this interview, Debashree and I talk about the transition from silent to talking movies in Bombay, along with the historical context and working conditions for those in the city’s historical film industry. Those interested in learning more about the film industry in 1930s Bombay can visit the Wildcat of Bombay Instagram account at @wildcatofbombay (recommended by Debashree!) Debashree Mukherjee is Assistant Professor of film and media in the Department of Middle Eastern, South Asian, and African Studies at Columbia University. Debashree edits the peer-reviewed journal BioScope and has published in journals such as Film History and Feminist Media Histories. In a previous life Debashree worked in Mumbai’s film and TV industries as an assistant director, writer, and cameraperson. More information can be found on Debashree’s website, and she can be followed on Twitter at @Debashree2017. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bombay Hustle. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Suyoung Son’s book Writing for Print: Publishing and the Making of Textual Authority in Late Imperial China (Harvard UP, 2018) examines the widespread practice of self-publishing by writers in late imperial China, focusing on the relationships between manuscript tradition and print convention, peer patronage and popular fame, and gift exchange and commercial transactions in textual production and circulation. Combining approaches from various disciplines, such as history of the book, literary criticism, and bibliographical and textual studies, Suyoung Son reconstructs the publishing practices of two seventeenth-century literati-cum-publishers, Zhang Chao in Yangzhou and Wang Zhuo in Hangzhou, and explores the ramifications of these practices on eighteenth-century censorship campaigns in Qing China and Chosŏn Korea. By giving due weight to the writers as active agents in increasing the influence of print, this book underscores the contingent nature of print’s effect and its role in establishing the textual authority that the literati community, commercial book market, and imperial authorities competed to claim in late imperial China. Suyoung Son is an Associate Professor at Cornell University. She is a literary and cultural historian of early modern China (1500-1900). Aliki Semertzi is a PhD Candidate in International Law, at the Geneva Graduate Institute. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Listen to this interview of Shyam Sharma, Associate Professor and Graduate Program Director in the Department of Writing and Rhetoric at Stony Brook University. We talk about how mutually appreciative attitudes advance Writing in the Disciplines, about how other languages matter to writing in English, and about how US Presidents have changed the ways we teach writing and learn to write. Interviewer: "Where does language come in to the sort of writing development called Writing Studies or English for Academic Purposes or Academic Literacies?" Shyam Sharma: "Well, there are language-focused academic curriculums around the world. But language is not writing. If it was, then I wouldn't have my job. You know, for the most part, students who speak English as a native language wouldn't need to learn anything about genres and conventions and writing and rhetoric and communication. And so, where English is taught in non-English-speaking regions, the concern about language buries everything so far down that it is difficult for people to foreground it and to pay specialized attention to it and to develop research programs and to be funded and to be recognized and so on." Daniel Shea, heads Scholarly Communications, a Special Series on the New Books Network. Daniel is Director of the Heidelberg Writing Program, a division of the Language Center at Heidelberg University, Germany. Just write [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Founded in 1935 by a young publisher disillusioned with the class prejudices of the interwar publishing trade, Penguin Books set out to make good books available to all. The 'Penguin Specials', a series of current affairs books authored by leading intellectuals and politicians, embodied its democratising mission. Published over fifty years and often selling in vast quantities, these inexpensive paperbacks helped to shape popular ideas about subjects as varied as the welfare state, homelessness, social class and environmental decay. In Penguin Books and Political Change: Britain's Meritocratic Moment, 1937–1988 (Manchester UP, 2020), Dean Blackburn tells a story about the ideas that shaped post-war Britain. Between the late-1930s and the mid-1980s, Blackburn argues, Britain witnessed the emergence and eclipse of a 'meritocratic moment', at the core of which was the belief that a strong relationship between merit and reward would bring about social stability and economic efficiency. Equal opportunity and professional expertise, values embodied by the egalitarian aspirations of Penguin's publishing ethos, would be the drivers of social and economic progress. But as the social and economic crises of the 1970s took root, many contemporary thinkers and politicians cast doubt on the assumptions that informed meritocratic logic. Britain's meritocratic moment had passed. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Can your zip code predict when you will die? Should you space out childhood vaccines? Does talcum powder cause cancer? Why do some doctors recommend e-cigarettes while other doctors recommend you stay away from them? Health information―and misinformation―is all around us, and it can be hard to separate the two. A long history of unethical medical experiments and medical mistakes, along with a host of celebrities spewing anti-science beliefs, has left many wary of science and the scientists who say they should be trusted. How can we unravel the knots of fact and fiction to find out what we should really be concerned about, and what we can laugh off? In Viral BS: Medical Myths and Why We Fall for Them (Johns Hopkins UP, 2021), medical journalist, doctor, professor, and former CDC disease detective Seema Yasmin, driven by a need to set the record straight, dissects some of the most widely circulating medical myths and pseudoscience. Exploring how epidemics of misinformation and disinformation can spread faster than microbes, Dr. Yasmin asks why bad science is sometimes more believable and contagious than the facts. Each easy-to-read chapter covers a specific myth, whether it has endured for many years or hit the headlines more recently. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

For years, cybersecurity experts have debated whether cyber-weapons represent a destabilizing new military technology or merely the newest tool in the spies’ arsenal. In This Is How They Tell Me the World Ends (Bloomsbury, 2021), Nicole Perlroth makes a compelling case that cyber-conflict is quickly spiraling out of control. Worse, the United States set us down the precarious path we’re now on. A cybersecurity reporter at the The New York Times, Nicole makes her case by taking us on a journey from the shadowy underworld of the cyber-arms market, to Silicon Valley, the White House, and the NSA’s elite offensive hacking unit, Tailored Access Operations. On this episode, I talk to Nicole about the nature of the cyber-arms underground, why the NSA has traditionally favored offense over defense, and why no one—not Congress and not the public—seems to understand the gravity of the cyber-threat. We wrap up with a story likely to be of interest to the NBN community: someone—were not sure who yet—is hacking authors’ email accounts and stealing their manuscripts. John Sakellariadis is a 2020-2021 Fulbright US Student Research Grantee. He holds a Master’s degree in public policy from the School of International and Public Affairs at Columbia and a Bachelor’s degree in History & Literature from Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Fifteen years ago in Stockholm, Daniel Ek and Martin Lorentzon had a big idea. The music industry was playing a desperate game of whack-a-mole with piracy via file sharing but this was proving as hopeless as the War on Drugs. Why not, they thought, use the new torrenting technologies to bring piracy in from the cold and make themselves rich in the process? In 2006, they founded Spotify with a handful of engineers, no licences and no revenue. Today, Spotify is the world's most popular audio streaming subscription service with 345 million users and a market capitalization of $60 billion. How did the shy computer nerd and hyperactive investor tame hostile music labels and withstand competition from US tech giants more than ten times their size? Still struggling to achieve sustained profitability in cut-throat market segments, will Ek’s latest foray into podcasting eventually free Spotify of its dependency on the music labels or suffer the same fate as Spotify TV? The Spotify Play: How CEO and Founder Daniel Ek Beat Apple, Google, and Amazon in the Race for Audio Dominance (Diversion Books, 2021) is the new English-language update of Spotify Untold – their 2019 Swedish business biography – Sven Carlsson and Jonas Leijonhufvud put Europe’s only tech giant under the microscope using information gleaned from interviews more than 80 sources and a mountain of public and private documents. The book has been translated into 15 languages and will soon be turned into a Netflix Originals miniseries. Sven Carlsson is a technology reporter at Swedish Radio and and Jonas Leijonhufvud a business journalist at Di Digital. *The authors own book recommendations are Super Pumped: The Battle for Uber by Mike Isaac (W. W. Norton, 2019) and Say Nothing: A True Story Of Murder and Memory In Northern Ireland by Patrick Radden Keefe (William Collins, 2018). Tim Gwynn Jones is an economic and political-risk analyst at Medley Global Advisors. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Today we speak to Hannah Marcus, Assistant Professor in the Department of the History of Science at Harvard University in Cambridge, Massachusetts, about her new monograph, Forbidden Knowledge: Medicine, Science, and Censorship in Early Modern Italy (University of Chicago Press, 2020). Forbidden Knowledge explores the censorship of medical books from their proliferation in print through the prohibitions placed on them during the Counter-Reformation. How and why did books banned in Italy in the sixteenth century end up back on library shelves in the seventeenth? Historian Hannah Marcus uncovers how early modern physicians evaluated the utility of banned books and facilitated their continued circulation in conversation with Catholic authorities. Through extensive archival research, Marcus highlights how talk of scientific utility, once thought to have begun during the Scientific Revolution, in fact began earlier, emerging from ecclesiastical censorship and the desire to continue to use banned medical books. What’s more, this censorship in medicine, which preceded the Copernican debate in astronomy by sixty years, has had a lasting impact on how we talk about new and controversial developments in scientific knowledge. Beautiful illustrations accompany this masterful, timely book about the interplay between efforts at intellectual control and the utility of knowledge. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

We are joined today by Meenakshi Gigi Durham, Professor in the School of Journalism and Mass Communication at the University of Iowa in the writers’ heaven that is Iowa City, Iowa. She also holds a joint appointment in the Department of Gender, Women’s Studies, and Sexuality Studies at Iowa. She is here today to talk to us about her upcoming book: Me Too: The Impact of Rape Culture in the Media (Polity Press, 2021). Professor Durham is the author of the quite famous The Lolita Effect: The Media Sexualization of Young Girls and What We Can Do About It (Overlook Press, 2008) and Technosex: Precarious Corporealities, Mediated Sexualities, and the Ethics of Embodied Technics (Palgrave 2016) – both of which address modern, mass media explorations of the sexuality and gender. In the wake of the MeToo movement, revelations of sexual assault and harassment continue to disrupt sexual politics across the globe. Reports of recurrent and widespread misconduct - in workplaces from doctors' offices to factory floors - are precipitating firings, legal actions, street protests, and policy punditry. Meenakshi Gigi Durham situates media culture as a place in which these broader social struggles are enacted and reproduced. The media figures whose depravity sparked the #MeToo movement are symbolic markers of the complexities of sexual desire and consent. Pop culture sparks controversies about rape culture; social media users have launched feminist resistance that turned to real-world activism; investigative journalists have broken stories of assault, offering a platform for survivors to speak truth to patriarchal power. Arguing that the media are a linchpin in these events, Durham provides a feminist account of the interrelated contexts of media production, representation, and reception. She situates media as the key site where the establishment of sexuality and social relations takes place and traces the media's powerful role in both reifying and challenging rape culture. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

On January 28 2011 WikiLeaks released documents from a cache of US State Department cables stolen the previous year. The Daily Telegraph in London published one of the memos with an article headlined 'Egypt protests: America's secret backing for rebel leaders behind uprising'. The effect of the revelation was immediate, helping set in motion an aggressive counter-narrative to the nascent story of the Arab Spring. The article featured a cluster of virulent commentators all pushing the same story: the CIA, George Soros and Hillary Clinton were attempting to take over Egypt. Many of these commentators were trolls, some of whom reappeared in 2016 to help elect Donald J. Trump as President of the United States. Nathaniel Greenberg's book How Information Warfare Shaped the Arab Spring: The Politics of Narrative in Egypt and Tunisia (Edinburgh UP, 2019) tells the story of how a proxy-communications war ignited and hijacked the Arab uprisings and how individuals on the ground, on air and online worked to shape history. Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Imagine this book was written in Comic Sans. Would this choice impact your image of me as an author, despite causing no literal change to the content within? Generally, discussions of how language variants influence interpretation of language acts/users have focused on variation in speech. But it is important to remember that specific ways of representing a language are also often perceived as linked to specific social actors. Nowhere is this fact more relevant than in written Japanese, where a complex history has created a situation where authors can represent any sentence element in three distinct scripts. In Scripting Japan: Orthography, Variation, and the Creation of Meaning in Written Japanese (Routledge, 2020), Wesley Robertson provides the first investigation into the ways Japanese authors and their readers engage with this potential for script variation as a social language practice, looking at how purely script-based language choices reflect social ideologies, become linked to language users, and influence the total meaning created by language acts. Throughout the text, analysis of data from multiple studies examines how Japanese language users' experiences with the script variation all around them influence how they engage with, produce, and understand both orthographic variation and major social divides, ultimately evidencing that even the avoidance of variation can become a socially significant act in Japan. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How can we create a more equal media industry? In Access All Areas: The Diversity Manifesto for TV and Beyond, Marcus Ryder and Sir Lenny Henry, both founder members of the The Sir Lenny Henry Centre for Media Diversity at Birmingham City University, tell the story of their work to transform British television and set out an eight point manifesto for change. The book lays out the diversity crisis in the media industry, setting out the numerous barriers confronting those who are labelled as minorities (despite being the majority of the population!) and showing why previous efforts to address the problems have failed. By doing so, the book sets up its alternatives that will create a more just, and thus more diverse, television industry. The book, along with Marcus’ blog, is essential reading for academics and the public, both in the UK and beyond. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Digital Religion does not simply refer to religion as it is carried out online, but more broadly studies how digital media interrelate with religious practice and belief. Xenia Zeiler's book Digital Humanism (Routledge, 2019) explores and consequentially studies how Hinduism is expressed in the digital sphere and how Hindus utilise digital media. Highlighting digital Hinduism and including case studies with foci on India, Asia and the global Hindu diaspora, this book features contributions from an interdisciplinary and international panel of academics. The chapters focus on specific case studies, which in summary exemplify the wide variety and diversity of what constitutes Digital Hinduism today. Applying methods and research questions from various disciplinary backgrounds appropriate to the study of religion and digital culture, such as Religious Studies, South Asian Studies, Anthropology and Media and Communication Studies, this book is vital reading for any scholar interested in the relationship between religion and the digital world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In the space of a few weeks this spring, organizations around the world learned that many traditional, in-person jobs could, in fact, be performed remotely. Before the COVID-19 pandemic, however, some individuals were already utilizing new options for personal mobility and online work to strike out on their own. In the new book, Digital Nomads: In Search of Freedom, Community, and Meaningful Work in the New Economy (Oxford UP, 2020), Rachael A. Woldoff and Robert C. Litchfield examine the growing demographic of individuals disaffected by the daily grind of office work who have left the U.S. and Europe to work remotely from low-cost global hubs around the world. These “digital nomads” seek out communities of like-minded unconventional people—what they call a tribe—in places like Indonesia, Thailand, Colombia, Mexico, or Portugal. Taking advantage of advancements in mobility, technology, and telecommunication, digital nomads are venturing around the world in search of a new way of living and working. Through dozens of interviews and several stints living in a digital nomad hub in Bali, Indonesia, Woldoff and Litchfield show why digital nomads leave their conventional lives behind, arguing that the creative class and Millennial workers, though successful, often feel that “world class cities” and desirable jobs are anything but paradise. Digital Nomads follows these new workers through their transitions into freelancing, entrepreneurship, and remote work, and explains how digital nomads create fluid, intimate communities abroad. Complete with a preface that addresses how COVID-19 is inevitably changing the landscape of work, Digital Nomads offers insight into the new ways people are balancing freedom, work, community, and creative fulfillment in the digital age. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What does it mean to connect as a people through mass media? This book approaches that question by exploring how Moroccans engage communicative failure as they seek to shape social and political relations in urban Fez. Over the last decade, laments of language and media failure in Fez have focused not just on social relations that used to be and have been lost but also on what ought to be and had yet to be realized. Such laments have transpired in a range of communication channels, from objects such as devotional prayer beads and remote controls; to interactional forms such as storytelling, dress styles, and orthography; to media platforms like television news, religious stations, or WhatsApp group chats. Channeling Moroccanness: Language and the Media of Sociality (Fordham UP, 2020) examines these laments as ways of speaking that created Moroccanness, the feeling of participating in the ongoing formations of Moroccan relationality. Rather than furthering the discourse about Morocco’s conflict between liberal secularists and religious conservatives, this ethnography shows the subtle range of ideologies and practices evoked in Fassi homes to calibrate Moroccan sociality and political consciousness. Dr. Becky Schulthies is an Associate Professor of Anthropology at Rutgers, the State University of New Jersey. She is trained as a linguistic anthropologist, with areas of interest including Arabic language ideologies, graphic sensibilities, social media discourse, and, more recently, human- plant semiotic ideologies. She has previously coedited, with Donna Lee Bowen and Evelyn Early, the third edition of Everyday Life in the Muslim Middle East (Bloomington: Indiana University Press, 2014). Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law and the environment across the Western Indian Ocean. He can be reached by email at [email protected] or on Twitter @Ahmed_Yaqoub. Fatima Tariq co-hosted the episode. She is a masters' student in Near Eastern Studies at NYU. Fatima is interested in translation studies, Arabic pedagogy, and decolonial thought. She is an ambivalent linguistic anthropologist and an aspiring Arabic-English literary translator. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Forms, Formats and the Circulation of Knowledge: British Printscape’s Innovations, 1688-1832 (Brill, 2020) explores the printscape – the mental mapping of knowledge in all its printed shapes – to chart the British networks of publishers, printers, copyright-holders, readers and authors. This transdisciplinary volume skilfully recovers innovations and practices in the book trade between 1688 and 1832. It investigates how print circulated information in a multitude of sizes and media, through an evolving framework of transactions. The authority of print is demonstrated by studies of prospectuses, blank forms, periodicals, pamphlets, globes, games and ephemera, uniquely gathered in eleven essays engaging in legal, economic, literary, and historical methodologies. The tight focus on material format reappraises a disorderly market accommodating a widening audience consumption. Louisiane Ferlier, Ph.D. (2012, Université Paris Diderot), is the Digital Resources Manager at Centre for the History of Science at the Royal Society. She has published articles on John Wallis, the Bodleian Library and cross-Atlantic circulation of books. Bénédicte Miyamoto, Ph.D. (2011, Université Paris Diderot), is Associate Professor of British History at Université Sorbonne Nouvelle – Paris 3. She has published on eighteenth-century drawing manuals, sales catalogues and art markets. Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King’s College London. She tweets at @timetravelallie. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Welcome to The Academic Life. You are smart and capable, but you aren’t an island, and neither are we. So we reached across our mentor network to bring you podcasts on everything from how to finish that project, to how to care for your beautiful mind. Wish we’d bring in an expert about something? Email us at [email protected] or [email protected]. Find us on Twitter: The Academic Life @AcademicLifeNBN. In this episode you’ll hear: differences between trade books and monographs, how to translate academic scholarship for wider audiences, risks and rewards of writing for trade, and trade books as a means to address justice issues related to access to knowledge and audience hierarchies. Our guest is: Dr. Donna Freitas, a longtime researcher and scholar on topics related to sex on campus, Title IX, and sexual assault. She has spoken about her work at more than 200 colleges and universities across the United States. Donna is also the author of many books, both fiction and nonfiction, among them, Consent on Campus: A Manifesto (Oxford University Press) and Consent: A Memoir of Unwanted Attention (Little, Brown). She has appeared on NPR, The Today Show, and many other radio and news programs to talk about her research, and her work has been published in The New York Times, The Washington Post, and The Wall Street Journal among other places. Her novel, The Nine Lives of Rose Napolitano will be published in April 2021 by Pamela Dorman Books/Viking in over twenty countries and languages. She lives in Brooklyn. Your host is: Dr. Dana Malone, a higher ed scholar and practitioner. Dana was a follower and admirer of Donna’s work for many years and had the good fortune to connect with her in person when Donna served as a reviewer for Dana’s book, From Single to Serious (Rutgers UP). Things that make Dana’s heart happy include making delicious, healthy food, yoga, and wandering the coastline of the Jersey shore. Listeners to this episode might be interested in: Freitas, D. (2017). The Happiness Effect: How Social Media is Driving a Generation to Appear Perfect at Any Cost. Oxford University Press. Freitas, D. (2010). Sex and the Soul: Juggling Sexuality, Spirituality, Romance, and Religion on America’s College Campus. Oxford University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Nerdfighteria started over a decade ago by brothers Hank and John Green who decided to provide literacy themed programming on their website and YouTube channel. With almost three million members, Nerdfighteria is more than just a space for fans to talk about the work of John Green and other young adult authors. In her new book, Narratives, Nerd Fighters, and New Media (University of Iowa Press, 2020), Jennifer Burek Pierce explores the ways the media platforms created by the Green brothers have become spaces for fans to not only learn about the writing of John Green, and more recently his brother Hank as well, but to also share their own fan art and make connections with one another. Burek Pierce examines the ways in which readers use videos and other activities to engage authors and other readers. Nerdfighters are readers and Burek Pierce's work examines not only the online community they have created, but how this community tells us about reading in the digital age. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The name Cancún brings to mind tourism, resorts, beaches, sun, and fun. In her book, Stuck With Tourism: Space, Power, and Labor in Contemporary Yucatan (University of California Press, 2020), Matilde Córdoba Azcárate reveals the processes of labor, extraction, and reorganization that make places such as Cancún a tourism site. Dr. Azcárate examines four tourist sites across the Mexican Yucatán Peninsula, including resorts in Cancún and Temozón, a nature preserve in Celestún, and guayabera shirt production in Tekit. She documents the ways in which tourism rearranges space in a given local in order to produce the experiences that tourists seek. Attention to labor shows how workers get stuck with tourism as a source of economic support in that it provides a wage on which to live. Yet, at the same time such work takes its toll on the body and limits the ability to imagine alternative futures. Tourism has come to act as a form of development that appears to have no way out, thus leaving us stuck with it as a means of travel as well as a means of subsistence. Azcárate moves beyond understanding tourism as an experience or a site of consumption, to demonstrate that tourism instills its own ordering processes around space and labor that operate to commodify nature, experiences, styles, and people in order to produce leisure for the few. This book would be of interest to those in Anthropology, Communication studies, Tourism studies, Labor Studies, and Latin American Studies. Matilde Córdoba Azcárate is an Assistant Professor in the Department of Communication at the University of California, San Diego. Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Ben-Hur (1959), Jaws (1975), Avatar (2009), Wonder Woman (2017): the blockbuster movie has held a dominant position in American popular culture for decades. In American Blockbuster: Movies, Technology, and Wonder (Duke University Press, 2020), Charles R. Acland charts the origins, impact, and dynamics of this most visible, entertaining, and disparaged cultural form. Acland narrates how blockbusters emerged from Hollywood's turn to a hit-driven focus during the industry's business crisis in the 1950s. Movies became bigger, louder, and more spectacular. They also became prototypes for ideas and commodities associated with the future of technology and culture, accelerating the prominence of technological innovation in modern American life. Acland shows that blockbusters continue to be more than just movies; they are industrial strategies and complex cultural machines designed to normalize the ideologies of our technological age. Charles R. Acland is Distinguished University Research Professor of Communication Studies at Concordia University, Montreal. He is the author of Swift Viewing: The Popular Life of Subliminal Influence and Screen Traffic: Movies, Multiplexes, and Global Culture, and coeditor of Useful Cinema, all also published by Duke University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Welcome to The Academic Life. You are smart and capable, but you aren’t an island, and neither are we. So we reached across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring in an expert about something? Email us at [email protected] or [email protected]. Find us on Twitter: The Academic Life @AcademicLifeNBN. In this episode you’ll hear: an overview of the publishing process (from the author side), what makes a strong proposal, common mistakes to avoid when approaching a university press, and advice for both aspiring and seasoned authors. Our guest is: Kimberly Guinta, Editorial Director at Rutgers University Press. In addition to managing the editorial program for the press, she is responsible for acquiring books in the areas of Anthropology, Women’s and Gender Studies, and Caribbean and Latin American Studies. Kim arrived at Rutgers University Press in 2015 from Routledge, where she spent 15 years acquiring in U.S. and Latin American History. Your host is: Dr. Dana Malone, a higher ed scholar and practitioner. She specializes in relationships, gender, sexuality, and religious identities as well as assessment planning. Dana met Kim Guinta in 2015 when Kim served as the acquiring editor for Dana’s book, From Single to Serious. Things that make Dana’s heart happy include making delicious, healthy food, doing yoga, having inspiring conversations, and wandering the coastline of the Jersey shore. Listeners to this episode might be interested in: Ask UP Publishing programs in NYC: Pace University NYU Columbia Rachel Toor, The Chronicle of Higher Education, columns on publishing From Dissertation to Book (2nd ed.) by William Germano Getting it Published: A Guide for Scholars and Anyone Else Serious about Serious Books (3rd ed.) by William Germano Revising Your Dissertation: Advice from Leading Editors (updated ed.) by Beth Luey Handbook for Academic Authors (5th ed.) by Beth Luey Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Pleasure in the News: African American Readership and Sexuality in the Black Press (University of Illinois Press, 2020), Dr. Kim Gallon examines how Black newspaper editors and journalists created and fostered Black sexual publics during the 1920s and 1930s. She demonstrates that editors strategically elected to publish stories about marital scandals, divorces, homosexuality, and gender non-conformity, imagining that this coverage was a source of pleasure and debate for Black readers. Gallon argues that this editorial practice actually exposed class, gender, and sexuality divisions between different groups of African Americans. At the same time, this coverage revealed the tenuous position of lesbians, gay men, and female impersonators in a public sphere that sometimes silenced and marginalized their voices. Along with advancing racial solidarity, which Gallon takes as the Black presses’ starting point, the press revealed the diversity of Black people and created a discursive space in which sexual knowledge was produced, debated, and enjoyed. To learn more about Professor Gallon’s digital scholarship and stay informed about how her work is meeting the demands of our moment, follow @BlackDigitalHum and @COVIDBlk on Twitter. Amanda Joyce Hall is a Ph.D. Candidate in History and African American Studies at Yale University. She is writing an international history on the global movement against South African apartheid during the 1970s and 1980s. She tweets from @amandajoycehall. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Living in an age awash with information can sometimes obscure its extraordinary fragility. Indeed, as Richard Ovenden demonstrates in Burning the Books: A History of the Deliberate Destruction of Knowledge (Harvard University Press, 2020), the burning of books and the looting of archives has long been a tool for controlling access to information and the power that it offers. Many rulers throughout history have deliberately targeted libraries and archives for plundering and destruction, knowing that doing so limits the ability of their victims to benefit from the knowledge therein. Ordinary individuals have often engaged in similar actions on a smaller scale in an attempt to control public perceptions of themselves and how they will be remembered. Ovenden shows how these efforts highlight the role that libraries and archives have long served in society, both as repositories of information and as institutions that work to ensure that knowledge and the power that comes from it is available to everyone and not just the few who seek to limit it for their own benefit. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Sharon Marcus’s new book, The Drama of Celebrity (Princeton UP, 2020), sets out to help us understand celebrity culture and how it has shifted and evolved since its contemporary inception in the early 1800s. Marcus highlights the celebrity concept throughout western history, indicating some of the same dynamics at work in classical Greece that we see in our current popular culture landscape. This culture has three components that are generally all present in some form: the celebrities themselves, who may achieve that role through some form of performance or other attention-generating experience or event, a media of some kind (radio, newspaper, magazines, social media) that focuses attention on individual celebrities, and the fans or citizens who engage with the celebrities. Marcus delineates this “three-legged stool” of celebrity culture and notes that while aspects of it have changed over the years—especially the form of media—the structure and foundation continues to operate as an interactive ecosystem. Marcus opens up her tracing of this culture with Sarah Bernhardt, who embodied a kind of prototype of what we see and consider modern celebrity culture. With Bernhardt as an iconic example as well as a Virgil-like guide, Marcus explores contemporary celebrity, and also the critique of celebrity, asking the question of how we should understand these phenomena in the age of Trump, both in the United States and elsewhere. The Drama of Celebrity also dives into the racial and gender dynamics that have long been at work in the value placed on those who achieve fame and celebrity status. Without shifting the thesis to focus only on the role of gender and celebrity, Marcus teases out the dichotomous approach to male celebrity and female celebrity, and the different standards that are applied to both the individual celebrity themselves and their fans. As we move through different media and different performative formats that promote or garner an individual fame and celebrity, Marcus also compels the reader to consider the opposing ideas of American individualism and the production of mass culture, and how these antithetical dimensions are united within celebrity culture. This is a fascinating examination of the idea and the mechanics of celebrity and will be of interest to a broad array of readers. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

It comes as little surprise that Hollywood films have traditionally stereotyped Arab Americans, but how are Arab Americans portrayed in Arab films, and just as importantly, how are they portrayed in the works of Arab American filmmakers themselves? In Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation (Syracuse University Press, 2020), Waleed F. Mahdi offers a comparative analysis of three cinemas, yielding rich insights on the layers of representation and the ways in which those representations are challenged and disrupted. Hollywood films have fostered reductive imagery of Arab Americans since the 1970s as either a national security threat or a foreign policy concern, while Egyptian filmmakers have used polarizing images of Arab Americans since the 1990s to convey their nationalist critiques of the United States. Both portrayals are rooted in anxieties around globalization, migration, and US-Arab geopolitics. In contrast, Arab American cinema provides a more complex, realistic, and fluid representation of Arab American citizenship and the nuances of a transnational identity. Exploring a wide variety of films from each cinematic site, Mahdi traces the competing narratives of Arab American belonging—how and why they vary, and what’s at stake in their circulation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Edward Wilson-Lee's book A Catalogue of Shipwrecked Books: Christopher Columbus, His Son, and the Quest to Build the World’s Greatest Library (Scribner, 2018) details the life of Hernando Colón as he sailed with his father, Christopher Columbus, on Columbus’s final voyage to the New World, which was a journey of disaster, bloody mutiny, and shipwreck. After Columbus’s death in 1506, eighteen-year-old Hernando sought to continue—and surpass—his father’s campaign to explore the boundaries of the known world by building a library to collect everything ever printed. Colon’s library was a vast holding organized by summaries and catalogues—which was really the very first database for exploring a diversity of written matter. Hernando traveled extensively and obsessively amassed his collection based on the groundbreaking conviction that a library of universal knowledge should include “all books, in all languages and on all subjects,” even material often dismissed. The loss of part of his collection to another maritime disaster in 1522 set off the final scramble to complete this sublime project, and such was a race against time in realizing a vision of near-impossible perfection. Dr. Edward Wilson-Lee teaches early modern literature, Shakespeare, and medieval literature for University of Cambridge’s Sidney Sussex College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications