Victoria Adukwei Bulley & André Naffis-Sahely: Quiet/High Desert
<p>Two exciting young poets were at the shop to read from and talk about their work. Victoria Adukwei Bulley’s debut poetry collection <em>Quiet</em> (Faber) circles around ideas of Black interiority, intimacy and selfhood. ‘This book is a seismic event,’ writes Kayo Chingonyi. ‘Its vibrations will be felt for a long time to come.’&nbsp;</p><br><p>Editor of Poetry London André Naffis-Sahely’s second collection <em>High Desert</em> (Bloodaxe) is a psychedelic journal of end-times and an ode to the American Southwest, encompassing wildfires, Spanish colonial history, racial tensions and the recent pandemic.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>
London Review Bookshop Podcast
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Show Notes
Two exciting young poets were at the shop to read from and talk about their work. Victoria Adukwei Bulley’s debut poetry collection Quiet (Faber) circles around ideas of Black interiority, intimacy and selfhood. ‘This book is a seismic event,’ writes Kayo Chingonyi. ‘Its vibrations will be felt for a long time to come.’
Editor of Poetry London André Naffis-Sahely’s second collection High Desert (Bloodaxe) is a psychedelic journal of end-times and an ode to the American Southwest, encompassing wildfires, Spanish colonial history, racial tensions and the recent pandemic.
Hosted on Acast. See acast.com/privacy for more information.