New Books in Communications

In the early 2000s, mainstream international news outlets celebrated the growth of Weblogistan—the online and real-life transnational network of Iranian bloggers—and depicted it as a liberatory site that gave voice to Iranians. As Sima Shakhsari argues in Politics of Rightful Killing: Civil Society, Gender, and Sexuality in Weblogistan (Duke UP, 2020), the common assumptions of Weblogistan as a site of civil society consensus and resistance to state oppression belie its deep internal conflicts. While Weblogistan was an effective venue for some Iranians to “practice democracy,” it served as a valuable site for the United States to surveil bloggers and express anti-Iranian sentiment and policies. At the same time, bloggers used the network to self-police and enforce gender and sexuality norms based on Western liberal values in ways that unwittingly undermined Weblogistan's claims of democratic participation. In this way, Weblogistan became a site of cybergovernmentality, where biopolitical security regimes disciplined and regulated populations. Analyzing online and off-line ethnography, Shakhsari provides an account of digital citizenship that raises questions about the internet's relationship to political engagement, militarism, and democracy. Sima Shakhsari is Associate Professor in the Department of Gender, Women & Sexualities Studies at the University of Minnesota. They are interested in transnational feminist theory, transnational sexuality studies, non-Eurocentric queer and transgender studies, Middle East studies, empire, militarism, neoliberal governmentality, biopolitics, digital media, refugees, diasporas, and political anthropology. They earned their PhD in Cultural and Social Anthropology at Stanford University and have held postdoctoral positions at the University of Pennsylvania’s Wolf Humanities Center and the Women’s and Gender Studies Department at the University of Houston. Before joining UMN, they were Assistant Professor of Gender, Sexuality, and Women’s Studies at Wellesley College. Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In The Charismatic Gymnasium: Breath, Media, and Religious Revivalism in Contemporary Brazil (Duke University Press, 2021), Maria José de Abreu examines how Charismatic Catholicism in contemporary Brazil produces a new form of total power through a concatenation of the breathing body, theology, and electronic mass media. De Abreu documents a vast religious respiratory program of revival popularly branded as “the aerobics of Jesus.” Pneuma—the Greek term for air, breath, and spirit—is central to this aerobic program, whose goal is to labor on the athletic elasticity of spirit. Tracing the rhetoric, gestures, and spaces that together constitute this new theological community, de Abreu exposes the articulating forces among evangelical Christianity, neoliberal logics, and the rise of right-wing politics. By calling attention to how an ethics of pauperism vitally intersects with the neoliberal ethos of flexibility, de Abreu shows how paradoxes do not hinder but expand the Charismatic gymnasium. The result, de Abreu demonstrates, is the production of a fluid form of totalitarianism and Christianity in Brazil and beyond. Irene Promodh is a PhD student in sociocultural anthropology at the University of Michigan, Ann Arbor. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

At the New Books Network, we love university presses. So we're happy to tell you about University Press Week, the annual celebration of UPs and their important work. Today I talked to Lisa Bayer, the director of the University of Georgia Press and the president of the Association of University Presses. We discuss a lot of things--open access, business models, libraries, peer review, careers in UP publishing--all knit together by a theme, that being how UPs keep up with everything that is going on, scholarly-communications-wise. Enjoy. Marshall Poe is the founder and editor of the New Books Network. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The female form has been a fraught site of filmic meaning – of desire and violence, of sex and death – from the very beginnings of cinema. But how deep do these meanings travel? How are our understandings of gender and sexuality not the stuff of screen representation but shaped by film technology and culture as well? Published in November 2020 by Fordham University Press, Genevieve Yue’s Girl Head: Feminism and Film Materiality, “in rich archival and technical detail… examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art.” In this discussion, Dr. Yue articulates her relationship to interdisciplinary research, traces her personal journey from dissertation to book, and argues for the centrality of material culture in feminist film studies. Genevieve Yue is an assistant professor in the Department of Culture and Media and director of the Screen Studies program at Eugene Lang College, the New School. Her essays and criticism have been published in October, Grey Room, The Times Literary Supplement, Reverse Shot, Artforum.com, Film Comment, and Film Quarterly. She is also an independent film programmer and serves on the Board of Trustees for the Flaherty Film Seminar. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, Ms., and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Hate speech can happen anywhere - in Charlottesville, Virginia, where young men in khakis shouted, "Jews will not replace us"; in Myanmar, where the military used Facebook to target the Muslim Rohingya; in Cape Town, South Africa, where a pastor called on ISIS to rid South Africa of the "homosexual curse." In person or online, people wield language to attack others for their race, national origin, religion, gender, gender identity, sexual orientation, age, disability, or other aspects of identity. Caitlin Ring Carlson's Hate Speech (MIT Press, 2021) examines hate speech: what it is, and is not; its history; and efforts to address it. Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Media is usually seen as a feature of the modern world enabled by the latest technologies. Scholars, educators, parents, and politicians often talk about media as something people should be wary of due to its potential negative impact on their lives. But do we really understand what media is? In Media Is Us: Understanding Communication and Moving Beyond Blame (Rowman and Littlefield, 2021), Elizaveta Friesem argues that instead of being worried about media or blaming it for what’s going wrong in society, we should become curious about uniquely human ways we communicate with each other. Media Is Us proposes five key principles of communication that are relevant both for the modern media and for people’s age-old ways of making sense of the world. In order to understand problems of the contemporary society revealed and amplified by the latest technologies, we will have to ask difficult questions about ourselves. Where do our truths and facts come from? How can we know who is to blame for flaws of the social system? What can we change about our own everyday actions to make the world a better place? To answer these questions we will need to rethink not only the term “media” but also the concept of power. The change of perspective proposed by the book is intended to help the reader become more self-aware and also empathic towards those who choose different truths. Concluding with practical steps to build media literacy through the ACE model—from Awareness to Collaboration through Empathy—this timely book is essential for students and scholars, as well as anyone who would use the new understanding of media to decrease the current levels of cultural polarization. Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

For nine years, Stephen Colbert’s persona “Colbert”?—a Republican superhero and parody of conservative political pundits--informed audiences on current events, politics, social issues, and religion while lampooning conservative political policy, biblical literalism, and religious hypocrisy. To devout, vocal, and authoritative lay Catholics, religion is central to both the actor and his most famous character. Yet many viewers wonder, “Is Colbert a practicing Catholic in real life or is this part of his act?” This book examines the ways in which Colbert challenges perceptions of Catholicism and Catholic mores through his faith and comedy. Religion and the foibles of religious institutions have served as fodder for scores of comedians over the years. What set “Colbert” apart on his show, The Colbert Report, was that his critical observations were made more powerful and harder to ignore because he approached religious material not from the predictable stance of the irreverent secular comedian but from his position as one of the faithful. He is a Catholic celebrity who can bridge critical outsider and participating insider, neither fully reverent nor fully irreverent. Providing a digital media ethnography and rhetorical analysis of Stephen Colbert and his character from 2005 to 2014, author Stephanie N. Brehm examines the intersection between lived religion and mass media, moving from an exploration of how Catholicism shapes Colbert’s life and world towards a conversation about how “Colbert” shapes Catholicism. Brehm provides historical context by discovering how “Colbert” compares to other Catholic figures, such Don Novello, George Carlin, Louis C.K., and Jim Gaffigan, who have each presented their views of Catholicism to Americans through radio, film, and television. The last chapter provides a current glimpse of Colbert on The Late Show, where he continues to be voice for Catholicism on late night, now to an even broader audience. America’s Most Famous Catholic (According to Himself) also explores how Colbert carved space for Americans who currently define their religious lives through absence, ambivalence, and alternatives. Brehm reflects on the complexity of contemporary American Catholicism as it is lived today in the often-ignored form of Catholic multiplicity: thinking Catholics, cultural Catholics, cafeteria Catholics, and lukewarm Catholics, or what others have called Colbert Catholicism, an emphasis on the joy of religion in concert with the suffering. By examining the humor in religion, Brehm allows us to clearly see the religious elements in the work and life of comedian Stephen Colbert. Carlos Ruiz Martinez is a PhD student in the Department of Religious Studies at the University of Iowa. He is also the Communications Assistant for the American Catholic Historical Association (ACHA). His general interest is in American religious history, especially American Catholicism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Politics for the Love of Fandom: Fan-Based Citizenship in a Digital World (Louisiana State Press, 2019) examines what Ashley Hinck calls “fan-based citizenship”: civic action that blends with and arises from participation in fandom and commitment to a fan-object. Examining cases like Harry Potter fans fighting for fair trade, YouTube fans donating money to charity, and football fans volunteering to mentor local youth, Hinck argues that fan-based citizenship has created new civic practices wherein popular culture may play as large a role in generating social action as traditional political institutions such as the Democratic Party or the Catholic Church. Hinck considers the ways in which fan-based social engagement arises organically, from fan communities seeking to change their world as a group, as well as the methods creators use to leverage their fans to take social action. The modern shift to networked, fluid communities, Hinck argues, opens up opportunities for public participation that occurs outside of political parties, houses of worship, and organizations for social action. Politics for the Love of Fandom shows how fan-based citizenship performances help us understand the future possibilities of public engagement, as fans and creators alike tie the ethical frameworks of fan-objects to desired social goal, such as volunteering for political candidates, mentoring at-risk youth, and promoting environmentally friendly policy. Dr. Ashley Hinck (she/her) is Assistant Professor of Communication at Xavier University specializing in digital media, fandom, citizenship, social activism, rhetoric. Dr. Lee M. Pierce (they/them) is a rhetoric scholar and speech critic at SUNY Geneseo and host/ess of for New Books Network channels in Language and Media & Communications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In the last two decades, amid the global spread of smartphones, state killings of civilians have increasingly been captured on the cameras of both bystanders and police. Screen Shots: State Violence on Camera in Israel and Palestine (Stanford UP, 2021) studies this phenomenon from the vantage point of the Israeli occupation of Palestinian territories. Here, cameras have proliferated as political tools in the hands of a broad range of actors and institutions, including Palestinian activists, Israeli soldiers, Jewish settlers, and human rights workers. All trained their lens on Israeli state violence, propelled by a shared dream: that advances in digital photography-closer, sharper, faster-would advance their respective political agendas. Most would be let down. Drawing on ethnographic work, Rebecca L. Stein chronicles Palestinian video-activists seeking justice, Israeli soldiers laboring to perfect the military's image, and Zionist conspiracy theorists accusing Palestinians of "playing dead." Writing against techno-optimism, Stein investigates what camera dreams and disillusionment across these political divides reveal about the Israeli and Palestinian colonial present, and the shifting terms of power and struggle in the smartphone age. Mathew Gagné in an independent writer, scholar, and educator, currently teaching in the Department of Anthropology at the University of Toronto Mississauga. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In the Qing dynasty (1644-1911), China experienced far greater access to political information than suggested by the blunt measures of control and censorship employed by modern Chinese regimes. A tenuous partnership between the court and the dynamic commercial publishing enterprises of late imperial China enabled the publication of gazettes in a wide range of print and manuscript formats. For both domestic and foreign readers these official gazettes offered vital information about the Qing state and its activities, transmitting state news across a vast empire and beyond. And the most essential window onto Qing politics was the Peking Gazette, a genre that circulated globally over the course of the dynasty. The Peking Gazette in Late Imperial China: State News and Political Authority (U Washington Press, 2021) presents a comprehensive history of the Peking Gazette and frames it as the cornerstone of a Qing information policy that, paradoxically, prized both transparency and secrecy. Gazettes gave readers a glimpse into the state's inner workings but also served as a carefully curated form of public relations. Historian Emily Mokros draws from international archives to reconstruct who read the gazette and how they used it to guide their interactions with the Chinese state. Her research into the Peking Gazette's evolution over more than two centuries is essential reading for anyone interested in understanding the relationship between media, information, and state power. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Matthew Ricketson joins to discuss how newsrooms, the engine rooms of reporting, have shrunk. A generation of journalists has borne witness to seismic changes in the media and this book shares their stories as essays and narrative interviews. Names include from more than 50 Australian journalists – including Amanda Meade, David Marr and Flip Prior – Upheaval: The Great Digital Disruption in Journalism and Its Aftermath (NewSouth, 2021) reveals the highs and the lows of those who were there to see it all. Matthew takes us inside frenetic and vibrant newsrooms at the peak of their influence, and the difficulties of adapting to ever-accelerating news cycles with fewer resources. Some left journalism altogether while others stayed in the media — or sought to reinvent it. Normally the ones telling other people’s stories, in Upheaval journalists share the rawness of losing their own job or watching others lose theirs. They reveal their anxieties and hopes for the industry’s future and their commitment to reporting news that matters. Matthew Ricketson is presently the professor of communication at Deakin University, previously inaugural journalism professor at the University of Canberra between 2009 and 2017. He ran the journalism program at RMIT for 11 years, and worked on staff at The Australian and Time Australia magazine. His last news media role was Media and Communications Editor at The Age. Bede Haines is a solicitor, specialising in litigation and a partner at Holding Redlich, an Australian commercial law firm. He lives in Sydney, Australia. Known to read books, ride bikes and eat cereal (often). [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Today, journalists, legal professionals, activists, and artists challenge the state's monopoly on investigation and the production of narratives of truth. They probe corruption, human rights violations, environmental crimes, and technological domination. Organisations such as WikiLeaks, Bellingcat, or Forensic Architecture pore over open-source videos and satellite imagery to undertake visual investigations. This combination of diverse fields is what Fuller and Weizman call 'investigative aesthetics': the mobilisation of sensibilities associated with art, architecture, and other such practices in order to challenge power. Investigative Aesthetics draws on theories of knowledge, ecology and technology; evaluates the methods of citizen counter-forensics, micro-history and art. These new practices take place in the studio and the laboratory, the courtroom and the gallery, online and in the streets, as they strive towards the construction of a new common sense. Matthew Fuller and Eyal Weizman speak to Pierre d'Alancaisez about the logics behind Forensic Architecture and the evidentiary turn: the aesthetics of distributed sensing, the investigative commons, and the condition of hyperaesthesia. Matthew Fuller is a Professor of Cultural Studies at Goldsmiths, University of London. He is the author of Media Ecologies, and with Andrew Goffey, Evil Media. Eyal Weizman is the founder and director of Forensic Architecture and Professor of Spatial and Visual Cultures at Goldsmiths, University of London. He is the author of Hollow Land, The Least of All Possible Evils, and Forensic Architecture: Violence at the Threshold of Detectability. Forensic Architecture investigation archive. Investigation: The Bombing of Rafah, 2015 Investigation: The Killing of Mark Duggan, 2020 ICA London exhibiiton. Investigation: Triple-Chaser, 2019 Protests surrounding the Whitney Museum's trustee Warren Kanders' involvement with Safariland. Kanders divests from his arms production holdings. Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The documentary has achieved rising popularity over the past two decades, thanks to streaming services like Netflix and Hulu. Despite this fact, documentary studies still tends to favor works that appeal primarily to specialists and scholars. Reclaiming Popular Documentary (Indiana UP, 2021) reverses this longstanding tendency by showing that documentaries can be--and are--made for mainstream or commercial audiences. Editors Christie Milliken and Steve Anderson, who consider popular documentary to be a subfield of documentary studies, embrace an expanded definition of popular to acknowledge documentary's many evolving forms, including branded entertainment, fictional hybrids, and works with audience participation. Together, these essays address emerging documentary forms--including web-docs, virtual reality, immersive journalism, viral media, interactive docs, and video-on-demand--and offer the critical tools that viewers need in order to analyze contemporary documentaries and consider how they are persuaded by and represented in documentary media. By combining perspectives of scholars and makers, Reclaiming Popular Documentary brings new understandings and international perspectives to familiar texts using critical models that will engage media scholars and fans alike. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

From A New Hope to The Rise of Skywalker and beyond, this book offers the first complete assessment and philosophical exploration of the Star Wars universe. Lucasfilm: Filmmaking, Philosophy, and the Star Wars Universe (Bloomsbury, 2021) examines the ways in which these iconic films were shaped by global cultural mythologies and world cinema, as well as philosophical ideas from the fields of aesthetics and political theory, and now serve as a platform for public philosophy. Cyrus R. K. Patell also looks at how this ever-expanding universe of cultural products and enterprises became a global brand and asks: can a corporate entity be considered a "filmmaker and philosopher"? More than any other film franchise, Lucasfilm's Star Wars has become part of the global cultural imagination. The new generation of Lucasfilm artists is full of passionate fans of the Star Wars universe, who have now been given the chance to build on George Lucas's oeuvre. Within these pages, Patell explores what it means for films and their creators to become part of cultural history in this unprecedented way. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How have Black women lead a digital revolution? In Digital Black Feminism (NYU Press, 2021), Catherine Knight Steele, an assistant professor of communication at the University of Maryland, places digital Black feminism within the longer-term context of Black feminism and Black women’s experiences in America. The book considers examples from the Black feminist blogosphere and offers a comparative analysis of early Black feminist pioneers and key contemporary voices. Posing questions as to the dangers of commodification and the limits of the digital sphere, as well as celebrating Black feminist success, the book is essential reading across the humanities and social sciences and for anyone interested in digital life today. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Rebirth of the English Comic Strip: A Kaleidoscope, 1847-1870 (UP of Mississippi, 2021) enters deep into an era of comic history that has been entirely neglected. This buried cache of mid-Victorian graphic humor is marvelously rich in pictorial narratives of all kinds. Author David Kunzle calls this period a "rebirth" because of the preceding long hiatus in use of the new genre, since the Great Age of Caricature (c.1780-c.1820) when the comic strip was practiced as a sideline. Suddenly in 1847, a new, post-Töpffer comic strip sparks to life in Britain, mostly in periodicals, and especially in Punch, where all the best artists of the period participated, if only sporadically: Richard Doyle, John Tenniel, John Leech, Charles Keene, and George Du Maurier. Until now, this aspect of the extensive oeuvre of the well-known masters of the new journal cartoon in Punch has been almost completely ignored. Exceptionally, George Cruikshank revived just once in The Bottle, independently, the whole serious, contrasting Hogarthian picture story. Numerous comic strips and picture stories appeared in periodicals other than Punch by artists who were likewise largely ignored. Like the Punch luminaries, they adopt in semirealistic style sociopolitical subject matter easily accessible to their (lower-)middle-class readership. The topics covered in and out of Punch by these strips and graphic novels range from French enemies King Louis-Philippe and Emperor Napoleon III to farcical treatment of major historical events: the Bayeux tapestry (1848), the Great Exhibition of 1851, and the Franco-Prussian War in 1870. Artists explore a great variety of social types, occupations, and situations such as the emigrant, the tourist, fox hunting and Indian big game hunting, dueling, the forlorn lover, the student, the artist, the toothache, the burglar, the paramilitary volunteer, Darwinian animal metamorphoses, and even nightmares. In Rebirth of the English Comic Strip, Kunzle analyzes these much-neglected works down to the precocious modernist and absurdist scribbles of Marie Duval, Europe's first female professional cartoonist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Sign Language Linguistics is based on an in-depth filmed conversation between Howard Burton and renowned researcher of sign languages Carol Padden, the Sanford I. Berman Chair in Language and Human Communication at UC San Diego. This extensive conversation covers a wide range of topics related to sign language, such as growing up with ASL, Carol’s early work with Bill Stokoe, the linguistic complexity, structure and properties of ASL and other sign languages, the development of new sign languages throughout the world, the role of gesture and embodiment. Howard Burton is the founder of the Ideas Roadshow, Ideas on Film and host of the Ideas Roadshow Podcast. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The story of the American newsroom is that of modern American journalism. In The American Newsroom: A History, 1920-1960 (University of Missouri Press, 2021), Will Mari documents a time of great change and controversy in the field, one in which journalism was produced in "news factories" by news workers with dozens of different roles, and not just once a day, but hourly, using the latest technology and setting the stage for the emergence later in the century of the information economy. While newspapers have come to be seen as an integral part of American democracy, Mari's work shows that newsrooms themselves were far from democratic during this period. They were largely not available to women and people of color, and the leadership style of some editors and mangers bordered on authoritarian. Those standards shifted over the time The American Newsroom documents, thanks in part to the rise of newsroom unions, changing practices around human resources, and the continued transformation of journalism into a professional, white-collar occupation. The American Newsroom sets the stage for many of the visions of newsrooms we see in pop culture from All The President's Men to Spotlight and demonstrates how the period from 1920-1960 expanded the notions of what journalism could and should be. Will Mari is assistant professor of media history and media law at the Manship School of Mass Communication at Louisiana State University. He received his MPhil from Wolfson College, Cambridge and his Ph.D. from the University of Washington. He studies media history, media law, and especially analog-to-digital transitions and their impact on news workers. Jenna Spinelle is a journalism instructor at Penn State's Donald P. Bellisario College of Communications. She's also the communications specialist for the university's McCourtney Institute for Democracy, where she hosts and produces the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

On this episode, J.J. Mull interviews author Hannah Zeavin about her new book, The Distance Cure: A History of Teletherapy (MIT Press, 2021). Among Zeavin’s central interventions in the book is to reframe what is normally understood as the “therapeutic dyad” as always already a triad: therapist, patient, and mediating communication technology. Across the book’s chapters, she traces teletherapy’s history from Freud’s epistolary treatments to contemporary algorithmic therapies. Her account of the “distanced intimacy” characteristic of all therapeutic encounters complicates narratives of technologically mediated treatments as somehow inherently “less than.” J.J. Mull is a poet, training clinician, and fellow in the Program for Psychotherapy at Cambridge Health Alliance. Originally from the west coast, he currently lives and bikes in Somerville, MA. He can be reached at: [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Listen to this interview of Josh Schimel and Karl Ritz, Editors-in-Chief of Soil Biology and Biochemistry. We talk about the people who all scientists are, and we demonstrate why all that matters to your next submission. Karl Ritz : "It is definitely important that authors take seriously matters of text presentation and formatting. And one of the reasons, perhaps, people don't understand as to why it matters, as to why we need things in a specific format and following certain rules — the reason is that there are rules here that form the framework, and you can stick your creativity on top of that. Because if there's a consistency and coherence in the fonts and in the spacing and in the headings and in the structure of the manuscript — this makes the process for the editors and the reviewers considerably more straightforward, because then they know what they're dealing with in terms of the actual process part of the procedure versus the creative and the intellectual part of it. And if we have to mess around dealing with unusual formats or unusual colors or just a general lack of attention to formatting, then it just distracts us from being able to get to the nub of what needs to be assessed here in the manuscript." Daniel hosts Scholarly Communication, the podcast about how knowledge gets known. Email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

At the dawn of the digital era in the final decades of the twentieth century, film and media studies scholars grappled with the prospective end of what was deemed cinema: analog celluloid production, darkened public movie theaters, festival culture. The notion of the “end of cinema” had already been broached repeatedly over the course of the twentieth century—from the introduction of sound and color to the advent of television and video—and in Ends of Cinema (U Minnesota Press, 2020), contributors reinvigorate this debate to contemplate the ends, as well as directions and new beginnings, of cinema in the twenty-first century. In this volume, scholars at the forefront of film and media studies interrogate multiple potential “ends” of cinema: its goals and spaces, its relationship to postcinema, its racial dynamics and environmental implications, and its theoretical and historical conclusions. Moving beyond the predictable question of digital versus analog, the scholars gathered here rely on critical theory and historical research to consider cinema alongside its media companions: television, the gallery space, digital media, and theatrical environments. Ends of Cinema underscores the shared project of film and media studies to open up what seems closed off, and to continually reinvent approaches that seem unresponsive. Richard Grusin is director of the Center for 21st Century Studies and distinguished professor of English at the University of Wisconsin–Milwaukee. He is editor of The Nonhuman Turn, Anthropocene Feminism, and After Extinction, all published by the University of Minnesota Press. Jocelyn Szczepaniak-Gillece is associate professor of English and film studies at the University of Wisconsin–Milwaukee and author of The Optical Vacuum: Spectatorship and Modernized American Theater Architecture. Gustavo E. Gutiérrez Suárez is a MSc. in Anthropology, and BA. in Social Communication. His areas of interest include Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Listen to this interview of Elena Cotos, Director of the Center for Communication Excellence at the Graduate College (Iowa State University) and also Associate Professor in the English Department (Iowa State University). We talk about the needs of both students and faculty for training in scholarly communication, and we talk about one excellent way that those needs are being met, the Center for Communication Excellence. Elena Cotos : "When I'd begun, as a student, to write academic texts, you know, initially I'd thought it was my English that was to blame, but then I discovered I just didn't know the genre. Because, when I started, I wasn't really thinking about how a genre has certain conventions that are accepted by the disciplinary community and that are expected by the readership in a field—and not only in just a field, but across fields, because conventions are also cross-disciplinary. And this is what I discovered through my research. This is what I uncovered when I looked at multiple disciplines and saw that really they do share communicative goals, and that really they do use very similar sets of rhetorical strategies when they build their scientific arguments. So, I was a bit mistaken to think that the problem was my English, because it's really more about genre knowledge than about English-language proficiency." Danie Sheal hosts Scholarly Communication, the podcast about how knowledge gets known. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

For decades, lesbian feminists across the United States and Canada have created information to build movements and survive in a world that doesn't want them. In Information Activism: A Queer History of Lesbian Media Technologies (Duke UP, 2020), Cait McKinney traces how these women developed communication networks, databases, and digital archives that formed the foundation for their work. Often learning on the fly and using everything from index cards to computers, these activists brought people and their visions of justice together to organize, store, and provide access to information. Focusing on the transition from paper to digital-based archival techniques from the 1970s to the present, McKinney shows how media technologies animate the collective and unspectacular labor that sustains social movements, including their antiracist and trans-inclusive endeavors. By bringing sexuality studies to bear on media history, McKinney demonstrates how groups with precarious access to control over information create their own innovative and resourceful techniques for generating and sharing knowledge. Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

When Google announced that it planned to digitize books to make the world's knowledge accessible to all, questions were raised about the roles and responsibilities of libraries, the rights of authors and publishers, and whether a powerful corporation should be the conveyor of such a fundamental public good. Along Came Google: A History of Library Digitization (Princeton University Press, 2021) traces the history of Google's book digitization project and its implications for us today. In this conversation, we hear from Roger Schonfeld about, not just the history of book digitization, but the dynamic and intricate relationships amongst libraries, publishers, and technology corporations. In addition, we talk about the ongoing conversations and community-lead projects that hint at what the future of book and scholarship digitization could look like. Sarah Kearns (@annotated_sci) reads about scholarship, the sciences, and philosophy, and is likely over-caffeinated. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Perspectives on Mass Communication is based on an in-depth filmed conversation between Howard Burton and Denis McQuail (1935-2017), who was Emeritus Professor at the University of Amsterdam and Visiting Professor at the University of Southampton. He is widely considered to be one of the most influential scholars in the history of mass communication studies. This wide-ranging conversation provides detailed insights into how examining the media, and in particular mass media, necessarily involves a careful, probing look at our societal values; the concepts, metrics and ideas that McQuail developed to measure the sociological influence of the media; the critical role of journalism in society and more. Howard Burton is the founder of the Ideas Roadshow, Ideas on Film and host of the Ideas Roadshow Podcast. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

We are tethered to our devices all day, every day, leaving data trails of our searches, posts, clicks, and communications. Meanwhile, governments and businesses collect our data and use it to monitor us without our knowledge. So we have resigned ourselves to the belief that privacy is hard--choosing to believe that websites do not share our information, for example, and declaring that we have nothing to hide anyway. In Privacy Is Hard and Seven Other Myths: Achieving Privacy Through Careful Design (MIT Press, 2021), a computer privacy and security expert argues that privacy is not that hard if we build it into the design of systems from the start. Along the way, Jaap-Henk Hoepman debunks eight persistent myths surrounding computer privacy. The website that claims it doesn't collect personal data, for example; Hoepman explains that most data is personal, capturing location, preferences, and other information. You don't have anything to hide? There's nothing wrong with wanting to keep personal information--even if it's not incriminating or embarrassing--private. Hoepman shows that just as technology can be used to invade our privacy, it can be used to protect it, when we apply privacy by design. Hoepman suggests technical fixes, discussing pseudonyms, leaky design, encryption, metadata, and the benefits of keeping your data local (on your own device only), and outlines privacy design strategies that system designers can apply now. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What is the impact of Internet technology communication in China? How do Chinese people view "privacy" differently from the western perspective? How is the newly passed China's Personal Information Protection Law going to impact people's lives? In a conversation with Joanne Kuai, a visiting PhD Candidate at the Nordic Institute of Asian Studies, Elaine Yuan, an Associate Professor in the Department of Communication at the University of Illinois, Chicago, talks about her recent book, The Web of Meaning: the Internet in a Changing Chinese Society (University of Toronto Press, 2021). Elaine Yuan's research focuses on how new and emerging forms of communication mediate various social institutions and relations. She has extensively researched the subjects of network and mobile communication, social media, digital infrastructure, and cultural change processes. Her latest book examines the role of the Internet as symbolic fields for reproducing the cultural practices of privacy, nationalism, and the network market in China. Through three empirical cases – online privacy, cyber-nationalism, and the network market – the book traces how different social actors negotiate the practices, social relations, and power structures that define these evolving institutions in Chinese society. Examining rich user-generated social media data with innovative methods such as semantic network analysis and topic modelling, The Web of Meaning provides a solid empirical base to critique for critiquing the power relationships embedded in Chinese society's very fibre. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. About NIAS: www.nias.ku.dk Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Films about chainsaw killers, demonic possession, and ghostly intruders. Screaming audiences with sleepless nights or sweat-drenched nightmares in their immediate future. Presumably, almost everybody has experience with horror films. Some people would even characterize themselves as horror fans. But what about the others—the ones who are curious about horror films, but also very, very nervous about them? In A Very Nervous Person's Guide to Horror Movies (Oxford University Press, 2021), Mathias Clasen, Associate Professor of Literature and Media Studies at Aarhus University, delves into the science of horror cinema in an attempt to address common concerns about the genre. He also asks whether horror films can be a force for good—do horror films have health benefits, can they be aesthetically and morally valuable, and might they even have therapeutic psychological and cultural effects? The book addresses these questions in short, readable chapters, peppered with vivid anecdotes and examples and supported by scientific findings. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

When Sarah Nannery got her first job at a small nonprofit, she thought she knew exactly what it would take to advance. But soon she realized that even with hard work and conscientiousness, she was missing key meanings and messages embedded in her colleagues' everyday requests, feedback, and praise. She had long realized her brain operated differently than others, but now she knew for sure: she had Autism Spectrum Disorder (ASD). With help from her neurotypical partner--now husband--Larry, mostly in frantic IM chats, Sarah rose to Director of Development at one of the world's largest nonprofits. Together they have tackled challenges in how Sarah navigates personal and professional relationships, how they navigate marriage and parenthood, all of which are differently challenging for someone with ASD. But she wonders, at times, how life would be different if she'd had to figure it all out herself. So, in What to Say Next, she offers advice, empathy, and straightforward strategies from her own tool-kit--not only for others who see the world differently, but for their families, partners and colleagues. In What to Say Next: Successful Communication in Work, Life, and Love—with Autism Spectrum Disorder (Simon and Schuster, 2021), Sarah breaks down everyday situations--the chat in the break room, the last-minute meeting, the unexpected run-in--in granular detail, explaining not only how to understand the goals of others, but also how to frame your own. Larry adds his thoughts from a neurotypical perspective, sharing what was going on in his brain and how he learned to listen and enlighten, while supporting and maintaining Sarah's voice. At a time when more and more people are being diagnosed with ASD--especially women and girls--this book tells important truths about what it takes to make it in a neurotypical world, and still be true to yourself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Mary (Molly) Scudder, Assistant Professor of Political Science at Purdue University, has a new book that focuses on an incredibly timely issue: how do citizens with deep and conflicting differences come together to foster democratic life? Part of the answer, according to Scudder, is by pursuing the political power of listening. In her book, Beyond Empathy and Inclusion: The Challenge of Listening in Democratic Deliberation (Oxford UP, 2020), Scudder examines a listening-based approach that moves a step further than previous empathy-based approaches within public and political conversation. This emphasis, on refining and engaging the capacity to listen, weaves together aspects of different dimensions of our understanding of democracy, building on the theoretical approaches to democracy to explore how listening to opposing ideas is particularly important in developing public policy. As the title of the book indicates, Scudder’s thinking suggests that empathy and inclusion, while important, are insufficient tools to bridge opposing viewpoints and differences. Communication and debate amongst citizens, or deliberation, are essential components of democratic citizenship. Without forms of listening, actually hearing, and taking in differing positions and ideas, democracy cannot really function as established. The importance is in the act of listening. Scudder defends this position by explaining the results and limitations to incorporating an empathy-based approach to politics and how this can further drive a wedge between differing groups and identities. An empathic approach to deliberative democracy is important in understanding or putting oneself in another’s shoes, in understanding the position of other citizens. The difficulty that Scudder notes regarding empathy is that it may demobilize citizens, moving them away from political engagement. Beyond Empathy and Inclusion examines how we act in listening, if we are actively or performatively listening, we are giving legitimacy to the opinions and ideas of others, even if we continue to disagree with them. This is a listening-based approach to political engagement in democracy that promotes both inclusion and uptake. Uptake, as defined in Beyond Empathy and Inclusion, is a concept which can empirically measure the effectiveness in and of listening. Finally, Scudder puts her ideas and theories to work in politics with a practical evaluation regarding the currently polarized political climate and the capacity to listen to opposing ideas. Disagreement is acceptable and expected, but the various positions need to be heard—this is how both the form of government itself, democracy, and the institutional outcomes, the policies and laws, will all maintain legitimacy. Scudder presents a political work that engages with current citizen deliberation while also giving her readers the ability to improve their own skills to better contribute to public and political life within American democracy. Shaina Boldt assisted with the production of this podcast. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Movies open a window into our collective soul. In Screen Captures: Film in the Age of Emergency (New Star Books, 2021), Stephen Lee Naish guides us through recent cinematic phenomena that reflect/refract our contemporary political existence. Stephen Lee Naish is a writer, independent researcher, and cultural critic. He is the author of several books on film, politics, music, and pop culture. He lives in Kingston, Ontario. He has appeared on the New Books Network three times for previous books: Create of Die: Essays on the Artistry of Dennis Hopper (2016), Deconstructing Dirty Dancing (2017), Riffs and Meaning (2018) From Star Wars-scope blockbusters and Hollywood coming-of-age comedies to independent horror productions, Naish draws out the ways these movies shape, and are shaped by, their audience's own dissatisfactions. In his discussion of the Star Wars franchise, Naish highlights a conflict between internet discussion-fueled fandom vs the Disney Empire that shares features with the ongoing rebellions depicted in the films themselves. A passionate fan base who can now voice their discontent via the internet is feeding back into the studio's agenda and criticizing the actions of characters within the film and the actors alike. Chapters on the super-heroes genre and disaster movies draw out the climate-based social tensions these reflect. Depictions of masculinity ("Men on the Verge of a Nervous Breakdown") on screens large and small bleed into discussions of the work and presence of Nicholas Cage, David Lynch, and Dennis Hopper -- with a side-excursion into Valerie Solanas's strikingly prescient SCUM Manifesto. Stephen Lee Naish's Screen Captures adds a sharpening filter to the film-goer's experience on the big and little screen. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The new collection, Perspectives on Crazy Ex-Girlfriend: Nuanced Postnetwork Television (Syracuse University Press, 2021) by Amanda Konkle and Charles Burnetts explores the hit series with an off-putting title and a decidedly retrograde premise. The CW dramedy Crazy Ex-Girlfriend is a surprising choice for critical analysis. But, loyal viewers quickly came to appreciate the show’s sharp cultural critique through masterful parody, and this strategy has made it a critical darling and earned it several awards throughout its run. In ways not often seen on traditional network television, the show transcends conventional genre boundaries—the Hollywood musical, the romantic comedy, the music video—while resisting stereotypes associated with contemporary life. The essays in this collection underscore the show’s ability to distinguish itself within the current television market. Focusing on themes of feminism, gender identity, and mental health, contributors explore the ways in which the show challenged viewer expectations, as well as the role television critics play in identifying a show’s “authenticity” or quality. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Pants on Fire: On Lying in Politics is based on an in-depth filmed conversation between Howard Burton and renowned intellectual historian Martin Jay, UC Berkeley. A thought-provoking book in dialogue format examining Martin Jay’s extensive research on lying in politics from Plato and St. Augustine to Hannah Arendt and Leo Strauss which culminated in his book The Virtues of Mendacity. Howard Burton is the founder of the Ideas Roadshow, Ideas on Film and host of the Ideas Roadshow Podcast. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Language Ungoverned: Indonesia's Chinese Print Entrepreneurs, 1911–1949 (Cornell UP, 2021) explores a fascinating archive of Sino-Malay texts – writings produced by the Chinese community in the Malay language – in Indonesia. It demonstrates the myriad ways in which the ethnic Chinese in Indonesia resorted to the press for their education, legal and medical advice, conflict resolution, and entertainment. Deftly depicting the linguistic choices made by these print entrepreneurs, Tom G. Hoogervorst paints a rich portrait of the social life of this community as well as the articulation of their aspirations, anxieties and concerns that were expressed in creative use of multiple languages. This vernacular press brought Chinese-inflected Malay to the fore as the language of popular culture and everyday life, subverting the official Malay of the Dutch authorities. Through his readings of Sino-Malay print culture published between the 1910s and 1940s, Hoogervorst highlights the inherent value of this vernacular Malay as a language of the people. In this episode, we discuss the joys of reading for its own sake, distinctions between vernacular and standardized Malay, migrant experiences in language use and the importance of asking good questions when tackling corpuses of texts in the digital humanities. Tom G. Hoogervorst is a researcher at the Royal Netherlands Institute of Southeast Asian and Caribbean Studies (KITLV). He is a historical linguist whose interests center on the Indian Ocean World and the author of Southeast Asia in the Ancient Indian Ocean World. Faizah Zakaria is assistant professor of history at Nanyang Technological University in Singapore. You can find her website at www.faizahzak.com or reach her on Twitter @laurelinarien. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What's it like to cover Donald Trump? In this episode, veteran American journalist Allen Salkin explains. For over three decades, Salkin has written about many things for many high-profile publications, including The New York Post, The New York Times, The Los Angeles Times, The Atlantic and others. He is also the author of a number of well-received books: Festivus: The Holiday for the Rest of Us (2008); From Scratch: The Uncensored History of the Food Network (2014); and most recently The Method to the Madness: How Donald Trump Went from Penthouse to White House in Fifteen Years--An Oral History written with political reporter Aaron Short in 2018. In this episode, we are discussing his 2019 Los Angeles Magazine piece The Biggest Loser: Why Donald Trump Couldn’t Hack It in Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Home Press is a tiny local publishing house and press in Tel Aviv Jaffa. Uri Yoeli and Nana Ariel, a couple, established it in their apartment in 2019. The Home Press booklets are thin, hand-sewn with needle and thread, printed in small, numbered editions, and as opposed to bibliophilic books - cheaply produced and sold. They vary from prose and poetry to history and artist books. Home Press is an independent venture, inspired by the history of self publishing, but not nostalgic. It is a local, ecological home for books, largely detached from the book market, fueled by love for words, books and people. Nana Ariel is a writer, a researcher and a teacher. She teaches rhetoric at Tel Aviv University, formerly a visiting scholar at Harvard University. She published articles in international magazines, and is the author of books in Hebrew, including: “Manifestos: Restless Writing on the Brink of the 21st Century”, and the children’s book “The Most Boring Book in the World”. Uri Yoeli is a writer, independent historian and a highschool teacher. He is the author of several books in Hebrew, including “We Need to Talk about the Rabbi: A Story of a Little Street between Jaffa and Tel-Aviv”, and “The Voice of Thunder: Notes and Stories in First Person”. Dr. Yakir Englander is the National Director of Leadership programs at the Israeli-American Council. He also teaches at the AJR. He can be reached at: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What is image-based abuse? Why has it been on the rise in Asia, especially amid the Covid-19 pandemic? What has been done to tackle the issue? Raquel Carvalho, Asia Correspondent for the South China Morning Post, shares the story of how a group of journalists across some Asian newsrooms collaborated in a months-long investigation and uncover the stories inside the online groups spreading stolen sexual images of women and children, how the victims are struggling to have such content removed from online platforms, and how sextortion syndicates in Asia and Africa are raking in millions from targets around the world. In a conversation with Joanne Kuai, a visiting PhD Candidate at the Nordic Institute of Asian Studies, the Portuguese journalist currently based in Hong Kong tells about why the cases of women threatened with the release of their intimate photos or videos have increased in recent years, how this type of abuse tears the victims’ lives apart, and how ill-equipped authorities are struggling to deal with the cases. Advocates and survivors say too little is being done to stop the abuse. While the cases proliferated in countries such as Singapore, Malaysia, and South Korea, some women – and a few men – have decided to take action. The SCMP’s series of stories on image-based abuse is supported by the Judith Neilson Institute’s Asian Stories project, in collaboration with The Korea Times, Indonesia’s Tempo magazine, the Philippine Center for Investigative Journalism, and Manila-based ABS-CBN. Most of Raquel Carvalho’s investigative and in-depth stories have been focused on human rights, cross-border security, illicit trade and corruption. She was previously the chief reporter at a Portuguese daily newspaper in Macau, where she moved to from Europe in 2008. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast About NIAS: www.nias.ku.dk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Over the past 15 years, journalism has experienced a rapid proliferation of data about online reader behavior in the form of web metrics. These newsroom metrics influence which stories are written, how news is promoted, and which journalists get hired and fired. Some argue that metrics help journalists better serve their audiences. Others worry that metrics are the contemporary equivalent of a stopwatch-wielding factory manager. In All the News That's Fit to Click: How Metrics Are Transforming the Work of Journalists (Princeton UP 2021), Caitlin Petre offers a rare behind-the-scenes look at how metrics are reshaping the work of journalism. The book is based on Petre's interviews and ethnographic observations at Chartbeat, Gawker, and the New York Times. Across the organizations, she finds that newsroom metrics are a powerful form of managerial surveillance and discipline. However, unlike the manager's stopwatch that preceded them, digital metrics are designed to gain the trust of wary journalists by providing a habit-forming user experience that mimics key features of addictive games. She details how metrics intersect with newsroom hierarchies and norms, as well as how their ambiguity leads to seemingly arbitrary interpretations of success. As performance analytics spread to virtually every professional field, Petre's findings speak to the future of expertise and labor relations in contexts far beyond journalism. Caitlin Petre is an assistant professor of journalism and media studies at Rutgers University. Jenna Spinelle is an instructor in the Donald P. Bellisario College of Communications at Penn State and host of the Democracy Works podcast. Jenna Spinelle is a journalism instructor at Penn State's Donald P. Bellisario College of Communications. She's also the communications specialist for the university's McCourtney Institute for Democracy, where she hosts and produces the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In The Cultural Impact of RuPaul's Drag Race: Why are we all Gagging? (Intellect, 2021) Cameron Crookston has compiled chapters from scholars in theatre and performance studies, English literature, cultural anthropology, media studies, linguistics, sociology, and marketing. The collection analyzes the global impact of RuPaul's drag race on local, live cultures, fan cultures, queer representation, and the very fabric of drag as an art form in popular cultural consciousness. The collection goes beyond the mere analysis of the show itself and examines the profound effect that RuPaul's Drag Race has had on the cultures that surround it: audience cultures, economics, branding, queer politics, and all points in between. What was once a cult show marketed primarily to gay men, Drag Race has drawn both praise and criticism for its ability to market itself to broader, straighter, and increasingly younger fans. The show's depiction of drag as both a celebrated form of entertainment and as a potentially lucrative career path has created an explosion of aspiring queens in unprecedented numbers and had far-reaching impacts on drag as both an art form and a career. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Until the recent political shift pushed workers back into the media spotlight, the mainstream media had largely ignored this significant part of American society in favor of the moneyed upscale consumer for more than four decades. Christopher R. Martin now reveals why and how the media lost sight of the American working class and the effects of it doing so. The damning indictment of the mainstream media that flows through No Longer Newsworthy: How the Mainstream Media Abandoned the Working Class (Cornell UP, 2019) is a wakeup call about the critical role of the media in telling news stories about labor unions, workers, and working-class readers. As Martin charts the decline of labor reporting from the late 1960s onwards, he reveals the shift in news coverage as the mainstream media abandoned labor in favor of consumer and business interests. When newspapers, especially, wrote off working-class readers as useless for their business model, the American worker became invisible. In No Longer Newsworthy, Martin covers this shift in focus, the loss of political voice for the working class, and the emergence of a more conservative media in the form of Christian television, talk radio, Fox News, and conservative websites. Now, with our fractured society and news media, Martin offers the mainstream media recommendations for how to push back against right-wing media and once again embrace the working class as critical to its audience and its democratic function. Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Beyond Conversation: Collaboration and the Production of Writing (Utah State UP, 2021), William Duffy revives the topic and connects it to the growing interest in collaboration within digital and materialist rhetoric to demonstrate that not only do the theory, pedagogy, and practice of collaboration need more study but there is also much to be learned from the doing of collaboration. Our conversation focuses on the processes that remain elusive during a collaborative project (and thus are difficult to teach in a classroom or recognized by the academic ecosystem), the risky accounts that live alongside collaborations, and a few ideas to think about and apply the next time you collaborate. Sarah Kearns (@annotated_sci) is an acquisition editor for an open scholarship publishing platform, a freelance science writer, and loves baking bread. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

During the independence era in Mexico, individuals and factions of all stripes embraced the printing press as a key weapon in the broad struggle for political power. In Ink under the Fingernails: Printing Politics in Nineteenth-century Mexico (University of California Press, 2021) historian Corinna Zeltsman takes readers into the printing shops, government offices, courtrooms, and streets of Mexico City, and reconstructs the practical negotiations and discursive contests that surrounded print over a century of political transformation, from the late colonial era to the Mexican Revolution. Centering the diverse communities that worked behind the scenes at urban presses and examining their social practices and aspirations, Zeltsman explores how printer interactions with state and religious authorities shaped broader debates about press freedom and authorship. Beautifully crafted and ambitious in scope, Ink under the Fingernails sheds new light on Mexico's histories of state formation and political culture, identifying printing shops as unexplored spaces of democratic practice, where the boundaries between manual and intellectual labor blurred. Candela Marini is an Assistant Professor of Cultural Studies and Spanish at MSOE University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Today I talked to Ann Latham about her new book The Power of Clarity: Unleash the True Potential of Workplace Productivity, Confidence, and Empowerment (Bloomsbury, 2021). On the factory floor, the processes have been honed for efficiency. Enter the company’s headquarters, however, and the office functions in a way that brings to mind two of Anne’s favorite terms: “kitchen sink syndrome” and “hand-me-down ambiguity.” In other words, things move slowly and endless reviews and overthinking or failing to think at all are the two modes that seem to predominate in the workplace. What’s the solution? Recognize that meetings need to make a difference to justify the 25% or more of people’s workdays that they swallow up. Who should be there? Those who can, should and will actually input on the decision to be made, and those who can authorize the decision. Everybody else, not so much. For anybody who can’t stand the quagmire at work, Ann’s your person. Ann Latham has consulted for major global companies like Boeing and Medtronic, as well as Public Television, and she’s the author of two other books: The Clarity Papers and Uncommon Meetings. She’s been interviewed by The New York times, Bloomberg Business Week, and Forbes, where she’s also an expert blogger. Dan Hill, PhD, is the author of nine books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). His new book is Blah, Blah, Blah: A Snarky Guide to Office Politics. To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

If information is power, then so too is gossip. In Gossip Men: J. Edgar Hoover, Joe McCarthy, Roy Cohn, and the Politics of Insinuation (U Chicago Press, 2021), historian Christopher Elias shows how three men who sat at the center of the mid-century surveillance state—FBI director J. Edgar Hoover, the bellicose anticommunist Senator Joe McCarthy, and the gold-collar lawyer from New York, Roy Cohn—understood that power and used it to their advantage, elevating themselves and intimidating others. The trio investigated the private lives of their enemies, and mastered the tools of implication, sensationalism, photographic manipulation. By putting “the politics of insinuation” at the center of American culture, Elias, an assistant professor at the American University in Cairo, provides an innovative and entertaining reading of celebrity, and masculinity, and the mid-century surveillance state. More than anything, Gossip Men illustrates that many seemingly disparate historical processes in the middle decades of the twentieth century were not coincidental but intertwined. The fact that “the golden age of American gossip magazines” preceded and overlapped with the McCarthyist witch-hunts turns out to be historically significant. (Or that Roy Cohn was one of the two funders of the National Enquirer throughout the fifties.) Gossip Men should interest a wide variety of readers, from historians of the Cold War to scholars of politics and popular culture. Dexter Fergie is a doctoral student in US and global history at Northwestern University. His research examines the history of ideas, infrastructure, and international organizations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Statistical graphing was born in the seventeenth century as a scientific tool, but it quickly escaped all disciplinary bounds. Today graphics are ubiquitous in daily life. In their just-published A History of Data Visualization and Graphic Communication (Harvard UP, 2021), Michael Friendly and Howard Wainer detail the history of graphs and tables, how they help solve problems, and even changed the way we think. You'll never look at an excel chart the same way again.... Daniel Peris is Senior Vice President at Federated Hermes in Pittsburgh. He can be reached at [email protected] or via Twitter @HistoryInvestor. His History and Investing blog and Keep Calm & Carry On Investing podcast are at https://strategicdividendinves... Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

One of the most fundamental aspects of modern life is that much of it is lived on and through social media. We create profiles, post pictures, update stories, and even find new careers and lovers on various sites and apps. But is all this good for us? Our always-online way of living has been called into question for quite some time now, with many people, young and old, finding themselves burned out and disconnected in a world with no shortage of connections. So what does this prevalence of social media mean for our society at large? This question is one of the starting points for my guest today, Matthew Flisfeder, in his new book Algorithmic Desire: Toward a New Structuralist Theory of Social Media (Northwestern UP, 2021). While he is curious about the affects of social media on society, he also spends much of the book trying to flip the question around and ask: what does the structure of our society mean for social media? Flisfeder is interested in thinking of social media in it’s social, political and economic context, seeing the form our current social media takes as a gateway into broader social and economic structures. This broad Marxist vision is brought together with the theories of subjectivity developed in recent critical theory, particularly of Slavoj Žižek, to better understand both the ways social media hooks us into exploitative mechanisms, but it also gives us some offramps for possible resistance. Flisfeder is no luddite; not only is he himself an enthusiastic user of social media, but his critique here is meant as a course-correction rather than an all-out condemnation. If social media today produces alienation rather than true connection, then what does that tell us about society more broadly? And, more provocatively, what does it mean for broader social critique to take the social in social media seriously? Matthew Flisfeder is an associate professor of rhetoric and communications at the University of Winnipeg. He is also the author of Postmodern Theory and Bladerunner and The Symbolic, the Sublime, and Slavoj Žižek’s Theory of Film. You can follow him on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Increasingly we live through our personal screens; we work, play, socialize, and learn digitally. The shift to remote everything during the pandemic was another step in a decades-long march toward the digitization of everyday life made possible by innovations in media, information, and communication technology. In The Digital Environment: How We Live, Learn, Work, and Play Now (MIT Press, 2021), Pablo Boczkowski and Eugenia Mitchelstein offer a new way to understand the role of the digital in our daily lives, calling on us to turn our attention from our discrete devices and apps to the array of artifacts and practices that make up the digital environment that envelops every aspect of our social experience. Boczkowski and Mitchelstein explore a series of issues raised by the digital takeover of everyday life, drawing on interviews with a variety of experts. They show how existing inequities of gender, race, ethnicity, education, and class are baked into the design and deployment of technology, and describe emancipatory practices that counter this--including the use of Twitter as a platform for activism through such hashtags as #BlackLivesMatter and #MeToo. They discuss the digitization of parenting, schooling, and dating--noting, among other things, that today we can both begin and end relationships online. They describe how digital media shape our consumption of sports, entertainment, and news, and consider the dynamics of political campaigns, disinformation, and social activism. Finally, they report on developments in three areas that will be key to our digital future: data science, virtual reality, and space exploration. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Climate change is a hoax--and so is coronavirus. Vaccines are bad for you. These days, many of our fellow citizens reject scientific expertise and prefer ideology to facts. They are not merely uninformed--they are misinformed. They cite cherry-picked evidence, rely on fake experts, and believe conspiracy theories. How can we convince such people otherwise? How can we get them to change their minds and accept the facts when they don't believe in facts? In How to Talk to a Science Denier (MIT Press, 2021), Lee McIntyre shows that anyone can fight back against science deniers, and argues that it's important to do so. Science denial can kill. Drawing on his own experience--including a visit to a Flat Earth convention--as well as academic research, McIntyre outlines the common themes of science denialism, present in misinformation campaigns ranging from tobacco companies' denial in the 1950s that smoking causes lung cancer to today's anti-vaxxers. He describes attempts to use his persuasive powers as a philosopher to convert Flat Earthers; surprising discussions with coal miners; and conversations with a scientist friend about genetically modified organisms in food. McIntyre offers tools and techniques for communicating the truth and values of science, emphasizing that the most important way to reach science deniers is to talk to them calmly and respectfully--to put ourselves out there, and meet them face to face. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Over the course of a long and successful legal career, Morris Ernst established himself as one of Americas foremost civil libertarians. Yet his advocacy of free speech – an advocacy that established the case law on which much of the subsequent jurisprudence is based – stands in stark contrast with his opposition to communism and his longstanding support for J. Edgar Hoover and his anticommunist campaigns. In The Rise and Fall of Morris Ernst, Free Speech Renegade (U Chicago Press, 2021), Samantha Barbas explores these contradictions to better understand Ernest and his legacy for our times. The son of Jewish immigrants, as a young man in college Ernst developed a gift for argumentation and an interest in progressive politics. Entering private practice after earning his law degree, he developed a reputation as a free speech crusader during the 1920s thanks to a series of high-profile legal victories and his leadership within the American Civil Liberties Union (ACLU). Yet even while developing a national reputation as a liberal attorney Ernst adopted a strident opposition to communism that sometimes put him at odds with his peers. Such was his antipathy to it that he emerged as one of Hoover’s most visible defenders on the left in the 1940s and 1950s, even supplying the FBI director with insider information on ACLU activities. As Barbas explains, such activities reflected his desire to remain relevant at a time when his greatest achievements increasingly lay behind him. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

“We know what we want, and one day, our prince will come,” says Toby, the bicycle-shorts-wearing, double ententre-making, unacknowledgely-gay neighbor in RTE’s Upwardly Mobile. Though the first queer characters in Irish entertainment television were tropes and stereotypes, they represented an important shift in LGBTQ visibility in Irish media. The road to early representations in entertainment media was a hard road paved by gay rights activists, AIDS stigma, and production teams looking for sensationalism. In LGBTQ Visibility, Media, and Sexuality in Ireland, Páraic Kerrigan explores the dynamics of queer visibility and sexuality in Ireland through televised media between 1974 and 2008. Tune in for our chat about Gay Byrne and the Late Late Show, queer soap stars, the AIDS crisis and globalization of Ireland, and the LGBTQ rights tug-of-war that played out in turn-of-the-century television. Avrill Earls is the Executive Producer of Dig: A History Podcast (a narrative history podcast, rather than interview-based), and an Assistant Professor of History at Mercyhurst University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications