New Books in Communications

University Press Week 2023 will provide an opportunity for presses and their supporters to shout to the rooftops about the value of the essential work of university presses: giving voice to the scholarship and ideas that shape conversations around the world. Through a variety of publications and platforms, university presses and their authors cultivate and amplify a diverse, inclusive, and exhilarating range of research and concepts. For a complete list of UP Week events, see here For the gallery of 103 publications, see here For the gallery as listed on Bookshop.org with buy buttons next to relevant titles, see here Some other news not discussed in the conversation: University of Georgia and Wesleyan University Presses have finalists for the National Book Award poetry prize, and Yale University Press has a finalist for the nonfiction prize. AUPresses Central Office will consult with an invited advisory group to conduct an environmental scan regarding AI. Jane Bunker is Director of Cornell University Press and President of the Association of University Presses. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

China’s news sector is a place where newsmakers, advertising executives, company bosses, and Party officials engage one another in contingent and evolving arrangements that run from cooperation and collaboration to manipulation and betrayal. Drawing on long-term ethnographic fieldwork with journalists, editors, and executives at a newspaper in Guangzhou, China, The Currency of Truth: Newsmaking and the Late-Socialist Imaginaries of China's Digital Era (U Michigan Press, 2023) brings its readers into the lives of the people who write, publish, and profit from news in this milieu. The book shows that far from working as mere cogs in a Party propaganda machine, these individuals are immersed in fluidly shifting networks of formal and informal relationships, which they carefully navigate to pursue diverse goals. In The Currency of Truth, Emily H. C. Chua argues that news in China works less as a medium of mass communication than as a kind of currency as industry players make and use news articles to create agreements, build connections, and protect and advance their positions against one another. Looking at the ethical and professional principles that well-intentioned and civically minded journalists strive to uphold, and the challenges and doubts that they grapple with in the process, Chua brings her findings into conversation around “post-truth” news and the “crisis” of professional journalism in the West. The book encourages readers to set out from the preexisting assumption that news works either to inform or deceive its public(s). It also suggests researchers further explore the “post-public” social and political imaginaries emerging among today’s newsmakers and remaking the terms of their practice. Emily Chua is Assistant Professor in the Department of Sociology and Anthropology at the National University of Singapore, working at the intersections of digital technology, media, capital and authoritarian state politics in China and Singapore. Her articles are published in journals including JRAI, Ethnography, Science, Technology and Society, Asian Studies Review, and China Quarterly. Yadong Li is a PhD student in anthropology at Tulane University. He conducts ethnography among ufologists in China. His research interests lie at the intersection of the anthropology of the paranormal, hope studies, and post-structural philosophy. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The 1970s was a golden age for representations of African American life on TV sitcoms: Sanford & Son, Good Times, The Jeffersons. Surprisingly, nearly all the decade’s notable Black sitcoms were made by a single company, Tandem Productions. Founded by two white men, the successful team behind All in the Family, writer Norman Lear and director Bud Yorkin, Tandem gave unprecedented opportunities to Black actors, writers, and producers to break into the television industry. However, these Black auteurs also struggled to get the economic privileges and creative autonomy regularly granted to their white counterparts. Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions (Rutgers UP, 2023) discovers surprising parallels between the behind-the-scenes drama at Tandem and the plotlines that aired on their sitcoms, as both real and fictional African Americans devised various strategies for getting their fair share out of systems prone to exploiting their labor. The media scholar Adrien Sebro describes these tactics as a form of “hustle economics,” and he pays special attention to the ways that Black women—including actresses like LaWanda Page, Isabel Sanford, and Esther Rolle—had to hustle for recognition. Exploring Tandem’s complex legacy, including its hit racially mixed sitcom Diff’rent Strokes, he showcases the Black talent whose creative agency and labor resilience helped to transform the television industry. Adrien Sebro is an assistant professor of media studies at the University of Texas at Austin. He specializes in critical media studies at the intersections of comedy, gender, and Black popular culture. Peter C. Kunze is a visiting assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

From the 1930s to the 1970s, in New York and in Paris, daring publishers and writers were producing banned pornographic literature. The books were written by young, impecunious writers, poets, and artists, many anonymously. Most of these pornographers wrote to survive, but some also relished the freedom to experiment that anonymity provided - men writing as women, and women writing as men - and some (Anaïs Nin, Henry Miller) went on to become influential figures in modernist literature. Barry Reay and Nina Attwood's Dirty Books: Erotic Fiction and the Avant-garde in Mid-century Paris and New York (Manchester UP, 2023) tells the stories of these authors and their remarkable publishers: Jack Kahane of Obelisk Press and his son Maurice Girodias of Olympia Press, whose catalogue and repertoire anticipated that of the more famous US publisher Grove Press. It offers a humorous and vivid snapshot of a fascinating moment in pornographic and literary history, uncovering a hidden, earlier history of the sexual revolution, when the profits made from erotica helped launch the careers of literary cult figures. Nina Attwood is the author of The Prostitute's Body: Rewriting Prostitution in Victorian England (2011) and a co-author of Sex Addiction: A Critical History (2015) Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Randy Laist, professor of English at Goodwin University and the University of Bridgeport, has a new edited volume focusing specifically on popular culture and the 1980s. The essays in The '80s Resurrected: Essays on the Decade in Popular Culture Then and Now (McFarland, 2023) approach this theme from a number of disciplinary perspectives, global positions, as well as a wide variety of pop cultural artifacts. Laist’s effort in bringing together these essays was not just about reflecting on the 1980s, and particularly how the 1980s seems to be quite present in contemporary popular culture, but also because of the way that the 1980s has shaped our current political environment. The ‘80s Resurrected includes chapters on different media engagement and different issues that are fleshed out from different artifacts—including video games, film, television, dolls, and music. The ideas that these chapters dive into include questions of race, gender, class, sexuality, LGBTQ+, neoliberalism, misogyny, representation, and nationalism. There is much in this compilations of chapters that explores the nostalgic impulses that toggle between our contemporary moment and the Decade of Reagan and Thatcher, and how the political and economic impulses of that time have shaped our lives today. Many of the chapters also peel back the gloss of the foregrounded ideas of the 1980s, which highlighted white middle-class perspectives in mass culture. Many of the nostalgic ideas about the 1980s cover up the disturbing other side of the decade, with the war on drugs, the rise of the carceral state, AIDS/HIV, sexism and racism in the workplace all as parts of this same decade that is often seen as an era of shoulder pads, pussy bows, neon colors, body building, and swagger. The ‘80s Resurrected: Essays on the Decade in Popular Culture Then and Now brings the reader along in considering how ideas like “making America great again” are connected to our thinking about the arbitrary construction of the importance of delineating decades and the impact they may have on our concept of ourselves and the nation state. As we discuss in the interview, even defining particular decades against each other is rather arbitrary, and to then weight those individual decades with various kinds of import further contributes to this artificial framing. Even so, it is hard to break out of this construction, and The ‘80s Resurrected examines why this particular bracket of time, which is also marked by the elections of Ronald Reagan in the United States and Margaret Thatcher in the United Kingdom at the beginning of the decade and the fall of communism at the end of the decade, remains important to our understanding of history, politics, culture, ideology, economics, and concepts of self and nation. This is an engaging and fascinating assortment of chapters by a global collection of scholars. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

An essay collection exploring the board game's relationship to the built environment, revealing the unexpected ways that play reflects perceptions of space. Board games harness the creation of entirely new worlds. From the medieval warlord to the modern urban planner, players are permitted to inhabit a staggering variety of roles and are prompted to incorporate preexisting notions of placemaking into their decisions. To what extent do board games represent the social context of their production? How might they reinforce or subvert normative ideas of community and fulfillment? In Playing Place: Board Games, Popular Culture, Space (MIT Press, 2023), Chad Randl and D. Medina Lasansky have curated a collection of thirty-seven fascinating essays, supplemented by a rich trove of photo illustrations, that unpack these questions with breadth and care. Although board games are often recreational objects, their mythologies and infrastructure do not exist in a vacuum—rather, they echo and reproduce prevalent cultural landscapes. This thesis forms the throughline of pieces reflecting on subjects as diverse as the rigidly gendered fantasies of classic mass-market games; the imperial convictions embedded in games that position player-protagonists as conquerors establishing dominion over their “discoveries”; and even the uncanny prescience of games that have players responding to a global pandemic. Representing a thrilling convergence of historiography, architectural history, and media studies scholarship, Playing Place suggests not only that tabletop games should be taken seriously but also that the medium itself is uniquely capable of facilitating our critical consideration of structures that are often taken for granted. Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Reality TV shapes and reflects how we see ourselves, and what we regard as normal. Professor Danielle J. Lindemann watched thousands of hours of reality tv to decode its influence on society. She joins us to discuss her book True Story: What Reality TV Says About Us (FSG, 2022). Danielle J. Lindemann is an Associate Professor of Sociology at Lehigh University interested in gender, sexuality, the family, and culture. She is the author of Commuter Spouses: New Families in a Changing World and Dominatrix: Gender, Eroticism and Control in the Dungeon. Her research has been featured in media outlets such as The New York Times, The Wall Street Journal, The Economist, The Atlantic, The Washington Post, Rolling Stone, Billboard, and The Chronicle of Higher Education. She has spoken about her work on National Public Radio and has written op-eds for CNN, Newsweek, Salon, Fortune, and Quartz. The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Barcodes are about as ordinary as an object can be. Billions of them are scanned each day and they impact everything from how we shop to how we travel to how the global economy is managed. But few people likely give them more than a second thought. In a way, the barcode's ordinariness is the ultimate symbol of its success. However, behind the mundanity of the barcode lies an important history. Barcodes bridged the gap between physical objects and digital databases and paved the way for the contemporary Internet of Things, the idea to connect all devices to the web. They were highly controversial at points, protested by consumer groups and labor unions, and used as a symbol of dystopian capitalism and surveillance in science fiction and art installations. Jordan Frith's book Barcode (Bloomsbury, 2023) tells the story of the barcode's complicated history and examines how an object so crucial to so many parts of our lives became more ignored and more ordinary as it spread throughout the world. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Peter Nelson's book Computer Games As Landscape Art (Palgrave Macmillan, 2023) proposes that computer games are the paradigmatic form of contemporary landscape and offers a synthesis of art history, geography, game studies and play. Like paint on canvas, the game engine is taken as the underlying medium, and using the Valve Source Engine as the primary case study, it analyses landscapes according to the technical, economic and cultural features this medium affords. It presents the single-player first-person shooter (Half-Life 2) as a Promethean safari, examines how the economics of gambling and product placement shaped the eSports landscapes of Counter-Strike and reveals how sandboxes such as Garry’s Mod visualise the radical landscape of Web 2.0. This book explores how our relationship to the environment is changing, how we express this through computer games and how we can move beyond examining artistic influences on games to examining how historical connections flow through games and the history of landscape images. Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Over the past 40 years, lawmakers in America's two major political parties have taken increasingly extreme positions on ideological issues. Voters from the two parties have become increasingly distinct and hostile to one another along the lines of race, religion, geography, and culture. In Wrong: How Media, Politics, and Identity Drive Our Appetite for Misinformation (Johns Hopkins UP, 2023), Dr. Dannagal Goldthwaite Young illustrates how political leaders and media organizations capitalize on social and cultural identities to separate, enrage, and mobilize people. Because humans are motivated to comprehend, to feel in control, and to be part of a community, they seek information that satisfies these needs – including misinformation that favors their political team. They don’t want to be wrong. Bringing together tools from political science, communications, and social psychology, Dr. Goldthwaite Young creates a model to explain how public officials, journalists, and social media platforms encourage what she calls identity distillation. Dr. Young both describes the dynamics and provides suggestions for how to disrupt “identity-driven wrongness.” These include journalists abandoning conflict framing in the coverage of politics, social media platforms increasing transparency about their algorithmic content rankings and ad targeting, and individuals cultivating intellectual humility and disrupting performances of political identity to increase the demand for democracy-centered political information. Dr. Dannagal Goldthwaite Young is a professor of Communications and Political Science at the University of Delaware. Her areas of expertise include political media effects, media psychology, public opinion, and the psychology of misinformation. I’m delighted to welcome her to the New Books Network. George Lobis served as the editorial assistant for this podcast. Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Today’s guest is Maaheen Ahmed, who has edited a new collection of essays, The Cambridge Companion to Comics (Cambridge University Press, 2023). This book offers both a broad diachronic perspective, reaching back to the earliest print artifacts that could be called “comic books,” and a deep synchronic view, touching on mainstream and alternative comics work, from almost every continent. Contributions include Jaqueline Berndt on the aesthetics of “manga eyes,” Daniel Stein on “racialines” in comics, Kim Munson on the vexed relationship of museums and comics, and Shiamin Kwa on life-writing in comics. Maaheen Ahmed is Professor in the Department of Literary Studies at Ghent University. Maaheen is the author of Openness of Comics: Generating Meaning within Flexible Structures (University Press of Mississippi, 2016) and the co-editor of Comics Memory, with Benoît Crucifix (Palgrave, 2018). Maaheen is one of the primary investigators of “Children in Comics: An Intercultural History from 1865 to Today (COMICS),” a collaborative project which brings together childhood studies and comics studies. John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In a world dominated by the notion of autonomy, free choice, and consent, Akiko Takeyama takes us on a thought-provoking journey into the heart of Japan's adult video industry in her groundbreaking book, Involuntary Consent The Illusion of Choice in Japan’s Adult Video Industry. With an ethereal blend of ethnography and critical analysis, Takeyama challenges the pervasive idea that participation in the adult entertainment industry is always a matter of free will. Instead, she introduces us to the complex concept of "involuntary consent," shining a light on a phenomenon that resonates far beyond the boundaries of Japan's AV industry. The Paradox of Involuntary Consent At the core of Takeyama's narrative lies the paradox of involuntary consent, a concept that questions the very foundations of modern societies built on principles of autonomy, choice, and equality. In a world where the adult entertainment industry alone generates billions of dollars annually, the narrative of consent has taken center stage. However, Takeyama's meticulous exploration reveals that beneath this facade of consent often lies a murky world of coercion and pressure. Behind-the-Scenes Realities "Involuntary Consent" delves into the behind-the-scenes negotiations and abuses within Japan's adult video industry. While the industry's glossy exterior may suggest willing participation, Takeyama uncovers a troubling reality where sex workers, predominantly women, are frequently pressured to comply with production companies' expectations and demands. This issue extends beyond the borders of Japan, as the US Department of State has recognized forced performance as a human rights violation. Dualistic Contract-Making One of the book's central arguments is that the framework of contract-making within the adult entertainment industry is inherently dualistic. It often creates a binary where consent and pleasure are pitted against coercion and pain. Sex workers, employed on a contractual basis, find themselves outside the protective purview of standard labor and employment laws, leaving them vulnerable to exploitation and abuse. Global Implications The book's significance transcends the borders of Japan. The series of arrests and trials of former talent agency owners and executives within the Japanese AV industry led to a call for systematic investigations. The US Department of State's recognition of forced performance as a human rights violation underscores the global ramifications of the issue. "Involuntary Consent" serves as a poignant reminder that the exploitation and coercion within the adult entertainment industry are not confined to one nation but are indicative of broader systemic issues. Akiko Takeyama is a Professor of Women, Gender, and Sexuality Studies at the University of Kansas. She is also the Director of the Centre for East Asian Studies. Bing Wang receives her PhD at the University of Leeds. Her research interests include diasporic Chinese cultural identity and critical heritage studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Cancel culture is something all academics are aware of and some are concerned about. Certainly that’s true of Greg Lukianoff who was the co-author (with Jonathan Haidt) of The Coddling of the American Mind (Penguin, 2018) and who has now co-authored (with Rikki Schlott) of The Canceling of the American Mind (Simon and Schuster, 2023). Listen to him in conversation with Owen Bennett Jones. Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In recent decades, authenticity has become an American obsession. It animates thirty years' worth of reality TV programming and fuels the explosive virality of one hot social media app after another. It characterizes Donald Trump's willful disregard for political correctness (and proofreading) and inspires multinational corporations to stake activist claims in ways that few "woke" brands ever dared before. It buttresses a multibillion-dollar influencer industry of everyday folks shilling their friends with #spon-con and burnishes the street cred of rock stars and rappers alike. But, ironically, authenticity's not actually real: it's as fabricated as it is ubiquitous. In The Authenticity Industries: Keeping It Real in Media, Culture, and Politics (Stanford University Press, 2023) journalist and scholar Michael Serazio combines eye-opening reporting and lively prose to take readers behind the scenes with those who make "reality"—and the ways it tries to influence us. Drawing upon dozens of rare interviews with campaign consultants, advertising executives, tech company leadership, and entertainment industry gatekeepers, the book slyly investigates the professionals and practices that make people, products, and platforms seem "authentic" in today's media, culture, and politics. The result is a spotlight on the power of authenticity in today's media-saturated world and the strategies to satisfy this widespread yearning. In theory, authenticity might represent the central moral framework of our time: allaying anxieties about self and society, culture and commerce, and technology and humanity. It infects and informs our ideals of celebrity, aesthetics, privacy, nostalgia, and populism. And Serazio reveals how these pretenses are crafted, backstage, for audiences, consumers, and voters. Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Addressing the relationship between law and the visual, this book examines the importance of photography in Central, East, and Southeast European show trials. The dispensation of justice during communist rule in Albania, East Germany, and Poland was reliant on legal propaganda, making the visual a fundamental part of the legitimacy of the law. Analysing photographs of trials, Agata Fijalkowski's Law, Visual Culture, and the Show Trial (Routledge, 2023) examines how this message was conveyed to audiences watching and participating in the spectacle of show trials. The book traces how this use of the visual was exported from the Soviet Union and imposed upon its satellite states in the immediate aftermath of the Second World War. It shows how the legal actors and political authorities embraced new photographic technologies to advance their legal propaganda and legal photography. Drawing on contemporary theoretical work in the area, the book then challenges straightforward accounts of the relationship between law and the visual, critically engaging entrenched legal historical narratives, in relation to three different protagonists, to offer the possibility of reclaiming and rewriting past accounts. As its analysis demonstrates, the power of images can also be subversive; and, as such, the cases it addresses contribute to the discourse on visual epistemology and open onto contemporary questions about law and its inherent performativity. Alex Batesmith is a Lecturer in Legal Profession in the School of Law at the University of Leeds, and a former barrister and UN war crimes prosecutor, with teaching and research interests in international criminal law, cause lawyering and the legal profession, and law and emotion. Twitter: @batesmith. LinkedIn. His recent publications include: “‘Poetic Justice Products’: International Justice, Victim Counter-Aesthetics, and the Spectre of the Show Trial” in Christine Schwöbel-Patel and Rob Knox (eds) Aesthetics and Counter-Aesthetics of International Justice (Counterpress, forthcoming 2023, ISBN 978-1-910761-17-5) "Lawyers who want to make the world a better place – Scheingold and Sarat’s Something to Believe In: Politics, Professionalism, and Cause Lawyering" in D. Newman (ed.) Leading Works on the Legal Profession (Routledge, July 2023), ISBN 978-1-032182-80-3) “International Prosecutors as Cause Lawyers" (2021) Journal of International Criminal Justice 19(4) 803-830 (ISSN 1478-1387) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Will the COVID-19 pandemic be remembered as a turning point in how universities deliver teaching and learning? How might the widespread use of digital tools change higher education? Leveling the Learning Curve: Creating a More Inclusive and Connected University (Columbia UP, 2023) explores the role of digital education at this crucial crossroads. Built on interviews with more than fifty leading practitioners from major universities and ed-tech firms, Leveling the Learning Curve is an indispensable guide to the inner workings of digital education. Written for university managers and leaders, it explores how new tools can allow universities to reach new audiences and address long-standing imbalances. The authors examine challenges to implementing digital education programs and provide insight into how universities have managed to balance the needs of faculty and on- and off-campus students. The book traces the history of digital education initiatives from Khan Academy, TED Talks, and MOOCs through the pandemic, examining both successes and failures. It offers compelling examples of what a "connected university" looks like in practice, sharing ways digital tools can bring in wider audiences, expand interdisciplinary teaching and learning, connect students to real-life issues, help meet equity goals, and open new revenue streams. Designed as both a manual and an in-depth study, Leveling the Learning Curve is required reading for educational leaders looking to navigate the complex waters of postpandemic digital education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How the image collection, organized and made available for public consumption, came to define a key feature of contemporary visual culture. The origins of today’s kaleidoscopic digital visual culture are many. In Picture-Work: How Libraries, Museums, and Stock Agencies Launched a New Image Economy (MIT Press, 2023), Diana Kamin traces the sharing of photographs to an image economy developed throughout the twentieth century by major institutions. Picture-Work examines how three of these institutions—the New York Public Library, the Museum of Modern Art, and the stock agency H. Armstrong Roberts Inc.—defined the public’s understanding of what the photographic image is, while building vast collections with universalizing ambitions. Highlighting underexplored figures, such as the first rights and reproduction manager at MoMA Pearl Moeller and visionary NYPL librarian Romana Javitz, and underexplored professional practices, Diana Kamin demonstrates how bureaucratic work communicates ideas about images to the public. Kamin artfully shows how the public interfaces with these image collections through systems of classification and protocols of search and retrieval. These interactions, in turn, shape contemporary image culture, including concepts of authorship, art, property, and value, as well as logics of indexing, tagging, and hyperlinking. Together, these interactions have forged a concept of the image as alienable content, which has intensified with the advent of digital techniques for managing image collections. To survey the complicated process of digitization in the nineties and early aughts, Kamin also includes interviews with photographers, digital asset management system designers, librarians, and artists on their working practices. Links Mentioned in the Episode "Working With the Whitney's Replication Committee," Ben Lerner, The New Yorker, 2016 Invocation of Beauty: The Life and Photography of Soichi Sunami, Cascadia Art Museum, 2018 Soichi Sunami's manuscript autobiography, Museum of Modern Art Library The New York Public Library: A Universe of Knowledge, Phyllis Dain (Scala Books and The New York Public Library, 2000) What Photographs Do: The Making and Remaking of Museum Cultures, eds. Elizabeth Edwards and Ella Ravilious (UCL Press, 2022). Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Thanks to the First Amendment, Americans enjoy a rare privilege: the constitutional right to lie. And although controversial, they should continue to enjoy this right. When commentators and politicians discuss misinformation, they often repeat five words: "fire in a crowded theater." Though governments can, if they choose, attempt to ban harmful lies, propaganda, misinformation, and disinformation, how effective will their efforts really be? Can they punish someone for yelling "fire" in a crowded theater―and would those lies then have any less impact? How do governments around the world respond to the spread of misinformation, and when should the US government protect the free speech of liars? In Liar in a Crowded Theater: Freedom of Speech in a World of Misinformation (Johns Hopkins UP, 2023), law professor Jeff Kosseff addresses the pervasiveness of lies, the legal protections they enjoy, the harm they cause, and how to combat them. From the COVID-19 pandemic to the 2016 and 2020 presidential elections and the January 6, 2021, insurrection on the Capitol building, Kosseff argues that even though lies can inflict huge damage, US law should continue to protect them. Liar in a Crowded Theater explores both the history of protected falsehoods and where to go from here. Drawing on years of research and thousands of pages of court documents in dozens of cases―from Alexander Hamilton's enduring defense of free speech to Eminem's victory in a lawsuit claiming that he stretched the truth in a 1999 song―Kosseff illustrates not only why courts are reluctant to be the arbiters of truth but also why they're uniquely unsuited to that role. Rather than resorting to regulating speech and fining or jailing speakers, he proposes solutions that focus on minimizing the harms of misinformation. If we want to seriously address concerns about misinformation and other false speech, we must finally exit the crowded theater. Jeff Kosseff is an associate professor of cybersecurity law at the United States Naval Academy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Allison M. Prasch, Assistant Professor of Rhetoric, Politics, and Culture at the University of Wisconsin-Madison, has a new book that focuses on the way that presidents used words, speeches, and international visits to communicate more than simple policy prescriptions during the Cold War period. This is a fascinating analysis and takes the reader through particular presidential visits to a variety of places—where the president’s symbolic quality as well as the words spoken communicate not only to the country or place visited, but also are communicating to American citizens back home as well as our antagonists in the Soviet Union and elsewhere. The World Is Our Stage: The Global Rhetorical Presidency and the Cold War (U Chicago Press, 2023) examines the ways in which the office of the American president—along with the individual inhabiting it—combines with the presentation of policy and rhetorical engagement to impact thinking about U.S. power abroad as well as at home. This is an important thesis and Prasch delineates a clear analysis of how this looked and operated during the Cold War, with five case studies that provide evidence and examples of how this actually worked. The five case studies include President Harry S. Truman at Potsdam, President Dwight D. Eisenhower’s Good Will Tours, particularly in South America, President John F. Kennedy in West Berlin, President Richard M. Nixon’s trip/opening to China, and finally President Ronald W. Reagan in Normandy. Prasch weaves together historical, political, cultural, and rhetorical dimensions of each of these presidential events to understand the impacts and the reverberations for the United States, for the Soviet Union, for U.S. allies and enemies. She documents the ways in which some of these moves were responses to similar kinds of trips and events taken by Soviet leaders at the same time. Prasch has included deep archival research at presidential libraries and the like in order to flesh out the Oval Office discussions about these events—going through memos and interviews with presidential staff who were in charge of the planning and orchestration of the trips, the particular speeches, and the choices as to the venue and audiences. The World is Our Stage: The Global Rhetorical Presidency and the Cold War is a crucial addition to the scholarship on rhetoric and the American presidency, moving beyond the words themselves and examining the multiple dimensions of presidentiality on display on the world stage when a president takes the opportunity to give a speech at a certain global venue. This analysis is particularly vital given the symbolic, performative, and policy import of these kinds of events. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

While globalization is often credited with the eradication of 'traditional' constraints tied to gender and caste, in reality the opening up of the Indian economy in the 1990s has led to a decline in freedom for many female, Dalit, and lower class Indians. This book explores the contraction of what it means to be free in post-liberalization India, examining how global capitalism has exacerbated existing inequalities based on traditional femininities and masculinities, while also creating new hierarchies. Mukti Lakhi Mangharam's book Freedom Inc.: Gendered Capitalism in New Indian Literature and Culture (Bloomsbury, 2023) argues that post-1990s literature and culture frequently represents and reinforces the equation of free-market capitalism with individual freedom within the new 'idea of India.' However, many texts often also challenge this logic by pointing to more expansive horizons of autonomy for the gendered self. Through readings of texts as diverse as Dalit women's life-writing, pop fiction, realist novels, self-help, regional film, and Netflix TV shows, Mukti Mangharam investigates how notions like 'free trade,' 'entrepreneurship,' and 'self-help' are experienced, embodied, and challenged by disadvantaged peoples, and by women differently than men. In the process, Freedom Inc. explores how different literary forms illuminate alternative and buried pathways to fuller freedoms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In The New Screen Ecology in India: Digital Transformation of Media (British Film Institute, 2023), Smith Mehta takes a deep dive into the world of social media platforms and their impact on contemporary film and television production, arguing that they have fundamentally shifted the creator dynamics of these industries. Through first-hand research with creators, platform and portal executives, and intermediaries such as talent agents and multi-channel networks, Mehta develops the concept of the 'new screen ecology'. He reveals how the Indian screen industries are affected by the social relations between these agents and how industrial practices are blurring the amateur-professional divide through creator and content interdependencies. Mehta goes beyond theoretical analysis by interrogating the production practices of 13 different platforms and portals, including Hotstar, Netflix, YouTube, and TVFPlay. He analyses the extent to which they benefit from the lack of censorship and restrictive industrial practices that are characteristic of traditional media structures. By doing so, he provides a unique and insightful examination of the dynamics of digital transformation in the screen industries in a region-specific context. Priyam Sinha is a doctoral candidate in the South Asian Studies Programme at the National University of Singapore. She has interdisciplinary academic interests that lie at the intersection of film studies, disability studies, production cultures, creative media industries and cultural studies. She can be reached on Twitter here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Valentina Marcella's Laughing Matters: Graphic Satire Reckoning with the 1980 Coup in Turkey (Istituto per l’Oriente C. A. Nallino 2022) focuses on the production of political cartoons in Turkey in the context of authoritarianism and repression that was brought about by the coup d’état of September 12 1980, and by the military rule that followed. It builds on theories of political satire as an active element of political culture. Political cartoons serve as the lens through which the evolution of the political space under the regime is explored. The analysis revolves around Gırgır, the satirical magazine that in the decade prior to the coup had already contributed to the emergence of a socially and politically critical field with its politically engaged columns and illustrations and that, during the regime, became the best-selling weekly at a national level. Two main issues are investigated. On the one hand, how Gırgır’s satire survived under a regime that, in its attempt to turn citizens into a homogeneous, uniform, and apolitical society, came to repress any possibility of criticism. On the other hand, how an alternative political response was elaborated through the cartoons by civil society and intellectuals in reaction to authoritarianism. Overall, the book contributes to the study of the military regime of the early 1980s, of satire in Turkey, of censorship, and of the strategies of dissent in authoritarian regimes. Reuben Silverman is a Postdoctoral Researcher at Stockholm University’s Institute for Turkish Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The Greco-Egyptian syncretistic god Serapis was used by the 3rd century BCE Ptolemaic pharaohs to impose Greek cultural hegemony and consolidate political power. The Alexandrian Serapeum, sometimes referred to as The Great Library of Alexandria’s “daughter library,” may be seen as an archetype for institutions where religion and secular knowledge come together for the reproduction of ideologies. The Serapeum, however, is by no means unique in this regard; libraries have always incorporated religious symbols and rituals into their material structures. Very little research has been conducted concerning the sociocultural and historical impact of this union of temple and information institution or how this dynamic interrelationship (even if it may now be implicit or partially concealed) stretches from the earliest Mesopotamian proto-libraries to our present academic ones. Serapis explores the role of the historical and legacy religious symbols and rituals of the academic library (referred to as the “Serapian Library”) as a powerful ideological state institution and investigates how these symbols and rituals support hegemonic structures in society. Specifically, the book examines the role of the modern secular “Serapian” academic library in its historical context as a “sacred space,” and applies the theories of Karl Marx, Louis Althusser, Ivan Illich, and other thinkers to explain the ramifications of the library as crypto-temple. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Ethics in the Gutter: Empathy and Historical Fiction in Comics (Ohio State UP, 2017) explores an often-overlooked genre of graphic narratives: those that fictionalize historical realities. While autographics, particularly those that place the memoirist in the context of larger cultural conversations, have been the objects of sustained study, fictional graphic narratives that—as Linda Hutcheon has put it—both “enshrine and question” history are also an important area of study. By bringing narratology and psychological theory to bear on a range of graphic narratives, Kate Polak seeks to question how the form utilizes point of view and the gutter as ethical tools that shape the reader’s empathetic reactions to the content. This book’s most important questions surround how we receive and interpret representations of history, considering the ways in which what we think we know about historical atrocities can be at odds with the convoluted circumstances surrounding violence. Beginning with a new look at Watchmen, and including examinations of such popular series as Scalped and Hellblazer as well as Bayou and Deogratias, the book questions how graphic narratives create an alternative route by which to understand large-scale violence. Ethics in the Gutter explores how graphic narrative representations of violence can teach readers about the possibilities and limitations of empathy and ethics. Dr. Kate Polak is a writer, artist, performer, and scholar specializing in comics, poetry, 21st century women writers, and the literatures of genocide. She is an instructor and research associate in the English Department at Florida Atlantic University, where she teaches writing and literature, focusing on poetry, the representation of violence, and graphic narrative. Her book, Ethics in the Gutter: Empathy and Historical Fiction in Comics, was nominated for an Eisner Award. Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Frames and Framing in Documentary Comics (Palgrave Macmillan, 2021), Johannes Schmid’s new book considers documentary comics in relationship to framing, that is both the strategic use of communication to encourage a particular interpretation of a scenario; secondly, the process of structuring a representation (or portions thereof) by situating it within certain boundaries, in the case of comics, a panel or a page, for example. Dr. Schmid combines theories of framing analysis and cognitive narratology with comics studies, focusing on the medium’s visual frames and engaging in a broader discussion about facts and journalism in the current age of fake news and post-truth politics. After laying out its theoretical foundation, the book tackles this subject by dividing it up into Material Framing, Visual Framing, and Narrative framing. Dr. Johannes Schmid is a postdoctoral researcher at Europa-Universität Flensburg, Germany, and associate editor at American Studies: A Quarterly, the official journal of the German Society for American Studies (GAAS). His other recent publications include Shooting Pictures, Drawing Blood: The Photographic Image in the Graphic War Memoir (2016). Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research—trauma studies and comics studies—to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms. With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres’s American Widow, Doug Murray’s The ’Nam, and Art Spiegelman’s much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War (UP of Mississippi, 2017) proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways. Dr. Harriet Earle is a senior lecturer in English at Sheffield Hallam University and a Research Fellow at the Centre for War, Atrocity, and Genocide at the University of Nipissing. Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What it feels like: Visceral Rhetoric and the Politics of Rape Culture (Penn State Press, 2021) by Dr. Stephanie Larson interrogates an underexamined reason for our failure to abolish rape in the United States: the way we communicate about it. Using affective and feminist materialist approaches to rhetorical criticism, Dr. Larson examines how discourses about rape and sexual assault rely on strategies of containment, denying the felt experiences of victims and ultimately stalling broader claims for justice. Investigating anti-pornography debates from the 1980s, Violence Against Women Act advocacy materials, sexual assault forensic kits, public performances, and the #MeToo movement, Dr. Larson reveals how our language privileges male perspectives and, more deeply, how it is shaped by systems of power—patriarchy, white supremacy, ableism, and heteronormativity. Interrogating how these systems work to propagate masculine commitments to “science” and “hard evidence,” Dr. Larson finds that US culture holds a general mistrust of testimony by women, stereotyping it as “emotional.” But she also gives us hope for change, arguing that testimonies grounded in the bodily, material expression of violation are necessary for giving voice to victims of sexual violence and presenting, accurately, the scale of these crimes. Larson makes a case for visceral rhetorics, theorizing them as powerful forms of communication and persuasion. Demonstrating the communicative power of bodily feeling, Dr. Larson challenges the long-held commitment to detached, distant, rationalized discourses of sexual harassment and rape. Timely and poignant, the book offers a much-needed corrective to our legal and political discourses. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

If you are reading this, it’s probably hard—nearly impossible—to imagine a world without writing—without print, books, newspapers, signs, graffiti, advertisements, forms, letters, texts, internet memes, and New Books Network blogposts like this one. How would you do your work? How would you communicate with your friends and family? How would you learn about the world around you? The historians in this conversation have written path-breaking books that deepen our understanding of an age when the written word was still emerging as a feature in everyday life. These books focus on different places—Russia and the Netherlands—where writing and print emerged quite differently but they share a deep erudition and ambitious methodological creativity in endeavoring to account for the ephemeral. Simon Franklin is emeritus professor of Russian history at University of Cambridge, Clare College. His books include Writing Society and Culture in Early Rus, 950–1300 (2002), The Emergence of Rus, 750–1200 (1996), co-authored with Jonathan Shepard, and Information and Empire: mechanisms of Communication in Russia, 1600–1850 (2017), co-edited with Katherine Bowers. In The Russian Graphosphere, 1450–1850 (Cambridge UP, 2019) Franklin reconstructs with deep erudition and carefully contextualized sleuthing the concrete and conceptual ways in which people in Russia from the mid-sixteenth to mid-nineteenth centuries encountered various types of writing. Andrew Pettegree and Arthur der Weduwen are historians at University of St. Andrews in Scotland. Pettegree’s books include The Invention of News (2014), Brand Luther: 1517, printing and the making of the Reformation (2015), and most recently, The Book at War: Libraries and Readers in an Age of Conflict (2023). Arthur der Weduwen followed up his award-winning first monograph, Dutch and Flemish Newspapers of the Seventeenth Century with the newly released State Communication and Public Politics in the Dutch Golden Age (2023). As has Simon Franklin, they have brought great creativity to the history of texts. Known for its now world-famous still life paintings produced by the affluent incubator of capitalism that was the seventeenth-century Netherlands, Bookshop of the World: Making and Trading Books in the Dutch Golden Age (Yale UP, 2020) shows us that what was going onto the canvases in the Dutch Golden Age paled in comparison to what was coming off the printing presses. With many unexpected revelations, this ambitious attempt to account for the (perhaps?) countless texts that did not survive demonstrates how the production, distribution, and consumption of books was central to economic, political, and cultural life in seventeenth-century Netherlands. They continue to collaborate on the Universal Short Title Catalogue and have also co-authored The Library: A Fragile History (2021). Erika Monahan is the author of The Merchants of Siberia: Trade in Early Modern Eurasia (Cornell UP, 2016) and a 2023-2024 Alexander von Humboldt Fellow Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

A full transcript of the interview is available for accessibility. Mara Mills and Rebecca Sanchez's Crip Authorship: Disability as Method (NYU Press, 2023)is an expansive volume presenting the multidisciplinary methods brought into being by disability studies and activism. Mara Mills and Rebecca Sanchez have convened leading scholars, artists, and activists to explore the ways disability shapes authorship, transforming cultural production, aesthetics, and media. Starting from the premise that disability is plural and authorship spans composition, affect, and publishing, this collection of thirty-five compact essays asks how knowledge about disability is produced and shared in disability studies. Disability alters, generates, and dismantles method. Crip authorship takes place within and beyond the commodity version of authorship, in books, on social media, and in creative works that will never be published. The chapters draw on the expertise of international researchers and activists in the humanities, social sciences, education, arts, and design. Across five sections—Writing, Research, Genre/Form, Publishing, Media—contributors consider disability as method for creative work: practices of writing and other forms of composition; research methods and collaboration; crip aesthetics; media formats and hacks; and the capital, access, legal standing, and care networks required to publish. Designed to be accessible and engaging for students, Crip Authorship also provides theoretically sophisticated arguments in a condensed form that will make the text a key resource for disability studies scholars. Mara Mills is Associate Professor in the Department of Media, Culture, and Communication at New York University, where she co-founded and co-directs the Center for Disability Studies. Rebecca Sanchez is Professor of English and director of the disability studies program at Fordham University. An open access version of Crip Authorship can be found at Open Square of NYU Press. Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the Un/Livable Cultures podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Acclaimed Washington Post reporter Taylor Lorenz presents a groundbreaking social history of the internet—revealing how online influence and the creators who amass it have reshaped our world, online and off. For over a decade, Taylor Lorenz has been the authority on internet culture, documenting its far-reaching effects on all corners of our lives. Her reporting is serious yet entertaining and illuminates deep truths about ourselves and the lives we create online. In her debut book, Extremely Online: The Untold Story of Fame, Influence, and Power on the Internet (Simon & Schuster, 2023), she reveals how online influence came to upend the world, demolishing traditional barriers and creating whole new sectors of the economy. Lorenz shows this phenomenon to be one of the most disruptive changes in modern capitalism. By tracing how the internet has changed what we want and how we go about getting it, Lorenz unearths how social platforms’ power users radically altered our expectations of content, connection, purchasing, and power. Lorenz documents how moms who started blogging were among the first to monetize their personal brands online, how bored teens who began posting selfie videos reinvented fame as we know it, and how young creators on TikTok are leveraging opportunities to opt out of the traditional career pipeline. It’s the real social history of the internet. Emerging seemingly out of nowhere, these shifts in how we use the internet seem easy to dismiss as fads. However, these social and economic transformations have resulted in a digital dynamic so unappreciated and insurgent that it ultimately created new approaches to work, entertainment, fame, and ambition in the 21st century. Taylor Lorenz is a columnist at The Washington Post covering technology and online culture. Previously she was a technology reporter for the New York Times' business section and a technology reporter at the Atlantic and the Daily Beast. She was a 2019 Knight Visiting Nieman Fellow at Harvard University, where her research focused on Instagram and news consumption. She is a former affiliate at Harvard's Berkman Klein Center for Internet and Society and serves on the board of the Alliance for Technology, Learning and Society (ATLAS) Institute at the University of Colorado at Boulder. And for the purposes of this conversation, I’ll note she has 344.7 thousand followers on Twitter or X or whatever that guy calls his website these days and some 500,000 followers on TikTok. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Ben Whaley’s Toward a Gameic World: New Rules of Engagement from Japanese Video Games (U Michigan Press 2023) examines the pathbreaking engagement strategies of four Japanese video games produced between 2002 and 2015. Each of these “persuasive games” deploys a distinct strategy of engagement to push players to engage with real-world social issues and traumas: Disaster Report (2002) takes on natural disasters, Catherine (2011) addresses Japan’s declining birthrate and aging population, Metal Gear Solid V (2015, after the March 2011 Fukushima triple disaster) takes on nuclear proliferation, and The World Ends with You (2007) faces the issue of social withdrawal. These games differ in genre, platform, and mechanics, but as Whaley shows, they share an interest in using the immersive, multimedia, boundary-crossing experience of gaming to create an emotive, “persuasive” experience that prods gamers to engage with these “IRL” issues in new ways. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

For too long, our system of higher education has been defined by scarcity: scarcity in enrollment, scarcity in instruction, and scarcity in credentials. In addition to failing students professionally, this system has exacerbated social injustice and socioeconomic stratification across the globe. In The Abundant University, Michael D. Smith argues that the only way to create a financially and morally sustainable higher education system is by embracing digital technologies for enrolling, instructing, and credentialing students—the same technologies that we have seen create abundance in access to resources in industry after industry. The Abundant University: Remaking Higher Education for a Digital World (MIT Press, 2023) explains how we got our current system, why it’s such an expensive, inefficient mess, and how a system based on exclusivity cannot foster inclusivity. Smith challenges the resistance to digital technologies that we have already seen among numerous institutions, citing the examples of faculty resistance toward digital learning platforms. While acknowledging the understandable self-preservation instinct of our current system of residential education, Smith makes a case for how technology can engender greater educational opportunity and create changes that will benefit students, employers, and society as a whole. Smith, the J. Erik Johnson Chaired Professor of Information Technology and Marketing at Carnegie Mellon University, argues that American higher education is subject to market forces just like any other industry. Forbes says, “With a straightforward, conversational style, Smith succeeds in portraying the current problems bearing down on higher education and offering a set of bold solutions for a future where he envisions a college education becoming ‘more open, flexible, inclusive, and lower-priced.’ The Abundant University is a provocative book that should be read by higher ed insiders as well as those in the general public who care about expanding the reach and the impact of higher education.” John Emrich has worked for decades in corporate finance, investment management, and corporate strategy. He has a podcast about the investment advisory industry called Kick the Dogma. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

New York Times tech reporter Kashmir Hill was skeptical when she got a tip about a mysterious app called Clearview AI that claimed it could, with 99 percent accuracy, identify anyone based on just one snapshot of their face. The app could supposedly scan a face and, in just seconds, surface every detail of a person’s online life: their name, social media profiles, friends and family members, home address, and photos that they might not have even known existed. If it was everything it claimed to be, it would be the ultimate surveillance tool, and it would open the door to everything from stalking to totalitarian state control. Could it be true? In this riveting account, Hill tracks the improbable rise of Clearview AI, helmed by Hoan Ton-That, an Australian computer engineer, and Richard Schwartz, a former Rudy Giuliani advisor, and its astounding collection of billions of faces from the internet. The company was boosted by a cast of controversial characters, including conservative provocateur Charles C. Johnson and billionaire Donald Trump backer Peter Thiel—who all seemed eager to release this society-altering technology on the public. Google and Facebook decided that a tool to identify strangers was too radical to release, but Clearview forged ahead, sharing the app with private investors, pitching it to businesses, and offering it to thousands of law enforcement agencies around the world. Facial recognition technology has been quietly growing more powerful for decades. This technology has already been used in wrongful arrests in the United States. Unregulated, it could expand the reach of policing, as it has in China and Russia, to a terrifying, dystopian level. Your Face Belongs to Us: A Secretive Startup's Quest to End Privacy as We Know It (Random House, 2023) is a gripping true story about the rise of a technological superpower and an urgent warning that, in the absence of vigilance and government regulation, Clearview AI is one of many new technologies that challenge what Supreme Court Justice Louis Brandeis once called “the right to be let alone.” Jake Chanenson is a computer science Ph.D. student at the University of Chicago. Broadly, Jake is interested in topics relating to HCI, privacy, and tech policy. Jake’s work has been published in top venues such as ACM’s CHI Conference on Human Factors in Computing Systems. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The New True Crime: How the Rise of Serialized Storytelling Is Transforming Innocence (NYU Press, 2023) by Dr. Diana Rickard examines how serialized crime shows became an American obsession. TV shows and podcasts like Making a Murderer, Serial, and Atlanta Monster have taken the cultural zeitgeist by storm, and contributed to the release of wrongly imprisoned people—such as Adnan Syed. The popularity of these long-form true crime docuseries has sparked greater attention to issues of inequality, power, social class, and structural racism. More and more, the American public is asking, Who is and is not deserving of punishment, and who is and is not protected by the law? In The New True Crime, Dr. Rickard argues that these new true crime series deserve our attention for what they reveal about our societal understanding of crime and punishment, and for the new light they shine on the inequalities of the criminal justice system. Questioning the finality of verdicts, framing facts as in the eye of the beholder—these new series unmoor our faith in what is knowable, even as, Rickard critically notes, they often blur the lines between “fact” and “fiction.” With a focus on some of the most popular true crime podcasts and streaming series of the last decade, Dr. Rickard provides an in-depth analysis of the ways in which this new media—which allows for binge-listening or watching—makes crime into a public spectacle and conveys ideological messages about punishment to its audience. Entertainment values have always been entwined with crime news reporting. Newsworthy stories, Rickard reminds us, need to involve sex, violence, or a famous person, and contain events that can be framed in terms of individualism and conservative ideologies about crime. Even as these old tropes of innocent victims and deviant bad guys still dominate these docuseries, Dr. Rickard also unpacks how the new true crime has been influenced by the innocence movement, a diverse group of organizers and activists, be they journalists, lawyers, formerly incarcerated people, or family members, who now have a place in mainstream consciousness as DNA evidence exonerates the wrongly convicted. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Video games are temporal artifacts: They change with time as players interact with them in accordance with rules. In Time and Space in Video Games: A Cognitive-Formalist Approach (Transcript, 2020), Federico Alvarez Igarzábal investigates the formal aspects of video games that determine how these changes are produced and sequenced. Theories of time perception drawn from the cognitive sciences lay the groundwork for an in-depth analysis of these features, making for a comprehensive account of time in this novel medium. This book-length study dedicated to time perception and video games is an indispensable resource for game scholars and game developers alike. Its reader-friendly style makes it readily accessible to the interested layperson. Federico Alvarez is a scholar of games and play working at the intersection of aesthetics and cognitive science. He specializes in time in video games, both concerning the formal analysis of the medium and the psychology of time perception. This combination of fields has allowed him to work on national and international projects both in the humanities (game studies, media studies) and the natural sciences (psychology, neuroscience), combining theoretical and experimental approaches. Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Society and democracy are ever threatened by the fall of fact. Rigorous analysis of facts, the hard boundary between truth and opinion, and fidelity to reputable sources of factual information are all in alarming decline. A 2018 report published by the RAND Corporation labeled this problem "truth decay" and Andrew J. Hoffman lays the challenge of fixing it at the door of the academy. But, as he points out, academia is prevented from carrying this out due to its own existential crisis—a crisis of relevance. Scholarship rarely moves very far beyond the walls of the academy and is certainly not accessing the primarily civic spaces it needs to reach in order to mitigate truth corruption. In this brief but compelling book, Hoffman draws upon existing literature and personal experience to bring attention to the problem of academic insularity—where it comes from and where, if left to grow unchecked, it will go—and argues for the emergence of a more publicly and politically engaged scholar. The Engaged Scholar: Expanding the Impact of Academic Research in Today’s World (Stanford UP, 2021) is a call to make that path toward public engagement more acceptable and legitimate for those who do it; to enlarge the tent to be inclusive of multiple ways that one enacts the role of academic scholar in today's world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Addressing plastics can feel overwhelming. Guilt, shame, anger, hurt, fear, dismissiveness, and despair abound. Beyond Straw Men: Plastic Pollution and Networked Cultures of Care (U California Press, 2023) moves beyond "hot take" or strawman fallacies by illustrating how affective counterpublics mobilized around plastics reveal broader stories about environmental justice and social change. Inspired by on- and offline organizing, Pezzullo engages public controversies, policies, and headline-making advocates in Bangladesh, Kenya, the US, and Vietnam through hashtag activism, campaign materials, and her podcast, Communicating Care. She argues that plastics have become an entry point into contested environmental politics, including carbon-heavy masculinity, carceral policies, planetary fatalism, eco-ableism, greenwashing, marine life endangerment, pollution colonialism, and waste imperialism. Attuned to plastic attachments, Beyond Straw Men shares how unsustainable patterns of the plastics-industrial complex are resisted through imperfect but impactful networked cultures of care. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How do affective sites such as memorials and statues produce political visions, emotions, and opportunities? And how are they used strategically to further particular political projects? In this episode, we discuss these questions with Rahul Ranjan with specific reference to his new book The Political Life of Memory: Birsa Munda in Contemporary India (Cambridge UP, 2023). The book engages these issues by examining representations of Birsa Munda’s political life and the making of anticolonialism in contemporary Jharkhand. By highlighting contrasting features of political imaginations deployed in developing memorial landscapes, Ranjan shows how both the state and Adivasi use memory as a political tool to lay claims to the past of the Birsa Movement. Rahul Ranjan is an interdisciplinary scholar with a key interest in environmental anthropology and humanities, political ecology and social justice. He is currently a Postdoctoral Research Fellow at the Oslo Metropolitan University, Norway. Kenneth Bo Nielsen is an Associate Professor at the Department of Social Anthropology at the University of Oslo and one of the leaders of the Norwegian Network for Asian Studies. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

With no known cause or cure despite a century of research, Alzheimer's disease is a true medical mystery. In Mediating Alzheimer's: Cognition and Personhood (U Minnesota Press, 2022), Scott Selberg examines the nature of this enduring national health crisis by looking at the disease's relationship to media and representation. He shows how collective investments in different kinds of media have historically shaped how we understand, treat, and live with this disease. Selberg demonstrates how the cognitive abilities that Alzheimer's threatens--memory, for example--are integrated into the operations of representational technologies, from Polaroid photographs to Post-its to digital artificial intelligence. Focusing on a wide variety of media technologies, such as neuroimaging, art therapy, virtual reality, and social media, he shows how these cognitively oriented media ultimately help define personhood for people with Alzheimer's. Media have changed the practices of successful aging in the United States, and Selberg takes us deep into how technologies like digital brain-training and online care networks shape ideas of cognition and healthy aging. Packed with startlingly fresh insights, Mediating Alzheimer's contributes to debates around bioethics, the labor of caregiving, and a national economy increasingly invested in communication and digital media. Probing the very technologies that promise to save and understand our brains, it gives us new ways of understanding Alzheimer's disease and aging in America. Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio. On Twitter: @slissw. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Recent thinking has resuscitated civility as an important paradigm for engaging with a violence that must be deemed endemic to our lives. But, while it is widely acknowledged that civility works against violence, and that literature generates or accompanies civility and engenders tolerance, civility has also been understood as violence in disguise, and literature, which has only rarely sought to claim the power of violence, has often been accused of inciting it. Engaging Violence: Civility and the Reach of Literature (Stanford UP, 2022) sets out to describe the ways in which these words—violence, literature and civility—and the concepts they evoke are mutually entangled, and the uses to which these entanglements have been put. Simpson's argument follows a broadly historical trajectory through the long modern period from the Renaissance to the present, drawing on the work of historians, political scientists, literary scholars and philosophers. The result is a distinctly new argument about the complex and often mystified entanglements between literature, civility and violence in the anglophone Atlantic sphere. What now are our expectations of civility and literature, separately and together? How do these long-familiar but residually imprecise concepts stand up to the demands of the modern world? Simpson's argument is that, despite and perhaps because of their imperfect conceptualization, both persist as important protocols for the critique of violence. David Simpson is Distinguished Professor and G.B. Needham Chair, emeritus, at the University of California, Davis. His most recent book is States of Terror: History, Theory, Literature (2019). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

There are few grand narratives that loom over Asian Americans more than the “model minority.” While many Asian Americanist scholars and activists aim to disprove the model minority as “myth,” author Takeo Rivera instead rethinks the model minority as cultural politics. Rather than disproving the model minority, Rivera instead argues that Asian Americans have formulated their racial and gendered subjectivities in relation to what Rivera terms “model minority masochism.” Examining hegemonic masculine Asian American cultural performance across multiple media, from literature and theater to videogames and activist archives, Rivera details two complementary forms of contemporary racial masochism: a self-subjugating masochism which embraces the model minority, and its opposite, a self-flagellating masochism that punishes oneself for having been associated with the model minority at all. Listen in as we discuss his book Model Minority Masochism: Performing the Cultural Politics of Asian American Masculinity (Oxford UP, 2022) Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Avery Dame-Griff's The Two Revolutions: A History of the Transgender Internet (NYU Press, 2023) explores how the rise of the internet shaped transgender identity and activism from the 1980s to the present. Through extensive archival research and media archeology, Avery Dame-Griff reconstructs the manifold digital networks of transgender activists, cross-dressing computer hobbyists, and others interested in gender nonconformity who incited the second revolution of the title: the ascendance of “transgender” as an umbrella identity in the mid-1990s. Dame-Griff argues that digital communications sparked significant momentum within what would become the transgender movement, but also further cemented existing power structures. Covering both a historical period that is largely neglected within the history of computing, and the poorly understood role of technology in queer and trans social movements, The Two Revolutions offers a new understanding of both revolutions—the internet’s early development and the structures of communication that would take us to today’s tipping point of trans visibility politics. Through a history of how trans people online exploited different digital infrastructures in the early days of the internet to build a community, The Two Revolutions tells a crucial part of trans history itself. Scholars and Works Mentioned in the Episode Queer Digital History Project Alladi Venkatesh, Computers and Other Interactive Technologies for the Home (pdf) Charlton D. McIlwain, Black Software: The Internet & Racial Justice, from the AfroNet to Black Lives Matter Megan Sapnar Ankerson Avery Dame-Griff, Mapping the Territory: Archiving the Trans Website in an Age of Search Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How can writing for the general public help scholars to democratize education? Today, The Conversation editor Emily Costello takes us behind the scenes of a “typical” day at her editor’s desk, and shares how The Conversation partners with academics to help them communicate their expertise to a general audience. More about The Conversation: They publish articles written by academic experts for the general public, and edited by a team of journalists. These articles share researchers’ expertise in policy, science, health, economics, education, history, ethics and most every subject studied in colleges and universities. Some articles offer practical advice grounded in research, while others simply provide authoritative answers to questions that spark curiosity. The Conversation U.S. is part of a global group of news organizations founded in Australia in 2011 by a former newspaper editor who wanted to encourage academics to engage with the public. Their main US newsroom is in Boston, with editors working remotely in cities across the country. There are also editions in Africa, Australia, Canada, France, Indonesia, New Zealand, Spain and the United Kingdom. Through a Creative Commons license, all articles are distributed – at no charge – to news organizations across the geographic and ideological spectrum. More about our guest: Emily Costello is the managing editor of The Conversation US, a non-profit newsroom with the mission of bringing academic expertise to the public. The Conversation's content and newsletters are free to read and free for other media to republish. Emily is responsible for directing coverage by the newsroom's 22 editors, making sure The Conversation's articles are of consistent high quality and working with external media partners. She hosts a weekly Sunday newsletter featuring the most read stories of the week. Emily has a professional interest in nonprofit journalism models, greening of news deserts and brainstorming best practices. She has worked in many types of media, including local newspapers, public television and radio, and childrens' books and magazines. Emily is a graduate of the Columbia University Graduate School of Journalism and Barnard College. She is a member of the first journalism cohort for Take the Lead: 50 Women Can Change the World. ore about our host: Dr. Christina Gessler holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. She is a freelance book editor, and has served as content director and producer of the Academic Life podcast since she launched it in 2020. The Academic Life is proud to be an academic partner of the New Books Network. Listeners to this episode may be interested in: Becoming the Writer You Already Are, by Michelle Boyd Revise, by Pamela Haag How Writing Works: A Field Guide to Effective Writing, by Roslyn Petelin Writing with Pleasure, by Helen Sword Subatomic Writing: Fundamental Lessons to Make Language Matter, by Jamie Zvirdoin Listeners may be interested in these Academic Life episodes: Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities. Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The Disney Princesses are a billion-dollar industry, known and loved by children across the globe. In The Disney Princess Phenomenon: A Feminist Analysis (Bristol University Press, 2023) Dr. Robyn Muir provides an exploratory and holistic examination of this worldwide commercial and cultural phenomenon in its key representations: films, merchandising and marketing, and park experiences. Muir highlights the messages and images of femininity found within the Disney Princess canon and provides a rigorous and innovative methodology for analysing gender in media. Including an in-depth examination of each princess film from the last 83 years, the book provides a lens through which to view and understand how Disney Princesses have contributed to the depiction of femininity within popular culture. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Scripts of Power: Writing, Language Practices, and Cultural History in Western India (Permanent Black, 2023) is a cultural history of western India from a fascinatingly new perspective: language use, writing practices, and relations of power. Its principal focus is the Modi script, a cursive form widely used for writing the Marathi language from the medieval era until quite recently. Examining the changing domains in which Modi flourished and declined over several centuries, Deshpande charts the interconnections of writing, script, language use, and structures of social and regional power in early-modern and modern South Asia. Positioning the career of this cursive form within a cluster of scripts, documents, and language practices, Scripts of Power tracks changing meanings within literate groups, bureaucratic power, and linguistic identity. It presents a critical genealogy of diverse power relations that produced the “regional vernaculars” of the Indian subcontinent – many of which, including Marathi, are official state languages in India today. Deshpande’s cultural history reveals multiple fractures in language at its sites of usage over time. It unsettles the notions of language as merely instrumental for communication, or as a primordial basis for identity, and makes us see language as history and practice. In deploying script as its entry point for large reflections on the relationship of politics with language, identity, and power, this book will fascinate and absorb all who are interested in Indian cultural history. Prachi Deshpande is Associate Professor of History at the Centre for Studies in Social Sciences, Calcutta. Her research areas are language histories, cultures of documentation and multilinguality, historiography, and memory. She is the author of Creative Pasts: Historical Memory and Identity in Western India, 1700–1960 (Columbia University Press and Permanent Black, 2007), and has taught previously at, among other places, the University of California, Berkeley. She won the Infosys Prize for Humanities in 2020. Niharika Yadav is a postdoctoral fellow in South Asian History at Macalester College. Her research interests connect the histories of political and literary practices with studies of language, caste, and gender in postcolonial India, and on a broader scale, with global histories of democracy and socialism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What role do algorithms play in the construction of images and the representation of the world and weather in computer games? How does the design of rooms, levels and topographies influence the decisions and behavior of the players? Is Brutalism the first genuine architectural style of computer games? What is the importance of landscape gardens and national parks in structuring game worlds? How is nature represented in times of climate change? Particularly in the last 20 years, digital game worlds are adapting features of the physical real world more meticulously than ever before. Through elaborate production processes and complex visualization strategies, the adaptation to the rest of our everyday world is always created in dependence on game mechanics and worldliness. As can be seen at the latest in the example of open-world games, the adoption of certain worldviews and visual traditions leads to ideological implications that go far beyond the narrative conventions transferred from other media formats that have been the focus of research so far. With his theory of architecture as a medial hinge, Marc Bonner reveals that digital game worlds exhibit media-specific properties that were previously out of reach and awaited exploration. By interweaving concepts from media studies, game studies, philosophy, architectural theory, human geography, landscape theory, and art history, among others, Bonner develops a transdisciplinary theoretical model and, using the analytical methods developed from it, makes it possible for the first time to understand and name the complex structure of today's computer games - from indie games to AAA open worlds. Open World Structures (Offene-Welt-Strukturen (Büchner-Verlag, 2023)) makes the architectonics of digital game worlds comprehensively accessible. Rudolf Inderst is a professor of Game Design at the IU International University of Applied Science. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In A Feminist Reading of China’s Digital Public Sphere (Palgrave Pivot, 2020), Altman Yuzhu Peng articulates how feminism and pseudo-feminism become confused in contemporary Chinese society, and how this confusion is invoked by misogynist voices to boycott feminist movements in China’s digital public sphere. Peng examines how Western women politicians are stereotyped from a gendered lens in China’s digital public sphere, and how this gendered stereotyping reflects the continuous exclusion of Chinese women in politics and beyond. The book examines how nationalist sentiment and patriarchal values converge in the Chinese context, and how nationalist rhetoric is deployed by misogynists to distort gender-issue debates in China’s digital public sphere. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Stephen Ramsey's On the Digital Humanities: Essays and Provocations (University of Minnesota Press, 2023) is a witty and incisive exploration of the philosophical conundrums that animate the digital humanities. Since its inception, the digital humanities has been repeatedly attacked as a threat to the humanities: warnings from literary and cultural theorists of technology overtaking English departments and the mechanization of teaching have peppered popular media. Stephen Ramsay’s On the Digital Humanities, a collection of essays spanning the personal to the polemic, is a spirited defense of the field of digital humanities. A founding figure in what was once known as “humanities computing,” Ramsay has a well-known and contentious relationship with what is now called the digital humanities (DH). Here Ramsay collects and updates his most influential and notorious essays and speeches from the past fifteen years, considering DH from an array of practical and theoretical perspectives. The essays pursue a broad variety of themes, including the nature of data and its place in more conventional notions of text and interpretation, the relationship between the constraints of computation and the more open-ended nature of the humanities, the positioning of practical skills and infrastructures in both research and pedagogical contexts, the status of DH as a program for political and social action, and personal reflections on the author’s journey into the field as both a theorist and a technologist. These wide-ranging essays all center around one idea: that DH not forsake its connection to the humanities. While “digital humanities” may sound like an entirely new form of engagement with the artifacts of human culture, Ramsay argues that the field well reveals what is most essential to humanistic inquiry. Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Is the raw material of literature the paper, ink, vellum, paphyrus, and increasingly electronic data that it is inscribed on? Or is the stuff of literature the storehouse of tropes, techniques, and plots that authors draw from? And what kind of labor is the process of transforming that matter into literature? Earlier this year, Taylor Cowdery published an academic study on just this subject. The title of Taylor’s book is Matter and Making in Early English Poetry: Literary Production from Chaucer to Sidney (Cambridge University Press, 2023). Through case studies of Chaucer’s Canterbury Tales, Gower’s Confessio Amantis, Thomas Hoccleve’s Series, and Thomas Wyatt’s poetry, Taylor captures a wide discourse around creativity and originality. Taylor is Associate Professor of English and Robert M. Lumiansky Fellow at the University of North Carolina, Chapel Hill. Taylor also serves as the Director of the Program in Medieval and Early Modern Studies, and Taylor’s writing has been published in ELH, Studies in the Age of Chaucer, and The Legacy of Boethius in Medieval England. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications